GENRE/S: House, Electronic

TRACKLIST:

A1. Cosmic Rising
A2. Kool Stop
A3. Fatties
B1. Mountain Pads
B1. Appex

SHORT INFO:
Tokyo-based, globally-destined DJ and producer Mayurashka comes thru on Studio Barnhus with five awe-inspiring examples of fearless sonic exploration on the dancefloor.
A rare record that strikes with immediacy while still revealing new details on the 1000th listen, this EP shares a cosmic connection with the new wave and disco records Mayu fuses into her infamous late night sets in the Japanese house underground.
Loaded with unstoppable vibrations that have left us at Studio Barnhus HQ shaking all autumn, Cosmic Rising is out on 12'' vinyl and all digital formats on November 29.

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Tracklist:

A1. Schlabberwasser
A2. Im Verborgenen

B1. I Wandt to Believe
B2. 300 CE

Release Info:
Twisted percussion-forward kosmiche club brilliance from Düsseldorf’s Niklas Wandt. Stepping cosmic house, new beat hypnotism, tribal piano breakdown madness & wavey vocoded synth make up the four track EP for the Animals Dancing imprint’s first release of the year.



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Tracklist:
A1. Drums Symphony
A2. La Retraite Des Rockers
B1. We Come In Peace
B2. Dreelkrugz Conquest

Release Info:
ANIMALS009 sees French producer Benoit B make first contact with Melbourne's Animals Dancing after releases on Into The Light, Berceuse Heroique, Unthank, Versatile and his own Banlieue.

On 'We Come In Peace', Crystalline FM synthesis meets tight drums across four PSY FI tracks that showcase the producer's shapeshifting style.

'Drums Symphony' layers undulating rhythms from crisp drums, Arps, FM Bells & SFX that ebb & flow, building to a driving dance floor trip. 'La Retraite Des Rockers' conjures Sakamoto & Vangelis in '82 with eratic perc, warped metallic sfx & ominous pads that find balance with a glowing synth lead & syncopated bass. The title track, 'We Come In Peace' is a balearic trance stomper where swirling 303, pitch bending leads & glistening synths cascade across a pulsing bassline. 'Dreelkrugz Conquest' is lysergic mid tempo electro with gated synths hovering above a growling baseline and flutters of heavily affected synthwork.

"If you are alien and reading this then come and take me from earth".


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Tracklist:
A1. Yu Go Bah
A2. Blood Moon
B1. The Chant Of Celebrational Beings


On Animals Dancing's eighth disc, Dazion aka Cris Kuhlen lets rip with three psychoactive, percussion-laden mind benders for all good dance floors.

A tweaked vocoder mantra speaks in tongues across interlaced layers of live percussion on 'Yu Go Bah' before sirens ring in the distant chants.

Blood Moon takes the marching band down to the basement, fusing more twisted percussion with electro squelch to soundtrack the sweat rain down from the heavens.

'The Chant Of Celebrational Beings' beckons in a sunrise as the last inklings of serotonin jerk a tear to your eye.




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Tracklist:
A. Slam
B. Group Time Hate That
C. More Desire

Netherlands-based LA producer, Diego Herrera returns to the Melbourne party
imprint, Animals Dancing for its seventh release; this time under his Suzanne Kraft
alias. Across three tracks, Herrera showcases his method in the madness, expertly
fusing glistening pads, warm synthesis, razor-sharp percussion & frenetic bass lines

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Tracklist:

A1. Trance En Aubrac
A2. Futur Glouglou
B1. Yakado
B2. Gig In The Ocean

Melbourne party troupe, Animals Dancing return with the label’s sixth disc, Psytube; a mind-melting trip from Lyon duo, The Pilotwings.

The synth-heavy house pair, synonymous with the BFDM label channel their digi synth euphoria into trance not trance and acid atmospheres across a four track EP.

