Label:Animals Dancing
Cat-No:animals011
Release-Date:11.08.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804143325
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Label:Animals Dancing
Cat-No:animals011
Release-Date:11.08.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804143325
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1
Mayurashka - Guidance To The Sennou
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Mayurashka - Percaholic
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Mayurashka - Sashima
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Mayurashka - Upperhorse
Tracklist:
A1. Guidance To The Sennou
A2. Percaholic
B1. Sashima
B2. Upperhorse
Release Info:
This 4 track EP combines bouncy arps, proggy basslines and FM synthesis that mingle with bubbly SFX, synth risers and field recordings, resulting in a sprightly, atmospheric collection of club tracks for leftfield adjacent dancers.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Guidance To The Sennou
A2. Percaholic
B1. Sashima
B2. Upperhorse
Release Info:
This 4 track EP combines bouncy arps, proggy basslines and FM synthesis that mingle with bubbly SFX, synth risers and field recordings, resulting in a sprightly, atmospheric collection of club tracks for leftfield adjacent dancers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Mayurashka
Label:Studio Barnhus
Cat-No:barn107
Release-Date:29.11.2024
Genre:House
Configuration:12" Excl
Barcode:198704203695
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Label:Studio Barnhus
Cat-No:barn107
Release-Date:29.11.2024
Genre:House
Configuration:12" Excl
Barcode:198704203695
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1
Mayurashka - Cosmic Rising
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Mayurashka - Kool Stop
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Mayurashka - Fatties
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Mayurashka - Mountain Pads
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Mayurashka - Appex
GENRE/S: House, Electronic
TRACKLIST:
A1. Cosmic Rising
A2. Kool Stop
A3. Fatties
B1. Mountain Pads
B1. Appex
SHORT INFO:
Tokyo-based, globally-destined DJ and producer Mayurashka comes thru on Studio Barnhus with five awe-inspiring examples of fearless sonic exploration on the dancefloor.
A rare record that strikes with immediacy while still revealing new details on the 1000th listen, this EP shares a cosmic connection with the new wave and disco records Mayu fuses into her infamous late night sets in the Japanese house underground.
Loaded with unstoppable vibrations that have left us at Studio Barnhus HQ shaking all autumn, Cosmic Rising is out on 12'' vinyl and all digital formats on November 29.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLIST:
A1. Cosmic Rising
A2. Kool Stop
A3. Fatties
B1. Mountain Pads
B1. Appex
SHORT INFO:
Tokyo-based, globally-destined DJ and producer Mayurashka comes thru on Studio Barnhus with five awe-inspiring examples of fearless sonic exploration on the dancefloor.
A rare record that strikes with immediacy while still revealing new details on the 1000th listen, this EP shares a cosmic connection with the new wave and disco records Mayu fuses into her infamous late night sets in the Japanese house underground.
Loaded with unstoppable vibrations that have left us at Studio Barnhus HQ shaking all autumn, Cosmic Rising is out on 12'' vinyl and all digital formats on November 29.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Animals Dancing
Label:Animals Dancing
Cat-No:animals012
Release-Date:16.05.2025
Genre:House
Configuration:12" Excl
Barcode:4251804185868
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Label:Animals Dancing
Cat-No:animals012
Release-Date:16.05.2025
Genre:House
Configuration:12" Excl
Barcode:4251804185868
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Courtney Bailey - I WANNA FEEL YOU (BERLIN VERSION)
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Courtney Bailey - I WANNA FEEL YOU (TOKYO VERSION)
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Courtney Bailey - ANIMALS ATE THE MUSHROOM
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Courtney Bailey - I SEE THE FUTURE
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Courtney Bailey - I WANNA FEEL YOU (SHORT VERSION)
- Debut release from Courtney Bailey
- A2 Remixed by Lewie Day aka Tornado Wallace
- 12th release from Animals Dancing
GENRE/S: House, Acid, Tribal
TRACKLIST:
A1. I WANNA FEEL YOU (BERLIN VERSION)
A2. I WANNA FEEL YOU (TOKYO VERSION)
B1. ANIMALS ATE THE MUSHROOM
B2. I SEE THE FUTURE
B3. I WANNA FEEL YOU (SHORT VERSION)
SHORT INFO:
Naarm/Melbourne's Animals Dancing return with I Wanna Feel You, the debut acid-laced EP from Berlin-via-Tokyo's supreme chug lord, Courtney Bailey, and the twelfth release on the label.
Across three versions of the acidic, floating title track, Bailey delivers varying degrees of atmosphere, coupling her hazy vocals-drifting between English and Japanese-with an undulating acid line and crisp percussion.
On shamanic stomper Animals Ate the Mushroom, manic percussion madness meets calls of the wild, while I Feel the Future finds a middle ground with animalistic sirens, SFX, bubbly acid lines, and distant vocals, driven by an FM bass line and tight, punchy percussion.
Released on Wurundjeri Country. Always was, always will be Aboriginal Land.
"A girl suddenly woke up in a strange city, but something was wrong. There were only animals there."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- A2 Remixed by Lewie Day aka Tornado Wallace
- 12th release from Animals Dancing
GENRE/S: House, Acid, Tribal
TRACKLIST:
A1. I WANNA FEEL YOU (BERLIN VERSION)
A2. I WANNA FEEL YOU (TOKYO VERSION)
B1. ANIMALS ATE THE MUSHROOM
B2. I SEE THE FUTURE
B3. I WANNA FEEL YOU (SHORT VERSION)
SHORT INFO:
Naarm/Melbourne's Animals Dancing return with I Wanna Feel You, the debut acid-laced EP from Berlin-via-Tokyo's supreme chug lord, Courtney Bailey, and the twelfth release on the label.
Across three versions of the acidic, floating title track, Bailey delivers varying degrees of atmosphere, coupling her hazy vocals-drifting between English and Japanese-with an undulating acid line and crisp percussion.
On shamanic stomper Animals Ate the Mushroom, manic percussion madness meets calls of the wild, while I Feel the Future finds a middle ground with animalistic sirens, SFX, bubbly acid lines, and distant vocals, driven by an FM bass line and tight, punchy percussion.
Released on Wurundjeri Country. Always was, always will be Aboriginal Land.
