Tracklist:

A1. Natividad
A2. Emscher Rebels
A3. Dopo l’alluvione
B1. Abbondanza
B2. Stalla

Release notes:

The five tracks that became Abbondanza all materialized from Summer to Winter of 2020, a time of unprecetended productivity in the home studio. Some of them developed from first time fiddlings on new synthesizers, some from unaccompanied jams on percussion instruments. I hope these tracks capture my naive fascination and joyful jamming I had while creating them.My Florentine friends of the Intro-Spettiva collective introduced me to the concept of "stalla" (stables) - their codeword for a proper party. At a particularly memorable Tuscan stalla in 2019, I got to know Edizioni Mondo head Francesco de Bellis and his amazing music. A year later, we listened to the first demos of this record in his damp basement studio close to Vatican City and here it is in all its abundance!

- Niklas Wandt





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Tracklist
A1. Erdtöne
A2. Luftkraft (Airforce Wandt)
B1. Rheinfein
B2. Regenboden Tanz

Key Selling Points
After he hit their sweet spot with a little 3/4 psychedelia on the ‘Kraut Jazz Futurism’ compilation, new Berlin based imprint Kryptox founded by the Gomma & Toy Tonics crew (yes, that new label dedicated to new jazz electronica phenomenas from the uprising German scene) do the sensible thing and tie down nomadic percussionist Niklas Wandt for his first ever solo EP. Anyone with a dancing shoe dipped in the underground will recognize the dungareed Berliner from collaborative outings with Bufi-body popper Wolf Muller, synth shaman Sascha Funke or his NDW dream team Neuzeitliche Bodenbeläge (whose funky bassman Timo Hein helps out here), and now he’s rolling (mostly) solo with four tracks of far out head music. Largely built around improvised drum jams recorded in Wandt’s rehearsal space in Berlin, the sounds on the EP mutated and matured before assuming their final form under the mix.



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- Debut release from Courtney Bailey
- A2 Remixed by Lewie Day aka Tornado Wallace
- 12th release from Animals Dancing

GENRE/S: House, Acid, Tribal

TRACKLIST:

A1. I WANNA FEEL YOU (BERLIN VERSION)
A2. I WANNA FEEL YOU (TOKYO VERSION)
B1. ANIMALS ATE THE MUSHROOM
B2. I SEE THE FUTURE
B3. I WANNA FEEL YOU (SHORT VERSION)

SHORT INFO:

Naarm/Melbourne's Animals Dancing return with I Wanna Feel You, the debut acid-laced EP from Berlin-via-Tokyo's supreme chug lord, Courtney Bailey, and the twelfth release on the label.

Across three versions of the acidic, floating title track, Bailey delivers varying degrees of atmosphere, coupling her hazy vocals-drifting between English and Japanese-with an undulating acid line and crisp percussion.

On shamanic stomper Animals Ate the Mushroom, manic percussion madness meets calls of the wild, while I Feel the Future finds a middle ground with animalistic sirens, SFX, bubbly acid lines, and distant vocals, driven by an FM bass line and tight, punchy percussion.

Released on Wurundjeri Country. Always was, always will be Aboriginal Land.

"A girl suddenly woke up in a strange city, but something was wrong. There were only animals there."


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Tracklist:
A1. Guidance To The Sennou
A2. Percaholic

B1. Sashima
B2. Upperhorse


Release Info:
This 4 track EP combines bouncy arps, proggy basslines and FM synthesis that mingle with bubbly SFX, synth risers and field recordings, resulting in a sprightly, atmospheric collection of club tracks for leftfield adjacent dancers.




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Tracklist:
A1. Drums Symphony
A2. La Retraite Des Rockers
B1. We Come In Peace
B2. Dreelkrugz Conquest

Release Info:
ANIMALS009 sees French producer Benoit B make first contact with Melbourne's Animals Dancing after releases on Into The Light, Berceuse Heroique, Unthank, Versatile and his own Banlieue.

