1
Die bunten Füße - Nur weil Du mir deine Wunden zeigst, bist du noch lange nicht mein Heiland
2
Ein ganz anderer Wind - Sockenmachen
Format: 7Inch
A1
Die bunten Füße - Nur weil Du mir deine Wunden zeigst, bist du noch lange nicht mein Heiland
Produced by: Die bunten Füße: (Schorsch Kamerun, Gesang / Eddie, Chor / Ruth May,
Violine / Michaela Melián, Cello / Waldmeister Knarf Rellöm,
Gitarre / Peter Thiessen, Klavier, Synthesizer, Mix)
Written by: DJ Patex/School of Zuversicht
B2
Ein ganz anderer Wind - Sockenmachen
PROMO TEXT:
Am 14. Juni 2023 ist DJ Patex nach langer Krankheit gegangen. Wohin, das wissen wir nicht genau. Darüber werden wir uns heute auch nicht einig. Der Autor dieses Textes will jedoch ahnen, dass sie dort – frisch angekommen – erstmal von ihreN vorausgegangenen Lieblingshundis überrannt und abgeschleckt wurde. Der Autor mag dieses Bild. Auch weil Patex sich zeitlebens mit Hundis leichter getan hat als mit Menschen. Hunde durften bei ihr alles, was sie vom Menschen getrennt hat: Parolen kläffen, Eigentum heranzerren, egoistisch und unterkomplex sein. Nie hat sie auch nur einem Hund jemals etwas krumm genommen. Der Menschheit begegnete Patex eher mit pessimistischen Sätzen: „An Allem ist zu zweifeln“ ist so eine Feststellung. Oder: „Nur Weil Du Mir Deine Wunden Zeigst Bist Du Noch Lange Nicht Mein Heiland“.
Damit wären wir auch bei der A-Seite der vorliegenden Single. Sie berührt. Ihr Text zeigt in viele Richtungen. Die Coverversion von Mitpudeln enstammt ihrem finalen School-Of-Zuversicht-Album und dokumentiert eine Patex, die an ihrer schweren Krankheit gewachsen ist, statt zu brechen. Auch weil sie sich erlaubt hat, ihre typische Skepsis mit einer Art Camu’schen Akzeptanz zu tauschen. Denn Ablehnung hat in ihrer Situation nicht gegriffen, sie hätte alles viel schlimmer gemacht. Nicht das Nicht-leiden oder gar das Nicht-leiden-wollen besiegt das Leid, sondern dessen voll umfängliche Akzeptanz. Das hat sie einfach genial hingekriegt. Und damit vielleicht das Leben und den Tod gleichzeitig besiegt. Noch besser: Für diese Erkenntnis musste sie nicht einmal ihren Pessimismus über Bord werfen. Denn auf einer Ebene, viel weiter im Vordergrund, handelt das Lied natürlich vom Mitleid, oder besser Mitleiden. Mitleid gerät in Schieflage, wenn wir vergessen, worum es wirklich geht. Empathie verbindet uns mit der Welt, sie erfüllt uns. Sie eignet uns aber allzu schnell das Leid anderer an, ohne dass wir selbst wirklich leiden müssen. Und wenn wir nicht aufpassen, dann macht sie uns selbstgewiss.
An Allem ist zu zweifeln, merkt Euch das. Außer daran, dass uns Patex fehlt. Uns fehlt was sie umtreibt und die Fragen, die sie uns schenkt. Und dass die umwerfende B-Seite, die uns über Hans Nieswandt aus Südkorea erreichte, nur ekstatisch tanzend erklärt werden will — und daran, dass Ihr Euch jetzt diese Single kauft. Text: Sebastian Reier
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1
Die bunten Füße - Nur weil Du mir deine Wunden zeigst, bist du noch lange nicht mein Heiland
Produced by: Die bunten Füße: (Schorsch Kamerun, Gesang / Eddie, Chor / Ruth May,
Violine / Michaela Melián, Cello / Waldmeister Knarf Rellöm,
Gitarre / Peter Thiessen, Klavier, Synthesizer, Mix)
Written by: DJ Patex/School of Zuversicht
B2
Ein ganz anderer Wind - Sockenmachen
PROMO TEXT:
Am 14. Juni 2023 ist DJ Patex nach langer Krankheit gegangen. Wohin, das wissen wir nicht genau. Darüber werden wir uns heute auch nicht einig. Der Autor dieses Textes will jedoch ahnen, dass sie dort – frisch angekommen – erstmal von ihreN vorausgegangenen Lieblingshundis überrannt und abgeschleckt wurde. Der Autor mag dieses Bild. Auch weil Patex sich zeitlebens mit Hundis leichter getan hat als mit Menschen. Hunde durften bei ihr alles, was sie vom Menschen getrennt hat: Parolen kläffen, Eigentum heranzerren, egoistisch und unterkomplex sein. Nie hat sie auch nur einem Hund jemals etwas krumm genommen. Der Menschheit begegnete Patex eher mit pessimistischen Sätzen: „An Allem ist zu zweifeln“ ist so eine Feststellung. Oder: „Nur Weil Du Mir Deine Wunden Zeigst Bist Du Noch Lange Nicht Mein Heiland“.
Damit wären wir auch bei der A-Seite der vorliegenden Single. Sie berührt. Ihr Text zeigt in viele Richtungen. Die Coverversion von Mitpudeln enstammt ihrem finalen School-Of-Zuversicht-Album und dokumentiert eine Patex, die an ihrer schweren Krankheit gewachsen ist, statt zu brechen. Auch weil sie sich erlaubt hat, ihre typische Skepsis mit einer Art Camu’schen Akzeptanz zu tauschen. Denn Ablehnung hat in ihrer Situation nicht gegriffen, sie hätte alles viel schlimmer gemacht. Nicht das Nicht-leiden oder gar das Nicht-leiden-wollen besiegt das Leid, sondern dessen voll umfängliche Akzeptanz. Das hat sie einfach genial hingekriegt. Und damit vielleicht das Leben und den Tod gleichzeitig besiegt. Noch besser: Für diese Erkenntnis musste sie nicht einmal ihren Pessimismus über Bord werfen. Denn auf einer Ebene, viel weiter im Vordergrund, handelt das Lied natürlich vom Mitleid, oder besser Mitleiden. Mitleid gerät in Schieflage, wenn wir vergessen, worum es wirklich geht. Empathie verbindet uns mit der Welt, sie erfüllt uns. Sie eignet uns aber allzu schnell das Leid anderer an, ohne dass wir selbst wirklich leiden müssen. Und wenn wir nicht aufpassen, dann macht sie uns selbstgewiss.
An Allem ist zu zweifeln, merkt Euch das. Außer daran, dass uns Patex fehlt. Uns fehlt was sie umtreibt und die Fragen, die sie uns schenkt. Und dass die umwerfende B-Seite, die uns über Hans Nieswandt aus Südkorea erreichte, nur ekstatisch tanzend erklärt werden will — und daran, dass Ihr Euch jetzt diese Single kauft. Text: Sebastian Reier
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Pudel Produkte
1
Glow - Acid House Planet
2
Thee Church Ov Acid House - Coming Home
3
Tyson - Mizubishi (Thee Church Ov Acid House Remix)
4
Elektra - Thunder
5
Thee Church Ov Acid House - Waves Ov Power
6
Random Noise Generator - SM 58 (Thee Church Ov Acid House Schranz Mix)
w&p: all tracks by Oliver Bradford & Jörn Elling Wuttke
This is the final of the TCOAH trilogy on Pudel Produkte, Thee Vol. 3
Genres: Acid, House, Techno, Elektro
Tracklist:
A1 Glow - Acid House Planet
A2 Thee Church Ov Acid House - Coming Home
A3 Tyson - Mizubishi (Thee Church Ov Acid House Remix)
B1 Elektra - Thunder
B2 Thee Church Ov Acid House - Waves Ov Power
B3 Random Noise Generator - SM 58 (Thee Church Ov Acid House Schranz Mix)
With THEE CHURCH OV ACID HOUSE's third EP, the miracle is now complete, the trinity has come full circle, the triptych is complete, the church has fully handed over the Holy Spirit to its disciples. For this celebration, apostles such as Glow, Tyson and Elektra, as well as the church leaders of THEE CHURCH OV ACID HOUSE themselves, come together again to celebrate a Dionysian Bachanal.
It starts with Glow's ‘Acid House Planet’, an epic-ambient call to the gods at the foot of the Acid House Olympus.
And the next track on the EP, ‘Coming Home’, a no less epic house tune that calls the children of faith home to the church with the vocoder voice of the gods, shows that they listen to their disciples.
‘Mitzubishi’ by Tyson celebrates the holy sacrament of acid painting in chords that melt on the tongue like a lollipop over a ritual beat.
This is followed by Elektra, which has already provided highlights on the previous EPs. And this time too, her hypnotic acid anthem worms its way deep into the ear canals and brains of the trance-listening worshippers.
Shortly before the end, the church leaders return to deliver an abstract breakbeat hymn with ‘Waves Ov Power’, which, surrounded by numerous sample memories of house history, sings of the pure power of the acid ecstasy techno religion.
Finally, THEE CHURCH OV ACID HOUSE disciples are dismissed from the service with a powerful hymn of distorted bass drums, namely Random Noise Generator's ‘SM 58’ in the T.C.O.A.H. Schranz remix - a track that will give the inspired followers of the CHURCH OV ACID HOUSE enough strength to spread the happy acid message throughout the land.
Amen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This is the final of the TCOAH trilogy on Pudel Produkte, Thee Vol. 3
Genres: Acid, House, Techno, Elektro
Tracklist:
A1 Glow - Acid House Planet
A2 Thee Church Ov Acid House - Coming Home
A3 Tyson - Mizubishi (Thee Church Ov Acid House Remix)
B1 Elektra - Thunder
B2 Thee Church Ov Acid House - Waves Ov Power
B3 Random Noise Generator - SM 58 (Thee Church Ov Acid House Schranz Mix)
With THEE CHURCH OV ACID HOUSE's third EP, the miracle is now complete, the trinity has come full circle, the triptych is complete, the church has fully handed over the Holy Spirit to its disciples. For this celebration, apostles such as Glow, Tyson and Elektra, as well as the church leaders of THEE CHURCH OV ACID HOUSE themselves, come together again to celebrate a Dionysian Bachanal.
It starts with Glow's ‘Acid House Planet’, an epic-ambient call to the gods at the foot of the Acid House Olympus.
