1
Sandy B - Student Night (Lion’s Drums edit)
2
Sandy B - Amajovi (Lion’s Drums edit)
Tracklist 12":
A1 - Student Night (Lion’s Drums edit)
B1 - Amajovi (Lion’s Drums edit)
Short Info:
Harold dons his Lion’s Drums alias for two powerful edits of South African kwaito legend Sandy B.
Originally released in Durban on cassette and limited white label in 1994, then reissued on Invisible City Editions in 2017, ‘Amajovi’ and ‘Student Night’ were two stand out tracks from a larger mini album release that brought everything that we love about the 90s together into a fiery township party fusion; European crossover house music hits, acid house, west coast hip-hop, all blended with vibrant percussion and kwaito flavour, it captured the exciting energy of post-Apartheid South Africa… Which is now brought into the 2020s with complete respect and passion by Lion’s Drums.
‘Amajovi’ takes the low-and-slow tempo of the original up a gear with a bulbous kick and layers of percussion. Bringing Sandy’s chanting vocals right to the front of the mix, and fine-tuning the original’s purring bassline, the game changes with the entrance of heavenly harmonic pipes and a sense of momentum and vibe that sits somewhere between Awesome Tapes From Africa and Hessle Audio.
Meanwhile ‘Student Night’ bubbles from the off with a very well-known bassline hook that’s peppered with flashes of 303, hand drums, pipes and Sandy’s own peppy chatter. From the moment you hear the universal sound of a can opening, this lives up to its name whether you skipped school or achieved a masters. All fully endorsed and supported by the original don Sandy himself, it’s all positive education…
out: 04 Apr 2022
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 - Student Night (Lion’s Drums edit)
B1 - Amajovi (Lion’s Drums edit)
Short Info:
Harold dons his Lion’s Drums alias for two powerful edits of South African kwaito legend Sandy B.
Originally released in Durban on cassette and limited white label in 1994, then reissued on Invisible City Editions in 2017, ‘Amajovi’ and ‘Student Night’ were two stand out tracks from a larger mini album release that brought everything that we love about the 90s together into a fiery township party fusion; European crossover house music hits, acid house, west coast hip-hop, all blended with vibrant percussion and kwaito flavour, it captured the exciting energy of post-Apartheid South Africa… Which is now brought into the 2020s with complete respect and passion by Lion’s Drums.
‘Amajovi’ takes the low-and-slow tempo of the original up a gear with a bulbous kick and layers of percussion. Bringing Sandy’s chanting vocals right to the front of the mix, and fine-tuning the original’s purring bassline, the game changes with the entrance of heavenly harmonic pipes and a sense of momentum and vibe that sits somewhere between Awesome Tapes From Africa and Hessle Audio.
Meanwhile ‘Student Night’ bubbles from the off with a very well-known bassline hook that’s peppered with flashes of 303, hand drums, pipes and Sandy’s own peppy chatter. From the moment you hear the universal sound of a can opening, this lives up to its name whether you skipped school or achieved a masters. All fully endorsed and supported by the original don Sandy himself, it’s all positive education…
out: 04 Apr 2022
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Sandy B
1
Sandy B - Bink Party (Stanza Remix)
2
Sandy B - Bink Party
3
Sandy B - Head Turner
4
Sandy B - Bink Party (Stanza Instrumental)
5
Sandy B - Te Lo Dice A Ti
6
Sandy B - Head Turner (Instrumental)
Hot on the heels of Sukuma, Durban's Sugarman Sandy B returns to Red Motorbike with Bink Party!
This time around, he's teamed up with label boss Eddie C on production, as well as an assortment of underground artists from around the globe whom he has collaborated with during his WorldKwaitour, which he combined with the 30th anniversary of his successful underground independent debut, AmaJoviJovi.
Bink, the genre Sandy B coined, is a modern take on Kwaito's loose rhythms and the mid-tempo funk we've come to know and love from the Red Motorbike stables.
