More records from Fango
1
Fango - Assassin (Extended Mix)
2
Fango - Assassin (Instrumental Mix)
3
Fango - Assassin (Acapella)
Fango returns to Degustibus with his first vocal track!
Seduced by the hook on “Eyes of An Assassin” by Young & Restless, he’s transformed it into an essential killer track by re-working the vocal through his signature pounding kicks, lo-fi sounds, and tension-gathering breakdown. More
Seduced by the hook on “Eyes of An Assassin” by Young & Restless, he’s transformed it into an essential killer track by re-working the vocal through his signature pounding kicks, lo-fi sounds, and tension-gathering breakdown. More
1
Fango - Sarcosuco
2
Fango - Dimetrodonte
3
Fango - Diplodoco
4
Fango - Gastonia
Tracklist
A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia
Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.
More
A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia
Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.
More
1
Fango - Babuke
2
Fango - Elle Cang
3
Fango - Mamuke
In Fango’s own words: Around 3 years ago I became a father and that changed my life. This record it’s my son’s world seen through my eyes: the innersleeve artwork was made by him and the eye on the label is mine. All the titles are also taken from Carlo’s own dictionary: “E Dee” is the first sound he used to make trying to communicate, it could mean many things. “Mamuke” was mum, “Babuke” was dad, “L” (reads el) was his step brother Gabriele and Cang his step sister Camilla.
More
Tracklist
A1. Lento
B1. Lento (Dritta)
Shortinfo:
'Lento', the first release of Fangodischi. A slow track, 115 bpm.
An obsessive hammering over a dystopian rhythmic layer that reaches its climax exploding in a drum roll, like a cleansing fire. An industrial sound, whiffs of steam, disturbing metallic noise.
A recall to the core of Fangodischi and the dual vision the artist has of his homeland: Venice, a “Disneyland” for tourists, and Marghera with its industries and poisons. Two faces of the same medal.
More
A1. Lento
B1. Lento (Dritta)
Shortinfo:
'Lento', the first release of Fangodischi. A slow track, 115 bpm.
An obsessive hammering over a dystopian rhythmic layer that reaches its climax exploding in a drum roll, like a cleansing fire. An industrial sound, whiffs of steam, disturbing metallic noise.
A recall to the core of Fangodischi and the dual vision the artist has of his homeland: Venice, a “Disneyland” for tourists, and Marghera with its industries and poisons. Two faces of the same medal.
More
After a steady stream of successful underground dance-floor stables via his Viscera EP series and last year climbing charts with his remixes, Fango returns with his second album titled "GEA". Set for release this forth-coming May 11th via Degustibus Music, GEA is a 10-track trip of eclectic electronica panning across various moods and tempos. Flexings his matured production credits, Fango fuses rock, disco and psychedelic influences, meticulously put together on his machines resulting in a spectrum of sounds to satisfy most palettes. It’s a serenade from Gea to Ouranos, the Greek gods of earth and sky.
More
1
fango - Sikhote
2
fango - Alin
1
fango - Amnios
2
fango - Medulla
3
fango - Metacarpo
While producing the Viscera trilogy, Fango has tried to understand something about himself. In order to do this, he had to enter into his own body, just like Dante entered hell, studying and analysing himself from the inside, diving through organs, guts and grey matter. Did it work? Yes and no, depending how you look at it. For sure, it helped him in the creation of 3 devastating and introspective EPs, but a lot of questions are still unsolved. Viscera part 3 is the last leg of a journey that disrupted your 2016 and marks the beginning of a new absurd phase for Fango, but this is another story. For the time being we leave you with Amnios, Metacarpo and Metulla. This is Viscera 3/3.
More
1
fango - Cerebellum
2
fango - Nervum
3
fango - Cortex
Fango’s non-traditional journey through the human body continues. After the first essay on interior organs “Viscera 1/3”, it’s now the turn of the central nervous system to be analyzed. And here comes Cerebellum, Nervum and Cortex, three delicate operations of surgery on the inner workings of Fango’s head. Part 2 of a trilogy that Fango conceived on the physicality of music, tracks that are going straight to your heart, to your stomach and so on. In this case it’s your brain and we hope to give you a nervous breakdown. Enjoy.
More
1
fango - Dritto (Rebolledo's Action Sequence)
2
fango - Tei (Barnt & Jens-Uwe Beyer Remix)
3
fango - Tuono (Prins Thomas Diskomiks)
4
fango - Saetta (Prins Thomas Diskomiks)
The album “Tuono” is an essay on the atmospheric agents conducted by Fango, it now gets revisited by 3 of the most innovative producers around... Dritto - Rebolledo’s Action Sequence Having already gained a very early premiere on Maceo Plex's BBC Radio One Essential Mix, Mexican man Rebolledo's driving remix of DRITTO takes all the drama of the original track, draws it out as only the Pachanaga boy knows how. Saetta - Prins Thomas Diskomiks : Norwegian dj extraordinaire and space disco heavy-weight Prins Thomas takes SAETTA on a whole new journey, building from the original track with warm funk tinged bass lines, complimented by driving synths which stream around latin folk guitar elements. This remix doesn't hold back whilst paying homage to Fango's well loved drum programming as it progresses deep into layer upon layer of sonic indulgence.Tuono - Prins Thomas Diskomiks:
With a double shot on this pack, Prins Thomas takes TUONO in from the raw and wraps its around a driving bass-line and horn synth texture. Tei - Barnt and Jens - Uwe Bayer remix
Retaining the foundation aspects of the original, Head honcho's at music label Magazine, Barnt and Jens, treat TEI with a cinematic flute driven start before mechanically kicking the percussive heavy remix underway. A length mid-track breakdown spurs on a haunting vocal loop over a back-drop of droning pulses before the track kicks back into what Barnt and Jens are best known for. More
With a double shot on this pack, Prins Thomas takes TUONO in from the raw and wraps its around a driving bass-line and horn synth texture. Tei - Barnt and Jens - Uwe Bayer remix
Retaining the foundation aspects of the original, Head honcho's at music label Magazine, Barnt and Jens, treat TEI with a cinematic flute driven start before mechanically kicking the percussive heavy remix underway. A length mid-track breakdown spurs on a haunting vocal loop over a back-drop of droning pulses before the track kicks back into what Barnt and Jens are best known for. More
1
fango - Tuono
2
fango - Lampo
3
fango - Folgore
4
fango - Dritto
The 2xLP comes with 4 tracks full of drama, directly from his cinematic world built on colossal drums.