And the next track on the EP, ‘Coming Home’, a no less epic house tune that calls the children of faith home to the church with the vocoder voice of the gods, shows that they listen to their disciples.
‘Mitzubishi’ by Tyson celebrates the holy sacrament of acid painting in chords that melt on the tongue like a lollipop over a ritual beat.
This is followed by Elektra, which has already provided highlights on the previous EPs. And this time too, her hypnotic acid anthem worms its way deep into the ear canals and brains of the trance-listening worshippers.
Shortly before the end, the church leaders return to deliver an abstract breakbeat hymn with ‘Waves Ov Power’, which, surrounded by numerous sample memories of house history, sings of the pure power of the acid ecstasy techno religion.
Finally, THEE CHURCH OV ACID HOUSE disciples are dismissed from the service with a powerful hymn of distorted bass drums, namely Random Noise Generator's ‘SM 58’ in the T.C.O.A.H. Schranz remix - a track that will give the inspired followers of the CHURCH OV ACID HOUSE enough strength to spread the happy acid message throughout the land.
Amen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
KNARFMITTE KILLRELLÖM - Kipp das Acid in den Synth
2
KNARFMITTE KILLRELLÖM - Du fandst' doch immer alles scheiße
Format: 7inch
Tracklist:
A1 Kipp das Acid in den Synth
B1 Du fandst' doch immer alles scheiße
Promo Text:
In the winter of 23/24, Friedrich Greiling a.k.a. MitteKill and Knarf Rellöm met up in a small village near Rathenow to record music, chop wood and go for walks together. They experimented with drum n' bass and acid and invented the Neptunsche Schule along the way. The result is this single with the songs "Tu das Acid in den Synth" and „Du fandst' doch immer alles Scheiße!" Things are moving forward.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Kipp das Acid in den Synth
B1 Du fandst' doch immer alles scheiße
Promo Text:
In the winter of 23/24, Friedrich Greiling a.k.a. MitteKill and Knarf Rellöm met up in a small village near Rathenow to record music, chop wood and go for walks together. They experimented with drum n' bass and acid and invented the Neptunsche Schule along the way. The result is this single with the songs "Tu das Acid in den Synth" and „Du fandst' doch immer alles Scheiße!" Things are moving forward.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
devi g. - EDEN 123 (SUNDAY CLUB)
2
devi g. - CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX)
3
devi g. - HOLISTIC HEAVEN (INTERNATIONAL)
4
devi g. - FREQUENCY OV TRUTH
Tracklist 12":
A1 EDEN 123 (SUNDAY CLUB)
A2 CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX)
B1 HOLISTIC HEAVEN (INTERNATIONAL)
B2 FREQUENCY OV TRUTH
In the annals of German techno history of the early 90s, Mannheim's Milk Club was always something like the dirty little brother between Berlin's Tresor and Frankfurt's Omen - not as cocky as the two big siblings, but secretly all the more clever. Less pretentious than the Äppelwoi metropolis, less dirty than the capital and, despite squaring the circle, less straightforward than both together. Instead, they delight with breakdancers of almost Wigan Casino-like elegance. Very British, even in the musical mix of house, techno and breakbeats, breakbeats, breakbeats. A club like a kind of mother raising the nightclubbers with her milk.
Devi g. pay tribute to this club with their MILK EP. on Pudel Produkte.
Devi g. are Dirk Mantei aka Dman (DJ and former manager of the Milk Club) and Oliver Bradford (one half of Thee Church Ov Acid House and resident DJ at the equally legendary Brückenkopf parties in Mainz). Pudel Produkte because, well, Golden Pudel Club - Legend binding.
A four-part promenade mix is on offer that has it all. It contains house, techno and, yes, breakbeats, breakbeats, breakbeats.
There are:
EDEN 123 (SUNDAY CLUB):
a light-footed breakbeat ride across psylocibin-laden summer meadows, driven by pyromaniac shamanistic power.
CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX):
which wraps the rave classic We are i.e. around a sheet metal framework of breakbeats, drenching it in acid-soaked bass waves.
HOLISTIC HEAVEN (INTERNATIONAL):
where vacuum cleaner-carrying milk droids perform unheard-of rituals in the low-frequency forest before one of the finest 303 melodies dissolves everything into bliss.
FREQUENCY OV TRUTH:
which invites you to techno dance with a blunt droning bass drum and then stimulates your ov power with a back and forth twirling acid sequence.
Four tracks that transfer the milk legend into the 21st century with 90s-inspired rave finesse.
Dross for the posse. Or as the connoisseur says: effervescent tablet in the brain, highly recommended!
And did I mention the breakbeats?
Tim Lorenz aka Superdefekt
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 EDEN 123 (SUNDAY CLUB)
A2 CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX)
B1 HOLISTIC HEAVEN (INTERNATIONAL)
B2 FREQUENCY OV TRUTH
In the annals of German techno history of the early 90s, Mannheim's Milk Club was always something like the dirty little brother between Berlin's Tresor and Frankfurt's Omen - not as cocky as the two big siblings, but secretly all the more clever. Less pretentious than the Äppelwoi metropolis, less dirty than the capital and, despite squaring the circle, less straightforward than both together. Instead, they delight with breakdancers of almost Wigan Casino-like elegance. Very British, even in the musical mix of house, techno and breakbeats, breakbeats, breakbeats. A club like a kind of mother raising the nightclubbers with her milk.
Devi g. pay tribute to this club with their MILK EP. on Pudel Produkte.
Devi g. are Dirk Mantei aka Dman (DJ and former manager of the Milk Club) and Oliver Bradford (one half of Thee Church Ov Acid House and resident DJ at the equally legendary Brückenkopf parties in Mainz). Pudel Produkte because, well, Golden Pudel Club - Legend binding.
A four-part promenade mix is on offer that has it all. It contains house, techno and, yes, breakbeats, breakbeats, breakbeats.
There are:
EDEN 123 (SUNDAY CLUB):
a light-footed breakbeat ride across psylocibin-laden summer meadows, driven by pyromaniac shamanistic power.
CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX):
which wraps the rave classic We are i.e. around a sheet metal framework of breakbeats, drenching it in acid-soaked bass waves.
HOLISTIC HEAVEN (INTERNATIONAL):
where vacuum cleaner-carrying milk droids perform unheard-of rituals in the low-frequency forest before one of the finest 303 melodies dissolves everything into bliss.
FREQUENCY OV TRUTH:
which invites you to techno dance with a blunt droning bass drum and then stimulates your ov power with a back and forth twirling acid sequence.
Four tracks that transfer the milk legend into the 21st century with 90s-inspired rave finesse.
Dross for the posse. Or as the connoisseur says: effervescent tablet in the brain, highly recommended!
And did I mention the breakbeats?
Tim Lorenz aka Superdefekt
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rotte - Fliege gegen Scheibe
2
Rotte - Butterbrot und Peitsche
3
Rotte - Gaffa, Farbe und Zustimmung
4
Rotte - Autosuggestion
5
Rotte - Deichtorhallen
6
Rotte - Dunkelwach
Tracklist 12":
A1 Fliege gegen Scheibe
A2 Butterbrot und Peitsche
A3 Gaffa, Farbe und Zustimmung
B1 Autosuggestion
B2 Deichtorhallen
B3 Dunkelwach
Info:
After 3 individual pieces on the Hamburg label PUDEL PRODUKTE, the longplaying work of the man from the Pension Stammheim is finally released. It quickly becomes clear that this is a real capacity record: 6 (on vinyl) or 8 pieces (on electricity) from the cosmos of a man who means business. You can already tell by the fact that the record is only called ROTTE and not something else. Rotte makes ROTTE and nothing named, nothing labelled, nothing carefree commodes and prisoners certainly not.
It is relatively easy to approach ROTTE. Just listen and do nothing else. No, nothing. Nothing at all. Don't give away flowers, smoke cows, talk yourself or listen to the net. Don't try to get out of the Bermuda Triangle in the process! Concentrate as if you were reading a book by Suhrkamp. Be action-less in the here and jazz. Beat the six kinds of wood out of the coffin and leave only the steel screws!
Take Rotte and ROTTE seriously. Man and work. With him, though, black is absolutely a colour. My ketamine is my petrol. First Takes only. Drilling without Club of Gore. Undisputed truth. No Lounge. The lyrics on Rotte are not a party.
It might seem a bit TOO colourless, a bit TOO intense, a bit TOO hard and dark. Too much psycho-babble. But the songs bring it and you. They are designed in such a way that nothing else works during them. Nobody would think of peeling an egg at Russian roulette. That's how you have to see it.
The songs were musically supervised by Jörn Elling Wuttke and Oliver Bradford (Thee Church Ov Acid House), by DIE NERVEN producer Ralv Milberg, by Douglas Creed (BPitch Control + Freude am Tanzen), Boris Nielsen (Käptn Peng) and Peter Armster.
There is a congenial mutual autocorrection between lyrics and music. Individually, this cannot be heard and it is not offered. By the way, you don't hear anything else at the Federal Criminal Police Office at the moment. So please.
A1 Fliege gegen Scheibe
Written & produced by Oliver Bradford, Jörn Elling Wuttke, Christian Rottler
Lyrics: Christian Rottler
A2 Butterbrot und Peitsche
Written & produced by Peter Armster, Christian Rottler
Lyrics: Christian Rottler
A3 Gaffa, Farbe und Zustimmung
Written & produced Jörn Elling Wuttke, Christian Rottler
Lyrics: Christian Rottler
B1 Autosuggestion
Written by Boris Nielsen, Christian Rottler, produced by Boris Nielsen, Marc Eggert
Lyrics: Christian Rottler
B2 Deichtorhallen
Written & produced by Oliver Bradford, Jörn Elling Wuttke und Christian Rottler
Lyrics: Christian Rottler
B3 Dunkelwach
Written by Mario Willms, Christian Rottler, produced by Mario Willms
Lyrics: Christian Rottler
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Fliege gegen Scheibe
A2 Butterbrot und Peitsche
A3 Gaffa, Farbe und Zustimmung
B1 Autosuggestion
B2 Deichtorhallen
B3 Dunkelwach
Info:
After 3 individual pieces on the Hamburg label PUDEL PRODUKTE, the longplaying work of the man from the Pension Stammheim is finally released. It quickly becomes clear that this is a real capacity record: 6 (on vinyl) or 8 pieces (on electricity) from the cosmos of a man who means business. You can already tell by the fact that the record is only called ROTTE and not something else. Rotte makes ROTTE and nothing named, nothing labelled, nothing carefree commodes and prisoners certainly not.