Sandy B's Zulu staccato rap and R&B stylings sound as fresh as ever as he continues to connect with his global family through his international travels, currently on tour across Asia and Australia.
Bink Party into 2025!!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This time around, he's teamed up with label boss Eddie C on production, as well as an assortment of underground artists from around the globe whom he has collaborated with during his WorldKwaitour, which he combined with the 30th anniversary of his successful underground independent debut, AmaJoviJovi.
Bink, the genre Sandy B coined, is a modern take on Kwaito's loose rhythms and the mid-tempo funk we've come to know and love from the Red Motorbike stables.
Sandy B's Zulu staccato rap and R&B stylings sound as fresh as ever as he continues to connect with his global family through his international travels, currently on tour across Asia and Australia.
Bink Party into 2025!!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sandy B - Make The World Go Round
2
Sandy B - Ain't No Need To Hide
Up next in Champion’s LTD 12 inch reissue series is Sandy B’s club stomper, ‘Make The World Go Round’ with Washington D.C. don’s Deep Dish on remix duties. Iconic ’96 stateside house gold. On the B, Deep Dish take on, ‘Ain’t No Need To Hide’ with their ‘97 Sequel Re-edit with a dose of vocal house at its finest.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
sandy b - Make The World Go Round (Deep Dish remix)
2
sandy b - Make The World Go Round (Robbie Rivera remix)
MINT STOCK FROM THE CHAMPION VAULTS! 12" + BONUS CD
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Lion's Drums
1
Lion's Drums - A1. Alouatta (hembra)
2
Lion's Drums - A2. Water
3
Lion's Drums - A3. Music from Memories
4
Lion's Drums - A4. Kagabas
5
Lion's Drums - B1. Snake
6
Lion's Drums - B2. Deer
7
Lion's Drums - B3. Alouatta
Tracklist 12":
A1 - Alouatta (hembra)
A2 - Water
A3 - Music from Memories
A4 - Kagabas
B1 - Snake
B2 - Deer
B3 - Alouatta
Short Info:
In May 2019, I recorded an album at a Kogis' (Kagabas*) village, in the Sierra Nevada mountain of Santa Marta in Colombia. ??Kagabas are indigenous people who consider themselves to be the guardians of the Earth and are concerned by the modern world's attempts to destroy it. The mountain - in Colombia - is their home, it is quite literally a microcosm, a mirror of the planet in which every ecological zone is represented. The damaging lifestyles which stems from the capitalistic dogma are affecting their environment and from their vantage point on the mountain they can see how this is straining the rest of the planet.
?Singing is a staple feature of the Kagabas culture, it is considered as a way to connect with the environment. There are for example a song of the monkey, of the deer, snake, laughing or even death - singing is a way for the Kagabas to feel safe around these animals and concepts and to live peacefully among them without fear and without the need to chase them away. As there's no writing, music and singing are a way to pass memory, knowledge and awareness down through generations.
The ongoing ecological disaster, the uncertainty of the current times and the temptation for many of the youths to leave the mountains for the big city life make this transmission issue all the more critical. ??
As we exchanged prior to my visit and while I was there, the recording and sharing of these songs was a recurring topic and we agreed to have singing at the core of this musical project.
??I was welcomed to spend a week within their community to record this album. I spent most of the time there with the Máma of the village (Mámas are spiritual and intellectual guides that keep the memory of the civilization) and his son Camilo, with help from Franz who has been working with the Kagabas for about 15 years now as part of the Native organization which he runs.??
This album combines songs, field recordings of the village and of its surrounding nature, as well as musical compositions I made in my studio. They liked the result and approved this album to be released. Fully aware of the responsibility the Kagabas have entrusted me with, I've decided to self release this album and will give all the benefits to the Nativa organization to support its fight for the replanting of trees and getting land back. ??
* Widely known as " Kogis ", the name they were given to by the " civilised man ", they actually call themselves " Kagaba ".
