'Other Dimensions Lp', Terrence Dixon's latest work and the new adventure in 30D's ExoPlanets sublabel, comes for the very first time released in full length format, split in two sides, showing Terrence's two faces. As everyone knows, words can not describe the music of this Detroit visionary, but we'll try. Futuristic, avant-garde-esque, mesmerizing, trippy and minimalistic / reduced techno funk as expected in A side, but highly emotional and evocative, as only he can do. On the flip side, Terrence redefines and takes to another level the concept of dark, experimental, abstract, atmospheric, alienated and dystopian music, a true musical trip (perhaps a nightmare???) to dive into. An extremely personal and intimate album.

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Detroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.

TRACKLIST

A1 Relinked (04:15)
A2 Transcend (04:25)
A3 Change (3:56)
B1 Relentlessly (4:15)
B2 Unstoppable (4:37)
B3 No Smoking In The Green Room (2:52)

INFO

Detroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.

Mastered by Giuseppe Tillieci (aka Neel) @ EnissLab Studios, Rome.
Artwork by Christopher Honeywell

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*2022 2LP Version *

Seven years after the classic ‘Theater of a Confused Mind’ (as Population One), Detroit techno phenomenon Terrence Dixon is back on Rush Hour with a new album, this time under his own name.

It would be a massive understatement to say we’re proud of this one. After all our whole operation was named after one of Dixon’s early tracks (‘Rush Hour’ originally appeared on a double EP called ‘Hippnotic Culture’ on fellow Detroit legend Claude Young’s Utensil Records in 1995) and ‘Reporting from Detroit’ again finds the maestro in outstanding form.

‘Reporting from Detroit’ is another prime example of the distinctly unique sound language Dixon has developed over the last three decades - defiant, forward-thinking afrofuturist techno that could only have been made in the Motor City.

But this is not just mere Detroit techno - it’s a sound language that’s unique to Dixon. An instantly recognizable high-octane sonic language fueled by frantic funk that’s constantly pushing the boundaries of machine music without ever losing the connection to the magic of the Detroit streets at night.

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ARTS is proud to present you one of the best combo works so far in one single vinyl 12inch, Terrence Dixon rapresented by I:Cube, Marcel Fengler and Mark Broom.

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Re:Vision series restarts with Steve Poindexter’s timeless classic “Computer Madness”. We are very honored and excited to be able to re-release this beast of a track! It’s hard to imagine that this was really created over 2 decades ago. So the task at hand was to find the right contemporaries to revise this masterpiece, we didn’t have to look far to find the man for the job: Function is an old friend here at THEMA, and things got even better when he brought in Jerome Sydenham to co-produce the second treatment. It’s thus with great pride we announce our Re:Vision of Computer Madness, featuring two resolutely modern reinterpretations of Poindexter’s classic. The original by Poindexter dates all the way from 1989 and is a brief, headlong rush into drum machine-fueled raw acid and has long been a staple of the genre for many as well as the first release on the seminal Musique Records. We wanted to start off with a stomper, so for the whole A side, we have Function with occasional co-conspirator Sydenham with an unstoppable driving interpretation that straightens the busy drums of the original into a pounding techno pulse and takes repeated, changing portions of the original acid line as its central riff. Much of the action here occurs in the dirty, growling bass the pair add to the lower register; this is peak time damage for the most unrelenting floors. On the flip side we start off with Function’s deep, dubbed out reinterpretation, but it soon strides forward into the style of psychedelic but jacking techno familiar from his recent, more extroverted output. Even at almost double the length of the original, there’s still a palpable aura of reverence to the way he approaches the track; it should come as no surprise that he ranks it highly in his favorites list. Then of course we finish off with Poindexter’s original 1989 version, with all its original bang and glory. Still sounds fresh and as inspiring as it did the first time we heard this way back when...Functioning as a reunion for friends as well as a re-evaluation of past and present achievements, Re:Vision looks back to the rich past while still moving unstoppably into the future. Look out for the next 2 releases in the Re:Vision series that’s following up next! It’s been awhile since we at THEMA visited our Re:Vision series, where we pay homage to those that have influenced us and bring historical accomplishments into contemporary focus. It started with DJ Slip’s classic “Available Light” (THEMA017) featuring two incredibly well sought after remixes of the celebrated original by Franco Cinelli and Mikael Stavöstrand. Now revisiting the series with renewed dedication, we’ve carefully selected three classic underground tracks that reverberate in past and present for re-evaluation by a cadre of contemporary techno’s finest talent.


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We go straight to Detroit as we welcome Terrence Dixon to the Knotweed family! Terrence has been busy for almost 20 years producing the best deep minimal atmospheric techno, and this is the next chapter of his extensive discography.



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Next up on Greek label Lower Parts is a fierce EP from the one and only DJ Stingray, who serves up one of his strongest releases in a while and, at the same time, marks his comeback with a bang. Featuring a remix by Athens talent Kon001, who Stingray has been meaning to release for years and who got personally handpicked by him for this assignment, the EP’s titles tell us of the Detroit man’s interest in science, biology and evolution and covers plenty of musical styles. Stingray has won plenty of acclaim with serious releases on labels like Naked Lunch, Bleep and Itinerant Dub. He wastes no time here in nailing down a nervy techno groove on ‘Acetylcholine’, with its hurried kicks, electro synths and slithering bass lines all racing along as you do the same. Dendrite is then a half time, lurching number with serious dub weight and serene synths that manages to be beautiful and brutal at the same time. On the flip, ‘eRbB4’ is a slick, journeying bit of electro-techno with real soul and emotion in its bones, before kon001 does Stingray proud with a dynamic, spangled remix that is metallic and reflective, groovy and evocative. This is a killer release from Stingray and is yet another fine offering from Lower Parts.

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