1
Paraflow - A1. Substorm
2
Paraflow - A2. Continental Crust
3
Paraflow - A3. Continental Crust (FIO Remix)
4
Paraflow - B1. Ashtray Black
5
Paraflow - B2. Mental Drilling
6
Paraflow - B3. Core-Dweller
7
Paraflow - B4. Fishing for Gravel
Mini LP
Debut release .FIO Remix. For fans of Jonquera, Parchman, BPM AM.
GENRE/S:
EBM, Dub, IDM
TRACKLISTS:
A1. Substorm
A2. Continental Crust
A3. Continental Crust (FIO Remix)
B1. Ashtray Black
B2. Mental Drilling
B3. Core-Dweller
B4. Fishing for Gravel
SHORT INFO:
Fishing for Gravel is the debut solo mini-LP from Dublin-born, Amsterdam-based producer Paraflow (aka Niall Rogers), via Superconscious Records. Known for his work as a music supervisor and dream pop collaborator (Officer John), Paraflow dives deep into a world of EBM and dub-infused electronics-granular textures, mid-tempo chug, and flashes of blissful uplift driving seven tracks of earthy, drum-heavy synthesis. Includes a rugged remix from Superconscious' own FIO. For fans of Jonquera, Parchman, BPM AM.
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Debut release .FIO Remix. For fans of Jonquera, Parchman, BPM AM.
GENRE/S:
EBM, Dub, IDM
TRACKLISTS:
A1. Substorm
A2. Continental Crust
A3. Continental Crust (FIO Remix)
B1. Ashtray Black
B2. Mental Drilling
B3. Core-Dweller
B4. Fishing for Gravel
SHORT INFO:
Fishing for Gravel is the debut solo mini-LP from Dublin-born, Amsterdam-based producer Paraflow (aka Niall Rogers), via Superconscious Records. Known for his work as a music supervisor and dream pop collaborator (Officer John), Paraflow dives deep into a world of EBM and dub-infused electronics-granular textures, mid-tempo chug, and flashes of blissful uplift driving seven tracks of earthy, drum-heavy synthesis. Includes a rugged remix from Superconscious' own FIO. For fans of Jonquera, Parchman, BPM AM.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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More records from Superconscious Records
1
Fantastic Man - A1. Beyond control
2
Fantastic Man - A2 .Hyper.Sonic
3
Fantastic Man - B1. Sparticle Boom!
4
Fantastic Man - B2. West Coast
12" EP, - Follow up to Visions of Dance Vol. 1
- Releases on Kalahari Oyster Cult, Superconscious Records and more.
GENRE/S: Electronic, Deep House,
3. TRACKLISTS:
A1. Beyond control
A2 .Hyper.Sonic
B1. Sparticle Boom!
B2. West Coast
SHORT INFO:
Fantastic Man continues to gain momentum as he presents the
second instalment of his series 'Visions of Dance'.
Featuring four new tracks, each a harmonious blend of euphoria, made for use at every stage of your nocturnal journey.
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- Releases on Kalahari Oyster Cult, Superconscious Records and more.
GENRE/S: Electronic, Deep House,
3. TRACKLISTS:
A1. Beyond control
A2 .Hyper.Sonic
B1. Sparticle Boom!
B2. West Coast
SHORT INFO:
Fantastic Man continues to gain momentum as he presents the
second instalment of his series 'Visions of Dance'.
Featuring four new tracks, each a harmonious blend of euphoria, made for use at every stage of your nocturnal journey.
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1
Fantastic Man - A1. Gondwana Dance
2
Fantastic Man - A2. Low World Order
3
Fantastic Man - B1. Party Rug
4
Fantastic Man - B2. By 1990-91
GENRE/S: House, Trance
TRACKLISTS:
A1. Gondwana Dance
A2. Low World Order
B1. Party Rug
B2. By 1990-91
SHORT INFO:
The first in a who-knows-how-many part series, Fantastic Man returns to Superconscious with his 'visions of dance', guiding 4 otherwise unwieldy mechanical modular manifestations, into high
UV index rollers.
Don't forget to slip slop slap!
VITAL SALES POINTS:
- Vol 1
- Releases on Superconscious,
- Follow-up to DJ Mentality for Superconscious Records.
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1
YUF-O - A1. Do You Ever D.R.E.A.M. Of Flying? 5:20
2
YUF-O - A2. Rebuild, Recharge
3
YUF-O - B1. S.O-S.A
4
YUF-O - B2. Prance = Prance
YUF-O, it’s a collaboration between You Su and Francis Inferno Orchestra
YUF-O (FIO & YU SU) - A charming and characteristic blend of both artists' personalities, yet totally unexpected in the best possible way. A mixture of absurd house, blissful ambient, accidental trance and some totally weird and wonderful other stuff.
Genre: House, Ambient, Techno
Tracklist 12":
A1 Do You Ever D.R.E.A.M. Of Flying? 5:20
A2 Rebuild, Recharge 6:56
B1 S.O-S.A 5:36
B2 Prance = Prance 4:01
Short Info:
In the blistering Los Angeles Summer of 2019, a chance encounter occurred between pals Yu Su and FIO, whilst both dishevelled and on their own separate journeys to overcome immigration bureaucracy. In the midst of filling out forms and enduring long waiting periods (pre pandemic) the pair managed to spend some time in the studio, two afternoons to be exact. The result; YUF-O. Four tracks that comprise of a charming and characteristic blend of both artists' personalities, yet totally unexpected in the best possible way. A mixture of absurd house, blissful ambient, accidental trance and some totally weird and wonderful other stuff.