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 - Alouatta (hembra)
A2 - Water
A3 - Music from Memories
A4 - Kagabas
B1 - Snake
B2 - Deer
B3 - Alouatta
Short Info:
In May 2019, I recorded an album at a Kogis' (Kagabas*) village, in the Sierra Nevada mountain of Santa Marta in Colombia. ??Kagabas are indigenous people who consider themselves to be the guardians of the Earth and are concerned by the modern world's attempts to destroy it. The mountain - in Colombia - is their home, it is quite literally a microcosm, a mirror of the planet in which every ecological zone is represented. The damaging lifestyles which stems from the capitalistic dogma are affecting their environment and from their vantage point on the mountain they can see how this is straining the rest of the planet.
?Singing is a staple feature of the Kagabas culture, it is considered as a way to connect with the environment. There are for example a song of the monkey, of the deer, snake, laughing or even death - singing is a way for the Kagabas to feel safe around these animals and concepts and to live peacefully among them without fear and without the need to chase them away. As there's no writing, music and singing are a way to pass memory, knowledge and awareness down through generations.
The ongoing ecological disaster, the uncertainty of the current times and the temptation for many of the youths to leave the mountains for the big city life make this transmission issue all the more critical. ??
As we exchanged prior to my visit and while I was there, the recording and sharing of these songs was a recurring topic and we agreed to have singing at the core of this musical project.
??I was welcomed to spend a week within their community to record this album. I spent most of the time there with the Máma of the village (Mámas are spiritual and intellectual guides that keep the memory of the civilization) and his son Camilo, with help from Franz who has been working with the Kagabas for about 15 years now as part of the Native organization which he runs.??
This album combines songs, field recordings of the village and of its surrounding nature, as well as musical compositions I made in my studio. They liked the result and approved this album to be released. Fully aware of the responsibility the Kagabas have entrusted me with, I've decided to self release this album and will give all the benefits to the Nativa organization to support its fight for the replanting of trees and getting land back. ??
* Widely known as " Kogis ", the name they were given to by the " civilised man ", they actually call themselves " Kagaba ".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DLP: 350gsm Sleeve, Sticker, Liner Notes
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Marcellus Pittman - Facid Trunktion
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Marcellus Pittman - Sanskrit Body Rock
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Marcellus Pittman - Ask It Acid
Tracklist
A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid
Release Info:
Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.
Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.
Housed in a full colour sleeve, with a photo by Marcellus himself
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid
Release Info:
Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.
Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.
Housed in a full colour sleeve, with a photo by Marcellus himself
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Skeet - Alone Tonight
2
Skeet - Brief Call
3
Skeet - Young Girls
4
Skeet - Avril In The Alps
5
Skeet - Conscious Effort
6
Skeet - I Was Never Told
7
Skeet - Left on the Shelf
8
Skeet - Song of Love
Tracklist:
1. Alone Tonight
2. Brief Call
3. Young Girls
4. Avril In The Alps
5. Conscious Effort
6. I Was Never Told
7. Left on the Shelf
8. Song of Love
Short info:
Simple Reality cements the short lived legacy of Coventry DIY group Skeet.
Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.
Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.
Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.
RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. Alone Tonight
2. Brief Call
3. Young Girls
4. Avril In The Alps
5. Conscious Effort
6. I Was Never Told
7. Left on the Shelf
8. Song of Love
Short info:
Simple Reality cements the short lived legacy of Coventry DIY group Skeet.
Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.
Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.
Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.
RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bélver Yin - Relatos de Praga
2
Bélver Yin - Por Una No Clara Razón
3
Bélver Yin - Días de Infancia
4
Bélver Yin - Decay
5
Bélver Yin - La Vida Esta En Otra Parte
6
Bélver Yin - Faints
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Bélver Yin - Atardecer
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Bélver Yin - Otono
9
Bélver Yin - Petalos y Cenizas
Special remarks : LP with download code
Tracklist
1 Relatos de Praga
2 Por Una No Clara Razón
3 Días de Infancia
4 Decay
5 La Vida Esta En Otra Parte
6 Faints
7 Atardecer
8 Otonno
9 Petalos y Cenizas
Short info:
Bélver Yin's soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal.