From the subtle breaks and pan flute/acid combo of Trance En Aubrac, steady synth flutter of Future Glouglou to the full tilt restless psychedelia of Yakado and cinematic acid stepping Gig in the Ocean, The Pilotwings once again showcase their tongue in cheek nods to the past with production launching into the future.



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Tracklist:

A. Telex
B. The Whale

The fifth release on the Animals Dancing label is a special one. Sourced from recordings of a live set from 2014, Animals Dancing famiglia Jonny Nash & Suzanne Kraft (Diego Herrera) originally created these tracks in L.A. ahead of a series of live performances together. After some finishing touches made in Jonny's studio in Bali in 2016, Animals Dancing are very excited to finally launch these two to the club.

Za Talent will see you now.



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Tracklist:

A. Children Song
AA. Video Track

Animals Dancing continues its quest for world domination with a double A side of Russian intelligence from Moscow's Leonid Lipelis.
As the title would suggest, these two sides come from Lipelis' private arsenal of club tracks, beef'd up and shared with the people after some friendly persuasion.
I.O.D.T.F.M.B.N.I.F.E.




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After a fashionably long hiatus between drinks, Melbourne's Animals Dancing returns with its third release, this time from Boroondara's Tornado Wallace. Strap yourself in and feel the G's.

Tracklist:
A1. Zorn Gottes
A2. Primitivo Aperitivo
B1. Open Door
B2. Open Door - Born Inna Tent Mix



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Melbourne party enthusiasts Animals Dancing launch their self titled label with the sophomore release from Krautback duo Coober Pedy University Band (Tornado Wallace & William Paxton AKA Tom Moore of Otologic). Kookaburra, once described as "a bit too mental for me", continues in the vein of their Moon Plain release, but this time takes it a step further. Perhaps too far.



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Animals Dancing follow up their debut release with a fleshy three-track EP from Dude Energy, the latest project from LA's Diego Herrera (AKA Suzanne Kraft). His renowned sundrenched, west coast warmth is all but thrown out the window in this testosterone filled nocturnal emission. Come take a ride with Dude Energy on this throbbing tour de force.


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Tracklist

A1. Sue Me
A2. License To Vibe feat. ‘Em
B1. Chicken Bone
B2. 16 Red

Release info:

Sometimes you go to take a step back to go forward. What sounds like a Ferris Bueller quote and can be as easily applied as a seatbelt, also holds true for the long over-due and outright return of Tiger & Woods. Four tracks that are as classic as they are catchy and as simple as the monochrome label that carries their titles. Drawing conclusions from an extended period as a DJ team and before going back to their esteemed and critically acclaimed live set, it’s all made for dance floors and with their conductors in mind. Going back to their roots, it marks the start of a series with raw takes and an authentic aesthetic. The job of feet is walking, but their hobby is dancing.
Sue Me and License To Vibe (featuring long-time collaborator ’Em) sound like they were ripped straight from an unreleased Editainment reel. On the other side, Chicken Bone and 16 Red are even straighter on the DJ tip: turning French House Italian. Powerful and punchy. No samples were harmed during the filming of this record!



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George Davis drops part 2 of his ‘Ona’ EP: heavenly house featuring a remix by the legendary Roy Davis Jr.
kickin’ up dust drops part 2 of the ‘Ona’ EP by George Davis. A jazzy bassline, snazzy piano keys and a rhythmical vocal send hips swinging and shoulders shaking in ‘Gomera’, a track which Chicagoan legend Roy Davis Jr. then remixes with a ‘Chitown Vibe’. Squelchy synths and organic percussion enter his version with a stylish swagger, maintaining the keys while moving the vocals to the back of the mix. Next up, ‘Bumpa’ is built for the dancefloor, an infectious groove forming the base for whimsical flute-like melodies, before ‘Soul Journey’ closes out the record with a gorgeous slow-burning vision of sunset shores and distant views.
Following on from his first ‘Ona’ EP which dropped on kickin’ up dust in March, and which won the support of artists like Honey Dijon, Nightmares On Wax, DJ Sneak and many more, George Davis now drops part two in the series. The german label, which initially started in 2021 as a party in the techno capital of Berlin, first turned heads hosting artists with a funkier edge to them such as Maurice Fulton, DJ Deep, and Louie Vega.
George Davis ‘Ona EP Part 2’ drops on kickin’ up dust 3rd November 2023


