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Last in:14.06.2022
Label:Avenue 66
Cat-No:AVE66-13
Release-Date:02.09.2022
Genre:House
Configuration:LP Excl
Barcode:4251804129268
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Moiré - Circuit 1
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Moiré - Circuit 2
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Moiré - Circuit 15
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Moiré - Circuit 16
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Moiré - Circuit 4
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Moiré - Circuit 8
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Moiré - Circuit 7
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Moiré - Circuit 18
Tracklist
A1 Circuit 1
A2 Circuit 2
A3 Circuit 15
A4 Circuit 16
B1 Circuit 4
B2 Circuit 8
B3 Circuit 7
B4 Circuit 18
Over the past decade, the mysterious, London-based artist Moiré has perfected a syrupy, addictive brand of dance music via labels like Actress's Werk Discs and illustrious imprints like Ghostly and Rush Hour. For most of this period, Moiré seemed pramarily concerned in creating alternative universe club tracks. The beats were hypnotic, if wonky. The pads were deep before they were refracted through an oblique filter. In a discography bearing a surfeit of leftfield high points, Circuits, Moiré's latest album for the Berlin-based Avenue 66 (Lowtec, John Frusciante, Joey Anderson) is a massive creative leap that fully breaks with the strictures of a "conventional" dance music.
While there are still nods to the low-slung, slow house style Moiré's perfected in the past ("Circuit 1"), as well as the looming shadow of hardcore ("Circuit 8), Moiré's style now billows into a liminal, cinematic zone that recalls the canonical SAW albums, BOC or even Seefeel's enduring, genre-free experiments. Rhythms come and go at all tempos, from Hauntological four-on-the-floor to flickering downtempo and ambient house approximations. But the emphasis lies with the melodies. From the queasy orchestral style of "Circuits 1" to the glacial, "end credits"-style synths that close out the album, these motifs bear an uncanny familiarity, as though they always existed. You recognize them, not from a previous listen, but rather, some half-remembered dream, or, perhaps, a previous lifetime.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Circuit 1
A2 Circuit 2
A3 Circuit 15
A4 Circuit 16
B1 Circuit 4
B2 Circuit 8
B3 Circuit 7
B4 Circuit 18
Over the past decade, the mysterious, London-based artist Moiré has perfected a syrupy, addictive brand of dance music via labels like Actress's Werk Discs and illustrious imprints like Ghostly and Rush Hour. For most of this period, Moiré seemed pramarily concerned in creating alternative universe club tracks. The beats were hypnotic, if wonky. The pads were deep before they were refracted through an oblique filter. In a discography bearing a surfeit of leftfield high points, Circuits, Moiré's latest album for the Berlin-based Avenue 66 (Lowtec, John Frusciante, Joey Anderson) is a massive creative leap that fully breaks with the strictures of a "conventional" dance music.
While there are still nods to the low-slung, slow house style Moiré's perfected in the past ("Circuit 1"), as well as the looming shadow of hardcore ("Circuit 8), Moiré's style now billows into a liminal, cinematic zone that recalls the canonical SAW albums, BOC or even Seefeel's enduring, genre-free experiments. Rhythms come and go at all tempos, from Hauntological four-on-the-floor to flickering downtempo and ambient house approximations. But the emphasis lies with the melodies. From the queasy orchestral style of "Circuits 1" to the glacial, "end credits"-style synths that close out the album, these motifs bear an uncanny familiarity, as though they always existed. You recognize them, not from a previous listen, but rather, some half-remembered dream, or, perhaps, a previous lifetime.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:12.08.2022
Label:Avenue 66
Cat-No:AVE66-17
Release-Date:28.10.2022
Genre:House
Configuration:12" Excl
Barcode:4251804129275
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1
Moiré - Circuit 15 – Herbert’s ‘Kyiv Dub’
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Moiré - Circuit 07 – Tolouse Low Trax Remix
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Moiré - Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
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Moiré - Circuit 18 – Lawrence Remix
Tracklist
A1 Circuit 15 – Herbert’s ‘Kyiv Dub’
A2 Circuit 07 – Tolouse Low Trax Remix
B1 Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
B2 Circuit 18 – Lawrence Remix
Release Info:
Moiré's rain-streaked and masterful Circuits album dropped this past September. RA's Andrew Ryce stated the eight-track album cast the shadowy producer into "a rarefied air occupied by the only the finest and most influential of ambient techno artists."
Now, in short order, the label returns with a remix EP charting out multiple hubs of oblique dance floor innovation. If there's a sonic motif on the A-side, it's vastly reactive interpretations of the "factory floor" element that inspired techno's pioneers. Matthew Herbert, a pioneering force in his own right, mixes steam engine percussion with the dreamy atmospherics of "Circuit 15" and comes up with eight minutes of cerebral machine funk. Tolouse Low Trax, meanwhile, continues his masterclass in modern motorik on his remix of "Circuit 7," integrating a chiming piano into a fascinating, perfectly-timed 110 BPM rhythm.
The B-side, meanwhile, doubles down on the oneiric nature of the original material. Workshop head and Avenue 66 alumnus Lowtec builds allows "Circuit 04"'s synths to billow into Gas-like immersive layering, sheets of melody are anchored by a restrained beat for an ambient techno track that doesn't tip the scales too far in one direction or the other. Rather, it achieves a perfect balance. Hamburg/Dial mainstay Lawrence closes things out with his version of "Circuit 18," which also concludes the original album. While the original has a wistful, Deckard's dream quality, Lawrence's version is deeply-rooted in the late-night German style; a low-slung bassline will keep dancers deeply rooted while those wistful chords sweep in like the violet before dawn.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Circuit 15 – Herbert’s ‘Kyiv Dub’
A2 Circuit 07 – Tolouse Low Trax Remix
B1 Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
B2 Circuit 18 – Lawrence Remix
Release Info:
Moiré's rain-streaked and masterful Circuits album dropped this past September. RA's Andrew Ryce stated the eight-track album cast the shadowy producer into "a rarefied air occupied by the only the finest and most influential of ambient techno artists."
Now, in short order, the label returns with a remix EP charting out multiple hubs of oblique dance floor innovation. If there's a sonic motif on the A-side, it's vastly reactive interpretations of the "factory floor" element that inspired techno's pioneers. Matthew Herbert, a pioneering force in his own right, mixes steam engine percussion with the dreamy atmospherics of "Circuit 15" and comes up with eight minutes of cerebral machine funk. Tolouse Low Trax, meanwhile, continues his masterclass in modern motorik on his remix of "Circuit 7," integrating a chiming piano into a fascinating, perfectly-timed 110 BPM rhythm.
