Hot 10” vinyl repress limited to 100 copies. Burning Up / Becoming Cyclonic from Jimpster, circa 2018. It’s Minimal, a bit twisted, but hooky as hell.

These will fly. Grab them whilst you can!

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Tokyo's EXPLORATIONS deejay crew strikes again with this unreleased disco cover version of STEVIE WONDER's classic "AS ALWAYS". With additional production by Chicago's own JORDAN FIELDS. 1-sided heavy weight green colored vinyl in paper sleeve. VERY limited like the last one!

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Tokyo's EXPLORATIONS crew drops a jazzy housed up remix of the classic "BRAZILIAN LOVE AFFAIR". Lush keys, a lovely songstress and natural live- drumming falling right into place on this raw rework. 100 copies of this limited 1-sider. On colored vinyl.

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Repress!

A mashup masterpiece from AMERIGO GAZAWAY, the man behind the BIZARRE TRIBE, YASIIN GAYE, and FELA SOUL mashup albums. Here he imagines a studio session between the high priestess of soul NINA SIMONE and hip hop legend LAURYN HILL. 17 track two LP set in pic sleeve.

Side 1
1. "Feeling Good" (4:59)
2. "Ready Or Not" (feat The Fugees) (5:27)
3. "Doo Wop (That Thing)" (4:30)
4. "To Zion" (feat Carlos Santana) (5:49)
Side 2
1. "Fu-Gee-La" (feat The Fugees) (4:56)
2. "The Sweetest Thing" (feat John Forte) (4:45)
3. "Take It Easy" (4:32)
4. "Peace Of Mind" (4:59)
Side 3
1. "Lost Ones" (4:45)
2. "Killing Me Softly" (6:06)
3. "If I Ruled The World" (feat Nas) (3:51)
4. "How Many Mics" (feat The Fugees) (5:43)
Side 4
1. "So High" (feat John Legend) (3:55)
2. "Care For What" (2:54)
3. "Angel Of The Morning" (3:42)
4. "The Miseducation Of Eunice Waymon" (5:00)
5. "Fu-Gee-La" (bonus track - Refugee Camp remix) (5:33)

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This repressed 12" features 5 of the best early DM remixes from his now legendary (and long out of print) mashup EP 12"s. Includes his classic mashed up remixes of NAS vs PORTISHEAD, AUDIO TWO vs AIR, SUZANNE VEGA vs 50 CENT, OUTKAST vs FUNKADELIC, and XZIBIT vs RADIOHEAD.

Tracklisting:
A1. Nas vs Portishead – It Ain’t Hard to Tell (3:19)
A2. Audio Two vs Air – Top Billin (2:59)
A3. Suzanne Vega vs 50 Cent – Tom’s Diner (4:54)
B1. Outkast vs Funkadelic – Whole World (4:53)
B2. Xzibit vs Radiohead – Paparazzi (3:43)

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A warm rain in August, the cool feeling of soft ice cream on the lips, golden light and tender smiles. The sweet scent of strawberries, people laughing in the backyard and autumn is already in the air. This is how the music of Bionda e Lupo feels. Joy and melancholy, warmth and goosebumps – that is “La Deutsche Vita”.

Six summers – ten songs for the double album by the Berlin couple. Lively German lyrics allowing us to immerse ourselves in the world of Gertalo, as we surf on synths in the New German Wave and refresh ourselves with a splash of cheeky Schlager pop.

The private pressing, only available on heavy vinyl, enchants with its lavish presentation. In the colorful gatefold, with a huge sticker, you will not only discover artistically designed inner sleeves with all of the lyrics, but also a greeting card and a secret little surprise.

Limited to 300 copies, “La Deutsche Vita” is sinfully sweet seduction for lovers and fetishists of the black gold. Hmm … delicious!

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Double album set featuring instrumentals of 14 of the ROOTS' classics. Hard to find mixes all collected together here. Includes "DISORTION TO STATIC", "ADRENALINE", "CLONES", and many more. Out of stock for many years now repressed. Printed labels. Stickered plain white die cut sleeves
Tracklisting:
A1 - Distortion to Static (Instrumental)
A2 - What They Do (Instrumental)
A3 - Proceed II (Instrumental)
B1 - Concerto of the Desperado (Instrumental)
B2 - Adrenaline (Instrumental).mp3"
B3 - Clones (Instrumental)
B4 - Da Lesson Part I (Instrumental)
C1 - Section (Instrumental)
C2 - Da Lesson Part III (Instrumental)
C3 - U.N.I.verse At War (Instrumental)
C4 - Respond-React (Instrumental)
D1 - Sweetback (Au Natural) (Instrumental)
D2 - Represent (Instrumental)
D3 - Proceed Without a Pause (Instrumental)
D4 - Distortion to Static (At Ease Remix) (Instrumental)

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NEW REPRESS

This masterpiece by AMERIGO GAZAWAY mashes NOTORIOUS B.I.G. with the Godfather of Soul JAMES BROWN. 10 crucial cuts with clever titles like "B.I.G. POPPA'S GOT A BRAND NEW BAG", "THE B.I.G. PAYBACK", "TEN CRACK COMMANDMENTS" and more. Full picture sleeve.

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Taken from the "B.I.G. PAYBACK" mashup album from AMERIGO GAZAWAY featuring NOTORIOUS B.I.G. mixed with JAMES BROWN. One the standout tracks "SEX MACHINE" pressed up on a big hole 7" 45 with the previously unreleased instrumental on the flip. Essential DJ tool.

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The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3LON explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: "Everything I share as a 'solo project' is in fact never experienced as such," she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

zweikommasieben #24 includes
-interviews with Bonaventure, Milyma, Yegorka, :3LON, and Phillip Jondo, Maxwell Sterling & DJ Plead
-a portrait on Nazar
-Contributes by Elbis Rever and Martina Lussi (a scented inlay)
-essays on sound archives and post-pandemic raving
-columns Soundtexts (poetry), "Art Review" (exhibition review), and "Formations" (photography)

All-English issue, 114pages, 165x235mm, zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.


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The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3LON explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: "Everything I share as a 'solo project' is in fact never experienced as such," she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

zweikommasieben #24 includes
-interviews with Bonaventure, Milyma, Yegorka, :3LON, and Phillip Jondo, Maxwell Sterling & DJ Plead
-a portrait on Nazar
-Contributes by Elbis Rever and Martina Lussi (a scented inlay)
-essays on sound archives and post-pandemic raving
-columns Soundtexts (poetry), "Art Review" (exhibition review), and "Formations" (photography)

All-English issue, 114pages, 165x235mm, zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.


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As disco legends GIORGIO MORODER and CERRONE were pumping out disco hits in 1979 a lesser known BERNARD ESTARDY was releasing leftfield disco under aliases like ESTRAK LANCIOS, L.E.B. HARMONY, and UNIVERSAL ENERGY. Limited reissue with pic sleeve. Mystery colored vinyl.

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A rare sought-after LP of French proto-disco from BERNARD ESTARDY (AKA ESTRAK LANCIOS) alongside JEAN-PIERRE BOURTAYRE. Composed during 1977, the time when space was the place and cosmic DJ DANIELE BALDELLI was rocking
the world at Italian discotheques. Mystery colored vinyl! Pic sleeve.

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Ramon Tapia remixes the legendary 'The Andor Voyage' by Metro Dade (1995). Strong support by Adam Beyer.


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Deep druggy dancefloor business from a well known crew from the east, not so much an edit, more of a rebuild, flipped with some JazzDiscoâ?¢ business for those who know.

Real heads know the deal, 300 only so quick if you want a feel.


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The motor hasn’t had time to cool down and the belt drive is feeling the fatigue. But Charles Maurice is the kind of DJ who just can’t let a turntable rest. After steaming up the slipmat with three sexy compilations of French Boogie, Charles Maurice is back with Volume 4.
TRACKLIST:
A1. Dwight Druick - Georgy Porgy (Disco Version)
A2. Marco Attali - J'ai Pris Une Claque (Unreleased)
A3. Serge Delisle – Germaine (Remix)
B1. Wai Kop – Lola
B2. Chris O'hara - Sur les Coussins de la Discothe`que
B3. Acayouman - Funk Around
C1. Djeneba - Better Day (Hard Soul Mix)
C2. David Simon – Transistor (Instrumental)
C3. Marco Attali - La Relève Du Matin (Instrumental)
D1. Shen & Les Shendys – Je Ne Suis Que Musique
D2. Eric Chotteau - Affirmatif-Négatif
D3. Cyrill - Night Ghetto
D4. Aries – Braziliana


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In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it. An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.

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Much coveted in certain collector circles, this release offers 4 tracks originally recorded in 1985 by, at the time, high school starlet Paola Belloni. All tracks are sung in Italian and consistently easy to appreciate but "Vattene" and "Un Uomo Semplice" steal the show with remarkable downtempo smoothness gliding in the lower BPM ranges. Although many studios at the time would have already standardized more synthetic sounds brought by widespread access to electronics in the mid 80's, these recordings offer a more organic and warm sounding instrumentation - one solid round aural aperitivos. Officially re-issued with original artwork and re-mastered at Manmade mastering in Berlin.


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Volume 2! MUNIR aka MIDNIGHT RUNNERS on his 5th drop with STAR CREATURE, hits us again with some diggin' deep dug ups from his corner of the world. This one picks up where his TUGBOAT EDITS VOL 14, HAUNTING ECHOES and NUSANTARA VOL 1 left off. Tidal waves of jazz funk, space disco & boogie.

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Repress!

Pacific Rhythm is elated to present a grounding offering from Oakland's Space Ghost entitled Private Paradise as our first release of 2022. The LP is an ode to Space Ghost's time spent at Sea Ranch on the Northern California coast, a place he and his partner visit to refresh their spirit and regain optimism and enthusiasm for the outside world.

Private Paradise possesses a rare ability to restore, rejuvenate, and inspire through each listen and is something we've only grown more and more fond of during the unforeseen complications we encountered during its release over the past two years. It's a piece of music that feels like a perfect nod to where we've been musically for the past 8 years and where we see ourselves heading in the future. Deep, contemplative, and uplifting audio that compels its listeners to focus on the positive forces in the world and the power of being present in a moment.

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Max Essa completes a trio of terrific releases on Hell Yeah with The Great Adventure EP. It's packed with more grown up dance floor dynamite and later in the year will be collected together with the first two parts to make for a full album.


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2023 Starts with a doubler sided disco action from East Coast Love Affair - Taking the vocal from obscure Minneapolis lo-fi band 'Quiet Storm' master tape (Big up Numero Group) and building a whole new deep disco 45. 'Get Down' is deep dance floor chugger using the O.G studio gear that would have been used at the time, strictly analog business. On the flip, 'Can You Deal' is a more uptempo boogie joint. Both killers as always. Lots more from ECLA this year!!

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Your 5 day holiday is coming to a heartbreaking end on the magnifique Isle of Paradiso. As you wait on the pier for your last rendez vous with that special someone, your holiday romance is nowhere to be seen. All that’s left is the memory of shared cherry vanilla slushies, inflatable flamingo races, and the vibes… These vibes have been conveniently pressed onto the latest slab of wax by your friends at Childsplay to remedy your post summer-luv blues.


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Black Key return from a four year hiatus in style - with 4 sublime tracks from Australian ultra deep house don Planisphere - aka David Swatten. Following an incredibly well received LP on reissue label For Those That Knoe, Swatten returns with more expansive, smokey and utterly consuming deep house cuts, stamped with his unique sound but offering a different flavour from his Definitive Transmission LP. One which immediately stands out from the crowd. Being only his third release in 20 years, there's an understandable sense of anticipation around Swatten's output. This release undoubtedly puts Black Key firmly back on the map, picking up their deserved reputation for releasing only the very best deep house, aimed well and truly at the heads.

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2024 Repress!
Music From Memory continue their 12? series with the release of an EP. This 4 track comp holds 3 tracks from the LP and one unreleased.. Tip!

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The inaugural release of air miles is introduced by Jeigo with his “An Ode To Midnight EP’ which was written and produced in the Spring of 2018, between the cities of London and Paris.
The tone is set from the off with the eponymously named first track of the release ‘an Ode to midnight’. The tracks mellow break beat feel is met by warm rushing pads, ebbing and flowing between textures of the night before last.
Floor focussed, zero fussing ‘Wing Systems’ carries the front side at an orbital trajectory. No time for an intro, the drums jolt you into alertness, the wobbly bass perfectly counterpointed by gated, washing keys.
‘Lime Hawk’, melancholic euphoria brings the release back to the conscious. It’s structure toy-fully crescendos and builds, all while the Balearic synth peaks with the sub line keeping you grounded throughout.
Rounding off the record is ‘By My Side’ meandering the record into slightly darker territories. The shifting keys wash over, the siren call vocals penetrate and the thudding kick punches through, anchoring the track as an emotionally driven, cerebral affair.



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