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Terrence Dixon - A1 Relinked (04:15)
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Terrence Dixon - A2 Transcend (04:25)
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Terrence Dixon - A3 Change (3:56)
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Terrence Dixon - B1 Relentlessly (4:15)
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Terrence Dixon - B2 Unstoppable (4:37)
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Terrence Dixon - B3 No Smoking In The Green Room (2:52)
Detroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.
TRACKLIST
A1 Relinked (04:15)
A2 Transcend (04:25)
A3 Change (3:56)
B1 Relentlessly (4:15)
B2 Unstoppable (4:37)
B3 No Smoking In The Green Room (2:52)
INFO
Detroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.
Mastered by Giuseppe Tillieci (aka Neel) @ EnissLab Studios, Rome.
Artwork by Christopher Honeywell
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WAS - Word and Sound Medien GmbH
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TRACKLIST
A1 Relinked (04:15)
A2 Transcend (04:25)
A3 Change (3:56)
B1 Relentlessly (4:15)
B2 Unstoppable (4:37)
B3 No Smoking In The Green Room (2:52)
INFO
Detroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.
Mastered by Giuseppe Tillieci (aka Neel) @ EnissLab Studios, Rome.
Artwork by Christopher Honeywell
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Terrence Dixon
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Terrence Dixon - Cosmic Storms
2
Terrence Dixon - Aurora
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Terrence Dixon - Mystical Journey
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Terrence Dixon - Final Results
5
Terrence Dixon - The Meeting
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Terrence Dixon - Elliptical Orbit
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Terrence Dixon - Small Discovery
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Terrence Dixon - Brilliant Rotation
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Terrence Dixon - Other Dimensions
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Terrence Dixon - Yesterdays World
'Other Dimensions Lp', Terrence Dixon's latest work and the new adventure in 30D's ExoPlanets sublabel, comes for the very first time released in full length format, split in two sides, showing Terrence's two faces. As everyone knows, words can not describe the music of this Detroit visionary, but we'll try. Futuristic, avant-garde-esque, mesmerizing, trippy and minimalistic / reduced techno funk as expected in A side, but highly emotional and evocative, as only he can do. On the flip side, Terrence redefines and takes to another level the concept of dark, experimental, abstract, atmospheric, alienated and dystopian music, a true musical trip (perhaps a nightmare???) to dive into. An extremely personal and intimate album.
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Germany
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1
Terrence Dixon - On 7 Mile All Night
2
Terrence Dixon - Beautiful Jerusalem
3
Terrence Dixon - Resolution
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Terrence Dixon - 8th Chance
5
Terrence Dixon - Dexter And Joy At Night
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Terrence Dixon - Reporting From Detroit
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Terrence Dixon - Music Box
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Terrence Dixon - Star Garden
*2022 2LP Version *
Seven years after the classic ‘Theater of a Confused Mind’ (as Population One), Detroit techno phenomenon Terrence Dixon is back on Rush Hour with a new album, this time under his own name.
It would be a massive understatement to say we’re proud of this one. After all our whole operation was named after one of Dixon’s early tracks (‘Rush Hour’ originally appeared on a double EP called ‘Hippnotic Culture’ on fellow Detroit legend Claude Young’s Utensil Records in 1995) and ‘Reporting from Detroit’ again finds the maestro in outstanding form.
‘Reporting from Detroit’ is another prime example of the distinctly unique sound language Dixon has developed over the last three decades - defiant, forward-thinking afrofuturist techno that could only have been made in the Motor City.
But this is not just mere Detroit techno - it’s a sound language that’s unique to Dixon. An instantly recognizable high-octane sonic language fueled by frantic funk that’s constantly pushing the boundaries of machine music without ever losing the connection to the magic of the Detroit streets at night.
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Seven years after the classic ‘Theater of a Confused Mind’ (as Population One), Detroit techno phenomenon Terrence Dixon is back on Rush Hour with a new album, this time under his own name.
It would be a massive understatement to say we’re proud of this one. After all our whole operation was named after one of Dixon’s early tracks (‘Rush Hour’ originally appeared on a double EP called ‘Hippnotic Culture’ on fellow Detroit legend Claude Young’s Utensil Records in 1995) and ‘Reporting from Detroit’ again finds the maestro in outstanding form.
‘Reporting from Detroit’ is another prime example of the distinctly unique sound language Dixon has developed over the last three decades - defiant, forward-thinking afrofuturist techno that could only have been made in the Motor City.