The B-side, meanwhile, doubles down on the oneiric nature of the original material. Workshop head and Avenue 66 alumnus Lowtec builds allows "Circuit 04"'s synths to billow into Gas-like immersive layering, sheets of melody are anchored by a restrained beat for an ambient techno track that doesn't tip the scales too far in one direction or the other. Rather, it achieves a perfect balance. Hamburg/Dial mainstay Lawrence closes things out with his version of "Circuit 18," which also concludes the original album. While the original has a wistful, Deckard's dream quality, Lawrence's version is deeply-rooted in the late-night German style; a low-slung bassline will keep dancers deeply rooted while those wistful chords sweep in like the violet before dawn.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Hypercolour
Cat-No:hypelp018
Release-Date:16.04.2021
Genre:Deephouse
Configuration:2LP
Barcode:
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Last in:30.01.2023
Label:Hypercolour
Cat-No:hypelp018
Release-Date:16.04.2021
Genre:Deephouse
Configuration:2LP
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1
Moiré - Know Me (ft. Demigosh)
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Moiré - Low Works
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Moiré - Doors (ft. Demigosh)
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Moiré - Madgan
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Moiré - Dekade (ft. Demigosh)
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Moiré - Zooland (ft. Demigosh)
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Moiré - Ghana
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Moiré - R1
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Moiré - Vertigo
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Moiré - Telefunk
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Moiré - Sour Site (ft. Demigosh)
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12
Moiré - Time (ft. Demigosh)
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Moiré - Lost In Pacific
Having already made a big splash on labels like Rush Hour, Ghostly, Spectral Sound and Werkdiscs, the London based producer Moire´tees up his third full length player for Hypercolour. ‘Good Times’ goes someway to pulling back a positive energy to recent global events and finds Moire´collaborating with fellow artist Demigosh on a good chunk of the album cuts. Hazy agit house and drowsy beats anchor an album filled with smooth ambience and soulful sampling. Low frequencies and foggy tones make tracks like ‘Magdan’ and ‘Vertigo’ strike a chord between lo-fi electronica and abstract ambient noise, whilst the collaborations with Demigosh add an ethereal soulful touch that’s both stirring and emotive in equal measures. Exotic beat science is deployed on cuts like ‘R1’ and ‘Telefunk’, whilst the jazzy licks and lumpy rhythms of ‘Lost In Pacific’ seal off an extraordinary album that exemplifies the advancing maturity of Moire´’s sound and vision.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:werkdiscs
Cat-No:wdnt010
Release-Date:28.05.2014
Configuration:12"
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Label:werkdiscs
Cat-No:wdnt010
Release-Date:28.05.2014
Configuration:12"
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The anonymous techno producer returns to Actress' label in June with a three-track 12". Moiré first surfaced on Darren Cunningham's Werkdiscs label in February last year with the Never Sleep EP, brandishing a muggy techno sound that had much in common with the output of the label's owner. Supposedly "the result of a lack of sleep" and "the obsessive expressions of a mind inspired by the city and the scene that has surrounded him for a long time", the EP was followed up by a further 12? on Rush Hour which was similarly inspired by subterranean London. FACT now report that the producer has been tapped up for another release by Werkdiscs, the three-track BBOY 202 release, which sees the producer "revisiting and reworking familiar sounds in a way to create something raw, immersive and driving". The 12" features two further tracks, "False", which draws "on the sampling aesthetic of hip-hop", supposedly driven "by the need to feel something faster", and "Window", reportedly a track which came from some late night experimentation with a Jupiter 8 synthesiser in a Hamburg synth studio. Those wishing to preview the 12? can watch the monochromatic Disguise-created video for the title track below.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:werkdiscs
Cat-No:wdnt003
Release-Date:30.01.2013
Configuration:12"
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Label:werkdiscs
Cat-No:wdnt003
Release-Date:30.01.2013
Configuration:12"
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Moiré is the latest signing on Acrtress' Werkdiscs label. "Never Sleep" is the debut single and features singer Heidi Vogel who is known from her work with Tosca. Actress remix on flipside!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Avenue 66
Label:Avenue 66
Cat-No:AVE66-19
Release-Date:18.10.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804182126
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Last in:11.10.2024
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Last in:11.10.2024
Label:Avenue 66
Cat-No:AVE66-19
Release-Date:18.10.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804182126
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SW. - HÄÄlene ___
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SW. - the beauty
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SW. - HE is stupid
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SW. - Ha
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SW. - green
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SW. - malady
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SW. - horizon
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SW. - anima
2LP
Tracklist:
A1. HÄÄlene ___
A2. the beauty
A3. HE is stupid
A4. Ha
B1. green
B2. malady
B3. horizon
B4. anima
mindSET is the ninth album from enigmatic producer SW., directly following this summer’s excursion into his trademark techno, IDM and bleep soundscapes, on the myDEFINITIONS Vol II album. But with his mindSET album SW. takes a left turn, as pioneers often do, and we find ourselves on the lesser traveled side roads of electronic music history. Or in SW.’s own words: “the more abstract leftfield elements.”
It’s in these less-defined areas that SW. finds his sweet spot, building dancefloor soundtracks that defied definition. And with mindSET the sounds and the machines might have changed, the methodology remains the same.
“It draws from what was more generally seen in leftfield as a term for the slightly off-kilter house and broken beats that didn’t fit neatly into classic genres, whether that was Chicago house, French garage, drum and bass, or broken beat. It’s more about those in-between sounds that never really took off, only appearing briefly in the early to mid-90s and then quickly disappearing. There was a certain magic in that moment, which I wanted to capture. Also, the entire album was produced using classic analog equipment, with old machines that were used during that era. That’s the approach I’ve taken.”
The eight tracks on mindSET are shaped out of de-tuned techno pop synths and heavy, syncopated drums, grooving along chopped-up polymeters to create an eerie mood, as if orbiting an undiscovered planet for the first time. The harmonic movements are often bent out of shape, sometimes veering towards Gherkin Jerks or Cristian Vogel territory. But in the end, the sounds are less important than the atmosphere, and the tracks represent an attitude or an approach - to creating the music as well as experiencing it. mindSET is a nod to those dancers sharing an oddball moment, and for those of us on the same wavelength, it's a vibe we can all get inside.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. HÄÄlene ___
A2. the beauty
A3. HE is stupid
A4. Ha
B1. green
B2. malady
B3. horizon
B4. anima
mindSET is the ninth album from enigmatic producer SW., directly following this summer’s excursion into his trademark techno, IDM and bleep soundscapes, on the myDEFINITIONS Vol II album. But with his mindSET album SW. takes a left turn, as pioneers often do, and we find ourselves on the lesser traveled side roads of electronic music history. Or in SW.’s own words: “the more abstract leftfield elements.”
It’s in these less-defined areas that SW. finds his sweet spot, building dancefloor soundtracks that defied definition. And with mindSET the sounds and the machines might have changed, the methodology remains the same.
“It draws from what was more generally seen in leftfield as a term for the slightly off-kilter house and broken beats that didn’t fit neatly into classic genres, whether that was Chicago house, French garage, drum and bass, or broken beat. It’s more about those in-between sounds that never really took off, only appearing briefly in the early to mid-90s and then quickly disappearing. There was a certain magic in that moment, which I wanted to capture. Also, the entire album was produced using classic analog equipment, with old machines that were used during that era. That’s the approach I’ve taken.”
The eight tracks on mindSET are shaped out of de-tuned techno pop synths and heavy, syncopated drums, grooving along chopped-up polymeters to create an eerie mood, as if orbiting an undiscovered planet for the first time. The harmonic movements are often bent out of shape, sometimes veering towards Gherkin Jerks or Cristian Vogel territory. But in the end, the sounds are less important than the atmosphere, and the tracks represent an attitude or an approach - to creating the music as well as experiencing it. mindSET is a nod to those dancers sharing an oddball moment, and for those of us on the same wavelength, it's a vibe we can all get inside.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Last in:23.11.2023
Label:Avenue 66
Cat-No:AVE66-01
Release-Date:17.02.2023
Genre:House
Configuration:12" Excl
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Joey Anderson - Above The Cherry Moon
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Joey Anderson - Above The Cherry Moon – Vakula Remix
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Joey Anderson - Auset
Tracklist:
A1. Above The Cherry Moon
B1. Above The Cherry Moon – Vakula Remix
B2. Auset
2022 Re-editon of the inaugural Avenue 66 release. Dark acid laced house cut with vocals by Ebony Ugo backed with a remix by Ukrainian producer Vakula, who provides a dreamy lush remix and "Auset", a monster head trip made for dancefloors and headphones alike.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1. Above The Cherry Moon
B1. Above The Cherry Moon – Vakula Remix
B2. Auset
2022 Re-editon of the inaugural Avenue 66 release. Dark acid laced house cut with vocals by Ebony Ugo backed with a remix by Ukrainian producer Vakula, who provides a dreamy lush remix and "Auset", a monster head trip made for dancefloors and headphones alike.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Avenue 66
Cat-No:AVE66-15
Release-Date:03.02.2023
Configuration:2LP Excl
Barcode:4251804129510
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Last in:05.07.2023
Label:Avenue 66
Cat-No:AVE66-15
Release-Date:03.02.2023
Configuration:2LP Excl
Barcode:4251804129510
Electronic / Ambient / Experimental
Format: 2LP
Tracklist:
A1. Clank
A2. Sluice
B1. Firpln
C1. Unitiled
C2. OFD (vinyl only)
D1. Pyn
D2. MK 2.1
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format: 2LP
Tracklist:
A1. Clank
A2. Sluice
B1. Firpln
C1. Unitiled
C2. OFD (vinyl only)
D1. Pyn
D2. MK 2.1
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Avenue 66
Cat-No:AVE66-16
Release-Date:03.02.2023
Configuration:2CD Excl
Barcode:4251804129527
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Last in:22.03.2023
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Last in:22.03.2023
Label:Avenue 66
Cat-No:AVE66-16
Release-Date:03.02.2023
Configuration:2CD Excl
Barcode:4251804129527
Electronic / Ambient / Experimental
Format: 2CD
Tracklist:
1-1 Golpin
1-2 MK 2.1
1-3 Pyn
1-4 Blesdub Dot
1-5 Unitiled
2-1 Clank
2-2 Frantay
2-3 Galvation
2-4 Sluice
2-5 Firpln
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format: 2CD
Tracklist:
1-1 Golpin
1-2 MK 2.1
1-3 Pyn
1-4 Blesdub Dot
1-5 Unitiled
2-1 Clank
2-2 Frantay
2-3 Galvation
2-4 Sluice
2-5 Firpln
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:04.11.2022
Label:Avenue 66
Cat-No:AVE66-18
Release-Date:25.11.2022
Genre:House
Configuration:2LP Excl
Barcode:4251804138482
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1
SW. - A1. WHAtADAYray
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2
SW. - A2. moTORjungleCITY
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3
SW. - B1. stepCLASSixMOtor
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4
SW. - B2. apolloTHING
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5
SW. - C1. TROPyCALLhytsrIA
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6
SW. - C2. geminiMINIMA
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7
SW. - C3. nubJA
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8
SW. - D1. ROCKetPOCK@
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9
SW. - D2. kngs&QUNS
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SW. - D3. What endingENDs
2LP
Tracklist:
A1. WHAtADAYray
A2. moTORjungleCITY
B1. stepCLASSixMOtor
B2. apolloTHING
C1. TROPyCALLhytsrIA
C2. geminiMINIMA
C3. nubJA
D1. ROCKetPOCK@
D2. kngs&QUNS
D3. What endingENDs
The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."