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YUF-O (FIO & YU SU) - A charming and characteristic blend of both artists' personalities, yet totally unexpected in the best possible way. A mixture of absurd house, blissful ambient, accidental trance and some totally weird and wonderful other stuff.
Genre: House, Ambient, Techno
Tracklist 12":
A1 Do You Ever D.R.E.A.M. Of Flying? 5:20
A2 Rebuild, Recharge 6:56
B1 S.O-S.A 5:36
B2 Prance = Prance 4:01
Short Info:
In the blistering Los Angeles Summer of 2019, a chance encounter occurred between pals Yu Su and FIO, whilst both dishevelled and on their own separate journeys to overcome immigration bureaucracy. In the midst of filling out forms and enduring long waiting periods (pre pandemic) the pair managed to spend some time in the studio, two afternoons to be exact. The result; YUF-O. Four tracks that comprise of a charming and characteristic blend of both artists' personalities, yet totally unexpected in the best possible way. A mixture of absurd house, blissful ambient, accidental trance and some totally weird and wonderful other stuff.
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1
suco - Estate Of Mind" (Fantastic Man edit)
2
suco - "Mum Said Chocolate Isn't Good For Dogs" (FIO edit)
This double A-side from Fantastic Man and Francis Inferno Orchestra is first in a series of cheeky off-shoots via the Superconscious label.
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Customers who bought this also bought this
Strut presents Mulatu Plays Mulatu, the first major studio album in over 10 years from the father of Ethio-jazz, Mulatu Astatke.
Tracklist
Vinyl:
A1. Zelesenga Dewel
A2. Kulun
A3. Netsanet
B1. Yekermo Sew
B2. Chik Chikka
B3. Motherland
B4. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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Tracklist
Vinyl:
A1. Zelesenga Dewel
A2. Kulun
A3. Netsanet
B1. Yekermo Sew
B2. Chik Chikka
B3. Motherland
B4. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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1
Coastal Commission - Straight No Chaser
2
Coastal Commission - Rhodes Through Space
Growing up on the slag heaps of County Durham Northumbria, young Sam Robson dreamed of one day finding a better way & somewhere to live with nicer bloody weather! An avid record collector from an early age he looked to music for the answer…
Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.
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Germany
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Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Cody Currie - Player
2
Cody Currie - Fade To Black
3
Cody Currie - Rent Free
4
Cody Currie - Release My Heart
5
Cody Currie - Just Like Heaven
Tracklist 12":
A1) Player
A2) Fade To Black
A3) Rent Free
B1) Release My Heart
B2) Just Like Heaven
Cody Currie with a new EP! Jamiroquai in the studio with Masters at Work and Todd Terje and u got the vibe!
The London super soul talent did 5 more tracks for his label Toy Tonics. Being part of the Toy Tonics crew since day one almost.. he has been sharing studio, stages and free time with the Berlin label bunch for more than 5 years now. The new EP shows his talent as a musician who plays bass, guitar and keyboard on the highest level again as well his skills as a superb electronic producer. The new sound for the edgy dancefloor of 2025. It's not dancefloor tools, it's real music for dancers. Taste & quality.
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DE - 22113 Hamburg
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A1) Player
A2) Fade To Black
A3) Rent Free
B1) Release My Heart
B2) Just Like Heaven
Cody Currie with a new EP! Jamiroquai in the studio with Masters at Work and Todd Terje and u got the vibe!
The London super soul talent did 5 more tracks for his label Toy Tonics. Being part of the Toy Tonics crew since day one almost.. he has been sharing studio, stages and free time with the Berlin label bunch for more than 5 years now. The new EP shows his talent as a musician who plays bass, guitar and keyboard on the highest level again as well his skills as a superb electronic producer. The new sound for the edgy dancefloor of 2025. It's not dancefloor tools, it's real music for dancers. Taste & quality.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Vinyl LP + insert
An electrified meeting of minds, Candy Girl is a lost 1975 session by jazz pianist Mal
Waldron, recorded in Paris with core members of the mighty Lafayette Afro Rock Band, the
American funk unit who had made France their home and whose deep grooves would later
be mined by generations of hip-hop producers.
TRACKLIST
A1. Home Again 05:20
A2. Red Match Box 09:35
B1. Bits And Things 09:05
B2. Dedication To Brahms 06:20
B3. Candy Girl 03:30
Listen: listen.k7.com/98feffb8-7b4b-432b-a986-4de530e35d2d
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An electrified meeting of minds, Candy Girl is a lost 1975 session by jazz pianist Mal
Waldron, recorded in Paris with core members of the mighty Lafayette Afro Rock Band, the
American funk unit who had made France their home and whose deep grooves would later
be mined by generations of hip-hop producers.
