1LP in Gatefold Sleeve, 180g Vinyl
Tracklist LP:

Tracklist

A1. Aroon
A2. Morning Star
A3. Point & Figure
A4. Heikin-Ashi
A5. TRIX
B1. Keltner & Chalkin
B2. Ichimoku
B3. Donchian Reprise
B4. Boolean Hawks
B5. Evening Star

Shortinfo:

Mark Barrott is the man behind International Feel, Roca, Future Loop Foundation, as well as being a founding of the Balearic boy-band “Talamanca System” alongside Gerd Janson & Lauer.
Nature Sounds of The Balearics is Mark’s debut LP on Running Back Incantations.

Most music does not come out of nowhere. Arising and appearing in a pre-existing system of influences, cross-references, roots, memories and desires, it either directly points towards a heritage or into the future. Mark Barrott’s Nature Sounds of the Balearics is a bit of both. The mastermind behind the International Feel label and the Sketches from an Island series presents an intermediary.

Technically, it’s his departure from a software based workflow and onto (or back to) a hardware driven creative point of view.

Philosophically, it deals with the schizophrenia of our times: the late Paul Virgilio’s dromology and logistics of perception versus a decelerated life outside of cities, internet algorhythmics (sic!) versus meditation, the excessive stock market (all track titles are derivates of that world) against a tactile way of living.

Musically, it is the outcome of what Barrott himself described as his „techno album“. For people whose definition of techno has to do with speed (again) and kick drums that might seem like a misinterpretation. Listeners who remember the Artificial Intelligence and Freezone compilations, various chill out channels or Detroit’s mellow moments, will tend to agree. „Nature Sounds of the Balearics“ miraculously evokes those days and times, without breaking his neck. It is as much at home in a Caribbean water utopia between dolphins and old fishing boats as it feels current and applicable in a Ridley Scott dystopia. And if meta levels aren't your thing: it’s just a beautiful album.




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Tracklist CD:

Tracklist

1. Aroon
2. Morning Star
3. Point & Figure
4. Heikin-Ashi
5. TRIX
6. Keltner & Chalkin
7. Ichimoku
8. Donchian Reprise
9. Boolean Hawks
10. Evening Star


Shortinfo:
Mark Barrott is the man behind International Feel, Roca, Future Loop Foundation, as well as being a founding of the Balearic boy-band “Talamanca System” alongside Gerd Janson & Lauer.
Nature Sounds of The Balearics is Mark’s debut LP on Running Back Incantations.

Most music does not come out of nowhere. Arising and appearing in a pre-existing system of influences, cross-references, roots, memories and desires, it either directly points towards a heritage or into the future. Mark Barrott’s Nature Sounds of the Balearics is a bit of both. The mastermind behind the International Feel label and the Sketches from an Island series presents an intermediary.

Technically, it’s his departure from a software based workflow and onto (or back to) a hardware driven creative point of view.

Philosophically, it deals with the schizophrenia of our times: the late Paul Virgilio’s dromology and logistics of perception versus a decelerated life outside of cities, internet algorhythmics (sic!) versus meditation, the excessive stock market (all track titles are derivates of that world) against a tactile way of living.

Musically, it is the outcome of what Barrott himself described as his „techno album“. For people whose definition of techno has to do with speed (again) and kick drums that might seem like a misinterpretation. Listeners who remember the Artificial Intelligence and Freezone compilations, various chill out channels or Detroit’s mellow moments, will tend to agree. „Nature Sounds of the Balearics“ miraculously evokes those days and times, without breaking his neck. It is as much at home in a Caribbean water utopia between dolphins and old fishing boats as it feels current and applicable in a Ridley Scott dystopia. And if meta levels aren't your thing: it’s just a beautiful album.



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Germany
Contact: [email protected]More

Tracklist
A1. Jonquera – Cause & Utility
A2. Jonquera – Tales Of Decay
B1. Tolouse Low Trax – Amp
B2. Tolouse Low Trax – Solid Rock