While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (The Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after.
Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro's direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005.
A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1 Relatos de Praga
2 Por Una No Clara Razón
3 Días de Infancia
4 Decay
5 La Vida Esta En Otra Parte
6 Faints
7 Atardecer
8 Otonno
9 Petalos y Cenizas
Short info:
Bélver Yin's soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal.
While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (The Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after.
Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro's direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005.
A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
James Bangura - Barred Entry
2
James Bangura - Mixed Signals
3
James Bangura - Monterrey
4
James Bangura - Wichita
James Bangura’s Wichita EP is sound experience reflecting on the adolescent pursuit of finding freedom through driving.
Looking back on intense driving experiences with high school and college friends through canyons like Turn Bull, Idylewild, and San Timoteo, This EP represents the transition from childhood to adulthood - from being reckless to being thankful and more self aware.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Looking back on intense driving experiences with high school and college friends through canyons like Turn Bull, Idylewild, and San Timoteo, This EP represents the transition from childhood to adulthood - from being reckless to being thankful and more self aware.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sapurra - A1. A Little Beat
2
Sapurra - A2. Wrong Chord
3
Sapurra - B1. Check Your Hat
4
Sapurra - B2. Feel Communication
- 12", ltd
TRACKLISTS:
A1. A Little Beat
A2. Wrong Chord
B1. Check Your Hat
B2. Feel Communication
SHORT INFO:
A new banger from Sapurra also known as DJ Sapunov.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
A1. A Little Beat
A2. Wrong Chord
B1. Check Your Hat
B2. Feel Communication
SHORT INFO:
A new banger from Sapurra also known as DJ Sapunov.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto + Ryuichi Sakamoto - Siisx
2
Alva Noto + Ryuichi Sakamoto - Mur
3
Alva Noto + Ryuichi Sakamoto - ax Mr. L
4
Alva Noto + Ryuichi Sakamoto - City Radieuse
5
Alva Noto + Ryuichi Sakamoto - Veru 1
6
Alva Noto + Ryuichi Sakamoto - Veru 2
LP - RE MASTER - Part of the V.I.R.U.S series
GENRE/S: Ambient/ Electronic
Info
Initially released in 2006, ‘Revep’ is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.’s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by three new compositions titled ‘City Radieuse’, ‘Veru 1’, and ‘Veru 2’.
‘City Radieuse’ was composed for the 2012 short cinematic essay titled ‘Cité Radieuse’ and part of Carsten Nicolai’s ‘future past perfect’ series.
The video shot at le Corbusier’s Unité D’Habitation in Nantes (called ‘cité radieuse’) takes the viewer through the modular system and design applied to the residential buildings. The film’s narrative unfolds
through a sequence of images tracking the apartments’ indoor space and details, and points to the different benchmarks of standardized production as they correlate to their environment and its inhabitants.
The album’s original recordings resulted from musical exchanges that began with ‘Vrioon’ and revolved around a collaborative arrangement of Sakamoto’s classic ‘Merry Christmas Mr. Lawrence,’ the theme music
to the 1983 movie starring David Bowie, Takeshi Kitano, and Ryuichi Sakamoto himself.
In ‘Revep,’ the piano takes the lead while the padded bass and pitched electronic frequencies mark sudden change. Deeply evocative and effortlessly colliding worlds of analog beauty and digital mastery,
this album is considered another indispensable record from the duo’s ongoing collaboration.