TRACKLIST
A1. Home Again 05:20
A2. Red Match Box 09:35
B1. Bits And Things 09:05
B2. Dedication To Brahms 06:20
B3. Candy Girl 03:30
Listen: listen.k7.com/98feffb8-7b4b-432b-a986-4de530e35d2d
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1
Ural 13 Diktators - Diskossa
2
Ural 13 Diktators - Paraati
3
Ural 13 Diktators - 1985
4
Ural 13 Diktators - Manifesti
5
Ural 13 Diktators - Uralin Pihlaja
Long-overdue repress of the 1998 classic Ural 13 Diktators debut release. From Ghetto Techno to Hi-NRG influenced Neo-Soviet Electroclash and traditional melodies. Mastered from the original tapes and lacquer cut in 2025 by Mike Grinser at Manmade Mastering, Berlin. Slava Ukraini!
A1: Diskossa
A2: Paraati
B1: 1985
B2: Manifesti
B3: Uralin Pihlaja
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A1: Diskossa
A2: Paraati
B1: 1985
B2: Manifesti
B3: Uralin Pihlaja
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1
Flabbergast - Timecrowave
2
Flabbergast - Serpentoute
Genre: House - Minimal
Tracklist:
A. Timecrowave
B. Serpentoute
Short Info:
Montreal duo Flabbergast—aka Guillaume Coutu Dumont and Vincent Lemieux—return to Circus Company, the label where it all began with their debut EP in 2015. Now seasoned veterans of leftfield club experimentation, they deliver Weirdo Active, a two-track vinyl release that distills their signature
blend of groove, absurdity, and refined weirdness.
On the A-side, “Timecrowave” is a swung, syncopated burner built around fragmented drum programming, warbled synth textures, and subtly detuned atmospheres. It's a tool that thrives in the inbetween moments of a set—unpredictable yet fluid.
On the B-side “Serpentoute,” a slinky groove laced with dubwise processing and modular squelch, maintaining tension through micro-edits and playful FX. Perfect for after-hours transitions or more openminded floors.
Following standout releases on Yoyaku, Copier/Coller, and Chapelle XVI, Flabbergast continue to offer up dance music that’s deeply heady, subtly unhinged, and always full of intent. A finely sculpted dose of dancefloor surrealism—just the way Flabbergast likes it.
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Tracklist:
A. Timecrowave
B. Serpentoute
Short Info:
Montreal duo Flabbergast—aka Guillaume Coutu Dumont and Vincent Lemieux—return to Circus Company, the label where it all began with their debut EP in 2015. Now seasoned veterans of leftfield club experimentation, they deliver Weirdo Active, a two-track vinyl release that distills their signature
blend of groove, absurdity, and refined weirdness.
On the A-side, “Timecrowave” is a swung, syncopated burner built around fragmented drum programming, warbled synth textures, and subtly detuned atmospheres. It's a tool that thrives in the inbetween moments of a set—unpredictable yet fluid.
On the B-side “Serpentoute,” a slinky groove laced with dubwise processing and modular squelch, maintaining tension through micro-edits and playful FX. Perfect for after-hours transitions or more openminded floors.
Following standout releases on Yoyaku, Copier/Coller, and Chapelle XVI, Flabbergast continue to offer up dance music that’s deeply heady, subtly unhinged, and always full of intent. A finely sculpted dose of dancefloor surrealism—just the way Flabbergast likes it.
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1
DJ Split - Kiss Revenge
2
DJ Split - Jack It
3
DJ Split - Pose Funk
4
DJ Split - Thirsty Maxx
5
DJ Split - It Out
Shadow Pressings returns with its sixth vinyl-only release, this time spotlighting a full EP from DJ Split, whose latest effort dives deep into the gritty, jacking sounds of 90s Chicago house. Emerging from the shadows of the underground, DJ Split crafts stripped-back, floor-focused tracks rooted in the raw energy of early Chicago house. Known for tough drums, hypnotic loops, and a deep respect for analog grit, DJ Split's sound pays homage to the sweat-soaked basements and speaker-stacked warehouses that shaped dance music's golden era. No gimmicks-just pure jackin' music for those who know.
Kiss Revenge is a rugged opener that drives hard with pounding snares, flanged claps, and a vocal loop that rides the groove like it never wants to end. Pure sweat-box energy, tailored for the red light zone.
Jack It works up an irresistible FM bassline, tough 909s, and that unmistakable "Jack" vocal chopped into submission. Funky, freaky, and irresistibly jacking.
Pose Funk ups the BPM's for a full on hi-energy workout. A live cowbell riff anchors the groove whilst cut up spoken word vocal chops and church bell (!) samples bring an off-kilter vibe to the track.
Thirsty Maxx starts life as a raw to the core, late-night tool with attitude-perfect for locking in dancers when things start to get weird in the best way. Just a smattering of moody chords drop here and there but at the end of the day this one is all about the drums!
Closing out the EP, It Out brings it down just a touch-stripped, hypnotic, and built around crunchy drums, ravey siren, 303 touches and chopped vocal phrases that repeat like voices in your head. One for the ravers who stay 'til the lights come up.
Stay in the shadows. Play it loud.
A1 - Kiss Revenge
A2 - Jack It
B1 - Pose Funk
B2 - Thirsty Maxx
B3 - It Out
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Kiss Revenge is a rugged opener that drives hard with pounding snares, flanged claps, and a vocal loop that rides the groove like it never wants to end. Pure sweat-box energy, tailored for the red light zone.