But this is not just mere Detroit techno - it’s a sound language that’s unique to Dixon. An instantly recognizable high-octane sonic language fueled by frantic funk that’s constantly pushing the boundaries of machine music without ever losing the connection to the magic of the Detroit streets at night.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Terrence dixon - No Title
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Terrence dixon - No Title
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Terrence dixon - No Title
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Terrence dixon - No Title
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Terrence dixon - No Title
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Terrence dixon - No Title
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Terrence dixon - No Title
Tresor Records proudly announces From The Far Future Pt. 3, a new album from Terrence Dixon.
Continuing the story of his previous two iterations on this title, spanning 3 vinyl discs, it is a serene undertaking of unrivalled Motor City rhythms and sound. It finds the Detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and Dixon's peculiar beat work.
A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. Lost Communication Procedure, Found In Space and Remarkable Wanderer etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon's sound. His ethereal storytelling portrays the heart-rending romance of Unconditional Love and unearths in I'm Away In Detroit monologuing moodscapes recalling our GPS voice assistants.
Out of Darkness initial recalls Kraftwerk's Geiger counter, as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in We Can Rebuild Him, into the raw vibe of Framework and the rude stabs of Spectrum of Light. The varying presence of Dixon's work is one of his textural signatures, at arm's length, brushing right within, and far out. The bumping mood of Earth Station is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational.
The first two records of the series are rightfully considered among the finest embodiments of contemporary minimalism, symbolic documents of afro-futurism. This new work revives the classic series, continuing the relationship between Tresor and the undisputed master of Detroit techno into the present day.
TRACKLIST LP A1 Lost Communication Procedure A2 We Can Rebuild Him A3 Don't Panic B1 Found In Space B2 Spectrum Of Light C1 Remarkable Wanderer C2 Unconditional Love C3 Program Weight D1 Earth Station D2 Framework D3 By Land E1 The Horizon Project E2 Out Of Darkness (vinyl exclusive!) E3 I'm Away In Detroit F1 Victory F2 Rotation (Delay Mix)
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Germany
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Continuing the story of his previous two iterations on this title, spanning 3 vinyl discs, it is a serene undertaking of unrivalled Motor City rhythms and sound. It finds the Detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and Dixon's peculiar beat work.
A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. Lost Communication Procedure, Found In Space and Remarkable Wanderer etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon's sound. His ethereal storytelling portrays the heart-rending romance of Unconditional Love and unearths in I'm Away In Detroit monologuing moodscapes recalling our GPS voice assistants.
Out of Darkness initial recalls Kraftwerk's Geiger counter, as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in We Can Rebuild Him, into the raw vibe of Framework and the rude stabs of Spectrum of Light. The varying presence of Dixon's work is one of his textural signatures, at arm's length, brushing right within, and far out. The bumping mood of Earth Station is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational.
The first two records of the series are rightfully considered among the finest embodiments of contemporary minimalism, symbolic documents of afro-futurism. This new work revives the classic series, continuing the relationship between Tresor and the undisputed master of Detroit techno into the present day.
TRACKLIST LP A1 Lost Communication Procedure A2 We Can Rebuild Him A3 Don't Panic B1 Found In Space B2 Spectrum Of Light C1 Remarkable Wanderer C2 Unconditional Love C3 Program Weight D1 Earth Station D2 Framework D3 By Land E1 The Horizon Project E2 Out Of Darkness (vinyl exclusive!) E3 I'm Away In Detroit F1 Victory F2 Rotation (Delay Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tresor Records proudly announces From The Far Future Pt. 3, a new album from Terrence Dixon.
Continuing the story of his previous two iterations on this title, spanning 3 vinyl discs, it is a serene undertaking of unrivalled Motor City rhythms and sound. It finds the Detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and Dixon's peculiar beat work.
A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. Lost Communication Procedure, Found In Space and Remarkable Wanderer etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon's sound. His ethereal storytelling portrays the heart-rending romance of Unconditional Love and unearths in I'm Away In Detroit monologuing moodscapes recalling our GPS voice assistants.
Out of Darkness initial recalls Kraftwerk's Geiger counter, as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in We Can Rebuild Him, into the raw vibe of Framework and the rude stabs of Spectrum of Light. The varying presence of Dixon's work is one of his textural signatures, at arm's length, brushing right within, and far out. The bumping mood of Earth Station is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational.
