Tracklist 12":
A1 – Abstraxion - Wholes
A2 - Abstraxion - Gold
B1 - Abstraxion - Force
B2 - Abstraxion – Trance Body Music

Short Info:
Abstraxion once again delivers another twist to his exotic musical tale with "Trance Body Music". A four track collection
of 90’s-infused club rockets. Hi-NRG sounds that traverse the trance-techno-rave intersection.
Lead single ‘Whole’ is a distorted and relentless number that hammers along with skewed vocal chops and lashings of
bounce. ‘Gold’ however, is a more pushy heads-down affair. It's ramped BPM and vocals muster dewy-eyed Bonzaimemories, whilst harnessing the free spirit of the resurging eurodance movement.
Next out of the rave cannon comes ‘Force’, with its fierce tempo, jittering synth stabs and playful melody working
together to create a tidy dancefloor moment. The show is brought to a close with the bubbling title track Trance Body
Music. A perfect, almost soothing, finale to a wonderfully energetic adventure.





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Tracklist 12":

A1 - Azo - Aurora Space Station (Original Mix)
A2 - Azo - Neptunian Sea (Original Mix)
B1 - Azo - Aurora Space Station (Steffi Remix)
B2 - Azo - Love Bus (Original Mix)

Short Info:

Space… The final wasteland for the rich and entitled. A playground for the opulent. A fantasy for the 99.9 percent. A constant source of inspiration for artists. Artists like AZO.

Making her debut on Biologic Records, complete with a remix from Steffi, here we find the talented Belgian artist strapping up her rocket boosters for a four-track trip into infinity. It takes in influences from dark matter to Detroit, black holes to Brussels.

‘Aurora Space Station’ is a beautiful rave-inspired breakbeat floatation piece that sets the scene, poking fun at the mega-rich who can afford to seriously entertain the idea of leaving this planet for dust. More thrust is added by the deep space electro of Steffi’s thumping remix. Both have more power than all the fossil fuel Bezos and Branson have burnt in the last 10 years.

Deeper into the cosmos we probe…. ‘Neptunian Sea’ takes off from Chicago, fuelled on an intoxicating combo of acid and Italo. ‘Love Bus’ brings the anti-gravity heat with a heavy, hip-writhing nod to the jazz spirit of UR’s Galaxy 2 Galaxy movements.

We might not be able to afford a holiday in space, but we can afford great art like this. The dancefloor has always been the most effective place for teleportation. Ready for take off?



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Tracklist 12":

A1 - I Need A Bit Of Poetry (Original Mix)
A2 - I Need A Bit Of Poetry (Kim Ann Foxman remix)
B1 - Are You Not Sleepy (Original Mix)
B2 - The Curtain Falls (Original Mix)

Short Info:

Following her recent outings on Optimo and Butter Sessions Matisa wants to take you to another special place.
It's not here. It's not there. It's 'Elsewhere'...

Making her debut on Biologic, young Italian newcomer Matisa's adventure is plotted around three atmospheric, soul-affirming late-night gems that are all based around different chapters of the night and the mindset that comes with it. Loaded with an additional Kim Ann Foxman remix, this trip has something for everyone.
We start with 'I Need A Bit Of Poetry', Matisa's yearning for substance and meaning wrapped up in a bright, breezy timeless piece of house music that borders on the majestic realms of progressive. Think about poetry in all forms of life... Connections, adventure, but most of all - music.
Deeper into the trip we glide; first comes Kim Ann Foxman's crisp electro twist on 'I Need A Bit Of Poetry' which maintains that evocative rave vocal but switches up everything else for something much darker. Next we hit 'Are You Not Sleepy?' Inspired by the post-show brain chaos mindset we can all relate to, it's up-tempo, it's
trance-influenced, it's Matisa capturing that infuriating but exciting fizzy inspiration and adrenaline rush we all experience after a fulfilling show.
For the final chapter of this accomplished label debut, 'The Curtain Falls', Matisa takes us back to the source of that adrenaline rush. A bubbling disco house thumper, all reverbed drums and big synths, it's inspired by the moment when your set kicks in and the crowd are right behind you every track of the way and you lay your soul down bare for everyone to enjoy. If there's a place more special than that, we've yet to find it. Welcome to Elsewhere... We ain't going nowhere.

Support : Perel,Cormac, Bawrut, Younger Than Me, Pedro Winter, Fort Romeau, Zombies in Miami, Jennifer Cardini, Eclair Fifi, Fabrizio Mammarella…


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Tracklist 12":

A1 - Malcolm - Badman
A2 - Malcolm - Badman (Nathan Micay's I'll Have What I'm Having Remix)
B1 - Malcolm feat. Glitter - Damaa
B2 - Malcolm feat. Marc Melia - Schaerbeek

Short Info:

Hot on the heels of their Pletnev & Panorama Channel pairing, Biologic invite rising French bass sculptor and Rinse selector Malcolm to the fold for a brave new excursion into the rave hinterland. Smelting down everything we know, love and appreciate about soundsystem and bass culture, techno and melting pot alchemy, compounding it and flipping it in moody, deep stew, he delivers something genuinely unique and fresh here.
‘Badman’ ignites the smouldering sonic session with a slow-mo swampy low-end vibe that tips its cap just as much to jungle as it does techno thanks to its sense of tension and classic samples. Remix-wise Nathan Micay continues to unfold that immersive signature he’s been developing on LuckyMe with a breakbeat driven remix that brings aspects of trance and classic electro into the mix.
‘Damâa’ takes us even deeper into Malcolm’s reference-heavy mix as he teams up with fellow Parisian resident Glitter for a sublime Moroccan mission. Once again slow and moody, from its measured percussion to its rising harmonics, the mystic allure is pure and palpable in both the full vocal and instrumental forms.
We’re bid adieu with ‘Schaerbeek’. Powerfully unhurried, scant on kicks and heavily layered in psychedelic acidic layers, the real payoff happens in the last two minutes. We won’t spoil the surprise but whatever end of the bass spectrum or hardcore continuum you dwell, you’ll be all over this one.
Fresh, exciting yet completely entrenched in the rudiments of all things rave, bass, techno and soundsystem, Malcolm has fine-tuned an exceptional blend of elements here. We hope to hear a lot more from the young producer as he continues to forge his own unique path.



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Tracklist 12":

A1 - Panorama Channel & Pletnev - Blavatsky
A2 - Panorama Channel & Pletnev - Blavatsky (Yu Su remix)
B1 - Panorama Channel & Pletnev - Eiffel Tower Syndrome
B2 - Panorama Channel & Pletnev - Eiffel Tower Syndrome (Simple Symmetry remix)


Short Info:

They’ve been moving in the same circles and bouncing off the same vibe cosmology for years. But this is the first time Lithuanian Pletnev and Russians Panorama Channel have ever officially collaborated. And they’re doing it right here on Biologic.
Three originals, two remixes, one consistent immersive vibe that envelops you from the start and builds in intensity; this is how it all goes down…
‘Blavatsky’ takes us on a theosophical trip. All mid tempos and woozy psychedelics weaving, layering, twisting and taking sudden detours, not only does it sets the scene for what’s to follow but it’s flipped by a sublime remix from You’re Me’s Yu Su who whips up an ageless nod to the legacy of Two Lone Swordsmen.
‘Eiffel Tower Syndrome’ follows. Intense, edgy, and prone to paranoid flurries over a heavy driving beat; unlike its medical namesake this will not result in disappointment. And neither will Simple Symmetry’s remix. Another thoughtful remix pairing from Biologic, here the Moscow brothers provide a flip that’s as similarly ageless as Yu Su’s; slower, heavier and rife with references, this one recalls the influence and energy of a young Coldcut when they first got fully paid.
Finally this pop-up Baltic/Slavic threesome end the release with the heaviest, most intense tune of the set. ‘Black Market Weekdays’ is a hot slab of rolling technoid drama with more eye-raising surprises than a truck load of knock-off DVDs and more weight than a tonne of counterfeit Rolexes. Murky, mean and fully forward-focussed, let’s hot Pletnev and Panorama Channel find time to join forces again in the future…


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Tracklist 12":
A1 - Cooper Saver - Hidden Springs (Original)
A2 - Cooper Saver - Pacifico (Khidja Remix)
B1 - Cooper Saver - Pacifico
B2 - Cooper Saver - Pacifico (Abstraxion remix)

Short Info:
Cooper Saver has been busy of late, prepping EPs for a host of labels
including Permanent Vacation, Internasjional, ESP Institute and Hivern
Discs - all of which are set to drop in the coming couple of months.
We’re happy to welcome him on Biologic records with two stunning remixes
from Khidja and Abstraxion.

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Tracklist 12":

A1 - Herzel - Arp Surfer (Original)
A2 - Herzel - Nexus (Marquis Hawkes remix)
B1 - Nathan Surreal - Where were we
B2 - Nathan Surreal – Where were we (Lord Of The Isles remix)


Short Info:


Here we are with a new split EP by Herzel & Nathan Surreal.

We’re happy to release 2 original gems by Herzel & Nathan Surreal. As dancefloor driven as ethereal, this EP is a perfect balance between 3AM craziness and end of the night pleasures.

On top of that, we’re bringing two remixes by the prolific Marquis Hawkes. An acid bomb to spice up this already powerful package, and Lord Of The Isles with his beautiful version of Where Were We.


Vital Sales Points:

B Traits – BBC Radio 1 : 'Arp Surfer' https://www.bbc.co.uk/programmes/b09x7yw9

- Supported by : Phil Kieran, Ed Davenport, Charlotte De Witte, Kasper Bjorke, Massimiliano Pagliara, Arnaud Rebotini


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Tracklist :
A1. Upendra
A2. Bihari
B1. Dayalu
B2 Sumedha

Shortinfo:

We are super glad and honored to welcome an awesome producer in our family: Eduardo De La Calle. Eduardo is not a beginner, he's been releasing music since 2001 on some of the most exciting labels on the globe: Plane E, International DJ Gigolo, Turbo, Hivern, Mule or NONPLUS...
This 4 tracker is a perfect summary of what Eduardo's music is about: techno, incredible atmosphere and sonic landscapes. Here, no fancy titles just numbers, remembering us what's the most important in this: music.


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Tracklist
A1 Intro A2 Silently (ft. Joy Wellboy) A3 Victor A4 She's Lost B1 Niños (ft. Mirror Minds) B2 Cala Falco (ft. Joy Wellboy) B3 The Unspoken B4 Enfant Bruit (Album Edit)

Shortinfo:
Having established himself as a vital figure in the Brussels music scene, Biologic Records co-founder DC Salas
presents his debut album 'The Unspoken'. The 10-track LP features collaborations with fellow Belgian electropop
duo Joy Wellboy and Mirror Minds.
After a string of dancefloor oriented EPs, he draws inspiration from his live act and diverts away from the club to
explore the more melodic aspects of his sound. More than just a format, the album structure is used here as a
method of storytelling, using the spontaneity of live music making to express varying emotions without restraint.
Lead single 'Cala Falco' is a slow building track that treads carefully between warmth and melancholy, using subtle harmonic progressions to play with the mood of Joy Wellboy's vocals.

Title track takes cosmic melodies and layers them in polyrhythmic forms to hypnotic effect, whilst 'This Love'
uses skeletal percussion to carry retro-futurist melodies.

Many of the tracks produce textures that are only achievable with the use of hardware. From the sombre
harmonies and crisp drums of 'Victor' to the swelling tension of 'Enfant Bruit', DC Salas masterfully navigates his
equipment to create emotive and powerful sonic spectrums.

The entirety of the production process was done with close friends, including mixing by fellow label owner
Harold Boué (aka Abstraxion) and a video collaboration with Victor Pattyn.



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Tracklist :
A1 - Matin, B1 - Nuit, B2 - Ivre

Shortinfo:
Abstaxion and Kasper Bjørke return for their second collaboration on DC Salas and Abstraxion's Biologic Records imprint. 'Matin + Nuit' is a 3-track EP out in April. Biologic records aim to explore the relationship between organic and analogue, natural and urban. This idea of polarity is addressed here through the themes of morning and night. 'Matin' is a ten-minute journey through a glistening landscape. Celestial arpeggios and subtle dissonances are grounded by a hypnotic bassline and restrained percussion. 'Ivre' (drunk) takes an emotive turn. Disorienting acid bass winds its way through mournful harmonies and overcast melodies, held together by a spirited rhythmic pattern. 'Nuit', naturally, progresses into darker territory. There are familiar elements of disco, but they've been mangled to create something far more twisted. Drums take the lead, punctuated by assertive bass stabs and ominous chords that howl through cavernous acoustics.
'Matin + Nuit' explores seemingly familiar themes without the use of cliché, employing a diverse range of sound manipulation techniques to paint vivid imagery.


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Tracklist :
A1 Star Dust, A2. Human Music, B1. Star Dust (Neville Watson remix), B2. Star Dust (Adesse Versions remix)
Shortinfo:
Dutch producer Nathan Surreal debuts on Biologic Records with ?Star Dust? featuring remixes from Adesse Versions and Neville Watson. Exploring abstract, ?surreal? and melodic electronic sounds, the Dutchman is a perfect addition to the Biologic roster. Appearing on a host of underground labels since 2014, Nathan is set to make a breakthrough with ?Star Dust'
Balancing on the edge of reality and pushing further into the abstract and surreal worlds ?Star Dust? unfolds through waving synths and dubby bass lines. ?$$$? is a darker track, the bassline punchier and driving acid-tinged synths create a dance-floor ready record. Next up ?Human Music? has a more minimal introduction, building in intensity as the synths come through until finally the melody drops, maintaining the dreamy top line that Nathan is so adept at maintaining. Neville Watson provides the first remix on the EP, he adds reverb to the vocal, amplifying its effect on the track. ?Star Dust? is intensified, perfect for late night, or early morning, dance floors. Addesse Version?s remix of ?Star Dust? is a twisted acid remake, a left-field and off kilter beat is slowed down to a psychedelic swirl, pulsating throughout the track.
Human Music premiered on Ransom Note : 23rd Feb
Deep House Amsterdam premier Star Dust original
Thump / Vice premiere Adesse Versions remix 7th March
Supported by : Laurent Garnier " GREAT EP - full support "
Pedro Winter "Brillant EP Radio & Club plays + Playlist in Tsugi magazine"
Chloé, Arnaud Rebotini, Aera, Ripperton, Ben UFO, Phil Kieran, Soul Clap, Tiefschwarz, Tensnake, Lovefingers, Red Axes, Axel Boman, Massimiliano Pagliara, Jacques Renault...


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Tracklist :
A1 - An Error Occurred (Tuff City Kids Remix)
A2 - An Error Occurred (Kasper Bjørke Stripped Down Rework)
A3 - An Error Occurred (Vessels Remix)
B1 - She Thought She Would Last Forever (Clarian Remix)
B2 - Spazieren (Conforce Remix)
C1 - Spazieren (Mattheis Remix)
C2 - Spazieren (Ripperton Remix)
D1 - Spazieren (INIT Remix)
D2 - Rinjani (Eduardo De La Calle Remix)
D3 - Dystopia (Cleveland Remix)

Shortinfo:

Abstraxion returns to his own Biologic Records to release this impressive revisited album - giving Tuff City Kids, Kasper Bjørke, Vessels, Clarian, Conforce, Mattheis, Ripperton, INIT, Eduardo De La Calle, Cleveland the freedom to have their own take on tracks from Abstraxion's 'She Thought She Would Last Forever' LP released in October 2016.
Ripperton's first mark on Spazieren is one of meticulous sound design and textures complemented by a poignant vocal that provides a wicked ambience. His second offering is rapt around a warm bassline with orderly percussive stabs. Init's remix has been crafted with precision - an unhurried and mysterious track that builds and anticipates smoothly due to the precise instrumentation and adept reverb that's been applied on the vocal. Conforce closes out the EP with intent by delivering a dark, forceful and abstract take on Spazieren.

PR report :

DJ Feedbacks :

Supported by : Barnt, Mano Le Tough, Jennifer Cardini, Joris Voorn...



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Roman Flügel "I think the first 5 tracks of the album are simply fantastic"

Tracklist :LP
A1 - An Error Occurred, A2 - Just What I've Always Wanted, A3 - She Thought She Would Last Forever, B1 - Needed You, B2 - Spazieren, C1 - Blackout, C2 - Seascape, C3 - Not Far Away From You, D1 - Rinjani, D2 - Dystopia

Shortinfo:
After his stunning debut LP 'Break of Lights' on HAKT Recordings at the end of 2013, and releases on Nicolas Jaar's 'Other People' label, Harold Boué - better known as Abstraxion - is set to launch his second LP 'She Thought She Would Last Forever' in October this year. Abstraxion's career has already seen many highlights, two of which have been the label he runs with Belgian producer DC Salas reaching it's ten year anniversary this year and playing in some of the best clubs in the world. With his obvious talent and ability to create a pensive beauty in his productions, there is no doubt Abstraxion's career will continue to reach new heights. Full of reveries and hybrid explorations, Harold's second full length 'She Thought She Would Last Forever' evokes images of landscapes and forests. A stretching dark and dystopian atmosphere pervades the album, but he still manages to mesh the melancholy with an overarching and swelling euphoria. Contrasting themes of melancholia and exploring the tensions between expectation and reality. The explorative nature of the album is articulated clearly through Abstraxion's use of minor chords and organic sounds.
She Thought She Would Last Forever begins with 'An Error Occurred', a convivial albeit mysterious and energetic primer that then dives into the tight percussion and pensive vocals of 'Just What I've Always Wanted'. Title track 'She Thought She Would Last Forever' is a dramatic cut which transcends slickly into the rasping synth, and recoiling bass of 'Needed You' accompanied by the entrancing vocals of Loic Fleury from Isaac Delusion. 'Spazieren' is a 10-minute leisurely passage through dystopia that has been crafted with finesse. 'Blackout' is a minor key track whose lead synth is focused around an arpeggiator to create suspense. 'Seascape', a melancholic ambient track which shifts into the more energetic percussion of 'Not Far Away From You', picking up pace once again. 'Rinjani' is a melodic and menacing march with pulsing synth lines, leading expertly to the final track. 'Dystopia' blends otherworldly sounds from the distant future with percussion and reverb, creating space in the musical landscape and bringing Abstraxion's second album to an expansive and poignant close.
Mixed by Francis Harris in his New York studio.


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Roman Flügel "I think the first 5 tracks of the album are simply fantastic"

Tracklist CD:
01 - An Error Occurred, 02 - Just What I've Always Wanted, 03 - She Thought She Would Last Forever, 04 - Needed You, 05 - Spazieren, 06 - Blackout, 07 - Seascape, 08 - Not Far Away From You, 09 - Rinjani, 10 - Dystopia


Shortinfo:
After his stunning debut LP 'Break of Lights' on HAKT Recordings at the end of 2013, and releases on Nicolas Jaar's 'Other People' label, Harold Boué - better known as Abstraxion - is set to launch his second LP 'She Thought She Would Last Forever' in October this year. Abstraxion's career has already seen many highlights, two of which have been the label he runs with Belgian producer DC Salas reaching it's ten year anniversary this year and playing in some of the best clubs in the world. With his obvious talent and ability to create a pensive beauty in his productions, there is no doubt Abstraxion's career will continue to reach new heights. Full of reveries and hybrid explorations, Harold's second full length 'She Thought She Would Last Forever' evokes images of landscapes and forests. A stretching dark and dystopian atmosphere pervades the album, but he still manages to mesh the melancholy with an overarching and swelling euphoria. Contrasting themes of melancholia and exploring the tensions between expectation and reality. The explorative nature of the album is articulated clearly through Abstraxion's use of minor chords and organic sounds.
She Thought She Would Last Forever begins with 'An Error Occurred', a convivial albeit mysterious and energetic primer that then dives into the tight percussion and pensive vocals of 'Just What I've Always Wanted'. Title track 'She Thought She Would Last Forever' is a dramatic cut which transcends slickly into the rasping synth, and recoiling bass of 'Needed You' accompanied by the entrancing vocals of Loic Fleury from Isaac Delusion. 'Spazieren' is a 10-minute leisurely passage through dystopia that has been crafted with finesse. 'Blackout' is a minor key track whose lead synth is focused around an arpeggiator to create suspense. 'Seascape', a melancholic ambient track which shifts into the more energetic percussion of 'Not Far Away From You', picking up pace once again. 'Rinjani' is a melodic and menacing march with pulsing synth lines, leading expertly to the final track. 'Dystopia' blends otherworldly sounds from the distant future with percussion and reverb, creating space in the musical landscape and bringing Abstraxion's second album to an expansive and poignant close.
Mixed by Francis Harris in his New York studio.


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Tracklist:
A1. When You Left A2. Best Of Both Worlds B1. Best Of Both Worlds (Cliff Lothar Remix) B2. When You Left (Inkswel Remix)
Shortinfo:
We are happy to introduce you to the second EP from by DC Salas on Biologic Records, the label that
he co-founded and manages with the French Producer Abstraxion. They celebrated their 10 year
anniversary at the end of 2015 and continue to release a string of EPs to mark the occasion.
'When You Left' is an EP that overcomes sadness. Times can be rough, but it never lasts forever. This
original material is complemented by two powerful remixes: One from the mysterious Cliff Lothar, who
is supported by people as diverse as John Talabot, Delta Funktionen and Radiohead's Thom Yorke. The
second remix is done by the Australian producer Inkswel (BBE).

This EP is an important step for the producer as he prepares his debut album 'The Unspoken' which will be announced by Biologic Records in the coming months.

Early Supporter: Ivan Smagghe, Chloé, Jennifer Cardini, Mugwump, Manfredas, Golden Bug


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Tracklist
A1. Resonance A2. Resonance (Matrixxman remix) B1. Resonance (Fort Romeau remix) B2. Resonance (Massimiliano Pagliara remix)
Shortinfo:
After a series of releases on HAKT Recordings, Nicolas Jaar's Other People and a collab with Kasper Bjørke, Abstraxion returns to his own Biologic Records which he co-manages with DC Salas. ?
Not only is this his first solo EP on the label since a few years, it's also the second release to celebrate Biologic's 10th anniversary year.
Resonance comprises of two original cuts and three remixes. Going from a peak time techno track by Matrixxman to a house rework by Fort Romeau and a disco infused version by Massimiliano Pagliara, the EP not only represents the label's diverse sound but also Abstraxion's own productions and ever evolving style. As a next step, Abstraxion will release in 2016 his second LP She Thought She Would Last Forever, mixed by Francis Harris (Scissor & Thread, Adultnapper) and on which he already received support from his inspirations/ mentors Dan Snaith (Caribou) & John Talabot.
Feedback:
Axel Boman i really like the track Resonance ! nice!
Nicolas Jaar "Resonance is a great track"
Luca Bacchetti Nice release! Fort Romeau Remix and the always great Massimiliano Pagliara are my favs here! dj sasha Great package thanks
George Fitzgerald "Love the FR and Matrixxman remixes." 'Resonance (Fort Romeau Remix)'

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Tracklist:
A1. Akosua A2. Island Simple Dream B1. Akosua (Elijah Simmons remix) B2. Kinly Estellar
Shortinfo:
Panorama Channel is a project of two friends from Russia with the same taste and with love of good
music. After a long solo career, the guys are united for the realization of common ideas. Now they create
an emo- tional electronic music with nostalgia for the past and desire for something new. Coming with a dreamy remix from Elijah Simmons, a rare breed of talent that has, for years, been working towards perfecting his art, and is now about to enter the limelight.
His track Otavio's Dream, has been making waves as one of the biggest underground hits in Ibiza this
summer, getting picked up by the inter- national duo Blond:ish to exclusively feature on the first ever
compilation of Flying Circus; the lovechild of Audiofly. He also recently released Pisces on Kompakt.



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Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59

Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.


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12"
Tracklist:
A1. Heartbreaks & XTC
A2. SH-09
A3. H3000
B1. Faith
B2. Time
B3. Sat Morning


The return of the mack. Chris Barratt aka Eagles & Butterflies possess the rare ability in his music to unite a larger-than-life peak time producer personality with the understated production method of underground records, techno pop and a modern Italo twist. Perfectly suited for Running Back, Heartbreaks & XTC is luckily exactly that. The mirror image of Eagles & Butterflies and how to find common ground between polar flairs. Chord happiness, Italo bass lines, arp art, filter magic and side chain stunts. Indispensable to life or any dance floor near you.







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2023 Repress

Tracklist:
A Blaue Moschee
B1 Petardo
B2 Empire

Pampa is a new label from old pals DJ Koze and Marcus Fink, dedicated to releasing club music that's seriously danceable without recourse to the tried and tested ingredients. A home for house and techno tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The first release is by Die Vogel, a collaborative project between Jakobus Siebels and Mense Reents. Jakobus is an innovative multi-instrumentalist who has previously recorded distinctive albums for Tomlab, Chicks On Speed Records, Karaoke Kalk; the no less talented Reents is a member of the groups Egoexpress, Die Goldenen Zitronen and Stella, and operates the Art Blakey Studios in Hamburg where this EP was recorded. Listening to A-side 'Blaue Moschee' you immediately know this going to be a strange and wonderful trip: oompa-style brass looped and layered over a stripped-back kickdrum, this tunes messes with all received notions of what house/techno music is! With a musicality and wicked sense of humour that naturally appealed to Koze and Fink, Siebels and Reents have created a timeless dancefloor banger using the most unlikely of elements. The result definitely isn't "jazzy techno" - the brass, far from being an afterthought, it's the very substance of the thing; it provides the melody, the bass, and the rhythm. Brass is the driving force behind the whole EP. B1, 'Petardo', is likewise driven by growling trombones and tubas, this time offset by cooing woodwind and set to a rolling, almost tribal drum tattoo. The horn chords are reminiscent of moody 60s British jazz, while the woodwind lends a South American fire and flair to proceedings. The track is full of subtle edits, but Siebels and Reents don't overwhelm the mix with synthesized sounds, instead letting the acoustic instruments speak for themselves. Closer 'Empire' again finds exquisitely arranged brass parts interlocking into a tough, single-minded groove, underscored with a skippy, broken 4/4 pulse and handclaps. Often when a new label claims to be taking risks and trying something new, the truth is rather less remarkable. Not in this case: Siebels and Reent have created a terrifically original, inimitable trio of tracks that combine the pop and the avant-garde, the cerebral and the physical, to absolutely stunning effect. It might be unusual and it might be clever, but it's still dance music pure and simple. magic!






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GENRE/S: Techno/Tech House

TRACKLISTS:
A1: André Galluzzi & Daniel Stefanik - Passages
A2: André Galluzzi & Daniel Stefanik - Don't Panic
B1: André Galluzzi & Daniel Stefanik - Out Of The Past (Pan-Pot Remix)
B2: André Galluzzi & Daniel Stefanik - Out Of The Past (Original)

SHORT INFO:
For the next installment on Break New Soil, we are very excited to welcome two artists, who might be new additions to our label, but who are surely not new faces to the world of electronic music:
André Galluzzi and Daniel Stefanik have both cemented their status as true musical innovators with a strong sense for details and sonic quality in their productions. The three original tracks showcase their signature sound, trippy on one hand but with both feet firmly on the dance floor! For the remix, we are happy to
welcome our good friends Thomas and Tassilo, better known as the infamous Pan-Pot, who delivered one belter of a remix that sounds classic yet modern at the same time! This is a release you don't want to miss for sure!

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Tracklist:
(A1) Neyst (B1) Enokid
Info:
Rico Puestel is in charge for our Cocoon Recordings 144th release. Rico is an "producer animal" who released more than 100 tracks & remixes since 2005 under various project names such as Dinamoe, Central Scrutinizer and of course under his main moniker Rico Puestel. The enormous amount of productions shaped Rico's knowledge and taste and his new cocoon release "Neyst" and "Enokid" seems to be the logical result of his long journey through the techno-universe. Puestels style is very unique and merges elements of dark and hypnotic mainfloor techno as well as orchestral sounds and even industrial elements. "Neyst" is the perfect hypnotic and dark techno circle that keeps on progressing and building up into sheer madness. No fast food, no leightweight, this is heavy techno business! "Enokid" comes with a little more of a Chicago house vibe however it is again still deep in Puestels very own style. We especially fancy the crazy break in the middle with the spaced out room effect part and the melody coming in after the break. As stompy and musclepacked this track is, it still seems to be very musical and deep at the same time - what a trip! This one demands a good and proper sound system, well what other Cocoon Release doesn't?


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GENRE/S: Electronic, Nu-Disco, House

TRACKLISTS:

A1. I'm Coming Out feat Mariseya (Extended Mix)
A2. Take Me Up feat Mariseya (Original Mix)
B1. Take Me Up feat Mariseya (Gerd Janson Remix)
B2. I'm Coming Out feat Mariseya (Instrumental Mix)

SHORT INFO:


“The Dirty Love EP” marks the union of the artists' creative minds, but also a blend of Old School - New School: is not just a meeting of musical minds, but reflected in both the production and the soundscape. The release conquers with a new take on Italo House, giving it a modernised edge: a reinterpretation of Italo House, enhanced by world music influences, thanks to Mariseya's vocals.




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Tracklist: (A1) Angora (Fairmont Remix) (B1) Invierno (John Tejada Remix)
Info:
Welcome 2016 and welcome back everybody to the second Cocoon Recordings roll out. We wonder what this year will bring if the kick-off is already on such a high level?
Ricardo Tobar's first remix 12" comes with two stunning re-arrangements by Fairmont and Tech-House grandmaster John Tejada. The canadian minimal techno hero Fairmont remixed Tobars "Angora" and gave it such a strong Border Community vibe. Dark but at the same time pushing and hedonistic. Fairmont starts off with a subtle percussion-beat-acid-combination and turns his remix into a proper and mad electronic masterpiece the longer it runs. Epic!

Californian tech-house pioneer John Tejada is on remix-duty for "Invierno" and he blasts us away with the result. Deeper than deep and kick-ass house with a pushing detroit and KMS vibe. This one almost appears like a lost & found alltime techno and house classic and it will hit the Zeitgeist in Berlin, London, New York and Tokyo like no other release on Cocoon Recordings lately. This is ingenious clubfood for all the innercity hipsters and musiclovers and it simply makes us wanna dance! This! Is! Tech-House! Baby!


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Tracklist 2LP:

01/ A1 Distant Voices
02/ A2 Celeste
03/ B1 Mirage
04/ B2 Space Ways
05/ C1 Radiance
06/ C2 Your Wings
07/ D1 Elevate
08/ D2 Sandstorm

Release Info:
It’s been a long way. All seems to blend naturally with ‘A Long Way’, the debut album from Parisian duo Jacques Bon & Drux.

Jacques is a long term friend, who was running the Paris branch of the Smallville record store for 13 years (2006 – 2019). He made himself a name also outside of Paris as a DJ and with music released on Giegling, Kann, Mule Musiq and of course Smallville. Jacques shares his studio in Paris with Vincent Drux, a producer and sound engineer, who recently started his own imprint Cabale Records. Both got together naturally in the studio for hour-long sessions to craft an album together. House music at its most meticulous form.

First, as a short form, in which every track captures another time zone of the dancefloor experience. And then as longform, as a whole album with a narrative that combines futuristic aesthetics, classic ethos and human warmth.

From the rolling percussion and windy-city style bassline of opener ‘Distant Voices’, with its cut yet longing distant voices, through deepy, dubby and raw ‘Celeste’, the haunting synths of ‘Mirage’; The snares that arrive mid through ‘Space Ways’ and launch into another level; ‘Radiance’’s Techy vibe ride; The late night chords and peak time beat programming of ‘Your Wings’; And then final couple stick the landing with enough energy, deepness and beauty - ‘Elevate’, which channels Bon and Drux’s inner Fred P, and ‘Sandstorm’, a mastery percussive tale with a long, repetitive chord that opens and closes, teases until it disappears and remains nothing but a whispery dying effect.

Words by Niv Hadas


All Tracks are written, produced and mixed by Jacques Bon & Vincent Drux

Mastering by Helmut Erler
Vinyl Cut by Dubplates+Mastering
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

Smallville 2022


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Track list:
A1. Give It Up
A2. Wait 4 U
B1. What I Want
B2. Own Way


Highlight:
Wisdom Teeth co-founder K-Lone is dropping two EPs on Aus Music: the first instalment nods to UKG and house flavours, landing mid-May, while the second offers a deeper, broken techno vibe, arriving in late June. 'Give It Up' opens Part 1 with a bubbly rhythm and bassline that percolates through the woody, organic percussion. Lush pads and neon lines swirl skyward to silky and seductive effect as various other samples and daubs of colour bring the groove to life. The heady 'Wait 4 U' is a textbook K-Lone house cut with low swinging bass, sultry sax stabs and molten R&B samples that get the juices going next to warm, diffused synth lines.

On the flip, 'What I Want' ups the pace but keeps it deep and smooth with rubbery kicks and gooey bass overlaid with soft-edged chord stabs that will pump the floor. Lastly, 'Own Way' closes down with a tumbling bassline that takes you deeper as muted vocal sounds and glowing chords hook you into an infectious groove suited to the most intimate dancefloors.

UK trailblazer K-Lone heads up the label Wisdom Teeth with fellow producer Facta and has released everything from club-primed garage to innovative home listening records. Whether cooking up kinetic beats and bouncy bass or soundtracking a lazy summer's afternoon with synthesised bird calls and lush marimbas, the London-bred artist is a proven studio wizard. Critical acclaim has come for both his ‘Swells’ and ‘Cape Cira’ albums, and now his ‘Catching Wild’ EPs for Aus Music offer yet another portal into the colourful world of his idiosyncratic, signature sound.








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NO RETURNS!
A veteran producer (Who prefers to separate this incarnation
from past works) working within many disciplines in sound, Silent
Cubes demonstrates a particular skill in atmospherics and mood
in their productions, creating three tracks of original UGK driven
sound that speak in a dialect as familiar to the progeny and
brethren of Clubroot, Sorrow, and Congi as that of Chez Damier,
Mr Fingers, and Ron Trent. An exercise in deepness, Draped in
the framework and immediacy of Garage.
Showing how evocatively these elements can be transformed is
MOY, himself straddling a line between classic IDM, Old Skool,
and Acid, and with releases on Analogical Force, Vinyl Fanatiks
(AmenTec) and a slew of others. MOY comes forward with a
hybridized remix of “The Stream”, which really is in a class of its
own and closes out side B.
“Sound And Motion”. Presented as a 4 track vinyl EP, in a
numbered/limited edition, and bundled with access to 2 exclusive
Poly Cut/Digital tracks, only ever available via the access
provided through ownership of this record.

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