Jack It works up an irresistible FM bassline, tough 909s, and that unmistakable "Jack" vocal chopped into submission. Funky, freaky, and irresistibly jacking.
Pose Funk ups the BPM's for a full on hi-energy workout. A live cowbell riff anchors the groove whilst cut up spoken word vocal chops and church bell (!) samples bring an off-kilter vibe to the track.
Thirsty Maxx starts life as a raw to the core, late-night tool with attitude-perfect for locking in dancers when things start to get weird in the best way. Just a smattering of moody chords drop here and there but at the end of the day this one is all about the drums!
Closing out the EP, It Out brings it down just a touch-stripped, hypnotic, and built around crunchy drums, ravey siren, 303 touches and chopped vocal phrases that repeat like voices in your head. One for the ravers who stay 'til the lights come up.
Stay in the shadows. Play it loud.
A1 - Kiss Revenge
A2 - Jack It
B1 - Pose Funk
B2 - Thirsty Maxx
B3 - It Out
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Label:Weight Looming
Cat-No:WEILOO02LP
Release-Date:19.09.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Weight Looming
Cat-No:WEILOO02LP
Release-Date:19.09.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Territories: WORLD minus US, CA
Tracklist:
A1. Repeater (feat. Armand Hammer)
A2. Bandage Chipped Wings (feat. Fatboi Sharif)
A3. Crash Landing (feat. ICECOLDBISHOP)
A4. Tysmo
A5. I Saw The Light (feat. Loraine James & Moor Mother)
B1. X
B2. Oblivion Step
B3. Splintered (feat. Slikback)
B4. Veil (feat. Kaitlyn Aurelia Smith)
B5. Outro
Short Info
Arriving two years after the first chapter, Absurd Matter 2 isn’t just a sequel, it’s an evolution, redrawing the boundaries established by its acclaimed predecessor. The Berlin-based Italian producer tempers his confrontational sonics with rare moments of introspection, shifting seamlessly between blown-out noise, warped hip-hop, mutant club experimentation, and weightless ambience. Textures disintegrate and reassemble, rhythms flex and crumble, and every detail balances on the edge of fantasy. It’s a poetic, layered response to Nino Pedone’s changing physical reality: the gradual hearing loss and perceptual renegotiation triggered by Ménière’s disease, which struck him in 2022. At first, the experience felt like betrayal, a brutal disconnection from the very sense that had shaped his life. But over time, the disorientation turned into a strange kind of focus. The silence between sounds became as expressive as the sounds themselves.
The first Absurd Matter was a visceral reaction to trauma; the second is more reflective – an ambiguous chronicle of sensory recalibration. Pedone doesn’t represent his altered inner reality through extremes, but through depth, zooming in on illusory distortions, tense rhythmic fluctuations, and fragmented sonics. Dense, immersive, and mystical, the album mirrors Pedone’s evolving relationship with perception itself.
Tinnitus-like feedback wails and noir-ish strings introduce “Repeater”, making it immediately clear that Pedone is painting a more delicately finessed image this time around. Fleshed out by raps from cult MCs billy woods and E L U C I D, the track is marked by subtle, sophisticated contrasts: the blurred, inverted rhythms that couch Armand Hammer’s haunted back-and-forth, and the glitchy interference that offsets the lavish orchestral phrases. Backwoodz associate Fatboi Sharif lends his Lynchian drawl to “Bandage Chipped Wings”, grounding Pedone’s lysergic rhythmic distortions with syrupy, horror-inspired couplets. Pedone also invites discomfort into “Crash Landing”, with droning, metallic tones that contradict South Central rapper ICECOLDBISHOP’s elastic flow. “Bitch, I don't give a fuck about anybody,” he squawks over Pedone’s incongruous rasping textures and time-warped beats, “cash out at any party.” Working alongside London’s Loraine James on production, Pedone reunites with Moor Mother on “I Saw The Light”, blending James’ soft-focus atmospherics with soundsystem-damaging, overdriven bass hits and rusted percussive snips. Moor Mother’s assertive words hover over the wreckage, tightening Pedone’s themes of overstimulation and altered awareness as they stutter and veer off course, vanishing into the backdrop.
Contrasting his more pensive experiments, Pedone’s dancefloor deviations are more concentrated on Absurd Matter 2 than ever before. He torches a stuttering dembow structure on “X”, obfuscating the rhythm’s familiar energy with disturbing audio hallucinations. On “Splintered”, he reunites with Kenyan prodigy Slikback, mangling neon-lit trance arpeggios with dissociated trap rhythms. He sharpens his skills to a fine point on “Oblivion Step”, observing 2- step through a lens of distortion and personal abstraction, shaking blipping synth leads over neck-snapping drums and counteracting the momentum with airless sci-fi soundscapes.
