Tracklist:
A1 Reboot - All Live Is Good
A2 Reboot - Are You Loosing My Mind
A3 Reboot - Timelive
B1 Reboot - Just Hang On
B2 Reboot - Foxfidelity
C1 Reboot - Tea Time
C2 Reboot - 12 PM
D1 Reboot - Indigo Moods
D2 Reboot - For A Shadow To Dance With
D3 Reboot - Whilst The Others Dream

Short info:
Adding on to his extensive discography, Reboot has curated a fresh journey through his world with the aLIVE LP on Get Physical Music. A diverse selection worthy of the international dancefloor, the LP contains the culmination of the artist's long career and the many experiences, stories and inspirations that come with that.The LP includes a free download code for the full digital album + remixes from Ricardo Villalobos, Kölsch, ANNA & Nakadia.



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Strictly Limited to 500 copies!

Tracklist:
A1 Reboot - Are You Loosing My Mind (Vinyl Version)
A2 Reboot- Are You Loosing My Mind (Ricardo Villalobos Hauswiedermischung)
B Reboot- Are You Loosing My Mind (Ricardo Villalobos Losing My Miles Remix)

Short info:
Reboot takes another slice from his recent album 'Alive' out for a walk. This time it's 'Are You Losing My Mind?'. First we're treated to the vinyl version full of everything we loved from the original. A stripped down tech house beat sprinkled with a might vocal hymn and plenty of groove. Then Ricardo takes over the track with his own very particular style. He's made two distinct versions, 'Hauswiedermischung' is first. As he's known to do, Villalobos created a kind of chaos in which the track lives without ever losing the groove and with plenty of little surprises to discover throughout. Next is Ricardo's twenty four minute 'Losing my Miles' remix, and here is where he really loosens the grip on the track and lets it wander in and out of coherence, taking it and us along for a special ride that only Ricardo can deliver. From beginning to end, you don't know what to expect but you know it when it comes. Get it, press play, and lose your mind.


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UPC 827170141926 Rel date 27.1.2014
Tracklist LP: A1 Tortoise B1 Harsh Time For Kids C1 Che Meloni D1. Banging Ear Drums
DEEP VIBES RECORDINGS returns to the fore with none other than notorious Frank Heinrich aka REBOOT, purveyor of masterfully crafted rhythm etudes and a highly respected member of Frankfurt's vibrant house scene. With DEEP_V, the Offenbach-bred producer brings his seething second album to Sascha Dive's imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer. The Reboot project certainly hasn't lost his flair for fine-grained, impressively bendy tracks since the very first full-length offering "Shunyata" on Luciano's legendary Cadenza outlet, presenting a new set of underground cuts deeply ingrained in dance music's rich history of kinetic hypnotism. Honed to perfection, opening jam TORTOISE sets the tone with a pleasantly relaxed jog in the company of seemingly scattered drum fragments, nevertheless revealing a deliberate focus and polymorphic confidence at every turn. Following microbangers HARSH TIME FOR KIDS and CHE MELONI occupy themselves with slowly raising the stakes, growing bolder with each sequence and populating the dance floor with snazzy moves. The build-up leads to neotribal workout BANGING EAR DRUMS captivating the senses with a fine assortment of airy samples and driving drum patterns. Together with CD bonus tracks TANTRIC BEHAVIOURS and HOW PROVINCE SAVED THE FUNK - both every bit as oscillatory as their vinyl relatives -, this makes for a rather complete package from an artist who already excels at the art of living, breathing beats, but keeps on getting better before our very ears.
Vital Sales Points:
- Second Album by Reboot aka Frank Heinrich
- Releases on Cadenza, Below, Defected, La Pena, Oslo
- Extensive Global Promo + Tour