It is relatively easy to approach ROTTE. Just listen and do nothing else. No, nothing. Nothing at all. Don't give away flowers, smoke cows, talk yourself or listen to the net. Don't try to get out of the Bermuda Triangle in the process! Concentrate as if you were reading a book by Suhrkamp. Be action-less in the here and jazz. Beat the six kinds of wood out of the coffin and leave only the steel screws!
Take Rotte and ROTTE seriously. Man and work. With him, though, black is absolutely a colour. My ketamine is my petrol. First Takes only. Drilling without Club of Gore. Undisputed truth. No Lounge. The lyrics on Rotte are not a party.
It might seem a bit TOO colourless, a bit TOO intense, a bit TOO hard and dark. Too much psycho-babble. But the songs bring it and you. They are designed in such a way that nothing else works during them. Nobody would think of peeling an egg at Russian roulette. That's how you have to see it.
The songs were musically supervised by Jörn Elling Wuttke and Oliver Bradford (Thee Church Ov Acid House), by DIE NERVEN producer Ralv Milberg, by Douglas Creed (BPitch Control + Freude am Tanzen), Boris Nielsen (Käptn Peng) and Peter Armster.
There is a congenial mutual autocorrection between lyrics and music. Individually, this cannot be heard and it is not offered. By the way, you don't hear anything else at the Federal Criminal Police Office at the moment. So please.
A1 Fliege gegen Scheibe
Written & produced by Oliver Bradford, Jörn Elling Wuttke, Christian Rottler
Lyrics: Christian Rottler
A2 Butterbrot und Peitsche
Written & produced by Peter Armster, Christian Rottler
Lyrics: Christian Rottler
A3 Gaffa, Farbe und Zustimmung
Written & produced Jörn Elling Wuttke, Christian Rottler
Lyrics: Christian Rottler
B1 Autosuggestion
Written by Boris Nielsen, Christian Rottler, produced by Boris Nielsen, Marc Eggert
Lyrics: Christian Rottler
B2 Deichtorhallen
Written & produced by Oliver Bradford, Jörn Elling Wuttke und Christian Rottler
Lyrics: Christian Rottler
B3 Dunkelwach
Written by Mario Willms, Christian Rottler, produced by Mario Willms
Lyrics: Christian Rottler
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
V / A - Thee Church Ov Acid House - Theme
2
V / A - Thee Orchyds - Neurotic Phunk*
3
V / A - Glow - Bhutan Acid
4
V / A - Elektra - Rave Mantra (Thee Church Ov Acid House RMX)
5
V / A - Northsyde - Higher!
6
V / A - Thee Church Ov Acid House feat. G. - Code Spirits
Tracklist 12":
A1 Thee Church Ov Acid House - Theme
A2 Thee Orchyds - Neurotic Phunk*
A3 Glow - Bhutan Acid
B1 Elektra - Rave Mantra (Thee Church Ov Acid House RMX)
B2 Northsyde - Higher!
B3 Thee Church Ov Acid House feat. G. - Code Spirits
Info:
This time he brings the second part of the, of course, undogmatic trinity of club EPs that form the catechism of their cult. And this, like the predecessor, is filled to the brim with paganistic mantras, rousing litanies of conversion and e.hrfearing hymns of worship.
Effortlessly, the acid priests and discord jockeys (from the Orchyds to Elektra and Buthan Acid to Northsyde and the Church Supremes themselves) summon up the old gods of the Summer of Love 1988 again in the e.lectrifying glow of the gilded dawn. Be it with ritualistic machine funk, hypnotic trance rhythms or rave pianos bubbling over with e.uphoria. Meandering acid tracks lead the cult followers through the dense breakbeat forest before they e.cstatically climb higher on the ladder to e.cognition on revealing sheep pasture.
Every track a star,
Love is the law,
9303.
Or as Sergeant Howie would say:
"Bloody Pagans!
All Tracks are written by - Thee Church Ov Acid House - (Oliver Bradford. Jörn Elling Wuttke)
Klangfabrik Frankfurt am Main 2021
Published by Copyright Control - Exept A2 Produced by Jörn Elling Wuttke
Oliver Bradford, Jörn Elling Wuttke by Courtesy of Vexed FM
Beat Poetry written and performed by Georg Heunoske
Mastered by Andreas Lubich
In Memory Ov Andrew Weatherall and Genesis P-Orridge
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Thee Church Ov Acid House - Theme
A2 Thee Orchyds - Neurotic Phunk*
A3 Glow - Bhutan Acid
B1 Elektra - Rave Mantra (Thee Church Ov Acid House RMX)
B2 Northsyde - Higher!
B3 Thee Church Ov Acid House feat. G. - Code Spirits
Info:
This time he brings the second part of the, of course, undogmatic trinity of club EPs that form the catechism of their cult. And this, like the predecessor, is filled to the brim with paganistic mantras, rousing litanies of conversion and e.hrfearing hymns of worship.
Effortlessly, the acid priests and discord jockeys (from the Orchyds to Elektra and Buthan Acid to Northsyde and the Church Supremes themselves) summon up the old gods of the Summer of Love 1988 again in the e.lectrifying glow of the gilded dawn. Be it with ritualistic machine funk, hypnotic trance rhythms or rave pianos bubbling over with e.uphoria. Meandering acid tracks lead the cult followers through the dense breakbeat forest before they e.cstatically climb higher on the ladder to e.cognition on revealing sheep pasture.
Every track a star,
Love is the law,
9303.
Or as Sergeant Howie would say:
"Bloody Pagans!
All Tracks are written by - Thee Church Ov Acid House - (Oliver Bradford. Jörn Elling Wuttke)
Klangfabrik Frankfurt am Main 2021
Published by Copyright Control - Exept A2 Produced by Jörn Elling Wuttke
Oliver Bradford, Jörn Elling Wuttke by Courtesy of Vexed FM
Beat Poetry written and performed by Georg Heunoske
Mastered by Andreas Lubich
In Memory Ov Andrew Weatherall and Genesis P-Orridge
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Speckman - Intro
2
Speckman - On the flip
3
Speckman - Beautiful Breakdance
4
Speckman - City Pop
5
Speckman - Parking lot dance
6
Speckman - Starships
7
Speckman - Return Ft. Sophia Kennedy
Tracklist 12":
A1 Intro
A2 On the flip
A3 Beautiful Breakdance
A4 City Pop
B1 Parking lot dance
B2 Starships
B3 Return Ft. Sophia Kennedy
Info:
PP40: Speckman - Beautifull Breakdance
Listening pays off. This is evident not least in the debut EP of Golden Pudel Club barman Paul Speckmann.
Long years behind the bar of the Hamburg club pub made him a willing listener to the numerous and diverse events there - from start to finish, something that very few "regular" clubbers can claim.
And these influences, from indie concert to electronica crunch, from jungle breakbeat massacre to dignified house groove, not only led to his varied DJ sets, with which Speckmann also made his house club happy, but certainly also served as inspiration for these wonderful tracks, which skil-fully oscillate between deep-dusty house, angereak indie dance and playful IDM jingling, often varying different elements in one track.
There is, for example, the delicately dreamy house hit "On The Flip", the latenight funk of "Star-ship", which would not be out of place on the Sunday MFOC floor, or the blurred indie ambient tune "Return", which captivates with campfire guitar and Sophia Kennedy on the vocals.
And these are just three of the seven tracks (or eight on the digital release) on the EP, none of which disappoint. Someone has listened carefully and learned his lessons. Chapeau!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Intro
A2 On the flip
A3 Beautiful Breakdance
A4 City Pop
B1 Parking lot dance
B2 Starships
B3 Return Ft. Sophia Kennedy
Info:
PP40: Speckman - Beautifull Breakdance
Listening pays off. This is evident not least in the debut EP of Golden Pudel Club barman Paul Speckmann.
Long years behind the bar of the Hamburg club pub made him a willing listener to the numerous and diverse events there - from start to finish, something that very few "regular" clubbers can claim.
And these influences, from indie concert to electronica crunch, from jungle breakbeat massacre to dignified house groove, not only led to his varied DJ sets, with which Speckmann also made his house club happy, but certainly also served as inspiration for these wonderful tracks, which skil-fully oscillate between deep-dusty house, angereak indie dance and playful IDM jingling, often varying different elements in one track.
There is, for example, the delicately dreamy house hit "On The Flip", the latenight funk of "Star-ship", which would not be out of place on the Sunday MFOC floor, or the blurred indie ambient tune "Return", which captivates with campfire guitar and Sophia Kennedy on the vocals.
And these are just three of the seven tracks (or eight on the digital release) on the EP, none of which disappoint. Someone has listened carefully and learned his lessons. Chapeau!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
VA - A1 Machines - Substanz
2
VA - A2 Ultra House - Chewing Gum
3
VA - A3 T.C.O.A.H. - Chapel Cottage
4
VA - B1 Elektra - Surprise
5
VA - B2 Tyson - G Phunk
6
VA - B3 Bachelor Kisses - Brighter than the Sun
Tracklist 12":
A1 Machines - Substanz
A2 Ultra House - Chewing Gum
A3 T.C.O.A.H. - Chapel Cottage
B1 Elektra - Surprise
B2 Tyson - G Phunk
B3 Bachelor Kisses - Brighter than the Sun
Info:
„Sounds like Burial who listened to Psychic TV instead of UK Garage. For me the best Pudel Produk-te so far, I'm thrilled. And you know me, I find a lot of things good, but only super cool super cool, best Pudel Produkte ever. How did you find them, do they come from Mainz or the surrounding area or what? Top record, I would also like to have it on vinyl for grandpa's cupboard“.
// Superdefekt
„The record sounds great!
This is the MFOC record, you can't get more MFOC than this.
Every track is awesome !!!!! It's on rotation here :))))"
// Rvds
„The Masterpiece, can only be topped by the Volume 2!"
// Ralf Köster
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Machines - Substanz
A2 Ultra House - Chewing Gum
A3 T.C.O.A.H. - Chapel Cottage
B1 Elektra - Surprise
B2 Tyson - G Phunk
B3 Bachelor Kisses - Brighter than the Sun
Info:
„Sounds like Burial who listened to Psychic TV instead of UK Garage. For me the best Pudel Produk-te so far, I'm thrilled. And you know me, I find a lot of things good, but only super cool super cool, best Pudel Produkte ever. How did you find them, do they come from Mainz or the surrounding area or what? Top record, I would also like to have it on vinyl for grandpa's cupboard“.
// Superdefekt
„The record sounds great!
This is the MFOC record, you can't get more MFOC than this.