The first two records of the series are rightfully considered among the finest embodiments of contemporary minimalism, symbolic documents of afro-futurism. This new work revives the classic series, continuing the relationship between Tresor and the undisputed master of Detroit techno into the present day.
TRACKLIST CD 1 Lost Communication Procedure 2 We Can Rebuild Him 3 Don't Panic 4 Found In Space 5 Spectrum Of Light 6 Remarkable Wanderer 7 Unconditional Love 8 Program Weight 9 Earth Station 10 Framework 11 By Land 12 The Horizon Project 13 I'm Away In Detroit 14 Victory 15 Rotation (Delay Mix)
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Continuing the story of his previous two iterations on this title, spanning 3 vinyl discs, it is a serene undertaking of unrivalled Motor City rhythms and sound. It finds the Detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and Dixon's peculiar beat work.
A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. Lost Communication Procedure, Found In Space and Remarkable Wanderer etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon's sound. His ethereal storytelling portrays the heart-rending romance of Unconditional Love and unearths in I'm Away In Detroit monologuing moodscapes recalling our GPS voice assistants.
Out of Darkness initial recalls Kraftwerk's Geiger counter, as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in We Can Rebuild Him, into the raw vibe of Framework and the rude stabs of Spectrum of Light. The varying presence of Dixon's work is one of his textural signatures, at arm's length, brushing right within, and far out. The bumping mood of Earth Station is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational.
The first two records of the series are rightfully considered among the finest embodiments of contemporary minimalism, symbolic documents of afro-futurism. This new work revives the classic series, continuing the relationship between Tresor and the undisputed master of Detroit techno into the present day.
TRACKLIST CD 1 Lost Communication Procedure 2 We Can Rebuild Him 3 Don't Panic 4 Found In Space 5 Spectrum Of Light 6 Remarkable Wanderer 7 Unconditional Love 8 Program Weight 9 Earth Station 10 Framework 11 By Land 12 The Horizon Project 13 I'm Away In Detroit 14 Victory 15 Rotation (Delay Mix)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
terrence dixon - No Title
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terrence dixon - No Title
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terrence dixon - No Title
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terrence dixon - No Title
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terrence dixon - No Title
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1
terrence dixon - Frequencies Different
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terrence dixon - Confusion Of Another Kind
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terrence dixon - Like A Thief In The Night
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terrence dixon - The Test Of Time
The latest EP on Tresor Records comes from reduction luminary Terrence Dixon. Detroit’s most puzzling genius debuted on the label in 2000 with his first ever full length work – From The Far Future. It took over a decade for its sequel to follow – From The Far Future Pt.2 released in 2012 to great
public acclaim.
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public acclaim.
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1
terrence dixon - Running Time
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terrence dixon - The Bionic Man (Remix)
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terrence dixon - Early Space Pioneers
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terrence dixon - Untitled
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terrence dixon - One Bedroom Apartment
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terrence dixon - Detroit Express
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terrence dixon - Reasons (Vocal Mix)
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terrence dixon - Bonus Beats (Remix)
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terrence dixon - Hard Times
Essential repress of Terrence Dixon’s debut album and first release on Tresor. Initially released in 2000, this new edition comes with a bonus 7” vinyl featuring two previously uncut tracks: “ What Up” and “Shuffle All Circuits”. From The Far Future embodies a specific and vital time of Detroit‘s techno production, going hand in hand with Juan Atkins’ work as Infiniti, Terrence Dixon signed this album with a masterful hand. 2LP: A1. Running Time A2. The Bionic Man (Remix) A3. Early Space Pioneers B1. Untitled B2. One Bedroom Apartment C1. Detroit Express C2. Reasons (Vocal Mix) D1. Bonus Beat (Remix) D2. Hard Times
7” “ What Up” / “Shuffle All Circuits”.
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7” “ What Up” / “Shuffle All Circuits”.
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ARTS is proud to present you one of the best combo works so far in one single vinyl 12inch, Terrence Dixon rapresented by I:Cube, Marcel Fengler and Mark Broom.