"A girl suddenly woke up in a strange city, but something was wrong. There were only animals there."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Animals Dancing
Cat-No:animals010
Release-Date:29.04.2022
Configuration:12" Excl
Barcode:4251804137133
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Last in:28.04.2022
Label:Animals Dancing
Cat-No:animals010
Release-Date:29.04.2022
Configuration:12" Excl
Barcode:4251804137133
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1
Niklas Wandt - Schlabberwasser
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Niklas Wandt - Im Verborgenen
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Niklas Wandt - I Wandt to Believe
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Niklas Wandt - 300 CE
Tracklist:
A1. Schlabberwasser
A2. Im Verborgenen
B1. I Wandt to Believe
B2. 300 CE
Release Info:
Twisted percussion-forward kosmiche club brilliance from Düsseldorf’s Niklas Wandt. Stepping cosmic house, new beat hypnotism, tribal piano breakdown madness & wavey vocoded synth make up the four track EP for the Animals Dancing imprint’s first release of the year.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1. Schlabberwasser
A2. Im Verborgenen
B1. I Wandt to Believe
B2. 300 CE
Release Info:
Twisted percussion-forward kosmiche club brilliance from Düsseldorf’s Niklas Wandt. Stepping cosmic house, new beat hypnotism, tribal piano breakdown madness & wavey vocoded synth make up the four track EP for the Animals Dancing imprint’s first release of the year.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Animals Dancing
Cat-No:animals009
Release-Date:30.07.2021
Configuration:12" Excl
Barcode:4251804126939
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Label:Animals Dancing
Cat-No:animals009
Release-Date:30.07.2021
Configuration:12" Excl
Barcode:4251804126939
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1
Benoit B - A1. Drums Symphony
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Benoit B - A2. La Retraite Des Rockers
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Benoit B - B1. We Come In Peace
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Benoit B - B2. Dreelkrugz Conquest
Tracklist:
A1. Drums Symphony
A2. La Retraite Des Rockers
B1. We Come In Peace
B2. Dreelkrugz Conquest
Release Info:
ANIMALS009 sees French producer Benoit B make first contact with Melbourne's Animals Dancing after releases on Into The Light, Berceuse Heroique, Unthank, Versatile and his own Banlieue.
On 'We Come In Peace', Crystalline FM synthesis meets tight drums across four PSY FI tracks that showcase the producer's shapeshifting style.
'Drums Symphony' layers undulating rhythms from crisp drums, Arps, FM Bells & SFX that ebb & flow, building to a driving dance floor trip. 'La Retraite Des Rockers' conjures Sakamoto & Vangelis in '82 with eratic perc, warped metallic sfx & ominous pads that find balance with a glowing synth lead & syncopated bass. The title track, 'We Come In Peace' is a balearic trance stomper where swirling 303, pitch bending leads & glistening synths cascade across a pulsing bassline. 'Dreelkrugz Conquest' is lysergic mid tempo electro with gated synths hovering above a growling baseline and flutters of heavily affected synthwork.
"If you are alien and reading this then come and take me from earth".
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Drums Symphony
A2. La Retraite Des Rockers
B1. We Come In Peace
B2. Dreelkrugz Conquest
Release Info:
ANIMALS009 sees French producer Benoit B make first contact with Melbourne's Animals Dancing after releases on Into The Light, Berceuse Heroique, Unthank, Versatile and his own Banlieue.
On 'We Come In Peace', Crystalline FM synthesis meets tight drums across four PSY FI tracks that showcase the producer's shapeshifting style.
'Drums Symphony' layers undulating rhythms from crisp drums, Arps, FM Bells & SFX that ebb & flow, building to a driving dance floor trip. 'La Retraite Des Rockers' conjures Sakamoto & Vangelis in '82 with eratic perc, warped metallic sfx & ominous pads that find balance with a glowing synth lead & syncopated bass. The title track, 'We Come In Peace' is a balearic trance stomper where swirling 303, pitch bending leads & glistening synths cascade across a pulsing bassline. 'Dreelkrugz Conquest' is lysergic mid tempo electro with gated synths hovering above a growling baseline and flutters of heavily affected synthwork.
"If you are alien and reading this then come and take me from earth".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Animals Dancing
Cat-No:animals008
Release-Date:28.08.2020
Configuration:12" Excl
Barcode:4251804122764
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Label:Animals Dancing
Cat-No:animals008
Release-Date:28.08.2020
Configuration:12" Excl
Barcode:4251804122764
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1
Dazion - A1. Yu Go Bah
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Dazion - A2. Blood Moon
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Dazion - B1. The Chant Of Celebrational Beings
Tracklist:
A1. Yu Go Bah
A2. Blood Moon
B1. The Chant Of Celebrational Beings
On Animals Dancing's eighth disc, Dazion aka Cris Kuhlen lets rip with three psychoactive, percussion-laden mind benders for all good dance floors.
A tweaked vocoder mantra speaks in tongues across interlaced layers of live percussion on 'Yu Go Bah' before sirens ring in the distant chants.
Blood Moon takes the marching band down to the basement, fusing more twisted percussion with electro squelch to soundtrack the sweat rain down from the heavens.
'The Chant Of Celebrational Beings' beckons in a sunrise as the last inklings of serotonin jerk a tear to your eye.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Yu Go Bah
A2. Blood Moon
B1. The Chant Of Celebrational Beings
On Animals Dancing's eighth disc, Dazion aka Cris Kuhlen lets rip with three psychoactive, percussion-laden mind benders for all good dance floors.
A tweaked vocoder mantra speaks in tongues across interlaced layers of live percussion on 'Yu Go Bah' before sirens ring in the distant chants.
Blood Moon takes the marching band down to the basement, fusing more twisted percussion with electro squelch to soundtrack the sweat rain down from the heavens.