Every track is awesome !!!!! It's on rotation here :))))"
// Rvds
„The Masterpiece, can only be topped by the Volume 2!"
// Ralf Köster
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 Carsten Erobique Meyer - Tatortreiniger Theme / Plaid Remix
A2 quadratschulz - gestalt / Lowfish Remix
B1 Cosmic Cars - Types / Thee Church Ov Acid House Remix
B2 Rosaceae - Zozan Cudî / John T. Gast Remix
Info:
A1
Carsten Meyer in the Plaid remix
The Black Dog remix of Lalo Schifrin's "Bullitt": That was the wishful thinking directed at Plaid and what comes from England without customs? A Groovy Shizzel ;)
A2
quadratschulz in the Lowfish remix
Everything from Suction / Canada is THE nerd shit! Richard D. James likes to borrow something analog from them, e.g. a Yamaha cs5, see SAW2 album cover.
B1
Cosmic Cars in Thee Church Ov Acid House remix.
Since the cosmic highway was tarred by 47IN4 & RVDS, a freeway church had to be built. A mysteri-ous sect from Frankfurt took pity and acidjunglete the exit.
B2
Rosaceae in the John T. Gast remix Visit Europe, this is possible there.
Cover: Alex "Alex Solman“ Solman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Carsten Erobique Meyer - Tatortreiniger Theme / Plaid Remix
A2 quadratschulz - gestalt / Lowfish Remix
B1 Cosmic Cars - Types / Thee Church Ov Acid House Remix
B2 Rosaceae - Zozan Cudî / John T. Gast Remix
Info:
A1
Carsten Meyer in the Plaid remix
The Black Dog remix of Lalo Schifrin's "Bullitt": That was the wishful thinking directed at Plaid and what comes from England without customs? A Groovy Shizzel ;)
A2
quadratschulz in the Lowfish remix
Everything from Suction / Canada is THE nerd shit! Richard D. James likes to borrow something analog from them, e.g. a Yamaha cs5, see SAW2 album cover.
B1
Cosmic Cars in Thee Church Ov Acid House remix.
Since the cosmic highway was tarred by 47IN4 & RVDS, a freeway church had to be built. A mysteri-ous sect from Frankfurt took pity and acidjunglete the exit.
B2
Rosaceae in the John T. Gast remix Visit Europe, this is possible there.
Cover: Alex "Alex Solman“ Solman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rosaceae - A1 - Mizgi^n
2
Rosaceae - A2 - They are so afraid they begin to shake
3
Rosaceae - A3 - I'll be back soon
4
Rosaceae - A4 - Another One
5
Rosaceae - B1 - Being strong is hard
6
Rosaceae - B2 - Powerful Actors
7
Rosaceae - B3 - Internationalism
8
Rosaceae - B4 - Beri^tan
Tracklist 12":
A1 Rosaceae - Mizgi^n
A2 Rosaceae - They are so afraid they begin to shake
A3 Rosaceae - I'll be back soon
A4 Rosaceae - Another One
B1 Rosaceae - Being strong is hard
B2 Rosaceae - Powerful Actors
B3 Rosaceae - Internationalism
B4 Rosaceae - Beri^tan
Info:
»DNA« is Rosaceae’s second album for Pudel Produkte after last year’s acclaimed »Efia« for the Hamburg label. The eight tracks further explore the artist’s interest in the interplay of sound and language while also adding skittering rhythms and thumping kickdrums to the mix. »DNA« is a complex but enriching album that as a whole not only reflects ideas of resistance, solidarity and internationalism, but also how they are mediated and their meanings are shaped by different types of mediation. Whether Rosaceae seems to mimic the sound of rapid machine gun fire, indulges in gabber-informed beats or soothing, tinkling ambient sounds: by the end of the album the sonic experience could as much provide solace as it may be understood as an elegy, it has become abundantly clear that even the most straightforward usages of certain musical elements or statements on this album are more complex than they may seem at first. Much like »Efia,« »DNA« poses uneasy questi-ons but provides no easy answers—neither in sound nor in language.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Rosaceae - Mizgi^n
A2 Rosaceae - They are so afraid they begin to shake
A3 Rosaceae - I'll be back soon
A4 Rosaceae - Another One
B1 Rosaceae - Being strong is hard
B2 Rosaceae - Powerful Actors
B3 Rosaceae - Internationalism
B4 Rosaceae - Beri^tan
Info:
»DNA« is Rosaceae’s second album for Pudel Produkte after last year’s acclaimed »Efia« for the Hamburg label. The eight tracks further explore the artist’s interest in the interplay of sound and language while also adding skittering rhythms and thumping kickdrums to the mix. »DNA« is a complex but enriching album that as a whole not only reflects ideas of resistance, solidarity and internationalism, but also how they are mediated and their meanings are shaped by different types of mediation. Whether Rosaceae seems to mimic the sound of rapid machine gun fire, indulges in gabber-informed beats or soothing, tinkling ambient sounds: by the end of the album the sonic experience could as much provide solace as it may be understood as an elegy, it has become abundantly clear that even the most straightforward usages of certain musical elements or statements on this album are more complex than they may seem at first. Much like »Efia,« »DNA« poses uneasy questi-ons but provides no easy answers—neither in sound nor in language.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Cosmic Cars - A1 Cosmic Cars - Autoradio
2
Cosmic Cars - A2 Cosmic Cars - Triangulum drive
3
Cosmic Cars - B1 Cosmic Cars - Types
4
Cosmic Cars - B2 Cosmic Cars - Stadtfahrt
Tracklist 12":
A1 Cosmic Cars - Autoradio
A2 Cosmic Cars - Triangulum drive
B1 Cosmic Cars - Types
B2 Cosmic Cars - Stadtfahrt
Info:
Pudel Produkte boldly strides from strengh to strenth.
The enigmatic 47IN4 and RVDS (Pudel Produkte, Smallville, Bureau B) have coalesced as Cosmic Car, with one spontaneous gig under their belt with Börft’s Erik Jäähalli at the Golden Pudel and their debut release, Pudel Produkte 35.
Cradling tonality, detuned dischordant melodies which drift in and out of your subconcious, rhythms that collapse on themselves. The duo provide a record that floats between creeping acid and Mu-sique Concreté.
A delicate touch made with a unique use of tape machines, radio, and traditional techno hardware, it is pure sonic alchemy.
Artwork courtesy of the genius, Alex Solman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Cosmic Cars - Autoradio
A2 Cosmic Cars - Triangulum drive
B1 Cosmic Cars - Types
B2 Cosmic Cars - Stadtfahrt
Info:
Pudel Produkte boldly strides from strengh to strenth.
The enigmatic 47IN4 and RVDS (Pudel Produkte, Smallville, Bureau B) have coalesced as Cosmic Car, with one spontaneous gig under their belt with Börft’s Erik Jäähalli at the Golden Pudel and their debut release, Pudel Produkte 35.
Cradling tonality, detuned dischordant melodies which drift in and out of your subconcious, rhythms that collapse on themselves. The duo provide a record that floats between creeping acid and Mu-sique Concreté.
A delicate touch made with a unique use of tape machines, radio, and traditional techno hardware, it is pure sonic alchemy.
Artwork courtesy of the genius, Alex Solman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 quadratschulz - I Don’t Believe (Move D Remix)
A2 quadratschulz - Duke Of Sealand (Future Beat Alliance Remix)
B1 quadratschulz - I Don‘t Believe (Sheep On Acid Remix by RVDS)
Info:
The original EP already was a feast for sore ears, but these remixes shine even brighter. A meeting of legends is happening on the vinyl version with interpretations by RVDS aka Richard von der Schulen-burg, IDM-veterans Future Beat Alliance and - a name which needs no introduction - Move D.
RVDS uses a quick 303-flavour paired with ritual flutes from Tibet in Melodica style and bleating Rave Sheeps, while Move D goes down a dreamy acid route, freely roaming through the widely reverberat-ing halls and floors of deep house. And Future Beat Alliance presents a deep, deep oomph of down-beat electronica for the later hours. (Superdefekt)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 quadratschulz - I Don’t Believe (Move D Remix)
A2 quadratschulz - Duke Of Sealand (Future Beat Alliance Remix)
B1 quadratschulz - I Don‘t Believe (Sheep On Acid Remix by RVDS)
Info:
The original EP already was a feast for sore ears, but these remixes shine even brighter. A meeting of legends is happening on the vinyl version with interpretations by RVDS aka Richard von der Schulen-burg, IDM-veterans Future Beat Alliance and - a name which needs no introduction - Move D.
RVDS uses a quick 303-flavour paired with ritual flutes from Tibet in Melodica style and bleating Rave Sheeps, while Move D goes down a dreamy acid route, freely roaming through the widely reverberat-ing halls and floors of deep house. And Future Beat Alliance presents a deep, deep oomph of down-beat electronica for the later hours. (Superdefekt)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
quadratschulz - A1 quadratschulz - Duke Of Sealand
2
quadratschulz - A2 quadratschulz - gestalt
3
quadratschulz - B1 quadratschulz - Telegramm
4
quadratschulz - B2 quadratschulz - I Don't Believe
Tracklist 12":
A1 quadratschulz - Duke Of Sealand
A2 quadratschulz - gestalt
B1 quadratschulz - Telegramm
B2 quadratschulz - I Don't Believe
Info:
Pudel Produkte 33 is like a time machine back to homely MFOC ages when Rephlex' very own IG-88 used to be a resident at this very Hamburg club and MFOC-promoter Raf jokingly insulted Richard D. James (with the Aphex Twin standing right behind him, mind you). Blessed times indeed, which quad-ratschulz perfectly emulates with his exquisitely constructed aural body made of braindancing melan-cholodies and thrilling electro boogie. Ralf & Florian meet AFX in an elevator and do have some sto-ries to share. An EP so good you are asking yourself if the upcoming Remix EP can top that (hint: it can). Meanwhile, the dancefloor dictator issues a strict buying order! (Superdefekt)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 quadratschulz - Duke Of Sealand
A2 quadratschulz - gestalt
B1 quadratschulz - Telegramm
B2 quadratschulz - I Don't Believe
Info:
Pudel Produkte 33 is like a time machine back to homely MFOC ages when Rephlex' very own IG-88 used to be a resident at this very Hamburg club and MFOC-promoter Raf jokingly insulted Richard D. James (with the Aphex Twin standing right behind him, mind you). Blessed times indeed, which quad-ratschulz perfectly emulates with his exquisitely constructed aural body made of braindancing melan-cholodies and thrilling electro boogie. Ralf & Florian meet AFX in an elevator and do have some sto-ries to share. An EP so good you are asking yourself if the upcoming Remix EP can top that (hint: it can). Meanwhile, the dancefloor dictator issues a strict buying order! (Superdefekt)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Death Circuit - A1 - Storm Dub
2
Death Circuit feat. Raf & Das Bo - B1 - Teeparty am Waldbrand
Tracklist 12":
A1 Death Circuit - Storm Dub
B1 Death Circuit feat. Raf & Das Bo - Teeparty am Waldbrand
Release Info:
Hey Existeers!