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1
Terrence Dixon, - Minimalism A1
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Terrence Dixon, - Minimalism A2
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Terrence Dixon, - Minimalism A1
UPC: 827170491663 Release : 04.03.2013
Tracklist EP: A1 Minimalism (Ben Klock Remix) B1 Minimalism (Edwin Oosterwal Remix) B2 Minimalism (Ben Klock's Bonus Dub)
Native-Detroiter Terrence Dixon's longtime alliance with Godfather of Techno Juan Atkins has helped forge his own powerful sound in the world of minimal Techno. Originally released on Claude Young's Utensil Records in 1995. Both Sino (Hong-Kong) and Thema (New-York) join hands to re-release this classic which many consider as one of the early foundation in the minimal techno movement. Thema presents part.1 featuring remixes by Mike Huckaby, Silent Servant and DVS1 Sino presents part.2 featuring two remixes by Ben Klock and one by Edwin Oosterwal (Rejected)
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Tracklist EP: A1 Minimalism (Ben Klock Remix) B1 Minimalism (Edwin Oosterwal Remix) B2 Minimalism (Ben Klock's Bonus Dub)
Native-Detroiter Terrence Dixon's longtime alliance with Godfather of Techno Juan Atkins has helped forge his own powerful sound in the world of minimal Techno. Originally released on Claude Young's Utensil Records in 1995. Both Sino (Hong-Kong) and Thema (New-York) join hands to re-release this classic which many consider as one of the early foundation in the minimal techno movement. Thema presents part.1 featuring remixes by Mike Huckaby, Silent Servant and DVS1 Sino presents part.2 featuring two remixes by Ben Klock and one by Edwin Oosterwal (Rejected)
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Re:Vision series restarts with Steve Poindexter’s timeless classic “Computer Madness”. We are very honored and excited to be able to re-release this beast of a track! It’s hard to imagine that this was really created over 2 decades ago. So the task at hand was to find the right contemporaries to revise this masterpiece, we didn’t have to look far to find the man for the job: Function is an old friend here at THEMA, and things got even better when he brought in Jerome Sydenham to co-produce the second treatment. It’s thus with great pride we announce our Re:Vision of Computer Madness, featuring two resolutely modern reinterpretations of Poindexter’s classic. The original by Poindexter dates all the way from 1989 and is a brief, headlong rush into drum machine-fueled raw acid and has long been a staple of the genre for many as well as the first release on the seminal Musique Records. We wanted to start off with a stomper, so for the whole A side, we have Function with occasional co-conspirator Sydenham with an unstoppable driving interpretation that straightens the busy drums of the original into a pounding techno pulse and takes repeated, changing portions of the original acid line as its central riff. Much of the action here occurs in the dirty, growling bass the pair add to the lower register; this is peak time damage for the most unrelenting floors. On the flip side we start off with Function’s deep, dubbed out reinterpretation, but it soon strides forward into the style of psychedelic but jacking techno familiar from his recent, more extroverted output. Even at almost double the length of the original, there’s still a palpable aura of reverence to the way he approaches the track; it should come as no surprise that he ranks it highly in his favorites list. Then of course we finish off with Poindexter’s original 1989 version, with all its original bang and glory. Still sounds fresh and as inspiring as it did the first time we heard this way back when...Functioning as a reunion for friends as well as a re-evaluation of past and present achievements, Re:Vision looks back to the rich past while still moving unstoppably into the future. Look out for the next 2 releases in the Re:Vision series that’s following up next! It’s been awhile since we at THEMA visited our Re:Vision series, where we pay homage to those that have influenced us and bring historical accomplishments into contemporary focus. It started with DJ Slip’s classic “Available Light” (THEMA017) featuring two incredibly well sought after remixes of the celebrated original by Franco Cinelli and Mikael Stavöstrand. Now revisiting the series with renewed dedication, we’ve carefully selected three classic underground tracks that reverberate in past and present for re-evaluation by a cadre of contemporary techno’s finest talent.
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We go straight to Detroit as we welcome Terrence Dixon to the Knotweed family! Terrence has been busy for almost 20 years producing the best deep minimal atmospheric techno, and this is the next chapter of his extensive discography.