Tracklist:
01 Gomera
02 Gomera (Roy’s Chitown Vibe)
03 Bumpa
04 Soul Journey


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Tracklisting
A1. Cyber Love
A2. Deja Vu

B1. Fry Day Night
B2. Disko Laser
B3. Sunbathin’


Key Selling Points
Anton Bogomolov is a producer and sometimes a DJ. He has been releasing music on vinyl since 2018 and used to perform at local parties and festivals. Scruscru has recently released music on labels such as Slothboogie, Outplay, Omena, Ltd, W/lbl, Deeppa, Minor Notes, and more. He has also launched his own imprint called Scruniversal Records. He has received DJ support from artists like Moodymann, Dj Muro, Session Victim, and Disclosure, among others. His new EP, 'Cyber Love,' for N&B, is a collection of tunes recorded strictly on the train ride home after his weekend gigs during the summer of 2022.







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Special remarks: containing instrumental and acapella versions of two original tracks.

GENRE/S: Electronica, jazz, spoken word, house, IDM

TRACKLIST:

[12” vinyl]
A1. Learn To Swim Pt 1
A2. Learn To Swim Pt 1 (Instrumental)
A3. Learn To Swim Pt 1 (Acapella)

B1. Stretch for the Stars
B2. Stretch for the Stars (Instrumental)
B3. Stretch for the Stars (Acapella)

SHORT INFO:
Studio Barnhus proudly presents Joshua Idehen, announcing "Stretch for the Stars" – a new EP from
the Stockholm-based British-Nigerian spoken word artist and musician. Joshua's explosive creativity
and soulful voice have made him a fixture on the UK jazz scene, his exuberant live performances
lighting up clubs and festival stages across the world, including recent Studio Barnhus parties and
Boiler Room streams.
Together with producer and instrumentalist Ludvig Parment, Joshua fuses poetry with modern club
sounds in a natural, free-flowing way, resulting in some of the most poignant new music heard at
Studio Barnhus label headquarters in recent times. The new EP was co-produced by label mainstay
Matt Karmil and designed by Laurenz Brunner. Vinyl and digital release date November 24.


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Format: Vinyl 12” (Limited 180 gr. Blue Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)

Track list:

A1 Crackazat - Alfa
A2 Andy Hart - Epsilon Girls
A3 Makèz - Different Planets
B1 Kassian - 8th Movement
B2 Nachtbraker - Hamdi

Release Info:

The Dam Swindle curated compilation Heist Classics Vol. 02 delivers even more of the label’s biggest hits in a beautiful limited-edition package.

It’s safe to say that in it’s 10 years of existence, Heist Recordings has given us plenty of amazing music and has cemented itself as one of the key labels in today’s house scene. The first 3 compilations of this year have had an amazing response with radio and club tastemakers (re)discovering some of the best music that has come out on Heist. With support from Paul Woolford, Luke Slater, Antal, James Zabiela, Nightmares on Wax, a 10/10 in Faze Mag and various radio plays on BBC R1 with Pete Tong, Annie Mac and more, it’s safe to say that everyone has been loving these releases. Now, Dam Swindle conclude their 10-year anniversary releases with Classics vol. 2: a limited-edition collection with hits from Crackazat, Andy Hart, Kassian, Makèz and Nachtbraker.