ALBUM ART DESIGNED BY CARSTEN NICOLAI
MASTERING BY BO @ CALYX
TRACKLIST:
LP Tracklisting:
Tracklisting
Tracklisting
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Siisx
Playtime: 00:07:24
Explicit Lyrics: No
ISRC: UK6821719499
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: City Radieuse
Playtime: 00:07:48
Explicit Lyrics: No
ISRC: UK6821719502
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Mur
Playtime: 00:08:14
Explicit Lyrics: No
ISRC: UK6821719500
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Veru 1
Playtime: 00:08:01
Explicit Lyrics: No
ISRC: UK6821719503
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: ax Mr. L
Playtime: 00:04:18
Explicit Lyrics: No
ISRC: UK6821719501
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Veru 2
Playtime: 00:05:15
Explicit Lyrics: No
ISRC: UK6821719504
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Ambient/ Electronic
Info
Initially released in 2006, ‘Revep’ is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.’s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by three new compositions titled ‘City Radieuse’, ‘Veru 1’, and ‘Veru 2’.
‘City Radieuse’ was composed for the 2012 short cinematic essay titled ‘Cité Radieuse’ and part of Carsten Nicolai’s ‘future past perfect’ series.
The video shot at le Corbusier’s Unité D’Habitation in Nantes (called ‘cité radieuse’) takes the viewer through the modular system and design applied to the residential buildings. The film’s narrative unfolds
through a sequence of images tracking the apartments’ indoor space and details, and points to the different benchmarks of standardized production as they correlate to their environment and its inhabitants.
The album’s original recordings resulted from musical exchanges that began with ‘Vrioon’ and revolved around a collaborative arrangement of Sakamoto’s classic ‘Merry Christmas Mr. Lawrence,’ the theme music
to the 1983 movie starring David Bowie, Takeshi Kitano, and Ryuichi Sakamoto himself.
In ‘Revep,’ the piano takes the lead while the padded bass and pitched electronic frequencies mark sudden change. Deeply evocative and effortlessly colliding worlds of analog beauty and digital mastery,
this album is considered another indispensable record from the duo’s ongoing collaboration.
ALBUM ART DESIGNED BY CARSTEN NICOLAI
MASTERING BY BO @ CALYX
TRACKLIST:
LP Tracklisting:
Tracklisting
Tracklisting
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Siisx
Playtime: 00:07:24
Explicit Lyrics: No
ISRC: UK6821719499
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: City Radieuse
Playtime: 00:07:48
Explicit Lyrics: No
ISRC: UK6821719502
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Mur
Playtime: 00:08:14
Explicit Lyrics: No
ISRC: UK6821719500
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Veru 1
Playtime: 00:08:01
Explicit Lyrics: No
ISRC: UK6821719503
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: ax Mr. L
Playtime: 00:04:18
Explicit Lyrics: No
ISRC: UK6821719501
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Veru 2
Playtime: 00:05:15
Explicit Lyrics: No
ISRC: UK6821719504
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ignez & Rødhåd - VERMILLION 01 [220207.1]
2
Ignez & Rødhåd - VERMILLION 02 [220210.1]
3
Ignez & Rødhåd - VERMILLION 03 [220208.2]
4
Ignez & Rødhåd - VERMILLION 04 [220208.1]
WSNWG continues it's collaborative story with label head Rødhåd and upcoming Dj and producer Ignez.
With the label's love for nature and like-minded interests from Ignez, their mutual affinity laid the foundation for a profound collaboration in composing a novel sonic narrative. In febuary 2022 a marathon week of studio sessions yielded these driving yet emotive tracks. This EP initiates the first interoperation of a two-part series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
With the label's love for nature and like-minded interests from Ignez, their mutual affinity laid the foundation for a profound collaboration in composing a novel sonic narrative. In febuary 2022 a marathon week of studio sessions yielded these driving yet emotive tracks. This EP initiates the first interoperation of a two-part series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Moiré - Circuit 1
2
Moiré - Circuit 2
3
Moiré - Circuit 15
4
Moiré - Circuit 16
5
Moiré - Circuit 4
6
Moiré - Circuit 8
7
Moiré - Circuit 7
8
Moiré - Circuit 18
Tracklist
A1 Circuit 1
A2 Circuit 2
A3 Circuit 15
A4 Circuit 16
B1 Circuit 4
B2 Circuit 8
B3 Circuit 7
B4 Circuit 18
Over the past decade, the mysterious, London-based artist Moiré has perfected a syrupy, addictive brand of dance music via labels like Actress's Werk Discs and illustrious imprints like Ghostly and Rush Hour. For most of this period, Moiré seemed pramarily concerned in creating alternative universe club tracks. The beats were hypnotic, if wonky. The pads were deep before they were refracted through an oblique filter. In a discography bearing a surfeit of leftfield high points, Circuits, Moiré's latest album for the Berlin-based Avenue 66 (Lowtec, John Frusciante, Joey Anderson) is a massive creative leap that fully breaks with the strictures of a "conventional" dance music.