On 'We Come In Peace', Crystalline FM synthesis meets tight drums across four PSY FI tracks that showcase the producer's shapeshifting style.

'Drums Symphony' layers undulating rhythms from crisp drums, Arps, FM Bells & SFX that ebb & flow, building to a driving dance floor trip. 'La Retraite Des Rockers' conjures Sakamoto & Vangelis in '82 with eratic perc, warped metallic sfx & ominous pads that find balance with a glowing synth lead & syncopated bass. The title track, 'We Come In Peace' is a balearic trance stomper where swirling 303, pitch bending leads & glistening synths cascade across a pulsing bassline. 'Dreelkrugz Conquest' is lysergic mid tempo electro with gated synths hovering above a growling baseline and flutters of heavily affected synthwork.

"If you are alien and reading this then come and take me from earth".


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Tracklist:
A1. Yu Go Bah
A2. Blood Moon
B1. The Chant Of Celebrational Beings


On Animals Dancing's eighth disc, Dazion aka Cris Kuhlen lets rip with three psychoactive, percussion-laden mind benders for all good dance floors.

A tweaked vocoder mantra speaks in tongues across interlaced layers of live percussion on 'Yu Go Bah' before sirens ring in the distant chants.

Blood Moon takes the marching band down to the basement, fusing more twisted percussion with electro squelch to soundtrack the sweat rain down from the heavens.

'The Chant Of Celebrational Beings' beckons in a sunrise as the last inklings of serotonin jerk a tear to your eye.




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Tracklist:
A. Slam
B. Group Time Hate That
C. More Desire

Netherlands-based LA producer, Diego Herrera returns to the Melbourne party
imprint, Animals Dancing for its seventh release; this time under his Suzanne Kraft
alias. Across three tracks, Herrera showcases his method in the madness, expertly
fusing glistening pads, warm synthesis, razor-sharp percussion & frenetic bass lines

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Tracklist:

A1. Trance En Aubrac
A2. Futur Glouglou
B1. Yakado
B2. Gig In The Ocean

Melbourne party troupe, Animals Dancing return with the label’s sixth disc, Psytube; a mind-melting trip from Lyon duo, The Pilotwings.

The synth-heavy house pair, synonymous with the BFDM label channel their digi synth euphoria into trance not trance and acid atmospheres across a four track EP.

From the subtle breaks and pan flute/acid combo of Trance En Aubrac, steady synth flutter of Future Glouglou to the full tilt restless psychedelia of Yakado and cinematic acid stepping Gig in the Ocean, The Pilotwings once again showcase their tongue in cheek nods to the past with production launching into the future.



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Tracklist:

A. Telex
B. The Whale

The fifth release on the Animals Dancing label is a special one. Sourced from recordings of a live set from 2014, Animals Dancing famiglia Jonny Nash & Suzanne Kraft (Diego Herrera) originally created these tracks in L.A. ahead of a series of live performances together. After some finishing touches made in Jonny's studio in Bali in 2016, Animals Dancing are very excited to finally launch these two to the club.

Za Talent will see you now.



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Tracklist:

A. Children Song
AA. Video Track

Animals Dancing continues its quest for world domination with a double A side of Russian intelligence from Moscow's Leonid Lipelis.
As the title would suggest, these two sides come from Lipelis' private arsenal of club tracks, beef'd up and shared with the people after some friendly persuasion.
I.O.D.T.F.M.B.N.I.F.E.




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After a fashionably long hiatus between drinks, Melbourne's Animals Dancing returns with its third release, this time from Boroondara's Tornado Wallace. Strap yourself in and feel the G's.