More
Fango is a virtuous perfectionist, obsessed with mixing bassdrums, recording percussions and sampling drummers. It doesn't matter if it's a drum machine or a gong from an orchestra, he will make it sound right. His first release "N1" on Degusitbus Music was an instant success among the clubbing scene, turning dancefloors into ritual sessions. The same goes for his remix for "Aguirre" by Batongo, an ode to the wilderness of the Amazon jungle. Test his recordings on a proper system and judge for yourself.
More
Following the ritual viber of his first single N1 and the journey through the forest of his Aguirre remix, now Fango gets even a herd of horses at full gallop for his new single. Climb in the saddle!
More
More records from Maschio
1
Bill Callahan - America! (Batongo Ditongo Edit)
Bill Callahan’s ‘America!’ remixed by Batongo under his remixing Ditongo alias, presented on a special single-sided 12” via Maschio. First appearing on Callahan’s 2011 studio album Apocalypse and written during a bout of homesickness, it’s twisted into fascinating new shapes in the hands of Batongo.
More
Customers who bought this also bought this
1
The Roger Webb Sound - Sunshine (1:13)
2
The Roger Webb Sound - Gentle Eyes (2:08)
3
The Roger Webb Sound - Heavy Lace (1:32)
4
The Roger Webb Sound - Yesterday (2:33)
5
The Roger Webb Sound - Petal Soft (2:54)
6
The Roger Webb Sound - Coaster (2:20)
7
The Roger Webb Sound - Grey Sigh (2:38)
8
The Roger Webb Sound - Sweet Thing (2:17)
9
The Roger Webb Sound - Cough Drop (1:59)
10
The Roger Webb Sound - Moon Shade (2:43)
11
The Roger Webb Sound - Sapphire (2:44)
12
The Roger Webb Sound - Interweave (2:39)
13
The Roger Webb Sound - Musette (2:49)
14
The Roger Webb Sound - Reminiscence (2:29)
15
The Roger Webb Sound - 7.30 For 8.00 (2:05)
16
The Roger Webb Sound - Sparky (0:39)
Territories: Worldwide no restrictions
Format Notes: Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Sunshine 1:13
A2 Gentle Eyes 2:08
A3 Heavy Lace 1:32
A4 Yesterday 2:33
A5 Petal Soft 2:54
A6 Coaster 2:20
A7 Grey Sigh 2:38
A8 Sweet Thing 2:17
B1 Cough Drop 1:59
B2 Moon Shade 2:43
B3 Sapphire 2:44
B4 Interweave 2:39
B5 Musette 2:49
B6 Reminiscence 2:29
B7 7.30 For 8.00 2:05
B8 Sparky 0:39
Release Notes:
The Roger Webb Sound's Moonshade is one of the coolest records ever. Originally appearing via the legendary De Wolfe library in 1971, it's a sumptuous jazz-soul-funk instrumental set. Full of melodic, melancholic yet sun-drenched songs, rich with colour and contrast, it was composed by self-taught jazz pianist Roger Webb and features vocal performances by Barbara Moore. That's right; *the* powerhouse library music duo! It makes Moonshade the perfect precursor and accompaniment to Barbara Moore's eternal classic Vocal Shades And Tones. It will come as no surprise that original copies, if you can ever find them, will set you back north of 200 notes.
Moonshade is a phenomenal showcase of Brit maestro Webb's own roots in jazz. Those roots are served up here with a plethora of fast-stepping rhythms that truly give flight to the vocals of Barbara Moore, as they soar in wonderful ways. Moore sings wordlessly throughout, allowing her voice to act like another instrument in concert with the horns and keyboards elevating the fine arrangements. This is a deeply beautiful record.
The album opens with the ornate Baroque pop splendour of the sun-dappled melancholia of "Sunshine". Strings, piano and wordless female vocals combine to create this brief beauty of unimaginable grace. The cool "Gentle Eyes" features haunting and beautiful vocals, smooth jazz piano and horns and a general easy vibe without being easy listening, if you know what we mean. You do. Just listen. The pounding "Heavy Lace" is one for the beat-heads, funky open drums (!) with muted organ, bassy piano chords and ace horns. Sampled by Quakers for their great debut album on Stones Throw. The nostalgic "Yesterday" is wistful and beautifully melodic instrumental soul music with gorgeous acoustic guitar and flutes. It's followed by the light, lilting "Petal Soft" which features more Baroque styles, overflowing with flutes and harps. The bright, bouncing "Coaster" is an easy-going piano-led, guitar-driven swinger whilst "Grey Sigh" is another classic. A real highlight, with more fantastic propulsive drums and percussion and plaintive wordless vocals courtesy of Barbara. Speaking of which, the soft, sweet Rhodes jazz of the lilting "Sweet Thing" is another staggering showcase of the brilliance of Barbara. Just astounding.