The new Pudel Produkte release has arrived!
This time, it’s more like a record for yellow press readers – due to the high celebrity density on the two tracks! First, there’s Richard Fearless. The guy has been on the “Mission Impossible” soundtrack and he was famous in New York and London as DEATH IN VEGAS. He composed the music on this record and recorded it together with the slackers of Circuit Diagram, which is why the project was aptly named DEATH CIRCUIT. That’s logical, that’s correct, excellent!
One track of theirs is called “Strom Dub”, and the full length of it has been pressed onto the A-Side of the record. It sounds like Synthesizer music usually sounds: Sexy and warm and cold. The tears of technology dripping onto your head for eight and a half minutes while the spirit of the 80s sneaks in through the back door.
Like the B-Side, this track is a grower, a slow creeper you’ll want to hear again and again. Ac-cording to science, this is just what the people need in these days of unhealthy acceleration. And yes, the B-Side: There’s the track “Teeparty am Waldbrand” which translates to “Tea Party at the Forest Fire”, and it features the fat-mouthed DAS BO and RALF KÖSTER. Trust us, it’s just as hard for native speakers to decipher what they’re saying, but we were assured there’s even a “political dimension” to the track, so I guess we’ll have to listen again. Soundwise it’s a beautifully clut-tered mess, a cold wave sprinkled with bizarre brittle that lures you out into nature.
Ah yes, Pudel Produkte – it’s still minority music from the planet of the apes for people that know where to go, and that is elsewhere than the others.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Death Circuit - Storm Dub
B1 Death Circuit feat. Raf & Das Bo - Teeparty am Waldbrand
Release Info:
Hey Existeers!
The new Pudel Produkte release has arrived!
This time, it’s more like a record for yellow press readers – due to the high celebrity density on the two tracks! First, there’s Richard Fearless. The guy has been on the “Mission Impossible” soundtrack and he was famous in New York and London as DEATH IN VEGAS. He composed the music on this record and recorded it together with the slackers of Circuit Diagram, which is why the project was aptly named DEATH CIRCUIT. That’s logical, that’s correct, excellent!
One track of theirs is called “Strom Dub”, and the full length of it has been pressed onto the A-Side of the record. It sounds like Synthesizer music usually sounds: Sexy and warm and cold. The tears of technology dripping onto your head for eight and a half minutes while the spirit of the 80s sneaks in through the back door.
Like the B-Side, this track is a grower, a slow creeper you’ll want to hear again and again. Ac-cording to science, this is just what the people need in these days of unhealthy acceleration. And yes, the B-Side: There’s the track “Teeparty am Waldbrand” which translates to “Tea Party at the Forest Fire”, and it features the fat-mouthed DAS BO and RALF KÖSTER. Trust us, it’s just as hard for native speakers to decipher what they’re saying, but we were assured there’s even a “political dimension” to the track, so I guess we’ll have to listen again. Soundwise it’s a beautifully clut-tered mess, a cold wave sprinkled with bizarre brittle that lures you out into nature.
Ah yes, Pudel Produkte – it’s still minority music from the planet of the apes for people that know where to go, and that is elsewhere than the others.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rocacceae - A1 Efia
2
Rocacceae - A2 Bakûr
3
Rocacceae - A3 Kasa me h?
4
Rocacceae - A4 Rocacceae - Lamiya
5
Rocacceae - B1 Im Dunkeln
6
Rocacceae - B2 Six years old child
7
Rocacceae - B3 Dîlan
8
Rocacceae - B4. Çiya
Tracklist LP:
A1 Rosaceae- Efia
A2 Rosaceae - Bakûr
A3 Rosaceae - Kasa me h?
A4 Rosaceae - Lamiya
B1 Rosaceae - Im Dunkeln
B2 Rosaceae - Six years old child
B3 Rosaceae - Dîlan
B4 Rosaceae - Çiya
Info:
»Efia,« the sophomore album by Rosaceae, picks up where the Hamburg-based sound artist’s 2019 debut on Neoprimitive left off, further exploring the topics that had already informed »Nadia’s Es- cape«. From its confrontative front cover to the eight tracks on the album, »Efia« is fully dedicated to the motif of resistance, but does not exhaust itself in polemics. Rather, it masterfully translates the complexities of its underlying central themes into a visceral narrative.
»Efia« was originally conceived as a commissioned work for the 2019 edition of Hamburg’s Noise- xistance festival and departed from a sentence uttered in the British 1980s TV show »Sapphire & Steel« which inspired cultural theorist Mark Fisher in his analysis of what he had coined »hauntolo-
gy,« a term originally coined by the Algerian-French philosopher Jacques Derrida in the early 1990s: »There is no time here, not anymore.«
The album again showcases Rosaceae’s knack for combining abstract experimental sound art with a form of storytelling that had already been at the centre of »Nadia’s Escape« and which relies on both verbal and musical means of giving a voice to the voiceless. The disembodied voice of - amongst others - Jesseline Preach and manipulated vocal samples blend in with dense soundscapes, elements of Neue Musik and occasional pure harsh noise. It’s a mix that deliberately puts different artistic tradi-tions into a dialogue with each other: the hallmarks of European salon culture are con- fronted with Kurdish wedding music and the unnerving loop of someone demanding a »Zugabe« (»encore«).
Thus, »Efia« not only blurs the lines between cultural and regional traditions, but also conjures up the ghosts of a past, ghosts that are more than ready to haunt the timeless present trying so hard to repress the atrocities happening at its fringes. As a whole, this makes »Efia« both a chilling work of sound art and a vibrant political statement fuelled by burning hot energy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Rosaceae- Efia
A2 Rosaceae - Bakûr
A3 Rosaceae - Kasa me h?
A4 Rosaceae - Lamiya
B1 Rosaceae - Im Dunkeln
B2 Rosaceae - Six years old child
B3 Rosaceae - Dîlan
B4 Rosaceae - Çiya
Info:
»Efia,« the sophomore album by Rosaceae, picks up where the Hamburg-based sound artist’s 2019 debut on Neoprimitive left off, further exploring the topics that had already informed »Nadia’s Es- cape«. From its confrontative front cover to the eight tracks on the album, »Efia« is fully dedicated to the motif of resistance, but does not exhaust itself in polemics. Rather, it masterfully translates the complexities of its underlying central themes into a visceral narrative.
»Efia« was originally conceived as a commissioned work for the 2019 edition of Hamburg’s Noise- xistance festival and departed from a sentence uttered in the British 1980s TV show »Sapphire & Steel« which inspired cultural theorist Mark Fisher in his analysis of what he had coined »hauntolo-
gy,« a term originally coined by the Algerian-French philosopher Jacques Derrida in the early 1990s: »There is no time here, not anymore.«
The album again showcases Rosaceae’s knack for combining abstract experimental sound art with a form of storytelling that had already been at the centre of »Nadia’s Escape« and which relies on both verbal and musical means of giving a voice to the voiceless. The disembodied voice of - amongst others - Jesseline Preach and manipulated vocal samples blend in with dense soundscapes, elements of Neue Musik and occasional pure harsh noise. It’s a mix that deliberately puts different artistic tradi-tions into a dialogue with each other: the hallmarks of European salon culture are con- fronted with Kurdish wedding music and the unnerving loop of someone demanding a »Zugabe« (»encore«).