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UPC 827170131927 Rel date 27.1.2014
Tracklist CD: 1. Tortoise 2. Harsh Time For Kids 3. Che Meloni 4. Banging Ear Drums 5. Tantric Behaviours 6. How Province Saved The Funk
DEEP VIBES RECORDINGS returns to the fore with none other than notorious Frank Heinrich aka REBOOT, purveyor of masterfully crafted rhythm etudes and a highly respected member of Frankfurt's vibrant house scene. With DEEP_V, the Offenbach-bred producer brings his seething second album to Sascha Dive's imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer. The Reboot project certainly hasn't lost his flair for fine-grained, impressively bendy tracks since the very first full-length offering "Shunyata" on Luciano's legendary Cadenza outlet, presenting a new set of underground cuts deeply ingrained in dance music's rich history of kinetic hypnotism. Honed to perfection, opening jam TORTOISE sets the tone with a pleasantly relaxed jog in the company of seemingly scattered drum fragments, nevertheless revealing a deliberate focus and polymorphic confidence at every turn. Following microbangers HARSH TIME FOR KIDS and CHE MELONI occupy themselves with slowly raising the stakes, growing bolder with each sequence and populating the dance floor with snazzy moves. The build-up leads to neotribal workout BANGING EAR DRUMS captivating the senses with a fine assortment of airy samples and driving drum patterns. Together with CD bonus tracks TANTRIC BEHAVIOURS and HOW PROVINCE SAVED THE FUNK - both every bit as oscillatory as their vinyl relatives -, this makes for a rather complete package from an artist who already excels at the art of living, breathing beats, but keeps on getting better before our very ears.
Vital Sales Points:
- Second Album by Reboot aka Frank Heinrich
- Releases on Cadenza, Below, Defected, La Pena, Oslo
- Extensive Global Promo + Tour


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Beginning his relationship with Cadenza back in 2008, German production wizard Reboot has since frequented the label, his solid tech house soundscapes and innate ability to keep his musical structure moving forward being catalyst to his reputable name. Following the incredible 'Shunyata' album on Cadenza in 2010, Reboot is back on the imprint with the 'Beautiful Parasite' EP, including two remixes from Robert Dietz and Cesar Merveille.
Intense and suitably finickety, Reboot's 'Beautiful Parasite' plays with glitches, sparks and tight wooden percussion patterns to begin. On first glance, it's almost minimal in its confined touches but as a rumbling line of dark bass takes hold, "Beautiful Parasite" switches its identity and takes on a sultry persona. From there the changes come thick and fast with faint strings soaring gently in the background and sporadic cymbal crashes and hand claps creating texture. Reaching its dreamy edge with a warm and melodic mainline, the once stern atmosphere of "Beautiful Parasite" is coated in thick echo, doubled in depth and encased in melody.
First Cadenza comrade to take remix duty is Frankfurt's Robert Dietz. Taking his tribal and percussion heavy signature, Dietz warps "Beautiful Parasite" into a dance killer, enhancing the percussive flow of the original and integrating a rapid bass line that simply can't fail to move. Chopping the melody into stabbing sequences and morphing the bass into an arp'd, electro tinged bomb; "Beautiful Parasite" finds its feet firmly on the dance floor through Robert Dietz's remix. Cesar Merveille shifts the gear up another notch with a gloriously rapid attack for his remix. Chaotic percussion and crunching samples smeared across "Beautiful Parasite's" balmy palette, Cesar injects an exotic and slinky edge.
Lastly, as a digital only bonus, "In The Sky" closes 'Beautiful Parasite' on a fresh note. Introduced with a vocal swoon fit for a diva, "In The Sky" breaks into a contradictory concoction of voltaic beats thereafter. Hissing shakers, plentiful claps and a rubbery bass line collide as the atmosphere moves up and down between subtle builds and breaks. Securing its groove with the epic 'Your Loving Arms' lyrics, "In The Sky" will no doubt cause an elated stomp on dance floors worldwide.