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*Twelve years ago Tresor Records released Terrence Dixon's debut album 'From The Far Future' - a personal homage to the art and ancestry of techno, culminating in a discursive and dream-like course through the genre's many tomes, complete with subtle nods to key protagonists such as Kraftwerk, Derrick May and Juan Atkins. A luminescent and ethereal catalogue of tracks awash with shimmery synths and taught rhythmical programming - that still holds true today, 'From The Far Future' made for a stunning first full length that cemented Dixon's already proven credentials from his Population One work and Utensil Records foundations. *After a string of stylistically rich releases - including another album, 'Train Of Thought', this time for Cologne-based label Yore Records - the Detroit native returns to Tresor Records with 'From The Far Future Pt.2' - an ambitious, scopey and deeply personal sequel." 'From The Far Future' was special in many ways. It's over 12 years later and seems like yesterday to me, it really does," says Dixon. " 'From The Far Future Pt.2' is my real life drama playing out before your ears, it has everything on this album that has something to do with where I live. I wanted to make this album as huge as it could be. This is a statement album. A variety of tracks from a minimal point of view." *Taking the form of a fourteen-track CD and double vinyl LP, with just three overlaying tracks - the bubbly "Fountain of Life", uplifting "Horizon" and stung out "The Study", as well as two different versions on the atmospheric builder "Dark City of Hope" - 'From The Far Future Pt.2' is a masterful and extensive techno album that alludes to - without relying on - Dixon's Detroit heritage and affinities. Tracks like the CD's three dystopic numbers: "Path to Mystery", "The Auto Factory" and "Lead by Example", for example, deploy recognisable tropes of techno past, spun into a unique and inherently modern Dixon vernacular.
*Elsewhere, warm syncopated house ("Self Centered"), wonky jazz ("The Switch"), grainy dub textures ("My Journey Here") and smoky ambience ("Vision Blurry") complete this rewardingly heterogeneous CD. Complementing the headiness of the CD, the eight-track vinyl version of 'From The Far Future Pt.2' has been curated squarely with the dance floor in mind, allowing Dixon's shrewd beat-smithery to come to the fore. *From the tough and punchy rhythms of "Light of Day" and "Band Together" to the discordant canters of jangly anthem "Sleight of Mind" and dubby "11th Floor", there's something here for any fan of freewheeling and well-versed techno.
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*Elsewhere, warm syncopated house ("Self Centered"), wonky jazz ("The Switch"), grainy dub textures ("My Journey Here") and smoky ambience ("Vision Blurry") complete this rewardingly heterogeneous CD. Complementing the headiness of the CD, the eight-track vinyl version of 'From The Far Future Pt.2' has been curated squarely with the dance floor in mind, allowing Dixon's shrewd beat-smithery to come to the fore. *From the tough and punchy rhythms of "Light of Day" and "Band Together" to the discordant canters of jangly anthem "Sleight of Mind" and dubby "11th Floor", there's something here for any fan of freewheeling and well-versed techno.
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More records from Kynant Records
1
Paul St. Hilaire & René Löwe - Faith (Vox Mix) 8:56
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Paul St. Hilaire & René Löwe - Faith (No Vox Mix) 8:35
Twenty years after its original release, Paul St. Hilaire (AKA Tikiman) & René Löwe’s eternal classic Faith is being reissued for the first time.
Tracklist
A Faith (Vox Mix) 8:56
B Faith (No Vox Mix) 8:35
Richard Akingbehin’s Kynant Records - which recently released the first solo Tikiman album since 2006 - is behind the reissue of Faith, giving new life and the first digital release to one of the most beloved dub techno 12”s of all time.
Written & produced by Paul St. Hilaire & René Löwe.
Mastered by Moritz von Oswald.
Artwork by Grant Gibson.
Originally released by False Tuned (2003).
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Tracklist
A Faith (Vox Mix) 8:56
B Faith (No Vox Mix) 8:35
Richard Akingbehin’s Kynant Records - which recently released the first solo Tikiman album since 2006 - is behind the reissue of Faith, giving new life and the first digital release to one of the most beloved dub techno 12”s of all time.
Written & produced by Paul St. Hilaire & René Löwe.
Mastered by Moritz von Oswald.
Artwork by Grant Gibson.
Originally released by False Tuned (2003).
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1
Paul St. Hilaire - A1 Bedroom In My Bag (4:37)
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Paul St. Hilaire - A2 Little Way (3:13)
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Paul St. Hilaire - A3 Keep Safe (3:36)
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Paul St. Hilaire - B1 Bright One (5:45)
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Paul St. Hilaire - B2 The Weather Man (5:02)
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Paul St. Hilaire - C1 In Fortis (5:24)
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Paul St. Hilaire - C2 Ten To One (4:34)
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Paul St. Hilaire - D1 In Door (7:03)
9
Paul St. Hilaire - D2 Three And A Half (4:03)
For the first time in more than a decade, Paul St. Hilaire (AKA Tikiman) presents a solo album – 100% Tiki.