To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.
If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. WHAtADAYray
A2. moTORjungleCITY
B1. stepCLASSixMOtor
B2. apolloTHING
C1. TROPyCALLhytsrIA
C2. geminiMINIMA
C3. nubJA
D1. ROCKetPOCK@
D2. kngs&QUNS
D3. What endingENDs
The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."
To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.
If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:12.08.2022
Label:Avenue 66
Cat-No:AVE66-17
Release-Date:28.10.2022
Genre:House
Configuration:12" Excl
Barcode:4251804129275
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1
Moiré - Circuit 15 – Herbert’s ‘Kyiv Dub’
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2
Moiré - Circuit 07 – Tolouse Low Trax Remix
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3
Moiré - Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
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4
Moiré - Circuit 18 – Lawrence Remix
Tracklist
A1 Circuit 15 – Herbert’s ‘Kyiv Dub’
A2 Circuit 07 – Tolouse Low Trax Remix
B1 Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
B2 Circuit 18 – Lawrence Remix
Release Info:
Moiré's rain-streaked and masterful Circuits album dropped this past September. RA's Andrew Ryce stated the eight-track album cast the shadowy producer into "a rarefied air occupied by the only the finest and most influential of ambient techno artists."
Now, in short order, the label returns with a remix EP charting out multiple hubs of oblique dance floor innovation. If there's a sonic motif on the A-side, it's vastly reactive interpretations of the "factory floor" element that inspired techno's pioneers. Matthew Herbert, a pioneering force in his own right, mixes steam engine percussion with the dreamy atmospherics of "Circuit 15" and comes up with eight minutes of cerebral machine funk. Tolouse Low Trax, meanwhile, continues his masterclass in modern motorik on his remix of "Circuit 7," integrating a chiming piano into a fascinating, perfectly-timed 110 BPM rhythm.
The B-side, meanwhile, doubles down on the oneiric nature of the original material. Workshop head and Avenue 66 alumnus Lowtec builds allows "Circuit 04"'s synths to billow into Gas-like immersive layering, sheets of melody are anchored by a restrained beat for an ambient techno track that doesn't tip the scales too far in one direction or the other. Rather, it achieves a perfect balance. Hamburg/Dial mainstay Lawrence closes things out with his version of "Circuit 18," which also concludes the original album. While the original has a wistful, Deckard's dream quality, Lawrence's version is deeply-rooted in the late-night German style; a low-slung bassline will keep dancers deeply rooted while those wistful chords sweep in like the violet before dawn.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Circuit 15 – Herbert’s ‘Kyiv Dub’
A2 Circuit 07 – Tolouse Low Trax Remix
B1 Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
B2 Circuit 18 – Lawrence Remix
Release Info:
Moiré's rain-streaked and masterful Circuits album dropped this past September. RA's Andrew Ryce stated the eight-track album cast the shadowy producer into "a rarefied air occupied by the only the finest and most influential of ambient techno artists."
Now, in short order, the label returns with a remix EP charting out multiple hubs of oblique dance floor innovation. If there's a sonic motif on the A-side, it's vastly reactive interpretations of the "factory floor" element that inspired techno's pioneers. Matthew Herbert, a pioneering force in his own right, mixes steam engine percussion with the dreamy atmospherics of "Circuit 15" and comes up with eight minutes of cerebral machine funk. Tolouse Low Trax, meanwhile, continues his masterclass in modern motorik on his remix of "Circuit 7," integrating a chiming piano into a fascinating, perfectly-timed 110 BPM rhythm.
The B-side, meanwhile, doubles down on the oneiric nature of the original material. Workshop head and Avenue 66 alumnus Lowtec builds allows "Circuit 04"'s synths to billow into Gas-like immersive layering, sheets of melody are anchored by a restrained beat for an ambient techno track that doesn't tip the scales too far in one direction or the other. Rather, it achieves a perfect balance. Hamburg/Dial mainstay Lawrence closes things out with his version of "Circuit 18," which also concludes the original album. While the original has a wistful, Deckard's dream quality, Lawrence's version is deeply-rooted in the late-night German style; a low-slung bassline will keep dancers deeply rooted while those wistful chords sweep in like the violet before dawn.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:18.08.2021
Label:Avenue 66
Cat-No:AVE66-11
Release-Date:17.09.2021
Genre:House
Configuration:LP Excl
Barcode:4251804126052
Mini LP
Tracklist
A1 Flat Dog
A2 Going Nowhere
A3 Red Sparrow
B1 Easy To Heal Cuts
B2 Nature Thinks For You
B3 From Moment To Moment
Info: Rare and unreleased cuts from the Lowtec vaults.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
A1 Flat Dog
A2 Going Nowhere
A3 Red Sparrow
B1 Easy To Heal Cuts
B2 Nature Thinks For You
B3 From Moment To Moment
Info: Rare and unreleased cuts from the Lowtec vaults.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:28.04.2021
Label:Avenue 66
Cat-No:AVE66-12
Release-Date:28.05.2021
Genre:House
Configuration:LP Excl
Barcode:4251804121439
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1
SW. - A1. elypsiaDANCEsentence
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2
SW. - A2. rotherDAMM
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3
SW. - A3. drumDUMMrace
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4
SW. - A4. escapePAPE
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5
SW. - B1. PSYcomaTIC
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SW. - B2. tranceCANs
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SW. - B3. RAMframe
Mini LP
Following up from his TRUElipS album from last year SW. returns to Avenue 66 with a 7 track LP titled blewLIPs.
A1 elypsiaDANCEsentence
A2 rotherDAMM
A3 drumDUMMrace
A4 escapePAPE
B1 PSYcomaTIC
B2 tranceCANs
B3 RAMframe
Limited to 300 copies
Distributed by Wordandsound
Photos by SW.
Design by Dicey Studios
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Following up from his TRUElipS album from last year SW. returns to Avenue 66 with a 7 track LP titled blewLIPs.
A1 elypsiaDANCEsentence
A2 rotherDAMM
A3 drumDUMMrace
A4 escapePAPE
B1 PSYcomaTIC
B2 tranceCANs
B3 RAMframe
Limited to 300 copies
Distributed by Wordandsound
Photos by SW.
Design by Dicey Studios
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:29.09.2020
Label:Avenue 66
Cat-No:AVE66-10
Release-Date:02.10.2020
Genre:House
Configuration:2LP Excl
Barcode:4251804121422
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1
SW. - A1 ELEctreC
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2
SW. - A2 STEPrapGAP
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3
SW. - A3 meanDreaMbeam
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4
SW. - B1 theMARTIANswing
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5
SW. - B2 radeDARKpaid
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6
SW. - B3 daCRUISEgangSTAR
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7
SW. - C1 JAZZmassLESS
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8
SW. - C2 DREAMdanceVANs
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9
SW. - C3 deepFLYhigh
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10
SW. - D1 esCAPEdeepCREEp
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11
SW. - D2 spookyWOOKYchill
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12
SW. - D3 ambientRAND
2LP
Over the past decade, SUED co-founder SW. has arranged the building blocks of dreamy rave and techno music-billowing pads, undulating sub-bass and adroit, nuanced drum programming-into and novel dance floor structures. TRUElipS, SW.'s first full album since 2016 and his first for Avenue 66, is a beguiling, fully-realised statement.