While there are still nods to the low-slung, slow house style Moiré's perfected in the past ("Circuit 1"), as well as the looming shadow of hardcore ("Circuit 8), Moiré's style now billows into a liminal, cinematic zone that recalls the canonical SAW albums, BOC or even Seefeel's enduring, genre-free experiments. Rhythms come and go at all tempos, from Hauntological four-on-the-floor to flickering downtempo and ambient house approximations. But the emphasis lies with the melodies. From the queasy orchestral style of "Circuits 1" to the glacial, "end credits"-style synths that close out the album, these motifs bear an uncanny familiarity, as though they always existed. You recognize them, not from a previous listen, but rather, some half-remembered dream, or, perhaps, a previous lifetime.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Circuit 1
A2 Circuit 2
A3 Circuit 15
A4 Circuit 16
B1 Circuit 4
B2 Circuit 8
B3 Circuit 7
B4 Circuit 18
Over the past decade, the mysterious, London-based artist Moiré has perfected a syrupy, addictive brand of dance music via labels like Actress's Werk Discs and illustrious imprints like Ghostly and Rush Hour. For most of this period, Moiré seemed pramarily concerned in creating alternative universe club tracks. The beats were hypnotic, if wonky. The pads were deep before they were refracted through an oblique filter. In a discography bearing a surfeit of leftfield high points, Circuits, Moiré's latest album for the Berlin-based Avenue 66 (Lowtec, John Frusciante, Joey Anderson) is a massive creative leap that fully breaks with the strictures of a "conventional" dance music.
While there are still nods to the low-slung, slow house style Moiré's perfected in the past ("Circuit 1"), as well as the looming shadow of hardcore ("Circuit 8), Moiré's style now billows into a liminal, cinematic zone that recalls the canonical SAW albums, BOC or even Seefeel's enduring, genre-free experiments. Rhythms come and go at all tempos, from Hauntological four-on-the-floor to flickering downtempo and ambient house approximations. But the emphasis lies with the melodies. From the queasy orchestral style of "Circuits 1" to the glacial, "end credits"-style synths that close out the album, these motifs bear an uncanny familiarity, as though they always existed. You recognize them, not from a previous listen, but rather, some half-remembered dream, or, perhaps, a previous lifetime.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
max loderbauer & jacek sienkiewicz - A Andes
2
max loderbauer & jacek sienkiewicz - B Himalaya
Berlin Atonal Recordings is happy to announce two forthcoming releases, both featuring live cuts from two of the most talked about performances at the 2015 edition of the festival. Synthesiser genius Max Loderbauer (NSI, Sun Electric, Vilod, Moritz von Oswald Trio) and techno experimentalist Jacek Sienkiewicz (Recognition) combined for a stunning live show on the opening night of festival 2015. Blending harmonic drones and almost unrecognizably distended vocal samples with adroitly weighted melodic passages, this collaboration was a masterclass in expertly crafted ambient music from two of the genres' leading exponents. Two passages from this set have been mastered and cut to vinyl in a special 12" with artwork by Pedro Maia based on his visuals for the show.
Tracklist:
A Andes
B Himalaya
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A Andes
B Himalaya
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jeff Dread - Dub The Farmer's Daughter
2
Jeff Dread - Out On A Limb
7” with picture sleeve
Tracklist
A Dub The Farmer's Daughter
B Out On A Limb
Short info:
A double shot of Y2K digi thrillers from Sydney via Bromley electro-dub producer Jeff Dread. Part of the city’s burgeoning network of blunted bass and sound system culture, Dread worked in parallel with the likes of Sheriff Lindo, Andy Rantzen and Ali Omar, issuing two dynamite albums on Creative Vibes in 1999 and 2001.