Thus, »Efia« not only blurs the lines between cultural and regional traditions, but also conjures up the ghosts of a past, ghosts that are more than ready to haunt the timeless present trying so hard to repress the atrocities happening at its fringes. As a whole, this makes »Efia« both a chilling work of sound art and a vibrant political statement fuelled by burning hot energy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Felix Kubin - Nachtflug durch die Weltenfalte
2
Lena Willikens & Sarah Szczesny / Phanto - Fragment 1
3
Esmark - Menge ponge
4
Tintin Patrone - con papa` nel laboratorio
5
Asmus Tietchens - Der Heizer
6
Lena Willikens & Sarah Szczesny / Phanto - Fragment 2
7
Wolfgang Seidel & Ken Montgomery & Cryst - Confluence
8
Phuong-Dan - About Rhythmus
9
Jessica Broscheit & Mark Boombastik - ANOMALY
10
Carl & Sohn (Toben) - YES
11
RVDS - Conrad tanzt im Regen
12“ LP, limited, only 40 copies available
Tracklist 12":
A1 Felix Kubin - Nachtflug durch die Weltenfalte
A2 Lena Willikens & Sarah Szczesny / Phantom Con Ballett - Fragment 1
A3 Esmark - Menge ponge
A4 Tintin Patrone - con papa` nel laboratorio
A5 Asmus Tietchens - Der Heizer
A6 Lena Willikens & Sarah Szczesny / Phantom Con Ballett - Fragment 2
B1 Wolfgang Seidel & Ken Montgomery & Crystal Penalosa - Confluence
B2 Phuong-Dan - About Rhythmus
B3 Jessica Broscheit & Mark Boombastik - ANOMALY
B4 Carl & Sohn (Toben) - YES
B5 RVDS - Conrad tanzt im Regen
Short Info:
ERUPTION is an outburst of creaking energies, unconventional ideas, arhythmic thoughts, cacophonous images and musical phantasms. ERUPTION is also the name of the second album by Kluster, a band project of the musician and video artist Conrad Schnitzler, who died in 2011, together with his colleagues Dieter Moebius and Hans-Joachim Roedelius. ERUPTION was also the name of a two-day festival that took place in July 2018 at the Golden Pudel Club in Hamburg. For two days, artists and musicians from different generations and working in various fields met here, who were in one way or the other inspired by the comprehensive oeuvre Conrad Schnitzlers’, as well as by his free-spirited thoughts and actions. The result was a multi-faceted programme of concerts, performances, sound and video installations, which resulted in the release of these two special records on Pudel Produkte, the house-own label of the Golden Pudel Club. The single features a previously unreleased piece by Conrad Schnitzler & Ken Montgomery as well as a story told by Asmus Tietchens about his father and Schnitzler, who unwittingly crossed the Atlantic together on the steamboat Bornhofen in the late 1950s, one as an engineer, the other as a heater. The LP brings together the festival's invited artists, Schnitzler‘s contemporaries
such as Ken Montgomery, Wolfgang Seidel and Asmus Tietchens, as well as young artists who developed works especially for ERUPTION. Among them are Lena Willikens & Sarah Szczesny with fragments from their performance Phantom Con Ballet, the DJ Phuong-Dan who composed a musical collage from the poem About Rhythmus and rhythm studies by Schnitzler, a piece from the performance of Felix Kubin, who uses a light scanner and his modular synthesizer to convert graphic notation into sound, a theatrical sound piece by Carl & Sohn (also known as Les Trucs), the producer and DJ RVDS, who interacted with the piece Tanz im Regen by Conrad Schnitzler and many more. Initiated and curated by Nika Son, a musician and artist based in Hamburg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 Felix Kubin - Nachtflug durch die Weltenfalte
A2 Lena Willikens & Sarah Szczesny / Phantom Con Ballett - Fragment 1
A3 Esmark - Menge ponge
A4 Tintin Patrone - con papa` nel laboratorio
A5 Asmus Tietchens - Der Heizer
A6 Lena Willikens & Sarah Szczesny / Phantom Con Ballett - Fragment 2
B1 Wolfgang Seidel & Ken Montgomery & Crystal Penalosa - Confluence
B2 Phuong-Dan - About Rhythmus
B3 Jessica Broscheit & Mark Boombastik - ANOMALY
B4 Carl & Sohn (Toben) - YES
B5 RVDS - Conrad tanzt im Regen
Short Info:
ERUPTION is an outburst of creaking energies, unconventional ideas, arhythmic thoughts, cacophonous images and musical phantasms. ERUPTION is also the name of the second album by Kluster, a band project of the musician and video artist Conrad Schnitzler, who died in 2011, together with his colleagues Dieter Moebius and Hans-Joachim Roedelius. ERUPTION was also the name of a two-day festival that took place in July 2018 at the Golden Pudel Club in Hamburg. For two days, artists and musicians from different generations and working in various fields met here, who were in one way or the other inspired by the comprehensive oeuvre Conrad Schnitzlers’, as well as by his free-spirited thoughts and actions. The result was a multi-faceted programme of concerts, performances, sound and video installations, which resulted in the release of these two special records on Pudel Produkte, the house-own label of the Golden Pudel Club. The single features a previously unreleased piece by Conrad Schnitzler & Ken Montgomery as well as a story told by Asmus Tietchens about his father and Schnitzler, who unwittingly crossed the Atlantic together on the steamboat Bornhofen in the late 1950s, one as an engineer, the other as a heater. The LP brings together the festival's invited artists, Schnitzler‘s contemporaries
such as Ken Montgomery, Wolfgang Seidel and Asmus Tietchens, as well as young artists who developed works especially for ERUPTION. Among them are Lena Willikens & Sarah Szczesny with fragments from their performance Phantom Con Ballet, the DJ Phuong-Dan who composed a musical collage from the poem About Rhythmus and rhythm studies by Schnitzler, a piece from the performance of Felix Kubin, who uses a light scanner and his modular synthesizer to convert graphic notation into sound, a theatrical sound piece by Carl & Sohn (also known as Les Trucs), the producer and DJ RVDS, who interacted with the piece Tanz im Regen by Conrad Schnitzler and many more. Initiated and curated by Nika Son, a musician and artist based in Hamburg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rocko Schamoni - Ich und mein Pudel / Digitalism Remix
2
Rocko Schamoni - Ich und mein Pudel / FaltyDL Remix
3
Rocko Schamoni - Ich und mein Pudel / Brand Brauer Frick Remix
4
Rocko Schamoni - Ich und mein Pudel / Pulsinger & Irl Remix
Tracklist 12":
A1 Rocko Schamoni - Ich und mein Pudel / Digitalism Remix
A2 Rocko Schamoni - Ich und mein Pudel / FaltyDL Remix
B1 Rocko Schamoni - Ich und mein Pudel / Brand Brauer Frick Remix
B2 Rocko Schamoni - Ich und mein Pudel / Pulsinger & Irl Remix
Release Info:
Pudel Produkte UG Ltd. information
The Pudel Produkte UG announces, that they will now go along with it. They finally found time for future - just like the others.
But the others - They don't have him anyway: The Pudel. They have safes, hill forests, studios with numbers, power stations or factories, water gates, green valleys or rich beautiful ageless brits with mirrors and thousands of other cheap opportunities. Well. Whatdoweknow. We can only talk about the Pudel. This bare and pure creature. That poodle without an egg.
"Ich und mein Pudel" (Me and my poodle) is the name of the new anthem of our house written by the noble mould punk Rocko Schamoni. The original version on his album "Musik für Jugendliche" (music for teenagers) swings by in some quite bavarian hump-pattatata leather shorts. Alongside with that, a brass commando shows up in such a beyond comfy speed - it needs to lie down to wake up. All that is different, yet, of course, sick. But we all know: No Pudel may remain alone!
Therefore PUDEL PRODUKTE 30 is out now!
A fat 12" with remixes of:
DIGITALISM/ FALTY D/ BRAND BREWER FRICK/ PULSINGER & IRL. Cover by Alex Solman
Plus: many more remixes online. Its the Pudels online-coming out prom night - if you like. A win for the future - probably for sure.
PUDEL PRODUCTS
Always far away from the pack against the pack!
"Und in der Nacht unter den Sternen, sitz ich am Fluß, ich bin allein. Man kann mich nicht von hier entfernen, hier will ich sein."
R.S. (And at night under the stars, by the river, I am alone. You cant remove me, never will, cause i want to be here."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Rocko Schamoni - Ich und mein Pudel / Digitalism Remix
A2 Rocko Schamoni - Ich und mein Pudel / FaltyDL Remix
B1 Rocko Schamoni - Ich und mein Pudel / Brand Brauer Frick Remix
B2 Rocko Schamoni - Ich und mein Pudel / Pulsinger & Irl Remix
Release Info:
Pudel Produkte UG Ltd. information
The Pudel Produkte UG announces, that they will now go along with it. They finally found time for future - just like the others.
But the others - They don't have him anyway: The Pudel. They have safes, hill forests, studios with numbers, power stations or factories, water gates, green valleys or rich beautiful ageless brits with mirrors and thousands of other cheap opportunities. Well. Whatdoweknow. We can only talk about the Pudel. This bare and pure creature. That poodle without an egg.
"Ich und mein Pudel" (Me and my poodle) is the name of the new anthem of our house written by the noble mould punk Rocko Schamoni. The original version on his album "Musik für Jugendliche" (music for teenagers) swings by in some quite bavarian hump-pattatata leather shorts. Alongside with that, a brass commando shows up in such a beyond comfy speed - it needs to lie down to wake up. All that is different, yet, of course, sick. But we all know: No Pudel may remain alone!
Therefore PUDEL PRODUKTE 30 is out now!
A fat 12" with remixes of:
DIGITALISM/ FALTY D/ BRAND BREWER FRICK/ PULSINGER & IRL. Cover by Alex Solman
Plus: many more remixes online. Its the Pudels online-coming out prom night - if you like. A win for the future - probably for sure.
PUDEL PRODUCTS
Always far away from the pack against the pack!
"Und in der Nacht unter den Sternen, sitz ich am Fluß, ich bin allein. Man kann mich nicht von hier entfernen, hier will ich sein."