The 12-track LP is rooted in the storied '90s era when the spirit of orbital raves and free parties was channeled into massive leaps forward in the studio. A combination of house and drum & bass looms large, as does the much-referenced intelligent techno era, but if you've listened to an SW. record, you already know TRUElipS is the work of a singular auteur.
Breakbeats, rave stabs and major chords permeate the album, motoring along on a chassis of sine-wave bass lines and SW's widescreen percussive vision. Forays into downtempo and sweeping ambience keep the listener's head in the clouds, while the superb melodic techno constructions that comprise the album's core are at once contemplative and liable to bring on a giddy head rush. TRUElipS brims with the optimistic, escapist spirit that fueled dance music's original triumph, a throwback to bright, imagined futures.
A1 ELEctreC
A2 STEPrapGAP
A3 meanDreaMbeam
B1 theMARTIANswing
B2 radeDARKpaid
B3 daCRUISEgangSTAR
C1 JAZZmassLESS
C2 DREAMdanceVANs
C3 deepFLYhigh
D1 esCAPEdeepCREEp
D2 spookyWOOKYchill
D3 ambientRAND
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Over the past decade, SUED co-founder SW. has arranged the building blocks of dreamy rave and techno music-billowing pads, undulating sub-bass and adroit, nuanced drum programming-into and novel dance floor structures. TRUElipS, SW.'s first full album since 2016 and his first for Avenue 66, is a beguiling, fully-realised statement.
The 12-track LP is rooted in the storied '90s era when the spirit of orbital raves and free parties was channeled into massive leaps forward in the studio. A combination of house and drum & bass looms large, as does the much-referenced intelligent techno era, but if you've listened to an SW. record, you already know TRUElipS is the work of a singular auteur.
Breakbeats, rave stabs and major chords permeate the album, motoring along on a chassis of sine-wave bass lines and SW's widescreen percussive vision. Forays into downtempo and sweeping ambience keep the listener's head in the clouds, while the superb melodic techno constructions that comprise the album's core are at once contemplative and liable to bring on a giddy head rush. TRUElipS brims with the optimistic, escapist spirit that fueled dance music's original triumph, a throwback to bright, imagined futures.
A1 ELEctreC
A2 STEPrapGAP
A3 meanDreaMbeam
B1 theMARTIANswing
B2 radeDARKpaid
B3 daCRUISEgangSTAR
C1 JAZZmassLESS
C2 DREAMdanceVANs
C3 deepFLYhigh
D1 esCAPEdeepCREEp
D2 spookyWOOKYchill
D3 ambientRAND
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
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backorder
Last in:10.08.2020
Label:Avenue 66
Cat-No:AVE66-09LP
Release-Date:05.06.2020
Genre:House
Configuration:LP Excl
Barcode:4251648416548
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1
Trickfinger - A1. Amb
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2
Trickfinger - A2. Brise
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Trickfinger - A3. Noice
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Trickfinger - B1. Plane
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Trickfinger - B2. Rhyme Four
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Trickfinger - B3. Sea YX6
LP
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
A1. Amb
A2. Brise
A3. Noice
B1. Plane
B2. Rhyme Four
B3. Sea YX6
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
A1. Amb
A2. Brise
A3. Noice
B1. Plane
B2. Rhyme Four
B3. Sea YX6
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:07.07.2020
Label:Avenue 66
Cat-No:AVE66-09CD
Release-Date:05.06.2020
Genre:House
Configuration:CD Excl
Barcode:4251648416531
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1
Trickfinger - 01. Amb
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2
Trickfinger - 02. Brise
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3
Trickfinger - 03. Noice
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4
Trickfinger - 04. Plane
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Trickfinger - 05. Rhyme Four
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6
Trickfinger - 06. Sea YX6
CD
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
01. Amb
02. Brise
03. Noice
04. Plane
05. Rhyme Four
06. Sea YX6
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
01. Amb
02. Brise
03. Noice
04. Plane
05. Rhyme Four
06. Sea YX6
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:30.01.2020
Label:Avenue 66
Cat-No:AVE66-08
Release-Date:06.03.2020
Genre:House
Configuration:2LP Excl
Barcode:4251648416159
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1
Joey Anderson - A1. My Dream
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Joey Anderson - A2. Heaven Help Us
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Joey Anderson - B1. Beside Me
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Joey Anderson - B2. Ocean
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Joey Anderson - C1. Live It
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Joey Anderson - C2. Bounce With It
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Joey Anderson - D1. Cindy
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Joey Anderson - D2. Can Not
2LP
On his third and album, Rainbow Doll, the New Jersey house mystic Joey Anderson speaks to us. Of course, like everything Anderson does, the message is encoded. On tracks like "Beside Me" and "Cindy," his voice rings out in dream incantations-on the latter, he repeats a Mark Hollis-like mantra over a perfect, minimalist house loop while the former sounds like the late, great Ron Hardy taking the razor-and-tape to Ike Yard.
It's his third record for the Berlin-based label Avenue 66, and graciously illuminates the dream logic introduced on his debut for the imprint, the 2013 leftfield classic "Above The Cherry Moon." While Rainbow Doll satisfies those outre impulses, the album's core comprises what are perhaps Anderson's most indelible dance tracks to date, like "Bounce With It," a jacking anthem which sees him at mission control, sending widescreen synth lines soaring through the atmosphere.
With the aforementioned vocals punctuating five of the eight tracks, Rainbow Doll is Anderson's most personal work to date. It's his first album in four years, but also his shortest, most concise full-length. Even with a more direct approach, the elusive, dreamlike quality which has made his work so intriguing remains intact. He speaks of dreams throughout the record, even as his uncanny methodology comes into focus. More than ever before, we understand the materials Anderson uses to construct his Escher-like tracks. We hear his fingers on the keys, the sturdy east coast house beats he learned to dance to. The dreams have become lucid. As he puts it deep in the album, they "seem so real."
A1. My Dream
A2. Heaven Help Us
B1. Beside Me
B2. Ocean
C1. Live It
C2. Bounce With It
D1. Cindy
D2. Can Not
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
On his third and album, Rainbow Doll, the New Jersey house mystic Joey Anderson speaks to us. Of course, like everything Anderson does, the message is encoded. On tracks like "Beside Me" and "Cindy," his voice rings out in dream incantations-on the latter, he repeats a Mark Hollis-like mantra over a perfect, minimalist house loop while the former sounds like the late, great Ron Hardy taking the razor-and-tape to Ike Yard.
It's his third record for the Berlin-based label Avenue 66, and graciously illuminates the dream logic introduced on his debut for the imprint, the 2013 leftfield classic "Above The Cherry Moon." While Rainbow Doll satisfies those outre impulses, the album's core comprises what are perhaps Anderson's most indelible dance tracks to date, like "Bounce With It," a jacking anthem which sees him at mission control, sending widescreen synth lines soaring through the atmosphere.
With the aforementioned vocals punctuating five of the eight tracks, Rainbow Doll is Anderson's most personal work to date. It's his first album in four years, but also his shortest, most concise full-length. Even with a more direct approach, the elusive, dreamlike quality which has made his work so intriguing remains intact. He speaks of dreams throughout the record, even as his uncanny methodology comes into focus. More than ever before, we understand the materials Anderson uses to construct his Escher-like tracks. We hear his fingers on the keys, the sturdy east coast house beats he learned to dance to. The dreams have become lucid. As he puts it deep in the album, they "seem so real."
A1. My Dream
A2. Heaven Help Us
B1. Beside Me
B2. Ocean
C1. Live It
C2. Bounce With It
D1. Cindy
D2. Can Not
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:19.09.2019
Label:Avenue 66
Cat-No:AVE66-07
Release-Date:18.10.2019
Genre:House
Configuration:2LP Excl
Barcode:4251648413684
1
Relaxer - Serpent In The Garden
2
Relaxer - Fluorescence
3
Relaxer - Cold Green
4
Relaxer - Born From The Beyond
5
Relaxer - Steeplechase
6
Relaxer - Um
7
Relaxer - Breaking The Waves
8
Relaxer - Agony
9
Relaxer - Finally Forgetting
2LP
"Coconut Grove started as a secret. I wrote & recorded it in deliberate solitude over the course of a year, in long sessions when I was alone at home or after everyone else had gone to sleep. I had the uncanny sense of discovering something quite old rather than of making something new.