Perhaps the album’s most surprising moment arrives with “Viel”, which features vocals from Los Angeles-based composer Kaitlyn Aurelia Smith. Together, Pedone and Smith chance upon their notion of dub techno, fogging synth stabs and ghostly vocal traces into eerie harmonic distortions. On some level, it’s almost pop music, a far cry from the bleak dissonance of Absurd Matter and a hopeful way to reframe turbulence as transformation. Absurd Matter 2 doesn’t simply document a process; it enacts one. It doesn’t offer clarity; it invites disorientation. It’s not a map of the labyrinth, but a foghorn piercing the darkness.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. Repeater (feat. Armand Hammer)
A2. Bandage Chipped Wings (feat. Fatboi Sharif)
A3. Crash Landing (feat. ICECOLDBISHOP)
A4. Tysmo
A5. I Saw The Light (feat. Loraine James & Moor Mother)
B1. X
B2. Oblivion Step
B3. Splintered (feat. Slikback)
B4. Veil (feat. Kaitlyn Aurelia Smith)
B5. Outro
Short Info
Arriving two years after the first chapter, Absurd Matter 2 isn’t just a sequel, it’s an evolution, redrawing the boundaries established by its acclaimed predecessor. The Berlin-based Italian producer tempers his confrontational sonics with rare moments of introspection, shifting seamlessly between blown-out noise, warped hip-hop, mutant club experimentation, and weightless ambience. Textures disintegrate and reassemble, rhythms flex and crumble, and every detail balances on the edge of fantasy. It’s a poetic, layered response to Nino Pedone’s changing physical reality: the gradual hearing loss and perceptual renegotiation triggered by Ménière’s disease, which struck him in 2022. At first, the experience felt like betrayal, a brutal disconnection from the very sense that had shaped his life. But over time, the disorientation turned into a strange kind of focus. The silence between sounds became as expressive as the sounds themselves.
The first Absurd Matter was a visceral reaction to trauma; the second is more reflective – an ambiguous chronicle of sensory recalibration. Pedone doesn’t represent his altered inner reality through extremes, but through depth, zooming in on illusory distortions, tense rhythmic fluctuations, and fragmented sonics. Dense, immersive, and mystical, the album mirrors Pedone’s evolving relationship with perception itself.
Tinnitus-like feedback wails and noir-ish strings introduce “Repeater”, making it immediately clear that Pedone is painting a more delicately finessed image this time around. Fleshed out by raps from cult MCs billy woods and E L U C I D, the track is marked by subtle, sophisticated contrasts: the blurred, inverted rhythms that couch Armand Hammer’s haunted back-and-forth, and the glitchy interference that offsets the lavish orchestral phrases. Backwoodz associate Fatboi Sharif lends his Lynchian drawl to “Bandage Chipped Wings”, grounding Pedone’s lysergic rhythmic distortions with syrupy, horror-inspired couplets. Pedone also invites discomfort into “Crash Landing”, with droning, metallic tones that contradict South Central rapper ICECOLDBISHOP’s elastic flow. “Bitch, I don't give a fuck about anybody,” he squawks over Pedone’s incongruous rasping textures and time-warped beats, “cash out at any party.” Working alongside London’s Loraine James on production, Pedone reunites with Moor Mother on “I Saw The Light”, blending James’ soft-focus atmospherics with soundsystem-damaging, overdriven bass hits and rusted percussive snips. Moor Mother’s assertive words hover over the wreckage, tightening Pedone’s themes of overstimulation and altered awareness as they stutter and veer off course, vanishing into the backdrop.
Contrasting his more pensive experiments, Pedone’s dancefloor deviations are more concentrated on Absurd Matter 2 than ever before. He torches a stuttering dembow structure on “X”, obfuscating the rhythm’s familiar energy with disturbing audio hallucinations. On “Splintered”, he reunites with Kenyan prodigy Slikback, mangling neon-lit trance arpeggios with dissociated trap rhythms. He sharpens his skills to a fine point on “Oblivion Step”, observing 2- step through a lens of distortion and personal abstraction, shaking blipping synth leads over neck-snapping drums and counteracting the momentum with airless sci-fi soundscapes.
Perhaps the album’s most surprising moment arrives with “Viel”, which features vocals from Los Angeles-based composer Kaitlyn Aurelia Smith. Together, Pedone and Smith chance upon their notion of dub techno, fogging synth stabs and ghostly vocal traces into eerie harmonic distortions. On some level, it’s almost pop music, a far cry from the bleak dissonance of Absurd Matter and a hopeful way to reframe turbulence as transformation. Absurd Matter 2 doesn’t simply document a process; it enacts one. It doesn’t offer clarity; it invites disorientation. It’s not a map of the labyrinth, but a foghorn piercing the darkness.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Earth and Bones - Serpent
2
Earth and Bones - Leviathan
3
Earth and Bones - Hanu
4
Earth and Bones - Hyenas
5
Earth and Bones - Mother Bear
LP: Limited Edition, 180g Vinyl, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Serpent
A2. Leviathan
A3. Hanu
B1. Hyenas
B2. Mother Bear
Info
We Release JAZZ is honored to announce the release Shoals, a magnificent full-length album from Earth and Bones, the duo consisting of Liran Donin and Idris Rahman of acclaimed jazz outfit Ill Considered. Their majestic offering is available in an ultra limited edition 180g vinyl LP housed in a heavyweight sleeve with an original artwork by Dutch artist Vincent de Boer.
Carried by Liran Donin on double bass and shakers, and Idris Rahman on bass clarinet, tenor sax, shell, and Tibetan singing bowl, the 5-track album is a deeply entrancing meditative-shamanistic-ambient-jazz journey. The members of Earth and Bones poured their heart and beliefs into the project:
"From shamanic cultures and forgotten traditions, we delved deeper searching our ancient healers, exploring who they heal, what they heal, and how they do it. We wanted to focus on the poisonous human attributes that affect our animal kingdom, as well as how we can heal ourselves by balancing darkness and light. We express our forever gratitude to our community, tribe and animal kingdom.
