1
Zopelar - Clara
2
Zopelar - Shibuya
3
Zopelar - Festa
4
Zopelar - Chain Net (Feat. Osagie)
5
Zopelar - Virgo
6
Zopelar - Charme
7
Zopelar - Passado
8
Zopelar - Born Again
9
Zopelar - Do You Feel?
10
Zopelar - Despedida
Zopelar arrives on Tartelet with Charme - an album of effervescent machine funk harking back to a golden era of Brazilian party music, releasing October 21st.
The era of interest for Sao Paulo’s Pedro Zopelar begins in the 1980s in Rio de Janeiro, when a particular phenomenon caught on at suburban parties which became known as Charme. “Charme was like a mix of slow boogie, RnB and new jack swing,” explains Zopelar. “DJ Corello started calling ‘charme’ the moment
of the party when he played slow grooves and felt that the people started dancing differently, with sexier synchronized moves. Some years later, charme evolved from an awaited moment of a night to a whole movement of parties just playing that kind of music. On this record I tried to make something that brings this emotional feeling to my music in a modern way.”
Much like the original genre-not-genre he drew inspiration from, Zopelar’s approach across his latest LP spans different moods and tempos. There’s blissful, sultry mystery lingering around ‘Clara’ and ‘Do You Feel?’ while OSAGIE lends some chops to the exquisite, Rompler-powered synth funk of ‘Chain Net’. The lead singles ‘Shibuya’, ‘Charme’ and ‘Passado’ all tap into varying shades of deep house, from slinky City Pop-tinted loungers to peak-time dance pop and Larry Heard-influenced flavours, with the constant being Zopelar’s immaculate production and the unbridled warmth of his compositions.
Continuing the Latin-rooted theme of the album, the artworkconception of Charme was realized by multidisciplinary artist and curator Ode, showcasing a popular style of street paintings made by anonymous artists throughout Latin America. It’s not about graffiti-culture but a popular solution utilized by small restaurants, bars and other establishments to use their own walls for commercial purposes, hiring artists to paint food and drink menus or other information about their products.
With an emotional sincerity stemming from his move to reconnect with the Brazilian dimension of his creative background, Charme arrives as Zopelar’s heartfelt celebration of life and music, of sentimental moments shared and good times enjoyed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The era of interest for Sao Paulo’s Pedro Zopelar begins in the 1980s in Rio de Janeiro, when a particular phenomenon caught on at suburban parties which became known as Charme. “Charme was like a mix of slow boogie, RnB and new jack swing,” explains Zopelar. “DJ Corello started calling ‘charme’ the moment
of the party when he played slow grooves and felt that the people started dancing differently, with sexier synchronized moves. Some years later, charme evolved from an awaited moment of a night to a whole movement of parties just playing that kind of music. On this record I tried to make something that brings this emotional feeling to my music in a modern way.”
Much like the original genre-not-genre he drew inspiration from, Zopelar’s approach across his latest LP spans different moods and tempos. There’s blissful, sultry mystery lingering around ‘Clara’ and ‘Do You Feel?’ while OSAGIE lends some chops to the exquisite, Rompler-powered synth funk of ‘Chain Net’. The lead singles ‘Shibuya’, ‘Charme’ and ‘Passado’ all tap into varying shades of deep house, from slinky City Pop-tinted loungers to peak-time dance pop and Larry Heard-influenced flavours, with the constant being Zopelar’s immaculate production and the unbridled warmth of his compositions.
Continuing the Latin-rooted theme of the album, the artworkconception of Charme was realized by multidisciplinary artist and curator Ode, showcasing a popular style of street paintings made by anonymous artists throughout Latin America. It’s not about graffiti-culture but a popular solution utilized by small restaurants, bars and other establishments to use their own walls for commercial purposes, hiring artists to paint food and drink menus or other information about their products.
With an emotional sincerity stemming from his move to reconnect with the Brazilian dimension of his creative background, Charme arrives as Zopelar’s heartfelt celebration of life and music, of sentimental moments shared and good times enjoyed.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Zopelar
1
Zopelar - Astral Dynamics
2
Zopelar - ARP Magic
3
Zopelar - Miles Away
4
Zopelar - Dark Places Where I Feel Safe
"Zopelar makes his debut on the Clone Royal Oak series with a 4 track Ep, delivering some of his unique blend of house grooves firmly rooted in the 90's Chicago, New York and Detroit house traditions. Pedro Zopelar is a musical wizard from Sao Paulo and is twisting the classic sounds and production methods into a fresh sonic Brazilian Caipirinha cocktail."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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1
Zopelar - Ritmo Freak Feat. Gabto
2
Zopelar - Beat Me
3
Zopelar - Gabriellinha's Boogie
4
Zopelar - Distraction
5
Zopelar - Safe In The Dark
6
Zopelar - Moonlight Feat. Manuel Darquart
7
Zopelar - Free Your Spirit (Ritmo II)
8
Zopelar - Hotel Room
In a flurry of madcap sampling pitched towards the heat of the night, Pedro Zopelar builds on the premise of his 2022 electro- funk love letter Charme, shifting his approach towards a particular
90s flair and a method with a specific end result. Ritmo Freak took root in studio experiments for a momentous — and rare — live set at São Paulo festival Não Existe in 2023, where Zopelar was caught up in one of those right-place, right- time moments we carry with us through life. As he explains himself: “This album is dedicated to freaky club culture. While I was playing at the festival there was a crazy tropical storm outside and the room was packed with the freakiest crowd. I’ve tried hard to immortalize that feeling on this record.” With the intended energy in mind, Zopelar focused on a particular mode of production centred around 12-bit sampling from his ample record collection. Considering his background as a trained pianist, here his musical instincts are forced to work within the limitations of short, snappy cuts from dusty 12”s. The lo-fi sound sources and the resourceful ways Zopelar works them gives the record an unmistakable old-skool flavour which he applies to forthright house, techno and electro funk rhythms, always taking care to draw out the soul of the music.
The stylistic touchstones flow past thick and fast on Ritmo Freak. From the amped up fierceness of the title track with its gaudy, cut n’ paste, vintage techno flavour to the effervescent electro funk of ‘Gabriellinha’s Boogie’ on to the surreal Balearic inversion of ‘Distraction’, this is a high-velocity, endlessly charming record bursting with the musicality Zopelar has made his name on. As the driving force behind many warehouse parties in São Paulo,
Zopelar has been immersed in club culture for a long time, and his distinctive catalogue of jazz, funk, acid and techno has graced highly respected labels like Apron, Selva Discos and Mother Tongue. Throughout, he’s displayed an affinity for the tangled roots of the groove with an open-eared, big-hearted sound. That’s what comes through on Ritmo Freak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
90s flair and a method with a specific end result. Ritmo Freak took root in studio experiments for a momentous — and rare — live set at São Paulo festival Não Existe in 2023, where Zopelar was caught up in one of those right-place, right- time moments we carry with us through life. As he explains himself: “This album is dedicated to freaky club culture. While I was playing at the festival there was a crazy tropical storm outside and the room was packed with the freakiest crowd. I’ve tried hard to immortalize that feeling on this record.” With the intended energy in mind, Zopelar focused on a particular mode of production centred around 12-bit sampling from his ample record collection. Considering his background as a trained pianist, here his musical instincts are forced to work within the limitations of short, snappy cuts from dusty 12”s. The lo-fi sound sources and the resourceful ways Zopelar works them gives the record an unmistakable old-skool flavour which he applies to forthright house, techno and electro funk rhythms, always taking care to draw out the soul of the music.
The stylistic touchstones flow past thick and fast on Ritmo Freak. From the amped up fierceness of the title track with its gaudy, cut n’ paste, vintage techno flavour to the effervescent electro funk of ‘Gabriellinha’s Boogie’ on to the surreal Balearic inversion of ‘Distraction’, this is a high-velocity, endlessly charming record bursting with the musicality Zopelar has made his name on. As the driving force behind many warehouse parties in São Paulo,
Zopelar has been immersed in club culture for a long time, and his distinctive catalogue of jazz, funk, acid and techno has graced highly respected labels like Apron, Selva Discos and Mother Tongue. Throughout, he’s displayed an affinity for the tangled roots of the groove with an open-eared, big-hearted sound. That’s what comes through on Ritmo Freak
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Zopelar - Papaia
2
Zopelar - Papaia (Byron The Aquarius Jazz Twist Mix)
3
Zopelar - JAZZ CLASS
4
Zopelar - MISTERY TOUR
5
Zopelar - Minas jazz
6
Zopelar - VAMP
The occasional AZIMUTH collaborator showcases his Brazilian heritage on this tribute to the late visionary genius IVAN "MAMAO" CONTI. The 6 forward looking tracks examine CONTI's influence while avoiding "throwback" territory. Features a stunning remix from BYRON THE AQUARIUS.
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Germany
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Germany
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1
Zopelar - FalaSerio
2
Zopelar - 808 Dream
3
Zopelar - Acid 1
4
Zopelar - Acid Republic & rHr
Tracklisting:
A1 Zopelar - FalaSerio
A2 Zopelar - 808 Dream
B1 Zopelar - Acid 1
B2 Zopelar & rHr - Acid Republic
Sales Note
Brazil's Zopelar continues to make stellar underground dance music and as a result, Techno House Connoisseurs has another hit record on their hands. He launches with FalaSerio into the acid jazz breakbeat stratosphere and doesn't look back as the track weaves, skips, jumps and floats...all with crisp hi's and acid distorting throughout. 808 Dream is exactly as it sounds, mezmerizing, quirky and jacking. Pads warp and drift but not too far, all while the acid worms into your head for that early am mind f*ck. Acid 1 is the peak hour monster that is set to demolish even the most discerning dancefloor. Relentless and unwavering, it's an all out onslaught of acid squelching, percussionistic chaos. This track is not to be denied and will have the walls sweating. Lastly, Zopelar and fellow Brazilain artist RHR collide to deliver an epic acid techno driver in Acid Republic. What a thrill it is hearing this on a proper system, nearly 7 minutes of pure 303 techno hypnosis.
Limited 300 copies.
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A1 Zopelar - FalaSerio
A2 Zopelar - 808 Dream
B1 Zopelar - Acid 1
B2 Zopelar & rHr - Acid Republic
Sales Note
Brazil's Zopelar continues to make stellar underground dance music and as a result, Techno House Connoisseurs has another hit record on their hands. He launches with FalaSerio into the acid jazz breakbeat stratosphere and doesn't look back as the track weaves, skips, jumps and floats...all with crisp hi's and acid distorting throughout. 808 Dream is exactly as it sounds, mezmerizing, quirky and jacking. Pads warp and drift but not too far, all while the acid worms into your head for that early am mind f*ck. Acid 1 is the peak hour monster that is set to demolish even the most discerning dancefloor. Relentless and unwavering, it's an all out onslaught of acid squelching, percussionistic chaos. This track is not to be denied and will have the walls sweating. Lastly, Zopelar and fellow Brazilain artist RHR collide to deliver an epic acid techno driver in Acid Republic. What a thrill it is hearing this on a proper system, nearly 7 minutes of pure 303 techno hypnosis.
Limited 300 copies.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Zopelar - Cariocas
2
Zopelar - Quarentena
3
Zopelar - Paraglider
4
Zopelar - My Acid Style
Techno House Connoisseurs proudly present Zopelar. This brilliant Brazilian artist has been turning out quality release after quality release on labels like Apron, Soul Clap and Axe Traxx. This release showcases his unique sound in the realm of Acid. This is classic Zopelar with rich, dreamy synths, layering of distorted percussive elements and of course his version of the timeless TB 303 sound. Exquisite production from an artist who is changing the game!
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Germany
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Germany
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1
Zopelar - Livre
2
Zopelar - Be Together
3
Zopelar - Modo Avião
4
Zopelar - NOX
5
Zopelar - Dias Tensos
6
Zopelar - Boogie da Paz
Selva Discos keeps broadening horizons. Its next release celebrates the start of a new series called Novaterra, this time focused on showcasing the music of contemporary Brazilian artists. First up is Zopelar, known not only for his work with the anarchic-techno-punk act Teto Preto but also for the project My Girlfriend and his solo LP, both on Apron Records. Novaterra vol. 1 by Zopelar is a mini-LP featuring 6 tracks that range from the introversion to the extraversion. In one hand you have an A-side banger like "Be Together", with its addictive looped-sample, and in the other, you get the laidback interlude of "Modo Avião", which sounds like one of those MF Doom's instrumentals – and between both, you will find a whole spectrum of music where you can experience the duel between super crispy beats (a signature in Zopelar's work) and the richness of melodies and harmonies that he's able to knit stitch close to perfection.
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A fierce rhythmic voyage energized by the bassline and enveloped by the somewhat dark ambience.
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More records from Tartelet
1
Delta Rain Dance (Glenn Astro) - Green Light Fade
2
Delta Rain Dance (Glenn Astro) - Healing Vibe (Version)
3
Delta Rain Dance (Glenn Astro) - Mmmh, Nice Ft. Nelson Of The East
4
Delta Rain Dance (Glenn Astro) - Second Sleep
5
Delta Rain Dance (Glenn Astro) - X Evolvez
6
Delta Rain Dance (Glenn Astro) - Making Daes Longer
7
Delta Rain Dance (Glenn Astro) - Plucked B281022
Glenn Astro leans into the twilight months of 2024 with a new album from his Delta Rain Dance project. Divining fourth world sensibilities from his restlessly curious studio workflow, Astro weaves a mesmerising tapestry of sound on Music For Autumn which treads the line between horizontal meditation and head- nodding, backroom-ready groove.
Amongst his constellation of myriad aliases, Delta Rain Dance spells out the inspiration Astro takes from fourth world pioneer Jon Hassell. The project first surfaced with a string of tapes, LPs and digital releases around 2018, all carried on a label of the same name to keep Delta Rain Dance enclosed in its own space
independent of Astro's many other musical endeavours.
"I’m really into the world building aspect in science fiction and fantasy," says Astro. "This is my way of creating worlds and spaces that co-exist next to each other. Sometimes they collide but mostly they exist peacefully next to each other or pursue some form of cultural exchange by collaborating with each other."
There's a strong sense of balance and cohesion throughout Music For Autumn, as organic percussion and instrumentation wraps around delicate synthesis and patient drum machine pulses so naturally it's hard to spot the joins. The sound has plenty of room to stretch out, from the mantra-like chimes and rattles of the album opener 'Green Light Fade' to the luxury funk of 'Mmmh, Nice' (featuring fellow Tartelet alumni Nelson of the East). At times the electronic elements seem to entirely dissolve, not least behind the loping strings and tumbledown percussion of 'Second Sleep', while achingly beautiful closer 'Plucked' centres on the fluttering movement and expression Astro elicits from his modular setup.
True to the project's influences, a consistent ambiguous mood lingers in the air over Music For Autumn somewhere between far- flung mystery and comforting familiarity, reliably calm but equally contemplative. It's an odyssey of serenity with enough nuance to make you really think, perfect for the days getting shorter, leaves crunching underfoot and the last fading rays of warmth from the sun.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Amongst his constellation of myriad aliases, Delta Rain Dance spells out the inspiration Astro takes from fourth world pioneer Jon Hassell. The project first surfaced with a string of tapes, LPs and digital releases around 2018, all carried on a label of the same name to keep Delta Rain Dance enclosed in its own space
independent of Astro's many other musical endeavours.
"I’m really into the world building aspect in science fiction and fantasy," says Astro. "This is my way of creating worlds and spaces that co-exist next to each other. Sometimes they collide but mostly they exist peacefully next to each other or pursue some form of cultural exchange by collaborating with each other."
There's a strong sense of balance and cohesion throughout Music For Autumn, as organic percussion and instrumentation wraps around delicate synthesis and patient drum machine pulses so naturally it's hard to spot the joins. The sound has plenty of room to stretch out, from the mantra-like chimes and rattles of the album opener 'Green Light Fade' to the luxury funk of 'Mmmh, Nice' (featuring fellow Tartelet alumni Nelson of the East). At times the electronic elements seem to entirely dissolve, not least behind the loping strings and tumbledown percussion of 'Second Sleep', while achingly beautiful closer 'Plucked' centres on the fluttering movement and expression Astro elicits from his modular setup.
True to the project's influences, a consistent ambiguous mood lingers in the air over Music For Autumn somewhere between far- flung mystery and comforting familiarity, reliably calm but equally contemplative. It's an odyssey of serenity with enough nuance to make you really think, perfect for the days getting shorter, leaves crunching underfoot and the last fading rays of warmth from the sun.
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Max Graef, the trailblazing German producer is back, this time applying his sparkling flair and infectious appeal to the widescreen spectrum of psychedelic, starry-eyed jams of his third album, comfortably nestled into a bean bag in the backroom. Natural Element coincides with the 10th anniversary of his revered debut LP Rivers of the Red Planet, which remains a cherished high watermark for label and artist alike.
Listening link: https://soundcloud.com/tartelet-records/sets/max-graef-natural-element-lp-promo-use-only/s-mCjL1fRN23l
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Listening link: https://soundcloud.com/tartelet-records/sets/max-graef-natural-element-lp-promo-use-only/s-mCjL1fRN23l
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1
Zopelar - Ritmo Freak Feat. Gabto
2
Zopelar - Beat Me
3
Zopelar - Gabriellinha's Boogie
4
Zopelar - Distraction
5
Zopelar - Safe In The Dark
6
Zopelar - Moonlight Feat. Manuel Darquart
7
Zopelar - Free Your Spirit (Ritmo II)
8
Zopelar - Hotel Room
In a flurry of madcap sampling pitched towards the heat of the night, Pedro Zopelar builds on the premise of his 2022 electro- funk love letter Charme, shifting his approach towards a particular
90s flair and a method with a specific end result. Ritmo Freak took root in studio experiments for a momentous — and rare — live set at São Paulo festival Não Existe in 2023, where Zopelar was caught up in one of those right-place, right- time moments we carry with us through life. As he explains himself: “This album is dedicated to freaky club culture. While I was playing at the festival there was a crazy tropical storm outside and the room was packed with the freakiest crowd. I’ve tried hard to immortalize that feeling on this record.” With the intended energy in mind, Zopelar focused on a particular mode of production centred around 12-bit sampling from his ample record collection. Considering his background as a trained pianist, here his musical instincts are forced to work within the limitations of short, snappy cuts from dusty 12”s. The lo-fi sound sources and the resourceful ways Zopelar works them gives the record an unmistakable old-skool flavour which he applies to forthright house, techno and electro funk rhythms, always taking care to draw out the soul of the music.
The stylistic touchstones flow past thick and fast on Ritmo Freak. From the amped up fierceness of the title track with its gaudy, cut n’ paste, vintage techno flavour to the effervescent electro funk of ‘Gabriellinha’s Boogie’ on to the surreal Balearic inversion of ‘Distraction’, this is a high-velocity, endlessly charming record bursting with the musicality Zopelar has made his name on. As the driving force behind many warehouse parties in São Paulo,
Zopelar has been immersed in club culture for a long time, and his distinctive catalogue of jazz, funk, acid and techno has graced highly respected labels like Apron, Selva Discos and Mother Tongue. Throughout, he’s displayed an affinity for the tangled roots of the groove with an open-eared, big-hearted sound. That’s what comes through on Ritmo Freak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
90s flair and a method with a specific end result. Ritmo Freak took root in studio experiments for a momentous — and rare — live set at São Paulo festival Não Existe in 2023, where Zopelar was caught up in one of those right-place, right- time moments we carry with us through life. As he explains himself: “This album is dedicated to freaky club culture. While I was playing at the festival there was a crazy tropical storm outside and the room was packed with the freakiest crowd. I’ve tried hard to immortalize that feeling on this record.” With the intended energy in mind, Zopelar focused on a particular mode of production centred around 12-bit sampling from his ample record collection. Considering his background as a trained pianist, here his musical instincts are forced to work within the limitations of short, snappy cuts from dusty 12”s. The lo-fi sound sources and the resourceful ways Zopelar works them gives the record an unmistakable old-skool flavour which he applies to forthright house, techno and electro funk rhythms, always taking care to draw out the soul of the music.
The stylistic touchstones flow past thick and fast on Ritmo Freak. From the amped up fierceness of the title track with its gaudy, cut n’ paste, vintage techno flavour to the effervescent electro funk of ‘Gabriellinha’s Boogie’ on to the surreal Balearic inversion of ‘Distraction’, this is a high-velocity, endlessly charming record bursting with the musicality Zopelar has made his name on. As the driving force behind many warehouse parties in São Paulo,
Zopelar has been immersed in club culture for a long time, and his distinctive catalogue of jazz, funk, acid and techno has graced highly respected labels like Apron, Selva Discos and Mother Tongue. Throughout, he’s displayed an affinity for the tangled roots of the groove with an open-eared, big-hearted sound. That’s what comes through on Ritmo Freak
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1
Space Ghost - A1. Sea Snake Island
2
Space Ghost - A2. Temple Dancer
3
Space Ghost - A3. Sim City
4
Space Ghost - A4. Twilight Swim
5
Space Ghost - A5. Lavender Oil
6
Space Ghost - A6. Ocean Odyssey
7
Space Ghost - A7. Night Dive
8
Space Ghost - B1. Emerald Pools
9
Space Ghost - B2. Mirage
10
Space Ghost - B3. Lavender Flower
11
Space Ghost - B4. Strange Sequence
12
Space Ghost - B5. Aquarium Nightclub
13
Space Ghost - B6. Peace Waves
Repress!
After Space Ghost’s first album Endless Light took to international airwaves and echoed out of cities from London to Los Angeles, his forthcoming release Aquarium Nightclub brings back his signature lo-fi aesthetics with a fresh hit of inspiration from the natural world.
Melding irresistible vintage synths with a meditative groove, Aquarium Nightclub is a journey of sorts. Taking listeners on a tropical tour through 80s house drums, lush synth landscapes, and deep bass melodies, the thirteen-track LP is as adventurous as it is restrained.
Growing up in a small town a few hours from California’s East Bay area, Space Ghost (Sudi Wachspress) moved to Oakland ten years ago to study at the California College of the Arts. In a city known for its vibrant cultural fabric and its experimental music scene, Space Ghost represents a new generation of young artists. His DJ collective Late Feelings, launched in 2013, has allowed him to find his own groove amongst monthly all-vinyl dance parties, where he plucks influences from various corners of the world.
More complex than last year’s release, Aquarium Nightclub shows off Space Ghost’s artistic hunger and unique sonic signature.
Kicking off with “Sea Snake Island,” a track that is best described as late 80s house melancholia is a beautiful dance of shimmering keys, drum machines, and sounds of the jungle. The single “Sim City” ft. Morgan is a classic Chicago house beast; dark but uplifting with heavy bass undertones, fuzzy drum pulse, and plenty of mysterious synth melodies. Other tracks like “Ocean Odyssey,” “Night Dive” and “Aquarium Nightclub” plunge into an ambient world of slow 80s funk, though always rooted in the Bay Area sound.
A product of record-collecting and dance party hosting, Aquarium Nightclub is a glittering postcard from Atlantis. Profound yet undeniably groovy, its mesmerizing tropical undertones promise a safe journey back to the endless days of summer.
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Germany
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After Space Ghost’s first album Endless Light took to international airwaves and echoed out of cities from London to Los Angeles, his forthcoming release Aquarium Nightclub brings back his signature lo-fi aesthetics with a fresh hit of inspiration from the natural world.
Melding irresistible vintage synths with a meditative groove, Aquarium Nightclub is a journey of sorts. Taking listeners on a tropical tour through 80s house drums, lush synth landscapes, and deep bass melodies, the thirteen-track LP is as adventurous as it is restrained.
Growing up in a small town a few hours from California’s East Bay area, Space Ghost (Sudi Wachspress) moved to Oakland ten years ago to study at the California College of the Arts. In a city known for its vibrant cultural fabric and its experimental music scene, Space Ghost represents a new generation of young artists. His DJ collective Late Feelings, launched in 2013, has allowed him to find his own groove amongst monthly all-vinyl dance parties, where he plucks influences from various corners of the world.
More complex than last year’s release, Aquarium Nightclub shows off Space Ghost’s artistic hunger and unique sonic signature.
Kicking off with “Sea Snake Island,” a track that is best described as late 80s house melancholia is a beautiful dance of shimmering keys, drum machines, and sounds of the jungle. The single “Sim City” ft. Morgan is a classic Chicago house beast; dark but uplifting with heavy bass undertones, fuzzy drum pulse, and plenty of mysterious synth melodies. Other tracks like “Ocean Odyssey,” “Night Dive” and “Aquarium Nightclub” plunge into an ambient world of slow 80s funk, though always rooted in the Bay Area sound.
A product of record-collecting and dance party hosting, Aquarium Nightclub is a glittering postcard from Atlantis. Profound yet undeniably groovy, its mesmerizing tropical undertones promise a safe journey back to the endless days of summer.
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1
Lord Of The Magi - Departure
2
Lord Of The Magi - Él Es Deé
3
Lord Of The Magi - Neptune Horizon
4
Lord Of The Magi - Andaman Blue
5
Lord Of The Magi - Morphology
6
Lord Of The Magi - Fog Surfin'
7
Lord Of The Magi - Soul Exchange
8
Lord Of The Magi - Approaching The End
9
Lord Of The Magi - The Stand Still
very limited supplies.
In striking daubs of bled-out colour and finely sculpted layers of instrumentation, Lord of the Magi arrives on Tartelet Archives with an album of ambient reflections.
Copenhagen-based Theo Nicola Anker has different sides to his musical output. But on Soul Exchange, he shakes off stylistic concerns to focus on a purer emotional expression. It’s an instinctive paean to the pastoral life he grew up with, sent with love from his city-centre apartment. His chosen tools – guitars, pedals, synths – are the medium of the message. “I appreciate music with personality, character, and charisma,” Anker says, “so I always strive to create tracks that tell a story and evoke a specific atmosphere. No single idea for a track is solely melodic, rhythmic, compositional, or focused on mix techniques. It's always about the bigger picture, the overall vibe.”
On Soul Exchange, the overarching mood is an inviting, becalming one, but there’s plenty of space for melancholy and even a little friction. That’s apparent in the natural synergy of the organic and electronic elements as much as the emotional content, rounding out as a wholesome, holistic listening experience.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
In striking daubs of bled-out colour and finely sculpted layers of instrumentation, Lord of the Magi arrives on Tartelet Archives with an album of ambient reflections.
Copenhagen-based Theo Nicola Anker has different sides to his musical output. But on Soul Exchange, he shakes off stylistic concerns to focus on a purer emotional expression. It’s an instinctive paean to the pastoral life he grew up with, sent with love from his city-centre apartment. His chosen tools – guitars, pedals, synths – are the medium of the message. “I appreciate music with personality, character, and charisma,” Anker says, “so I always strive to create tracks that tell a story and evoke a specific atmosphere. No single idea for a track is solely melodic, rhythmic, compositional, or focused on mix techniques. It's always about the bigger picture, the overall vibe.”
On Soul Exchange, the overarching mood is an inviting, becalming one, but there’s plenty of space for melancholy and even a little friction. That’s apparent in the natural synergy of the organic and electronic elements as much as the emotional content, rounding out as a wholesome, holistic listening experience.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
GLENN ASTRO & MENTAL TRANCE - INTRO TRACK
2
GLENN ASTRO & CRYSTALLINE REALITY - THE GROWL (CRYSTALLINE MIX)
3
GLENN ASTRO & EYE SOUL8R - AUTUMN SUBS
4
GLENN ASTRO & BRAIN LIQUOR - BLAME IT ON
5
GLENN ASTRO & DJ 1999 - THE ABYSS
6
GLENN ASTRO & BRAIN LIQUOR - JAQUE?
7
GLENN ASTRO & CRYSTALLINE REALITY - THE GROWL (NIGHT MIX)
8
GLENN ASTRO & MENTAL TRANCE - MENTAL TRANCE
9
GLENN ASTRO & THE FOUNDATION - STEPPERS WORLDWIDE, UNITE!
10
GLENN ASTRO & DJ 1999 - ALMOST PLEASANT
Taking his cue from seminal mix albums of days gone by, Glenn Astro is back with a compilation of original productions from a cast of fictional artists on Nothing Is Real. Across 13 tracks, the Tartelet mainstay celebrates the thrill of discovery which came as standard listening to new entries in series’ like X-Mix and DJ Kicks, moving between head-nodding downtempo, ambient techno, broken beat and all manner of chill-out room delights. You might be left wishing artists such as DJ 1999, Mental Trance and Eye Soul8r had actual discographies to go and explore, but as Astro himself is keen to point out, “nothing is real.”
Astro has never been shy to embrace classic tropes and tones in his past albums for Tartelet, Apollo and Ninja Tune, but he’s drawing on a different set of influences for this album and embracing the flexibility afforded by using imagined aliases for varied production styles.
“I had the idea to do a mixtape, preferably with unknown dance tracks that also reflect that whole 90s/early 00s vibe,” Astro explains. “Instead of digging for some records that haven’t been sourced yet or trying to find those ‘forgotten’ treasures, I made the tracks myself. That way I had full control over BPMs, feel and the whole arrangement of tracks. I thought of a few alter egos and started producing the tracks in the order that I intended to play them in a mix. In the end a whole compilation of tracks emerged.”
While the concept might suggest you’re going to hear a lot of over- familiar sounds, don’t be fooled. Astro is inspired and inquisitive, channeling the experimental spirit of the 90s and early 00s when electronic music was still continually being redefined in all kinds of micro-scenes. In many cases, Astro’s productions slip into the cracks between genres rather than specifically mimicking a style.
Even if the reference points are detectable, the end result is a curious blend as indebted to ambiguity as the overall concept of the compilation. Like the spine-tingling sensation of hitting play and awaiting the waves of unknown sonics on one of those seminal mixes, you never know exactly what you’re going to get as you take the trip through Nothing Is Real.
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Germany
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Astro has never been shy to embrace classic tropes and tones in his past albums for Tartelet, Apollo and Ninja Tune, but he’s drawing on a different set of influences for this album and embracing the flexibility afforded by using imagined aliases for varied production styles.
“I had the idea to do a mixtape, preferably with unknown dance tracks that also reflect that whole 90s/early 00s vibe,” Astro explains. “Instead of digging for some records that haven’t been sourced yet or trying to find those ‘forgotten’ treasures, I made the tracks myself. That way I had full control over BPMs, feel and the whole arrangement of tracks. I thought of a few alter egos and started producing the tracks in the order that I intended to play them in a mix. In the end a whole compilation of tracks emerged.”
While the concept might suggest you’re going to hear a lot of over- familiar sounds, don’t be fooled. Astro is inspired and inquisitive, channeling the experimental spirit of the 90s and early 00s when electronic music was still continually being redefined in all kinds of micro-scenes. In many cases, Astro’s productions slip into the cracks between genres rather than specifically mimicking a style.
Even if the reference points are detectable, the end result is a curious blend as indebted to ambiguity as the overall concept of the compilation. Like the spine-tingling sensation of hitting play and awaiting the waves of unknown sonics on one of those seminal mixes, you never know exactly what you’re going to get as you take the trip through Nothing Is Real.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Doc Sleep - Fall Into Flowers (Intro)
2
Doc Sleep - Tomorrow Is Beautiful! (Ft. Glenn Astro)
3
Doc Sleep - Flooding Meadow
4
Doc Sleep - C&L At The Sea
5
Doc Sleep - Orange Grove Nap
6
Doc Sleep - Wiped Memory
7
Doc Sleep - Fog Vs Moon (Ft. M Marie)
8
Doc Sleep - Strange Sun
9
Doc Sleep - Secret Spells
10
Doc Sleep - Under High Branches
Tartelet Records is thrilled to present the debut album from Doc Sleep – 10 tracks of exquisitely rendered melodies and rhythms shaped with grit and beauty in equal measure. Birds (in my mind anyway) is a widescreen vision of electronica as a medium to express your personal situation and respond to your environment – a rave adjacent art form free from the perceived rules of the dancefloor. To date, Melissa Maristuen known as Doc Sleep has established herself in the context of the club – first engaging with the culture in San Francisco before moving to Berlin. She helps run the Room 4 Resistance party, DJs on Refuge Worldwide, co- owns the Jacktone label and has released on Detour, Dark Entries and her own label. But in making Birds (in my mind anyway) she set herself an ultimatum.
“At the time of recording this album, my life, all my routines and priorities had to change – music was no exception. I decided if I couldn't be happy making an album free of the dancefloor, I was finally going to be done with music. Instead, I found a musical voice free of tempo and textural restriction. Eventually, I had a sound, and once I had the sound, the album came pretty quickly. It was a very different process writing music for no one...except myself.”
If the impression given is one of a consistent style across the album, think again. Doc Sleep moves freely between tempos and themes, even if there are some recurring qualities binding the music together. She weaves fluttering arps with poise, lending them an almost choral quality which gives the album a very human touch. But they’re equally emotionally ambiguous or pockmarked with sonic interference – reflections of the collisions and conflicts
that typify the human experience.
Every inch of the album is a personal touch – the title was pulled from Doc Sleep’s mother’s response to hearing the album, while her friend Kiernan Laveaux offered a beautiful text which appears on the back. Those closest to her all fed into the artwork process, which captures the curious dichotomy between urban brutalism and botanical finery often found in the parks of Berlin – a vital place of respite when she was making the album.
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Germany
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“At the time of recording this album, my life, all my routines and priorities had to change – music was no exception. I decided if I couldn't be happy making an album free of the dancefloor, I was finally going to be done with music. Instead, I found a musical voice free of tempo and textural restriction. Eventually, I had a sound, and once I had the sound, the album came pretty quickly. It was a very different process writing music for no one...except myself.”
If the impression given is one of a consistent style across the album, think again. Doc Sleep moves freely between tempos and themes, even if there are some recurring qualities binding the music together. She weaves fluttering arps with poise, lending them an almost choral quality which gives the album a very human touch. But they’re equally emotionally ambiguous or pockmarked with sonic interference – reflections of the collisions and conflicts
that typify the human experience.
Every inch of the album is a personal touch – the title was pulled from Doc Sleep’s mother’s response to hearing the album, while her friend Kiernan Laveaux offered a beautiful text which appears on the back. Those closest to her all fed into the artwork process, which captures the curious dichotomy between urban brutalism and botanical finery often found in the parks of Berlin – a vital place of respite when she was making the album.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Space Ghost - Emotional Healer
2
Space Ghost - Be Yourself
3
Space Ghost - Deep (Vibes Mix)
4
Space Ghost - UFO
5
Space Ghost - Afterglow
6
Space Ghost - Back To The Source
7
Space Ghost - Emotional Healer (Back Room Mix)
8
Space Ghost - Soul Shower
9
Space Ghost - Dream Weaver
10
Space Ghost - Be Yourself (Motivational Mix)
Repress! Black Vinyl!
Sudi Wachspress returns to Tartelet Records with Dance Planet, a third LP of emotionally-charged house music to welcome us back to the dancefloor. The spirit of true house runs deep in the sound of Space Ghost. Oakland native Sudi Wachspress is intuitively plugged into the romantic, mystical energy of 4/4 club music as a unifying force of empowerment and liberation, carrying the torch from vital forebears like Larry Heard, Alton Miller, and Blaze.
His new album, Dance Planet, carries a greater responsibility to spread spiritual affirmations. As the global dancefloor community emerges from a mentally-taxing recess and confronts their social self like it’s the first day of school, Space Ghost’s message couldn’t be more supportive.
“Don’t be afraid to be yourself, don’t be afraid to let go,” he intones on “Be Yourself.” More than just a beat and a hook, his music is pointedly created to heal and energize. “I’m a big fan of old-school house vocals that have a positive message,” says Space Ghost, “tracks that can perhaps enhance your mood or strengthen your confidence in yourself.”
Wachspress has always represented a beacon of musical uplift, both on his previous Endless Light and Aquarium Nightclub LPs for Tartelet and on his swathes of self-released music and last year’s Free 2 B on Apron. Compared to most house-oriented artists, he places emphasis on the long-player format to create an encircling experience for the listener, smoothing out psychic wrinkles and massaging areas of tension for a fully holistic hit.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sudi Wachspress returns to Tartelet Records with Dance Planet, a third LP of emotionally-charged house music to welcome us back to the dancefloor. The spirit of true house runs deep in the sound of Space Ghost. Oakland native Sudi Wachspress is intuitively plugged into the romantic, mystical energy of 4/4 club music as a unifying force of empowerment and liberation, carrying the torch from vital forebears like Larry Heard, Alton Miller, and Blaze.
His new album, Dance Planet, carries a greater responsibility to spread spiritual affirmations. As the global dancefloor community emerges from a mentally-taxing recess and confronts their social self like it’s the first day of school, Space Ghost’s message couldn’t be more supportive.
“Don’t be afraid to be yourself, don’t be afraid to let go,” he intones on “Be Yourself.” More than just a beat and a hook, his music is pointedly created to heal and energize. “I’m a big fan of old-school house vocals that have a positive message,” says Space Ghost, “tracks that can perhaps enhance your mood or strengthen your confidence in yourself.”
Wachspress has always represented a beacon of musical uplift, both on his previous Endless Light and Aquarium Nightclub LPs for Tartelet and on his swathes of self-released music and last year’s Free 2 B on Apron. Compared to most house-oriented artists, he places emphasis on the long-player format to create an encircling experience for the listener, smoothing out psychic wrinkles and massaging areas of tension for a fully holistic hit.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Modula - Main Titles
2
Modula - The Night Out
3
Modula - Reaching The Campsite
4
Modula - The Research Team
5
Modula - Diamond Beach
6
Modula - Transport On Icebreaker
7
Modula - Paranormal Phenomena
8
Modula - The Chemistry Lab
9
Modula - End Titles
Repress!
Tapping into the seductive unease of the unexplained, Modula lands on Tartelet Archives with Paranormal Phenomena – The Icelandic Expedition, a nine-track album that evokes alien synth- electro and New Age soundscapes.
During a trip to Iceland in February 2020, Naples native Filippo Colonna Romano (Modula) experienced the raw power of the island’s otherworldly natural forces. Inspired by his field recordings and a rekindled interest in sci-fi, Paranormal Phenomena – The Icelandic Expedition was born. Steeped in haunting LA synthesis and cinematic tension, the album is an imagined soundtrack to a supernatural thriller, cast in the icy tones of the Roland JD-800.
“When I went to Iceland I was so excited about the ambience and sounds,” says Modula. “I felt everything was stronger than normal; the wind was brutal, the waves fast and noisy. I came to the conclusion that what I had captured all sounded strangely eerie and otherworldly. I decided to compose music that had the same vibe as the field recordings – cold and strange, mysterious and alien.”
The album includes nine tracks each representing a scene in the “movie” ranging from alien synth-electro to New Age ambient moods and soundscapes, inviting the listener on a journey through cold landscapes and into dark caves where unknown creatures lurk in the shadows. Paranormal Phenomena leads logically on from Modula’s previous work for Bordello A Parigi and Firecracker, not to mention his Alba – Tempesta – Notturno EP on Tartelet Records which drew on field recordings from the jungles of South America. Merging extreme environments with a rich palette of classic outboard gear, Modula’s music transports listeners through space and time. Given the heavy motion-picture theme present in Paranormal Phenomena – The Icelandic Expedition, the album is a fitting release to inaugurate Tartelet Archives, a new sub-label to Tartelet Records focusing on electronic obscurities and sounds from the past.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tapping into the seductive unease of the unexplained, Modula lands on Tartelet Archives with Paranormal Phenomena – The Icelandic Expedition, a nine-track album that evokes alien synth- electro and New Age soundscapes.
During a trip to Iceland in February 2020, Naples native Filippo Colonna Romano (Modula) experienced the raw power of the island’s otherworldly natural forces. Inspired by his field recordings and a rekindled interest in sci-fi, Paranormal Phenomena – The Icelandic Expedition was born. Steeped in haunting LA synthesis and cinematic tension, the album is an imagined soundtrack to a supernatural thriller, cast in the icy tones of the Roland JD-800.
“When I went to Iceland I was so excited about the ambience and sounds,” says Modula. “I felt everything was stronger than normal; the wind was brutal, the waves fast and noisy. I came to the conclusion that what I had captured all sounded strangely eerie and otherworldly. I decided to compose music that had the same vibe as the field recordings – cold and strange, mysterious and alien.”
The album includes nine tracks each representing a scene in the “movie” ranging from alien synth-electro to New Age ambient moods and soundscapes, inviting the listener on a journey through cold landscapes and into dark caves where unknown creatures lurk in the shadows. Paranormal Phenomena leads logically on from Modula’s previous work for Bordello A Parigi and Firecracker, not to mention his Alba – Tempesta – Notturno EP on Tartelet Records which drew on field recordings from the jungles of South America. Merging extreme environments with a rich palette of classic outboard gear, Modula’s music transports listeners through space and time. Given the heavy motion-picture theme present in Paranormal Phenomena – The Icelandic Expedition, the album is a fitting release to inaugurate Tartelet Archives, a new sub-label to Tartelet Records focusing on electronic obscurities and sounds from the past.
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Germany
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Tartelet releases Jitwam’s 2019 success album on gold vinyl. HONEYCOMB hits the sweet spot between Jitwam’s work in dance music and efforts as a bandleader, connecting people in-studio and on-stage.
Tracklist:
1.1Busstop
1.2Temptaions
1.3Diamonds
1.4Hearts Don't Lie
1.5I'm A Rock
1.6B I T C H
1.7Universes
1.8Trustt
1.9Opendoors
1.10Country & Western
1.11Aria's Song
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Tracklist:
1.1Busstop
1.2Temptaions
1.3Diamonds
1.4Hearts Don't Lie
1.5I'm A Rock
1.6B I T C H
1.7Universes
1.8Trustt
1.9Opendoors
1.10Country & Western
1.11Aria's Song
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1
Space Ghost - Deep (Drik 81 Remix)
2
Space Ghost - Be Yourself (Central Remix)
3
Space Ghost - Be Yourself (Jarren Remix)
4
Space Ghost - Emotional Healer (Space Ghost's Dance Mix)
5
Space Ghost - Emotional Healer (Nelson Of The East Forever Dub)
Black Vinyl!Return to Space Ghost’s celebrated Dance Planet LP with six summer-ready remixes by Central, Dirk 81,
Jarren, Nelson of the East and Space Ghost himself, releasing June 10.
The Oakland-native’s romantic and empowering house sound has enjoyed a growing audience made
up of fans and tastemakers alike. The remix package comes courtesy of friends and label affiliates, each
lending their touch to Space Ghost’s work.
Capitalizing on the inherent warmth in the Bay Area- artist’s sound, Tartelet label head Dirk 81 subtly threads a slow, rolling breakbeat into ‘Deep’, channeling 90s RnB and Balearic. Danish underground powerhouse and Help/Regelbau label affiliate Central injects some up-tempo garage house energy into ‘Be Yourself’ – without losing the swirling romanticism of the original. And LA-based producer Jarren, neighbor to Space Ghost on UK label Apron, leans in to the punchy Lately Bass and turns up the swing on his own version of the track.
Space Ghost comes back to ‘Emotional Healer’ and creates a pointedly club-tooled ‘Dance Mix’ version
with a panoply of 90s touchstones delivered in the classiest of ways. To finish, Nelson Of The East’s ‘Forever Dub’ of the track adds a sharp and snappy strain of modern steppas.
Releasing June 10, the vinyl comes in two versions; black standard and a limited edition marbled pink/black.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Jarren, Nelson of the East and Space Ghost himself, releasing June 10.
The Oakland-native’s romantic and empowering house sound has enjoyed a growing audience made
up of fans and tastemakers alike. The remix package comes courtesy of friends and label affiliates, each
lending their touch to Space Ghost’s work.
Capitalizing on the inherent warmth in the Bay Area- artist’s sound, Tartelet label head Dirk 81 subtly threads a slow, rolling breakbeat into ‘Deep’, channeling 90s RnB and Balearic. Danish underground powerhouse and Help/Regelbau label affiliate Central injects some up-tempo garage house energy into ‘Be Yourself’ – without losing the swirling romanticism of the original. And LA-based producer Jarren, neighbor to Space Ghost on UK label Apron, leans in to the punchy Lately Bass and turns up the swing on his own version of the track.
Space Ghost comes back to ‘Emotional Healer’ and creates a pointedly club-tooled ‘Dance Mix’ version
with a panoply of 90s touchstones delivered in the classiest of ways. To finish, Nelson Of The East’s ‘Forever Dub’ of the track adds a sharp and snappy strain of modern steppas.
Releasing June 10, the vinyl comes in two versions; black standard and a limited edition marbled pink/black.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Space Ghost - Deep (Dirk 81 Remix)
2
Space Ghost - Be Yourself (Central Mix)
3
Space Ghost - Be Yourself (Jarren Remix)
4
Space Ghost - Emotional Healer (Space Ghost's Dance Mix)
5
Space Ghost - Emotional Healer (Nelson Of The East Forever Dub)
Pink Marbled Vinyl!
!Return to Space Ghost’s celebrated Dance Planet LP with six summer-ready remixes by Central, Dirk 81,
Jarren, Nelson of the East and Space Ghost himself, releasing June 10.
The Oakland-native’s romantic and empowering house sound has enjoyed a growing audience made
up of fans and tastemakers alike. The remix package comes courtesy of friends and label affiliates, each
lending their touch to Space Ghost’s work.
Capitalizing on the inherent warmth in the Bay Area- artist’s sound, Tartelet label head Dirk 81 subtly threads a slow, rolling breakbeat into ‘Deep’, channeling 90s RnB and Balearic. Danish underground powerhouse and Help/Regelbau label affiliate Central injects some up-tempo garage house energy into ‘Be Yourself’ – without losing the swirling romanticism of the original. And LA-based producer Jarren, neighbor to Space Ghost on UK label Apron, leans in to the punchy Lately Bass and turns up the swing on his own version of the track.
Space Ghost comes back to ‘Emotional Healer’ and creates a pointedly club-tooled ‘Dance Mix’ version
with a panoply of 90s touchstones delivered in the classiest of ways. To finish, Nelson Of The East’s ‘Forever Dub’ of the track adds a sharp and snappy strain of modern steppas.
Releasing June 10, the vinyl comes in two versions; black standard and a limited edition marbled pink/black.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
!Return to Space Ghost’s celebrated Dance Planet LP with six summer-ready remixes by Central, Dirk 81,
Jarren, Nelson of the East and Space Ghost himself, releasing June 10.
The Oakland-native’s romantic and empowering house sound has enjoyed a growing audience made
up of fans and tastemakers alike. The remix package comes courtesy of friends and label affiliates, each
lending their touch to Space Ghost’s work.
Capitalizing on the inherent warmth in the Bay Area- artist’s sound, Tartelet label head Dirk 81 subtly threads a slow, rolling breakbeat into ‘Deep’, channeling 90s RnB and Balearic. Danish underground powerhouse and Help/Regelbau label affiliate Central injects some up-tempo garage house energy into ‘Be Yourself’ – without losing the swirling romanticism of the original. And LA-based producer Jarren, neighbor to Space Ghost on UK label Apron, leans in to the punchy Lately Bass and turns up the swing on his own version of the track.
Space Ghost comes back to ‘Emotional Healer’ and creates a pointedly club-tooled ‘Dance Mix’ version
with a panoply of 90s touchstones delivered in the classiest of ways. To finish, Nelson Of The East’s ‘Forever Dub’ of the track adds a sharp and snappy strain of modern steppas.
Releasing June 10, the vinyl comes in two versions; black standard and a limited edition marbled pink/black.
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Germany
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1
ABUNAI - Sixteen Hours
2
ABUNAI - Deep Sea Baby (Feat. Kissingpractice)
3
ABUNAI - Mph Outro
4
ABUNAI - Always Enough
5
ABUNAI - Pure Heart
6
ABUNAI - Pure Heart Coda
7
ABUNAI - Falling Forwards (Feat. Glenn Astro)
8
ABUNAI - Wingspan
9
ABUNAI - Photon
10
ABUNAI - After Me (Feat. Raquel Marie)
11
ABUNAI - Soft Focus
Tartelet are proud to introduce the blissful, psychedelic electronic soul sound of ABUNAI on his sophomore album Chrysalis out May
20th. Across 11 songs the Oakland, CA-based multi- instrumentalist lays down a dreamlike style which should chimewith fans of Tame Impala, Khruangbin and James Blake alike. As well as the sun-soaked surrounding of his Californian home, ABUNAI’s family connection to Hawaii casts its influence over an album which has all the makings of a crossover success. Look no further than early support from the likes of Gilles Peterson, Don Letts, and Wayne Snow for further proof this album is set to blow up.
“My sound is definitely influenced by the live music I grew up with in the Bay Area,” says ABUNAI. “There's plenty of musical legacy here, including the '60s psychedelic and counterculture movements, the '90s rave scene, and the hyphy movement. "I'm always trying to connect the dots and blend all of my influences.
Chrysalis was, like so many recent albums, a project made largely in isolation during the pandemic, although ABUNAI did reach out to close collaborators Gravity and Raquel Marie to contribute some guest vocals, Kevin Farzad from Sure Sure for the acoustic drum parts and a few additional production touches from Tartelet regulars Glenn Astro and Max Graef. He bills the songs as an exercise in therapeutic self-care through lockdown as much as a balm for others. “It's music for healing,” ABUNAI explains, “for the listener to be able to marinate in the slow tempos, the dreamy textures, the swirling vocals, and the lush synthesizers. It’s very much about growth, re-emergence, and dreaming of a better future.”
As well as dealing in ear-catching pop melodies and sweet vocals, there’s an underlying theme of the ocean, which stems from his coastal surroundings and his family roots in the Pacific. “I think the album is aquatic,” he reflects, “and it feels like a voyage to me, or like a long shower, being reborn in the water. I played the album for my grandpa, who's a veteran sailor and pilot from Hawaii, and he said it was the perfect music to play when you're sailing on the open ocean at sunset.” Cast in nostalgic, soft-focus tones and endlessly soothing for the soul, Chrysalis is your new favourite record for tender moments, hazy days and starry-eyed reveries alike.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
20th. Across 11 songs the Oakland, CA-based multi- instrumentalist lays down a dreamlike style which should chimewith fans of Tame Impala, Khruangbin and James Blake alike. As well as the sun-soaked surrounding of his Californian home, ABUNAI’s family connection to Hawaii casts its influence over an album which has all the makings of a crossover success. Look no further than early support from the likes of Gilles Peterson, Don Letts, and Wayne Snow for further proof this album is set to blow up.
“My sound is definitely influenced by the live music I grew up with in the Bay Area,” says ABUNAI. “There's plenty of musical legacy here, including the '60s psychedelic and counterculture movements, the '90s rave scene, and the hyphy movement. "I'm always trying to connect the dots and blend all of my influences.
Chrysalis was, like so many recent albums, a project made largely in isolation during the pandemic, although ABUNAI did reach out to close collaborators Gravity and Raquel Marie to contribute some guest vocals, Kevin Farzad from Sure Sure for the acoustic drum parts and a few additional production touches from Tartelet regulars Glenn Astro and Max Graef. He bills the songs as an exercise in therapeutic self-care through lockdown as much as a balm for others. “It's music for healing,” ABUNAI explains, “for the listener to be able to marinate in the slow tempos, the dreamy textures, the swirling vocals, and the lush synthesizers. It’s very much about growth, re-emergence, and dreaming of a better future.”
As well as dealing in ear-catching pop melodies and sweet vocals, there’s an underlying theme of the ocean, which stems from his coastal surroundings and his family roots in the Pacific. “I think the album is aquatic,” he reflects, “and it feels like a voyage to me, or like a long shower, being reborn in the water. I played the album for my grandpa, who's a veteran sailor and pilot from Hawaii, and he said it was the perfect music to play when you're sailing on the open ocean at sunset.” Cast in nostalgic, soft-focus tones and endlessly soothing for the soul, Chrysalis is your new favourite record for tender moments, hazy days and starry-eyed reveries alike.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Glenn Astro - Penduloop
2
Glenn Astro - Purple
3
Glenn Astro - Out Of Office
4
Glenn Astro - Flux
Glenn Astro returns to Tartelet Records with Purple, a four-tracker of minimal slow burners and futuristic dance music, marking the label’s 50th 12-inch release.
Since releasing his second album Homespun in late 2020, Glenn Astro has been quietly channeling his funky instincts towards new production approaches. Purple, a four-piece compilation of mutant future-boogie daubed in Rogers-Nelson hues, comes through with emotional heft. It also marks the 50th 12" release for Tartelet Records.
“Following up on Homespun, I wanted to try out some more dancefloor- oriented tracks again,” says Glenn Astro. “Keeping it simple and practical, while not being too predictable. I incorporated a lot of modular synth bits and experiments, with ‘Flux’ being an almost exclusively modular-based jam.”
Incorporating tricky sound design and fluid structures, Astro’s new lines of enquiry never come at the expense of the groove. From the opening thump of ‘Penduloop’ onwards it’s apparent that his rugged rhythmic kinks are present and correct to hook in the dancers, while the melodic drops later in the track edge in a little melancholic flavour to take the mind somewhere else entirely. On this opening track, the artist explores new territory with his version of early naughties minimal house – a welcome
slow burner.
The EP title track ‘Purple’ slaps with purpose, not least in the Linn-esque drums and melodic bassline, but it’s a positively dreamy piece which skips on crooked beat formations and floats upwards via a multi-timbral tapestry of yearning synth shapes and robotic vocals. On ‘Out Of Office’ Glenn Astro provides a generous dose of electro nostalgia when he amps up the heavy-hearted feeling with aching string pads and electro-informed machine logic. The track becomes alive with its deep un-synced rhythms and dark bass notes, pushing further into the abyss. ‘Flux’, with its tooly
feel, takes the electronic mantra further and sheds light on the source of much of Astro’s new sound palette.
Crucially, even in its techiest moments, an irrepressible humanity shines through across Purple. Glenn Astro’s soul is the binding agent which links his early, sample-heavy house to his more explorative new angles, and it comes through in abundance on this fully-formed release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Since releasing his second album Homespun in late 2020, Glenn Astro has been quietly channeling his funky instincts towards new production approaches. Purple, a four-piece compilation of mutant future-boogie daubed in Rogers-Nelson hues, comes through with emotional heft. It also marks the 50th 12" release for Tartelet Records.
“Following up on Homespun, I wanted to try out some more dancefloor- oriented tracks again,” says Glenn Astro. “Keeping it simple and practical, while not being too predictable. I incorporated a lot of modular synth bits and experiments, with ‘Flux’ being an almost exclusively modular-based jam.”
Incorporating tricky sound design and fluid structures, Astro’s new lines of enquiry never come at the expense of the groove. From the opening thump of ‘Penduloop’ onwards it’s apparent that his rugged rhythmic kinks are present and correct to hook in the dancers, while the melodic drops later in the track edge in a little melancholic flavour to take the mind somewhere else entirely. On this opening track, the artist explores new territory with his version of early naughties minimal house – a welcome
slow burner.
The EP title track ‘Purple’ slaps with purpose, not least in the Linn-esque drums and melodic bassline, but it’s a positively dreamy piece which skips on crooked beat formations and floats upwards via a multi-timbral tapestry of yearning synth shapes and robotic vocals. On ‘Out Of Office’ Glenn Astro provides a generous dose of electro nostalgia when he amps up the heavy-hearted feeling with aching string pads and electro-informed machine logic. The track becomes alive with its deep un-synced rhythms and dark bass notes, pushing further into the abyss. ‘Flux’, with its tooly
feel, takes the electronic mantra further and sheds light on the source of much of Astro’s new sound palette.
Crucially, even in its techiest moments, an irrepressible humanity shines through across Purple. Glenn Astro’s soul is the binding agent which links his early, sample-heavy house to his more explorative new angles, and it comes through in abundance on this fully-formed release.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Space Ghost - Time To Dance (Original)
2
Space Ghost - New World Energy (Original)
3
Space Ghost - Mood Research
4
Space Ghost - Time To Dance (Together Mix)
5
Space Ghost - New World Energy (Sunset Mix)
6
Space Ghost - Forest Dub
Repress!
Space Ghost returns with hedonistic house anthems for your living room dance floor on his latest EP, Time To Dance.
After a string of successful albums on Apron and Tartelet Records, the Oakland native Sudi Wachspress (Space Ghost) returns with a selection of golden-era house anthems conveying the message of unity through dance –a much-needed reminder of better days.
The 28 year-old producer and DJ has been gaining momentum over the last few years. His growing catalogue of ambient-leaning house with lush musical textures is a testament to carry on the legacy of famed US house producers, who have set the tone and pioneered electronic dance music since the 1980s.
On his new EP, Time To Dance, Space Ghost gets on the mic and takes us back to the early days of house music, effortlessly mixing the deep bass rhythms of Chicago with the Nu Groove-era of the East Coast.
“This release was mostly inspired by some early East Coast house. I started the idea before Covid-19 really took over the world. I wanted to make something explicitly for the dance floor, kind of like my own dance floor anthem.”
The EP’s main cuts “Time To Dance” and “New World Energy” both come in two versions – a main version and an alternative mix for maximum dance floor pleasure. As the artist’s vocals echo on the track: It’s time to come together and work for a better future for all.
“Now with everything going on with the coronavirus and all the protests in the US and across the world, I think my goals have shifted. Even though the world is on pause and people can’t spin these tracks at a club, I still think the message of Time To Dance is: We can work together and music can help us through it.”
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Space Ghost returns with hedonistic house anthems for your living room dance floor on his latest EP, Time To Dance.
After a string of successful albums on Apron and Tartelet Records, the Oakland native Sudi Wachspress (Space Ghost) returns with a selection of golden-era house anthems conveying the message of unity through dance –a much-needed reminder of better days.
The 28 year-old producer and DJ has been gaining momentum over the last few years. His growing catalogue of ambient-leaning house with lush musical textures is a testament to carry on the legacy of famed US house producers, who have set the tone and pioneered electronic dance music since the 1980s.
On his new EP, Time To Dance, Space Ghost gets on the mic and takes us back to the early days of house music, effortlessly mixing the deep bass rhythms of Chicago with the Nu Groove-era of the East Coast.
“This release was mostly inspired by some early East Coast house. I started the idea before Covid-19 really took over the world. I wanted to make something explicitly for the dance floor, kind of like my own dance floor anthem.”
The EP’s main cuts “Time To Dance” and “New World Energy” both come in two versions – a main version and an alternative mix for maximum dance floor pleasure. As the artist’s vocals echo on the track: It’s time to come together and work for a better future for all.
“Now with everything going on with the coronavirus and all the protests in the US and across the world, I think my goals have shifted. Even though the world is on pause and people can’t spin these tracks at a club, I still think the message of Time To Dance is: We can work together and music can help us through it.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Glenn Astro - No Title
2
Glenn Astro - No Title
3
Glenn Astro - No Title
4
Glenn Astro - No Title
5
Glenn Astro - No Title
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Glenn Astro - No Title
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Glenn Astro - No Title
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Glenn Astro - No Title
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Glenn Astro - No Title
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Glenn Astro - No Title
Five years after his critically acclaimed debut album Throwback, Glenn Astro returns with his deeply personal album Homespun.
Marking a change in course from his first release on Tartelet Records, Glenn Astro is set to showcase his sophomore album Homespun, a testament to a visionary artist who has come into his own. Made up of ten tracks spanning 45 minutes, the record twists and turns between electronic meditations, soulful vocals by Ajnascnet, and futuristic electro, carving out a world of spacey eclecticism that is as nostalgic as it is experimental.
“This album is in all facets different from the first one, which was a deliberate decision. No vintage sounds and references, no sampling, combined with futuristic sound design and song structures.I tried to keep it as current and intuitive as possible,” he says.
Known for his chunky beats and fuzzy textures, Glenn Astro has released on labels such as Ninja Tune and Apollo, leaving a distinctive signature on everything he touches.
But Glenn Astro has quietly been crafting a new sound for himself. Sometimes taking detours – morphing into his dark alter ego and experimenting with artist collaborations.
The sound of Homespun is a culmination of several years of reflection and artistic development – however, the album itself was produced in less than three months. “I set myself an ultimatum to finish the album within three months. If I didn’t make it, I’d
have to rethink my career path and keep music as a hobby, he says.
On the introspective first single and album title track “Homespun,” Ajnascent’s vocals lend a sincerity to the melancholic production. “It’s about the regret of not taking chances and giving in too much, but also about taking responsibility and being honest with yourself. Homespun is a nod to nostalgia and a desire for simplicity and prudence, being equally the culprit and the cure,” elaborates Ajnascent.
On “The Yancey,” an homage to J Dilla, Glenn Astro paints his vision of contemporary dance music with shimmering melodies, deep ambient soundscapes, and advanced drum programming. “Moreira” and “Look at You” feel like spaced-out electronic funk hybrids, while “Taking Care of Business” goes back to the future with Glenn Astro’s take on jungle. Other tracks such as “Mezzanine,” “Slow Poke Flange,” and “Viktor’s Meditation” provide the finest dubby electronics.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Marking a change in course from his first release on Tartelet Records, Glenn Astro is set to showcase his sophomore album Homespun, a testament to a visionary artist who has come into his own. Made up of ten tracks spanning 45 minutes, the record twists and turns between electronic meditations, soulful vocals by Ajnascnet, and futuristic electro, carving out a world of spacey eclecticism that is as nostalgic as it is experimental.
“This album is in all facets different from the first one, which was a deliberate decision. No vintage sounds and references, no sampling, combined with futuristic sound design and song structures.I tried to keep it as current and intuitive as possible,” he says.
Known for his chunky beats and fuzzy textures, Glenn Astro has released on labels such as Ninja Tune and Apollo, leaving a distinctive signature on everything he touches.
But Glenn Astro has quietly been crafting a new sound for himself. Sometimes taking detours – morphing into his dark alter ego and experimenting with artist collaborations.
The sound of Homespun is a culmination of several years of reflection and artistic development – however, the album itself was produced in less than three months. “I set myself an ultimatum to finish the album within three months. If I didn’t make it, I’d
have to rethink my career path and keep music as a hobby, he says.
On the introspective first single and album title track “Homespun,” Ajnascent’s vocals lend a sincerity to the melancholic production. “It’s about the regret of not taking chances and giving in too much, but also about taking responsibility and being honest with yourself. Homespun is a nod to nostalgia and a desire for simplicity and prudence, being equally the culprit and the cure,” elaborates Ajnascent.
On “The Yancey,” an homage to J Dilla, Glenn Astro paints his vision of contemporary dance music with shimmering melodies, deep ambient soundscapes, and advanced drum programming. “Moreira” and “Look at You” feel like spaced-out electronic funk hybrids, while “Taking Care of Business” goes back to the future with Glenn Astro’s take on jungle. Other tracks such as “Mezzanine,” “Slow Poke Flange,” and “Viktor’s Meditation” provide the finest dubby electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Nelson of the East - No Title
2
Nelson of the East - No Title
3
Nelson of the East - No Title
4
Nelson of the East - No Title
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Nelson of the East - No Title
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Nelson of the East - No Title
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Nelson of the East - No Title
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Nelson of the East - No Title
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Nelson of the East - No Title
Embarking on a journey from Italy to Anatolia and from Africa to the Americas, Nelson of the East soars over imagined landscapes in his debut, motion picture- inspired album, Kybele. Plug in your headphones, drown out the world, and set
out on a mystic voyage of Earth through the lens of Kybele, the Anatolian goddess of wild nature.
With the world in flux and isolation taking its toll, musical escapism has become a much needed pastime for today’s armchair adventurers. Treating recorded sound as a vehicle of time travel, Milanese artist Nelson of the East (N.O.T.E) takes listeners on a journey through kaleidoscopic soundscapes with his debut album Kybele released on Tartelet Records.
Skillfully weaving the sounds of East and West, the nine-track LP fuses Turkish and cosmic influences with a strong electronic backbone into an otherworldly soundtrack of our time.
“The feeling that passes through the record isn’t straight. It changes, it turns, it is never predictable. Never being able to predict which landscape you arrive at next or where the music is taking you is key to enjoying the sound journey,” says Nelson. “
Named Kybele after the Anatolian goddess of nature, fertility, mountains, and wild animals, the record is a continuous saga that takes from the Berlin-based artist’s own adventurous spirit. Following his previous EP releases Night Frames and Phase Alternating Lines, Nelson explores new territories on Kybele.
The album opener, “Explorer,” is an exhilarating build up to what could be a 80s sci-fi movie, showcasing Nelson’s knack for cinematic moods. “Draw Me,” speaks to the artist’s intention of making a “snare album,” with an irregular, dominating beat untethering it from time or boundaries. “What I realize while I was writing the rhythm part is that the more you keep a beat simple the more difficult it becomes to make it interesting. So I just put down some rules to follow. For example, using swing as smoothly as possible, or using lot of syncopated sequence over the straight 2-4 groove,” says Nicolas.
Another thing Nelson achieves in this album is ambience, or the “motion picture touch” as he calls it. Tracks like the wild and obscure Culto, with its Anatolian nuances and middle eastern-sounding scales are made by layering synths to achieve an orchestral effect.
Other tracks capture the musician’s penchant for African and Brazilian grooves, like the Saudade mix of Burning Palm. On the B side, the Italo-flavored Phase Lines comes through with shimmering synth and electronic drums complete with hazy vocals delivered by DJ Rayne and Nelson himself. Yahuda dives into dark, melancholic electro with a Detroit feel not far from the sounds of the great Drexciya.
The album closes with ZETA, a track that could easily double as an obscure cinematic composition. The nine-track LP is strictly limited to 300 copies, pressed on 180g vinyl with artwork by The Emperor of Antarctica. No repress.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
out on a mystic voyage of Earth through the lens of Kybele, the Anatolian goddess of wild nature.
With the world in flux and isolation taking its toll, musical escapism has become a much needed pastime for today’s armchair adventurers. Treating recorded sound as a vehicle of time travel, Milanese artist Nelson of the East (N.O.T.E) takes listeners on a journey through kaleidoscopic soundscapes with his debut album Kybele released on Tartelet Records.
Skillfully weaving the sounds of East and West, the nine-track LP fuses Turkish and cosmic influences with a strong electronic backbone into an otherworldly soundtrack of our time.
“The feeling that passes through the record isn’t straight. It changes, it turns, it is never predictable. Never being able to predict which landscape you arrive at next or where the music is taking you is key to enjoying the sound journey,” says Nelson. “
Named Kybele after the Anatolian goddess of nature, fertility, mountains, and wild animals, the record is a continuous saga that takes from the Berlin-based artist’s own adventurous spirit. Following his previous EP releases Night Frames and Phase Alternating Lines, Nelson explores new territories on Kybele.
The album opener, “Explorer,” is an exhilarating build up to what could be a 80s sci-fi movie, showcasing Nelson’s knack for cinematic moods. “Draw Me,” speaks to the artist’s intention of making a “snare album,” with an irregular, dominating beat untethering it from time or boundaries. “What I realize while I was writing the rhythm part is that the more you keep a beat simple the more difficult it becomes to make it interesting. So I just put down some rules to follow. For example, using swing as smoothly as possible, or using lot of syncopated sequence over the straight 2-4 groove,” says Nicolas.
Another thing Nelson achieves in this album is ambience, or the “motion picture touch” as he calls it. Tracks like the wild and obscure Culto, with its Anatolian nuances and middle eastern-sounding scales are made by layering synths to achieve an orchestral effect.
Other tracks capture the musician’s penchant for African and Brazilian grooves, like the Saudade mix of Burning Palm. On the B side, the Italo-flavored Phase Lines comes through with shimmering synth and electronic drums complete with hazy vocals delivered by DJ Rayne and Nelson himself. Yahuda dives into dark, melancholic electro with a Detroit feel not far from the sounds of the great Drexciya.
The album closes with ZETA, a track that could easily double as an obscure cinematic composition. The nine-track LP is strictly limited to 300 copies, pressed on 180g vinyl with artwork by The Emperor of Antarctica. No repress.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tartelet Records kicks off 2020 with "Jubiiilæum", the re-issue of a rare Discogs gem from the early 80s by the legendary Danish composer
and music educator Lotte Kærså and her band of young musicians, “Græsrødderne.”
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Germany
Contact: [email protected]More
and music educator Lotte Kærså and her band of young musicians, “Græsrødderne.”
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U.R - Lo-Tech Reality
Repress!
Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change……
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change……
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WAS - Word and Sound Medien GmbH
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Label:Atlas Artists/Parlophone
Cat-No:5060202597345
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:12"
Label:Atlas Artists/Parlophone
Cat-No:5060202597345
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:12"
1
Gabriels - Innocence
2
Gabriels - Blame
3
Gabriels - Stranger
4
Gabriels - Bloodline
This four track EP features the LA band’s single’s Blame and the EP’s title track Bloodline,
Quickly finding fans in the likes of Elton John, Celeste, Paul Weller, Benji B, and Gilles Peterson, the band should soon find plenty more on a record that could soundtrack a David Lynch epic such is its drama and suspenseful, late-night orchestral ruminations. Capped by Lusk’s voice, a weapon that swoops through the octaves breathlessly, Gabriels have that rare ability to make you re-evaluate music, and what it can do, in a heartbeat.
Whilst Lusk provides the wow factor with that ridiculous larynx, Gabriels are very much a close-knit trio. Producer, keyboardist (and full-time video director) Ryan Hope hails from Sunderland but calls LA home. Fellow producer-composer and violinist Ari Balouzian, a man with endless musical projects on the go at any one time, gives Gabriels’ songs a real ‘feel’ to them.
Sultry, soulful mood music certainly isn’t the band’s modus operandi, with debut track If Love & Hate In A Different Time having originally identified Gabriels as a loose-limbed, soul-stirring funk and gospel-flecked odyssey. But this experimental EP should paint an altogether more rounded idea of where Gabriels are at… !
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Quickly finding fans in the likes of Elton John, Celeste, Paul Weller, Benji B, and Gilles Peterson, the band should soon find plenty more on a record that could soundtrack a David Lynch epic such is its drama and suspenseful, late-night orchestral ruminations. Capped by Lusk’s voice, a weapon that swoops through the octaves breathlessly, Gabriels have that rare ability to make you re-evaluate music, and what it can do, in a heartbeat.
Whilst Lusk provides the wow factor with that ridiculous larynx, Gabriels are very much a close-knit trio. Producer, keyboardist (and full-time video director) Ryan Hope hails from Sunderland but calls LA home. Fellow producer-composer and violinist Ari Balouzian, a man with endless musical projects on the go at any one time, gives Gabriels’ songs a real ‘feel’ to them.
Sultry, soulful mood music certainly isn’t the band’s modus operandi, with debut track If Love & Hate In A Different Time having originally identified Gabriels as a loose-limbed, soul-stirring funk and gospel-flecked odyssey. But this experimental EP should paint an altogether more rounded idea of where Gabriels are at… !
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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Germany
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1
iO (Mulen) - Ecstasy
2
iO (Mulen) - Deep In My Soul
3
iO (Mulen) - Edge of Infinity
4
iO (Mulen) - Air Gap
Tracklisting:
A1 iO (Mulen) - Ecstasy
A2 iO (Mulen) - Deep In My Soul
B1 iO (Mulen) - Edge of Infinity
B2 iO (Mulen) - Air Gap
Release Note:
iO (Mulen) returns to his home - Mulen Records after a quite long production pause because of the full-scale Russian invasion in Ukraine. Despite all the troubles that are going with the war in your home, half of this release (the B-side) was written after 24.02.2022.
Signature minimalistic and euphoric at the same time examples of a modern house with the retro feel - that's what we're having here.
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Germany
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A1 iO (Mulen) - Ecstasy
A2 iO (Mulen) - Deep In My Soul
B1 iO (Mulen) - Edge of Infinity
B2 iO (Mulen) - Air Gap
Release Note:
iO (Mulen) returns to his home - Mulen Records after a quite long production pause because of the full-scale Russian invasion in Ukraine. Despite all the troubles that are going with the war in your home, half of this release (the B-side) was written after 24.02.2022.
Signature minimalistic and euphoric at the same time examples of a modern house with the retro feel - that's what we're having here.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Various Artists - Tutto Playback (Club Paradiso Re-Work)
2
Various Artists - Baffo Baffissimo (Club Paradiso Re-Work)
3
Various Artists - Eva Sarai (Club Paradiso Re-Work)
4
Various Artists - Fiorella Scaldami (Club Paradiso Re-Work)
4 new Club Paradiso’s re-works of rare cult Italo Disco tracks. Another must for Italo maniacs.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
East Coast Love Affair - Get Down (feat. Quiet Storm)
2
East Coast Love Affair - Can You Deal (feat. Quiet Storm)
2023 Starts with a doubler sided disco action from East Coast Love Affair - Taking the vocal from obscure Minneapolis lo-fi band 'Quiet Storm' master tape (Big up Numero Group) and building a whole new deep disco 45. 'Get Down' is deep dance floor chugger using the O.G studio gear that would have been used at the time, strictly analog business. On the flip, 'Can You Deal' is a more uptempo boogie joint. Both killers as always. Lots more from ECLA this year!!
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Manuel Darquart - Shoreline
2
Manuel Darquart - Late Drivers
3
Manuel Darquart - Prono Balearica
4
Manuel Darquart - In The Post
5
Manuel Darquart - Full Pints, Full Hearts
Manuel Darquart joins the Planet Trip massive with a healthy slab of signature jam hot, house and boogie. With lashings of dream-like sonics throughout and energetic drum work forged together to create pure balearic pleasure.
The A side welcomes three smoothed out, windows down slappers, set steady for a long drive along the coastline. On the flip they dial up the tempo and whip out the 707 cowbell in the heaving title track “In The Post.” Euphoric vocal and swelling synth send your mind into the ether. The closer; “Full Pints, Full Hearts” comes as close to capturing the essence of 90’s dream-house without getting in a time machine. Piano stabs from heaven and a chant calling us to enjoy the good times. Tip!
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DE - 22113 Hamburg
Germany
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The A side welcomes three smoothed out, windows down slappers, set steady for a long drive along the coastline. On the flip they dial up the tempo and whip out the 707 cowbell in the heaving title track “In The Post.” Euphoric vocal and swelling synth send your mind into the ether. The closer; “Full Pints, Full Hearts” comes as close to capturing the essence of 90’s dream-house without getting in a time machine. Piano stabs from heaven and a chant calling us to enjoy the good times. Tip!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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With our Africa Airways series flying high we felt it is time to introduce a new compilation focusing on the unique contribution from some of Africa's most recognised female artists and some lesser known ones for good measure. We are excited to be launching this on Women's Day 2018 as our way to highlight the incredible, yet under-acknowledged musical contribution that African women have given to the funky sounds of Africa.
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DE - 22113 Hamburg
Germany
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Germany
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Kalita are honoured to release for the first time Emerson's mythical 1988 unreleased boogie masterpiece 'If You Need Me, Call Me', accompanied by extensive interview-based liner notes and never-before-seen photos
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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1
Robson Jorge & Lincoln Olivetti - Suspira
2
Robson Jorge & Lincoln Olivetti - Dance Baby
3
Robson Jorge & Lincoln Olivetti - You
4
Robson Jorge & Lincoln Olivetti - Sem Essa
5
Robson Jorge & Lincoln Olivetti - Batebca
Repress!
“Déjà Vu”, a true labour of love project featuring 5 previously unreleased songs from two of Brazil’s most celebrated artists, Robson Jorge and Lincoln Olivetti. Recorded between 1982 and 1986, these tracks take off from the legendary boogie-disco, jazz-funk fusion sound they presented in their first – and only – album together and allow us to have a glimpse of what their planned second volume would sound like. This collection of songs is a must-have for DJs, Brazilian music fans, and music aficionados alike.
Robson Jorge and Lincoln Olivetti have been influential figures in the Brazilian music scene for decades, with their innovative and groovy sound inspiring many artists in Brazil and beyond. They participated in more than 1,000 records, including groundbreaking work with Tim Maia, Marcos Valle, Gilberto Gil, Gal Costa, Rita Lee, and Jorge Ben, either arranging, producing and/or playing in their albums. This release offers a unique opportunity to experience some of their never-heard-before material, each song expertly restored and remastered from Lincoln Olivetti’s vaults to ensure that the original recordings were preserved.
For disco DJs, this record is a treasure trove of dancefloor gold, specially the opening track “Suspira”, certified material to get any party started. Brazilian music fans worldwide will appreciate the unique blend of Brazilian rhythms with disco and funk elements. And for music aficionados, this release is a rare gem, offering a peek into the creative process of two legendary musicians and producers. In the end, this very special release has the potential to be a hit with a wide range of music lovers.
Comes with an 8-page insert with photo's and liner notes in portuguese and english.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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“Déjà Vu”, a true labour of love project featuring 5 previously unreleased songs from two of Brazil’s most celebrated artists, Robson Jorge and Lincoln Olivetti. Recorded between 1982 and 1986, these tracks take off from the legendary boogie-disco, jazz-funk fusion sound they presented in their first – and only – album together and allow us to have a glimpse of what their planned second volume would sound like. This collection of songs is a must-have for DJs, Brazilian music fans, and music aficionados alike.
Robson Jorge and Lincoln Olivetti have been influential figures in the Brazilian music scene for decades, with their innovative and groovy sound inspiring many artists in Brazil and beyond. They participated in more than 1,000 records, including groundbreaking work with Tim Maia, Marcos Valle, Gilberto Gil, Gal Costa, Rita Lee, and Jorge Ben, either arranging, producing and/or playing in their albums. This release offers a unique opportunity to experience some of their never-heard-before material, each song expertly restored and remastered from Lincoln Olivetti’s vaults to ensure that the original recordings were preserved.
For disco DJs, this record is a treasure trove of dancefloor gold, specially the opening track “Suspira”, certified material to get any party started. Brazilian music fans worldwide will appreciate the unique blend of Brazilian rhythms with disco and funk elements. And for music aficionados, this release is a rare gem, offering a peek into the creative process of two legendary musicians and producers. In the end, this very special release has the potential to be a hit with a wide range of music lovers.
Comes with an 8-page insert with photo's and liner notes in portuguese and english.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Cody Currie - Voyage (feat. Andreas Kon & Ally McMahon)
2
Cody Currie - Money
3
Cody Currie - Red Hot (feat. Jitwam & Ziggy)
4
Cody Currie - That Stick
5
Cody Currie - Cash (feat. MiK)
6
Cody Currie - Night Sky (feat. Eliza Rose)
7
Cody Currie - De Ja Vu (feat. Ziggy)
8
Cody Currie - Starwoman
9
Cody Currie - Danger (feat. Eliza Rose)
10
Cody Currie - Boys (feat. Tino)
11
Cody Currie - The Returner (feat. Tino)
12
Cody Currie - Dumb Dumbs
13
Cody Currie - Easy (feat. Ally McMahon)
14
Cody Currie - Night Visions
Tracklist 2xLP:
A1) Voyage (feat. Andreas Kon & Ally McMahon)
A2) Money
A3) Red Hot (feat. Jitwam & Ziggy)
A4) That Stick
B1) Cash (feat. MiK)
B2) Night Sky (feat. Eliza Rose)
B3) De Ja Vu (feat. Ziggy)
C1) Starwoman
C2) Danger (feat. Eliza Rose)
C3) Boys (feat. Tino)
D1) The Returner (feat. Tino)
D2) Dumb Dumbs
D3) Easy (feat. Ally McMahon)
D4) Night Visions
Release Info:
The 14 tracker will land via Berlin’s Toy Tonics label and glides from disco to jazz, house and funk and features key collaborations with the likes of Jitwam, Eliza Rose, Zeitgeist Freedom Energy Exchange & his close friends.
After having met Mathias ‚Kapote‘ Modica, creative mind behind Germany’s well respected Toy Tonics label three years ago, East London born Cody Currie understood Kapote and his international TT Crew have the perfect understanding for his talents and share the same visions and so Cody joined the TT crew and released three EPs with the German label. Now finally he steps up to present his highly anticipated debut album ‘Lucas’. The 14 track LP is set for release 21 October 2022 with a string of pre-singles to drop until then.
The roots of Cody’s artistry runs deep, hailing from Leytonstone in East London by his father a fashion designer and his Spanish mother a music writer, it was inevitable that Cody would follow suit in the world of creativity. Currie’s keen ear and penchant for retro disco licks, chopped keys, and broken beats have landed him also with 1 off releases on other notable labels like Razor-N-Tape, Dan Shake’s Shake Records.
The past few years has found Cody in the midst of a fresh, unique buzz taking over Europe, predominantly in Berlin and London, as he bridges the gap between jazz and house music with his energetic DJ sets, talented instrumental skills and effortless swag. Playing the big Toy Tonics Jam happening all over Europe and similar to other artists on the TT label ‘connecting the dots’ between live and electronic music has garnered Cody a range of support in the press and radio world with fans including Pete Tong, Rolling Stone, Jamz Supernova, Mixmag and Gilles Peterson, with some journalists describing him as ‘The Tom Misch of jazzy house’.
This debut album, like his EPs, represents the new essence of jazz burgeoning out of London’s youth scene of today. Cody doesn't use any samples, only live instruments, vocals and great chord combinations, a nod towards his music school studies in London before moving over to Berlin. Like most of the other artists on Toy Tonics and similar to Kapote himself, Cody comes from playing jazz piano and playing in bands and combines this real musician’s attitude and knowledge with his skills as an electronic producer and extremely talented DJ/selector. This combination of background and skills create that unique sound that Cody (and many Toy Tonics artists) have.
On Lucas, Cody defines his work by enjoying the collaborative process with other talented artists such as Eliza Rose and Ziggy (Freedom Zeitgeist Energy Exchange), as well as some of Cody’s close personal friends like Jitwam, Ally McMahon, Andreas Kon and more. Currie comments on the album saying:
“Lucas LP is a collection of tracks which I've either done myself around the world recording in different places, or collaborating with my friends. The music reflects my enjoyment of the musical process and I'd say it’s inspired a lot by George Duke and Frank Zappa, the disco and funkier stuff from the 70s and 80s. Some of the tracks are quite deep and introspective, whilst other ones are more fun and silly like ‘That Stick’. Ultimately the album focuses on artists from everywhere around the world with different backgrounds and styles, to see what we can create together!” – Cody Currie
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1) Voyage (feat. Andreas Kon & Ally McMahon)
A2) Money
A3) Red Hot (feat. Jitwam & Ziggy)
A4) That Stick
B1) Cash (feat. MiK)
B2) Night Sky (feat. Eliza Rose)
B3) De Ja Vu (feat. Ziggy)
C1) Starwoman
C2) Danger (feat. Eliza Rose)
C3) Boys (feat. Tino)
D1) The Returner (feat. Tino)
D2) Dumb Dumbs
D3) Easy (feat. Ally McMahon)
D4) Night Visions
Release Info:
The 14 tracker will land via Berlin’s Toy Tonics label and glides from disco to jazz, house and funk and features key collaborations with the likes of Jitwam, Eliza Rose, Zeitgeist Freedom Energy Exchange & his close friends.
After having met Mathias ‚Kapote‘ Modica, creative mind behind Germany’s well respected Toy Tonics label three years ago, East London born Cody Currie understood Kapote and his international TT Crew have the perfect understanding for his talents and share the same visions and so Cody joined the TT crew and released three EPs with the German label. Now finally he steps up to present his highly anticipated debut album ‘Lucas’. The 14 track LP is set for release 21 October 2022 with a string of pre-singles to drop until then.
The roots of Cody’s artistry runs deep, hailing from Leytonstone in East London by his father a fashion designer and his Spanish mother a music writer, it was inevitable that Cody would follow suit in the world of creativity. Currie’s keen ear and penchant for retro disco licks, chopped keys, and broken beats have landed him also with 1 off releases on other notable labels like Razor-N-Tape, Dan Shake’s Shake Records.
The past few years has found Cody in the midst of a fresh, unique buzz taking over Europe, predominantly in Berlin and London, as he bridges the gap between jazz and house music with his energetic DJ sets, talented instrumental skills and effortless swag. Playing the big Toy Tonics Jam happening all over Europe and similar to other artists on the TT label ‘connecting the dots’ between live and electronic music has garnered Cody a range of support in the press and radio world with fans including Pete Tong, Rolling Stone, Jamz Supernova, Mixmag and Gilles Peterson, with some journalists describing him as ‘The Tom Misch of jazzy house’.
This debut album, like his EPs, represents the new essence of jazz burgeoning out of London’s youth scene of today. Cody doesn't use any samples, only live instruments, vocals and great chord combinations, a nod towards his music school studies in London before moving over to Berlin. Like most of the other artists on Toy Tonics and similar to Kapote himself, Cody comes from playing jazz piano and playing in bands and combines this real musician’s attitude and knowledge with his skills as an electronic producer and extremely talented DJ/selector. This combination of background and skills create that unique sound that Cody (and many Toy Tonics artists) have.
On Lucas, Cody defines his work by enjoying the collaborative process with other talented artists such as Eliza Rose and Ziggy (Freedom Zeitgeist Energy Exchange), as well as some of Cody’s close personal friends like Jitwam, Ally McMahon, Andreas Kon and more. Currie comments on the album saying:
“Lucas LP is a collection of tracks which I've either done myself around the world recording in different places, or collaborating with my friends. The music reflects my enjoyment of the musical process and I'd say it’s inspired a lot by George Duke and Frank Zappa, the disco and funkier stuff from the 70s and 80s. Some of the tracks are quite deep and introspective, whilst other ones are more fun and silly like ‘That Stick’. Ultimately the album focuses on artists from everywhere around the world with different backgrounds and styles, to see what we can create together!” – Cody Currie
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Space Ghost - Emotional Healer
2
Space Ghost - Be Yourself
3
Space Ghost - Deep (Vibes Mix)
4
Space Ghost - UFO
5
Space Ghost - Afterglow
6
Space Ghost - Back To The Source
7
Space Ghost - Emotional Healer (Back Room Mix)
8
Space Ghost - Soul Shower
9
Space Ghost - Dream Weaver
10
Space Ghost - Be Yourself (Motivational Mix)
Repress! Black Vinyl!
Sudi Wachspress returns to Tartelet Records with Dance Planet, a third LP of emotionally-charged house music to welcome us back to the dancefloor. The spirit of true house runs deep in the sound of Space Ghost. Oakland native Sudi Wachspress is intuitively plugged into the romantic, mystical energy of 4/4 club music as a unifying force of empowerment and liberation, carrying the torch from vital forebears like Larry Heard, Alton Miller, and Blaze.
His new album, Dance Planet, carries a greater responsibility to spread spiritual affirmations. As the global dancefloor community emerges from a mentally-taxing recess and confronts their social self like it’s the first day of school, Space Ghost’s message couldn’t be more supportive.
“Don’t be afraid to be yourself, don’t be afraid to let go,” he intones on “Be Yourself.” More than just a beat and a hook, his music is pointedly created to heal and energize. “I’m a big fan of old-school house vocals that have a positive message,” says Space Ghost, “tracks that can perhaps enhance your mood or strengthen your confidence in yourself.”
Wachspress has always represented a beacon of musical uplift, both on his previous Endless Light and Aquarium Nightclub LPs for Tartelet and on his swathes of self-released music and last year’s Free 2 B on Apron. Compared to most house-oriented artists, he places emphasis on the long-player format to create an encircling experience for the listener, smoothing out psychic wrinkles and massaging areas of tension for a fully holistic hit.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sudi Wachspress returns to Tartelet Records with Dance Planet, a third LP of emotionally-charged house music to welcome us back to the dancefloor. The spirit of true house runs deep in the sound of Space Ghost. Oakland native Sudi Wachspress is intuitively plugged into the romantic, mystical energy of 4/4 club music as a unifying force of empowerment and liberation, carrying the torch from vital forebears like Larry Heard, Alton Miller, and Blaze.
His new album, Dance Planet, carries a greater responsibility to spread spiritual affirmations. As the global dancefloor community emerges from a mentally-taxing recess and confronts their social self like it’s the first day of school, Space Ghost’s message couldn’t be more supportive.
“Don’t be afraid to be yourself, don’t be afraid to let go,” he intones on “Be Yourself.” More than just a beat and a hook, his music is pointedly created to heal and energize. “I’m a big fan of old-school house vocals that have a positive message,” says Space Ghost, “tracks that can perhaps enhance your mood or strengthen your confidence in yourself.”
Wachspress has always represented a beacon of musical uplift, both on his previous Endless Light and Aquarium Nightclub LPs for Tartelet and on his swathes of self-released music and last year’s Free 2 B on Apron. Compared to most house-oriented artists, he places emphasis on the long-player format to create an encircling experience for the listener, smoothing out psychic wrinkles and massaging areas of tension for a fully holistic hit.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More