Info:
Avenue 66 opens Series 33 with a Düsseldorf–Lyon connection.
Jonquera first encountered Tolouse Low Trax a decade ago in a small Lyon club. That night, his hypnotic slow-motion set was cut short, yet it left a lasting imprint. The Düsseldorf artist’s mechanical psychedelia, and the influence of the Salon collective have been a constant touchstone for
Jonquera, even inspiring playful “Düsselcore” edits in his Tera Octe days.
After several LPs, Jonquera returns to the EP format with Cause & Utility / Tales of Decay. Built from improvised drum, bass, and vocal recordings, the tracks are reworked through heavy looping and acoustic treatment, a method inspired by his recent live shows. Cause & Utility revolves around the
abstract idea of two dogs as concepts, enriched by the earthy drone of a hurdy-gurdy. Tales of Decay paints a surreal image of a house losing its rooms like a body shedding parts.
The MPC sorcerer Tolouse Low Trax, aka Detlef Weinrich, brings his Düsseldorf circuitry and autobahn funk with two tracks of pure rhythm apparition. Amp is a quintessential Tolouse Low Trax cut, built on concealed rhythmic structures, swampy bass lines, and fragments of radio and voice
samples. The piece extends his exploration of how art can mirror the flow of inner-city traffic; drifting without a clear climax. Solid Rock echoes this idea, first conceived as a variation on Amp where particles repeat themselves. The result is distinct yet conceptually linked, evoking the
density of a crowded neighboring city: beginning in apparent disarray before locking into an abstract, hypnotic funk.
Series 33 begins with the convergence of Jonquera’s looping experiments and Tolouse Low Trax’s mechanical psychedelia, a dialogue between Lyon and Düsseldorf.



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GENRE/S: Techouse

TRACKLIST:
[Vinyl]
A1. Can You Dream
A2. Compass Point
B1. Floating In The Dancehall
B2. Tu Cariño

SHORT INFO:
Swedish underground maestro Jo Bubbles (a.k.a. Jonas Dahlström) boasts an impressive streak of hot dance 12’’ releases in recent years, for illustrous labels like Parkway Records, The Transient Nature of The Disco Business and Västkransen. Ever intent on lifting homegrown talent and presenting it to its
worldwide audience, Studio Barnhus proudly unveils Mr. Bubble’s first outing on the label: a compilation of four distinct, yet equally striking dance tracks, each showcasing meticulously curated sound palettes paired with undeniably rock solid grooves.
From the electroid stomp of Compass Point to the Balearic-leaning grandeur of closing track Tu Cariño, these are cuts that would have gone down a storm during the early morning hours at Hägring, the infamous, now-defunct disco rave Jonas helped steer for over a decade. We’re thrilled to release these babies into the wild, for all to enjoy. Tu Cariño is out on vinyl and digital formats on October 10.

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LP

Special remarks: 180g, printed innersleeve, colored grey vinyl

Tracklist:

A1) 46°27'36.2"N 6°57'52.5“E 00:02:05
A2) 46°27'29.6"N 6°51'03.4“E 00:03:58
A3) 45°55'41.1"N 7°05'46.4“E 00:03:15
A4) 46°27’29.5”N, 6°51’03.2”E 00:05:43
B1) 45°55’41.5”N, 7°05’46.4”E 00:04:12
B2) 46°27’29.9”N, 6°51’03.5”E 00:09:12
B3) 45°55’41.6”N, 7°05’46.5”E 00:03:09

Info:

Swiss percussionist Julian Sartorius and UK electronic artist Dan Nicholls team up as Clay Kin, presenting their debut record on Squama.
They had never planned to make an album yet through pure improvisation and spontaneity, Clay Kin have crafted Vevey. An album of seven tracks, distilled from over seven hours of improvised percussion and electronics. Recorded mostly outdoors––on pedalo boats, up mountains and deep in forests near the namesake Swiss town of Vevey, it is imbued with the soft fascination of birdsong, rushing water and chattering children.
Vevey resists genre. As musicians, Sartorius and Nicholls bridge the divide between acoustic and electronic soundscapes. Sartorius’ raw, organic percussion interweaves with Nicholls’ keyboard-triggered samples and harmonic landscapes, creating a dialogue where the lines between rhythm, melody and noise dissolve. Clay Kin identify their outfit as an audio-visual collective, with visual artist Lou Zon (Louise Boer) rounding out the group, creating videos to accompany both the recorded music and the live experience.



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LP - The Crystal Hum is the debut vinyl release by Taiwan-based artist Yuching Huang and her first release for Night School.

1. Fly! Little Black Thing
2. Love
3. Confessions From A Soul
4. Thoughts
5. Thunder In Heaven
6. In My Room
7. The Song Of Summer
8. JohnJohn
9. Alright
10. You, An Illusion


The Crystal Hum is the debut vinyl release by Taiwan-based artist Yuching Huang and her first release for Night School.
A beguiling dreamscape of crackles, spluttering, love-struck Casios presided over by the the spectral vocal and guitar
work of Huang, Yuching sings love songs at the end of this world and the beginning of the next. Recorded during a
hiatus from her group Aemong (a duo with artist Henrique Uba) in Berlin, these songs elevate Huang’s unique vocal
style and grasp of atmospherics. The Crystal Hum deconstructs balladry, Garage, guitar music and reforms it into a
unified ghostly otherworld version of these languages.