Every album I've made revealed itself over time - Coconut Grove snaked its way through my psyche, going back to my beginnings. While working on it, I found some notes I had jotted down back in 2006, when I was 22 & first inching away from punk towards electronic music. I wrote that I had been dreaming of something humid and menacing, melting but also alluring. I heard some of that in the haunting, dubby minimal techno of the time, and imagined it crossed with the slashing urgency of my favorite no wave & post punk bands. I imagined the catharsis I experienced as a performer rerouted through techno's mercurial endlessness. Those visions never left me, and I've been dreaming of them in one way or another ever since. Coconut Grove folded that time back onto the present, letting me start again from the beginning.
A lot can happen in a year, and, at the risk of sounding coy, a lot happened to me in 2018. Coconut Grove was an exorcism, or maybe a rebirth, but whatever it was it moved with a little extra fluidity. You can hear it for yourself, but I will say the album's softer touch is no accident. Living in that secret space, it felt good to let some air in."
-Daniel Martin-McCormick aka Relaxer
Track List
A1. Serpent In The Garden
A2. Fluorescence
B1. Cold Green
B2. Born From The Beyond
C1. Steeplechase
C2. Um
C3. Breaking The Waves
D1. Agony
D2. Finally Forgetting
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
"Coconut Grove started as a secret. I wrote & recorded it in deliberate solitude over the course of a year, in long sessions when I was alone at home or after everyone else had gone to sleep. I had the uncanny sense of discovering something quite old rather than of making something new.
Every album I've made revealed itself over time - Coconut Grove snaked its way through my psyche, going back to my beginnings. While working on it, I found some notes I had jotted down back in 2006, when I was 22 & first inching away from punk towards electronic music. I wrote that I had been dreaming of something humid and menacing, melting but also alluring. I heard some of that in the haunting, dubby minimal techno of the time, and imagined it crossed with the slashing urgency of my favorite no wave & post punk bands. I imagined the catharsis I experienced as a performer rerouted through techno's mercurial endlessness. Those visions never left me, and I've been dreaming of them in one way or another ever since. Coconut Grove folded that time back onto the present, letting me start again from the beginning.
A lot can happen in a year, and, at the risk of sounding coy, a lot happened to me in 2018. Coconut Grove was an exorcism, or maybe a rebirth, but whatever it was it moved with a little extra fluidity. You can hear it for yourself, but I will say the album's softer touch is no accident. Living in that secret space, it felt good to let some air in."
-Daniel Martin-McCormick aka Relaxer
Track List
A1. Serpent In The Garden
A2. Fluorescence
B1. Cold Green
B2. Born From The Beyond
C1. Steeplechase
C2. Um
C3. Breaking The Waves
D1. Agony
D2. Finally Forgetting
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:07.01.2019
Label:Avenue 66
Cat-No:AVE66-06
Release-Date:25.01.2019
Genre:House
Configuration:2LP Excl
Barcode:4260544827129
1
Lowtec - Hotel D Europe
2
Lowtec - Boy With The Broken Glasses
3
Lowtec - Light Surfing (Part A)
4
Lowtec - Light Surfing (Part B)
5
Lowtec - Vintage Internet
6
Lowtec - Mythenquai
7
Lowtec - Interna
8
Lowtec - Burnt Toast
2LP
The man behind Workshop and Out To Lunch famously takes his time to make electronic productions that are, in turn, out of time. Over the course of his career he's released tracks that could have been made yesterday, years ago, or a decade into the future. with Avenue 66 he's found a leftfield home that celebrates pure creativity, that embraces the liminal, the weird and the sublime. Light Surfing fits all of these descriptors.
The double-LP rewards deep, repeated listening. There's plenty to unpack, but those who cherish the murky bangers that have been Lowtec's stock and trade will find plenty to love. "Boy With The Broken Glasses" weaves a subtle, dancehall-inflected riddim into hazy ambient house, while the closer, "Burnt Toast," is the latest example of Kuhn's uncanny ability to perfectly fit a soulful vocal sample into an alien dance floor soundscape.
Unexpected moments of sideways beauty also unfurl across the four sides. The two-part "Light Surfing" is one of Lowtec's most evocative suites to a date-its mournful string soundtrack is the album's recurring, longing motif. Elsewhere, as on "Mynthenquai," Kuhn applies avant-garde strategies to his synth leads, taking us on head-spinning melodic journeys.
Light Surfing is a masterful balancing act between dream states and machine-like efficiency, the experimental and functional, precision and spontanaeity. Lowtec could have only gotten here by taking his time.
A1 Hotel D Europe
A2 Boy With The Broken Glasses
B1 Light Surfing (Part A)
B2 Light Surfing (Part B)
B3 Vintage Internet
C1 Mythenquai
C2 Interna
D1 Burnt Toast
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The man behind Workshop and Out To Lunch famously takes his time to make electronic productions that are, in turn, out of time. Over the course of his career he's released tracks that could have been made yesterday, years ago, or a decade into the future. with Avenue 66 he's found a leftfield home that celebrates pure creativity, that embraces the liminal, the weird and the sublime. Light Surfing fits all of these descriptors.
The double-LP rewards deep, repeated listening. There's plenty to unpack, but those who cherish the murky bangers that have been Lowtec's stock and trade will find plenty to love. "Boy With The Broken Glasses" weaves a subtle, dancehall-inflected riddim into hazy ambient house, while the closer, "Burnt Toast," is the latest example of Kuhn's uncanny ability to perfectly fit a soulful vocal sample into an alien dance floor soundscape.
Unexpected moments of sideways beauty also unfurl across the four sides. The two-part "Light Surfing" is one of Lowtec's most evocative suites to a date-its mournful string soundtrack is the album's recurring, longing motif. Elsewhere, as on "Mynthenquai," Kuhn applies avant-garde strategies to his synth leads, taking us on head-spinning melodic journeys.
Light Surfing is a masterful balancing act between dream states and machine-like efficiency, the experimental and functional, precision and spontanaeity. Lowtec could have only gotten here by taking his time.
A1 Hotel D Europe
A2 Boy With The Broken Glasses
B1 Light Surfing (Part A)
B2 Light Surfing (Part B)
B3 Vintage Internet
C1 Mythenquai
C2 Interna
D1 Burnt Toast
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Avenue 66
Cat-No:AVE66-04
Release-Date:23.02.2018
Configuration:LP Excl
Barcode:4260544822452
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Last in:09.02.2018
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Last in:09.02.2018
Label:Avenue 66
Cat-No:AVE66-04
Release-Date:23.02.2018
Configuration:LP Excl
Barcode:4260544822452
1
Trux - With It
2
Trux - Orbiter
3
Trux - Blinko
4
Trux - Roy's Garage
5
Trux - Third Glow
6
Trux - In My World
7
Trux - My Row
8
Trux - EeEsTee
9
Trux - Odd U
10
Trux - Agoma
LP
There's been an air of hypnagogic mystery surrounding Acid Test's sublabel Avenue 66 from the start. Joey Anderson's oblique, Prince-inspired incantation "Above The Cherry Moon" set the tone for a label that's sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs.
Fitting then, that the first album on the imprint comes from Trux, an artist who has chosen to reveal nearly nothing about themselves. Following a cult classic mini-LP for Office Recordings, "Orbiter" bears out the anonymous producer as a master of liminal, conceptual dance music.
"Orbiter's" ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. Opener, "With It," moves from heady ambient rush to skeletal piano, while "Blinko" and "Roy's Garage" spell out a hazy memoriam for the UK continuum.
Forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. "Orbiter" positions Trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings.
Track List
With It
Orbiter
Blinko
Roy's Garage
Third Glow
In My World
My Row
EeEsTee
Odd U
Agoma
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
There's been an air of hypnagogic mystery surrounding Acid Test's sublabel Avenue 66 from the start. Joey Anderson's oblique, Prince-inspired incantation "Above The Cherry Moon" set the tone for a label that's sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs.
Fitting then, that the first album on the imprint comes from Trux, an artist who has chosen to reveal nearly nothing about themselves. Following a cult classic mini-LP for Office Recordings, "Orbiter" bears out the anonymous producer as a master of liminal, conceptual dance music.
"Orbiter's" ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. Opener, "With It," moves from heady ambient rush to skeletal piano, while "Blinko" and "Roy's Garage" spell out a hazy memoriam for the UK continuum.
Forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. "Orbiter" positions Trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings.