Despite how governments and multinational corporations try to isolate us from one another, we can't make it alone without our shoal. To truly have a shoal, we need to accept each other for what we are."
Their friend, Vincent de Boer, delivers the visual side of Shoals:
"The living world and all its particular (eco)systems s increasingly a source of inspiration for my art process. When Idris and Liran showed me the new recording and the thoughts behind it, it immediately fell onto good grounds. A school of fish is eminently a metaphor for collective improvisation, something we are all engaged in on an artistic level. The group decisions go beyond causality, the energies provide a simultaneous awareness for choices of direction. The space between the entities thus form a new entity. Non-matter becomes matter and vice versa: an area where music and visual art meet.
I drew a school of fish and tried to make it look like a fixed entity, so that multiple lives become one collective. As a bird and perhaps as a rock or cave: outside becomes inside becomes outside: so that all domains of the living world are linked: the swimming, the crawling, the flying and the playing. The spiritual connection with the music of Idris and Liran is grand, the places it takes me are at once very distant and extremely close. From otherworldly to within the body: the opposites as well as the harmonies are of shamanistic proportions."
Points of interests
For fans of ambient-jazz, meditative music, shamanistic rituals, improvisational process, deep vibes, Ill Considered, Vincent de Boer, heartful connections, healers and healing, the body, the otherworld, life within and outside.
.Super limited edition vinyl of Earth and Bones' debut !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting LP
A1. Serpent
A2. Leviathan
A3. Hanu
B1. Hyenas
B2. Mother Bear
Info
We Release JAZZ is honored to announce the release Shoals, a magnificent full-length album from Earth and Bones, the duo consisting of Liran Donin and Idris Rahman of acclaimed jazz outfit Ill Considered. Their majestic offering is available in an ultra limited edition 180g vinyl LP housed in a heavyweight sleeve with an original artwork by Dutch artist Vincent de Boer.
Carried by Liran Donin on double bass and shakers, and Idris Rahman on bass clarinet, tenor sax, shell, and Tibetan singing bowl, the 5-track album is a deeply entrancing meditative-shamanistic-ambient-jazz journey. The members of Earth and Bones poured their heart and beliefs into the project:
"From shamanic cultures and forgotten traditions, we delved deeper searching our ancient healers, exploring who they heal, what they heal, and how they do it. We wanted to focus on the poisonous human attributes that affect our animal kingdom, as well as how we can heal ourselves by balancing darkness and light. We express our forever gratitude to our community, tribe and animal kingdom.
Despite how governments and multinational corporations try to isolate us from one another, we can't make it alone without our shoal. To truly have a shoal, we need to accept each other for what we are."
Their friend, Vincent de Boer, delivers the visual side of Shoals:
"The living world and all its particular (eco)systems s increasingly a source of inspiration for my art process. When Idris and Liran showed me the new recording and the thoughts behind it, it immediately fell onto good grounds. A school of fish is eminently a metaphor for collective improvisation, something we are all engaged in on an artistic level. The group decisions go beyond causality, the energies provide a simultaneous awareness for choices of direction. The space between the entities thus form a new entity. Non-matter becomes matter and vice versa: an area where music and visual art meet.
I drew a school of fish and tried to make it look like a fixed entity, so that multiple lives become one collective. As a bird and perhaps as a rock or cave: outside becomes inside becomes outside: so that all domains of the living world are linked: the swimming, the crawling, the flying and the playing. The spiritual connection with the music of Idris and Liran is grand, the places it takes me are at once very distant and extremely close. From otherworldly to within the body: the opposites as well as the harmonies are of shamanistic proportions."
Points of interests
For fans of ambient-jazz, meditative music, shamanistic rituals, improvisational process, deep vibes, Ill Considered, Vincent de Boer, heartful connections, healers and healing, the body, the otherworld, life within and outside.
.Super limited edition vinyl of Earth and Bones' debut !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Scissor And Thread
Cat-No:satltd007
Release-Date:22.08.2025
Genre:Deephouse
Configuration:12" Excl
Label:Scissor And Thread
Cat-No:satltd007
Release-Date:22.08.2025
Genre:Deephouse
Configuration:12" Excl
1
fka boursin - Listless Intertext
2
fka boursin - Listless Intertext (Frank & Tony's Housebeat Dub)
FORMAT: 12”
GENRE/S: House, Deep House
TRACKLIST:
A. Listless Intertext
B. Listless Intertext (Frank & Tony's Housebeat Dub)
SHORT INFO:
fka boursin is a DJ and producer out of Bristol, UK.
Previously known as DJ Boursin, he is recognized for his deep, ambient-infused house music that explores political dimensions of clubs and identity politics.
Welcomed into the Scissor & Thread fold, fka boursin shares two cuts of deep and introspective
electronic music.
The original Listless Intertext is a hazy trip through ambient soundscapes, shuffling rhythms and half-caught conversations, drifting across a 12 minute run time that slowly evolves and shifts with time.