Over his 30-plus year career, St. Hilaire has become one of dance music’s quietly legendary figures. Born and raised in Dominica, he moved to Berlin in 1994 and has lent both his voice and his musicianship to some of the most iconic electronic music from the German capital – and beyond. Renowned for his collaborations with Moritz von Oswald and Mark Ernestus (AKA Rhythm & Sound), he has also appeared on records with Deadbeat, Rhauder, Larry Heard aka Mr. Fingers and Stereotyp (G-Stone Recordings), amongst others.
However, few know the extent of St. Hilaire’s compositional and technical mastery. From his home studio in Kreuzberg, which includes an extensive collection of vintage hardware, self-built instruments and notebooks scribbled with endless lyrics, he has created a vast archive of material spanning ambient dub, avant-jazz, lush techno and lovers rock.
Tikiman Vol. 1 is a heady, downtempo tour de force of patois metaphors on education, displacement and personal vs. global histories, as is evident on slippy album opener “Bedroom in My Bag”: Mister, mister / Where are you going? / I’m heading for a faraway land / What are you having in the bag in your hand? / Help us to understand / He said, I’ve got my bedroom in my bag.
Overall, the album’s lyrics reflect on life between Berlin and Dominica, specifically St. Hilaire’s hometown of Grand Bay, where he has worked with various musicians famous for the island’s different genres of carnival music. St. Hilaire himself always favoured the island’s more “discrete” music, developing a sonic synergy between two different geographical strains of groove and minimalism, and combining them with foundational Caribbean mixing techniques, which provide the basis for his songwriting and distinct
baritone.
Tikiman Vol.1 offers a rare insight into St. Hilaire’s complex artistry, from the eyes-down grooves of “Little Way” and the guitar-heavy digi dancehall experiment “Keep Safe,” to the subtle hypnosis of “Ten to One” and the softly crashing synth waves of closer “Three And A Half”, evoking not only beaches but also coasts and borders. It’s a fitting expression of both the breadth of St. Hilaire’s work, as well as his history as one of the few black, Berlin-based artists who, despite remaining largely overlooked, has influenced the city’s electronic music culture since its beginnings.
TRACKLIST
A1 Bedroom In My Bag (4:37)
A2 Little Way (3:13)
A3 Keep Safe (3:36)
B1 Bright One (5:45)
B2 The Weather Man (5:02)
C1 In Fortis (5:24)
C2 Ten To One (4:34)
D1 In Door (7:03)
D2 Three And A Half (4:03)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Over his 30-plus year career, St. Hilaire has become one of dance music’s quietly legendary figures. Born and raised in Dominica, he moved to Berlin in 1994 and has lent both his voice and his musicianship to some of the most iconic electronic music from the German capital – and beyond. Renowned for his collaborations with Moritz von Oswald and Mark Ernestus (AKA Rhythm & Sound), he has also appeared on records with Deadbeat, Rhauder, Larry Heard aka Mr. Fingers and Stereotyp (G-Stone Recordings), amongst others.
However, few know the extent of St. Hilaire’s compositional and technical mastery. From his home studio in Kreuzberg, which includes an extensive collection of vintage hardware, self-built instruments and notebooks scribbled with endless lyrics, he has created a vast archive of material spanning ambient dub, avant-jazz, lush techno and lovers rock.
Tikiman Vol. 1 is a heady, downtempo tour de force of patois metaphors on education, displacement and personal vs. global histories, as is evident on slippy album opener “Bedroom in My Bag”: Mister, mister / Where are you going? / I’m heading for a faraway land / What are you having in the bag in your hand? / Help us to understand / He said, I’ve got my bedroom in my bag.
Overall, the album’s lyrics reflect on life between Berlin and Dominica, specifically St. Hilaire’s hometown of Grand Bay, where he has worked with various musicians famous for the island’s different genres of carnival music. St. Hilaire himself always favoured the island’s more “discrete” music, developing a sonic synergy between two different geographical strains of groove and minimalism, and combining them with foundational Caribbean mixing techniques, which provide the basis for his songwriting and distinct
baritone.