Tracklist:
A1. Zorn Gottes
A2. Primitivo Aperitivo
B1. Open Door
B2. Open Door - Born Inna Tent Mix



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Melbourne party enthusiasts Animals Dancing launch their self titled label with the sophomore release from Krautback duo Coober Pedy University Band (Tornado Wallace & William Paxton AKA Tom Moore of Otologic). Kookaburra, once described as "a bit too mental for me", continues in the vein of their Moon Plain release, but this time takes it a step further. Perhaps too far.



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Animals Dancing follow up their debut release with a fleshy three-track EP from Dude Energy, the latest project from LA's Diego Herrera (AKA Suzanne Kraft). His renowned sundrenched, west coast warmth is all but thrown out the window in this testosterone filled nocturnal emission. Come take a ride with Dude Energy on this throbbing tour de force.


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Techno / Electro

Debut LP by Benedikt Montiel Mathews
Frankfurt-based producer, multi-instrumentalist, and DJ Benedikt Montiel Mathews is set to release his debut LP in August 2025 in collaboration with Jazz Montez. Fusing Jazz, Funk, Electro, House, and Techno, the album reflects Benedikt’s genre-bending sound and unique musical voice — shaped by his skills on keys, trombone, guitar, bass, and vocals.
The record will be released on vinyl and accompanied by a music video and a release gig on August 31st, where Benedikt will curate and DJ the entire night. Expect rich textures, danceable grooves, and a fresh perspective from one of Frankfurt’s most exciting young talents.

TRACKLISTS:

A1. FALLING (APART)
A2. DOWNHILL
A3. HYPNO
A4. EUKALYPTUS
B1. 1 UND HALB JAHRE
B2. UPHILL (DOWNHILL UPLIFTING RMX)
B3. DEEP IN THE NIGHT

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Tracklist:
A1 / Ich und meine Ubahn
A2 / Ich und meine Ubahn (Matias Aguayo Subway Mix)
B1 / Ich und meine Ubahn (Extrawelt Remix)
B2 / Ich und meine Ubahn (Architectural Remix)

Short Info
When you love a record too damn much, you will soon discover whether you "got what it takes” to make it yours. Such is the case with Turbo label head Tiga, who has played 11Schnull & Newinfluenzer’s 2023 underground hit “Ich und meine Ubahn” in each and every one of his DJ sets since its non-Turbo release. But unbridled track-passion is not always enough, and sometimes one must take a step back and recognize that the music business is also a business. So our in-house Corporate Development team, which has of late been entirely focused* on figuring out how best to monetize Tintin entering the public domain, set to work, successfully licensing the original while also creating the fun and potentially life-saving opportunity to visualize just how amicable the licensing process was.

All of which brings us to the remix pack at hand. The essentially perfect electro programming and vocal performance of the 2023 original leaves virtually no angle for improvement, save for the fact that the 4:20 runtime not enough for the median touring DJ to satisfy their chatbot mistress before they must begin the exacting work of selecting and mixing the next track. As such, we enlisted producers who could interpret the song from different planes of existence, namely Chilean-German wizard Matias Aguayo, French hardstyle prodigy Krarmpf, German aesthetes Extrawelt, Hamburg electro master DJ MELL G, and Asturian highbrow god Architectural. For reference, the planes conjured by these remixes are as follows: blacked out on Ivermectin; finally beat a pay-to-win mindfulness game; voted the Greatest Living Teen Artist by the readers of US Weekly; transformed into an expressionless little muscleman as if by magic; going viral; and curing jet lag in our lifetime. It is not for us to say which remix corresponds to which realm of human experience, but we do know that it is limited to those options.

Finally, please do not invite a chatbot lover into your marriage. Your spouse cannot hope to compete. And know that this advice comes from our best understanding of current world affairs, and does not represent what a repressed British man would calling “taking the pee.” At their very best, jokes are funny, and the fate of the human bedroom is no laughing matter at all.

*Like a laser!

Key Selling Points
- Tiga licenses one of his favorite ever tracks for Turbo, complete with fresh new remixes from label regulars Extrawelt and Architectural.
- Longtime Turbo fan Matias Aguayo debuts on the label with a sizzling Subway Mix.