'The Chant Of Celebrational Beings' beckons in a sunrise as the last inklings of serotonin jerk a tear to your eye.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Animals Dancing
Cat-No:animals007
Release-Date:20.09.2019
Configuration:12" Excl
Barcode:4251648415114
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Label:Animals Dancing
Cat-No:animals007
Release-Date:20.09.2019
Configuration:12" Excl
Barcode:4251648415114
1
Suzanne Kraft - Slam
2
Suzanne Kraft - Group Time Hate That
3
Suzanne Kraft - More Desire
Tracklist:
A. Slam
B. Group Time Hate That
C. More Desire
Netherlands-based LA producer, Diego Herrera returns to the Melbourne party
imprint, Animals Dancing for its seventh release; this time under his Suzanne Kraft
alias. Across three tracks, Herrera showcases his method in the madness, expertly
fusing glistening pads, warm synthesis, razor-sharp percussion & frenetic bass lines
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A. Slam
B. Group Time Hate That
C. More Desire
Netherlands-based LA producer, Diego Herrera returns to the Melbourne party
imprint, Animals Dancing for its seventh release; this time under his Suzanne Kraft
alias. Across three tracks, Herrera showcases his method in the madness, expertly
fusing glistening pads, warm synthesis, razor-sharp percussion & frenetic bass lines
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Animals Dancing
Cat-No:animals006
Release-Date:08.03.2019
Configuration:12" Excl
Barcode:4251648410744
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Label:Animals Dancing
Cat-No:animals006
Release-Date:08.03.2019
Configuration:12" Excl
Barcode:4251648410744
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1
The Pilotwings - Trance En Aubrac
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The Pilotwings - Futur Glouglou
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The Pilotwings - Yakado
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The Pilotwings - Gig In The Ocean
Tracklist:
A1. Trance En Aubrac
A2. Futur Glouglou
B1. Yakado
B2. Gig In The Ocean
Melbourne party troupe, Animals Dancing return with the label’s sixth disc, Psytube; a mind-melting trip from Lyon duo, The Pilotwings.
The synth-heavy house pair, synonymous with the BFDM label channel their digi synth euphoria into trance not trance and acid atmospheres across a four track EP.
From the subtle breaks and pan flute/acid combo of Trance En Aubrac, steady synth flutter of Future Glouglou to the full tilt restless psychedelia of Yakado and cinematic acid stepping Gig in the Ocean, The Pilotwings once again showcase their tongue in cheek nods to the past with production launching into the future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Trance En Aubrac
A2. Futur Glouglou
B1. Yakado
B2. Gig In The Ocean
Melbourne party troupe, Animals Dancing return with the label’s sixth disc, Psytube; a mind-melting trip from Lyon duo, The Pilotwings.
The synth-heavy house pair, synonymous with the BFDM label channel their digi synth euphoria into trance not trance and acid atmospheres across a four track EP.
From the subtle breaks and pan flute/acid combo of Trance En Aubrac, steady synth flutter of Future Glouglou to the full tilt restless psychedelia of Yakado and cinematic acid stepping Gig in the Ocean, The Pilotwings once again showcase their tongue in cheek nods to the past with production launching into the future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Animals Dancing
Cat-No:animals005
Release-Date:08.06.2018
Configuration:12" Excl
Barcode:4260544824852
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Label:Animals Dancing
Cat-No:animals005
Release-Date:08.06.2018
Configuration:12" Excl
Barcode:4260544824852
1
Za Talent (Jonny Nash & Suzanne Kraft) - Telex
2
Za Talent (Jonny Nash & Suzanne Kraft) - The Whale
Tracklist:
A. Telex
B. The Whale
The fifth release on the Animals Dancing label is a special one. Sourced from recordings of a live set from 2014, Animals Dancing famiglia Jonny Nash & Suzanne Kraft (Diego Herrera) originally created these tracks in L.A. ahead of a series of live performances together. After some finishing touches made in Jonny's studio in Bali in 2016, Animals Dancing are very excited to finally launch these two to the club.
Za Talent will see you now.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A. Telex
B. The Whale
The fifth release on the Animals Dancing label is a special one. Sourced from recordings of a live set from 2014, Animals Dancing famiglia Jonny Nash & Suzanne Kraft (Diego Herrera) originally created these tracks in L.A. ahead of a series of live performances together. After some finishing touches made in Jonny's studio in Bali in 2016, Animals Dancing are very excited to finally launch these two to the club.
Za Talent will see you now.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Label:Animals Dancing
Cat-No:animals004
Release-Date:30.03.2018
Configuration:12" Excl
Barcode:4260544824388
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Label:Animals Dancing
Cat-No:animals004
Release-Date:30.03.2018
Configuration:12" Excl
Barcode:4260544824388
1
Lipelis - Children Song
2
Lipelis - Video Track
Tracklist:
A. Children Song
AA. Video Track
Animals Dancing continues its quest for world domination with a double A side of Russian intelligence from Moscow's Leonid Lipelis.
As the title would suggest, these two sides come from Lipelis' private arsenal of club tracks, beef'd up and shared with the people after some friendly persuasion.
I.O.D.T.F.M.B.N.I.F.E.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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A. Children Song
AA. Video Track
Animals Dancing continues its quest for world domination with a double A side of Russian intelligence from Moscow's Leonid Lipelis.
As the title would suggest, these two sides come from Lipelis' private arsenal of club tracks, beef'd up and shared with the people after some friendly persuasion.
I.O.D.T.F.M.B.N.I.F.E.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Animals Dancing
Cat-No:animals003
Release-Date:08.09.2017
Configuration:12" Excl
Barcode:4260544820977
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Label:Animals Dancing
Cat-No:animals003
Release-Date:08.09.2017
Configuration:12" Excl
Barcode:4260544820977
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1
Tornado Wallace - Zorn Gottes
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Tornado Wallace - Primitivo Aperitivo
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Tornado Wallace - Open Door
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4
Tornado Wallace - Open Door - Born Inna Tent Mix
After a fashionably long hiatus between drinks, Melbourne's Animals Dancing returns with its third release, this time from Boroondara's Tornado Wallace. Strap yourself in and feel the G's.
Tracklist:
A1. Zorn Gottes
A2. Primitivo Aperitivo
B1. Open Door
B2. Open Door - Born Inna Tent Mix
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Tracklist:
A1. Zorn Gottes
A2. Primitivo Aperitivo
B1. Open Door
B2. Open Door - Born Inna Tent Mix
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Animals Dancing
Cat-No:animals001
Release-Date:08.06.2015
Configuration:12" Excl
Barcode:
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Label:Animals Dancing
Cat-No:animals001
Release-Date:08.06.2015
Configuration:12" Excl
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1
Coober Pedy University Band - Kookaburra
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Coober Pedy University Band - Kookapella
Melbourne party enthusiasts Animals Dancing launch their self titled label with the sophomore release from Krautback duo Coober Pedy University Band (Tornado Wallace & William Paxton AKA Tom Moore of Otologic). Kookaburra, once described as "a bit too mental for me", continues in the vein of their Moon Plain release, but this time takes it a step further. Perhaps too far.