"Listless Intertext is a track centred around the "failed" employment of cheap vocoder software that attempted to process explicit words and phrases across 11 minutes." says fka boursin. "Instead, the vocoder output made any words indecipherable and I was left with thematic vagueness. The final text of the track is simply a submission to its own limitations with some french thrown in."
When label bosses Frank & Tony step up for their Housebeat Dub, they keep the essential mood but introduce a thick, fat groove that works just as well in conveying the mood.
"Our remix is a strictly dancefloor approach," says Frank, "an extended psychedelic beat rework perfect for late night, early morning vibes".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: House, Deep House
TRACKLIST:
A. Listless Intertext
B. Listless Intertext (Frank & Tony's Housebeat Dub)
SHORT INFO:
fka boursin is a DJ and producer out of Bristol, UK.
Previously known as DJ Boursin, he is recognized for his deep, ambient-infused house music that explores political dimensions of clubs and identity politics.
Welcomed into the Scissor & Thread fold, fka boursin shares two cuts of deep and introspective
electronic music.
The original Listless Intertext is a hazy trip through ambient soundscapes, shuffling rhythms and half-caught conversations, drifting across a 12 minute run time that slowly evolves and shifts with time.
"Listless Intertext is a track centred around the "failed" employment of cheap vocoder software that attempted to process explicit words and phrases across 11 minutes." says fka boursin. "Instead, the vocoder output made any words indecipherable and I was left with thematic vagueness. The final text of the track is simply a submission to its own limitations with some french thrown in."
When label bosses Frank & Tony step up for their Housebeat Dub, they keep the essential mood but introduce a thick, fat groove that works just as well in conveying the mood.
"Our remix is a strictly dancefloor approach," says Frank, "an extended psychedelic beat rework perfect for late night, early morning vibes".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Green splatter
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Rights: Rights: World excluding FR
Format: 6 x Black 140 grs Vinyl each one in spinelesssleeve, heavyweight cardboard slipcase/custod numbered at the back, insert-photo individually signed but the artist, marketing sticker. Limited & numbered to 500 copies for the world.
PRODUCT DESCRIPTION & BIOG
This ultimate 6LP Boxset presents the works of Pascal Comelade from 1984 to 2024 and his 40 years producing instrumental music. Each vinyl has been thought as an album in itself , with its own identity, that could be listened as it is. According to the artist, "Improperies- compositions et enregistrements magnétiques (1984-2024)" is a music puzzle which doesn't obey to any rule with the exception of Pascal Comelade's creation and art thoughts that kept moving over the years.
Limited numbered to 500 copies - 6 x Black Vinyl in spineless sleeve, heawyweight cardboard slipcase/custod numbered at the back, includes an insert-photo signed by the artist. The boxset artwork is an original creation by Miquel Barceló.
TRACKLISTING
Tracklist :
LP1
A1 Fragments (Extraits)
A2 Park Güell
A3 Disque Raye?
A4 Valse de l'aiguille creuse
A5 4 Rroses Pour Marie
A6 La Catedral d'Escuradents
A7 Your Labios As Tulips
A8 Souvenirs de Vernet Les Bains
B1 Arthur Cravan Was A Flor Fina
B2 The Skatalan Logicofobism
B3 Sardana Dels Desemparats
B4 A Glass Of Gaz
B5 Les Places De Gra?cia (1)
B6 Les Places De Gra?cia (2)
B7 Patafisiskal Polska
LP2
C1 I Put A Barbara Steele On You
C2 Chanson de charme pour faux-nez
C3 The Lollobrigidada Fox-Trot
C4 Third Eye Of A Cubist Guitar
C5 Le Fakir de La Chapelle
C6 On se L'hegel en Enfer
C7 Un train direct pour Charenton
C8 Love Too Soon
D1 L'argot du bruit
D2 To The Last Of Imaginary Solutions
D3 Toti Al Soler
D4 Back To Schizo
LP3
E1 To Be Dammit Ornette To Be
E2 The Blank Invasion Of Schizofonics Bikinis
E3 Sardana Dels Desemparats
E4 Sense El Resso? Del Dring
E5 Contre Le Style
E6 A Figueres
F1 The Hallucinogenic Espontex Sinfonia
F2 La Societat Del Piano-Obstacle
F3 Ge?ge?ne
F4 Petite Escena Nocturna
F5 A Farrutx
F6 Le Soir Du Grand Soir
F7 Souviens-Toi De Ces Douces Soire?es
LP4
G1 Stranger In Paradigm
G2 La Vedette Del Molino
G3 Jopo De Pojo Not Dead
G4 The Indian Of The Group
G5 Il Luna-Park Galactico
G6 Don't Touch My Blue Oyster Shoes
G7 Sans les mains ! (Zappambarretina)
H1 El Misteri Del Triangle Del Vermut
H2 Two Maniaco-Depressive Beatnicks Squabbling Over A Jane Russell Mozzarela's Bikini
H3 Vals Burlesco
H4 Flan Sin Nata Inzenight
H5 Despintura (A) Fo?nica
H6 Europe Change Bad
LP5
I1 El Bolero Del Raval
I2 O Dancing Del Gran Fumisme
I3 Hydropathes Marchant Sur Les Os
I4 Spinoza Was A Soul Garagist
I5 El Pianista Del Antifaz (Born In Candolle)
I6 Portrait de l'artiste avec des lunettes pour voir les Femmes à poil
I7 La Bella Dorita
J1 Deviationist Muzak
J2 Dancing Le Mômo
J3 Roll Over Fuzmanchu
J4 Stigmates De La Ligne Crade
J5 Evaporisme Sonor
J6 L'horizon perdu du cornet à Gidouille
J7 La Filosofia Del Plat Combinat
LP6
K1 Coucher de soleil sur l'Adriatique
K2 Unicazzz
K3 Des rails en mou de veau
K4 E?le?vation de Marie-Madeleine
K5 No Sympathy For Symphony
K6 Sardana Meca?nica
K7 Ha Passat Un Angel
L1 Skin Saxo Derivato
L2 Apparition du visage de Bela Lugosi sur une tranche de salami
L3 Musique hypertrophique des remontoirs
L4 Cimetie?re de la Photographie
L5 Alzina Muntanera
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format: 6 x Black 140 grs Vinyl each one in spinelesssleeve, heavyweight cardboard slipcase/custod numbered at the back, insert-photo individually signed but the artist, marketing sticker. Limited & numbered to 500 copies for the world.