Utilising the Atari 1020 Ste, Dread would frantically live mix up to 9 tracks direct to CD-R, echoing the same rough and ready low tech intuition as Jamaican trailblazers King Tubby, Scientist and Jack Ruby and their UK-based disciples Jah Shaka, Adrian Sherwood and Mad Professor. While unmarked discs of his indulgently durational sessions litter the archives, this plate showcases versions immortalised by two crucial compilation CDs. Wicked stepper ‘Dub The Farmer’s Daughter’ burrows the ear canal with its addictive melodica and tightly coiled acid synth lines, edited for high impact by Sheriff Lindo for his volume of Dub For the Masses (Dread would curate its successor), while ‘Out On A Limb’ hails from Just Is, a double album sequenced by legendary Sydney queer party crew Club Kooky. A bass bin creeper that was extended with horns for his second longplayer Return From Alpha One, it’s this unembellished work in progress that really stings.
With Dread’s allegiance to local sound system heavyweights Firehouse, these totally brained studio jams are tried and tested weapons, finally blasting on the sacred 7” format.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A Dub The Farmer's Daughter
B Out On A Limb
Short info:
A double shot of Y2K digi thrillers from Sydney via Bromley electro-dub producer Jeff Dread. Part of the city’s burgeoning network of blunted bass and sound system culture, Dread worked in parallel with the likes of Sheriff Lindo, Andy Rantzen and Ali Omar, issuing two dynamite albums on Creative Vibes in 1999 and 2001.
Utilising the Atari 1020 Ste, Dread would frantically live mix up to 9 tracks direct to CD-R, echoing the same rough and ready low tech intuition as Jamaican trailblazers King Tubby, Scientist and Jack Ruby and their UK-based disciples Jah Shaka, Adrian Sherwood and Mad Professor. While unmarked discs of his indulgently durational sessions litter the archives, this plate showcases versions immortalised by two crucial compilation CDs. Wicked stepper ‘Dub The Farmer’s Daughter’ burrows the ear canal with its addictive melodica and tightly coiled acid synth lines, edited for high impact by Sheriff Lindo for his volume of Dub For the Masses (Dread would curate its successor), while ‘Out On A Limb’ hails from Just Is, a double album sequenced by legendary Sydney queer party crew Club Kooky. A bass bin creeper that was extended with horns for his second longplayer Return From Alpha One, it’s this unembellished work in progress that really stings.
With Dread’s allegiance to local sound system heavyweights Firehouse, these totally brained studio jams are tried and tested weapons, finally blasting on the sacred 7” format.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Incienso
Cat-No:INC-018
Release-Date:30.09.2022
Genre:Electronic, Electronica
Configuration:12" Excl
Label:Incienso
Cat-No:INC-018
Release-Date:30.09.2022
Genre:Electronic, Electronica
Configuration:12" Excl
1
Shiken Hanzo - Darkest Entities
2
Shiken Hanzo - Eightfold Blessings Of Amaterasu
3
Shiken Hanzo - Eternity Of Echoes
4
Shiken Hanzo - The Reaping
Incienso is hyped to announce the next release of 2022 from one of the UK’s most interesting and distinctive producers, Shiken Hanzo.
While known primarily for his hybrid halftime d&b and techno sound, Shiken switches it up with new diversions in tempo and rhythm throughout Eternity of Echoes, all the while maintaining his idiosyncratic blend of dystopian soundscapes, industrial drums, and pulsating, deep basslines.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
While known primarily for his hybrid halftime d&b and techno sound, Shiken switches it up with new diversions in tempo and rhythm throughout Eternity of Echoes, all the while maintaining his idiosyncratic blend of dystopian soundscapes, industrial drums, and pulsating, deep basslines.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More