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DE - 22113 Hamburg
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
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Dude Energy - Renee Running
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Dude Energy - Beat Desire
Animals Dancing follow up their debut release with a fleshy three-track EP from Dude Energy, the latest project from LA's Diego Herrera (AKA Suzanne Kraft). His renowned sundrenched, west coast warmth is all but thrown out the window in this testosterone filled nocturnal emission. Come take a ride with Dude Energy on this throbbing tour de force.
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DE - 22113 Hamburg
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Tommy Guerrero - A1 : Blue Masses
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Tommy Guerrero - A2 : Four Trk Samba
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Tommy Guerrero - A3 : Tiny
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Tommy Guerrero - A4 : Numb Millenium
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Tommy Guerrero - B1 : 100 Years
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Tommy Guerrero - B2 : Pescadito
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Tommy Guerrero - B3 : Azucar
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Tommy Guerrero - C1 : Flux And Meter
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Tommy Guerrero - C2 : It’s Raining Again
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Tommy Guerrero - C3 : Today Like Everyday
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Tommy Guerrero - C4 : Soul Miner
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Tommy Guerrero - D1 : As The Sea Holds Creatures Vast And True
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Tommy Guerrero - D2 : So Blue It’s Black
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Tommy Guerrero - D3 : Little Chin
Territories: Worldwide no exceptions
Format: double LP
Format Notes: 2025 re-press, remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Blue Masses
A2 : Four Trk Samba
A3 : Tiny
A4 : Numb Millenium
B1 : 100 Years
B2 : Pescadito
B3 : Azucar
C1 : Flux And Meter
C2 : It’s Raining Again
C3 : Today Like Everyday
C4 : Soul Miner
D1 : As The Sea Holds Creatures Vast And True
D2 : So Blue It’s Black
D3 : Little Chin
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There's a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we're honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we've worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
A Little Bit Of Somethin’ is a quietly majestic gem. Brimming with Guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an LP that is aptly titled. An enchanting start-to-finish listen, it was instantly regarded as essential upon release via Mo Wax in 2000. It has aged remarkably well.
Throughout this inspired collection, simplicity is key. In deploying it, Guerrero presents a beautifully crafted melodic soundscape. The distinctive, mellifluous approach of his guitar style, blending Brazilian, Cuban, Mexican, soul and jazz motifs, is at once startlingly new and tantalisingly familiar. Set against unrushed percussion, the music releases a crystal clear stream of healing frequencies to create a fragile, hypnotic atmosphere.
Each track clocks in at around three minutes and, with a lack of studio polish or commitment to traditional song structure, it’s a wonder how this enigmatic record demands your attention. However, through its gentle dynamism and impressive playing, it does just that. Whilst resolutely low-key, this lo-fi aesthetic feels genuinely organic and remarkably personal; its powerful intimacy truly connects. It’s what makes this album so beloved of those lucky enough to be already familiar with it. From Margaret Kilgallen's truly iconic cover artwork to the music contained within, it's all brilliantly effortless.
Guerrero’s musical ideas are consistently compelling throughout, making it impossible to select highlights. The album’s laconic drift touches upon jazz-fusion workouts and slow-mo hip-hop drums, Tortoise-style experimental post-rock and cinematic sound textures. It’s at once hazy, light and bouncy yet sombre and bluesy. The Latin soul of El Chicano blends with the breezy jazz of Grant Green. By employing guitars and drum machines to create a stripped down rhythmic tapestry of spellbinding, addictive songs, there are even traces of The Durutti Column. A little bit of country, a little bit of rock & roll. A Little Bit Of Somethin’, indeed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format: double LP
Format Notes: 2025 re-press, remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Blue Masses
A2 : Four Trk Samba
A3 : Tiny
A4 : Numb Millenium
B1 : 100 Years
B2 : Pescadito
B3 : Azucar
C1 : Flux And Meter
C2 : It’s Raining Again
C3 : Today Like Everyday
C4 : Soul Miner
D1 : As The Sea Holds Creatures Vast And True
D2 : So Blue It’s Black
D3 : Little Chin
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There's a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we're honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we've worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
A Little Bit Of Somethin’ is a quietly majestic gem. Brimming with Guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an LP that is aptly titled. An enchanting start-to-finish listen, it was instantly regarded as essential upon release via Mo Wax in 2000. It has aged remarkably well.
Throughout this inspired collection, simplicity is key. In deploying it, Guerrero presents a beautifully crafted melodic soundscape. The distinctive, mellifluous approach of his guitar style, blending Brazilian, Cuban, Mexican, soul and jazz motifs, is at once startlingly new and tantalisingly familiar. Set against unrushed percussion, the music releases a crystal clear stream of healing frequencies to create a fragile, hypnotic atmosphere.
Each track clocks in at around three minutes and, with a lack of studio polish or commitment to traditional song structure, it’s a wonder how this enigmatic record demands your attention. However, through its gentle dynamism and impressive playing, it does just that. Whilst resolutely low-key, this lo-fi aesthetic feels genuinely organic and remarkably personal; its powerful intimacy truly connects. It’s what makes this album so beloved of those lucky enough to be already familiar with it. From Margaret Kilgallen's truly iconic cover artwork to the music contained within, it's all brilliantly effortless.
Guerrero’s musical ideas are consistently compelling throughout, making it impossible to select highlights. The album’s laconic drift touches upon jazz-fusion workouts and slow-mo hip-hop drums, Tortoise-style experimental post-rock and cinematic sound textures. It’s at once hazy, light and bouncy yet sombre and bluesy. The Latin soul of El Chicano blends with the breezy jazz of Grant Green. By employing guitars and drum machines to create a stripped down rhythmic tapestry of spellbinding, addictive songs, there are even traces of The Durutti Column. A little bit of country, a little bit of rock & roll. A Little Bit Of Somethin’, indeed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:We Release Jazz
Cat-No:WRJ011LTD
Release-Date:01.10.2021
Configuration:LP Excl
Barcode:4251804126335
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Label:We Release Jazz
Cat-No:WRJ011LTD
Release-Date:01.10.2021
Configuration:LP Excl
Barcode:4251804126335
-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, liner notes, sticker
Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano
Tracklisting LP
A1. Voyage
A2. Scenery
A3. Mellow Dream
A4. Nobody Knows The Trouble I've Seen
B1. Nobody's
B2. My Conception
B3. After Hours
B4. Nord Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord
Info
We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.
My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.
- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.
- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, liner notes, sticker
Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano
Tracklisting LP
A1. Voyage
A2. Scenery
A3. Mellow Dream
A4. Nobody Knows The Trouble I've Seen
B1. Nobody's
B2. My Conception
B3. After Hours
B4. Nord Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord
Info
We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.
My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.
- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.
- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Cat-No:WRJ009LTD
Release-Date:18.09.2020
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1
Ryo Fukui - A1. Hot House (Charlie Parker)
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2
Ryo Fukui - A2. All The Things Your Are (Jerome Kern)
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Ryo Fukui - A3. Red Carpet (Duke Ellington)
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Ryo Fukui - A4. Bouncing With Bud (Bud Powell)
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Ryo Fukui - B1. Embraceable You (George Gershwin)
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Ryo Fukui - B2. Just One of Those Things (Cole Porter)
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Ryo Fukui - B3. Mellow Dream (Ryo Fukui)
-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)
Info
We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.
Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.
Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.
This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.
- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.
- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)
Info
We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.
Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.
Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.
This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.
- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.
- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:Be With Records
Cat-No:bewith026LP
Release-Date:09.06.2023
Genre:Soul/Funk
Configuration:2LP Excl
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Label:Be With Records
Cat-No:bewith026LP
Release-Date:09.06.2023
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5050580679511
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1
Tommy Guerrero - Intro Lectric Chile Goat (0:56)
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2
Tommy Guerrero - Abierto (3:59)
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3
Tommy Guerrero - Organism (4:07)
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4
Tommy Guerrero - Thank You MK (3:50)
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5
Tommy Guerrero - Tatanka (4:09)
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6
Tommy Guerrero - Interlude Train Of Thought (1:20)
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7
Tommy Guerrero - It Gets Heavy (3:23)
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8
Tommy Guerrero - Thin Brown Layer (4:39)
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9
Tommy Guerrero - Interlude So Many Years Ago (0:45)
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10
Tommy Guerrero - Terra Unfirma (4:05)
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11
Tommy Guerrero - Gettin It Together (3:22)
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12
Tommy Guerrero - Another Brother Gone (2:28)
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13
Tommy Guerrero - Broken Blood (3:47)
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14
Tommy Guerrero - Interlude And The Day Goes By (1:28)
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15
Tommy Guerrero - Lost Unfound (3:32)
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16
Tommy Guerrero - The Color Of Life (3:57)
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17
Tommy Guerrero - Falling Awake (3:56)
2023 repress
Format Notes: remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Intro Lectric Chile Goat (0:56)
A2 : Abierto (3:59)
A3 : Organism (4:07)
A4 : Thank You MK (3:50)
B1 : Tatanka (4:09)
B2 : Interlude Train Of Thought (1:20)
B3 : It Gets Heavy (3:23)
B4 : Thin Brown Layer (4:39)
C1 : Interlude So Many Years Ago (0:45)
C2 : Terra Unfirma (4:05)
C3 : Gettin It Together (3:22)
C4 : Another Brother Gone (2:28)
C5 : Broken Blood (3:47)
D1 : Interlude And The Day Goes By (1:28)
D2 : Lost Unfound (3:32)
D3 : The Color Of Life (3:57)
D4 : Falling Awake (3:56)
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Intro Lectric Chile Goat (0:56)
A2 : Abierto (3:59)
A3 : Organism (4:07)
A4 : Thank You MK (3:50)
B1 : Tatanka (4:09)
B2 : Interlude Train Of Thought (1:20)
B3 : It Gets Heavy (3:23)
B4 : Thin Brown Layer (4:39)
C1 : Interlude So Many Years Ago (0:45)
C2 : Terra Unfirma (4:05)
C3 : Gettin It Together (3:22)
C4 : Another Brother Gone (2:28)
C5 : Broken Blood (3:47)
D1 : Interlude And The Day Goes By (1:28)
D2 : Lost Unfound (3:32)
D3 : The Color Of Life (3:57)
D4 : Falling Awake (3:56)
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Be With Records
Cat-No:bewith066LP
Release-Date:29.11.2019
Genre:Funk
Configuration:LP Excl
Barcode:4251648413400
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Last in:05.03.2025
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Last in:05.03.2025
Label:Be With Records
Cat-No:bewith066LP
Release-Date:29.11.2019
Genre:Funk
Configuration:LP Excl
Barcode:4251648413400
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1
Samuel Jonathan Johnson - My Music (5:45)
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2
Samuel Jonathan Johnson - What The World Needs Now Is Love (4:28)
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3
Samuel Jonathan Johnson - Sweet Love (2:36)
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4
Samuel Jonathan Johnson - Because I Love You (4:10)
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5
Samuel Jonathan Johnson - It Ain’t Easy (3:54)
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6
Samuel Jonathan Johnson - You (4:12)
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7
Samuel Jonathan Johnson - Just Us (3:00)
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8
Samuel Jonathan Johnson - Yesterdays And Tomorrow (4:25)
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9
Samuel Jonathan Johnson - Thank You Mother Dear (3:00)
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10
Samuel Jonathan Johnson - Reason For The Reason (3:03)
Territories: Worldwide no restrictions
Format Notes: 2019 re-issue, 140g vinyl
Track List:
A1 : My Music (5:45)
A2 : What The World Needs Now Is Love (4:28)
A3 : Sweet Love (2:36)
A4 : Because I Love You (4:10)
A5 : It Ain’t Easy (3:54)
B1 : You (4:12)
B2 : Just Us (3:00)
B3 : Yesterdays And Tomorrow (4:25)
B4 : Thank You Mother Dear (3:00)
B5 : Reason For The Reason (3:03)
Release Notes:
My Music is a stellar spiritual soul / jazz-funk gem, recorded by keyboardist-singer Samuel Jonathan Johnson in 1978. The epitome of a cult classic, it didn't do much upon its release but steadily found an audience over the decades that followed. It eventually worked its way into the culture, and latterly the wantlists, of wave after wave of soul aficionados.