The release kicks off with ‘Alfa’: Crackazat’s biggest hit to date (and that’s saying something, coming from a producer that has delivered jam upon jam in his career). It’s a signature Crackazat song with an off-kilter live key loop, shuffling percussion and pumping low end.
Andy Hart’s ‘Epsilon Girls’ was originally released in 2014 and has helped cement the artist and label’s position in the house music landscape. A vintage Barbara St. Clair loop gives the track a lovely human touch, which is countered by layers upon layers of glimmering electronics.

Different Planets is the track that really kickstarted the career of the talented duo Makèz. Released in 2019, the track has everything we’ve come to love from their recognizable sound: lively drums, catchy hooks and warm & jazzy chords. UK duo Kassian are represented on this package with their track ‘8th Movement’. Their sound has progressed towards techno in recent years which has given them support from artists across the board such as Ben UFO, Special Request and many more. Their Heist classic ‘8th Movement’ - still housey in its core - already has hints of their newfound style in its sound design and rolling energy.

We end the record with what might be Nachtbraker’s biggest track of his career: ‘Hamdi’. You’ll find him currently at work with artists such as Shanti Celeste where he recently released his Capichone EP, but the sound he developed in the early part of his career had Heist written all over it. ‘Hamdi’ is a proper anthem, with African drums, an ecstatic vocal sample and a killer groove.

The vinyl release of Heist Classics Vol. 02 is printed on colored 180grams heavyweight vinyl and is limited to 1000 records with a special design by our Art Director Bas Koopmans (Wellness.)

Enjoy the music and play it loud!

Lars & Maarten

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Tracklist:
A1) Naini’s Call (06:56 min)
A2) Green Villa (04:29 min)
A3) Orchard (05:26 min)
B1) Do Deers Dream? (03:11 min)
B2) Akki Always (06:39 min)
B3) Hair Spiders (04:43 min)
B4) Shriekmoon (04:14 min)

Short info:
Public Possession welcoming „ddwy“ to the label, after a first appearance on this years Chill Pill
compilation with the balearic dance beauty „Orchard“ the duo now delivers their first Mini LP titled
„Sprig Songs“. ddwy that is DJs „Inner Totality“ and „Nangi“ introduce their special style of tripped out
dubby dance tunes, slow paced, dreamy & proggy all flavoured with Nangis chants. They are sure to
cast a spell on you!




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Tracklist

A1 Fiesta 2000 (2023 Remaster)
A2. Fiesta 2000 – Sally C Remix
B1. Hitter Mane
B2. Fiesta 2000 – Matisa Remix

Even a pandemic can have its upsides. Fiesta 2000 proves this debatable statement. Conceived by Raphael Schön during a Covid-19 lockdown and originally released in 2021 as part of I’ll Be The Energy on Freeride Millenium (*thanks, guys! Ed.), it is one of those godsend tracks that cannot be duplicated, recreated or planned. The prohibition of any kind of hedonism, the yearning for collective pleasure, post-teenage-angst and rave romanticism all make up this delicious cocktail. Now served again on the Running Back subsidiary Misfit Melodies and freshly remastered, it is a hard one to put down.

Especially, since it has been supplemented with the just as charming tearjerker Hitter Mane: melancholic, hopeful and motivating in equal parts. The original of Fiesta 2000 is also backed up by remixes from Matisa respectively Sally C (who directed Gerd Janson’s attention to the track in the first place). Both brilliant in their own right, Matisa shifts the track into turbo-mode that will please the ruff necks amongst you, while Sally C brings off the feat of uniting pumping house, breakbeats and balearic piano moments in one go. Fiesta forever and ever ever!






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- Beautiful 1 LP Edition CLASSIC with 350g cardboard sleeve, Sticker Noen in a 2023 Repress Edition in BioVinyl (co2 neutral in zteh Vinyl Production process)

- THE holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble

WRWTFWW Records is proud to announce the highly anticipated official reissue of holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon) and a digipack CD.

