Rewind to 1997 and Uk's finest clubs are alight to the tech-house sounds emanating from South London. Terry Francis, a key figure in the scene, needs no introduction, Fabric resident, Wiggle co-founder, as well as part of the seminal Housey Doingz collective, 'Dubtown' was his first solo outing, all 4 tracks are instant classics, and the EP itself has become his most sought after release to date. The tracks themselves are varied and brilliant, EP opener 'Hannah's House' kicks off with an infectious bass line and builds with expertly programmed percussion. Simple yet effective riffs intertwine with warm pads and deep chord stabs. 'Hannah's Dub' strips the track down, eerie synths add a tuneful swagger without ever losing dancefloor appeal. 'As You Cry' broadens the sonic palette with swinging rhythms, crisp snares and dreamy chords that deliver the peak time funk and bump. Lastly 'Reggae's House' is a deep dub infused jam, acidic 303 touches combine effortlessly with pads and stabs, whilst echoing bursts of percussion make some real tripped out musical moments. All 4 tracks are deep winners, tweaked to maximum effect by a master of the genre. A rarity for decades now available once more. 'Dubtown' has been legitimately re-released with the full involvement of Terry Francis, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!! More

Default Position's latest offering is 'Gasworks' by Terry Francis. More

Two warm yet jacking tracks that fit his modus operandi. Highlight of the EP is the 2nd track where Terry samples his kids in a very strange sorta way. More

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London, San Francisco and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in!

A serendipitous encounter at an SF record store in the early 90s brought together local music aficionados DJ Dan and Jim Hopkins. Their collaboration birthed the legendary Electroliners project, channeling their shared passion for underground and funky sounds into the iconic left-coast rave anthem, 'Loose Caboose', now firmly nestled in your hands. Pooling their musical prowess, Dan and Jim embarked on a journey of sonic exploration, meticulously crafting their signature sound by dissecting samples and breakbeats, infusing the musical landscape with a revitalizing energy. As their reputation grew within the local scene, they found themselves tasked with supplying a track for a promotional CD-ROM by a burgeoning software company.

Through marathon sessions of digging, slicing, sequencing, and exchanging snippets over phone calls, Electroliners hit their creative stride. It was only natural to unveil their creation in the raw intensity of a live rave setting. Thanks to a connection with DJ DRC, they seized the opportunity, and the rest is history. Copies of the record flew off the shelves by the thousands locally, and its overseas acclaim, spearheaded by licensing through XL Recordings in the UK, cemented its status as a bona fide underground classic. But what exactly is an Electroliner you might ask? Jim sheds light on the inspiration: “I delved into books on trains at the public library,” he reveals. “Among them, 'Electroliner' caught my eye, a train line in the Midwest. Given the track's pulsating train horn, 'Electroliner' and 'Loose Caboose' simply clicked.”

'Loose Caboose' is an all-time classic, and still causes much damage on the dancefloor today. Yet another unmissable addition to the MC reissue catalogue, fully licensed from the artists, mastered and cut by Curve Pusher, and available once again available for purchase. Do not sleep. More

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to Manchester, London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in......

MC065 presents a highly anticipated reissue of Kilowatt's 'The Last EP' – a coveted 4-track compilation featuring a blend of technoid electro-funk and Detroit-inspired house grooves. Originally unleashed on Rob Gretton's legendary Manchester label 'Rob's Records', this EP seamlessly meshes with contemporary sounds and promises an immersive experience on a powerful sound system. Catering to aficionados of the more intricate and funk-infused facets of electronic music, Kilowatt unleashed this underground gem in 1995, earning it a well-deserved cult status among dedicated music explorers and DJs alike. Secure your copy of this exceptionally rare piece of UK musical brilliance now, courtesy of your friends at MC.