This is music that shares the jazzy R&B DNA of contemporaries like Roy Ayers and is an intoxicating blend of mellow moments and more groove-heavy tracks. Spacey keys and lush production give it a luxurious, enveloping warmth.
My Music opens with the gorgeous title track: an indulgent slow jam opus. Introducing us to Johnson’s compelling musical vision, it features a rich mélange of production techniques. Dripping in strings, horns, backing singers, popping funk bass lines and swooshing synth waves, it’s an unusually structured cosmic two stepper that has an irrepressible groove. Accordingly, it’s been a favourite with the diggers and it was sampled by The Alchemist for Jadakiss’s “We Gonna Make It” (and it was also used on Ras Kass’s “Home Sweet Home”… but that’s a story for another time).
The up-tempo “Sweet Love” bubbles over with joy, its uplifting lyrics backed by infectious bass and jazzy Fender Rhodes lines. It follows a cover of “What the World Need’s Now Is Love”, taken at a funereal pace that transforms it into a heartfelt plea for love and understanding. Essential in these dark days.
After a full-minute-long opening of lush cinematic strings and horns, “Because I Love You” makes space for Samuel’s voice, accompanied by some keys and just a sprinkle of guitar. It builds back up and then mellows its way out to a jazz lounge finish (in all the right ways). The feel-good ebullience of the Stevie Wonder-esque “It Ain’t Easy” closes out the LP’s first side.
The second side bursts open with the heavy bounce and disco-funk basslines of “You”, a slightly off-beat string-laden dancer with insistent horns and a piano-assisted groove. Next up is “Just Us”, a legendary steppers track that could be heard oozing out of deep soul radios and funk sound systems back in the late 80s.
“Yesterdays and Tomorrow” is a moving original ballad that is followed by an exquisite high-stepping paean to mom in the form of “Thank You Mother Dear”. The thumping easy-glide of “Reason For The Reason” brings the album to a close.
Respectfully mastered by Simon Francis and cut by the master Pete Norman, this reissue of Samuel Jonathan Johnson’s sole LP sounds as sumptuous as that scarlet gown on the front cover. The sleeve artwork was lovingly restored by the Be With team. My Music is a luxurious and rare collection of songs that now has an opportunity to reach beyond its cult audience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: 2019 re-issue, 140g vinyl
Track List:
A1 : My Music (5:45)
A2 : What The World Needs Now Is Love (4:28)
A3 : Sweet Love (2:36)
A4 : Because I Love You (4:10)
A5 : It Ain’t Easy (3:54)
B1 : You (4:12)
B2 : Just Us (3:00)
B3 : Yesterdays And Tomorrow (4:25)
B4 : Thank You Mother Dear (3:00)
B5 : Reason For The Reason (3:03)
Release Notes:
My Music is a stellar spiritual soul / jazz-funk gem, recorded by keyboardist-singer Samuel Jonathan Johnson in 1978. The epitome of a cult classic, it didn't do much upon its release but steadily found an audience over the decades that followed. It eventually worked its way into the culture, and latterly the wantlists, of wave after wave of soul aficionados.
This is music that shares the jazzy R&B DNA of contemporaries like Roy Ayers and is an intoxicating blend of mellow moments and more groove-heavy tracks. Spacey keys and lush production give it a luxurious, enveloping warmth.
My Music opens with the gorgeous title track: an indulgent slow jam opus. Introducing us to Johnson’s compelling musical vision, it features a rich mélange of production techniques. Dripping in strings, horns, backing singers, popping funk bass lines and swooshing synth waves, it’s an unusually structured cosmic two stepper that has an irrepressible groove. Accordingly, it’s been a favourite with the diggers and it was sampled by The Alchemist for Jadakiss’s “We Gonna Make It” (and it was also used on Ras Kass’s “Home Sweet Home”… but that’s a story for another time).
The up-tempo “Sweet Love” bubbles over with joy, its uplifting lyrics backed by infectious bass and jazzy Fender Rhodes lines. It follows a cover of “What the World Need’s Now Is Love”, taken at a funereal pace that transforms it into a heartfelt plea for love and understanding. Essential in these dark days.
After a full-minute-long opening of lush cinematic strings and horns, “Because I Love You” makes space for Samuel’s voice, accompanied by some keys and just a sprinkle of guitar. It builds back up and then mellows its way out to a jazz lounge finish (in all the right ways). The feel-good ebullience of the Stevie Wonder-esque “It Ain’t Easy” closes out the LP’s first side.
The second side bursts open with the heavy bounce and disco-funk basslines of “You”, a slightly off-beat string-laden dancer with insistent horns and a piano-assisted groove. Next up is “Just Us”, a legendary steppers track that could be heard oozing out of deep soul radios and funk sound systems back in the late 80s.
“Yesterdays and Tomorrow” is a moving original ballad that is followed by an exquisite high-stepping paean to mom in the form of “Thank You Mother Dear”. The thumping easy-glide of “Reason For The Reason” brings the album to a close.