R.S. (And at night under the stars, by the river, I am alone. You cant remove me, never will, cause i want to be here."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Felix Kubin - Nachtflug durch die Weltenfalte
2
Lena Willikens & Sarah Szczesny / Phanto - Fragment 1
3
Esmark - Menge ponge
4
Tintin Patrone - con papa` nel laboratorio
5
Asmus Tietchens - Der Heizer
6
Lena Willikens & Sarah Szczesny / Phanto - Fragment 2
7
Wolfgang Seidel & Ken Montgomery & Cryst - Confluence
8
Phuong-Dan - About Rhythmus
9
Jessica Broscheit & Mark Boombastik - ANOMALY
10
Carl & Sohn (Toben) - YES
11
RVDS - Conrad tanzt im Regen
12
Conrad Schnitzler & Ken Montgomery - 27.8.87
13
Asmus Tietchens - Wilhelm Bornhofen
12“ LP + 7“, limited copies
Tracklist 12":
A1 Felix Kubin - Nachtflug durch die Weltenfalte
A2 Lena Willikens & Sarah Szczesny / Phantom Con Ballett - Fragment 1
A3 Esmark - Menge ponge
A4 Tintin Patrone - con papa` nel laboratorio
A5 Asmus Tietchens - Der Heizer
A6 Lena Willikens & Sarah Szczesny / Phantom Con Ballett - Fragment 2
B1 Wolfgang Seidel & Ken Montgomery & Crystal Penalosa - Confluence
B2 Phuong-Dan - About Rhythmus
B3 Jessica Broscheit & Mark Boombastik - ANOMALY
B4 Carl & Sohn (Toben) - YES
B5 RVDS - Conrad tanzt im Regen
Tracklist 7“:
A1 Conrad Schnitzler & Ken Montgomery - 27.8.87
B1 Asmus Tietchens - Wilhelm Bornhofen
Short Info:
ERUPTION is an outburst of creaking energies, unconventional ideas, arhythmic thoughts, cacophonous images and musical phantasms. ERUPTION is also the name of the second album by Kluster, a band project of the musician and video artist Conrad Schnitzler, who died in 2011, together with his colleagues Dieter Moebius and Hans-Joachim Roedelius. ERUPTION was also the name of a two-day festival that took place in July 2018 at the Golden Pudel Club in Hamburg. For two days, artists and musicians from different generations and working in various fields met here, who were in one way or the other inspired by the comprehensive oeuvre Conrad Schnitzlers’, as well as by his free-spirited thoughts and actions. The result was a multi-faceted programme of concerts, performances, sound and video installations, which resulted in the release of these two special records on Pudel Produkte, the house-own label of the Golden Pudel Club. The single features a previously unreleased piece by Conrad Schnitzler & Ken Montgomery as well as a story told by Asmus Tietchens about his father and Schnitzler, who unwittingly crossed the Atlantic together on the steamboat Bornhofen in the late 1950s, one as an engineer, the other as a heater. The LP brings together the festival's invited artists, Schnitzler‘s contemporaries
such as Ken Montgomery, Wolfgang Seidel and Asmus Tietchens, as well as young artists who developed works especially for ERUPTION. Among them are Lena Willikens & Sarah Szczesny with fragments from their performance Phantom Con Ballet, the DJ Phuong-Dan who composed a musical collage from the poem About Rhythmus and rhythm studies by Schnitzler, a piece from the performance of Felix Kubin, who uses a light scanner and his modular synthesizer to convert graphic notation into sound, a theatrical sound piece by Carl & Sohn (also known as Les Trucs), the producer and DJ RVDS, who interacted with the piece Tanz im Regen by Conrad Schnitzler and many more. Initiated and curated by Nika Son, a musician and artist based in Hamburg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 Felix Kubin - Nachtflug durch die Weltenfalte
A2 Lena Willikens & Sarah Szczesny / Phantom Con Ballett - Fragment 1
A3 Esmark - Menge ponge
A4 Tintin Patrone - con papa` nel laboratorio
A5 Asmus Tietchens - Der Heizer
A6 Lena Willikens & Sarah Szczesny / Phantom Con Ballett - Fragment 2
B1 Wolfgang Seidel & Ken Montgomery & Crystal Penalosa - Confluence
B2 Phuong-Dan - About Rhythmus
B3 Jessica Broscheit & Mark Boombastik - ANOMALY
B4 Carl & Sohn (Toben) - YES
B5 RVDS - Conrad tanzt im Regen
Tracklist 7“:
A1 Conrad Schnitzler & Ken Montgomery - 27.8.87
B1 Asmus Tietchens - Wilhelm Bornhofen
Short Info:
ERUPTION is an outburst of creaking energies, unconventional ideas, arhythmic thoughts, cacophonous images and musical phantasms. ERUPTION is also the name of the second album by Kluster, a band project of the musician and video artist Conrad Schnitzler, who died in 2011, together with his colleagues Dieter Moebius and Hans-Joachim Roedelius. ERUPTION was also the name of a two-day festival that took place in July 2018 at the Golden Pudel Club in Hamburg. For two days, artists and musicians from different generations and working in various fields met here, who were in one way or the other inspired by the comprehensive oeuvre Conrad Schnitzlers’, as well as by his free-spirited thoughts and actions. The result was a multi-faceted programme of concerts, performances, sound and video installations, which resulted in the release of these two special records on Pudel Produkte, the house-own label of the Golden Pudel Club. The single features a previously unreleased piece by Conrad Schnitzler & Ken Montgomery as well as a story told by Asmus Tietchens about his father and Schnitzler, who unwittingly crossed the Atlantic together on the steamboat Bornhofen in the late 1950s, one as an engineer, the other as a heater. The LP brings together the festival's invited artists, Schnitzler‘s contemporaries
such as Ken Montgomery, Wolfgang Seidel and Asmus Tietchens, as well as young artists who developed works especially for ERUPTION. Among them are Lena Willikens & Sarah Szczesny with fragments from their performance Phantom Con Ballet, the DJ Phuong-Dan who composed a musical collage from the poem About Rhythmus and rhythm studies by Schnitzler, a piece from the performance of Felix Kubin, who uses a light scanner and his modular synthesizer to convert graphic notation into sound, a theatrical sound piece by Carl & Sohn (also known as Les Trucs), the producer and DJ RVDS, who interacted with the piece Tanz im Regen by Conrad Schnitzler and many more. Initiated and curated by Nika Son, a musician and artist based in Hamburg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Perdu - Sacramento (Makèz remix)
3
Demuir - The 3nity returneth (Fouk remix)
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Detroit Swindle feat. Lorenz Rhode - Music for clubs (Perdu’s culture mix)
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Makèz - Random Visits (Demuir’s playboy edit)
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list :
A1 Fouk - Need my space (Detroit Swindle remix)
A2 Perdu - Sacramento (Makèz remix)
B1 Demuir - The 3nity returneth (Fouk remix)
B2 Detroit Swindle feat. Lorenz Rhode - Music for clubs (Perdu’s culture mix)
B3 Makèz - Random Visits (Demuir’s playboy edit)
Release Info:
It’s that time of the year again: we’re finishing our 6th year of Heist Recordings with our annual potpourri of remixes with this
year’s artists on ‘The Round up part VI’. This year, we’ve got a few really cool newcomers on the label like Demuir, Perdu and
Makèz, as well as label mainstays Fouk and yours truly delivering a great collection of remixes.
The EP starts off with label heads Detroit Swindle giving their high-energy take on Fouk’s ‘Need my Space’. They’ve chosen for
a stabby club version of the more introverted original, with different layers of synths building up alongside a pumping drum track
and a punchy Moog bassline. Check the break for a nice dreamy broken beat section before the track comes back into full
dancefloor madness.
Makèz have only just released their well-received debut EP and now they’re flanking Detroit Swindle on the A-side with their
remix of Perdu’s hit ‘Sacramento’. They replace the broken beat vibe of the original and instead go for a 4x4 track with a driving
bassline, warm pads and subtle placement of Perdu’s original elements.
On the B-side, we have Fouk reinterpreting Demuir’s take on Detroit Techno with their remix of ‘3nity returneth’. Their version is
a tom-heavy high-energy club track with a strong nod to the past, whilst still keeping that strong Fouk signature intact. They
mangle the vocal sample in a drunk and twisted break before setting the track back on fire with an extra acid line for good
measure.
The B2 goes to Perdu’s dreamy slow burning remix of Detroit Swindle’s classic house bomb ‘Music for clubs’. His version takes
the tempo down and dials the dreamy level up a notch. A mellow but punchy acid line and worldly synth hits give this remix it’s
cool twist and it’s a great showcase of Perdu’s view on the broad world of house music.
This year’s Round up finishes with Demuir’s trippy ‘playboy edit’ of ‘Random Visits’ by Makèz. He takes the vocal sample and
layers it behind a haunting string, dreamy keys and a steady groove. It’s got a funky vibe where Demuir’s knack for a good
groove fits perfectly with the fresh original.
The Round up is a special moment for us each year and we’re excited to share these reinterpretations of another year’s worth of
house from the world of Heist Recordings with you.
Yours Sincerely,
Lars & Maarten
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track list :
A1 Fouk - Need my space (Detroit Swindle remix)
A2 Perdu - Sacramento (Makèz remix)
B1 Demuir - The 3nity returneth (Fouk remix)
B2 Detroit Swindle feat. Lorenz Rhode - Music for clubs (Perdu’s culture mix)
B3 Makèz - Random Visits (Demuir’s playboy edit)
Release Info:
It’s that time of the year again: we’re finishing our 6th year of Heist Recordings with our annual potpourri of remixes with this
year’s artists on ‘The Round up part VI’. This year, we’ve got a few really cool newcomers on the label like Demuir, Perdu and
Makèz, as well as label mainstays Fouk and yours truly delivering a great collection of remixes.
The EP starts off with label heads Detroit Swindle giving their high-energy take on Fouk’s ‘Need my Space’. They’ve chosen for
a stabby club version of the more introverted original, with different layers of synths building up alongside a pumping drum track
and a punchy Moog bassline. Check the break for a nice dreamy broken beat section before the track comes back into full
dancefloor madness.
Makèz have only just released their well-received debut EP and now they’re flanking Detroit Swindle on the A-side with their
remix of Perdu’s hit ‘Sacramento’. They replace the broken beat vibe of the original and instead go for a 4x4 track with a driving
bassline, warm pads and subtle placement of Perdu’s original elements.
On the B-side, we have Fouk reinterpreting Demuir’s take on Detroit Techno with their remix of ‘3nity returneth’. Their version is
a tom-heavy high-energy club track with a strong nod to the past, whilst still keeping that strong Fouk signature intact. They
mangle the vocal sample in a drunk and twisted break before setting the track back on fire with an extra acid line for good
measure.
The B2 goes to Perdu’s dreamy slow burning remix of Detroit Swindle’s classic house bomb ‘Music for clubs’. His version takes
the tempo down and dials the dreamy level up a notch. A mellow but punchy acid line and worldly synth hits give this remix it’s
cool twist and it’s a great showcase of Perdu’s view on the broad world of house music.
This year’s Round up finishes with Demuir’s trippy ‘playboy edit’ of ‘Random Visits’ by Makèz. He takes the vocal sample and
layers it behind a haunting string, dreamy keys and a steady groove. It’s got a funky vibe where Demuir’s knack for a good
groove fits perfectly with the fresh original.
The Round up is a special moment for us each year and we’re excited to share these reinterpretations of another year’s worth of
house from the world of Heist Recordings with you.
Yours Sincerely,
Lars & Maarten
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bélver Yin - Relatos de Praga
2
Bélver Yin - Por Una No Clara Razón
3
Bélver Yin - Días de Infancia
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Bélver Yin - Decay
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Bélver Yin - La Vida Esta En Otra Parte
6
Bélver Yin - Faints
7
Bélver Yin - Atardecer
8
Bélver Yin - Otono
9
Bélver Yin - Petalos y Cenizas
Special remarks : LP with download code
Tracklist
1 Relatos de Praga
2 Por Una No Clara Razón
3 Días de Infancia
4 Decay
5 La Vida Esta En Otra Parte
6 Faints
7 Atardecer
8 Otonno
9 Petalos y Cenizas
Short info:
Bélver Yin's soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal.
While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (The Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after.
Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro's direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005.
A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1 Relatos de Praga
2 Por Una No Clara Razón
3 Días de Infancia
4 Decay
5 La Vida Esta En Otra Parte
6 Faints
7 Atardecer
8 Otonno
9 Petalos y Cenizas
Short info:
Bélver Yin's soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal.
While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (The Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after.
Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro's direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005.
A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Tiga & Hudson Mohawke feat. Channel Tres - Feel The Rush
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Tiga & Hudson Mohawke feat. Channel Tres - Feel The Rush (Honey Dijon Remix)
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Tiga & Hudson Mohawke feat. Channel Tres - Feel The Rush (Mr G’s Love Mantra)
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Tiga & Hudson Mohawke feat. Channel Tres - Feel The Rush (Johnny Aux Remix)
Tracklist:
A1 / Feel The Rush
A2 / Feel The Rush (Honey Dijon Remix)
B1 / Feel The Rush (Mr G’s Love Mantra)
B2 / Feel The Rush (Johnny Aux Remix)
Short Info
Tiga & Hudson Mohawke recently released their hit single 'Feel The Rush', featuring none-other-than Channel Tres. After landing in Tiga's recent Boiler Room set, Feel The Rush created a full-on ID frenzy prior to release. The original track harnesses a signature Tres vocal over a low-slung LMZgroove. Turbo have enlisted three dance music legends for the remix project : Honey Dijon, Mr. G, and Johnny Aux (of Paranoid London). Tech-house + Detroit techno + Acid House... just in time for summer 2024.
