Tracklist

A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia


Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.







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No Sales to Benelux, France, Hong-Kong/China/Taiwan

Genre: Ethnic - Historical recordings

Tracklist CD 1: (71'26)
1. (Sunny Spring) [Le printemps] 7'52
2. (Song of Steadfast Loyalty) [Le chant de loyauté] 1'09
3. (Waters and Mists of the Rivers Xiao and Xiang) [Nuages sur l'eau des rivières Xiao et Xiang] 10'05
4. (Wild Geese Landing on Sand) [Les oies sauvages se posent sur la grève] 5'50
5. (Water Immortal) [L'immortel des eaux] 6'17
6. (Soaring Dragon) [Le vol de dragon] 4'18
7. (Incantation of the Buddhist Priest Pu'an) [L'incantation du moine Pu'an] 8'25
8. (Three Variations on the Tune 'Plum Blossom') [Trois variations sur les fleurs de pruniers] 8'09
9. (Parasol Leaves Dancing in the Autumnal Breeze) [Les feuilles du parasol chinois dansent dans le vent d'automne] 3'43
10. (Wild Geese Landing on Sand) [Les oies sauvages se posent sur la grève] 3'52
11. (Eighteen Variations on the Tune 'Barbarian Horn') [Le sifflet barbare en dix-huit sections] 11'44

Tracklist CD 2: (62'20)
1. (Illustration of finger technique) [Illustration du doigté] 3'45
2. (The Chant of the Qin) [La mélopée du qin] 1'05
3. (Lamenting the Past) [Elégie pour les anciens] 2'14
4. (Moon Over the Mountain Pass) [La lune brille sur la passe] 1'50
5. (Lament by the River Xiang) [Tristesse sur la rivière Xiang] 2'37
6. (Tune for a Pleasant Evening) [Une agréable soirée] 2'32
7. (Spring Dawn over the Jade Pavilion) [Aube printanière au pavillon de jade] 2'00
8. (Parting at Yangguan) [L'adieu à Yangguan] 3'30
9. (Sorrow in Changmen Palace) [Lamentation au palais de Changmen] 3'59
10. (Thinking of an Old Friend) [En pensant à un ami] 5'35
11. (Drunken Fisherman Sings in the Evening) [Le pêcheur ivre chante dans le soir] (First version) 3'21
12. (Drunken Fisherman Sings in the Evening) [Le pêcheur ivre chante dans le soir (Second version) 3'31
13. (Dialogue between a Fisherman and a Woodcutter) [Dialogue du pêcheur et du bûcheron] (First version) 8'22
14. (Dialogue between a Fisherman and a Woodcutter) [Dialogue du pêcheur et du bûcheron] (Second version) 8'40
15. (Autumn Song at the Border) [Chant d'automne à la frontière] 5'03
16. (Wild Geese Landing on Sand) [Les oies sauvages se posent sur la grève] 4'15


Short Info:

Historical recordings made between 1956 and 1989 - Notes by Georges Goormaghtigh
Mrs Tsar Teh-yun (1905-2007) was not only a poet and calligrapher, but a fervent musician and eminent teacher. She devoted much of her long life to teaching the qin, the antique seven stringed zither, at a time when the heritage of the ancient culture was threatened with extinction in China. This refined, demanding music, seen by the literati as a path to self-awareness, has here been recorded by her pupils in the very place where it was taught, the Yinyin Study, "The room of the unfathomable virtue of the qin."


Vital Sales Points:

Prize of the International Charles Cros Academy



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GENRES:
Electronic / House / Minimal

TRACKLIST:
A. Chase Chase Chase
B. Brother In Love

SHORT INFO:
Reissue of two classic Losoul tracks. ‘Chase Chase Chase’ is one of the artist’s most passionate jams – captivating and full of life – a raw and endless affair.
‘Brother In Love’ paces firmly while allowing a soulful atmosphere of affection. That one’s a keeper.