Respectfully mastered by Simon Francis and cut by the master Pete Norman, this reissue of Samuel Jonathan Johnson’s sole LP sounds as sumptuous as that scarlet gown on the front cover. The sleeve artwork was lovingly restored by the Be With team. My Music is a luxurious and rare collection of songs that now has an opportunity to reach beyond its cult audience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
backorder
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4260544825095
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Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4260544825095
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
pre-sale
Label:Be With Records
Cat-No:bewith094LP
Release-Date:15.08.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
pre-sale
Last in:29.11.2024
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pre-sale
Last in:29.11.2024
Label:Be With Records
Cat-No:bewith094LP
Release-Date:15.08.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
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1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
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2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
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3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
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4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
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5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
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6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
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7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
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8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
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9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
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10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2025 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:We Release Jazz
Cat-No:WRJ008LTD
Release-Date:18.09.2020
Configuration:LP Excl
Barcode:4251804120838
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Label:We Release Jazz
Cat-No:WRJ008LTD
Release-Date:18.09.2020
Configuration:LP Excl
Barcode:4251804120838
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Ryo Fukui - A1. Sonora
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Ryo Fukui - A2. Stella by Starlight
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Ryo Fukui - A3. Speak Low
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Ryo Fukui - A4. Nobody Knows The Trouble I’ve Seen
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Ryo Fukui - B1. Old Country
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Ryo Fukui - B2. Soultrane
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Ryo Fukui - B3. Chasin’ The Bird
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Ryo Fukui - B4. Be My Love
-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Label:pinyonbay records
Cat-No:pinyon-003
Release-Date:01.07.2022
Configuration:LP Excl
Barcode:4251804128636
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Last in:05.05.2022
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in stock
Last in:05.05.2022
Label:pinyonbay records
Cat-No:pinyon-003
Release-Date:01.07.2022
Configuration:LP Excl
Barcode:4251804128636
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1
the MIMIKOTO project - Blackbird’s Philosophy (Part I) – 7:38
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the MIMIKOTO project - Notes from Kirishima – 8:01
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the MIMIKOTO project - Jellyfish Dance Accident – 5:02
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the MIMIKOTO project - Goddess of the Lake – 5:15
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the MIMIKOTO project - Blackbird’s Philosophy (Part II) – 4:22
Third album from the MIMIKOTO project
GENRE/S: Nu Jazz, Jazzy, Ambient, Deep House, Space Jazz, Neo Soul, Funk, Electro Jazz, Modal Jazz, Free Jazz, Drone, Electronica
TRACKLISTS:
1 Blackbird’s Philosophy (Part I) – 7:38
2 Notes from Kirishima – 8:01
3 Jellyfish Dance Accident – 5:02
4 Goddess of the Lake – 5:15
5 Blackbird’s Philosophy (Part II) – 4:22
SHORT INFO:
Like the MIMIKOTO project’s previous albums, also “Blackbird’s Philosophy” can be described as a symbiosis of jazz with electronic music and other styles of groovy stuff.
On this album the electronic elements melt into the acoustic sounds and rhythms on a quite subtle way, while the acoustic patterns partially adopt styles of electronic music reminding of deep house, ambient and Detroit house.
Jazzy Rhodes, bass, drums and sax solos performed by jazz-rooted musicians like Darius Blair, Uli Schiffelholz, Johannes Schwarting and Justin Zitt, play a more important role than on former releases and bring nuances of funk, modal jazz, free jazz and bebop to this album.
With Fabio Kumori’s string orchestral sound created with upright bass, effects and looper in the track “Notes from Kirishima”, even elements reminding of classical music and atmospheres from soundtracks become a part of this album. These elements merge with rhythmic sound arpeggios of analog synths and vibraphone, which create a maybe unknown style of new music.
On the last track of the album, namely on the track “Blackbird’s Philosophy (Part II)”, you hear the soulful and expressive voice of Noomi Mae Coleman, who joined the MIMIKOTO crew in 2020.
The MIMIKOTO project was founded in 2019 as a collective of musicians related to jazz, funk, soul and electronic music, after a certain period of composing and playing as duo, trio and quartet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Nu Jazz, Jazzy, Ambient, Deep House, Space Jazz, Neo Soul, Funk, Electro Jazz, Modal Jazz, Free Jazz, Drone, Electronica
TRACKLISTS:
1 Blackbird’s Philosophy (Part I) – 7:38
2 Notes from Kirishima – 8:01
3 Jellyfish Dance Accident – 5:02
4 Goddess of the Lake – 5:15
5 Blackbird’s Philosophy (Part II) – 4:22
SHORT INFO:
Like the MIMIKOTO project’s previous albums, also “Blackbird’s Philosophy” can be described as a symbiosis of jazz with electronic music and other styles of groovy stuff.
On this album the electronic elements melt into the acoustic sounds and rhythms on a quite subtle way, while the acoustic patterns partially adopt styles of electronic music reminding of deep house, ambient and Detroit house.
Jazzy Rhodes, bass, drums and sax solos performed by jazz-rooted musicians like Darius Blair, Uli Schiffelholz, Johannes Schwarting and Justin Zitt, play a more important role than on former releases and bring nuances of funk, modal jazz, free jazz and bebop to this album.
With Fabio Kumori’s string orchestral sound created with upright bass, effects and looper in the track “Notes from Kirishima”, even elements reminding of classical music and atmospheres from soundtracks become a part of this album. These elements merge with rhythmic sound arpeggios of analog synths and vibraphone, which create a maybe unknown style of new music.
On the last track of the album, namely on the track “Blackbird’s Philosophy (Part II)”, you hear the soulful and expressive voice of Noomi Mae Coleman, who joined the MIMIKOTO crew in 2020.
The MIMIKOTO project was founded in 2019 as a collective of musicians related to jazz, funk, soul and electronic music, after a certain period of composing and playing as duo, trio and quartet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:12.08.2022
Label:VERSION
Cat-No:VERSION018
Release-Date:02.09.2022
Genre:Breaks
Configuration:12" Excl
Barcode:4251804139021
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1
Yak - Balmora Blue
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Yak - Swex
non UK! rest of the world exclusive!
UK-based producer Yak is one of the strongest talents in percussive, bass-heavy club music. His debut record Mido, which appeared on Version in 2017, remains an ultimate DJ weapon (Hard Wax) up until this day and is still tearing up clubs and festivals everywhere. After releases on Martyn's 3024 and the es-teemed R&S label, Yak delivers his third record (vinyl & digital) on Version, Balmora Blue/Swex.
This is a proper double A-sider that will surely get your dance bubbling. Swex and Balmora Blue are future rave anthems coming with earth-shattering sub, warm, elevating synths - and the trademark Yak drums to resurrect a dead soundboy's nana. Both tracks range around 120 bpm, but will sound as crisp at high-er/slower pitch or rpm too, making them versatile tools in every DJ's chest. Another essential bit from Yak and Version. Played by Vladimir Ivkovic, Moxy, Madam X, Or:la & Breaka.
Tracklist:
Side A: Balmora Blue
Side B: Swex
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
UK-based producer Yak is one of the strongest talents in percussive, bass-heavy club music. His debut record Mido, which appeared on Version in 2017, remains an ultimate DJ weapon (Hard Wax) up until this day and is still tearing up clubs and festivals everywhere. After releases on Martyn's 3024 and the es-teemed R&S label, Yak delivers his third record (vinyl & digital) on Version, Balmora Blue/Swex.