Track List
With It
Orbiter
Blinko
Roy's Garage
Third Glow
In My World
My Row
EeEsTee
Odd U
Agoma
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:19.08.2016
Label:Avenue 66
Cat-No:ave6603
Release-Date:16.09.2016
Genre:techhouse
Configuration:12" Excl
Barcode:4260038315224
1
Joey Anderson - If Someone Cares, They Act Different
2
Joey Anderson - Peace There
3
Joey Anderson - The Vase
When LA label Acid Test decided to start the leftfield imprint, Avenue 66, they looked to New Jersey house mystic Joey Anderson for an opening salvo. He delivered the modern psych-dance masterpiece "Above The Cherry Moon." Now Anderson's back again with more of his beguiling dreamlogic. On "If One Cares, They Act Different" Anderson works with a lead that could score an unsettling '80s horror flick, eventually introducing his signature quicksilver synths and abstract, jacking drum patterns. "Peace There" starts with the square-wave basslines and raspy hats Taking us to a psychedelic far away place. On "The Vase", Anderson reins things in, but even his bittersweet, relatively straight-head deep house tracks present an odd paradox. His music so alien and human all at once.
Tracklist:
A1 If One Cares, They Act Different
A2 Peace There
B1 The Vase
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1 If One Cares, They Act Different
A2 Peace There
B1 The Vase
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:WRWTFWW
Cat-No:wrwtfww066
Release-Date:16.09.2022
Configuration:2LP Excl
Barcode:4251804137270
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Last in:04.07.2022
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in stock
Last in:04.07.2022
Label:WRWTFWW
Cat-No:wrwtfww066
Release-Date:16.09.2022
Configuration:2LP Excl
Barcode:4251804137270
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1
Yutaka Hirose - Reflection
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2
Yutaka Hirose - Fluctuation
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3
Yutaka Hirose - Light From Clouds
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4
Yutaka Hirose - Air To Feel Outside
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5
Yutaka Hirose - Inner Voice
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6
Yutaka Hirose - Looking Back
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7
Yutaka Hirose - The Breath Of Cyberspace
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8
Yutaka Hirose - Babel’s Library
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9
Yutaka Hirose - Cross Section Of The Underground
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10
Yutaka Hirose - Voice From Past Technology
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11
Yutaka Hirose - Study For Scientists
DLP: 350gsm Sleeve, Sticker, Liner Notes
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Acid Test
Cat-No:AcidTest019
Release-Date:07.04.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804141390
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Last in:27.03.2023
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Label:Acid Test
Cat-No:AcidTest019
Release-Date:07.04.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804141390
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1
Marcellus Pittman - Facid Trunktion
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Marcellus Pittman - Sanskrit Body Rock
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Marcellus Pittman - Ask It Acid
Tracklist
A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid
Release Info:
Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.
Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.
Housed in a full colour sleeve, with a photo by Marcellus himself
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid
Release Info:
Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.
Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.
Housed in a full colour sleeve, with a photo by Marcellus himself
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Incienso
Cat-No:INC-019
Release-Date:16.12.2022
Genre:House / Techno
Configuration:12" Excl
Barcode:
in stock
Last in:19.04.2023
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Label:Incienso
Cat-No:INC-019
Release-Date:16.12.2022
Genre:House / Techno
Configuration:12" Excl
Barcode:
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1
James Bangura - Barred Entry
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2
James Bangura - Mixed Signals
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James Bangura - Monterrey
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James Bangura - Wichita
James Bangura’s Wichita EP is sound experience reflecting on the adolescent pursuit of finding freedom through driving.
Looking back on intense driving experiences with high school and college friends through canyons like Turn Bull, Idylewild, and San Timoteo, This EP represents the transition from childhood to adulthood - from being reckless to being thankful and more self aware.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Looking back on intense driving experiences with high school and college friends through canyons like Turn Bull, Idylewild, and San Timoteo, This EP represents the transition from childhood to adulthood - from being reckless to being thankful and more self aware.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Nervmusic Records
Cat-No:NMS012
Release-Date:24.02.2023
Genre:Minimal
Configuration:12" Excl
Barcode:
in stock
Last in:31.01.2023
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Label:Nervmusic Records
Cat-No:NMS012
Release-Date:24.02.2023
Genre:Minimal
Configuration:12" Excl
Barcode:
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1
Sapurra - A1. A Little Beat
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Sapurra - A2. Wrong Chord
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Sapurra - B1. Check Your Hat
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Sapurra - B2. Feel Communication
- 12", ltd
TRACKLISTS:
A1. A Little Beat
A2. Wrong Chord
B1. Check Your Hat
B2. Feel Communication
SHORT INFO:
A new banger from Sapurra also known as DJ Sapunov.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLISTS:
A1. A Little Beat
A2. Wrong Chord
B1. Check Your Hat
B2. Feel Communication
SHORT INFO:
A new banger from Sapurra also known as DJ Sapunov.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
in stock
Label:NOTON
Cat-No:N-053-2
Release-Date:26.08.2022
Configuration:LP Excl
Barcode:5057805569343
in stock
Last in:07.10.2022
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Label:NOTON
Cat-No:N-053-2
Release-Date:26.08.2022
Configuration:LP Excl
Barcode:5057805569343
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1
Alva Noto + Ryuichi Sakamoto - Siisx
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2
Alva Noto + Ryuichi Sakamoto - Mur
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3
Alva Noto + Ryuichi Sakamoto - ax Mr. L
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4
Alva Noto + Ryuichi Sakamoto - City Radieuse
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Alva Noto + Ryuichi Sakamoto - Veru 1
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Alva Noto + Ryuichi Sakamoto - Veru 2
LP - RE MASTER - Part of the V.I.R.U.S series
GENRE/S: Ambient/ Electronic
Info
Initially released in 2006, ‘Revep’ is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.’s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by three new compositions titled ‘City Radieuse’, ‘Veru 1’, and ‘Veru 2’.
‘City Radieuse’ was composed for the 2012 short cinematic essay titled ‘Cité Radieuse’ and part of Carsten Nicolai’s ‘future past perfect’ series.
The video shot at le Corbusier’s Unité D’Habitation in Nantes (called ‘cité radieuse’) takes the viewer through the modular system and design applied to the residential buildings. The film’s narrative unfolds
through a sequence of images tracking the apartments’ indoor space and details, and points to the different benchmarks of standardized production as they correlate to their environment and its inhabitants.
The album’s original recordings resulted from musical exchanges that began with ‘Vrioon’ and revolved around a collaborative arrangement of Sakamoto’s classic ‘Merry Christmas Mr. Lawrence,’ the theme music
to the 1983 movie starring David Bowie, Takeshi Kitano, and Ryuichi Sakamoto himself.
In ‘Revep,’ the piano takes the lead while the padded bass and pitched electronic frequencies mark sudden change. Deeply evocative and effortlessly colliding worlds of analog beauty and digital mastery,
this album is considered another indispensable record from the duo’s ongoing collaboration.
ALBUM ART DESIGNED BY CARSTEN NICOLAI
MASTERING BY BO @ CALYX
TRACKLIST:
LP Tracklisting:
Tracklisting
Tracklisting
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Siisx
Playtime: 00:07:24
Explicit Lyrics: No
ISRC: UK6821719499
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: City Radieuse
Playtime: 00:07:48
Explicit Lyrics: No
ISRC: UK6821719502
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Mur
Playtime: 00:08:14
Explicit Lyrics: No
ISRC: UK6821719500
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Veru 1
Playtime: 00:08:01
Explicit Lyrics: No
ISRC: UK6821719503
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: ax Mr. L
Playtime: 00:04:18
Explicit Lyrics: No
ISRC: UK6821719501
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Veru 2
Playtime: 00:05:15
Explicit Lyrics: No
ISRC: UK6821719504
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Ambient/ Electronic
Info
Initially released in 2006, ‘Revep’ is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.’s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by three new compositions titled ‘City Radieuse’, ‘Veru 1’, and ‘Veru 2’.
‘City Radieuse’ was composed for the 2012 short cinematic essay titled ‘Cité Radieuse’ and part of Carsten Nicolai’s ‘future past perfect’ series.
The video shot at le Corbusier’s Unité D’Habitation in Nantes (called ‘cité radieuse’) takes the viewer through the modular system and design applied to the residential buildings. The film’s narrative unfolds
through a sequence of images tracking the apartments’ indoor space and details, and points to the different benchmarks of standardized production as they correlate to their environment and its inhabitants.
The album’s original recordings resulted from musical exchanges that began with ‘Vrioon’ and revolved around a collaborative arrangement of Sakamoto’s classic ‘Merry Christmas Mr. Lawrence,’ the theme music
to the 1983 movie starring David Bowie, Takeshi Kitano, and Ryuichi Sakamoto himself.