The Crystal Hum thrums with buried desire, trails of nocturnal reverb seeping out of apartment windows, diaristic vocal
performances and deeply emotive, evocative Western-style strings. Formulated by Yuching Huang after periods of frustration
and experimentation, the album is an exercise in minimalism and paring back, with some tracks like JohnJohn featuring little
else than an elastic bass, spring reverb trails, an interjecting vocal and swelling, dislocated synths. The effect is spellbinding,
the soundtrack to getting lost in the labyrinthine, closed streets of Venice, Taipei, Hong Kong, or mirror versions of them in the
imagination.

On opener Fly! Little Black Thing, a subterranean funk bassline roots Huang’s singing, a rudimentary, unreliable beat
floundering in whimsy underneath. Demure, dream Dance music, Huang references classic lo fi experimenters Suicide and
Arthur Russell as well as Night School label mates The Space Lady and Ela Orleans. In fact, after the release of Aemong’s
third album Crimson, Huang credits the direction of The Crystal Hum to being enchanted by The Space Lady’s Greatest Hits,
the landmark lo-fi recording made by Susan Dietrich Schneider in 1990. The new, minimalist approach to her sound world
reveals and shrouds in equal measure. On the heart-melter Love, a sultry mid-tempo Casio + bass backing drops into the ether
with Huang’s vocal swimming in preternatural void before emerging anew, in awe at the world. Every chord change heralds new
perspectives, every guitar flurry swells and drips emotion, nothing is wasted and space billows out from between the grooves.
Huang never reveals more than necessary, making this an in-between love album: the right amount of mystery and darkened
mirror shines wanely on The Crystal Hum while remaining fragile and vulnerable in the sweet spots. Turning over in pillowing
smoke and night in the dark corners, Huang sings in both Mandarin and English. The songs speak of earthly matters seemingly
at the edge of dissipating into nothing. Distorted, beguiling Sambas warble like sweating dancehalls in an imagined Lynchian
60s, as on Thoughts. Closer You, An Illusion warps a classic 60s Girlgroup bassline beloved of the likes of Les Rallizes

Denudes into a slight ballad on the edge of the void, held back by the teary-eyed, wistful and enveloping vocal cooed by
Huang. Each song feels like a love song dedicated to the bits between worlds, between beats, the negative space between
people where desires, feelings and loss hangs in the air, resolute and unresolved.

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Tracklist:

A1 Love Notes To Brooklyn
A2 The Deepness
B That Feeling!

Amir Alexander's unique production style and his musical output has been an inspiration for a long time. His record were always special ones and we were loving the fresh vibes outta Chicago a lot. In 2012, we were happy to host Amir to play his first-ever DJ-gig in Germany at our Smallville night at Golden Pudel Club in Hamburg, as part of his first EU tour ever. The night remains a memorable one and so we are very happy to close the circles now and to release this special 12“ by Amir. Full cover artwork by Stefan Marx.
The tracks were made in loving memory of Nathaniel Jay. Rest in peace and all the love to you.


All Tracks are written, produced and mixed by Amir Alexander
Mastering by Helmut Erler
Vinyl Cut by Dubplates+Mastering
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

Smallville, 2022


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LP

Special remarks: 180g, Limited Golden Vinyl

Tracklist:

A1) Hain 00:03:42
A2) OiOOiOiiOi 00:03:21
A3) High High Low 00:02:20
A4) Birkenschlag 00:03:53
A5) Awen 00:02:33
B1) Wallride 00:02:07
B2) Powidl 00:03:07
B3) Nonnegative 00:03:47
B4) Eggplant 00:02:51
B5) Derecho 00:03:52
B6) Before All Else 00:04:18

Info:
Simon Popp is back on Squama with his fourth album Trio.
At its heart, Trio is a work about collaboration, playfulness and unification. It is music as a means of coming together, a sonic equivalent to the Japanese philosophy of Kintsugi, in which broken ceramics are repaired with a visible golden lacquer. Rather than hiding the breaks, Kintsugi embraces them, making them part of the story, a form of delicate transformation. Popp and his collaborators Flurin Mück and Sebastian Wolfgruber take a similar approach: three distinct drummers, three different temperaments, three personal styles. Fused together into a single expressive instrument.
The album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with our voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. A celebration of rhythm as both a shared human memory and an audible expression of close bonds.
Trio is a reflection of the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.