Tikiman Vol.1 offers a rare insight into St. Hilaire’s complex artistry, from the eyes-down grooves of “Little Way” and the guitar-heavy digi dancehall experiment “Keep Safe,” to the subtle hypnosis of “Ten to One” and the softly crashing synth waves of closer “Three And A Half”, evoking not only beaches but also coasts and borders. It’s a fitting expression of both the breadth of St. Hilaire’s work, as well as his history as one of the few black, Berlin-based artists who, despite remaining largely overlooked, has influenced the city’s electronic music culture since its beginnings.
TRACKLIST
A1 Bedroom In My Bag (4:37)
A2 Little Way (3:13)
A3 Keep Safe (3:36)
B1 Bright One (5:45)
B2 The Weather Man (5:02)
C1 In Fortis (5:24)
C2 Ten To One (4:34)
D1 In Door (7:03)
D2 Three And A Half (4:03)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Unmistakably Cio D’Or, Polar Q’s eight tracks explore ambient and cinematic techno, before dissolving into broken-beat, aquatic compositions from the outer reaches.
TRACKLIST
A1 Amplitude Q XI 2:08
A2 Gezeiten Q X 5:20
A3 Zentrifugal Q 4:16
A4 Swirl 4:15
B1 Polar Q XVII 5:20
B2 Permanent Key 5:20
B3 Permanent Drop Q X 4:48
B4 Transparent Q III 1:36
INFO
Unmistakably Cio D’Or, Polar Q’s eight tracks explore ambient and cinematic techno, before dissolving into broken-beat, aquatic compositions from the outer reaches.
Available on 12” vinyl and digital from September 16, 2022.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
A1 Amplitude Q XI 2:08
A2 Gezeiten Q X 5:20
A3 Zentrifugal Q 4:16
A4 Swirl 4:15
B1 Polar Q XVII 5:20
B2 Permanent Key 5:20
B3 Permanent Drop Q X 4:48
B4 Transparent Q III 1:36
INFO
Unmistakably Cio D’Or, Polar Q’s eight tracks explore ambient and cinematic techno, before dissolving into broken-beat, aquatic compositions from the outer reaches.
Available on 12” vinyl and digital from September 16, 2022.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
NIKNAK - A1 Thunder (1:34)
2
NIKNAK - A2 Track 3 (live edit) (3:29)
3
NIKNAK - A3 Compass (3:44)
4
NIKNAK - A4 Punch (4:20)
5
NIKNAK - A5 Thunder (Kamau Remix) (3:48)
6
NIKNAK - B1 Punch / Fast (Pinch Remix) (03:29)
7
NIKNAK - B2 Kid (1:56)
8
NIKNAK - B3 Fast (3:28)
9
NIKNAK - B4 Solo (2:16)
10
NIKNAK - B5 Finale (3:38)
TRACKLIST
A1 Thunder (1:34)
A2 Track 3 (live edit) (3:29)
A3 Compass (3:44)
A4 Punch (4:20)
A5 Thunder (Kamau Remix) (3:48)
B1 Punch / Fast (Pinch Remix) (03:29)
B2 Kid (1:56)
B3 Fast (3:28)
B4 Solo (2:16)
B5 Finale (3:38)
INFO
Kynant EX is a series for non-dancefloor focused records on hand-stamped vinyl. The second release comes from Leeds-based, abstract turntablist, NikNak – the first Black turntablist to win an Oram Award. She created Bashi by manipulating and processing samples through her decks. First released digitally in November 2020, now the album is expanded with a live edit and remixes from Bristol 140-don Pinch and Kamau (FKA Darling Farah). Bashi X2 has also been remastered by Neel.
Available on 12” vinyl and digital from November 26th, 2021.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Thunder (1:34)
A2 Track 3 (live edit) (3:29)
A3 Compass (3:44)
A4 Punch (4:20)
A5 Thunder (Kamau Remix) (3:48)
B1 Punch / Fast (Pinch Remix) (03:29)
B2 Kid (1:56)
B3 Fast (3:28)
B4 Solo (2:16)
B5 Finale (3:38)
INFO
Kynant EX is a series for non-dancefloor focused records on hand-stamped vinyl. The second release comes from Leeds-based, abstract turntablist, NikNak – the first Black turntablist to win an Oram Award. She created Bashi by manipulating and processing samples through her decks. First released digitally in November 2020, now the album is expanded with a live edit and remixes from Bristol 140-don Pinch and Kamau (FKA Darling Farah). Bashi X2 has also been remastered by Neel.