In ‘Revep,’ the piano takes the lead while the padded bass and pitched electronic frequencies mark sudden change. Deeply evocative and effortlessly colliding worlds of analog beauty and digital mastery,
this album is considered another indispensable record from the duo’s ongoing collaboration.
ALBUM ART DESIGNED BY CARSTEN NICOLAI
MASTERING BY BO @ CALYX
TRACKLIST:
LP Tracklisting:
Tracklisting
Tracklisting
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Siisx
Playtime: 00:07:24
Explicit Lyrics: No
ISRC: UK6821719499
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: City Radieuse
Playtime: 00:07:48
Explicit Lyrics: No
ISRC: UK6821719502
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Mur
Playtime: 00:08:14
Explicit Lyrics: No
ISRC: UK6821719500
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Veru 1
Playtime: 00:08:01
Explicit Lyrics: No
ISRC: UK6821719503
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: ax Mr. L
Playtime: 00:04:18
Explicit Lyrics: No
ISRC: UK6821719501
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Veru 2
Playtime: 00:05:15
Explicit Lyrics: No
ISRC: UK6821719504
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Efficient Space
Cat-No:ES038
Release-Date:16.08.2024
Configuration:LP Excl
Barcode:4251804182119
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Label:Efficient Space
Cat-No:ES038
Release-Date:16.08.2024
Configuration:LP Excl
Barcode:4251804182119
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1
Skeet - Alone Tonight
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2
Skeet - Brief Call
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3
Skeet - Young Girls
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4
Skeet - Avril In The Alps
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5
Skeet - Conscious Effort
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6
Skeet - I Was Never Told
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7
Skeet - Left on the Shelf
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8
Skeet - Song of Love
Tracklist:
1. Alone Tonight
2. Brief Call
3. Young Girls
4. Avril In The Alps
5. Conscious Effort
6. I Was Never Told
7. Left on the Shelf
8. Song of Love
Short info:
Simple Reality cements the short lived legacy of Coventry DIY group Skeet.
Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.
Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.
Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.
RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. Alone Tonight
2. Brief Call
3. Young Girls
4. Avril In The Alps
5. Conscious Effort
6. I Was Never Told
7. Left on the Shelf
8. Song of Love
Short info:
Simple Reality cements the short lived legacy of Coventry DIY group Skeet.
Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.
Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.
Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.
RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Efficient Space
Cat-No:es016
Release-Date:24.07.2020
Configuration:LP Excl
Barcode:4251804121415
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Last in:01.09.2020
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Label:Efficient Space
Cat-No:es016
Release-Date:24.07.2020
Configuration:LP Excl
Barcode:4251804121415
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1
Bélver Yin - Relatos de Praga
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2
Bélver Yin - Por Una No Clara Razón
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3
Bélver Yin - Días de Infancia
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4
Bélver Yin - Decay
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5
Bélver Yin - La Vida Esta En Otra Parte
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6
Bélver Yin - Faints
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7
Bélver Yin - Atardecer
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8
Bélver Yin - Otono
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9
Bélver Yin - Petalos y Cenizas
Special remarks : LP with download code
Tracklist
1 Relatos de Praga
2 Por Una No Clara Razón
3 Días de Infancia
4 Decay
5 La Vida Esta En Otra Parte
6 Faints
7 Atardecer
8 Otonno
9 Petalos y Cenizas
Short info:
Bélver Yin's soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal.
While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (The Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after.
Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro's direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005.
A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
1 Relatos de Praga
2 Por Una No Clara Razón
3 Días de Infancia
4 Decay
5 La Vida Esta En Otra Parte
6 Faints
7 Atardecer
8 Otonno
9 Petalos y Cenizas
Short info:
Bélver Yin's soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal.
While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (The Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after.
Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro's direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005.
A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Mille Plateaux
Cat-No:MP5
Release-Date:28.01.2022
Genre:Techno
Configuration:2LP Excl
Barcode:3267696157631
in stock
Last in:19.11.2021
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Last in:19.11.2021
Label:Mille Plateaux
Cat-No:MP5
Release-Date:28.01.2022
Genre:Techno
Configuration:2LP Excl
Barcode:3267696157631
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1
Automatisme - Alter-Rate 8
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2
Automatisme - Alter-Rate 3
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3
Automatisme - Alter-Scape 6
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4
Automatisme - Alter-Rate 2
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5
Automatisme - Alter-Rate7
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6
Automatisme - Alter-Scape3
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7
Automatisme - Alter-Rate 6
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8
Automatisme - Alter-Rate 9
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9
Automatisme - Alter-Scape4
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10
Automatisme - Alter-Rate 1
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11
Automatisme - Alter-Scape 6
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Automatisme - Alter-Scape7
Genre: Electronics,, Glitch
Tracklist:
Alter-Rate 8
Alter-Rate 3
Alter-Scape 6
Alter-Rate 2
Alter-Rate7
Alter-Scape3
Alter-Rate 6
Alter-Rate 9
Alter-Scape4
Alter-Rate 1
Alter-Scape 6
Alter-Scape7
Short Info:
ALTER- : A REACTION TO THE ALTERMODERNISM IN SOUND ART
For the Automatisme - Alter- album. I am inspired by how the art historian Nicolas Bourriaud defines the Altermodernism. Bourriaud understands the term "Alter" as a way to mean "other". The altermodernism would be another modernity that is different from the avant-garde modernism and post-modernism. More precisely, this is a new paradigm from the XXIe century with alternative ways to motivate artists to be more radical in art by traveling in the physical and digital world, by cutting the frontiers and by creating other time lines. I apply the "alter" subject to time and to landscape and those, to the rhythmic and the ambient glitch music
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
Alter-Rate 8
Alter-Rate 3
Alter-Scape 6
Alter-Rate 2
Alter-Rate7
Alter-Scape3
Alter-Rate 6
Alter-Rate 9
Alter-Scape4
Alter-Rate 1
Alter-Scape 6
Alter-Scape7
Short Info:
ALTER- : A REACTION TO THE ALTERMODERNISM IN SOUND ART
For the Automatisme - Alter- album. I am inspired by how the art historian Nicolas Bourriaud defines the Altermodernism. Bourriaud understands the term "Alter" as a way to mean "other". The altermodernism would be another modernity that is different from the avant-garde modernism and post-modernism. More precisely, this is a new paradigm from the XXIe century with alternative ways to motivate artists to be more radical in art by traveling in the physical and digital world, by cutting the frontiers and by creating other time lines. I apply the "alter" subject to time and to landscape and those, to the rhythmic and the ambient glitch music
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Nervmusic Records
Cat-No:nms010
Release-Date:03.09.2021
Genre:Techno
Configuration:12" Excl
Barcode:
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Last in:27.08.2021
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Label:Nervmusic Records
Cat-No:nms010
Release-Date:03.09.2021
Genre:Techno
Configuration:12" Excl
Barcode:
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1
VA - A1. dOP and Logdam - Barry White
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VA - A2. Sil - Inclination
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VA - B1. Sapurra - Co Weed
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VA - B2. Baltazar - Johnny Ibiza
- 12", ltd
Special remarks :
Tracklist
A1. dOP and Logdam - Barry White
A2. Sil - Inclination
B1. Sapurra - Co Weed
B2. Baltazar - Johnny Ibiza
Shortinfo:
The Bird Which Never Wants To Doze with the big help of dOP&Logdam, Sil, Sapurra and Baltazar.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Special remarks :
Tracklist
A1. dOP and Logdam - Barry White
A2. Sil - Inclination
B1. Sapurra - Co Weed
B2. Baltazar - Johnny Ibiza
Shortinfo:
The Bird Which Never Wants To Doze with the big help of dOP&Logdam, Sil, Sapurra and Baltazar.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Whispering Signals
Cat-No:WHS03
Release-Date:12.11.2021
Genre:Techno
Configuration:12" Excl
Barcode:
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Last in:08.02.2022
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Last in:08.02.2022
Label:Whispering Signals
Cat-No:WHS03
Release-Date:12.11.2021
Genre:Techno
Configuration:12" Excl
Barcode:
Genre : Techno - Ambient
Tracklist 12" :
a1 Daniel[i] & Purl – Pulsate
a2 Daniel[i] & Purl – Compensate
b1 Daniel[i] & Purl – Intimidate
b2 Daniel[i] & Purl – Resonate
LISTENERS GUIDE - WHS03
The infinitive is the basic dictionary form of a verb when used
non-finitely. It is also the form chosen by Daniel[i] and Purl
for the tracks of WHS 03: return to the basics, simplicity,
pure nature distilled into music.