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Tracklist
1. Digeridoo
2. Flaphead
3. Phloam
4. Isopropanol
5. Polynomial-C
6. Tamphex (Hedphuq Mix)
7. Phlange Phace
8. Dodeccaheedron
9. Analogue Bubblebath 1
10. Metaphaestic
11. We have arrived (Aphex Twin QQT Mix)
12. We have arrived (Aphex Twin TTQ Mix)
13. Didgeridoo (Live in Cornwall 1990)

Undoubtedly one of the most important and influential electronic artists to have emerged in popular music, the sonic misfit from Cornwall, Aphex Twin, released a breathtaking slew of early singles and albums from 1991 onwards (and continues to present day). The first clutch of groundbreaking works came on the legendary Belgium label R&S Records and were collected on a compilation album ‘Classics’, released in 1995, and followed the global success of the timeless album ‘Selected Ambient Works 85-92’.

‘Classics’ receives a long overdue vinyl & CD re-press for 2025, with a fresh vinyl cut by acclaimed mastering engineer Beau Thomas, and a R&S Records sticker sheet inserted into the LP sleeves including cover artwork of the two singles ‘Digeridoo’ and ‘Xylem Tube’ EP which are both featured on this compilation album.

Key Sales Notes
- 30 Years Since first pressing in 1995
- R&S Records sticker sheet inserted into the LP Sleeves
- Fresh vinyl cut by acclaimed mastering engineer Beau Thomas

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Physical format only. No digital. Limited to 100 copies.

After a long break from the 12" club format, Pedro Vian returns with a four-track EP aimed at the dancefloor. One of the key cuts is a club version of "I am OK", originally released on his latest album The Addiction (2025).
The EP also includes an additional track, "Teresa (Comelade's Piano Redubbed)" - a reinterpretation that samples Pascal Comelade's version of a song by Ovidi Montllor, the iconic Catalan folk singer known for his poetic, politically charged work during the post-Franco era. Vian reshapes this reference into a meditative ambient piece.

Mastered by Rupert Clervaux.

Tracklist:
A1. A Glory Island
A2. I am OK (Club Mix)
B1. Sentiments
B2. Where Should I Go?
B3. Teresa (Comelade's Piano Redubbed)

Genre: Techno / Breaks



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Red Motorbike maestro Eddie C and Berlin's rising boogie-funk star LJ Simon drop on the ensemble with an anthemic ode to the most sought-after of desires. We’ve been keeping this secret for far too long; it’s time to bring U Be Mine into the light, complete with remixes from Lex, Da Silva and Marcello Giordani aka Italo Deviance.
It was just over a year ago when Eddie sent us the original demo of U Be Mine. I remember plugging in the speakers in my flat, pressing play. A flash from a place of love that wet, grey day. The lyrical bass, euphoric stabs, the iconic delay, the pining vox. There are times where things seem naturally bound, designed to intertwine. An instant essential. We couldn’t wait to throw it down in the disco. Much like the coveted desire of its vocoder-clad protagonist, we needed a club-ready fx. Eddie, getting the message, sent us over a quick master - the Eddie C ‘Cash’ Version. Over the next year, at parties from Lisbon to Ibiza, I saw how those swirling arps locked onto the floor, how dancers cozied up to its decadent groove. It was peak time, warm-up and wind-down all at once. In the true spirit of the ensemble, we got to work curating a cast of balearic technicians to write their distinct shade of depth onto Eddie and Simon's golden letter. And that’s where it lands.
Lex from Athens casts an exotic, eclectic spirit with his Plaka Remix, all shuffling percussions and wild, breezy strings, rejigged baselines and NYC disco tackle. Label curator Da Silva ups the ante with his 7-minute club-ready fx: tight kicks and searing acid, all the bells and whistles for your peak-time excursions. Finally, Marcello Giordani shifts into hyperdrive with the ITALO DEVIANCE ACID CONTROL version, conjuring creatures of the night in kaleidoscopic configurations, a trusted party roller for the most decadent dance floors.
We’re releasing U Be Mine on 150 pristine discs only. Claim it as yours, forevermore.

A1) U Be Mine (Eddie C Cash Version)
A2) U Be Mine (Lex (Athens) Plaka Remix)
B1) U Be Mine (Da Silva Club Mix)
B2) U Be Mine (ITALO DEVIANCE ACID CONTROL MIX)

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Tracklist
A1. WTF – Word Salad Version
B1. WTF – Conical Squares Version

Info:
Further Adventures of the WTF Band ... because three letters are cheaper than
therapy. The Idjuts and Minjung Kate Kim continue their campaign to replace BPM
with LOL.




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