VITAL SALES POINTS:
- Classic Losoul material from the early days of Microhouse.
- Included tracks first time in the same release.
- 90s feeling and innovation
- now available new and remastered



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Introducing yet another sonic tale by Moving Pictures coming from the overseas. Our forthcoming record marks label's 10th vinyl release and welcomes Philadelphia based artist Alex Burkat to the roster.

The EP features two original tracks by Alex Burkat and Hungarian musician Kin Teal, including slow-burning remix from Los Angeles based artist Dean Grenier. Last but not least, label's in-house power duo Aerial join in on remix duties and deliver a hypnotic closing track.

Tracklist:
I. Alex Burkat - Waistline
II. Alex Burkat - Waistline (Dean Grenier Remix)
III. Alex Burkat and Kin Teal - Northern Lights
IV. Alex Burkat and Kin Teal - Northern Lights (Aerial Remix)

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LP
One of the rarest Georgian [Soviet] releases ever
Previously unreleased song "Borjomi Valley"
New Georgian Reissue label TBILISI Records from Vodkast

GENRE/S:

Jazz, Vocal, Choral


TRACKLISTS:
A1 - Morning Of Happiness - 03:23
(Music: A. Kiladze; Lyrics: L. Beradze)
A2 - Borjomi Valley - 02:50
(Music: G. Bzvaneli; Lyrics: D. Kvitsaridze)
A3 - Rainbow Of Dreams - 02:42
(Music: A. Kiladze; Lyrics: L. Beradze)
A4 - April In Tbilisi - 05:26
(Music: A. Kiladze)
A5 - Tuxedo Junction - 02:39
(Music: E. Hawkins, B. Johnson, J. Dash; Lyrics: B. Feyne)


B1 - Hymn To The Sun - 02:26
(Music: A. Kiladze; Lyrics: V. Gogashvili)
B2 - My Heart - 05:01
(Music: G. Tsabadze; Lyrics: D. Kvitsaridze)
B3 - Gurian - 02:14
(Music: A. Kiladze)
B4 - Singing To Love - 03:19
(Music: A. Kiladze; Lyrics: I. Grishashvili)
B5 - Autumn Mood - 03:28
(Music: N. Qaadze; Lyrics: M. Kitia)

SHORT INFO:
As its maiden release, Tbilisi Records presents the recordings by one of the essential Georgian jazz formations of the 1980s. Alexandre Kiladze's Jazz Choral, formed in 1985, featured an impressive lineup of 11 vocalists complemented by a full band. Alongside standards, the ensemble's material contained many outstanding, stylistically versatile originals lushly arranged into the layered vocal harmonies juxtaposed against the band's tuneful, dynamic play. The polyphony Jazz Choral displays draws equally from Georgian folklore and vocal jazz band tradition. This singular fusion of these two culturally distinct elements creates a remarkable listening experience often emulated by newer Georgian jazz formations thereafter.






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Limited Edition 20th Anniversary
GENRE/S: Micro House, Minimal Techno
TRACKLISTS:

SIDE A
1.Taste Not Waste
Losoul
09:54

2.Late Play
Losoul
02:30

SIDE B
1.Resisting Curare
Losoul
06:44

2.Overland
Losoul
08:41
2
SIDE C
1.Sunbeams And The Rain
Losoul
07:24
2.Position
Losoul
07:03

SIDE D
1.Depth Control
Losoul
06:05

2.You Can Do
Losoul
06:44

3.Trust
Losoul
02:56



4. SHORT INFO:
Losoul, whose real name is Peter Kremeier, has been one of the leading figures of legendary 90's and 00's German label Playhouse. He released numerous LPs and EPs during the last three decades, including underground hit "Open Door". He also appeared under the names "Silhouette Electronique" and "Don Disco". Belong, originally released in 2000, gathers nine titles of pure electronic music. From minimalistic house (Taste not Waste), through 90's trip hop (Sunbeams in the rain) all the way to more experimental endeavors (Late Play). The album also includes the track "Overland" which samples the bassline of Billie Jean by Michael Jackson in an eccentric and joyful way.Belong represents the 2000's musical turn, with its delicate, smart, minimal and emotionally groovy sound. A pioneering yet soulful layout of independent electronic music.