Head straight past the honky-tonk-by-numbers piano jaunt "Cough Drop" and luxuriate in the soft, delicate beauty of the album's melodic, cyclical title track, "Moon Shade". Fragile flutes and acoustic guitar float across judicious bass notes before giving way to slightly ominous piano and, again, those beguiling wordless vocals. And then round again to the flute refrain of the intro. This time with the vocals to see us out. Majestic drama jazz at its finest. The cello-and-flute adorned "Sapphire" is a fluid orchestral beauty whilst "Interweave" rides with more urgency in its string and bass stabs. When the warm keys enter, it's a bonafide mellifluous wonder. The softer "Musette" begins in beautifully gentle fashion before pivoting for a driving yet elegant piano middle section. It reverts back to the mellow intro, for its outro. Understood? The melodic organ and prominent rhythm section running through "Reminiscence" makes for a delightfully understated folk-funk instrumental whilst the cool, rolling piano feels of "7.30 For 8.00" seem to perfectly suit the phrase "dinner jazz". It's no bad thing, c'mon. This classy, memorable set is rounded out by the half-minute mince of the Barbara-blessed "Sparky". It's just over too soon!
The audio for Moonshade has been brilliantly remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Format Notes: Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Sunshine 1:13
A2 Gentle Eyes 2:08
A3 Heavy Lace 1:32
A4 Yesterday 2:33
A5 Petal Soft 2:54
A6 Coaster 2:20
A7 Grey Sigh 2:38
A8 Sweet Thing 2:17
B1 Cough Drop 1:59
B2 Moon Shade 2:43
B3 Sapphire 2:44
B4 Interweave 2:39
B5 Musette 2:49
B6 Reminiscence 2:29
B7 7.30 For 8.00 2:05
B8 Sparky 0:39
Release Notes:
The Roger Webb Sound's Moonshade is one of the coolest records ever. Originally appearing via the legendary De Wolfe library in 1971, it's a sumptuous jazz-soul-funk instrumental set. Full of melodic, melancholic yet sun-drenched songs, rich with colour and contrast, it was composed by self-taught jazz pianist Roger Webb and features vocal performances by Barbara Moore. That's right; *the* powerhouse library music duo! It makes Moonshade the perfect precursor and accompaniment to Barbara Moore's eternal classic Vocal Shades And Tones. It will come as no surprise that original copies, if you can ever find them, will set you back north of 200 notes.
Moonshade is a phenomenal showcase of Brit maestro Webb's own roots in jazz. Those roots are served up here with a plethora of fast-stepping rhythms that truly give flight to the vocals of Barbara Moore, as they soar in wonderful ways. Moore sings wordlessly throughout, allowing her voice to act like another instrument in concert with the horns and keyboards elevating the fine arrangements. This is a deeply beautiful record.
The album opens with the ornate Baroque pop splendour of the sun-dappled melancholia of "Sunshine". Strings, piano and wordless female vocals combine to create this brief beauty of unimaginable grace. The cool "Gentle Eyes" features haunting and beautiful vocals, smooth jazz piano and horns and a general easy vibe without being easy listening, if you know what we mean. You do. Just listen. The pounding "Heavy Lace" is one for the beat-heads, funky open drums (!) with muted organ, bassy piano chords and ace horns. Sampled by Quakers for their great debut album on Stones Throw. The nostalgic "Yesterday" is wistful and beautifully melodic instrumental soul music with gorgeous acoustic guitar and flutes. It's followed by the light, lilting "Petal Soft" which features more Baroque styles, overflowing with flutes and harps. The bright, bouncing "Coaster" is an easy-going piano-led, guitar-driven swinger whilst "Grey Sigh" is another classic. A real highlight, with more fantastic propulsive drums and percussion and plaintive wordless vocals courtesy of Barbara. Speaking of which, the soft, sweet Rhodes jazz of the lilting "Sweet Thing" is another staggering showcase of the brilliance of Barbara. Just astounding.
Head straight past the honky-tonk-by-numbers piano jaunt "Cough Drop" and luxuriate in the soft, delicate beauty of the album's melodic, cyclical title track, "Moon Shade". Fragile flutes and acoustic guitar float across judicious bass notes before giving way to slightly ominous piano and, again, those beguiling wordless vocals. And then round again to the flute refrain of the intro. This time with the vocals to see us out. Majestic drama jazz at its finest. The cello-and-flute adorned "Sapphire" is a fluid orchestral beauty whilst "Interweave" rides with more urgency in its string and bass stabs. When the warm keys enter, it's a bonafide mellifluous wonder. The softer "Musette" begins in beautifully gentle fashion before pivoting for a driving yet elegant piano middle section. It reverts back to the mellow intro, for its outro. Understood? The melodic organ and prominent rhythm section running through "Reminiscence" makes for a delightfully understated folk-funk instrumental whilst the cool, rolling piano feels of "7.30 For 8.00" seem to perfectly suit the phrase "dinner jazz". It's no bad thing, c'mon. This classy, memorable set is rounded out by the half-minute mince of the Barbara-blessed "Sparky". It's just over too soon!
The audio for Moonshade has been brilliantly remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
1
Fango - Sarcosuco
2
Fango - Dimetrodonte
3
Fango - Diplodoco
4
Fango - Gastonia
Tracklist
A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia
Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.
More
A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia
Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.
More
1
Losoul - Chase Chase Chase
2
Losoul - Brother In Love
GENRES:
Electronic / House / Minimal
TRACKLIST:
A. Chase Chase Chase
B. Brother In Love
SHORT INFO:
Reissue of two classic Losoul tracks. ‘Chase Chase Chase’ is one of the artist’s most passionate jams – captivating and full of life – a raw and endless affair.