Available on 12” vinyl and digital from November 26th, 2021.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
MIKE PARKER - A1 Heat Inducer
2
MIKE PARKER - A2 Bleepazoid (Part 1)
3
MIKE PARKER - B1 Bleepazoid (Part 2)
4
MIKE PARKER - B2 Kinetic Statues
TRACKLIST
A1 Heat Inducer
A2 Bleepazoid (Part 1)
B1 Bleepazoid (Part 2)
B2 Kinetic Statues
INFO
The inimitable Mike Parker makes his full EP debut on Kynant with four cuts of his signature, modular techno hypnosis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Heat Inducer
A2 Bleepazoid (Part 1)
B1 Bleepazoid (Part 2)
B2 Kinetic Statues
INFO
The inimitable Mike Parker makes his full EP debut on Kynant with four cuts of his signature, modular techno hypnosis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
V.A. - No Title
2
V.A. - No Title
3
V.A. - No Title
4
V.A. - No Title
The second Various Artists EP on Kynant is the spiralling techno of LADA (the duo of Dasha Rush & Lars Hemmerling), atmospheric acid from the anonymous MA, Andreas Tilliander and Svreca in a fierce collaboration and a fresh, hybrid sound from Agonis.
TRACKLIST
A1 LADA (Dasha Rush & Lars Hemmerling) - Kalter (07:39)
A2 MA - Mugon (6:25)
B1 Tilliander : Svreca - Sutures (6:58)
B2 Agonis - Giant Hadron Collider (6:43)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
A1 LADA (Dasha Rush & Lars Hemmerling) - Kalter (07:39)
A2 MA - Mugon (6:25)
B1 Tilliander : Svreca - Sutures (6:58)
B2 Agonis - Giant Hadron Collider (6:43)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
TM404 & Echologist - No Title
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TM404 & Echologist - No Title
3
TM404 & Echologist - No Title
4
TM404 & Echologist - No Title
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TM404 & Echologist - No Title
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TM404 & Echologist - No Title
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TM404 & Echologist - No Title
8
TM404 & Echologist - No Title
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TM404 & Echologist - No Title
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TM404 & Echologist - No Title
'Telomic Ghost' is the natural peak of TM404 & Echologist's transatlantic collaboration. Since their first release together in 2017 (KYN007), Andreas Tilliander and Brendon Moeller have explored their subaquatic,techno sound on a further EP (KYN010), and now this album broadens the scope with ambient cuts, slo-mo acid and dubbed-out house.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
tensal - No Title
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tensal - No Title
3
tensal - No Title
4
tensal - No Title
Tensal returns for a third release on Kynant Records, ‘Industrialsociety’. He explores brokenbeat and atmospheric techno over four diverse tracks: the off-kilter rhythm of ‘Intermixture’, two straighter, driving cuts and the melodic, IDM-leaning ‘Truebano’.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
tm404 & echologist - Industry
2
tm404 & echologist - Adjustments
3
tm404 & echologist - Adjustments (VRIL Remix)
4
tm404 & echologist - Infiltrated
TM404 & Echologist (aka Andreas Tilliander and Brendon Moeller) return with their second collaboration, this time including a remix from another standout dub techno artist in VRIL. The ‘Infiltrated’ EP has two boomy, 4x4 rollers on the A-side, VRIL’s broken-beat, ethereal version on the B1 and lastly the title-track, a twisted stream of grainy modulations.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
steven porter - No Title
2
steven porter - No Title
3
steven porter - No Title
Japanese sound sculptors Steven Porter (aka Katsunori Sawa and Yuji Kondo) sign two striking productions to Kynant, with a pair of remixes completing the ‘Reservoir’ EP. ‘A Need For Distance’ on the A-side is abrasive and hard-hitting but not without moments of melody. Fellow Japanese purveyor of tripped-out techno Iori mines a lean, highly-effective groove on the remix. ‘Romance Tip’ takes a slower, endlessly-detailed approach with sharp percussion and mindbending atmospherics; Max Durante, who recently released his debut LP on Kynant, contributes a broken-beat workout to finish the record. Mastering by Giuseppe Tillieci aka Neel.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
tm404 & echologist - No Title
2
tm404 & echologist - No Title
3
tm404 & echologist - No Title
4
tm404 & echologist - No Title
Two of the leading artists in dub techno and ambient electronics produced four cuts between their extensive studios in New York and Stockholm, with the results sitting in between the powerful oscillations of Echologist’s previous EP for Kynant (KYN005) and the slo-mo, Roland jams TM404 specialises in.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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