This is a proper double A-sider that will surely get your dance bubbling. Swex and Balmora Blue are future rave anthems coming with earth-shattering sub, warm, elevating synths - and the trademark Yak drums to resurrect a dead soundboy's nana. Both tracks range around 120 bpm, but will sound as crisp at high-er/slower pitch or rpm too, making them versatile tools in every DJ's chest. Another essential bit from Yak and Version. Played by Vladimir Ivkovic, Moxy, Madam X, Or:la & Breaka.
Tracklist:
Side A: Balmora Blue
Side B: Swex
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Label:Mutual Intentions
Cat-No:MI-023
Release-Date:26.02.2021
Genre:HipHop/Rap/Urban
Configuration:LP Excl
Barcode:7090011905077
in stock
Last in:20.01.2021
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in stock
Last in:20.01.2021
Label:Mutual Intentions
Cat-No:MI-023
Release-Date:26.02.2021
Genre:HipHop/Rap/Urban
Configuration:LP Excl
Barcode:7090011905077
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1
Stimulator Jones - A1 Drama Time
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Stimulator Jones - A2 Floatin On
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Stimulator Jones - A3 La Mano
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Stimulator Jones - A4 Late Night With Terry Phillmore
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Stimulator Jones - A5 Shaman's Dose
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Stimulator Jones - A6 Cupcakes
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Stimulator Jones - A7 Prince Sammy
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Stimulator Jones - B1 Don't Be Afraid
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Stimulator Jones - B2 Tripp Cisco
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Stimulator Jones - B3 Chuck Taylor Strut
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11
Stimulator Jones - B4 Bout Dat Love
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12
Stimulator Jones - B5 Stoned Sneakers
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13
Stimulator Jones - B6 From Afar
Special remarks :
High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve, shrink wrap and hype sticker!
Genre: Jazz-funk, library, fusion, soul, funk, dub
Tracklist:
A1 Drama Time
A2 Floatin On
A3 La Mano
A4 Late Night With Terry Phillmore
A5 Shaman's Dose
A6 Cupcakes
A7 Prince Sammy
B1 Don't Be Afraid
B2 Tripp Cisco
B3 Chuck Taylor Strut
B4 Bout Dat Love
B5 Stoned Sneakers
B6 From Afar
Press text:
Stimulator Jones breaks new ground on his sophomore LP, La Mano. The Stones Throw affiliate heads over to Mutual Intentions for a novel instrumental record that expands a musical dialect built on his singular fusion of sounds. The artist explores the musical possibilities contained in his hands as he moves between keys, guitars, drums and wind instruments in arrangements that break down the intellectual barriers of genre for the corporeal intimacy of the soul.
Vital Sales Points:
The title track is already picked up and compiled by Gilles Peterson on Brownswood Recordings.
La Mano is Stimulator Jones first instrumental LP between two Stones Throw albums as a singer.¨
Scroll to next page for audio and artwork links + resources…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve, shrink wrap and hype sticker!
Genre: Jazz-funk, library, fusion, soul, funk, dub
Tracklist:
A1 Drama Time
A2 Floatin On
A3 La Mano
A4 Late Night With Terry Phillmore
A5 Shaman's Dose
A6 Cupcakes
A7 Prince Sammy
B1 Don't Be Afraid
B2 Tripp Cisco
B3 Chuck Taylor Strut
B4 Bout Dat Love
B5 Stoned Sneakers
B6 From Afar
Press text:
Stimulator Jones breaks new ground on his sophomore LP, La Mano. The Stones Throw affiliate heads over to Mutual Intentions for a novel instrumental record that expands a musical dialect built on his singular fusion of sounds. The artist explores the musical possibilities contained in his hands as he moves between keys, guitars, drums and wind instruments in arrangements that break down the intellectual barriers of genre for the corporeal intimacy of the soul.
Vital Sales Points:
The title track is already picked up and compiled by Gilles Peterson on Brownswood Recordings.
La Mano is Stimulator Jones first instrumental LP between two Stones Throw albums as a singer.¨
Scroll to next page for audio and artwork links + resources…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
7" Excl
in stock
Label:Little Beat More
Cat-No:LBM027
Release-Date:16.02.2024
Genre:World Music
Configuration:7" Excl
Barcode:
in stock
Last in:07.05.2024
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in stock
Last in:07.05.2024
Label:Little Beat More
Cat-No:LBM027
Release-Date:16.02.2024
Genre:World Music
Configuration:7" Excl
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1
Conjunto Media Luna - Perdi´ mis temores feat. N. Hardem & Mismo Perro
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Conjunto Media Luna - Conjunto Media Luna
Format: 7” inch – Black Vinyl
Packaging: Black paper sleeve
Tracklisting:
A. Conjunto Media Luna – Perdi´ mis temores feat. N. Hardem & Mismo Perro
B. Conjunto Media Luna – Conjunto Media Luna
Description:
Take part in the sound of Bogota's eclectic cumbia scene that permeates the ritual sonido of this new 7" Vinyl by Conjunto Media Luna, out now on Little Beat More!
Enter the labyrinth that transcends the danceable and psychedelic, guided by the Colombian accordion and ecstatic percussion of their slow-pitched beat.
The 7" includes 2 songs taken from the debut album "Noches de media luna", with the iconic "Conjunto Media Luna" and "Perdi´ mis temores" featuring colombian rappers N. Harden & Mismo Perro!
Credits:
Prod. by Conjunto Media Luna
Artwork by Michael Boulton
Made with by Little Beat More 2024
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Packaging: Black paper sleeve
Tracklisting:
A. Conjunto Media Luna – Perdi´ mis temores feat. N. Hardem & Mismo Perro
B. Conjunto Media Luna – Conjunto Media Luna
Description:
Take part in the sound of Bogota's eclectic cumbia scene that permeates the ritual sonido of this new 7" Vinyl by Conjunto Media Luna, out now on Little Beat More!
Enter the labyrinth that transcends the danceable and psychedelic, guided by the Colombian accordion and ecstatic percussion of their slow-pitched beat.
The 7" includes 2 songs taken from the debut album "Noches de media luna", with the iconic "Conjunto Media Luna" and "Perdi´ mis temores" featuring colombian rappers N. Harden & Mismo Perro!
Credits:
Prod. by Conjunto Media Luna
Artwork by Michael Boulton
Made with by Little Beat More 2024
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore