Genre: House
Tracklist 12":

A1 Pacific Visions 05:47
A2 Surfline Express 07:29

B1 Born Sleepy 06:15
B2 Cafe? Tropical 06:37

Short Info:
LA's own Cooper Saver returns to our shores with a 4 track strong EP primed for a non-happening festival summer





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Fresh from recent remixes for The Golden Filter and Perel we're proud to present

the debut 12" from Cooper Saver backed with remixes from Matt Karmil and Prins Thomas.

Cooper Saver is a Los Angeles based DJ and producer responsible for Far Away - a roaming party, cassette mixtape series, and radio show on Dublab. Over the last 6+ years, Cooper has consistently brought unique and underrated talent from abroad to LA for his late-night warehouse party, split between time traveling the world as a DJ. On the production front, he's spent a handful of years developing his sound as a busy remixer - most recognized for frequent remixes for DFA Records. It's only until now that his own original work is beginning to surface - starting off with his debut 12'' on Internasjonal.

INT037A_
A1_ Hill Street Beat
A2-Hill Street Beat (Matt Karmil Remix)
INT037B_
B1_ Star System
B2_Star System (Prins Thomas Remix)

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Tracklist
A1 The Search feat. Indra Dunis
A2 The Search feat. Indra Dunis (Vocal Dub Mix)

B1 Coastal Breeze
B2 Hypnotic Beat Tool

Shortinfo:
Cooper Saver is a Los Angeles based DJ and producer responsible for the Far Away party, cassette mixtape series, and radio show on Dublab. For the last 6+ years, Cooper has consistently brought unique and underrated talent from abroad for his late-night warehouse party while also regularly traveling around the world to DJ.

As a producer, Cooper maintains a steady flow of remixes – recognized most for frequent remixes on DFA Records. As of late, Cooper’s original music is finally starting to surface – starting with a debut full EP on Permanent Vacation. Coastal Breeze is a collection of tracks Cooper produced at home in LA over the last year or so, aimed at the late night dance floor with an injection of California sunshine.

Close friend and local hometown hero Indra Dunis of Peaking Lights was summoned for vocal duty on "The Search," rounding off this release as the ultimate embodiment of Cooper's surroundings.


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Tracklist 12":

A1 – Abstraxion – Don’t Speak (Original Mix)
A2 - Abstraxion – Don’t Speak (Bliss Inc. Remix)
B1 - Abstraxion – Bass Injection (Original Remix)
B2 – Abstraxion – Void Sequence (Original Mix)
B3 - Abstraxion – Bass Injection (Maruwa Remix)

Short Info:

Abstraxion unveils Void Sequence, a high-energy EP blending progressive house, early trance, and raw ’90s club aesthetics — featuring remixes by Bliss Inc. and Maruwa.
Out June 6th on vinyl via Biologic Records, the release delivers rolling basslines, hypnotic builds, and razor-sharp grooves — all engineered for peak-time impact.
A forthcoming remix EP will include Bliss Inc. and Maruwa’s unique interpretations of the original tracks.
Supported by: Jennifer Cardini, Massimiliano Pagliara, Alinka, Eoin, BELLA, Bliss Inc., Maruwa, Chloé, Pletnev, Bella Sarris, Blu:sh, Fabrizio Mammarella, Miguel de Bois...




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Tracklist 12":
A1 – Abstraxion - Wholes
A2 - Abstraxion - Gold
B1 - Abstraxion - Force
B2 - Abstraxion – Trance Body Music

Short Info:
Abstraxion once again delivers another twist to his exotic musical tale with "Trance Body Music". A four track collection
of 90’s-infused club rockets. Hi-NRG sounds that traverse the trance-techno-rave intersection.
Lead single ‘Whole’ is a distorted and relentless number that hammers along with skewed vocal chops and lashings of
bounce. ‘Gold’ however, is a more pushy heads-down affair. It's ramped BPM and vocals muster dewy-eyed Bonzaimemories, whilst harnessing the free spirit of the resurging eurodance movement.
Next out of the rave cannon comes ‘Force’, with its fierce tempo, jittering synth stabs and playful melody working
together to create a tidy dancefloor moment. The show is brought to a close with the bubbling title track Trance Body
Music. A perfect, almost soothing, finale to a wonderfully energetic adventure.





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Tracklist 12":

A1 - Azo & DJ Lovepills - Cosmic Paella
A2 - Sara Dziri - The Runner
A3 - DC Salas - We’re Still Here
B1 - Cai¨n ? Muchi - Salat
B2 - Abstraxion - Italo Crush
B3 - Oras Elone - Alarm

Short Info:
MRS x BXL: A tale of two cities, two countries, two label owners... But many, many different vibes. Celebrating both Abstraxion and DC Salas’s individual home cities – Marseilles and Brussels – ‘MRS x BXL’ is a concept so deliciously simple you’ll be surprised that it hasn’t happened before in Biologic’s rich 17 year history.



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Tracklist 12":

A1 - Azo - Aurora Space Station (Original Mix)
A2 - Azo - Neptunian Sea (Original Mix)
B1 - Azo - Aurora Space Station (Steffi Remix)
B2 - Azo - Love Bus (Original Mix)

Short Info:

Space… The final wasteland for the rich and entitled. A playground for the opulent. A fantasy for the 99.9 percent. A constant source of inspiration for artists. Artists like AZO.

Making her debut on Biologic Records, complete with a remix from Steffi, here we find the talented Belgian artist strapping up her rocket boosters for a four-track trip into infinity. It takes in influences from dark matter to Detroit, black holes to Brussels.

‘Aurora Space Station’ is a beautiful rave-inspired breakbeat floatation piece that sets the scene, poking fun at the mega-rich who can afford to seriously entertain the idea of leaving this planet for dust. More thrust is added by the deep space electro of Steffi’s thumping remix. Both have more power than all the fossil fuel Bezos and Branson have burnt in the last 10 years.

Deeper into the cosmos we probe…. ‘Neptunian Sea’ takes off from Chicago, fuelled on an intoxicating combo of acid and Italo. ‘Love Bus’ brings the anti-gravity heat with a heavy, hip-writhing nod to the jazz spirit of UR’s Galaxy 2 Galaxy movements.

We might not be able to afford a holiday in space, but we can afford great art like this. The dancefloor has always been the most effective place for teleportation. Ready for take off?



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Tracklist 12":

A1 - I Need A Bit Of Poetry (Original Mix)
A2 - I Need A Bit Of Poetry (Kim Ann Foxman remix)
B1 - Are You Not Sleepy (Original Mix)
B2 - The Curtain Falls (Original Mix)

Short Info:

Following her recent outings on Optimo and Butter Sessions Matisa wants to take you to another special place.
It's not here. It's not there. It's 'Elsewhere'...

Making her debut on Biologic, young Italian newcomer Matisa's adventure is plotted around three atmospheric, soul-affirming late-night gems that are all based around different chapters of the night and the mindset that comes with it. Loaded with an additional Kim Ann Foxman remix, this trip has something for everyone.
We start with 'I Need A Bit Of Poetry', Matisa's yearning for substance and meaning wrapped up in a bright, breezy timeless piece of house music that borders on the majestic realms of progressive. Think about poetry in all forms of life... Connections, adventure, but most of all - music.
Deeper into the trip we glide; first comes Kim Ann Foxman's crisp electro twist on 'I Need A Bit Of Poetry' which maintains that evocative rave vocal but switches up everything else for something much darker. Next we hit 'Are You Not Sleepy?' Inspired by the post-show brain chaos mindset we can all relate to, it's up-tempo, it's
trance-influenced, it's Matisa capturing that infuriating but exciting fizzy inspiration and adrenaline rush we all experience after a fulfilling show.
For the final chapter of this accomplished label debut, 'The Curtain Falls', Matisa takes us back to the source of that adrenaline rush. A bubbling disco house thumper, all reverbed drums and big synths, it's inspired by the moment when your set kicks in and the crowd are right behind you every track of the way and you lay your soul down bare for everyone to enjoy. If there's a place more special than that, we've yet to find it. Welcome to Elsewhere... We ain't going nowhere.

Support : Perel,Cormac, Bawrut, Younger Than Me, Pedro Winter, Fort Romeau, Zombies in Miami, Jennifer Cardini, Eclair Fifi, Fabrizio Mammarella…


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Tracklist 12":

A1 - Malcolm - Badman
A2 - Malcolm - Badman (Nathan Micay's I'll Have What I'm Having Remix)
B1 - Malcolm feat. Glitter - Damaa
B2 - Malcolm feat. Marc Melia - Schaerbeek

Short Info:

Hot on the heels of their Pletnev & Panorama Channel pairing, Biologic invite rising French bass sculptor and Rinse selector Malcolm to the fold for a brave new excursion into the rave hinterland. Smelting down everything we know, love and appreciate about soundsystem and bass culture, techno and melting pot alchemy, compounding it and flipping it in moody, deep stew, he delivers something genuinely unique and fresh here.
‘Badman’ ignites the smouldering sonic session with a slow-mo swampy low-end vibe that tips its cap just as much to jungle as it does techno thanks to its sense of tension and classic samples. Remix-wise Nathan Micay continues to unfold that immersive signature he’s been developing on LuckyMe with a breakbeat driven remix that brings aspects of trance and classic electro into the mix.
‘Damâa’ takes us even deeper into Malcolm’s reference-heavy mix as he teams up with fellow Parisian resident Glitter for a sublime Moroccan mission. Once again slow and moody, from its measured percussion to its rising harmonics, the mystic allure is pure and palpable in both the full vocal and instrumental forms.
We’re bid adieu with ‘Schaerbeek’. Powerfully unhurried, scant on kicks and heavily layered in psychedelic acidic layers, the real payoff happens in the last two minutes. We won’t spoil the surprise but whatever end of the bass spectrum or hardcore continuum you dwell, you’ll be all over this one.
Fresh, exciting yet completely entrenched in the rudiments of all things rave, bass, techno and soundsystem, Malcolm has fine-tuned an exceptional blend of elements here. We hope to hear a lot more from the young producer as he continues to forge his own unique path.



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Tracklist 12":

A1 - Panorama Channel & Pletnev - Blavatsky
A2 - Panorama Channel & Pletnev - Blavatsky (Yu Su remix)
B1 - Panorama Channel & Pletnev - Eiffel Tower Syndrome
B2 - Panorama Channel & Pletnev - Eiffel Tower Syndrome (Simple Symmetry remix)


Short Info:

They’ve been moving in the same circles and bouncing off the same vibe cosmology for years. But this is the first time Lithuanian Pletnev and Russians Panorama Channel have ever officially collaborated. And they’re doing it right here on Biologic.
Three originals, two remixes, one consistent immersive vibe that envelops you from the start and builds in intensity; this is how it all goes down…
‘Blavatsky’ takes us on a theosophical trip. All mid tempos and woozy psychedelics weaving, layering, twisting and taking sudden detours, not only does it sets the scene for what’s to follow but it’s flipped by a sublime remix from You’re Me’s Yu Su who whips up an ageless nod to the legacy of Two Lone Swordsmen.
‘Eiffel Tower Syndrome’ follows. Intense, edgy, and prone to paranoid flurries over a heavy driving beat; unlike its medical namesake this will not result in disappointment. And neither will Simple Symmetry’s remix. Another thoughtful remix pairing from Biologic, here the Moscow brothers provide a flip that’s as similarly ageless as Yu Su’s; slower, heavier and rife with references, this one recalls the influence and energy of a young Coldcut when they first got fully paid.
Finally this pop-up Baltic/Slavic threesome end the release with the heaviest, most intense tune of the set. ‘Black Market Weekdays’ is a hot slab of rolling technoid drama with more eye-raising surprises than a truck load of knock-off DVDs and more weight than a tonne of counterfeit Rolexes. Murky, mean and fully forward-focussed, let’s hot Pletnev and Panorama Channel find time to join forces again in the future…


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Tracklist 12":

A1 - Herzel - Arp Surfer (Original)
A2 - Herzel - Nexus (Marquis Hawkes remix)
B1 - Nathan Surreal - Where were we
B2 - Nathan Surreal – Where were we (Lord Of The Isles remix)


Short Info:


Here we are with a new split EP by Herzel & Nathan Surreal.

We’re happy to release 2 original gems by Herzel & Nathan Surreal. As dancefloor driven as ethereal, this EP is a perfect balance between 3AM craziness and end of the night pleasures.

On top of that, we’re bringing two remixes by the prolific Marquis Hawkes. An acid bomb to spice up this already powerful package, and Lord Of The Isles with his beautiful version of Where Were We.


Vital Sales Points:

B Traits – BBC Radio 1 : 'Arp Surfer' https://www.bbc.co.uk/programmes/b09x7yw9

- Supported by : Phil Kieran, Ed Davenport, Charlotte De Witte, Kasper Bjorke, Massimiliano Pagliara, Arnaud Rebotini


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Tracklist :
A1. Upendra
A2. Bihari
B1. Dayalu
B2 Sumedha

Shortinfo:

We are super glad and honored to welcome an awesome producer in our family: Eduardo De La Calle. Eduardo is not a beginner, he's been releasing music since 2001 on some of the most exciting labels on the globe: Plane E, International DJ Gigolo, Turbo, Hivern, Mule or NONPLUS...
This 4 tracker is a perfect summary of what Eduardo's music is about: techno, incredible atmosphere and sonic landscapes. Here, no fancy titles just numbers, remembering us what's the most important in this: music.


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Tracklist
A1 Intro A2 Silently (ft. Joy Wellboy) A3 Victor A4 She's Lost B1 Niños (ft. Mirror Minds) B2 Cala Falco (ft. Joy Wellboy) B3 The Unspoken B4 Enfant Bruit (Album Edit)

Shortinfo:
Having established himself as a vital figure in the Brussels music scene, Biologic Records co-founder DC Salas
presents his debut album 'The Unspoken'. The 10-track LP features collaborations with fellow Belgian electropop
duo Joy Wellboy and Mirror Minds.
After a string of dancefloor oriented EPs, he draws inspiration from his live act and diverts away from the club to
explore the more melodic aspects of his sound. More than just a format, the album structure is used here as a
method of storytelling, using the spontaneity of live music making to express varying emotions without restraint.
Lead single 'Cala Falco' is a slow building track that treads carefully between warmth and melancholy, using subtle harmonic progressions to play with the mood of Joy Wellboy's vocals.

Title track takes cosmic melodies and layers them in polyrhythmic forms to hypnotic effect, whilst 'This Love'
uses skeletal percussion to carry retro-futurist melodies.

Many of the tracks produce textures that are only achievable with the use of hardware. From the sombre
harmonies and crisp drums of 'Victor' to the swelling tension of 'Enfant Bruit', DC Salas masterfully navigates his
equipment to create emotive and powerful sonic spectrums.

The entirety of the production process was done with close friends, including mixing by fellow label owner
Harold Boué (aka Abstraxion) and a video collaboration with Victor Pattyn.



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Tracklist :
A1 - Matin, B1 - Nuit, B2 - Ivre

Shortinfo:
Abstaxion and Kasper Bjørke return for their second collaboration on DC Salas and Abstraxion's Biologic Records imprint. 'Matin + Nuit' is a 3-track EP out in April. Biologic records aim to explore the relationship between organic and analogue, natural and urban. This idea of polarity is addressed here through the themes of morning and night. 'Matin' is a ten-minute journey through a glistening landscape. Celestial arpeggios and subtle dissonances are grounded by a hypnotic bassline and restrained percussion. 'Ivre' (drunk) takes an emotive turn. Disorienting acid bass winds its way through mournful harmonies and overcast melodies, held together by a spirited rhythmic pattern. 'Nuit', naturally, progresses into darker territory. There are familiar elements of disco, but they've been mangled to create something far more twisted. Drums take the lead, punctuated by assertive bass stabs and ominous chords that howl through cavernous acoustics.
'Matin + Nuit' explores seemingly familiar themes without the use of cliché, employing a diverse range of sound manipulation techniques to paint vivid imagery.


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Tracklist :
A1 Star Dust, A2. Human Music, B1. Star Dust (Neville Watson remix), B2. Star Dust (Adesse Versions remix)
Shortinfo:
Dutch producer Nathan Surreal debuts on Biologic Records with ?Star Dust? featuring remixes from Adesse Versions and Neville Watson. Exploring abstract, ?surreal? and melodic electronic sounds, the Dutchman is a perfect addition to the Biologic roster. Appearing on a host of underground labels since 2014, Nathan is set to make a breakthrough with ?Star Dust'
Balancing on the edge of reality and pushing further into the abstract and surreal worlds ?Star Dust? unfolds through waving synths and dubby bass lines. ?$$$? is a darker track, the bassline punchier and driving acid-tinged synths create a dance-floor ready record. Next up ?Human Music? has a more minimal introduction, building in intensity as the synths come through until finally the melody drops, maintaining the dreamy top line that Nathan is so adept at maintaining. Neville Watson provides the first remix on the EP, he adds reverb to the vocal, amplifying its effect on the track. ?Star Dust? is intensified, perfect for late night, or early morning, dance floors. Addesse Version?s remix of ?Star Dust? is a twisted acid remake, a left-field and off kilter beat is slowed down to a psychedelic swirl, pulsating throughout the track.
Human Music premiered on Ransom Note : 23rd Feb
Deep House Amsterdam premier Star Dust original
Thump / Vice premiere Adesse Versions remix 7th March
Supported by : Laurent Garnier " GREAT EP - full support "
Pedro Winter "Brillant EP Radio & Club plays + Playlist in Tsugi magazine"
Chloé, Arnaud Rebotini, Aera, Ripperton, Ben UFO, Phil Kieran, Soul Clap, Tiefschwarz, Tensnake, Lovefingers, Red Axes, Axel Boman, Massimiliano Pagliara, Jacques Renault...


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Tracklist :
A1 - An Error Occurred (Tuff City Kids Remix)
A2 - An Error Occurred (Kasper Bjørke Stripped Down Rework)
A3 - An Error Occurred (Vessels Remix)
B1 - She Thought She Would Last Forever (Clarian Remix)
B2 - Spazieren (Conforce Remix)
C1 - Spazieren (Mattheis Remix)
C2 - Spazieren (Ripperton Remix)
D1 - Spazieren (INIT Remix)
D2 - Rinjani (Eduardo De La Calle Remix)
D3 - Dystopia (Cleveland Remix)

Shortinfo:

Abstraxion returns to his own Biologic Records to release this impressive revisited album - giving Tuff City Kids, Kasper Bjørke, Vessels, Clarian, Conforce, Mattheis, Ripperton, INIT, Eduardo De La Calle, Cleveland the freedom to have their own take on tracks from Abstraxion's 'She Thought She Would Last Forever' LP released in October 2016.
Ripperton's first mark on Spazieren is one of meticulous sound design and textures complemented by a poignant vocal that provides a wicked ambience. His second offering is rapt around a warm bassline with orderly percussive stabs. Init's remix has been crafted with precision - an unhurried and mysterious track that builds and anticipates smoothly due to the precise instrumentation and adept reverb that's been applied on the vocal. Conforce closes out the EP with intent by delivering a dark, forceful and abstract take on Spazieren.

PR report :

DJ Feedbacks :

Supported by : Barnt, Mano Le Tough, Jennifer Cardini, Joris Voorn...



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Roman Flügel "I think the first 5 tracks of the album are simply fantastic"

Tracklist :LP
A1 - An Error Occurred, A2 - Just What I've Always Wanted, A3 - She Thought She Would Last Forever, B1 - Needed You, B2 - Spazieren, C1 - Blackout, C2 - Seascape, C3 - Not Far Away From You, D1 - Rinjani, D2 - Dystopia

Shortinfo:
After his stunning debut LP 'Break of Lights' on HAKT Recordings at the end of 2013, and releases on Nicolas Jaar's 'Other People' label, Harold Boué - better known as Abstraxion - is set to launch his second LP 'She Thought She Would Last Forever' in October this year. Abstraxion's career has already seen many highlights, two of which have been the label he runs with Belgian producer DC Salas reaching it's ten year anniversary this year and playing in some of the best clubs in the world. With his obvious talent and ability to create a pensive beauty in his productions, there is no doubt Abstraxion's career will continue to reach new heights. Full of reveries and hybrid explorations, Harold's second full length 'She Thought She Would Last Forever' evokes images of landscapes and forests. A stretching dark and dystopian atmosphere pervades the album, but he still manages to mesh the melancholy with an overarching and swelling euphoria. Contrasting themes of melancholia and exploring the tensions between expectation and reality. The explorative nature of the album is articulated clearly through Abstraxion's use of minor chords and organic sounds.
She Thought She Would Last Forever begins with 'An Error Occurred', a convivial albeit mysterious and energetic primer that then dives into the tight percussion and pensive vocals of 'Just What I've Always Wanted'. Title track 'She Thought She Would Last Forever' is a dramatic cut which transcends slickly into the rasping synth, and recoiling bass of 'Needed You' accompanied by the entrancing vocals of Loic Fleury from Isaac Delusion. 'Spazieren' is a 10-minute leisurely passage through dystopia that has been crafted with finesse. 'Blackout' is a minor key track whose lead synth is focused around an arpeggiator to create suspense. 'Seascape', a melancholic ambient track which shifts into the more energetic percussion of 'Not Far Away From You', picking up pace once again. 'Rinjani' is a melodic and menacing march with pulsing synth lines, leading expertly to the final track. 'Dystopia' blends otherworldly sounds from the distant future with percussion and reverb, creating space in the musical landscape and bringing Abstraxion's second album to an expansive and poignant close.
Mixed by Francis Harris in his New York studio.


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Roman Flügel "I think the first 5 tracks of the album are simply fantastic"

Tracklist CD:
01 - An Error Occurred, 02 - Just What I've Always Wanted, 03 - She Thought She Would Last Forever, 04 - Needed You, 05 - Spazieren, 06 - Blackout, 07 - Seascape, 08 - Not Far Away From You, 09 - Rinjani, 10 - Dystopia


Shortinfo:
After his stunning debut LP 'Break of Lights' on HAKT Recordings at the end of 2013, and releases on Nicolas Jaar's 'Other People' label, Harold Boué - better known as Abstraxion - is set to launch his second LP 'She Thought She Would Last Forever' in October this year. Abstraxion's career has already seen many highlights, two of which have been the label he runs with Belgian producer DC Salas reaching it's ten year anniversary this year and playing in some of the best clubs in the world. With his obvious talent and ability to create a pensive beauty in his productions, there is no doubt Abstraxion's career will continue to reach new heights. Full of reveries and hybrid explorations, Harold's second full length 'She Thought She Would Last Forever' evokes images of landscapes and forests. A stretching dark and dystopian atmosphere pervades the album, but he still manages to mesh the melancholy with an overarching and swelling euphoria. Contrasting themes of melancholia and exploring the tensions between expectation and reality. The explorative nature of the album is articulated clearly through Abstraxion's use of minor chords and organic sounds.
She Thought She Would Last Forever begins with 'An Error Occurred', a convivial albeit mysterious and energetic primer that then dives into the tight percussion and pensive vocals of 'Just What I've Always Wanted'. Title track 'She Thought She Would Last Forever' is a dramatic cut which transcends slickly into the rasping synth, and recoiling bass of 'Needed You' accompanied by the entrancing vocals of Loic Fleury from Isaac Delusion. 'Spazieren' is a 10-minute leisurely passage through dystopia that has been crafted with finesse. 'Blackout' is a minor key track whose lead synth is focused around an arpeggiator to create suspense. 'Seascape', a melancholic ambient track which shifts into the more energetic percussion of 'Not Far Away From You', picking up pace once again. 'Rinjani' is a melodic and menacing march with pulsing synth lines, leading expertly to the final track. 'Dystopia' blends otherworldly sounds from the distant future with percussion and reverb, creating space in the musical landscape and bringing Abstraxion's second album to an expansive and poignant close.
Mixed by Francis Harris in his New York studio.


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Tracklist:
A1. When You Left A2. Best Of Both Worlds B1. Best Of Both Worlds (Cliff Lothar Remix) B2. When You Left (Inkswel Remix)
Shortinfo:
We are happy to introduce you to the second EP from by DC Salas on Biologic Records, the label that
he co-founded and manages with the French Producer Abstraxion. They celebrated their 10 year
anniversary at the end of 2015 and continue to release a string of EPs to mark the occasion.
'When You Left' is an EP that overcomes sadness. Times can be rough, but it never lasts forever. This
original material is complemented by two powerful remixes: One from the mysterious Cliff Lothar, who
is supported by people as diverse as John Talabot, Delta Funktionen and Radiohead's Thom Yorke. The
second remix is done by the Australian producer Inkswel (BBE).

This EP is an important step for the producer as he prepares his debut album 'The Unspoken' which will be announced by Biologic Records in the coming months.

Early Supporter: Ivan Smagghe, Chloé, Jennifer Cardini, Mugwump, Manfredas, Golden Bug


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Tracklist
A1. Resonance A2. Resonance (Matrixxman remix) B1. Resonance (Fort Romeau remix) B2. Resonance (Massimiliano Pagliara remix)
Shortinfo:
After a series of releases on HAKT Recordings, Nicolas Jaar's Other People and a collab with Kasper Bjørke, Abstraxion returns to his own Biologic Records which he co-manages with DC Salas. ?
Not only is this his first solo EP on the label since a few years, it's also the second release to celebrate Biologic's 10th anniversary year.
Resonance comprises of two original cuts and three remixes. Going from a peak time techno track by Matrixxman to a house rework by Fort Romeau and a disco infused version by Massimiliano Pagliara, the EP not only represents the label's diverse sound but also Abstraxion's own productions and ever evolving style. As a next step, Abstraxion will release in 2016 his second LP She Thought She Would Last Forever, mixed by Francis Harris (Scissor & Thread, Adultnapper) and on which he already received support from his inspirations/ mentors Dan Snaith (Caribou) & John Talabot.
Feedback:
Axel Boman i really like the track Resonance ! nice!
Nicolas Jaar "Resonance is a great track"
Luca Bacchetti Nice release! Fort Romeau Remix and the always great Massimiliano Pagliara are my favs here! dj sasha Great package thanks
George Fitzgerald "Love the FR and Matrixxman remixes." 'Resonance (Fort Romeau Remix)'

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Tracklist:
A1. Akosua A2. Island Simple Dream B1. Akosua (Elijah Simmons remix) B2. Kinly Estellar
Shortinfo:
Panorama Channel is a project of two friends from Russia with the same taste and with love of good
music. After a long solo career, the guys are united for the realization of common ideas. Now they create
an emo- tional electronic music with nostalgia for the past and desire for something new. Coming with a dreamy remix from Elijah Simmons, a rare breed of talent that has, for years, been working towards perfecting his art, and is now about to enter the limelight.
His track Otavio's Dream, has been making waves as one of the biggest underground hits in Ibiza this
summer, getting picked up by the inter- national duo Blond:ish to exclusively feature on the first ever
compilation of Flying Circus; the lovechild of Audiofly. He also recently released Pisces on Kompakt.



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Tracklist
A1. Jonquera – Cause & Utility
A2. Jonquera – Tales Of Decay
B1. Tolouse Low Trax – Amp
B2. Tolouse Low Trax – Solid Rock

Info:
Avenue 66 opens Series 33 with a Düsseldorf–Lyon connection.
Jonquera first encountered Tolouse Low Trax a decade ago in a small Lyon club. That night, his hypnotic slow-motion set was cut short, yet it left a lasting imprint. The Düsseldorf artist’s mechanical psychedelia, and the influence of the Salon collective have been a constant touchstone for
Jonquera, even inspiring playful “Düsselcore” edits in his Tera Octe days.
After several LPs, Jonquera returns to the EP format with Cause & Utility / Tales of Decay. Built from improvised drum, bass, and vocal recordings, the tracks are reworked through heavy looping and acoustic treatment, a method inspired by his recent live shows. Cause & Utility revolves around the
abstract idea of two dogs as concepts, enriched by the earthy drone of a hurdy-gurdy. Tales of Decay paints a surreal image of a house losing its rooms like a body shedding parts.
The MPC sorcerer Tolouse Low Trax, aka Detlef Weinrich, brings his Düsseldorf circuitry and autobahn funk with two tracks of pure rhythm apparition. Amp is a quintessential Tolouse Low Trax cut, built on concealed rhythmic structures, swampy bass lines, and fragments of radio and voice
samples. The piece extends his exploration of how art can mirror the flow of inner-city traffic; drifting without a clear climax. Solid Rock echoes this idea, first conceived as a variation on Amp where particles repeat themselves. The result is distinct yet conceptually linked, evoking the
density of a crowded neighboring city: beginning in apparent disarray before locking into an abstract, hypnotic funk.
Series 33 begins with the convergence of Jonquera’s looping experiments and Tolouse Low Trax’s mechanical psychedelia, a dialogue between Lyon and Düsseldorf.



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GENRE/S: Techouse

TRACKLIST:
[Vinyl]
A1. Can You Dream
A2. Compass Point
B1. Floating In The Dancehall
B2. Tu Cariño

SHORT INFO:
Swedish underground maestro Jo Bubbles (a.k.a. Jonas Dahlström) boasts an impressive streak of hot dance 12’’ releases in recent years, for illustrous labels like Parkway Records, The Transient Nature of The Disco Business and Västkransen. Ever intent on lifting homegrown talent and presenting it to its
worldwide audience, Studio Barnhus proudly unveils Mr. Bubble’s first outing on the label: a compilation of four distinct, yet equally striking dance tracks, each showcasing meticulously curated sound palettes paired with undeniably rock solid grooves.
From the electroid stomp of Compass Point to the Balearic-leaning grandeur of closing track Tu Cariño, these are cuts that would have gone down a storm during the early morning hours at Hägring, the infamous, now-defunct disco rave Jonas helped steer for over a decade. We’re thrilled to release these babies into the wild, for all to enjoy. Tu Cariño is out on vinyl and digital formats on October 10.

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LP - The Crystal Hum is the debut vinyl release by Taiwan-based artist Yuching Huang and her first release for Night School.

1. Fly! Little Black Thing
2. Love
3. Confessions From A Soul
4. Thoughts
5. Thunder In Heaven
6. In My Room
7. The Song Of Summer
8. JohnJohn
9. Alright
10. You, An Illusion


The Crystal Hum is the debut vinyl release by Taiwan-based artist Yuching Huang and her first release for Night School.
A beguiling dreamscape of crackles, spluttering, love-struck Casios presided over by the the spectral vocal and guitar
work of Huang, Yuching sings love songs at the end of this world and the beginning of the next. Recorded during a
hiatus from her group Aemong (a duo with artist Henrique Uba) in Berlin, these songs elevate Huang’s unique vocal
style and grasp of atmospherics. The Crystal Hum deconstructs balladry, Garage, guitar music and reforms it into a
unified ghostly otherworld version of these languages.

The Crystal Hum thrums with buried desire, trails of nocturnal reverb seeping out of apartment windows, diaristic vocal
performances and deeply emotive, evocative Western-style strings. Formulated by Yuching Huang after periods of frustration
and experimentation, the album is an exercise in minimalism and paring back, with some tracks like JohnJohn featuring little
else than an elastic bass, spring reverb trails, an interjecting vocal and swelling, dislocated synths. The effect is spellbinding,
the soundtrack to getting lost in the labyrinthine, closed streets of Venice, Taipei, Hong Kong, or mirror versions of them in the
imagination.

On opener Fly! Little Black Thing, a subterranean funk bassline roots Huang’s singing, a rudimentary, unreliable beat
floundering in whimsy underneath. Demure, dream Dance music, Huang references classic lo fi experimenters Suicide and
Arthur Russell as well as Night School label mates The Space Lady and Ela Orleans. In fact, after the release of Aemong’s
third album Crimson, Huang credits the direction of The Crystal Hum to being enchanted by The Space Lady’s Greatest Hits,
the landmark lo-fi recording made by Susan Dietrich Schneider in 1990. The new, minimalist approach to her sound world
reveals and shrouds in equal measure. On the heart-melter Love, a sultry mid-tempo Casio + bass backing drops into the ether
with Huang’s vocal swimming in preternatural void before emerging anew, in awe at the world. Every chord change heralds new
perspectives, every guitar flurry swells and drips emotion, nothing is wasted and space billows out from between the grooves.
Huang never reveals more than necessary, making this an in-between love album: the right amount of mystery and darkened
mirror shines wanely on The Crystal Hum while remaining fragile and vulnerable in the sweet spots. Turning over in pillowing
smoke and night in the dark corners, Huang sings in both Mandarin and English. The songs speak of earthly matters seemingly
at the edge of dissipating into nothing. Distorted, beguiling Sambas warble like sweating dancehalls in an imagined Lynchian
60s, as on Thoughts. Closer You, An Illusion warps a classic 60s Girlgroup bassline beloved of the likes of Les Rallizes

Denudes into a slight ballad on the edge of the void, held back by the teary-eyed, wistful and enveloping vocal cooed by
Huang. Each song feels like a love song dedicated to the bits between worlds, between beats, the negative space between
people where desires, feelings and loss hangs in the air, resolute and unresolved.

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Tracklist:

A1 Love Notes To Brooklyn
A2 The Deepness
B That Feeling!

Amir Alexander's unique production style and his musical output has been an inspiration for a long time. His record were always special ones and we were loving the fresh vibes outta Chicago a lot. In 2012, we were happy to host Amir to play his first-ever DJ-gig in Germany at our Smallville night at Golden Pudel Club in Hamburg, as part of his first EU tour ever. The night remains a memorable one and so we are very happy to close the circles now and to release this special 12“ by Amir. Full cover artwork by Stefan Marx.
The tracks were made in loving memory of Nathaniel Jay. Rest in peace and all the love to you.


All Tracks are written, produced and mixed by Amir Alexander
Mastering by Helmut Erler
Vinyl Cut by Dubplates+Mastering
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

Smallville, 2022


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Territories: GSA only

‘White linen’ heavyweight vinyl 2LP. Includes 24-page fanzine. Indies exclusive.

Various Artists – curated by System Olympia "Love Language"

OVERVIEW:

System Olympia presents a bold, cinematic compilation that redefines the sound of sensuality. Love Language is an
18-track double-vinyl release pressed on heavyweight white linen colour vinyl.
It’s accompanied by a provocative, limited-edition 24-page fanzine, exclusive to 18+ audiences.

This is not just a compilation, Love Language is a manifesto. A carefully curated sonic journey through eroticism, artistic rebellion,
and liberation, it spans nearly five decades of music and features exclusive edits and rare gems that illuminate System Olympia’s
radical aesthetic vision.

****
Since her emergence on the electronic underground, System Olympia has carved out a distinct, sensual sonic universe, equal parts
vulnerable and defiant. With Love Language, she presents her most audacious project to date: a compilation rooted in what she
calls The Aesthetics of Sexual Desire in Sound.

It’s a daring declaration that desire is more than a feeling - it’s a language. Across 20 tracks, including her own sultry opener “The
Heat Of The Night (feat. REINEN)” and a rare System Olympia edit of Working Men’s Club’s “Ploys”, this compilation speaks in
rhythms and textures that evoke longing, intimacy, and ecstatic release.
This is not a traditional compilation. System Olympia’s sequencing is cinematic and deliberate. Every track a scene in a film that exists
only in the listener’s imagination. From the retro-futurist seduction of Flavia Fortunato’s Italo gem “Se Tu Vuoi” to the deep, extended
tension of Musclecars’ “Running Out of Time,” each piece plays its part in an arc of anticipation, climax, and reflection.Uniting artists as diverse as Daniele Baldelli, Piero Umiliani, and DJ Rocca, Love Language refuses boundaries of genre, era, or
expectation. It dances between vintage Italo-disco, dreamy electronica, sweaty club tracks, and avant-garde jazz, forming a rich
tapestry of sound and sensation.

System Olympia explains, “This is music for lovers, outsiders, and dreamers. It's a rebellion made of velvet and
basslines.

The accompanying 24-page fanzine insert, restricted to adults, further deepens the narrative, with erotic visual fragments and
poetic texts that amplify the compilation’s raw, sensual energy. A tangible extension of the music’s spirit, the zine invites listeners to
step into Olympia’s world and engage their senses fully.

As much a provocation as it is a celebration, Love Language is a deeply personal curation and a radical act of creative freedom. It
champions eroticism as art, desire as dialogue, and music as a liberatory force.

VINYL
A1. System Olympia - The Heat Of The Night (feat. REINEN) [3:44]
A2. Flavia Fortunato - Se Tu Vuoi [3:38]
A3. See Thru Hands - Hot City [3:57]
A4. Daniele Baldelli, Francesca Amati - Inner Light [4:43]
A5. Ruins - Sexual Desire [3:14]
B1. Midnight Magic - Beam Me Up (Eli's Mix) [5:13]
B2. musclecars - Running Out Of Time [5:10]
B3. Working Men's Club - Ploys (System Olympia Edit) [4:56]
B4. Royalty - Heart Strings [5:05]

C1. Dirty Art Club - Daysleeper [3:45]
C2. Admiral - Soho Girl [4:14]
C3. Tom Sharkett & Raf Rundell - Where's It All Go? [3:41]
C4. Gina Calabrese - Nobody Lives Forever [4:40]
D1. Romolo Grano, Gianni Oddi & Edda Dell'Orso - Kilimangiaro [3:55]
D2. LNDFK - Hana-bi [1:55]
D3. Fitness Forever - Vederti Distante [2:47]
D4. Piero Umiliani - Chaser [1:28]
D5. Stefano Torossi - Feeling Tense [4:10]

Exclusive tracks:

System Olympia - The Heat Of The Night (feat. REINEN)
Midnight Magic - Beam Me Up (Eli's Mix)
Working Men's Club - Ploys (System Olympia Edit)
DJ Rocca - Basik Drinc 24

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Territories: World ex US, CA, UK

Tracklist
Side 1 (A)
1. Bad From Day
2. Bitter Better
3. No Fear
4. Gal Dem
5. Believe - Magugu

Side 2 (B)
1. On Topper
2. Blend
3. Kindness Weakness
4. Let Me Down


Blurb:

Label boss Le Motel and versatile pidgin-rap experimentalist Magugu return to Maloca for their second full-length EP, Bitter Better. Drawing roots once again from across the full club music continuum, the release is a tour de force through rugged rhythmic workouts and self-assured vocal flows as the duo continue to develop their shared universe.

Available on vinyl, Bitter Better is also the artists' first ever shared physical release - all 5 tracks appearing on side A. On the B side, the duo's first EP, 2023's Kindness Weakness can be found, making this record a must-have for long standing fans and those just discovering Le Motel and Magugu's output.






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LP

Special remarks: 180g, printed innersleeve, colored grey vinyl

Tracklist:

A1) 46°27'36.2"N 6°57'52.5“E 00:02:05
A2) 46°27'29.6"N 6°51'03.4“E 00:03:58
A3) 45°55'41.1"N 7°05'46.4“E 00:03:15
A4) 46°27’29.5”N, 6°51’03.2”E 00:05:43
B1) 45°55’41.5”N, 7°05’46.4”E 00:04:12
B2) 46°27’29.9”N, 6°51’03.5”E 00:09:12
B3) 45°55’41.6”N, 7°05’46.5”E 00:03:09

Info:

Swiss percussionist Julian Sartorius and UK electronic artist Dan Nicholls team up as Clay Kin, presenting their debut record on Squama.
They had never planned to make an album yet through pure improvisation and spontaneity, Clay Kin have crafted Vevey. An album of seven tracks, distilled from over seven hours of improvised percussion and electronics. Recorded mostly outdoors––on pedalo boats, up mountains and deep in forests near the namesake Swiss town of Vevey, it is imbued with the soft fascination of birdsong, rushing water and chattering children.
Vevey resists genre. As musicians, Sartorius and Nicholls bridge the divide between acoustic and electronic soundscapes. Sartorius’ raw, organic percussion interweaves with Nicholls’ keyboard-triggered samples and harmonic landscapes, creating a dialogue where the lines between rhythm, melody and noise dissolve. Clay Kin identify their outfit as an audio-visual collective, with visual artist Lou Zon (Louise Boer) rounding out the group, creating videos to accompany both the recorded music and the live experience.



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LP
GENRE/S: Avantgarde, Lounge, Experimental

TRACKLISTS:

A1 Venise
A2 Mais Où Est Donc Ornicar ?
A3 Antilope
A4 Celles De La Haute Mer
A5 Opium

B1 Voyage Autour De Ma Tête
B2 Le Trapéziste
B3 Moitié Panthère
B4 L'Année De La Comète
B5 Quand Nos Pères Étaient Des Poissons



SHORT INFO:
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time.
L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists in its own sonic universe: poetic, layered, and fiercely independent.
Formed in Saint-Étienne by percussionist and composer Dominique Lentin (Dagon, Fille Qui Mousse) and first-time vocalist Bipé Redon, L'Empire Des Sons emerged from the vibrant DIY spirit of the early 1980s. Their paths crossed during the interdisciplinary project L'Opéra Quotidien, and what followed was an intuitive, deeply collaborative process. "I would bring in lyrics and my voice," Bipé recalled, "and Dominique would shape the music around the atmosphere or rhythm suggested by the words."
The result is a collection of songs that feel both meticulously constructed and completely free. Ethnic percussion, marimbas, xylophones, and synthesizers dance around Bipé's surreal, fragmented lyrics-little sonic postcards from imagined worlds. There's a theatricality here, but it never feels forced; rather, it's playful, intimate, and raw.
Despite their inventiveness, L'Empire Des Sons remained a well-kept secret-circulating only in select avant-garde circles and eventually becoming an extremely sought-after collector's item.
Now, thanks to Glossy Mistakes, this lost artifact returns to the world with new life: remastered from the original tapes, pressed on vinyl for the first time with extended liner notes.
L'Empire Des Sons was never meant to be boxed in. Like the quote from Brian Eno that opens their liner notes-"For the world to be interesting, you have to be manipulating it all the time"-their music resists stasis. It evolves, shifts, surprises. And now, it finally gets the audience it always deserved.


VITAL SALES POINTS:

- One of the most sought-after private pressings from the French avant-garde
- Remastered from source material
- Includes extensive liner notes with unseen pictures of the band


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Tracklist:

A1 - Hypnotizing
A2 - That’s Right
B1 - Kwon’s Anthem
B2 - Hours

Toronto/Berlin producer and Big Trouble Records founder Andre Zimmer has emerged as one of house and techno’s hottest commodities, fresh off his scorching fabric Records release with Carlita. Now he joins DJ Tennis’s Life and Death label with the announcement of his 4-track Kwon Anthem EP, out September 19.

Arriving alongside the announcement is the lead single “Hypnotizing” — a piano-driven, ethereal cut that highlights Zimmer’s ability to channel rave nostalgia into shimmering, emotive house designed for peak dance floor moments.

The EP also features the standout track “That’s Right”, which has already been making waves across clubs worldwide. With early support from Peggy Gou, Jennifer Loveless, Massimilliano Pagliara, Alinka, Jorkes, Luigi Di Venere, and more — including rotations at Panorama Bar and viral fan videos from Bella and beyond — it’s quickly becoming one of Zimmer’s most in-demand productions.

Across Kwon Anthem EP, Zimmer balances hypnotic, orchestral breakdowns, progressive trance textures built from Roland SRX patches (“Kwon’s Anthem”), and a cosmic, downtempo detour structured around a 707 jam (“Hours”). It’s his most ambitious and wide-ranging statement yet — and a fitting debut on Life and Death.

With support from underground tastemakers and appearances at clubs and parties worldwide, Zimmer’s DJ sets reaffirm a classic but forward-thinking approach to house music.


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