Pulsate starts with an ethereal soundscape, created to then
open to a deeper underwater exploration. There´s a universe
down there and the listener will be guided to appreciate its
beauty: lanternfish giving the tempo of this journey, marine
life to marvel at. We take a step back to observe and fill our
eyes and ears. We come back to the surface, finding peace and
calm.
Opening in a slow, thoughtful and majestic way, Compensate is a
hymn to balance. Since the very beginning, the listener will
notice a contrast between gloomy atmospheres and lighter
sounds, resulting in a chasing sensation that´s uncomfortable,
yet fascinating. Desire to explore, together with acceptance,
surrender to the things we simply can´t understand as humans.
The listener is then invited to explore darker, faster, more
pounding atmospheres. Intimidate anticipate it all in its title
: sounds, tempos, images, they all chase each other to create
an atmosphere that's daunting and fascinating at the same time.
A track to accompany one's journey, be it real or spiritual, a
trip where we let things happen as they come, accepting the
flow of life.
Resonate closes the B side drawing with sounds the depth of our
natural state. Close your eyes and transport yourself in lost
woods, alone in a tent at sunset, when the day is almost over
and ready to make room for the night. The wood is speaking, the
animals are awake, it's frightening but incredibly beautiful.
Crickets are singing their songs, frogs are bouncing from one
pond to another, water connects with air, resonate with earth
and with the smallnes of man in the face of nature._ Format : digital and 12" vinyl.
_ Catalogue : WHS03
_ Original work produced, written and mixed by Daniel Danieli &
Ludvig Cimbrellius.
_ Visual art by Polygonia.
_ Mastered by Giuseppe Tillieci at Enisslab Studio in Rome.
_ Pressed at RandMuzik in Leipzig.
_ Distributed by wordandsound.
_ Listeners guide written by Stefania Trinchero
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist 12" :
a1 Daniel[i] & Purl – Pulsate
a2 Daniel[i] & Purl – Compensate
b1 Daniel[i] & Purl – Intimidate
b2 Daniel[i] & Purl – Resonate
LISTENERS GUIDE - WHS03
The infinitive is the basic dictionary form of a verb when used
non-finitely. It is also the form chosen by Daniel[i] and Purl
for the tracks of WHS 03: return to the basics, simplicity,
pure nature distilled into music.
Pulsate starts with an ethereal soundscape, created to then
open to a deeper underwater exploration. There´s a universe
down there and the listener will be guided to appreciate its
beauty: lanternfish giving the tempo of this journey, marine
life to marvel at. We take a step back to observe and fill our
eyes and ears. We come back to the surface, finding peace and
calm.
Opening in a slow, thoughtful and majestic way, Compensate is a
hymn to balance. Since the very beginning, the listener will
notice a contrast between gloomy atmospheres and lighter
sounds, resulting in a chasing sensation that´s uncomfortable,
yet fascinating. Desire to explore, together with acceptance,
surrender to the things we simply can´t understand as humans.
The listener is then invited to explore darker, faster, more
pounding atmospheres. Intimidate anticipate it all in its title
: sounds, tempos, images, they all chase each other to create
an atmosphere that's daunting and fascinating at the same time.
A track to accompany one's journey, be it real or spiritual, a
trip where we let things happen as they come, accepting the
flow of life.
Resonate closes the B side drawing with sounds the depth of our
natural state. Close your eyes and transport yourself in lost
woods, alone in a tent at sunset, when the day is almost over
and ready to make room for the night. The wood is speaking, the
animals are awake, it's frightening but incredibly beautiful.
Crickets are singing their songs, frogs are bouncing from one
pond to another, water connects with air, resonate with earth
and with the smallnes of man in the face of nature._ Format : digital and 12" vinyl.
_ Catalogue : WHS03
_ Original work produced, written and mixed by Daniel Danieli &
Ludvig Cimbrellius.
_ Visual art by Polygonia.
_ Mastered by Giuseppe Tillieci at Enisslab Studio in Rome.
_ Pressed at RandMuzik in Leipzig.
_ Distributed by wordandsound.
_ Listeners guide written by Stefania Trinchero
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2x12" Excl
in stock
Label:WSNWG BACK TO ZERO
Cat-No:WSNWGBTZ010
Release-Date:05.04.2024
Genre:Techno
Configuration:2x12" Excl
Barcode:4251804181129
in stock
Last in:22.07.2024
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in stock
Last in:22.07.2024
Label:WSNWG BACK TO ZERO
Cat-No:WSNWGBTZ010
Release-Date:05.04.2024
Genre:Techno
Configuration:2x12" Excl
Barcode:4251804181129
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1
Uväll - Acamar
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2
Arkan - Dissonance
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3
Inox Traxx - Decision
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4
Nastia Reigel - Limit Y
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5
SAMA - Do You Love Me?
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6
UFO95 - Refuge
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7
Ø [Phase] - Exiting The Delusion
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8
Kameliia - Above You And Me
Rødhåd presents: CRIMSON RUBEUS - the first ever compilation on WSNWG - BACK TO ZERO will be released on April 3rd
Under the leitmotif "WE SEE NEW WORLDS GROWING", the release marks a progression for the imprint to open up for solo releases from new artists and and long term collaboraters.
The compilation features 8 tracks handpicked by Rødhåd, each characterized by a vigorous commitment to the dancefloor while staying true to the label's signature - hard-to-resist sound with a pinch of mystery.
While every contribution has its distinct magnetic pull, marking the way to a nascent world, the crimson red thread running through this compilation is perpetuating, swirling techno with an acute fit for the dancefloor. As with previous releases Rødhåd crafted the artwork for the compilation, this time drenched in crimson hues echoing the energy of the music.
A1 Uväll - Acamar
A2 Arkan - Dissonance
B1 Inox Traxx - Decision
B2 Nastia Reigel - Limit Y
C1 SAMA - Do You Love Me?
C2 UFO95 - Refuge
D1 Ø [Phase] - Exiting The Delusion
D2 Kameliia - Above You And Me
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Under the leitmotif "WE SEE NEW WORLDS GROWING", the release marks a progression for the imprint to open up for solo releases from new artists and and long term collaboraters.
The compilation features 8 tracks handpicked by Rødhåd, each characterized by a vigorous commitment to the dancefloor while staying true to the label's signature - hard-to-resist sound with a pinch of mystery.
While every contribution has its distinct magnetic pull, marking the way to a nascent world, the crimson red thread running through this compilation is perpetuating, swirling techno with an acute fit for the dancefloor. As with previous releases Rødhåd crafted the artwork for the compilation, this time drenched in crimson hues echoing the energy of the music.
A1 Uväll - Acamar
A2 Arkan - Dissonance
B1 Inox Traxx - Decision
B2 Nastia Reigel - Limit Y
C1 SAMA - Do You Love Me?
C2 UFO95 - Refuge
D1 Ø [Phase] - Exiting The Delusion
D2 Kameliia - Above You And Me
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Berlin Atonal
Cat-No:atonal002
Release-Date:22.07.2016
Genre:Techno
Configuration:12" Excl
Barcode:666017308166
in stock
Last in:10.06.2022
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in stock
Last in:10.06.2022
Label:Berlin Atonal
Cat-No:atonal002
Release-Date:22.07.2016
Genre:Techno
Configuration:12" Excl
Barcode:666017308166
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1
peder mannerfelt - A1 The Theory
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2
peder mannerfelt - A2 Lines Describing a Circle
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peder mannerfelt - B1 Limits to Growth
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peder mannerfelt - B2 I Came
Berlin Atonal Recordings is happy to announce two forthcoming releases, both featuring live cuts from two of the most talked about performances at the 2015 edition of the festival. Peder Mannerfelt supplies four jams fashioned out of his own exceptional live show at the festival. Raw, unsoftened, brutely analog sound from an EMS Synthi AKS punctures space in an oddly futuristic rhythmic experiment, gesturing at a brand new way of thinking about electronic music. The cuts are also packaged in a special 12" featuring artwork based on his own breathtaking live audio- visual show.
Tracklist:
A1 The Theory
A2 Lines Describing a Circle
B1 Limits to Growth
B2 I Came
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1 The Theory
A2 Lines Describing a Circle
B1 Limits to Growth
B2 I Came
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore