Label:hell yeah
Cat-No:hyr7181
Release-Date:06.09.2018
Configuration:12"
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max essa - No Title
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max essa - No Title
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max essa - No Title
A year after his debut outing on the label, Max Essa makes a welcome return to Hell Yeah with the Han zon Roc EP, which is another of his impossibly laidback offerings.
Essa is of course the long time UK talent who has become a part of the Balearic mafia thanks to releases on labels like Aficionado, Music for Dreams, and his own Jansen Jardin. This is the second coming together of artist and label and is another timeless excursion far out to sea.
Opener 'Han zon Roc (Midori Coup)' is an epic 12 minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. They grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. It's like the soundtrack to an afternoon boat party all condensed into one brilliant cut.
How You Showed Me Everything' then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. Withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing.
Last of all, 'Rain Bird's Alfalfa Jam' is a analogue drum work out with early 90s hip hop influences and diving basslines. It's light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of Essa works so brilliantly escapist.
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Essa is of course the long time UK talent who has become a part of the Balearic mafia thanks to releases on labels like Aficionado, Music for Dreams, and his own Jansen Jardin. This is the second coming together of artist and label and is another timeless excursion far out to sea.
Opener 'Han zon Roc (Midori Coup)' is an epic 12 minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. They grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. It's like the soundtrack to an afternoon boat party all condensed into one brilliant cut.
How You Showed Me Everything' then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. Withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing.
Last of all, 'Rain Bird's Alfalfa Jam' is a analogue drum work out with early 90s hip hop influences and diving basslines. It's light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of Essa works so brilliantly escapist.
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More records from max essa
Label:Is It Balearic
Cat-No:IIB069
Release-Date:07.08.2023
Genre:House
Configuration:12"
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Label:Is It Balearic
Cat-No:IIB069
Release-Date:07.08.2023
Genre:House
Configuration:12"
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Max Essa - Belgian Caravan
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Max Essa - Moonlight Contribution
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Max Essa - Dry Plains Parade
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Max Essa - Southern Edges
The by-now seminal Is It Balearic label welcomes long-time Balearic boss Max Essa for another superbly horizontal offering that will take you to the beach no matter where you are. He is a regular on this label who has been serving up top tunes and compiling superb collections like 2016's 10-Year Anniversary comp for ages, and the quality levels never dip. This fresh four-tracker traverses gently breaking synth waves, undulating dubby undercurrents and gloriously sun-kissed synth work all in a soothing and meditative style.
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Label:Balearic Ensemble
Cat-No:BE001
Release-Date:28.05.2021
Genre:Space Disco/House
Configuration:12" Excl
Barcode:4251804126076
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Label:Balearic Ensemble
Cat-No:BE001
Release-Date:28.05.2021
Genre:Space Disco/House
Configuration:12" Excl
Barcode:4251804126076
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Max Essa - Matinee
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Max Essa - Tempo Babadoh
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Max Essa - Tempo Babadooh ( Joe Morris Paraíso Mix)
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Max Essa - Matinee ( Lukkas Club Mix)
Brand new Barcelona i mprint Balearic Ensemble hit the ground running with their premier plastic disc drop,
BE001. We’re over (and under, and around) the moon to present the Painting Of The Day EP, the first i n a series
of extended plays l ined up from the baddest crew of balearic samurais for your aural i ndulgence.
Leading the charge i s the one and only Max Essa, a man some may know as botanist-in-chief at the sublime
Jardin Jansen l abel, others as the shadow behind a string of l ush productions sounded out by the l ikes of the
Guv’nor Andrew Weatherall or a one David Mancuso. Painting Of The Day i s the l atest i n Max’s deeply
inventive output, with Joe Morris, Lukkas and Ibicenco duo Reisdentes Balearicos serving up three wondrously
lush revamps for the heads .
First up i s ‘ Matinee’, which takes that l aid-back 80s sound and washes i t through reverb racks and cascading
arpeggiatic tones. Soft, subtle and brilliant, the result i s an emotional Essa performance, akin to a soft caress of
the waves, or a brush stroke on a canvas i n the afternoon sun.
‘Tempo Babadoh’ i s another massive balearic number, promenading and pirouetting i ts way across a vista of
club congas, wah guitar and deluxe synth sounds. Sliding nylon strings evoke memories of a l ate-night Mandy
Smith anthem as agogo bells i nterweave among the flora and fauna of Max Essa’s balearic vision. A l ofty,
virtuosic affair that’s sure to be a staple when the good times come.
On the flip we have Joe Morris’s ‘ Paraiso’ version of Tempo Badaboh. It’s a(n) NY hymn, a dusty psalm, a
stellar reimagining of the original which brings an 80s Chicago feel with all the savoir faire and finesse that the
Clandestino man has come to be revered for. Sizzling b l ines, crickets at dusk and time-tested balearic motifs
presented i n a new, slightly angular l ight.
Over on B2 (?) we get Lukkas’ Club Mix of Matinee, a dangerous dance weapon with a dose of l ow frequencies
bubbling through the spaces and cracks l eft between Essa’s l ush, spacious tones, filtering and resonating i ts
way to the finish l ine with presence and class. One for the l ate hours…
And breathe. We proudly present BE001. Welcome to the ensemble - i t’s a feeling, i nit…
A1) Matinee 7:37
A2) Tempo Babadoh 7:02
B1) Tempo Babadooh ( Joe Morris Paraíso Mix) 8:16
B2) Matinee ( Lukkas Club Mix) 7:24 More
BE001. We’re over (and under, and around) the moon to present the Painting Of The Day EP, the first i n a series
of extended plays l ined up from the baddest crew of balearic samurais for your aural i ndulgence.
Leading the charge i s the one and only Max Essa, a man some may know as botanist-in-chief at the sublime
Jardin Jansen l abel, others as the shadow behind a string of l ush productions sounded out by the l ikes of the
Guv’nor Andrew Weatherall or a one David Mancuso. Painting Of The Day i s the l atest i n Max’s deeply
inventive output, with Joe Morris, Lukkas and Ibicenco duo Reisdentes Balearicos serving up three wondrously
lush revamps for the heads .
First up i s ‘ Matinee’, which takes that l aid-back 80s sound and washes i t through reverb racks and cascading
arpeggiatic tones. Soft, subtle and brilliant, the result i s an emotional Essa performance, akin to a soft caress of
the waves, or a brush stroke on a canvas i n the afternoon sun.
‘Tempo Babadoh’ i s another massive balearic number, promenading and pirouetting i ts way across a vista of
club congas, wah guitar and deluxe synth sounds. Sliding nylon strings evoke memories of a l ate-night Mandy
Smith anthem as agogo bells i nterweave among the flora and fauna of Max Essa’s balearic vision. A l ofty,
virtuosic affair that’s sure to be a staple when the good times come.
On the flip we have Joe Morris’s ‘ Paraiso’ version of Tempo Badaboh. It’s a(n) NY hymn, a dusty psalm, a
stellar reimagining of the original which brings an 80s Chicago feel with all the savoir faire and finesse that the
Clandestino man has come to be revered for. Sizzling b l ines, crickets at dusk and time-tested balearic motifs
presented i n a new, slightly angular l ight.
Over on B2 (?) we get Lukkas’ Club Mix of Matinee, a dangerous dance weapon with a dose of l ow frequencies
bubbling through the spaces and cracks l eft between Essa’s l ush, spacious tones, filtering and resonating i ts
way to the finish l ine with presence and class. One for the l ate hours…
And breathe. We proudly present BE001. Welcome to the ensemble - i t’s a feeling, i nit…
A1) Matinee 7:37
A2) Tempo Babadoh 7:02
B1) Tempo Babadooh ( Joe Morris Paraíso Mix) 8:16
B2) Matinee ( Lukkas Club Mix) 7:24 More
Label:Hell Yeah
Cat-No:hyr7194
Release-Date:13.03.2020
Configuration:12"
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Label:Hell Yeah
Cat-No:hyr7194
Release-Date:13.03.2020
Configuration:12"
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Max Essa - Tombolo
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Max Essa - The Great Adventure
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Max Essa - Fool In The Pool
Max Essa completes a trio of terrific releases on Hell Yeah with The Great Adventure EP. It's packed with more grown up dance floor dynamite and later in the year will be collected together with the first two parts to make for a full album.
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Label:is it balearic?
Cat-No:iib048
Release-Date:13.10.2017
Configuration:12"
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Last in:23.01.2018
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Label:is it balearic?
Cat-No:iib048
Release-Date:13.10.2017
Configuration:12"
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max essa - No Title
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max essa - No Title
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max essa - No Title
Long time Is It Balearic artist Max Essa returns with two warm weather bombs. Craig Bratley (Magic Feet / Tsuba) pumps up the bass sounds and drops an lovely vocal accent over Sekko Mekko.
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Label:lexwax
Cat-No:lexwax001
Release-Date:04.12.2015
Configuration:12"
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Last in:07.01.2016
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Label:is it balearic
Cat-No:isit040
Release-Date:24.06.2015
Configuration:12"
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Last in:06.07.2015
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Label:is it balearic
Cat-No:isit040
Release-Date:24.06.2015
Configuration:12"
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IIB reach their 40th release with label stalwart Max Essa's latest EP. Feel The Machine is a proto-house groove with touches of italo-disco. Chugging bassline and cowbells making it a real dancer. Panapolean Dreamer is a more downtempo beat driven affair with eastern strings on a mellow new beat vibe. The second side starts with Tall Shadows Walking Home. Again max explores the proto house sound all smothered in lovely electronic melodies. Twenty Types Of Dusk relaxes the tempo again. Trademark Max Essa Balearic. A killer ep. to celebrate 40 12 inch releases.
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Label:back to the balearics
Cat-No:bttb004
Release-Date:10.09.2014
Genre:House
Configuration:12"
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Last in:15.09.2014
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Label:back to the balearics
Cat-No:bttb004
Release-Date:10.09.2014
Genre:House
Configuration:12"
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max essa - A1. ALL IS NOT LOST
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max essa - A2. COMPLICATED LOVER
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max essa - B1. DESTINATION YOU
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max essa - B2. YOUR CARNIVAL SOUNDS LIKE THIS
Balearic maestro Max Essa joins the dots seamlessly between the ambient imaginings of Sakamoto, the Krautrock rhythms of Neu and the beach pop of Chris Rea , while making them all dance together like waves on the beach. This is some of his very best work to date and demonstrates a producer at home at the controls and a real musician with a vision. Your carnival sounds like this...
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Label:is it balearic?
Cat-No:isit029
Release-Date:25.04.2013
Configuration:12"
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Label:is it balearic?
Cat-No:isit029
Release-Date:25.04.2013
Configuration:12"
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Max Essa returns to Is It Balearic..? Home to some of his more Balearic moments most notably the epic Panorama Suite. The A side is Dovodah! which begins with some Nu-Med atmospheres and acoustic guitar conjuring up 80's Italian beach parties. The loose percussion and a heartfelt vocal (calling the unmistakable sound of Dovodah!) carry you along before dropping into an early 90's italian progressive vibe. Genuinely a real post sunset bomb. Doug Lee turns Dovodah into a more moody basement soundsystem banger -heavy bassline and distorted synths. This needs to be played Loud!
The B side Burning Palms is a moment of sexy strummed acoustic guitar and percussion. Sounding like A Mountain of One on a dusty desert vacation. Summers surely round the corner.
Hardway Bros Sean Johnston brings this tune back inside for some heads down dancefloor vibes while retaining alot of the original feel. Like a gypsy acid mid tempo house party. I want to go. IIB back with a bang
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The B side Burning Palms is a moment of sexy strummed acoustic guitar and percussion. Sounding like A Mountain of One on a dusty desert vacation. Summers surely round the corner.
Hardway Bros Sean Johnston brings this tune back inside for some heads down dancefloor vibes while retaining alot of the original feel. Like a gypsy acid mid tempo house party. I want to go. IIB back with a bang
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Label:valley sound
Cat-No:vs004
Release-Date:18.10.2012
Configuration:12"
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Cat-No:vs004
Release-Date:18.10.2012
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We are back with another panoramic journey. Max Essa needs little introduction, in our circles he is the shining light when it comes to the newer Balearic flavours we enjoy. M.O.D.F.D.M.V stands for 'Musica Originale Del Film Della Mia Vita' - Italian for 'Original music from the film of my life', and if this is what Max’s life sounds like then he is one lucky guy. 'Pow Wow' was described as 'Young American Primitive meets Mood II Swing by Dr Rob on his Test Pressing review which we thought summed it up quite nicely! 'Cloud Chasing' Early '90s Italo House and 'Zosimos on the Shore' sounds like Max jamming with Yellow Magic Orchestra. One word “Essential”
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Max Essa, Jan Ken Po, - NYC Set Me Free
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Max Essa, Jan Ken Po, - Unlimited Man
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Max Essa, Jan Ken Po, - Civilised Gangbang
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Max Essa, Jan Ken Po, - Palm Beach Boy Trees
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Max Essa, Jan Ken Po, - Horny Diplomat
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Max Essa, Jan Ken Po, - First Touch
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Max Essa, Jan Ken Po, - Metropolitan Scene
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Max Essa, Jan Ken Po, - Rhapsody In Leather
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Max Essa, Jan Ken Po, - Colour Wheel
More Berlin, less Monacco. That's the ethos of the new Max Essa project, Jan Ken Po: Less sun, less sea, yachts and money; more twilight hour, basement clubs, up-tempo rhythms and dance floor politics. Hailing from the UK but currently residing in Japan, Max Essa's aptly name Jan Ken Po side-project is a welcome new addition to Essa's quiver of music and sounds. The primarily instrumental cuts focus on clean house-centric lines, irresistible deep-rooted grooves and Essa' flair at capturing that special something. 'NYC Set Me Free' kicks off the record in fine style; all tight cowbell rhythms and piano riffs over a walking bass synths and a catchy lead. Title track 'Unlimited Man' follows, with it's icy cool persona and infectious double-clap rhythm holding together the call-and-response keys. 'Civilised Gangbang' goes in swinging, bouncing groove and rising synths aplenty. 'Palm Beach boy Trees' brings the tempo down a notch and introduces the first sniff of a human voice with the vocoded phrase 'beach boys' looped over crunching synths and other sublime artifacts. An 80's phaser bass is actioned to perfection in 'Horny Diplomat,' followed neatly by the synth rock-disco / xylophone throwdowns of 'First Touch.' 'Metropolitan Scene' oozes class and restraint, and could be the backing track to a 80's vocal house classic. Finishing things off 'Rhapsody in Leather' allows Essa's trusty rhythm guitar to lead the limelight with some super-lean riffage. Essa's touched a new base with this record, and we're happy to be finally sharing it with you.
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Label:needwant
Cat-No:needw015
Release-Date:16.06.2011
Configuration:12"
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Last in:11.02.2013
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Label:needwant
Cat-No:needw015
Release-Date:16.06.2011
Configuration:12"
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Max Essa, - How Do You Feel? feat D.C Mathias
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Max Essa, - How Do You Feel? feat D.C Mathias
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Max Essa, - How Do You Feel? feat D.C Mathias
Max Essa is a producer who has been shipping over his extremely coveted brand of disco and balearica from the land of the Rising Sun for some time now. Having had a long running string of sought after releases on labels such as Bear Funk, Nang, to Is It Balearic, Max is now making his Needwant debut with ‘How Do You Feel?’ which includes an awesome remix from Kim Ann Foxman. ‘How Do You Feel?’ starts off with bassy plods and gentle keyboard strokes that steer us longingly towards the smooth soulful vocals of DC Mathias. Topped off with light high-hats and the occasional flute twirl this release has summery feeling of lounging by a pool embedded deep within it. On the remix we have Kim Ann Foxman of Hercules and Love Affair fame who injects the track with a hypnotic deep house vibe. Taking the melancholic vocals from the original and setting them off subtly against a darker deeper bass line that takes its listener back in time. Hard to believe from the quality of the remix but this is Kim Ann Foxman’s first ever remix! Already getting plays way upfront on Beats In Space, this is sure to get you shoulder shrugging on the dancefloor in the early mornings! This is the fifteenth release from London based Needwant records. They have already built up an impressive catalogue from the likes of The Revenge, Mario Basanov, Soul Clap, Massimiliano Paglaria and more, but with this release they may have just raised the bar again.
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Label:feel music
Cat-No:fe010
Release-Date:11.05.2011
Genre:House
Configuration:12" Excl
Barcode:827170408364
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Label:feel music
Cat-No:fe010
Release-Date:11.05.2011
Genre:House
Configuration:12" Excl
Barcode:827170408364
Max Essa returns to Feel Music!!!! Its almost impossible to convey the scope of "Iberia Sequences" in a 45 second clip, so you gotta take our word for it, 10 minutes of pure bliss, the definition of a musical journey. On the flip side "Islands" mixes 80's club sounds with a touch of classic house and of course that by now classic Max Essa feel, while Mr. Fabrizio Mammarella on remix duties takes the A side up a notch with some acid disco dancefloor action.
Summer starts here!
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Summer starts here!
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More records from hell yeah
Label:Hell Yeah
Cat-No:HYR7230
Release-Date:25.06.2021
Configuration:2LP
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Cat-No:HYR7230
Release-Date:25.06.2021
Configuration:2LP
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The Vendetta Suite - Neon Secrets
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The Vendetta Suite - I Am The Ghost In My House
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The Vendetta Suite - Morning Star
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The Vendetta Suite - Christmas In Cologne
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The Vendetta Suite - Della Notte
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The Vendetta Suite - Who Do You Love
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The Vendetta Suite - The Adult Section
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The Vendetta Suite - Purple Haze, Yellow Sunrise
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The Vendetta Suite - Warehouse Rock
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The Vendetta Suite - I Am The Ghost In My House (Accidental Exorcism Version)
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The Vendetta Suite - Spring Blues
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The Vendetta Suite - Maybe Tomorrow
The Kempe Stone Portal is the long awaited debut album from long time musical adventurer The Vendetta Suite. It arrives on Hell Yeah Recordings on June 18th, and spans over 20 years of diverse musical experiments. In the words of label boss Marco, 'it's a nice ride.'
Gary Irwin started dancing in 1990, when he was drawn to the dubbed out and psychedelic sounds of Andrew Weatherall and The Orb, at the same time falling for the forward looking house and techno played by David Holmes and Iain McCready at their regular nights at Belfast's Art College. After studying music technology and performing arts, Irwin gave Holmes a cassette of bedroom produced techno and it started a long and fruitful relationship that has continued to this day.
In the intervening years, Irwin has been the in-house engineer at Holmes' Exploding Plastic Inevitable studio and label, has engineered and remixed with him, released on his labels and written music for his Holy Pictures album, all while picking up credits on labels like NovaMute, Sabrettes, 13Amp and many more. As time passed, Irwin explored non-dance sounds such as krautrock, library music, synth and 80s b-sides before more recently circling back to acid house, downtempo and Balearic. All of this and more informs this panoramic 12 track album, which is a testament to a life spent submerged in many different sound worlds.
The Kempe Stone Portal opens on the ‘Neon Secrets’, which along with tracks like ‘Morning Star’ and ‘I Am The Ghost In My House’ betray Irwin’s love of wonky, shimmering experimental synth-pop musik. They are glistening tracks with heavenly harmonies that are truly life-affirming in their richness. Elsewhere, ‘Purple Haze, Yellow Sunrise’ is an homage to his early experiences of Balearic acid house music from the late eighties and early nineties with a not too subtle reference to the narcotics of the time. ‘Who Do You Love’ was Irwin’s first non-dance music production in 1998, a cover of The Jesus and Mary Chain's version of the Bo Diddly classic, with guitar feedback and distortion drawing you into a murky world of fuzzy sonics.
‘Della Notte’ came 10 years after, with rumbling toms, bubbling synths and phased Rhodes making for a psyched-out post punk dub. Seasonal sleigh bells and obvious krautrock influences abound on ‘Christmas in Cologne’ while ‘Maybe Tomorrow’ is Air meets Phil Spector on a beach at sunset. ‘Warehouse Rock’ is a dubby acid track that follows on from where 2017 track ‘Shut Up Ya Dub!’ left off, but with a more experimental approach that found the artist limiting himself to a 303, drum machine, dub effects and samples. If King Tubby were to release on Acid Trax, this is how it would sound. Shorter tracks ‘Spring Blues’ and ‘The Adult Section’ were originally made for a modern library music side project and are brilliantly suspensory pieces of lush electronics, yawning chords and gentle rhythms that empty your mind of any tension.
This is a storied album that traverses different musical worlds with style and skill. Some are old, some are new, but they add up to a long player that is both fascinating and timeless. More
Gary Irwin started dancing in 1990, when he was drawn to the dubbed out and psychedelic sounds of Andrew Weatherall and The Orb, at the same time falling for the forward looking house and techno played by David Holmes and Iain McCready at their regular nights at Belfast's Art College. After studying music technology and performing arts, Irwin gave Holmes a cassette of bedroom produced techno and it started a long and fruitful relationship that has continued to this day.
In the intervening years, Irwin has been the in-house engineer at Holmes' Exploding Plastic Inevitable studio and label, has engineered and remixed with him, released on his labels and written music for his Holy Pictures album, all while picking up credits on labels like NovaMute, Sabrettes, 13Amp and many more. As time passed, Irwin explored non-dance sounds such as krautrock, library music, synth and 80s b-sides before more recently circling back to acid house, downtempo and Balearic. All of this and more informs this panoramic 12 track album, which is a testament to a life spent submerged in many different sound worlds.
The Kempe Stone Portal opens on the ‘Neon Secrets’, which along with tracks like ‘Morning Star’ and ‘I Am The Ghost In My House’ betray Irwin’s love of wonky, shimmering experimental synth-pop musik. They are glistening tracks with heavenly harmonies that are truly life-affirming in their richness. Elsewhere, ‘Purple Haze, Yellow Sunrise’ is an homage to his early experiences of Balearic acid house music from the late eighties and early nineties with a not too subtle reference to the narcotics of the time. ‘Who Do You Love’ was Irwin’s first non-dance music production in 1998, a cover of The Jesus and Mary Chain's version of the Bo Diddly classic, with guitar feedback and distortion drawing you into a murky world of fuzzy sonics.
‘Della Notte’ came 10 years after, with rumbling toms, bubbling synths and phased Rhodes making for a psyched-out post punk dub. Seasonal sleigh bells and obvious krautrock influences abound on ‘Christmas in Cologne’ while ‘Maybe Tomorrow’ is Air meets Phil Spector on a beach at sunset. ‘Warehouse Rock’ is a dubby acid track that follows on from where 2017 track ‘Shut Up Ya Dub!’ left off, but with a more experimental approach that found the artist limiting himself to a 303, drum machine, dub effects and samples. If King Tubby were to release on Acid Trax, this is how it would sound. Shorter tracks ‘Spring Blues’ and ‘The Adult Section’ were originally made for a modern library music side project and are brilliantly suspensory pieces of lush electronics, yawning chords and gentle rhythms that empty your mind of any tension.
This is a storied album that traverses different musical worlds with style and skill. Some are old, some are new, but they add up to a long player that is both fascinating and timeless. More
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Label:Hell Yeah
Cat-No:HYR7229
Release-Date:19.03.2021
Genre:House
Configuration:12"
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Aura Safari - Dreams Of Music
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Aura Safari - Oasis
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Aura Safari - Slow Divers
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Aura Safari - Libra
Hell Yeah welcomes the Italian musical collective Aura Safari for a debut EP on the label.
The band, who are at the forefront of a new Italian fusion sound that blends jazz-funk, electronic and world sounds, is made up of acclaimed house devotee Nicholas Iammatteo, plus Alessandro Deledda, Lorenzo Lavoratori, Daniele Melloni and Andrea Moretti. They contributed a standout track to the Buena Onda - Balearic Beats compilation last year as well as releasing a full length LP on UK label Church to critical acclaim.
Opener 'Dreams of Music' is a lush, new age groove with rich musicality, wind instruments and live drums all glowing warmly as you roll into sundown. 'Oasis' then sinks into a reflective mood, with lazy drums and sensuous late night chords sounding like Roy Ayers all loved up and super stoned. The noodling keys really melt your heart before the excellent 'Slow Divers' pairs more majestic bass riffs with wet claps and splashing cymbals as a wandering lead drifts up to the heavens. It has a dubby swagger to it that is superbly subtle.
Closing out the EP 'Libra', is a heartwarming, slow motion, jazz-funk fusion packed with detail and life affirming synth playing.
These are gloriously heartfelt tracks that showcase this collective's supreme musical ability as well as their unquestionable understanding of jazz, funk and soul, past, present and future. More
The band, who are at the forefront of a new Italian fusion sound that blends jazz-funk, electronic and world sounds, is made up of acclaimed house devotee Nicholas Iammatteo, plus Alessandro Deledda, Lorenzo Lavoratori, Daniele Melloni and Andrea Moretti. They contributed a standout track to the Buena Onda - Balearic Beats compilation last year as well as releasing a full length LP on UK label Church to critical acclaim.
Opener 'Dreams of Music' is a lush, new age groove with rich musicality, wind instruments and live drums all glowing warmly as you roll into sundown. 'Oasis' then sinks into a reflective mood, with lazy drums and sensuous late night chords sounding like Roy Ayers all loved up and super stoned. The noodling keys really melt your heart before the excellent 'Slow Divers' pairs more majestic bass riffs with wet claps and splashing cymbals as a wandering lead drifts up to the heavens. It has a dubby swagger to it that is superbly subtle.
Closing out the EP 'Libra', is a heartwarming, slow motion, jazz-funk fusion packed with detail and life affirming synth playing.
These are gloriously heartfelt tracks that showcase this collective's supreme musical ability as well as their unquestionable understanding of jazz, funk and soul, past, present and future. More
Label:Hell Yeah
Cat-No:hyr7194
Release-Date:13.03.2020
Configuration:12"
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Cat-No:hyr7194
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Max Essa - Tombolo
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Max Essa - The Great Adventure
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Max Essa - Fool In The Pool
Max Essa completes a trio of terrific releases on Hell Yeah with The Great Adventure EP. It's packed with more grown up dance floor dynamite and later in the year will be collected together with the first two parts to make for a full album.
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Label:Hell Yeah
Cat-No:hyr7197
Release-Date:23.05.2019
Configuration:12"
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Label:Hell Yeah
Cat-No:hyr7197
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Luminodisco - - Oh Mary (TORSKE'S LANGE KLEGGSOMMER DUB)
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Somerville & Wilson - - Yantar (Fango Remix)
The second Keep on Wankin EP continues Hell Yeah label boss Marco’s on going quest for the perfect remixes. This time out he serves up the most Balearic Gabba influenced material yet and takes you on a trip to the clouds with Bjorn Torske and Fango both stepping up. First up is Bjorn Torske’s take on everybody’s favourite Luminodisco tune ‘Oh Mary.’ It’s an impossibly adventurous 11 minute epic with buoyant chords dancing over trilling guitars. Lush, multi-layered and brimming with musicality, this is the sort of dubbed out yet percussively lively masterpiece that will mark the high point of any set as it washes over you time and time again. Then it’s to Fango’s chunky and spaced out take on Somerville & Wilson’s ‘Yantar.’ It’s been the final track of all recent Fango sets around the world for a while now and that won’t change any time on thanks to the slow build to a colourful dub disco peak. It takes you ever higher on wandering lead synths as the fat drums pump away below. Essential stuff.
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Label:hell yeah
Cat-No:hyr7156
Release-Date:06.04.2017
Genre:techhouse
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kito jempere - "Lifetime Theme" (feat Lipelis)
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kito jempere - "Ampa" (feat Noteless, M Averin & S Lipsky - No Drums)
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kito jempere - "To Talk" (feat Dikajee)
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kito jempere - "Grid Cells" (feat R Gadzhimuradov)
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kito jempere - "Uohha!" (feat R Gadzhimuradov - instrumental)
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kito jempere - "Puzzled"
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kito jempere - "Ampa" (feat R Gadzhimuradov & S Lipsky - reprise)
Acclaimed Russian producer, DJ and live musician Kito Jempere is back with a stunning second album, this time on Italian label Hell Yeah. Entitled Sea Monster and due for release in early 2017, the nine track album is a fantastic fusion of live instrumentation and electronic production. Kito Jempere is a musical polymath. The Russian artist, producer, multi-instrumentalist and band leader has been involved in many projects over the last ten years plus. These range from rock to acid jazz to electronic bands and often call upon a rotating cast of ]]other members who are all equally talented. From playing in small bars to headlining big shows for thousands of people in Saint Petersburg, he has put out a number of albums and singles on labels like Freerange, Room With A View and Hell Yeah and DJs around Europe. Jempere plays live as the Kito Jempere Band, and here he calls upon his bandmates for their many skills to lend the album a richly musical feel. Mixed and co-produced by band member Roman Urazov, the album features Artemiy Gunbin aka Noteless, the voice of the Kito Jempere Band and front man of his own rock band Videatape, as well as Ruslan Gadzhimuradov, a long time drummer on many projects, plus Matvey Averin, the bassist but also co-producer for cult group Manizha and finally Sergey Lipsky who here plays guitar and is also half of Simple Symmetry as well as having played for Kito's other project Saint Petersburg Disco Spin Club group. Sea Monster kicks off with Lifetime Theme, a heavenly groove with loose drums and percussion and gorgeous keys. Form there, Artemiy Gunbin's ethereal and crystal clear vocals take centre stage amongst balearic guitars on album single 'Ampa', and then 'To Talk' is a deeper cut with bumpy drums, long tailed pads and shiny synths all making for a curious and whimsical atmosphere. ‘Grid Cells' is a lush instrumental track with clever revel and echo adding a sense of grandeur to the freeform jazz drums and frazzled synths, 'Uohha' is as sunny and laid back as an afternoon on the beach and 'Puzzled' then layers up scuzzy basslines, popping hits and suspenseful synths into something smooth and seductive. The final third of the album closes out with blissful guitar licks, lazy broken beats and brilliant drum playing that all have you wishing it was summer again. This is an album with elements of jazz, house, disco, balearic and many more sounds all smoothly blended into one coherent and captivating album full of soul and musical skill.
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Last in:11.04.2017
Label:hell yeah
Cat-No:hyr7160
Release-Date:30.03.2017
Genre:House
Configuration:12"
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verdo - "Little Blue"
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verdo - Sazerac
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verdo - Big Fish
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verdo - Big Fish" (Lauer remix)
After sending out these tracks last summer and getting great reactions from DJs and dancers alike, Hell Yeah is pleased to finally officially release virtuoso musician Verdo's Little Blue EP, complete with a remix from Lauer. Fully remastered for vinyl, the likes of Lexx, Chris Coco, Soft Rocks, Leo Mas and many more have all be playing these tunes with great results. The talented Verdo runs the famous Gratis Club in Senigallia on the Italian east coast. It is a place he calls home, and that has really allowed him to hone and sharpen his DJ skills so that now he is a slick, unpredictable and singular DJ with many tricks up his sleeve. Bjorn Torske, DJ Fettburger, Prins Thomas, Kenji Takimi, Glenn Underground and more have all played there in the last decade and Verdo himself is a skilled pianist who has played for Zero7 singer Mozez in the past. He has worked with Hell Yeah before now, as well as releasing on Danny Was A Drag King, and here serves up his biggest bit of dance floor dynamite to date, including his previously digital only cut 'Big Fish' (mixed by DJ Rocca). Opener 'Little Blue' is a perfectly sunny track with hip swinging claps, bobbling bass and boat party vibes that soothe your soul. Rich with instrumentals and golden synth lines, it's a perfect beat that gets followed up by the retro disco pump of 'Sazerac', another tropical cut with loose drums and rubbery bass to get you up on your toes. The massive 'Big Fish' then hits hard with its tin pot percussion and wild synths all making you flail your arms like you just don't care. Jumbled jungle vibes and big chords all swell your heart as your feet skip about down low. Closing out the package is Phillip Lauer (Tuff City Kids), one of the most in demand stars of the day, and his version is a direct house jam with percolating and rugged synths and slapping hits, all demanding you ditch your cocktail and get up and groove.
"all good stuff here! OG for early / mornings and Lauer for peak. really nice release! " Piers - Soft Rocks
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"all good stuff here! OG for early / mornings and Lauer for peak. really nice release! " Piers - Soft Rocks
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Label:hell yeah
Cat-No:hyr7149
Release-Date:01.04.2016
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Cat-No:hyr7149
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With summer just round the corner, Hell Yeah come up with some essential—and fully, officially licensed—new cuts from Balearic Gabba Sound System edit master Enzo Elia. He touches up some historic Italo house with his usual masterful touch and will have you yearning for boat party season before the tracks have even finished playing. If you loved the Italian's take on Soft House Company What You Need, you should go crazy for this new offering. Up first is italo-piano-house classic Morenas's Hazme Sonar, which is eight minutes of diva vocal athletics, big synths and pumping retro drums that will make you punch the air. Fun and fulsome, it is a sure fire classic house winner this summer. Jazzy Doll's Ladybird is next and in Enzo's hands becomes a rubbery, ducking and diving house cut with big hand claps, bubbling bass and loose limbed percussion that is ripe for raves on the sea. White label with hand stamp and sticker...
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Last in:11.04.2016
Label:hell yeah
Cat-No:hyr7152
Release-Date:18.03.2016
Genre:House
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After the killer club versions of Bella Ciao, Leo Mas & Fabrice team up with Italian ambient master Gigi Masin to deliver the already legendary Laguna Mix.
As you probably know Gigi has worked on the label with Tempelhof (watch out for their sophomore album Tsuki…), has made albums as Gaussian Curve (with Young Marco and Johnny Nash) and has worked on many great modern classical albums. His version is super slow, littered with emotive piano chords and breezy ambient atmospheres that make it perfect for sunsets. Also on this 12", Leo and Fabrice combine once more for an On Air Remix that is invitingly sparse and gentle sways to and fro with gorgeous trumpets, twinkling keys and a slowly, blissfully building sense of Balearic tension.
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As you probably know Gigi has worked on the label with Tempelhof (watch out for their sophomore album Tsuki…), has made albums as Gaussian Curve (with Young Marco and Johnny Nash) and has worked on many great modern classical albums. His version is super slow, littered with emotive piano chords and breezy ambient atmospheres that make it perfect for sunsets. Also on this 12", Leo and Fabrice combine once more for an On Air Remix that is invitingly sparse and gentle sways to and fro with gorgeous trumpets, twinkling keys and a slowly, blissfully building sense of Balearic tension.
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Label:hell yeah
Cat-No:hyr7147
Release-Date:06.08.2015
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Label:hell yeah
Cat-No:hyr7135
Release-Date:19.06.2014
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Cat-No:hyr7135
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Dimitri From Paris and DJ Rocca have lots of history of producing together as Erodiscotique and once again here they team up on a new single for Hell Yeah. The stunning original, Disco Shake, comes backed with remixes from Luminodisco, J Kriv, D&G and remix pioneer Tom Moulton. Dimitri from Paris is a true electronic music legend - he pioneered his own French house sound at the start of his career, has mixed seminal compilations including the cult "Deluxe House of Funk" and the infamous "A Night At The Playboy Mansion" and has remixed everyone from The Rapture to Storm Queen in recent times. His partner in crime here, DJ Rocca - who is part of Ajello and the excellent Crimea X - is one of the key figures in the new Italian house scene. He has released lots of productions and remixes for Classic, Rekids and International Feel and once again comes up with the goods here. In original form the single is a foot stomping bit of disco with organic drums, breathy vocals and plenty of laser like guitar lines shooting through the arrangement. Bright golden chords add a luxurious quality to the Italo referencing pianos and the twinkly, starry breakdown allows a moment to catch your breath before is off to authentic disco town once again
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Label:hell yeah
Cat-No:hyr7136
Release-Date:30.04.2014
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Cat-No:hyr7136
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tempelhof - Drake (Young Marco Remix)
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tempelhof - Nothing on the horizon (Willie Burns Remix)
Hell Yeah's tradition of serving up great remix EPs continues here with a new two-track effort featuring Willie Burns and Young Marco. The original material is taken from super hot Italian electronic duo Tempelhof and their stunning latest album, Frozen Dancers, which released on Hell Yeah back in late 2013 and garnered plenty of praise from press and punters alike. First up is Amsterdam's Young Marco, who has made a name for himself with his subtly layered, slowly unfolding tracks on labels like Rush Hour and ESP Institute (where he will be releasing a full length soon and maintains an essential role in the label). True to form this sensationally emotive remix of 'Drake' is a lush, melodically rich affair right from the off. Gurgling bass synths bubble underneath as spritely house percussions skips up top. Celestial pads add a heavenly back glow and the whole thing is perfectly epic. Next up is Willie Burns, aka William Burnett, the New York based W.T Records label boss and someone who has already released on Unknown to the Unknown, LIES and The Trilogy Tapes in 2014 alone. He tackles 'Nothing On The Horizon' and turns it into a prickly, lo-fi house jam with plenty of echo, urgent vocal cries and a muggy sense of humid atmosphere. It builds to an ever more intense peak
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Label:hell yeah
Cat-No:hyr7129
Release-Date:27.02.2014
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Cat-No:hyr7130
Release-Date:17.10.2013
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Last in:02.12.2013
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Label:hell yeah
Cat-No:hyr7126
Release-Date:26.09.2013
Configuration:12"
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Last in:17.06.2016
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Cat-No:hyr7122
Release-Date:27.06.2013
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Last in:05.07.2013
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Cat-No:hyr7117-2
Release-Date:18.04.2013
Configuration:CD
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