Ohio's O'Jays were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's. They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine. This special 4 track EP includes some of the absolute evergreen, stellar and downright soulful tracks they are most known for. It's all here. Influential, uplifting, inspiring and soulful music that will touch everyone. From the string laden and lush extended proto Disco joy of 1975's 'I Love Music', to the deep and soulful Philly stylings of 'Back Stabbers', 'Message In Our Music' & 'My Favourite Person', all of the music contained within this amazing collection is utterly essential if you dig Soul, Funk, Disco, Gospel and even House music. This is it. The real deal. These are some of the roots of contemporary dance music, the building blocks. On top of that, it's simply great music, a solid and essential addition to any record collection from one of the greatest vocal groups of the era, not to mention the world calls production, arrangement & execution from the legendary Gamble & Huff. A real no brainer this one.

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Absolutely electrifying and timeless, the 1973 Philly disco anthem is back! Now fully licensed and repressed for 2024 on a premium 12" single, "The Love I Lost" shines brighter than ever. This all-time classic showcases the extraordinary vocals of a young Teddy Pendergrass, who was on the cusp of becoming one of the era's most successful male performers. This full-length LP version, generously spread across an entire side of the 12" single, is an essential addition to any collection. It's one of those formative tracks that laid the foundation for the disco explosion—pure perfection! Flip the record, and you'll find another landmark tune: "Wake Up Everybody." This 1975 mellow dancer carries a powerful, heartfelt message and stands as another monumental hit in the Blue Notes' impressive catalog. With socially conscious lyrics that resonate even today, this track has solidified its status as a timeless classic, exuding depth and soul. The entire B-side is dedicated to this one track, providing ample room for its message to resonate and ensuring top-quality sonic playback for DJs and dancers alike. If you appreciate soulful sounds, this record is a must-have—peerless and unforgettable!

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Harold Melvin & The Blue Notes were one of the most popular groups on Gamble & Huff's Philadelphia International label, clocking up a number of hits in the mid 70's.

This release featuring two of their recordings, typify the cream of Philadelphia International and Sigma Sound studios dominance of the mid 1970s dance-floor at the absolute height of their creativity and power.

"Bad Luck" spent an unprecedented 11 weeks on the No.1 slot on Billboard's U.S. Dance chart in 1975 and has since become one of the biggest dance-floor staples ever recorded.

On the flip we have the original full version of the classic "Don't Leave Me This Way".

Both songs are mixed to perfection by Tom Moulton and both are state-of-the-art lessons in what exhilarating Dance Music is all about.

Fully remastered vinyl.

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Enhanced, remastered & recut having never officially been on 12 Inch before.

Two huge Teddy Pendergrass disco anthems from the Philly International vaults get an official reissue destined to light up dancefloors once again.

'You Can't Hide From Yourself' and 'The More I Get, the More I Want' are certified classics that have traversed the years sounding as heavy as they did when they first dropped in '77.

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An instantly recognisable intro that Daft Punk turned into one of their most well-known anthems, ‘Harder Better Faster Stronger’ - Edwin Birdsong’s ‘Cola Bottle Baby’ is straight up insatiable, late ‘70s funk fire.
To think this was made nearly 40 years ago – it sounds as delicious as the day it was released and one of those classics that was way ahead of the game. It’d be hard to find anyone that doesn’t feel some level of nostalgia in those opening 15 seconds, but not many would be able to name the original behind the sample.
A futuristic leaning jazz funk sound, in part created by the quacked-out bass synth and ringing ride cymbal but grounded in the grooving funk bass, twanging guitar and electrifying keys. An amalgamation of sounds from pop, disco and funk to jazz and electro, there’s no denying Birdsong’s talents - a flair that would lead him to collaborate with the mighty Roy Ayers.
On the B side, ‘Freaky Deaky Sities’ ramps up the tempo but carries on that mix of the futuristic and the funk – an ode to all the disco dancers out there. Talkbox business married with Birdsong and his backing’s call and response, bongos and cowbells side by side with rock styled guitars, it’s a pure power play for the dancefloor.
An underrated talent given a new lease of the life - officially, remastered and reissued for the first time on 12-inch vinyl for a fuller, louder pressing.


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A classic slice of Philadelphia funk from People's Choice, officially remastered and reissued for 2018.
‘Here We Go Again' is a definitive, feel-good disco stomper combining a full frontal bassline, infectious keys and staccato guitar licks that effortlessly build and build throughout the track. Cries of 'Here We Go Again' ring out at it's peak epitomising the feeling that this groove could last forever. Keeping up that perpetual good time groove the B side houses the mighty 'Jam, Jam, Jam (All Night Long)'. A track doused in the funk, from the rugged vocals to the addictive hooks, it'll worm it's way into your head for weeks.


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Yet another highly in-demand 12" from the Philadelphia International stable and an artist whose records never go out of date! This is a killer double-sided beauty with the frenetic and jazzy "Life On Mars" from his debut 1976 album on the top-side and the mellow all-time classic and soul boy anthem "The Sweetest Pain" from 1979 on the flip.

Two very different sides of a great artist, both of which show the level of diversity that he was capable of producing. The last legitimate release of this was back 1999 and a Mint copy will currently set you back circa £50, if you can ever find one.

Fully remastered on limited edition 180 gram heavyweight vinyl.

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Repress!
OFFICIAL 12 inch re-release of probably the most revered Paradise Garage anthem of all time - M.F.S.B. feat The Three Degrees and the now legendary "Love Is The Message".

Originally released in 1973, "Love Is The Message" has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from Tom Moulton which is always a £25-30 record if you've ever been lucky enough to find a mint one and copies of the rarer U.S. 12" with the long mix are like gold!

Worry no more as the quality on this 12" is from the best master and 100% sanctioned by Sony Music.

On the flip we are proud to re-release "T.S.O.P. (The Sound Of Philadelphia)" aka the official Soul Train theme, using Tom Moulton's full original 5.42 mix. Another piece of significant dance-floor history.

As double-siders go, it really doesn't get any better than this. There is already high-demand from lots of DJs needing to replace their battered copies so accept no substitute. This is the real deal.

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For over twenty years on the turntables, I.G.N.A has imposed his sound in the best clubs in Europe. Born in Sicily and raised in Emilia, I.G.N.A’s music is appreciated by many important artists with whom he shares the main stages. As a producer he has released successful EPs on labels such as Deeperfect, Moan and Greatstuff.

This new single is inspired by old school sounds and synths combined with house in a future perspective.
The remix was entrusted to two masters of house music: Ricky L and MarcoRadi. With the intention of spreading new emotions everywhere, looking where no one else lingers, surprising oneself as the music moves in new directions.

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Written by one of the seminal figures of the Philly Sound - Norman Harris, The Player is arguably one of the groups greatest records.
On the flip, NYC DJ & producer Mike Maurro respectfully remixes the original.


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Rewind to 1995. Kevorkian's 'Wave Music' imprint has come into existence with a handful of releases. No-one could imagine that his self-produced 'FK EP' - the next release on the label - would be a stone cold classic. Easily one of the most consistent, exciting and solid EP's to come out of NYC during this golden era of dance music. Across 4 tracks we are taken on a sound journey through a world that is undoubtedly informed by FK's time as an engineer, DJ and most importantly, a music lover. EP opener 'Hypnodelic' brings us into this world, a deep, driving cut that fuses the dubbed out vocals of Freddie Turner against FK's keyboards and immaculate drum programming, oozing cosmic electronic soul, this track was destined to be a future classic. 'Mindspeak' also boasts some tough drums and with a respectful nod to Chicago is an incredibly mixed and arranged peak-time cut that will drive your dancefloor into deep space again and again. 'Edge Of Time' welcomes us to the flipside of the EP, wild Latin percussions, tablas and old school horn stabs drive this monstrous cut, not to mention cavernous dub FX and that huge bassline that just doesn't let up. Essential. 'Moov' rounds things out on a more subdued, stripped back vibe. Reversed percussions and spaced-out synth chords lace this beautifully understated and warm track, one that builds into a crescendo of melodies and hypnotic rhythms and the perfect way to close what has been a truly special musical journey. This essential reissue of the 'FK EP' has been fully licensed, sanctioned and remastered in conjunction with FK from the original master sources by Optimum Mastering, Bristol UK, repressed onto high quality vinyl and packaged as the 1995 release was. A truly classic record indeed, available again for 2018. Welcome back Wave Music!

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Repress.

Two all-time George Duke greats, 'I Want You for Myself' & 'Brazilian Love Affair', get the official remastered, reissue treatment.

First up, 'I Want You For Myself' Duke's 1979 jazz funk, R&B tinged gem has got all the ingredients of classic from his illustrious catalogue. A funked up guitar and exuberant percussion, compliment Lynn Davis' fabulously soulful vocals perfectly to make this a love song that's sweeter than most. A Duke classic wouldn't be complete without a killer, keys solo and 'I Want You For Myself' shows off his talents in abundance. The infamous Tom Moulton takes on edit duties splicing it into a 10-minute exploration of this fusion powerhouse, extending and enhancing elements in the mix, alongside adding an epic breakdown in a way that only he knows how.

On the B side, the stone-cold killer 'Brazilian Love Affair' is a Latin American, jazz funk classic. Recorded in Rio de Janeiro, Duke drafted in a host of greats to guest on the track, each bringing something unique to the table. From Airto Moreira's expert latin drumming, to Byron Miller's heavyweight bass and Roland Bautista's overdriven guitar. Duke supplements this to a tee with his blissful vocals and an otherworldly Rhodes solo. Much sampled, much loved, this is a masterpiece that needs a place in the collection.

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If you say Brawther you mean trip, like the cities he lived in (Paris, Leeds, Lisbon) and the countries where his DJ's sets have been (Sweden, Japan, UK).
Back To Life with this collection wants to propose a journey, with music.
Directly from one of his first productions on My Love Is Underground, "Don't Go" has been defined: "a very dark track with violent beats that can be used in a hard deep house or strong techno set! Very good use of vocals with a sensual female voice." "Negentropy" is perfect for club use. Someone says: "the kinda Deep gem that plays in your head for weeks."
Last but not least "VXVXVX" taken from the Balance label is a true classic of the modern deephouse.

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Tracks:
A1: Rollerball Original Mix
A2: Rollerball Funky Vocal Mix
A3: Rollerball Extended Acappella
B1: Rollerball Buck Remix
B2: Rollerball Delphi Remix

Style: Indie Dance / House / Techno / Elettronica

Format / Colour: 12” / Black


Bolina Records, born in Italy and based in Stockholm, is the brainchild of the Cerrado Studio crew, a dynamic team of artists and DJs who have been organizing events and innovative initiatives since 2008.

Veteran DJ-producer Sebra Cruz (formerly of Margot and A&R for Bolina Records), after releasing his debut album with Life And Death by Dj Tennis, has teamed up with his protégé, Giacomo Cancellieri. Over the years, Cancellieri has become one of Sebra's favorite artists, with Sebra often describing him as a truly brilliant mind, consistently impressed by the new tracks he produces. Giacomo has notable releases on Rebellion and Margot Records.

"Rollerball," titled after Norman Jewison's 1975 film, carries a powerful anti-war message. It includes 4 versions plus an acapella, the latter intended to encourage DJ-producers of various genres to incorporate it in their tracks, thereby spreading the anti-war message on dance floors worldwide.

The original mix captures the essence of intimate club settings — intense yet lucid, with a sound texture fitting for an underground label. It continuously and forcefully spreads the anti-war message with deep seriousness.

The Funky Vocal Mix offers an Italo-French vibe, blending the smooth ambiance of 2000s dance music with a raw vocal tone.

Buck's version, hailing from Otranto, a quaint seaside town in the extreme south of Italy and owner of Substrato label, is marked by solid, rolling grooves that complement a deep and refined atmosphere.

Delphi's remix, one half of Tiger And Woods with Marco Passarani, completes the set. Its arrangement skillfully connects Chill and Detroit styles, infusing the project with a sense of robustness and insight.




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official Sony reissue of Charles Earland's 'Coming To You Live' another one of those rare infectious 12" releases which has grown in stature over the years. Championed by big names such as Gilles Peterson, Theo Parrish and Moodymann, it has become a firm favourite with dj's and clubbers alike, entertaining many discerning dance-floors. Pressed on 180g vinyl, using the original master tapes.


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Repress!
Dark Grooves reissue of these rare E.B.E house / tech-house releases from from 1999 and early 2000's which were originally released on Plastic City America.

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Ohio's O'Jays were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's. They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine. This special 4 track EP includes some of the absolute evergreen, stellar and downright soulful tracks they are most known for. It's all here. Influential, uplifting, inspiring and soulful music that will touch everyone. From the string laden and lush extended proto Disco joy of 1975's 'I Love Music', to the deep and soulful Philly stylings of 'Back Stabbers', 'Message In Our Music' & 'My Favourite Person', all of the music contained within this amazing collection is utterly essential if you dig Soul, Funk, Disco, Gospel and even House music. This is it. The real deal. These are some of the roots of contemporary dance music, the building blocks. On top of that, it's simply great music, a solid and essential addition to any record collection from one of the greatest vocal groups of the era, not to mention the world calls production, arrangement & execution from the legendary Gamble & Huff. A real no brainer this one.

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