All tracks have been lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition. More

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York, London, Leeds, Berlin and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in...... Following on from highly successful releases on seminal labels such as Surreal, Low Pressings and their own Geek imprint, Andy Davies & Dave Clements, aka Spincycle, unleashed 'Making Faces' on Bushwacka's legendary Oblong Imprint. Originally released in 2002, this release perfectly showcases the duo's unique take on the tech-house & garage sounds that fuelled the UK underground. Over the next 2 decades this classic would become an in demand rarity, as the eye watering discogs prices will attest, so a reissue has been long overdue. 'Making Faces' opens with infectious bongo led percussion, building with crisp hats and snares, the heavyweight bass is deep and warm, dreamy chords add to the atmosphere, before a soaring lead line that oozes with techy soul, builds and drops in all the right places. Next up, UKG inspired 'Twister' is more raw and uncompromising in its approach. Energetic swinging rhythms underpin a monstrous sub bass line to die for, as if that wasn't enough, the duo manage to add yet another rolling bass line showcasing production and programming skills of the highest order. This is indeed a killer 12", packed with energy and heat that sounds as fresh and exciting as ever, and what's more your dancefloors will shudder!! 'Making Faces' has been legitimately re-released with the full involvement of Spincycle, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!! More

Rewind to 1997 and Uk's finest clubs are alight to the tech-house sounds emanating from South London. Terry Francis, a key figure in the scene, needs no introduction, Fabric resident, Wiggle co-founder, as well as part of the seminal Housey Doingz collective, 'Dubtown' was his first solo outing, all 4 tracks are instant classics, and the EP itself has become his most sought after release to date. The tracks themselves are varied and brilliant, EP opener 'Hannah's House' kicks off with an infectious bass line and builds with expertly programmed percussion. Simple yet effective riffs intertwine with warm pads and deep chord stabs. 'Hannah's Dub' strips the track down, eerie synths add a tuneful swagger without ever losing dancefloor appeal. 'As You Cry' broadens the sonic palette with swinging rhythms, crisp snares and dreamy chords that deliver the peak time funk and bump. Lastly 'Reggae's House' is a deep dub infused jam, acidic 303 touches combine effortlessly with pads and stabs, whilst echoing bursts of percussion make some real tripped out musical moments. All 4 tracks are deep winners, tweaked to maximum effect by a master of the genre. A rarity for decades now available once more. 'Dubtown' has been legitimately re-released with the full involvement of Terry Francis, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!! More

Only a handful of releases exist from Red Seal, but it's quality over quantity that is on display with these guys.
The 1996 original was released on Rob's Records, a label founded by the legendary Rob Gretton (RIP), former Joy Division
and New Order manager, as well as Factory Records and Hacienda co-owner. Penned by Red Seal and produced by
Martin Moscrop, of A Certain Ratio fame, this 3 tracker would set the World's dancefloors alight and become a much lauded
and bonafide classic. 'Spinning Top' kicks off with flanged hats and dark brooding synths, the breakbeat is tough and delivers a potent punch.
The wam analogue bass keeps the track moving throughout, the distinctive lead line and arpeggios build and drop
in all the right places. 'Twister' continues the vibe, the heavy weight bass and top drawer percussion deliver the funk.
The deft synth programming gives this track a lighter feel, but is no less energetic. Finally 'Hula Loop' heads off into tripped
out acid territory, the break beats roll, and the infectious 303 undulates in a way that both captivates and enthrals.
This EP is packed with peak time heat, an essential rarity sought after by diggers around the globe. Unavailable for decades,
a repress has most definitely been long overdue. 'Spinning Top' has been legitimately re-released with the full involvement
of Red Seal, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit,
licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label -
Mint Condition!! More

Mint Condition would like to dedicate this release to the life of Nathan Coles, who sadly passed away on February 12th 2023. A true tech-house originator and underground party starter, his productions laid down a blueprint for the tech-house sound that has become a global phenomena today. A much lauded DJ & producer, he graced the decks of the best clubs globally. As well as his solo productions, Nathan had multiple collaborative projects, Housey Doingz, Mashupheadz, Two Right Wrongans, Get F@cked, to name but a few, that saw him tackle tech-house, deep house, breaks and electro with such skillful aplomb. The now highly sought after original appeared on Wiggle in 2000, and for this release Nathan teams up with his longtime Wiggle partner, and legend of the scene, Terry Francis for 2 fierce tech-house jams under their 'Delinquents' alias. A-Side 'Disc' opens with heavy kicks and speaker rattling percussion.The hypnotic 303-line builds, layered synths add to the tension, then comes the drop where infectious chord stabs enter the fray. B-Side - 'Funktional' takes a more stripped back approach, the bass line and percussion delivers a groove capable of destroying any discerning dancefloor. Darker acid and synths riffs build around the melody to deliver a bass heavy roller of the highest order that sounds as fresh, exciting & relevant today as it did over 2 decades ago. This slab of wax is an essential and key release in the evolution of the UK underground that we hope celebrates Nathan's dedication, musical vision and positive energy. His unique talent leaves behind a legacy that populates legendary labels such as Wiggle, Surreal, The End, Eukahouse, Swag, Eye 4 Sound, 10 Kilo and Plastic City. 'Discfunktional' has been legitimately re-released with the full involvement of Terry Francis and Nathan Coles, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

With acclaimed releases on Strictly Rhythm under his belt, much lauded Californian DJ and producer Safar followed up his early success on L.A. based Aqua Boogie. Originally released in 1996, 'Tangerine Train' would become his most sought after release, rightly garnering the attention of the most discerning DJs, record collectors and music heads alike as the eye watering Discogs prices will attest. 4 complimentary mixes of 'Tangerine Train' feature here, so get ready to jump on board. The 'Absolute Runaway Train Mix' opens proceedings with driving beats and railroad bells. An undulating acid line builds and builds, adding chords that lead to a dramatic breakdown, train FX and strings add to the tension, reaching a mesmeric peak when a killer breakbeat kicks in and the acid line returns. Next up the 'Train Beats Mix' cuts the track back to the percussion and FX for those wanting to get creative in the mix. 'Lost In A Tunnel Of Dub' has all the classic elements of its predecessors, although programmed in a slightly more subtle way, the percussion remains as crisp as ever and a classic organ riff lightens the mood without ever losing the dancefloor energy. Last, but by no means least the 'Last Acid Train To Euphoria Mix' goes on a deeper hypnotic trip, losing the train FX, but adding an ethereal vocal to devastating effect. Whichever mix you choose to play you can't go wrong, all are worthy of your attention and hard earned cash. The sound design and execution are second to none and what's more your dancefloors will shudder. "Tangerine Train' has been legitimately re-released with the full involvement of Safar, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label -
Mint Condition! More

To kick off 2023 in fine style, Mint Condition welcomes the long awaited return of OG tech-house legends Terry Francis & Nathan Coles AKA The Delinquents. 'Breaking The Law', originally released in 1998 on the seminal Wiggle imprint, typifies that warm, bumpin' analogue tech-house sound that's become so highly sought after in recent years. EP opener 'Break & Enter' brings the break-beat heat, seismic bass drops lead into a heavy rollin' b-line.
Synth washes and eerie chords creep into the fray, whilst the potent percussion keeps the dancefloor energy to the fore. Over on the flip, the curiously titled T.D.A. (To Danca Alot) is more subtle in its approach. Deftly programmed breaks, deliver the punch, bump and the funk, there's low slung bass aplenty leading into an ever so effective rugged 4 to the floor beat. Lastly G.B.H. (Groovy Bouncy House) is exactly that. Trippy dub FX and subaquatic bass characterise this tough swinging tech-house groover before soaring chords lift the track to the next level. Whether it's for the early hours, peak hours or after hours this EP has got you covered. A true in demand rarity transmitted from the heart of the UK Underground and sounding as fresh and relevant as ever. 'Breaking The Law' has been legitimately re-released with the full involvement of Terry Francis and Nathan Coles, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

Tobias Menguser, AKA Leon De Winter, was a very influential figure in the 90's Frankfurt techno scene, releasing around 100 records under various aliases, including collaborations with Ricardo Villalobos, but it was his Leon De Winter alias that really caught the ears of legendary London label Eukahouse, who originally releases this 12" all the way back in 1997. A one-off, it is not only unique in its sound design but also genre defying, spanning deep house, tech-house, techno, electro and breaks. A-Side 'Apollo Jazz' is truly that, sounding like it was composed from a freeform jam on a trip to the Moon. Opening with emotive chords, the track lifts off and builds, melodies effortlessly twist and turn, superbly pulling together a variety of well crafted synths, bass and percussion whilst keeping the energy to the fore. Over to the B-Side, 'Metamat', is bold and more playful in its execution, more sonic trickery abounds as the opening riffs and breakbeat percussion give way to a solid 4/4. The bass is as memorable as it is quirky, but again it's the strength in the way all the elements build and combine that creates some real tripped-out musical moments without ever losing its dance floor appeal. This is one of Tobias's most sought after releases and it's no wonder his collaborative work with Ricardo Villalobos is legendary. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Tobias Menguser, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

Back in 1997, UK house legend Charles Webster, this time under his DJ Profile alias, unleashed these killer tracks. Originally released on the sorely missed London nightclub The End's label, this fine 12" set a benchmark for what would become a very exciting time for the UK's underground scene, both tracks are widely considered to be up there with Charles' most sought after work. A-side 'Prove It' kicks off with swinging drums that deliver the funk, percussive elements rattle & shake and the low slung bass line keeps the track firmly on the dancefloor. The soothing chords, acid overtones and the evocative vocal hook are mesmerising and soulful. Over on the flip, 'Realization' is a bumping analogue monster. The kicks are solid, the snares swing and an infectious rolling bass line carries the track throughout. Darker acidic touches sit alongside delicate synth riffs and emotive chords that lift, drift and lose you in a world of wonderfully woozy deep house sonics. Never has the late night dance floor sounded so good, and this slab of wax is a must have that typifies a halcyon period in underground house history. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Charles Webster, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

East Midlands house legend, Charles Webster, relocated to San Francisco in 1992, setting up Spirit Studios in the heart of the city and a highly productive period ensued. The 'White Powder' EP released in 1995, under Charles' Presence moniker is widely regarded as a classic of its genre, up there with any of its contemporaries on Prescription or Murk. All 4 tracks are flawless and groundbreaking in their ability to to draw together elements of soulful deep house, tribal percussion and the deep melodic tech-house sounds emerging from Europe and America's midwest into a unique whole. EP opener 'Heart' features the haunting vocals of Sarah Jay, the track builds delicately, adding dark bass, before soaring strings lead into a melodic breakdown. $10's deftly programmed drums really deliver the funk, the deep melodic synth and pad progressions are mesmerising, whilst an unforgettable bass-line underpins the journey. Over on the flip 'Giving Love' intro's with gorgeous pad before shuffling percussion and an uplifting piano turn this track into a joyous ride. Lastly 'Powder Chords' sets the controls for heart of the dance floor, heavy kicks launch a much more techno influenced affair, it's dark and brooding but no less effective in its atmosphere and execution. 'White Powder' is all killer, no filler, a highly sought after slab of wax that has achieved cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Charles Webster, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. More

Back in the early '90's California's West Coast's parties, raves and clubs began to be fueled by the emergent sound of tripped out acid breakbeats and
psychedelic house jams. Jason Drummond, AKA DJ Spun & Courtney Nielsen teamed up as Central Fire, their debut was both influential and pioneering, released in '94 on Twitch Recordings, a mainstay of the San Fran scene, it would pathe the way for what was to come. 'This Is A Shout Going Out' (Into The Future Mix) opens with infectious bubbling 303, there's breaks aplenty with expertly programmed twists and turns along the way, whilst the vocal keeps it lively throughout. The Sliced and Diced Mix sees Jim Hopkins edit the original down into a jam packed journey. Over on the flip 'Central Fire' (Yes People It's Time Pt.1 and 2) takes a more stripped back approach, a b-line and breaks that deliver the funk underpin delicate riffs, dub FX and an unforgettable flute interplay to turn this track into another devastatingly programmed episodic ride. This EP has stood the test of time, an essential rarity that has achieved cult status amongst the most discerning DJs, music heads and record collectors alike. It has been legitimately re-released with the full involvement of Jason and Courtney, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

Eze-Ozo's 'How To Stay Alive' is a bonafide bass 'n' bleeps classic that has topped wants lists for decades. Originally released in 1991, this groundbreaking 2 tracker took the Warehouse Scene by storm and ensured it would never be the same again. 'How to Stay Alive' opens with lush pads and sparse percussion, the heavyweight sub-bass drops , then in come breakbeats that really deliver the funk. There's bubbling synth riffs and stabs aplenty, whilst sublime strings add to the track's emotive quality. Over on the flip 'Kick The Break In' features more bass-bin rattling sub-bass, but rolls with an infectious acid line. The percussion passages are deftly programmed, as beak beats intertwine with more electro-tinged 4 to the floor rhythms, there's those ever essential bleeps and strings, both sinister and elevating give the track a more melancholic feel. This very sought after slab of wax is an essential rarity that has achieved a cult status amongst the most discerning DJs and record collectors alike. It has been legitimately re-released with the full involvement of Ezo-Ozo, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

With releases on Sabres of Paradise and Hard Hands under their collective belts, and following the success of the 'Swirl' EP, Scott James and Chris Hayne unleashed the second instalment of their Sound Virus project 'Inverted Frequencies'. Originally released in limited quantities on their own Lux Recordings label in 1995, this rarity has become in demand to DJs, taste-makers and collectors the World over. The 'Eerie Horn Mix' kicks off proceedings, soaring strings rise above an incessant bass, the percussion bumps and a potent synth riff takes this mix to another level. Next up, the 'Inverted Mix' goes deeper. Subtle delicate melodies are intertwined with emotive chords and dubbed out piano stabs that really lift the spirits.
Over on the flip the 'Xtrovert Mix' is the one for the heads, it's a more minimal affair, extending the track out to allow the elements to shine, whilst intricate drum programming keeps the mix exciting and relevant throughout. 'Inverted Frequencies' is an essential rare gem and has been legitimately re-released with the full involvement of Scott James and Chris Hayne from Sound Virus and Lux Recordings, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

Having previously collaborated as SYT for releases on Sabres of Paradise and also having had releases on Hard Hands, DJ Scott James and producer, writer and musician Chris Hayne teamed up once again forming Sound Virus to share their more esoteric dancefloor visions. 'Swirl' was originally appeared in 1995, a limited vinyl only release on their own imprint Lux Recordings, First up 'Follow Your Feet' opens with haunting synths that lead into razor sharp percussion and a forceful b-line that drives the track to a mesmeric peak, whilst a repetitive vocoded vocal stirs the electro soul. 'Continuum' heads off into electo-tech territory, defty programmed breakbeats underpin the filthiest of bass lines making this track a true dancefloor devastator. 'Swirl' takes a deeper approach, with pumping bass and driving beats supporting lush chords and a subtle, chiming synth riff. EP closer 'Bossa Blue Dub' drops the tempo slightly for a more other-worldly chug, whilst remaining no less compelling. This EP is a true rarity that has achieved a cult status amongst the most discerning DJs and record collectors alike. It has been legitimately re-released with the full involvement of Scott James and Chris Hayne from Sound Virus and Lux Recordings, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

With the UKG scene carving out it's niche, 1996 saw the all too brief, but much lauded appearance of the mysterious Mred Marquez for this excellent one-off release on Crosstown Records. Dedicating himself to the tougher, trackier & darker side of UK house and garage, this 4 tracker perfectly encapsulates his vision. 'I Release', opens with melodic chord stabs and heavy, warm analogue bass, swinging percussion drives the track on before a classic garage organ plays an unforgettable riff. 'I Realise' (Dub) strips it down and goes for a heads down vibe, a slammer of a track that never loses any of the original's devastating punch and potency. 'Nathalie X' brings the muscle, driven along by yet another monstrous speaker rattling b-line that builds and moves to an incredible peak, there's yet again top draw bumpin' drums and quintessential garage chords and keys. Lastly, 'Do Not Pass Go' is a classic sweaty basement jam. Gritty and more uncompromising in it's approach, banging kicks underpin the percussion that builds with those ever essential skipping snares and clipped hi-hats.There's hefty lo-slung bass throughout, whilst classic riffs and dubbed out chords lift the higher end. This EP is sensational and a true rarity that every home should own, 'I Realise' has been legitimately re-released with the full involvement of Mred Marquez and has been remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

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Back to 1990 and the Uk's Bleep Techno scene is in full flow. Following the success of 'Psyche', Peter Duggal set about raising the bar yet again with his follow up 'Labyrinthe' under his new alias Demonik. Originally released on the UK's hugely influential Rham! Records, this EP perfectly soundtracked the early rave scene in the UK and beyond. Labyrinthe' itself needs no introduction, a truly mesmeric and highly sought after warehouse anthem. The previously unreleased 'Labyrinthe' (Raw Mix) keeps up the pressure. Retaining the heavyweight sub-bass, this mix heads off into a sparser world of machine made funk and rave inducing stabs, whilst skittish bleeps and tones overlay the sinister chords and strings. There's yet more gold from the vaults in the form of '6-5-0-2' a once lost, and now found, future classic of the genre, where infectious melodies interweave and really stir the electro soul. Lastly 'Frenzy' adds an uplifting synth riff, making this episodic ride a true Bleep and Bass Bomb! More

Mint Condition would like to dedicate this release to the life of Andy Panayi, who sadly passed away on 28th September 2020, and all profits will be donated to the Peace Hospice in Watford, UK, who took great care of Andy towards the end of his life. Although better known for his artistic output as Stopouts and A², back in 1997 Andy and Alec Stone turned their creative skills to the emergent UK Garage scene, producing this wonderful 4 track EP of fierce garage jams under the alias Upside, a one-off, originally released on seminal UKG label Underground Classics. 'Disco Killer' opens proceedings with melodic chords before a super thick b-line rolls in to overlay those essential skipping snares and swinging percussion. As the track unfolds, mesmeric synth riffs and deep chords bring the positive energy, vibes and an atmosphere like no other. 'Vibrations' is a deeper and much more melodious affair, featuring a warm bubbling b-line, haunting piano riff, intricate classic garage keys and melancholic pads that overlay a deftly programmed breakbeat and 4/4 drum workout that delivers the funk, depth and soul. 'House It Up' brings the NYC muscle, a proper heads down bumpin' affair. There's heavy kicks and an acidic bass that builds superbly before flipping into a warm cavernous sub. Positive pads and a clipped scat vocal create a fantastic late night garage house slammer. Lastly 'Nervous Dance' picks up the pace and thump, there's more acidic overtones, a hypnotic low slung bass, luscious strings, razor sharp hi hats and gritty percussion as it hustles and bustles it's way to the middle of the dance floor. This is an essential piece of '90s UK Garage that we hope celebrates Andy's unique talent, musical vision, energy and dedication. 'Niteworks' has been legitimately re-released with the full involvement of Andy & Alec, also thanks to Rob and all at An Alien Recordings for helping bring this release into fruition. All the tracks have been lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! More

Repress!

Earth, Wind & Fire are obviously one of the greatest bands of all-time and both of these remixes are works of art in their own right. On the A side we have the much in-demand Blaze 'Shelter' remix of "Fantasy" which stretches this classic to 8.55 and finishes with an unbelievable Phillip Bailey acappella. As though that wasn't enough we've put the much sought-after Masters At Work remix of "Can't Hide Love"
a staple record since its debut in 2002.

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All replayed featuring J Kriv on Bass and guitar parts, along with Morgan Wiley and John Himself on Keyboards and of course Jocelyn Brown re recording the vocals.

Released on Quantize with a full picture sleeve. Limited Press act fast. More

AS THE BLACK MOON RISES THE SIGNAL IS SEEN. ONCE AGAIN REPORTS OF THE UNSEEN ARE STARTING TO EMERGE THIS PRESENCE THAT TRAVELS THRU CAT 7 HIGHWAYS TO SCAN ROUTERS WORLDWIDE COUNTERING THE PROGRAMMERS EFFORTS TO COMMERCIALIZE A FEELING OUR FEELINGS... THIS PRESENCE KNOWN AS SCAN 7 CANNOT BE DEALT WITHIN THE PHYSICAL REALM. LISTEN TO THE FEELING AND JOIN THE FIGHT. THEY CANNOT HAVE THE SOUND OF THE UNDERGROUND! IT BELONGS TO THE PEOPLE OF THE NEW TRIBE! DO NOT ALLOW YOURSELF TO BE PROGRAMMED
KIRK OUT: MAD MIKE

ALL TRACKS PRODUCED AND CONCEIVED BY "TRACKMASTER LOU" & "THE ELOHIM".
MIXED BY V. SHELTON AND MAD MIKE FOR UNDERGROUND RESISTANCE PRODUCTIONS.

ALL TRACKS RECORDED AND MIXED AT BLACK PLANET STUDIOS.
RECORDED ON A TASCAM 4 TRACK. More

Somehow Klasse Wrecks has made it to 50 official releases, not bad for a label that wears its ignorance for others and 'the norm' proudly on its dirty sleeve. Over the years the label has released a multitude of various sounds, spanning bleep, rave, deep house, down tempo and the 50th release does well to encapsulate that free spirit and openess. Without much planning and totally by way of coincidence the responsibility lies with label co-owner Luca Lozano and its sonically a typical mixed bag as to be expected. Kicking off with restless acid stomping, the title track barges through the door...knocks over a few drinks before blossoming into a breakdown that propels the 303 deep into space and back again. On the A2, Lozano shows off his love for creaky breakbeats and DX donks on a track called 'Re-Mix'...which as far as we know isnt a remix of anything at all. The flip contains more raving beauties, 'Save Me From The Rave' might be a desperate plea but by the sounds of it he's still enjoying the madness, the producer makes an epic breakdown that might well signify the end of all Trance homages. Then the final track of the EP sounds like it could be played in a field in Glastonbury in 1993, its haunting vocal harmonies signify the sun is coming up soon and likely that we're about to start Chapter 2 of the Wrecks Wrebellion. The special edition sleeve artwork features examples of previous artwork from the last 50 records, overlaid in a typically chaotic manner by the label's designer, PLANETLUKE.COM. More

NU PORT 62 is the new project from Italian veteran DJs and producers Claudio Ricotti and Davide Domenella (Double Dee). With more than 30 years’ experience they have joined forces to create a modern nu disco duo. On the A side you’ll find ‘When Love Is Over’, marrying beautiful vocals with a catchy "Philly" groove topped off with an incredible saxophone solo. Edited by Micky More & Andy Tee, this version is exclusively available on vinyl.

Flip it over for ‘Make It Happen’, characterized by a hypnotic synth groove, euphoric vocals loops and a pumping bassline. Quality dance music for those that like to get down. More

Originally released in 1992 on Muzak, an Italian label founded by Leo Mas, Fabrizio Lazzari and Andrea Gemolottoand, which was fundamental in establishing a new Italian dance floor electronic sound in the early 90s strongly intertwined with US influences from what was happening in Detroit and New York at the time. Officially re-issued with new remix of "Fearless" by Berlin based Trent, stripping down the feisty banger from its breakbeat elements and implementing a new Acid feel to it. More

Pickled People - We all know a few of those, but how many of them were turning out bare bones, stripped & funked out rolling tech-house back in 1996? Not many we reckon! Well, except for the dynamic duo of Terry Francis & Jiten Acharya, ably assisted by the man Bushwacka aka Matthew B on mixdown & engineering duties. This self-titled 12" you have here in your hands is a rare diamond, another set of smooth and acidic jams from London's potent tech-house underground, a rich and rewarding scene, one that is back with a vengeance today with discerning selectors from around the globe tuning into what was making clubs move here in the capital pre-millenium. The beauty of these super rare and expensive to obtain tracks is that they seem to be made with both the DJ and the dancer in mind, meaning - they are fun to mix and blend and drop long arse 10 minutes blend with without ever being boring, AND they are sure as hell fun to dance to in the darkened corners of whatever space you're lucky enough to find yourself in. Not short on the old Funk, this is premier league shit right here, from the dons. Proper subterranean business from that London town. Sure to be in your bag for the next 20 years n'all!
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Network’s 30th Anniversary celebrations continue with the re-issue of the debut release from the iconic label. The launch of the logo with Neal Howard “Indulge” in 1990 caused a sensation, with the track being instantly acclaimed as a Classic, and Network noted as a new label to watch. “Indulge” hails from Chicago, but sounds like its’ DNA is Techno City Detroit. A futuristic call to dance from Windy City mystery man Neal Howard, whose previous releases “The Gathering” and “To Be Or Not To Be” had already reached cult status. Those gems, and “Indulge” were recorded by Chicago label Phuture Sound. Plans were being laid for the transformation the Kool Kat label - the UK outlet for Kevin Saunderson, Derrick May and Juan Atkins - into Network, but the dilemma was finding something “really really special” for the first release. That search for the perfect beat ended when Network’s Neil Rushton on a visit to Chicago heard the just mixed “Indulge” on a cassette played by Phuture Sound boss Terry Baldwin, who after prolonged negotiations agreed to cancel a USA release so the new UK label could have an exclusive. The label design for this release is a replica of the original DJ Promo 12” that introduced Network to the World with exactly the same tracks; Terry Baldwin’s much loved Club House and Deep House mixes of “Indulge”, coupled with “To Be Or Not To Be” remixes by Chicago’s Bad Boy Bill and Detroit’s Derrick May. network - it is what it was... More