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Rights: World excluding FR & UK

Packaging: 2 x Gold-On-Clear Splatter Vinyl, 5mm spine sleeve, 2 x printer inner sleeve, marketing sticker

SHORT BIOG & KEY POINTS
" Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over 3 decades.
" "Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz."

" London Records celebrate 30 years of Timeless with limited edition vinyl formats, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.



TRACKLISTING:

A1. Inner City Life
A2. Pressure
A3. Jah

B1. Saint Angel
B2. State Of Mind

C1. Sea Of Tears
C2. Angel

D1. Sensual
D2. Kemistry
D3. You & Me




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[12” 33 [with three Scape One remixes]
- transparent blue vinyl with black splatter

GENRE/S: Techno, Electro

TRACKLIST:
A1 Diskmind (Scape One's Flux Capacitor) - 5:05
A2 Diskmind (Scape One's Quantum Mechanics) - 4:57
B Diskmind (Scape One's Temporal Paradox) - 11:45

SHORT INFO:
In 2047, amidst the deafening yet oh-so-familiar soundscape of the Movement Festival in Detroit, we met again: I, pdqb, and Scape One, known as two of the most respected electronic music composers worldwide. The air pulsed not only with the latest beats but also with a barely perceptible energy only the two of us knew. We hadn't simply flown in; we'd arrived with our fantastic "Diskmind" time-travel machine, an incredible invention, capable of effortlessly catapulting us through the centuries.

"It's unbelievable, isn't it?" I shouted over the bass, eyebrows raised. "A machine that lets us travel through all of history, and there isn't a single song that honors it! Not one!"
Scape One nodded vigorously, his gaze sweeping over the stage lights. "That's absurd! How can such a revolutionary invention remain unsung? It's almost an insult to music history itself."
We looked at each other, a silent understanding in our gazes. The mission was clear: The "Diskmind" needed its anthems. And who, if not us, who used and loved it, should create them?

And so, we decided to become the musical chroniclers of the "Diskmind," ready to tell the story of our time machine across four different eras...

For Synaptic Cliffs, it's an extraordinary honor to present these three Scape One variations of the original song 'Diskmind' (first released on The Electrifying Dojo, 2025). Each masterpiece was recorded in different future decades of the 21st century (of ourse with the help of the Diskmind time travel machine) and reflects the corresponding trend in electronic music. A1: A timeless, pristine Electro composition from the year 2035. A2: An IDM marvel from late summer 2075, recorded in the Zero gravity of Space Station 775."B: An Experimental Electronica symphony recorded at pdqb's Studio 577 on Mars Outpost 47A in the year 3011. Only musical equipment that doesn't currently exist was used for this release.

VITAL SALES POINTS:
" produced in the future
" transparent blue vinyl with black splatter
" mastered by the infamous Mike Grinser


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Mini LP

Debut release .FIO Remix. For fans of Jonquera, Parchman, BPM AM.

GENRE/S:

EBM, Dub, IDM

TRACKLISTS:

A1. Substorm
A2. Continental Crust
A3. Continental Crust (FIO Remix)
B1. Ashtray Black
B2. Mental Drilling
B3. Core-Dweller
B4. Fishing for Gravel

SHORT INFO:

Fishing for Gravel is the debut solo mini-LP from Dublin-born, Amsterdam-based producer Paraflow (aka Niall Rogers), via Superconscious Records. Known for his work as a music supervisor and dream pop collaborator (Officer John), Paraflow dives deep into a world of EBM and dub-infused electronics-granular textures, mid-tempo chug, and flashes of blissful uplift driving seven tracks of earthy, drum-heavy synthesis. Includes a rugged remix from Superconscious' own FIO. For fans of Jonquera, Parchman, BPM AM.





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Tracklist:
A1) Zellmani - Yongheng Forever
A2) Zellmani & Piotr - Nuevo Portamento
B1) Zellmani & Gojiano - Smutt
B2) Zellmani - Eternal Loop of Emotions

Short info:
We are back with more songs from Nicolai Zellmani, presenting a selection of 4 previously unreleased tracks from the vaults, retouched and Deejay ready.
Fans of his first EP on Public Possession „Percussion Heaven“ will notice with delight: a similarly tribalistic, warm & spheric approach to Techno on the tracks „Yongheng Forever“ and „Smutt“. Then you have „Nuevo Portamento“ a crazy, harmonius leftfield anthem and „Eternal Loop“ the ultimate song for a late night (early morning) ecstasy experience. Big Tip!



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Limited, Vinyl Only, Label from Melbourne, Australia

Blowing over from the west comes Hame DJ's debut on Vulcan Venti, with three tracks carefully constructed for the discerning Disc Jockey. Stretching out over dubby breaks and tranquil textures, this is one twelve inch you're sure to get trispy to!

TRACKLIST:

1. LL
2. Dog Swamp
3. Exe



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Genres: Dub Techno, Techno, House


ZentaSkai and Laura Merino Allue return to Mask Records as Cuddling Monsters with volume two of their vinyl-only house and techno series


Tracklist:
A1 Dark REM
A2 Monster Talk
B1 Event Horizon
B2 Temporal Aura

Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.
There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.
Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters' 'Cuddling Monsters_CM Vol. 02' releases via Mask Records on 6th December 2024.








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Territory: WORLD minus UK

FORMAT Red solid 2LP vinyl, full printed sleeve, 60x60cm folded artwork poster, limited to 500 units, DL code

TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05

INFO: This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new
perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood

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12“ + DOWNLOAD

Tracklist:
A1) JAMIIE - Voices
A2) JAMIIE - Unfold Me
B1) JAMIIE - Voices (DJEFF Remix)
B2) JAMIIE - Voices (Malandra Jr. Remix)
B3) JAMIIE - Unfold Me (Annett Gapstream Remix)

Release Info:
A vital collective member and resident, JAMIIE steps up for her long-awaited debut EP on Watergate Records.
The artist has been a regular at the club stretching back to 2016, when she joined RISE, the Afro House collective that
runs monthly residencies at Watergate. Despite this, JAMIIE has always gone her own way sonically, exploring deeper
house and melodic tones, alongside the Afro influences.
A constant at Oberbaumbrücke spot during the 2020/2021, she, along with Kristin Velvet were the beating hearts of the
club, hosting the Watergate Worldwide streams every week. This year has been a standout for her playing
Tomorrowland, Exit Festival and supporting Solomun at Watergate, among many other highlights.
Following up label contributions which include ‘Suwedi’, with Niko Schwind that featured on Hyenah’s ‘Watergate 27’
compilation and the fantastic ‘Echoes’ on ‘Watergate 20’ due out November 2020, we’re treated to a generous five-track
package for her maiden EP outing on Watergate Records.
Beginning life during a summer-time sketch session in bed (her favourite spot to start new creative ideas), ‘Voices’ is an
emotive weapon, driven by a captivating synth lead, and chunky Afro-infused bottom end. "’Voices’" is mysterious and is
inspired by our thoughts, our inner voice,” JAMIIE shares. “There’s something truly mysterious and remarkable about our
inner voice, the means by which we make ourselves aware of who we are and what we think and even feel. Our inner
voice is very powerful. It can lift us up and weigh us down. It also makes decisions for us, even when sometimes we
don’t want to listen to it.”
‘Unfold Me’ is a glorious end-of-night future classic, as grandiose synths rub shoulders with beautiful bass melodies,
before a delicate key interlude gives JAMIIE the opportunity to build the energy right back up again. “This has a personal
meaning and again, has to do with the journey inwards to discovered ourselves. Like many other people I am an
extroverted introvert. I think we can be quite confusing and peculiar to others. On the one hand, social and outgoing; on
the other, very guarded, selective and hard to get to know. So, it needs time to unfold the layers to understand an
extrovert introvert person, if they should let you in,” she explains.
The originals are complemented by a trio of tight remixes chosen by JAMIIE, from three artists close to her heart:
Portuguese Afro Tech producer DJEFF delivers a blissfully silky re-work of ‘Voices’; Italian artist Malandra Jr., whose
most notably released on Diynamic, crafts a chugging and cosmic reinterpretation of the title track, while Stil Vor Talent’s
Annett Gapstream sends ‘Unfold Me’ on a dreamy orbit skywards.