PRODUCT DESCRIPTION & BIOG
This ultimate 6LP Boxset presents the works of Pascal Comelade from 1984 to 2024 and his 40 years producing instrumental music. Each vinyl has been thought as an album in itself , with its own identity, that could be listened as it is. According to the artist, "Improperies- compositions et enregistrements magnétiques (1984-2024)" is a music puzzle which doesn't obey to any rule with the exception of Pascal Comelade's creation and art thoughts that kept moving over the years.
Limited numbered to 500 copies - 6 x Black Vinyl in spineless sleeve, heawyweight cardboard slipcase/custod numbered at the back, includes an insert-photo signed by the artist. The boxset artwork is an original creation by Miquel Barceló.
TRACKLISTING
Tracklist :
LP1
A1 Fragments (Extraits)
A2 Park Güell
A3 Disque Raye?
A4 Valse de l'aiguille creuse
A5 4 Rroses Pour Marie
A6 La Catedral d'Escuradents
A7 Your Labios As Tulips
A8 Souvenirs de Vernet Les Bains
B1 Arthur Cravan Was A Flor Fina
B2 The Skatalan Logicofobism
B3 Sardana Dels Desemparats
B4 A Glass Of Gaz
B5 Les Places De Gra?cia (1)
B6 Les Places De Gra?cia (2)
B7 Patafisiskal Polska
LP2
C1 I Put A Barbara Steele On You
C2 Chanson de charme pour faux-nez
C3 The Lollobrigidada Fox-Trot
C4 Third Eye Of A Cubist Guitar
C5 Le Fakir de La Chapelle
C6 On se L'hegel en Enfer
C7 Un train direct pour Charenton
C8 Love Too Soon
D1 L'argot du bruit
D2 To The Last Of Imaginary Solutions
D3 Toti Al Soler
D4 Back To Schizo
LP3
E1 To Be Dammit Ornette To Be
E2 The Blank Invasion Of Schizofonics Bikinis
E3 Sardana Dels Desemparats
E4 Sense El Resso? Del Dring
E5 Contre Le Style
E6 A Figueres
F1 The Hallucinogenic Espontex Sinfonia
F2 La Societat Del Piano-Obstacle
F3 Ge?ge?ne
F4 Petite Escena Nocturna
F5 A Farrutx
F6 Le Soir Du Grand Soir
F7 Souviens-Toi De Ces Douces Soire?es
LP4
G1 Stranger In Paradigm
G2 La Vedette Del Molino
G3 Jopo De Pojo Not Dead
G4 The Indian Of The Group
G5 Il Luna-Park Galactico
G6 Don't Touch My Blue Oyster Shoes
G7 Sans les mains ! (Zappambarretina)
H1 El Misteri Del Triangle Del Vermut
H2 Two Maniaco-Depressive Beatnicks Squabbling Over A Jane Russell Mozzarela's Bikini
H3 Vals Burlesco
H4 Flan Sin Nata Inzenight
H5 Despintura (A) Fo?nica
H6 Europe Change Bad
LP5
I1 El Bolero Del Raval
I2 O Dancing Del Gran Fumisme
I3 Hydropathes Marchant Sur Les Os
I4 Spinoza Was A Soul Garagist
I5 El Pianista Del Antifaz (Born In Candolle)
I6 Portrait de l'artiste avec des lunettes pour voir les Femmes à poil
I7 La Bella Dorita
J1 Deviationist Muzak
J2 Dancing Le Mômo
J3 Roll Over Fuzmanchu
J4 Stigmates De La Ligne Crade
J5 Evaporisme Sonor
J6 L'horizon perdu du cornet à Gidouille
J7 La Filosofia Del Plat Combinat
LP6
K1 Coucher de soleil sur l'Adriatique
K2 Unicazzz
K3 Des rails en mou de veau
K4 E?le?vation de Marie-Madeleine
K5 No Sympathy For Symphony
K6 Sardana Meca?nica
K7 Ha Passat Un Angel
L1 Skin Saxo Derivato
L2 Apparition du visage de Bela Lugosi sur une tranche de salami
L3 Musique hypertrophique des remontoirs
L4 Cimetie?re de la Photographie
L5 Alzina Muntanera
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore