Brand new Barcelona i mprint Balearic Ensemble hit the ground running with their premier plastic disc drop,
BE001. We’re over (and under, and around) the moon to present the Painting Of The Day EP, the first i n a series
of extended plays l ined up from the baddest crew of balearic samurais for your aural i ndulgence.
Leading the charge i s the one and only Max Essa, a man some may know as botanist-in-chief at the sublime
Jardin Jansen l abel, others as the shadow behind a string of l ush productions sounded out by the l ikes of the
Guv’nor Andrew Weatherall or a one David Mancuso. Painting Of The Day i s the l atest i n Max’s deeply
inventive output, with Joe Morris, Lukkas and Ibicenco duo Reisdentes Balearicos serving up three wondrously
lush revamps for the heads .
First up i s ‘ Matinee’, which takes that l aid-back 80s sound and washes i t through reverb racks and cascading
arpeggiatic tones. Soft, subtle and brilliant, the result i s an emotional Essa performance, akin to a soft caress of
the waves, or a brush stroke on a canvas i n the afternoon sun.
‘Tempo Babadoh’ i s another massive balearic number, promenading and pirouetting i ts way across a vista of
club congas, wah guitar and deluxe synth sounds. Sliding nylon strings evoke memories of a l ate-night Mandy
Smith anthem as agogo bells i nterweave among the flora and fauna of Max Essa’s balearic vision. A l ofty,
virtuosic affair that’s sure to be a staple when the good times come.
On the flip we have Joe Morris’s ‘ Paraiso’ version of Tempo Badaboh. It’s a(n) NY hymn, a dusty psalm, a
stellar reimagining of the original which brings an 80s Chicago feel with all the savoir faire and finesse that the
Clandestino man has come to be revered for. Sizzling b l ines, crickets at dusk and time-tested balearic motifs
presented i n a new, slightly angular l ight.
Over on B2 (?) we get Lukkas’ Club Mix of Matinee, a dangerous dance weapon with a dose of l ow frequencies
bubbling through the spaces and cracks l eft between Essa’s l ush, spacious tones, filtering and resonating i ts
way to the finish l ine with presence and class. One for the l ate hours…
And breathe. We proudly present BE001. Welcome to the ensemble - i t’s a feeling, i nit…

A1) Matinee 7:37
A2) Tempo Babadoh 7:02
B1) Tempo Babadooh ( Joe Morris Paraíso Mix) 8:16
B2) Matinee ( Lukkas Club Mix) 7:24

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Max Essa returns to Feel Music!!!! Its almost impossible to convey the scope of "Iberia Sequences" in a 45 second clip, so you gotta take our word for it, 10 minutes of pure bliss, the definition of a musical journey. On the flip side "Islands" mixes 80's club sounds with a touch of classic house and of course that by now classic Max Essa feel, while Mr. Fabrizio Mammarella on remix duties takes the A side up a notch with some acid disco dancefloor action.
Summer starts here!


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Tracklist:
Christopher Rau is back in the house of Smallville. Four irresistible cuts, the keys
to outer-worlds. Driving, yet playful. Sweet, yet haunting. There is only one who
can do it like this. Make sure to lock the door and get lost.
Comes with a full cover artwork by Stefan Marx.

Tracklist:
A1 Who Am I
A2 The Keys
B1 Slu Terms
B2 Beamer

All tracks written & produced by Christopher Rau
Mastering & Vinyl Cut by Helmut Erler, Dubplates & Mastering
Artwork by Stefan Marx
Distributed by Wordandsound

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2023 repress

2LP with printed inner sleeves

Tracklist

1. The Mod 4 - A Puppet
2. The Yardleys - Just Remember
3. Decompressed Impossibility - You Can't Ride Away
4. The Living End - Brigitta
5. The Newports - Feelin' Low
6. The Landlords - I'm Through With You
7. The Prisners Dream - Autumn Days
8. The Fortels - She
9. The Bohemians - Say It
10. Tresa Leigh - Until Then
11. WM. Penn & The Quakers - Ghost Of The Monks
12. The Tempters - I Will Go
13. Jerry McGee - Twilight Zone
14. Carroll - The Boy Called Billy Joe
15. The Common People - Here, There & Everywhere
16. Dennis Harte - Summer's Over
17. Toe Head - Goodnight Jackie


Short info:

A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.








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Tracklist 2xLP:

A1) Voyage (feat. Andreas Kon & Ally McMahon)
A2) Money
A3) Red Hot (feat. Jitwam & Ziggy)
A4) That Stick
B1) Cash (feat. MiK)
B2) Night Sky (feat. Eliza Rose)
B3) De Ja Vu (feat. Ziggy)
C1) Starwoman
C2) Danger (feat. Eliza Rose)
C3) Boys (feat. Tino)
D1) The Returner (feat. Tino)
D2) Dumb Dumbs
D3) Easy (feat. Ally McMahon)
D4) Night Visions

Release Info:
The 14 tracker will land via Berlin’s Toy Tonics label and glides from disco to jazz, house and funk and features key collaborations with the likes of Jitwam, Eliza Rose, Zeitgeist Freedom Energy Exchange & his close friends.
After having met Mathias ‚Kapote‘ Modica, creative mind behind Germany’s well respected Toy Tonics label three years ago, East London born Cody Currie understood Kapote and his international TT Crew have the perfect understanding for his talents and share the same visions and so Cody joined the TT crew and released three EPs with the German label. Now finally he steps up to present his highly anticipated debut album ‘Lucas’. The 14 track LP is set for release 21 October 2022 with a string of pre-singles to drop until then.
The roots of Cody’s artistry runs deep, hailing from Leytonstone in East London by his father a fashion designer and his Spanish mother a music writer, it was inevitable that Cody would follow suit in the world of creativity. Currie’s keen ear and penchant for retro disco licks, chopped keys, and broken beats have landed him also with 1 off releases on other notable labels like Razor-N-Tape, Dan Shake’s Shake Records.
The past few years has found Cody in the midst of a fresh, unique buzz taking over Europe, predominantly in Berlin and London, as he bridges the gap between jazz and house music with his energetic DJ sets, talented instrumental skills and effortless swag. Playing the big Toy Tonics Jam happening all over Europe and similar to other artists on the TT label ‘connecting the dots’ between live and electronic music has garnered Cody a range of support in the press and radio world with fans including Pete Tong, Rolling Stone, Jamz Supernova, Mixmag and Gilles Peterson, with some journalists describing him as ‘The Tom Misch of jazzy house’.
This debut album, like his EPs, represents the new essence of jazz burgeoning out of London’s youth scene of today. Cody doesn't use any samples, only live instruments, vocals and great chord combinations, a nod towards his music school studies in London before moving over to Berlin. Like most of the other artists on Toy Tonics and similar to Kapote himself, Cody comes from playing jazz piano and playing in bands and combines this real musician’s attitude and knowledge with his skills as an electronic producer and extremely talented DJ/selector. This combination of background and skills create that unique sound that Cody (and many Toy Tonics artists) have.
On Lucas, Cody defines his work by enjoying the collaborative process with other talented artists such as Eliza Rose and Ziggy (Freedom Zeitgeist Energy Exchange), as well as some of Cody’s close personal friends like Jitwam, Ally McMahon, Andreas Kon and more. Currie comments on the album saying:
“Lucas LP is a collection of tracks which I've either done myself around the world recording in different places, or collaborating with my friends. The music reflects my enjoyment of the musical process and I'd say it’s inspired a lot by George Duke and Frank Zappa, the disco and funkier stuff from the 70s and 80s. Some of the tracks are quite deep and introspective, whilst other ones are more fun and silly like ‘That Stick’. Ultimately the album focuses on artists from everywhere around the world with different backgrounds and styles, to see what we can create together!” – Cody Currie





















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