5. VITAL SALES POINTS:
- Limited Edition
- 20Th Anniversary Edition

Article:
RESIDENT ADVISOR
"Belong is one of the most important documents of early microhouse, helping to define the nascent scene upon its release in 2000."





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At once a spiritually-charged journey and a shit-kicking party record, American Cream Band comes to Quindi covering all the bases.
American Cream Band was formed by Twin-Cities musician Nathan Nelson around 10 years ago, taking the form of improvised live shows and albums Frankensteined from these sessions into exultant, fully-formed records you can sink your teeth into. The trick with improvised music is to start with intentions, however abstract they might be, and Nelson leads his rolling cast of collaborators into the creative fray with subtle guidance which drives the impulsive musical moment forward.
The band's previous records have manifested on labels like Moon Glyph and Medium Sound, and now Presents arrives in a freewheeling flash of snappy new wave, skronky sax, call and response sass and some krautrock-minded sonic cosmology. The album came together in December 2021, when Nelson took ten musicians to legendary studio Pachyderm in Cannon Falls, Minnesota. Living together, eating together, and with Nelson quietly setting up his low-key magick intentions around Jupiter's planetary frequency and the studio's abundance of elephant statues and carpets, they laid down some drum-heavy sessions that became the building blocks of the record.
'Taste What We Taste' is the perfect example of an exuberant groove pounded on skins as a vessel for a joyous get-down, with the singers and players free to freak out on top. Nelson remains at the centre of the melee, throwing half-sardonic, half-heartfelt calls out for connection. 'Banana' celebrates nonsense and holds down the most serious of beats - a disco-not-disco deadeye dripping in late night sleaze and lysergic potential. On 'Royal Tears', the jagged guitar chops call back to Gang Of Four, while the hot n' heavy sax from Cole Pulice baits James Chance and all the other angular New York un-jazz misfits.
Amongst his other implied intentions for the recordings, Nelson wanted to channel opposites, not least the distinct male-female energies in his vocal sparring with the girls on assistance duties. It wouldn't be right to call them backing singers as they shoot back at his punchy mantras, bringing a certain fierce femininity that tips its hat to The B-52's Cindy Wilson and Kate Pierson, not to mention iconic post-punk bands like Au Pairs, Delta 5 and Bush Tetras.
There's space for the dreamier kosmische which has crept into the American Cream oeuvre in the past, as 'Sirens' opens the album up in a swirling pond of rag tag percussion and molten synths. 'Words Would Handcuff Us' cools the whole riotous assembly down in unmoored perfection, a strung-out Bossa nova seance dusted with celestial drips from analogue spaceships.
Equally treading the line between light and dark, conscious and unconscious, the sacred and profane, Presents is a life-affirming, creep-under-the-skin listening experience - a joyously transient chapter in the evolution of American Cream Band.

Tracklist:

A1. Sirens
A2. Dr Doctor
A3. Banana
A4. Royal Tears
B1. Birds Don't Try
B2. Taste What We Taste
B3. Suave In Ultra Pink
B4. Words Would Handcuff Us



VITAL SALES POINTS:

"For Presents at least, Nelson and his constellation of talented collaborators clearly have whatever "it" is, as they hit the mark with impressive regularity while organically embodying everything that is good and cool about raw, decadent, and spontaneous rock music."
Anthony D'Amico - Brainwashed

"Of course, with such a combination you are open to creating a complete mess, but Nelson and his crew seem to know exactly what they are doing here, creating something like an open-ended mutant 'kosmiche' disco. The one that works."
Echoes & Dust

"Presents" feels longer than its relatively brief runtime-not in a "it's not over yet?" way, mind you, in a "I can't believe we just went through all that in 28 minutes" kind of way."
Rosy Overdrive


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Territories: Worldwide no restrictions

Format Notes:

Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl


Track List:

SIDE ONE

Megaton 5:01
Renegade 5:05
Facade 3:18
Chabati 3:11
Green Hell 6:41

---

SIDE TWO

Boss 3:55
Nsambei 4:00
Waboco 3:29
Cult 4:37
Ngoma-ku 7:04

Release Notes:

Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.

Afro-Rock is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock FIRE! Hips will sway, heads will nod to the steady vibes. It's insanely good.

The humid, building funk of the appropriately titled "Megaton" is a dramatic explosion of swirling, dazzling organ lines, ferocious beats and heavy horns throughout. It just don't stop. The tempo slows slightly for the deep and deeply addictive "Renegade". It's all heavy jazz horn refrains, always triumphant, coupled with devastating percussive breakdowns and killer guitar riffing. It's an insistent organ-led juggernaut. The frenetic "Facade", up next, is no less driving, horns high up in the mix over rattling percussion and brilliant organs lines. Just sensational. The bright "Chabati" is another glorious extension of the optimistic Vecchio sound, the organs wilder than ever before. The moody "Green Hell" is a real highlight and closes out the A-Side with some outrageously funky refrains - be it horns, organ or guitars - and is complimented by gorgeous flute work that galvanises the piece, elevating it to downright heavenly status.

Knowing full well that he's on to a surefire thing, Vecchio opens the flipside in much the same vein. Indeed, "Boss" is yet another uptempo highlight, a sensual orgy of proud horns, hand percussion and melodic flute playing over driving organ and guitars. It's followed by "Nsambei", which is rightly adored for its briefly open drum break, fantastically propulsive percussion breakdowns throughout and the jazzy, loose organ and guitar shreds. The bright "Waboco" ups the tempo and the pressure, hanging on one hell of a guitar hook and infectious horn refrain. Perhaps foreseeing how this album would come to be viewed, the aptly-titled "Cult" is possibly the finest song on the record. Which is saying something, because this record is insanely good. Riding a steady, confident organ groove straight out the gate, the kinda melancholic flute line over the top serves as a beautiful counterpoint which the horns often come in and imitate/riff off. Goddamn this is so so good, it needs to be played everywhere. The overwhelmingly mighty 7-minute jam "Ngoma-ku" rounds out this quite staggering record brilliantly in its heavy, mid-tempo blues with countless extended solos.

The audio for Afro Rock has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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2023 Repress

Tracklist
A1. Open Door (original) 11:31
B1. 00000000 (original) 18:42

C1. Open Door Theo Parrish Behind Closed Doors Remix 10:32
D1. D1 (Unreleased) 08:04
D2. Open Door (Gerd Remix) 08:51

Release Info:
In certain circles, this is a record that would easily be called „eternal“. Back in 1996, when it was originally released, it sounded like nothing else - and still does. The sixth record of Frankfurt’s soon to be imperial Playhouse label and Losoul’s first outing on the label, it hot-wired many things at once: house and techno, US roots and European fruits, grittiness and wittiness, high tech funk, the expansion pf playtimes and the concept of minimalism in dance music. Elegance met effectiveness.
A composition that hooked you and also caused a stir elsewhere. Daniel Bell licensed it to his Elevate label and commissioned a very young Theo Parrish to remix it, Michel De Hey did the same with his EC Records and treatments by Gerd among others.
Here you finally get both of those carefully restored, remastered and reissued next to the originals. Amply placed on a double 12“, it also features the previously unreleased D1. Stemming from the same time and era as Open Door it rings and feels like a compact lost brother. Addictive as on the very first day and here to stay.




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