Originally recorded in February and March 1981 and released by fabled Japanese avant-garde label Better Days (home of Ryuichi Sakamato's debut album, Yasuaki Shimizu's Kakashi, Colored Music self-titled LP and many more) MKWAJU is the fruit of the collaboration between Takada's crew and world-famous composer/musical director Joe Hisaishi, the man behind most of of Hayao Miyazaki's Studio Ghibli anime soundtracks and over 100 other films scores, including Takeshi Kitano's Sonatine, Hana-Bi, and Kikujiro. The ensemble's transcendental wonder is, in fact, the first-ever Midori Takada album and the first-ever Joe Hisaishi-produced album. Historic.

Led by Midori Takada on marimba, gong, vibraphone, and tom tom, MKWAJU is an inventive and riveting take on Eastern and Western minimalist traditions, African rhythms, and early electronica. Drawing from its jazz-rooted polyrhythmic improvisations in the most inventive ways, the album covers a wide spectrum of sounds, from colorful dance floor-ready percussion pieces that stand somewhere between proto-techno and experimental synth-pop, to cinematic ambient landscapes and ethereal drone delicacies. The feverishly sought-after full-length is a stepping-stone in Midori Takada's career and an all-around pioneering album.

Alongside Takada and Hisaishi (who not only produced the album but also played synthesizers), personnel on MKWAJU includes famed Japanese musicians Yoji Sadanari and Hideki Matsutake of KI-Motion fame, Junko Arase (heard on Satoshi Ashikawa's legendary Still Way - Wave Notation 2), and Pecker (whose stacked resume boasts collaborations with Ryuichi Sakamoto and Jun Fukamachi).

Tracklisting Vinyl LP
A1. Mkwaju
A2. Shak Shak
A3. Lemore
B1. Tira-Rin
B2. Pulse In The Mind
B3. Flash-Back


NO SALES TO JAPAN!

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Territories: Worldwide no restrictions

Format Notes: First time vinyl release, 140g vinyl

Track List:

A1 Dance In The Dust
A2 Amber Whispers
A3 Where Were We
A4 The Lights Of Kinshasa
A5 Pictures Of You

----

B1 Serendipity For Two
B2 Smiles By The Millions
B3 Higher Still
B4 Oriental
B5 Days To Wonder
B6 Dawn Of Europa
B7 Crystal Falls
B8 Purple Lines


Release Notes:

Synth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic Colors Of Silence has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when we first started work on Be With, we asked some pals with exquisite taste what their dream release would be. We asked Balearic legend Moonboots and, without hesitation, he said Colors Of Silence by Wally Badarou. We didn't know Wally had made this album. And most still don't. But that's about to change.

Colors Of Silence is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of CFCF and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.

Island Records founder Chris Blackwell's friend Nathalie Delon asked Wally to provide music for the yoga DVD she was to release. Lack of time on both sides made them agree on using "quality demos" Wally had in his ideas bank. It's understandable why Colors Of Silence remains somewhat of a lost gem. As Wally explains: "Total lack of promotion made it an 'intimate' release, which was exactly what I was looking for: just a buzz-maker and time-buyer that would allow me to concentrate on the real thing as soon as I'd have time, which could also turn into a rare collecting item later, once the final versions made their way to success. You never know."

Over the years, Colors Of Silence has become a true cult record for the ambient/Balearic heads.

The beguiling but brief "Dance In The Dust" is the shuffling, hyper-percussive, hypnotic opener. It gives way to the deep serenity of "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. The bright and breezy "Where Were We" follows, a tropical, reggae-tinged bounce through the islands.

The uptempo groove is maintained on the keys-drizzled soca-funk of "The Lights Of Kinshasa" before Side A is rounded out with "Pictures Of You". It starts with stately, melancholic, unadorned piano and this alone would make for a beautiful song. But Wally always gives us that bit extra and he effortlessly introduces warm, dreamy pads and minimal, slo-mo percussion to augment a frankly stunning piece of work.