‘Brother In Love’ paces firmly while allowing a soulful atmosphere of affection. That one’s a keeper.
VITAL SALES POINTS:
- Classic Losoul material from the early days of Microhouse.
- Included tracks first time in the same release.
- 90s feeling and innovation
- now available new and remastered
More
Electronic / House / Minimal
TRACKLIST:
A. Chase Chase Chase
B. Brother In Love
SHORT INFO:
Reissue of two classic Losoul tracks. ‘Chase Chase Chase’ is one of the artist’s most passionate jams – captivating and full of life – a raw and endless affair.
‘Brother In Love’ paces firmly while allowing a soulful atmosphere of affection. That one’s a keeper.
VITAL SALES POINTS:
- Classic Losoul material from the early days of Microhouse.
- Included tracks first time in the same release.
- 90s feeling and innovation
- now available new and remastered
More
1
Alex Burkat - Waistline
2
Alex Burkat - Waistline (Dean Grenier Remix)
3
Alex Burkat - Northern Lights
4
Alex Burkat - Northern Lights (Aerial Remix)
Introducing yet another sonic tale by Moving Pictures coming from the overseas. Our forthcoming record marks label's 10th vinyl release and welcomes Philadelphia based artist Alex Burkat to the roster.
The EP features two original tracks by Alex Burkat and Hungarian musician Kin Teal, including slow-burning remix from Los Angeles based artist Dean Grenier. Last but not least, label's in-house power duo Aerial join in on remix duties and deliver a hypnotic closing track.
Tracklist:
I. Alex Burkat - Waistline
II. Alex Burkat - Waistline (Dean Grenier Remix)
III. Alex Burkat and Kin Teal - Northern Lights
IV. Alex Burkat and Kin Teal - Northern Lights (Aerial Remix) More
The EP features two original tracks by Alex Burkat and Hungarian musician Kin Teal, including slow-burning remix from Los Angeles based artist Dean Grenier. Last but not least, label's in-house power duo Aerial join in on remix duties and deliver a hypnotic closing track.
Tracklist:
I. Alex Burkat - Waistline
II. Alex Burkat - Waistline (Dean Grenier Remix)
III. Alex Burkat and Kin Teal - Northern Lights
IV. Alex Burkat and Kin Teal - Northern Lights (Aerial Remix) More
1
Aleksandre Kiladze's Jazz Choral - A1 - Morning Of Happiness - 03:23
2
Aleksandre Kiladze's Jazz Choral - A2 - Borjomi Valley - 02:50
3
Aleksandre Kiladze's Jazz Choral - A3 - Rainbow Of Dreams - 02:42
4
Aleksandre Kiladze's Jazz Choral - A4 - April In Tbilisi - 05:26
5
Aleksandre Kiladze's Jazz Choral - A5 - Tuxedo Junction - 02:39
6
Aleksandre Kiladze's Jazz Choral - B1 - Hymn To The Sun - 02:26
7
Aleksandre Kiladze's Jazz Choral - B2 - My Heart - 05:01
8
Aleksandre Kiladze's Jazz Choral - B3 - Gurian - 02:14
9
Aleksandre Kiladze's Jazz Choral - B4 - Singing To Love - 03:19
10
Aleksandre Kiladze's Jazz Choral - B5 - Autumn Mood - 03:28
LP
One of the rarest Georgian [Soviet] releases ever
Previously unreleased song "Borjomi Valley"
New Georgian Reissue label TBILISI Records from Vodkast
GENRE/S:
Jazz, Vocal, Choral
TRACKLISTS:
A1 - Morning Of Happiness - 03:23
(Music: A. Kiladze; Lyrics: L. Beradze)
A2 - Borjomi Valley - 02:50
(Music: G. Bzvaneli; Lyrics: D. Kvitsaridze)
A3 - Rainbow Of Dreams - 02:42
(Music: A. Kiladze; Lyrics: L. Beradze)
A4 - April In Tbilisi - 05:26
(Music: A. Kiladze)
A5 - Tuxedo Junction - 02:39
(Music: E. Hawkins, B. Johnson, J. Dash; Lyrics: B. Feyne)
B1 - Hymn To The Sun - 02:26
(Music: A. Kiladze; Lyrics: V. Gogashvili)
B2 - My Heart - 05:01
(Music: G. Tsabadze; Lyrics: D. Kvitsaridze)
B3 - Gurian - 02:14
(Music: A. Kiladze)
B4 - Singing To Love - 03:19
(Music: A. Kiladze; Lyrics: I. Grishashvili)
B5 - Autumn Mood - 03:28
(Music: N. Qaadze; Lyrics: M. Kitia)
SHORT INFO:
As its maiden release, Tbilisi Records presents the recordings by one of the essential Georgian jazz formations of the 1980s. Alexandre Kiladze's Jazz Choral, formed in 1985, featured an impressive lineup of 11 vocalists complemented by a full band. Alongside standards, the ensemble's material contained many outstanding, stylistically versatile originals lushly arranged into the layered vocal harmonies juxtaposed against the band's tuneful, dynamic play. The polyphony Jazz Choral displays draws equally from Georgian folklore and vocal jazz band tradition. This singular fusion of these two culturally distinct elements creates a remarkable listening experience often emulated by newer Georgian jazz formations thereafter.
More
One of the rarest Georgian [Soviet] releases ever
Previously unreleased song "Borjomi Valley"
New Georgian Reissue label TBILISI Records from Vodkast
GENRE/S:
Jazz, Vocal, Choral
TRACKLISTS:
A1 - Morning Of Happiness - 03:23
(Music: A. Kiladze; Lyrics: L. Beradze)
A2 - Borjomi Valley - 02:50
(Music: G. Bzvaneli; Lyrics: D. Kvitsaridze)
A3 - Rainbow Of Dreams - 02:42
(Music: A. Kiladze; Lyrics: L. Beradze)
A4 - April In Tbilisi - 05:26
(Music: A. Kiladze)
A5 - Tuxedo Junction - 02:39
(Music: E. Hawkins, B. Johnson, J. Dash; Lyrics: B. Feyne)
B1 - Hymn To The Sun - 02:26
(Music: A. Kiladze; Lyrics: V. Gogashvili)
B2 - My Heart - 05:01
(Music: G. Tsabadze; Lyrics: D. Kvitsaridze)
B3 - Gurian - 02:14
(Music: A. Kiladze)
B4 - Singing To Love - 03:19
(Music: A. Kiladze; Lyrics: I. Grishashvili)
B5 - Autumn Mood - 03:28
(Music: N. Qaadze; Lyrics: M. Kitia)
SHORT INFO:
As its maiden release, Tbilisi Records presents the recordings by one of the essential Georgian jazz formations of the 1980s. Alexandre Kiladze's Jazz Choral, formed in 1985, featured an impressive lineup of 11 vocalists complemented by a full band. Alongside standards, the ensemble's material contained many outstanding, stylistically versatile originals lushly arranged into the layered vocal harmonies juxtaposed against the band's tuneful, dynamic play. The polyphony Jazz Choral displays draws equally from Georgian folklore and vocal jazz band tradition. This singular fusion of these two culturally distinct elements creates a remarkable listening experience often emulated by newer Georgian jazz formations thereafter.
More
Tracklist
A1. Lento
B1. Lento (Dritta)
Shortinfo:
'Lento', the first release of Fangodischi. A slow track, 115 bpm.
An obsessive hammering over a dystopian rhythmic layer that reaches its climax exploding in a drum roll, like a cleansing fire. An industrial sound, whiffs of steam, disturbing metallic noise.
A recall to the core of Fangodischi and the dual vision the artist has of his homeland: Venice, a “Disneyland” for tourists, and Marghera with its industries and poisons. Two faces of the same medal.
More
A1. Lento
B1. Lento (Dritta)
Shortinfo:
'Lento', the first release of Fangodischi. A slow track, 115 bpm.
An obsessive hammering over a dystopian rhythmic layer that reaches its climax exploding in a drum roll, like a cleansing fire. An industrial sound, whiffs of steam, disturbing metallic noise.
A recall to the core of Fangodischi and the dual vision the artist has of his homeland: Venice, a “Disneyland” for tourists, and Marghera with its industries and poisons. Two faces of the same medal.
More
1
Losoul - Taste Not Waste
2
Losoul - Late Play
3
Losoul - Resisting Curare
4
Losoul - Overland
5
Losoul - Sunbeams And The Rain
6
Losoul - Position
7
Losoul - Depth Control
8
Losoul - You Can Do
9
Losoul - Trust
Limited Edition 20th Anniversary
GENRE/S: Micro House, Minimal Techno
TRACKLISTS:
SIDE A
1.Taste Not Waste
Losoul
09:54
2.Late Play
Losoul
02:30
SIDE B
1.Resisting Curare
Losoul
06:44
2.Overland
Losoul
08:41
2
SIDE C
1.Sunbeams And The Rain
Losoul
07:24
2.Position
Losoul
07:03
SIDE D
1.Depth Control
Losoul
06:05
2.You Can Do
Losoul
06:44
3.Trust
Losoul
02:56
4. SHORT INFO:
Losoul, whose real name is Peter Kremeier, has been one of the leading figures of legendary 90's and 00's German label Playhouse. He released numerous LPs and EPs during the last three decades, including underground hit "Open Door". He also appeared under the names "Silhouette Electronique" and "Don Disco". Belong, originally released in 2000, gathers nine titles of pure electronic music. From minimalistic house (Taste not Waste), through 90's trip hop (Sunbeams in the rain) all the way to more experimental endeavors (Late Play). The album also includes the track "Overland" which samples the bassline of Billie Jean by Michael Jackson in an eccentric and joyful way.Belong represents the 2000's musical turn, with its delicate, smart, minimal and emotionally groovy sound. A pioneering yet soulful layout of independent electronic music.
5. VITAL SALES POINTS:
- Limited Edition
- 20Th Anniversary Edition
Article:
RESIDENT ADVISOR
"Belong is one of the most important documents of early microhouse, helping to define the nascent scene upon its release in 2000."
More
GENRE/S: Micro House, Minimal Techno
TRACKLISTS:
SIDE A
1.Taste Not Waste
Losoul
09:54
2.Late Play
Losoul
02:30
SIDE B
1.Resisting Curare
Losoul
06:44
2.Overland
Losoul
08:41
2
SIDE C
1.Sunbeams And The Rain
Losoul
07:24
2.Position
Losoul
07:03
SIDE D
1.Depth Control
Losoul
06:05
2.You Can Do
Losoul
06:44
3.Trust
Losoul
02:56
4. SHORT INFO:
Losoul, whose real name is Peter Kremeier, has been one of the leading figures of legendary 90's and 00's German label Playhouse. He released numerous LPs and EPs during the last three decades, including underground hit "Open Door". He also appeared under the names "Silhouette Electronique" and "Don Disco". Belong, originally released in 2000, gathers nine titles of pure electronic music. From minimalistic house (Taste not Waste), through 90's trip hop (Sunbeams in the rain) all the way to more experimental endeavors (Late Play). The album also includes the track "Overland" which samples the bassline of Billie Jean by Michael Jackson in an eccentric and joyful way.Belong represents the 2000's musical turn, with its delicate, smart, minimal and emotionally groovy sound. A pioneering yet soulful layout of independent electronic music.
5. VITAL SALES POINTS:
- Limited Edition
- 20Th Anniversary Edition
Article:
RESIDENT ADVISOR
"Belong is one of the most important documents of early microhouse, helping to define the nascent scene upon its release in 2000."
More
1
Losoul - A1. Losoul - Outer Signal
2
Losoul - B1. Losoul - Art Form
RAWAX proudly welcomes Losoul to the artist family! We are more than happy to present you his upcoming release which comes on the RX-series, called "Urban Works"!
More
Label:Quindi Records
Cat-No:QUI009
Release-Date:08.12.2023
Genre:PostRockNouvelleVague
Configuration:LP Excl
Label:Quindi Records
Cat-No:QUI009
Release-Date:08.12.2023
Genre:PostRockNouvelleVague
Configuration:LP Excl
1
American Cream Band - Sirens
2
American Cream Band - Dr Doctor
3
American Cream Band - Banana
4
American Cream Band - Royal Tears
5
American Cream Band - Birds Don't Try
6
American Cream Band - Taste What We Taste
7
American Cream Band - Suave In Ultra Pink
8
American Cream Band - Words Would Handcuff Us
At once a spiritually-charged journey and a shit-kicking party record, American Cream Band comes to Quindi covering all the bases.
American Cream Band was formed by Twin-Cities musician Nathan Nelson around 10 years ago, taking the form of improvised live shows and albums Frankensteined from these sessions into exultant, fully-formed records you can sink your teeth into. The trick with improvised music is to start with intentions, however abstract they might be, and Nelson leads his rolling cast of collaborators into the creative fray with subtle guidance which drives the impulsive musical moment forward.
The band's previous records have manifested on labels like Moon Glyph and Medium Sound, and now Presents arrives in a freewheeling flash of snappy new wave, skronky sax, call and response sass and some krautrock-minded sonic cosmology. The album came together in December 2021, when Nelson took ten musicians to legendary studio Pachyderm in Cannon Falls, Minnesota. Living together, eating together, and with Nelson quietly setting up his low-key magick intentions around Jupiter's planetary frequency and the studio's abundance of elephant statues and carpets, they laid down some drum-heavy sessions that became the building blocks of the record.
'Taste What We Taste' is the perfect example of an exuberant groove pounded on skins as a vessel for a joyous get-down, with the singers and players free to freak out on top. Nelson remains at the centre of the melee, throwing half-sardonic, half-heartfelt calls out for connection. 'Banana' celebrates nonsense and holds down the most serious of beats - a disco-not-disco deadeye dripping in late night sleaze and lysergic potential. On 'Royal Tears', the jagged guitar chops call back to Gang Of Four, while the hot n' heavy sax from Cole Pulice baits James Chance and all the other angular New York un-jazz misfits.
Amongst his other implied intentions for the recordings, Nelson wanted to channel opposites, not least the distinct male-female energies in his vocal sparring with the girls on assistance duties. It wouldn't be right to call them backing singers as they shoot back at his punchy mantras, bringing a certain fierce femininity that tips its hat to The B-52's Cindy Wilson and Kate Pierson, not to mention iconic post-punk bands like Au Pairs, Delta 5 and Bush Tetras.
There's space for the dreamier kosmische which has crept into the American Cream oeuvre in the past, as 'Sirens' opens the album up in a swirling pond of rag tag percussion and molten synths. 'Words Would Handcuff Us' cools the whole riotous assembly down in unmoored perfection, a strung-out Bossa nova seance dusted with celestial drips from analogue spaceships.
Equally treading the line between light and dark, conscious and unconscious, the sacred and profane, Presents is a life-affirming, creep-under-the-skin listening experience - a joyously transient chapter in the evolution of American Cream Band.
Tracklist:
A1. Sirens
A2. Dr Doctor
A3. Banana
A4. Royal Tears
B1. Birds Don't Try
B2. Taste What We Taste
B3. Suave In Ultra Pink
B4. Words Would Handcuff Us
VITAL SALES POINTS:
"For Presents at least, Nelson and his constellation of talented collaborators clearly have whatever "it" is, as they hit the mark with impressive regularity while organically embodying everything that is good and cool about raw, decadent, and spontaneous rock music."
Anthony D'Amico - Brainwashed
"Of course, with such a combination you are open to creating a complete mess, but Nelson and his crew seem to know exactly what they are doing here, creating something like an open-ended mutant 'kosmiche' disco. The one that works."
Echoes & Dust
"Presents" feels longer than its relatively brief runtime-not in a "it's not over yet?" way, mind you, in a "I can't believe we just went through all that in 28 minutes" kind of way."
Rosy Overdrive
More
American Cream Band was formed by Twin-Cities musician Nathan Nelson around 10 years ago, taking the form of improvised live shows and albums Frankensteined from these sessions into exultant, fully-formed records you can sink your teeth into. The trick with improvised music is to start with intentions, however abstract they might be, and Nelson leads his rolling cast of collaborators into the creative fray with subtle guidance which drives the impulsive musical moment forward.
The band's previous records have manifested on labels like Moon Glyph and Medium Sound, and now Presents arrives in a freewheeling flash of snappy new wave, skronky sax, call and response sass and some krautrock-minded sonic cosmology. The album came together in December 2021, when Nelson took ten musicians to legendary studio Pachyderm in Cannon Falls, Minnesota. Living together, eating together, and with Nelson quietly setting up his low-key magick intentions around Jupiter's planetary frequency and the studio's abundance of elephant statues and carpets, they laid down some drum-heavy sessions that became the building blocks of the record.
'Taste What We Taste' is the perfect example of an exuberant groove pounded on skins as a vessel for a joyous get-down, with the singers and players free to freak out on top. Nelson remains at the centre of the melee, throwing half-sardonic, half-heartfelt calls out for connection. 'Banana' celebrates nonsense and holds down the most serious of beats - a disco-not-disco deadeye dripping in late night sleaze and lysergic potential. On 'Royal Tears', the jagged guitar chops call back to Gang Of Four, while the hot n' heavy sax from Cole Pulice baits James Chance and all the other angular New York un-jazz misfits.
Amongst his other implied intentions for the recordings, Nelson wanted to channel opposites, not least the distinct male-female energies in his vocal sparring with the girls on assistance duties. It wouldn't be right to call them backing singers as they shoot back at his punchy mantras, bringing a certain fierce femininity that tips its hat to The B-52's Cindy Wilson and Kate Pierson, not to mention iconic post-punk bands like Au Pairs, Delta 5 and Bush Tetras.
There's space for the dreamier kosmische which has crept into the American Cream oeuvre in the past, as 'Sirens' opens the album up in a swirling pond of rag tag percussion and molten synths. 'Words Would Handcuff Us' cools the whole riotous assembly down in unmoored perfection, a strung-out Bossa nova seance dusted with celestial drips from analogue spaceships.
Equally treading the line between light and dark, conscious and unconscious, the sacred and profane, Presents is a life-affirming, creep-under-the-skin listening experience - a joyously transient chapter in the evolution of American Cream Band.
Tracklist:
A1. Sirens
A2. Dr Doctor
A3. Banana
A4. Royal Tears
B1. Birds Don't Try
B2. Taste What We Taste
B3. Suave In Ultra Pink
B4. Words Would Handcuff Us
VITAL SALES POINTS:
"For Presents at least, Nelson and his constellation of talented collaborators clearly have whatever "it" is, as they hit the mark with impressive regularity while organically embodying everything that is good and cool about raw, decadent, and spontaneous rock music."
Anthony D'Amico - Brainwashed
"Of course, with such a combination you are open to creating a complete mess, but Nelson and his crew seem to know exactly what they are doing here, creating something like an open-ended mutant 'kosmiche' disco. The one that works."
Echoes & Dust
"Presents" feels longer than its relatively brief runtime-not in a "it's not over yet?" way, mind you, in a "I can't believe we just went through all that in 28 minutes" kind of way."
Rosy Overdrive
More
1
Vecchio - Megaton (5:01)
2
Vecchio - Renegade (5:05)
3
Vecchio - Facade (3:18)
4
Vecchio - Chabati (3:11)
5
Vecchio - Green Hell (6:41)
6
Vecchio - Boss (3:55)
7
Vecchio - Nsambei (4:00)
8
Vecchio - Waboco (3:29)
9
Vecchio - Cult (4:37)
10
Vecchio - Ngoma-ku (7:04)
Territories: Worldwide no restrictions
Format Notes:
Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
SIDE ONE
Megaton 5:01
Renegade 5:05
Facade 3:18
Chabati 3:11
Green Hell 6:41
---
SIDE TWO
Boss 3:55
Nsambei 4:00
Waboco 3:29
Cult 4:37
Ngoma-ku 7:04
Release Notes:
Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.
Afro-Rock is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock FIRE! Hips will sway, heads will nod to the steady vibes. It's insanely good.
The humid, building funk of the appropriately titled "Megaton" is a dramatic explosion of swirling, dazzling organ lines, ferocious beats and heavy horns throughout. It just don't stop. The tempo slows slightly for the deep and deeply addictive "Renegade". It's all heavy jazz horn refrains, always triumphant, coupled with devastating percussive breakdowns and killer guitar riffing. It's an insistent organ-led juggernaut. The frenetic "Facade", up next, is no less driving, horns high up in the mix over rattling percussion and brilliant organs lines. Just sensational. The bright "Chabati" is another glorious extension of the optimistic Vecchio sound, the organs wilder than ever before. The moody "Green Hell" is a real highlight and closes out the A-Side with some outrageously funky refrains - be it horns, organ or guitars - and is complimented by gorgeous flute work that galvanises the piece, elevating it to downright heavenly status.
Knowing full well that he's on to a surefire thing, Vecchio opens the flipside in much the same vein. Indeed, "Boss" is yet another uptempo highlight, a sensual orgy of proud horns, hand percussion and melodic flute playing over driving organ and guitars. It's followed by "Nsambei", which is rightly adored for its briefly open drum break, fantastically propulsive percussion breakdowns throughout and the jazzy, loose organ and guitar shreds. The bright "Waboco" ups the tempo and the pressure, hanging on one hell of a guitar hook and infectious horn refrain. Perhaps foreseeing how this album would come to be viewed, the aptly-titled "Cult" is possibly the finest song on the record. Which is saying something, because this record is insanely good. Riding a steady, confident organ groove straight out the gate, the kinda melancholic flute line over the top serves as a beautiful counterpoint which the horns often come in and imitate/riff off. Goddamn this is so so good, it needs to be played everywhere. The overwhelmingly mighty 7-minute jam "Ngoma-ku" rounds out this quite staggering record brilliantly in its heavy, mid-tempo blues with countless extended solos.
The audio for Afro Rock has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Format Notes:
Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
SIDE ONE
Megaton 5:01
Renegade 5:05
Facade 3:18
Chabati 3:11
Green Hell 6:41
---
SIDE TWO
Boss 3:55
Nsambei 4:00
Waboco 3:29
Cult 4:37
Ngoma-ku 7:04
Release Notes:
Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.
Afro-Rock is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock FIRE! Hips will sway, heads will nod to the steady vibes. It's insanely good.
The humid, building funk of the appropriately titled "Megaton" is a dramatic explosion of swirling, dazzling organ lines, ferocious beats and heavy horns throughout. It just don't stop. The tempo slows slightly for the deep and deeply addictive "Renegade". It's all heavy jazz horn refrains, always triumphant, coupled with devastating percussive breakdowns and killer guitar riffing. It's an insistent organ-led juggernaut. The frenetic "Facade", up next, is no less driving, horns high up in the mix over rattling percussion and brilliant organs lines. Just sensational. The bright "Chabati" is another glorious extension of the optimistic Vecchio sound, the organs wilder than ever before. The moody "Green Hell" is a real highlight and closes out the A-Side with some outrageously funky refrains - be it horns, organ or guitars - and is complimented by gorgeous flute work that galvanises the piece, elevating it to downright heavenly status.
Knowing full well that he's on to a surefire thing, Vecchio opens the flipside in much the same vein. Indeed, "Boss" is yet another uptempo highlight, a sensual orgy of proud horns, hand percussion and melodic flute playing over driving organ and guitars. It's followed by "Nsambei", which is rightly adored for its briefly open drum break, fantastically propulsive percussion breakdowns throughout and the jazzy, loose organ and guitar shreds. The bright "Waboco" ups the tempo and the pressure, hanging on one hell of a guitar hook and infectious horn refrain. Perhaps foreseeing how this album would come to be viewed, the aptly-titled "Cult" is possibly the finest song on the record. Which is saying something, because this record is insanely good. Riding a steady, confident organ groove straight out the gate, the kinda melancholic flute line over the top serves as a beautiful counterpoint which the horns often come in and imitate/riff off. Goddamn this is so so good, it needs to be played everywhere. The overwhelmingly mighty 7-minute jam "Ngoma-ku" rounds out this quite staggering record brilliantly in its heavy, mid-tempo blues with countless extended solos.
The audio for Afro Rock has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
1
Fango - Babuke
2
Fango - Elle Cang
3
Fango - Mamuke
In Fango’s own words: Around 3 years ago I became a father and that changed my life. This record it’s my son’s world seen through my eyes: the innersleeve artwork was made by him and the eye on the label is mine. All the titles are also taken from Carlo’s own dictionary: “E Dee” is the first sound he used to make trying to communicate, it could mean many things. “Mamuke” was mum, “Babuke” was dad, “L” (reads el) was his step brother Gabriele and Cang his step sister Camilla.
More
Label:Running Back Double Copy
Cat-No:RBDC08
Release-Date:24.11.2023
Genre:House
Configuration:2x12" Excl
Label:Running Back Double Copy
Cat-No:RBDC08
Release-Date:24.11.2023
Genre:House
Configuration:2x12" Excl
1
Losoul - Open Door (original) 11:31
2
Losoul - 00000000 (original) 18:42
3
Losoul - Open Door Theo Parrish Behind Closed Doors Remix 10:32
4
Losoul - D1 (Unreleased) 08:04
5
Losoul - Open Door (Gerd Remix) 08:51
2023 Repress
Tracklist
A1. Open Door (original) 11:31
B1. 00000000 (original) 18:42
C1. Open Door Theo Parrish Behind Closed Doors Remix 10:32
D1. D1 (Unreleased) 08:04
D2. Open Door (Gerd Remix) 08:51
Release Info:
In certain circles, this is a record that would easily be called „eternal“. Back in 1996, when it was originally released, it sounded like nothing else - and still does. The sixth record of Frankfurt’s soon to be imperial Playhouse label and Losoul’s first outing on the label, it hot-wired many things at once: house and techno, US roots and European fruits, grittiness and wittiness, high tech funk, the expansion pf playtimes and the concept of minimalism in dance music. Elegance met effectiveness.
A composition that hooked you and also caused a stir elsewhere. Daniel Bell licensed it to his Elevate label and commissioned a very young Theo Parrish to remix it, Michel De Hey did the same with his EC Records and treatments by Gerd among others.
Here you finally get both of those carefully restored, remastered and reissued next to the originals. Amply placed on a double 12“, it also features the previously unreleased D1. Stemming from the same time and era as Open Door it rings and feels like a compact lost brother. Addictive as on the very first day and here to stay.
More
Tracklist
A1. Open Door (original) 11:31
B1. 00000000 (original) 18:42
C1. Open Door Theo Parrish Behind Closed Doors Remix 10:32
D1. D1 (Unreleased) 08:04
D2. Open Door (Gerd Remix) 08:51
Release Info:
In certain circles, this is a record that would easily be called „eternal“. Back in 1996, when it was originally released, it sounded like nothing else - and still does. The sixth record of Frankfurt’s soon to be imperial Playhouse label and Losoul’s first outing on the label, it hot-wired many things at once: house and techno, US roots and European fruits, grittiness and wittiness, high tech funk, the expansion pf playtimes and the concept of minimalism in dance music. Elegance met effectiveness.
A composition that hooked you and also caused a stir elsewhere. Daniel Bell licensed it to his Elevate label and commissioned a very young Theo Parrish to remix it, Michel De Hey did the same with his EC Records and treatments by Gerd among others.
Here you finally get both of those carefully restored, remastered and reissued next to the originals. Amply placed on a double 12“, it also features the previously unreleased D1. Stemming from the same time and era as Open Door it rings and feels like a compact lost brother. Addictive as on the very first day and here to stay.
More