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Emptiness isn't a quality you normally associate with electronic dance music. From the crowd on the associate with electronic dance music. From the crowd on the dancefloor to the weight of the bass, it's all about fullness, volume, density.Reboot turns that opposition on its head with his debut album, Shunyata. The title comes from Buddhism and translates loosely as "emptiness." But not just in the negative sense: it speaks also to impermanence, a state of constant flux.It's a great description of Reboot's music, where everything is in constant and kaleidoscopic motion. And it's also a fitting metaphor for the life of the Frankfurt-based musician, aka Frank Heinrich. In just three years, since his first EP's under the Reboot moniker appeared on Cadenza and Below, he's become one of electronic music's hottest properties, releasing not only a slew of singles for labels like Cocoon, Love Letters from Oslo, Ricardo Villalobos' Sei Es Drum and underground cult fave Motivbank, but also a pair of high-profile mix CDs for Cocoon and Cécille. His live sets and DJ sessions have taken him around the world and then some, several times, playing everywhere from mammoth festival stages to the thatched-roof booth at Ibiza's Ushuaïa. (One look at Reboot's booking schedule, and you can forget about any concept of "emptiness.") "Shunyata describes my way of life pretty well," affirms Heinrich, who just last year left his full-time day job to focus on music. Shunyata might be seen as a response to all that flux. Heinrich took his time with the record, working on musical ideas that extend beyond the limits of a given track. From the sound designs to the grooves to the way the tracks evolve, they all interconnect; intricate polyrhythms wind through the music like ivy, binding the album together.


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In just three years, since his first EP's under the Reboot moniker appeared on Cadenza and Below, he's become one of electronic music's hottest properties, releasing not only a slew of singles for labels likeCocoon, Love Letters from Oslo, Ricardo Villalobos' Sei Es Drum and underground cult fave Motivbank,but also a pair of high-profile mix CDs for Cocoon and Cécille. His live sets and DJ sessions have takenhim around the world and then some, several times, playing everywhere from mammoth festival stages tothe thatched-roof booth at Ibiza's Ushuaïa."Shunyata describes my way of life pretty well," affirms Heinrich, who just last year left his full-time day jobto focus on music. Shunyata might be seen as a response to all that flux. Heinrich took his time with the
record, working on musical ideas that extend beyond the limits of a given track. From the sound designs to the grooves to the way the tracks evolve, they all interconnect; intricate polyrhythms wind through the
music like ivy, binding the album together. It's those rhythms you're likely to notice first: dazzling arrays of congas, bells, cymbals, shakers, woodblocks; sounds that sound like tuned water-drops or aluminum barrels; steely drum machines slicingthe air like knives. But behind the layers of percussion there are stranger, shadowier elements at work:chimes, pings, electronic gurgles, scraps of faraway voices, field recordings, and beneath it all, a spongy,squishy bed of bass, comforting and all-encompassing. Shunyata is very much an album: its long, undulating lines and morphological structures reward deep,repeated listening. Great!
Tracklisting:
01 Uruana
02 Me Show
03 We Only Just
04 Dreilach
05 Save Me
06 Shunyata
07 Hermano
08 Down Pantha
09 Rambon
10 Sanchez Says

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Six years since its founding, Cadenza passes a significant milestone with catalog number 50.And who better to preside over the ceremonies than Reboot, fresh from his album Shunyata and showing no signs of slowing down. Resident Advisor recently named Reboot "one of the most celebrated live acts in all electronic music," and even if you've never seen him, "Rambon" shows plenty of evidence why. The track (which also appears on Shunyata) served as the triumphant closing passage of his BBC Essential Mix back in December, and now, finally, it's here in its full glory.
What's immediately striking about the track is that it doesn't sound like a studio concoction. It has all the spontaneity and dynamics of a storming live performance. It's crafted with a DJ in mind, with one of Reboot's perfect grooves assembling itself almost magically, with every percussive line snapping into place like magnets on metal. But for all the naturalism of the rhythm, there's a powerful sense of strangeness, a kind of ambient undertow, as sounds from the real world (the clatter of dishes, a pitched-down murmur, distant strains of radio) seep in and color the background. The track picks up steam with a succession of tightly looped vocals and subtle percussive buildups; it feels less like a composition than a DJ mix, really, the kind where the parts combine to create something far greater than their sum. And out of that emerges a melody—
not your typical four-bar riff, but a long, unspooling ribbon, a meandering river, a hypnotic lullabye. It is, in a world, spellbinding. For the B-side, Luciano remixes "Uruana," the album's undulating opening cut. Extending the six-minute sketch to 10 minutes and reinforcing its structure, Luciano's mix feels almost like an edit. Of the original song's burbling synthesizers and fluid, rolling drum patterns, he's actually changed very little. But where Reboot's track is slow to build, as though emerging from a heavy mist, Luciano's mix gets right down to business. It begins with a new melody line, one clearly inspired by the original (but at the same time so very Lucianesco), a cautious itter-pat, and foggy, Basic Channel-caliber chords; when the kick drum hits, it's on. For a little over 10 minutes, Luciano extends the vibe, chasing a feeling you can't quite put you finger on, across rippling percussion and bright arpeggios. Like a sparkling mimosa, it's perfectly suited for morning.

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It is a well-known fact that tracks by Reboot have been
playing an outstanding role in last year's Cocoon Season.
After all, the 30 year old Frankfurt-based producer Frank
Heinrich already did run riot together with Johnny D., within
a sort-of live jam session on the "Disco Invaders" Cocoon
Ibiza Summer Mix CD. So, it is even more surprising that
the first Reboot 12" on Cocoon is released only now, after
releases on Below and Cadenza. With its tribalistic touch,
"Ronson" is rapidly making clear where the journey will
lead to: with alarm sirens and discharges of compressed
air, Heinrich appears uncompromisingly energetic like
never before, but stays maximally pumping and always
sexy. Somehow more observant, the polyrhythmic and
percussive "Mirasierra" gives the tired dancers a short
break, even if the dub-ornamented bass line sometimes
creates quite discoid moments of luck. By all means, those
two tracks are very suitable for what seem to be the
tropical moments within cold winter nights.

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Genres: electronica / techno / downtempo


Tracklist:

A. Atypic (Black Dog Productions) - Otaku (08:56)
B. Anaconda - Ideas For Virtual Reality (10:25)

Release Info:

Indulge in a delicious audiophile preview with this Appetizer 12" from the upcoming 2024 compilation by Swiss DJ Princess P. This musical amuse-bouche offers a taste of her eclectic sound, in anticipation of her full, richly curated collection.

Swiss DJ Princess P, known for her eclectic sound, has been a dynamic presence in the electronic scene since the 90s. From her early days exploring house music to working at Plattfon Records, she's honed a genre-defying style. Her sets, a blend of savory house with indie and techno, are renowned at clubs and festivals alike, showcasing her deep musical knowledge and innovative spirit.

Half Speed Cutting and mastering by Sidney Meyer @ EBS Berlin Studios (formerly Deutsche Grammophon).

Liner notes by Kirk Degiorgio


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GENRE/S:

House, House / Techno

TRACKLISTS:

A: DIGNITY (Manuel Tur Remix)
B: DIGNITY (Manuel Tur Dub)

SHORT INFO:

Manuel Tur presents two previously unreleased remixes of Estonian-Swiss singer, pianist and composer Ingrid Lukas and her song "DIGNITY", taken from last year's album "ELUMELOODIA". It is the second remix collaboration between Ingrid and Manuel since "We Are", which was released in 2016 as part of Innervisions' "Secret Weapons" series.
DJ support from: Black Coffee, Axel Boman, Terry Francis, Hyenah, Adriatique, Colin Dale, Hunter/Game, Jonathan Kaspar, Santiago Garcia, Âme, Marco Carola, Nicolas Masseyeff, Bog, Kadosh, Luke Garcia




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LP
GENRE/S: Synth Pop, Experimental, Minimal, New Wave

- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era


TRACKLISTS:

Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan

Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile

SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.


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