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Aaliyah is the self-titled third and final studio album by the "Queen of Urban Pop." Originally released in 2001 by Blackground Records, the album debuted at number two on the Billboard 200 albums chart. Cited by critics as one of the best R&B records of its time, the album is a reflection of herself as both a young adult and matured vocalist. Standout tracks include "We Need A Resolution," "More Than A Woman," and "Rock The Boat."

Key Selling:
First time pressed on Vinyl since 2001
First time pressed on CD in the US since 2001
Aaliyah debuted at number two and peaked at number one on the Billboard 200
Cited by critics as one of the best and influential R&B records from this era
The album was certified 2x Platinum in the US, certified Platinum in the UK and Canada, & certified Gold in France, Australia, Germany & Japan
The album has sold 13 million copies worldwide
Aaliyah was nominated for Best R&B Album and the single, Rock The Boat, was nominated for Best Female R&B Vocal Performance at the 2001 GRAMMY Awards

Key Marketing:
Single/Video rereleases for "We Need A Resolution," "Rock The Boat," "More Than A Woman," & "I Care 4 U"
Fully produced visualizers for each song using album packaging planned
OOH activations planned worldwide - digital billboards, stenciling, wheatpasting, murals, etc
Fan activation: Aaliyah Immersive Experience
Virtual events on Clubhouse, Verzuz x Triller
Virtual Official Dance Party planned with D-Nice
Content planned with Genius
Artist testimonials planned
Radio: Mixshow/DJ Club Takeovers


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Tracklist

A1. Travelling Music
A2. Chillin’ 4 Work
B1. Arcade Scene
B2. Travelling Music (Version Reprise)


Info:


International Feel founder and guru of the sunset soundtrack, Mark Barrott returns with a new EP entitled Travelling Music. After spending the last few years writing & producing for other people, Mark is focusing his creative efforts inwards & rediscovering his own musical compass, calling it ‘the best medicine and therapy there is’. It’s this energy he looks forward to sharing via a number of releases over the coming months, including a new La Torre compilation, a series of Bandcamp only releases (Bandcamp Editions), the soundtrack to a new Japanese documentary (??) and this new vinyl release, Travelling Music.

He refers to the title track as Balearic trance. Not in the overblown Dutch sense, but trance as a metaphor/mechanism for an altered state, through hypnotic unraveling synth lines and a dash of wonkiness thrown in for good measure . Elsewhere on the EP, Arcade Scene flexes its melodic Italo dance moves with a slight nod to New Order, but a version of the group that’s beamed in from an alternate reality, where The Haçienda was called Il Tesoro and relocated to Ancona via a Gerd Janson DJ set circa 1991.

Chillin’ 4 work channels Aphex Twin from his easy listening Gentle People remix era, with added Sketches from an Island / Ry Cooder-esque guitars and the reprise of Travelling Music already feels like a La Torre sunset classic, bouncing with sequenced polyrhythmic arpeggios, before gently evaporating into a Vangelis-meets-Edgar Froese heat haze.

As with most of his work, Barrott calls this folk music…the telling of stories from everyday life and being Ibizan in origin, there are always a lot of varied & crazy stories to tell, but this chapter in particular feels like a deep burnt therapeutic transmission straight from the heart.






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