Ushering in Side B, Wally's mesmeric piano playing is to the fore again, in the intro to uber-chilled "Serendipity For Two". The playing becomes more mellifluous as the track progresses and adds warmth through exotic percussion, woodwind, sweeping synths and digi-drums. It has echoes of, er, Echoes. It segues seamlessly into the more propulsive, wavy "Smiles By The Millions". If you're not nodding and grinning along widely to the gently throbbing bassline underpinning this, we can't help you. The meditative "Higher Still" follows, cinematic in feel and ever so slightly sinister with the strings. It sounds particularly Badalamenti-esque, if you ask us.

That unmistakable, almost peculiar Badarou funk - so lyrical, so texturally rich and so rhythmically spacious - is all over "Oriental". Next up, "Days To Wonder" brings the serenity back, insistent yet melodic keys, as if played in a place of worship, coupled with birdsong, conjure a kind of instant nostalgia for halcyon days of youth. The contemplative "Dawn Of Europa" is a sombre, beatless, ambient journey whilst the glorious, too-brief "Crystal Falls" features soft percussion and sparkle before fully glistening with some gentle head-nod beats. Wally brings this incredible collection to a mellow, tender close with the graceful "Purple Lines".

There can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. A synth specialist, Badarou was the long-time associate of Level 42. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Special thanks must go to Apiento from Test Pressing who first introduced us to Wally and facilitated all those early zoom meetings. It couldn't have happened without his help. Not least on pulling the art together, too, which features striking original photography by Mads Perch. Benji Roebuck of Roebuck Press did his thing brilliantly in art working the whole package to completion. All in all: essential.

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Tracklist

A1. Llewellyn – For The Weekend
A2. Stereocalypse – Mad Theory
A3. Zillas On Acid – Pleatherhead
B1. Storken & Hammer – Marabou
B2. Ede – Radius
B3. Señor Chugger & Count Van Delicious - Mickeys Vegan Fillet

Numbers hold the key to unlock the universe. So, a six-pack can either consist of six bottles of beer, very well developed stomach muscles or in our case: a string of smash hits. To take it even further, it’s exactly six tracks for the sixth part of the VA-series that is One Swallow Doesn’t Make A Summer.
Hit men include friends new and old: Llewellyn, Stereocalypse, Zillas On Acid, Storken & Hammer, Ede, Señor Chugger & Count Van Delicious. The pace is cool and hot at the same time. Rave signals by Ede foil the nouveau disco by Stereocalypse or Storken & Hammer, Llewellyn does a classic house piano hop, Zilles On Acid deliver, well. mid-tempo acid, and last, but not least, Señor Chugger & Count Van Delicious strike a delicious pose.
One for almost everyone! And if not, let your body go with the flow!



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black vinyl

Tracklist
1. Der Strahlende Verlierer
2. Hardwired Tangent
3. Hardwired Hypotenuse + Asymptote

Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The third installment "Reissued 3", which follows the series' first two EPs from previous years, features again some exceptional pieces that were previously only available on CD. Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music. First up on the A side, “Der Strahlender Verlierer”, from the 2006 Album “Let the Circle Not Be Broken”, begins atmospherically before pushing subtly into open filter and undulating synth territory. Introspective and accepting, the piece gradually lets the sum of its parts coalesce into a peaceful whole with sustained chords and the flicker of played steel strings.
“Hardwired Tangent” from the 2001 Album “Wired” rounds out the first side with edgier and more ominous tones. Brooding and bubbling its way through artificial textures absorbed by carefully weighted rhythmic tension. Shuffling jazz electronics. The moody low-mid hum providing buoyancy throughout. Also from the 2001 album, the B side’s “Hardwired Hypotenuse + Asymptote” is a synthetic journey. Textural, pseudo-organic, pulsating with urgency. The motoric percussion imparting structure to the sonic alchemy. Tactile yet integrated components offer the listener (or dancer) multiple entry points into the music. This is both artful and kaleidoscopic — a treatise on contemplative and psychoactive house music.
"Reissued 3" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.



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