Key Selling Points
- Turbo debuts for Honey Dijon, Mr. G, and Channel Tres
- The first set of remixes from Tiga & Hudson Mohawke’s debut collaborative album - L’Ecstasy
- Early nod for song of the summer 2024
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 / Feel The Rush
A2 / Feel The Rush (Honey Dijon Remix)
B1 / Feel The Rush (Mr G’s Love Mantra)
B2 / Feel The Rush (Johnny Aux Remix)
Short Info
Tiga & Hudson Mohawke recently released their hit single 'Feel The Rush', featuring none-other-than Channel Tres. After landing in Tiga's recent Boiler Room set, Feel The Rush created a full-on ID frenzy prior to release. The original track harnesses a signature Tres vocal over a low-slung LMZgroove. Turbo have enlisted three dance music legends for the remix project : Honey Dijon, Mr. G, and Johnny Aux (of Paranoid London). Tech-house + Detroit techno + Acid House... just in time for summer 2024.
Key Selling Points
- Turbo debuts for Honey Dijon, Mr. G, and Channel Tres
- The first set of remixes from Tiga & Hudson Mohawke’s debut collaborative album - L’Ecstasy
- Early nod for song of the summer 2024
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
J.Wiltshire - DESklop (photomix)
2
J.Wiltshire - Laghan Pux
3
J.Wiltshire - Laghan Pux (Roy Of The Ravers Euro 303 Remix)
4
J.Wiltshire - Chained Release
5
J.Wiltshire - Summon Them
Following 12"s from Ricardo Tobar and MANASYt, the third
release on Tel Aviv's MUSAR welcomes rising UK star and
Super Hexagon label boss, J.Wiltshire.
The Laghan Pux EP finds Wiltshire sharing his psychedelic
electronic side and brings his versatile skills together, serving
up four completely different soundtracks.
The gleaming sci-fi gem 'DESklep' opens the EP as a pure
melodic IDM track loaded with Cornwall style while the bassheavy
title track 'Laghan Pux' is pumping as a dark & sharp
peak-time trippy beast.
Next up, the mysterious Roy of The Ravers, gives you an interpretation of what proper acid sounds like, whereas
'Chained Releases' takes you on a deep and hypnotic
adventure into space, full of warm guitar melodies and trancey
synths.
'Summon Them' closes the EP, an ambient magic piece for a
hazy, orange morning where the birds just woke up and the
trees singing for the first time to break the day.
Tracklist 12":
A1. DESklop (photomix) / 03:59
A2. Laghan Pux / 04:25
B1. Laghan Pux (Roy Of The Ravers Euro 303 Remix) / 06:07
B2. Chained Release / 04:27
B3. Summon Them / 02:58
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
release on Tel Aviv's MUSAR welcomes rising UK star and
Super Hexagon label boss, J.Wiltshire.
The Laghan Pux EP finds Wiltshire sharing his psychedelic
electronic side and brings his versatile skills together, serving
up four completely different soundtracks.
The gleaming sci-fi gem 'DESklep' opens the EP as a pure
melodic IDM track loaded with Cornwall style while the bassheavy
title track 'Laghan Pux' is pumping as a dark & sharp
peak-time trippy beast.
Next up, the mysterious Roy of The Ravers, gives you an interpretation of what proper acid sounds like, whereas
'Chained Releases' takes you on a deep and hypnotic
adventure into space, full of warm guitar melodies and trancey
synths.
'Summon Them' closes the EP, an ambient magic piece for a
hazy, orange morning where the birds just woke up and the
trees singing for the first time to break the day.
Tracklist 12":
A1. DESklop (photomix) / 03:59
A2. Laghan Pux / 04:25
B1. Laghan Pux (Roy Of The Ravers Euro 303 Remix) / 06:07
B2. Chained Release / 04:27
B3. Summon Them / 02:58
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Giammarco Orsini - Whirlwind
2
Hiver - The Frontier
3
Sam Goku - Lucid Oscillation
4
Jonny Rock - Legenda
5
Dobao - Oceano
6
Thanksmate - Take A Chance
GENRE/S: Electronic, House, Acid, Breakbeat
TRACKLISTS:
Side A
Giammarco Orsini - Whirlwind
Hiver - The Frontier
Sam Goku - Lucid Oscillation
SIDE B
Jonny Rock - Legenda
Dobao - Oceano
Thanksmate - Take A Chance
SHORT INFO:
‘Sunrise Dream’ is a collection of tracks designed for those who know and value those moments when music creates a suspended space, a boundary between the real and the dreamlike. This vinyl version captures that essence, allowing the listener to immerse themselves in sounds that mingle with the early morning light.
Each track has its own unique character: Jonny Rock's Legenda opens the record with a purposeful groove, while Thanksmate's Take A Chance adds a more meditative undertone. With Oceano, Dobao takes us into a deep, liquid dimension, followed by the hypnotic rhythm of Whirlwind by Giammarco Orsini. Hiver, with The Frontier, explores electronic landscapes that move between tension and release, while Sam Goku's Lucid Oscillation concludes the compilation on airy, floating notes.
‘Sunrise Dream’ on vinyl offers a tactile and immersive experience, a sonic journey designed for those who experience music as a ritual, for those who seek detail and atmosphere. These tracks are fragments of a collective idea, a synthesis of shared moments that find new life with each listen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
Side A
Giammarco Orsini - Whirlwind
Hiver - The Frontier
Sam Goku - Lucid Oscillation
SIDE B
Jonny Rock - Legenda
Dobao - Oceano
Thanksmate - Take A Chance
SHORT INFO:
‘Sunrise Dream’ is a collection of tracks designed for those who know and value those moments when music creates a suspended space, a boundary between the real and the dreamlike. This vinyl version captures that essence, allowing the listener to immerse themselves in sounds that mingle with the early morning light.
Each track has its own unique character: Jonny Rock's Legenda opens the record with a purposeful groove, while Thanksmate's Take A Chance adds a more meditative undertone. With Oceano, Dobao takes us into a deep, liquid dimension, followed by the hypnotic rhythm of Whirlwind by Giammarco Orsini. Hiver, with The Frontier, explores electronic landscapes that move between tension and release, while Sam Goku's Lucid Oscillation concludes the compilation on airy, floating notes.
‘Sunrise Dream’ on vinyl offers a tactile and immersive experience, a sonic journey designed for those who experience music as a ritual, for those who seek detail and atmosphere. These tracks are fragments of a collective idea, a synthesis of shared moments that find new life with each listen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
5
Susumu Yokota - B2. Oh My God (2024 Remaster)
6
Susumu Yokota - B3. Tambarin (2024 Remaster)
7
Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
10
Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deetron - Mind Eclipse (TranceHouzzTool)
2
Deetron - HG
3
Deetron - Phoenix
4
Deetron - The Shore (808 Mix)
Tracklist
A1- Mind Eclipse (TranceHouzzTool)
A2- HG
B1- Phoenix
B2- The Shore (808 Mix)
Release Info:
Mind Eclipse completes Deetron’s triptych for Running Back. After Body Electric and Ego Rave, it’s the missing part in a tale of youthful exuberance told by a seasoned raver and transported into the here and now. Taking the essence of the carefree energy of those days, its warehouses and fields minus the (sometimes!) aural clumsiness, Deetron delivers four studies in the transformation of said emotional states.
Mind Eclipse aka Trancehouzztool does exactly what it says on the tin: big synths, swirl and twirl during an extra long break down for an uproar – serotonin shower included. HG acts like an umbrella to that. Almost melancholic in its presence and meandering between highs and lows, it’s the perfect counterpoint and offset.
On the other side, Phoenix sounds like a lost Border Community hymn that found its way near a Roland 909 for peak time purposes, before The Shore closes the book in a hybrid state between electro and disco or the soundtrack to IDM supporters in a gym workout (also available in an alternative version digitally for those who like their beats straight).
It won’t eclipse your mind though that Deetron knows what he does in the studio, so expect finest artistry, crafty tricks and technical expertise. „’Til the sweatshirts are falling down of us…“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1- Mind Eclipse (TranceHouzzTool)
A2- HG
B1- Phoenix
B2- The Shore (808 Mix)
Release Info:
Mind Eclipse completes Deetron’s triptych for Running Back. After Body Electric and Ego Rave, it’s the missing part in a tale of youthful exuberance told by a seasoned raver and transported into the here and now. Taking the essence of the carefree energy of those days, its warehouses and fields minus the (sometimes!) aural clumsiness, Deetron delivers four studies in the transformation of said emotional states.
Mind Eclipse aka Trancehouzztool does exactly what it says on the tin: big synths, swirl and twirl during an extra long break down for an uproar – serotonin shower included. HG acts like an umbrella to that. Almost melancholic in its presence and meandering between highs and lows, it’s the perfect counterpoint and offset.
On the other side, Phoenix sounds like a lost Border Community hymn that found its way near a Roland 909 for peak time purposes, before The Shore closes the book in a hybrid state between electro and disco or the soundtrack to IDM supporters in a gym workout (also available in an alternative version digitally for those who like their beats straight).
It won’t eclipse your mind though that Deetron knows what he does in the studio, so expect finest artistry, crafty tricks and technical expertise. „’Til the sweatshirts are falling down of us…“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Goldie B - 1. The Space Between
2
Goldie B - 2. U Make Me Feel So Good
3
Goldie B - 3. Rêve de Rave
4
Goldie B - 4. Purple FX
5
Goldie B - 5. Snakes Waves
12" EP
Tracklist
1. The Space Between
2. U Make Me Feel So Good
3. Rêve de Rave
4. Purple FX
5. Snakes Waves
Genres: Breakbeat, UK Rave, Electronica
A rising and genre-defying figure in the French electronic scene, Goldie B continues her
ascent with Who Says Night’s For Sleeping?, a five-track EP that asserts her distinctive
signature: an instinctive blend of club energy, cinematic storytelling and UK rave influences.
Conceived as the soundtrack to a night lived in full intensity, the record moves through the fire
of the dancefloor, the collective trance, and those suspended moments where one floats
between dream and wakefulness.
“I imagined this EP as the soundtrack to a night experienced in its entirety. From the first rush of
adrenaline on the dancefloor to that floating walk home, still carried by the music. My influences range
from Moby and Air to Floating Points and Joy Orbison, artists who know how to combine power and
emotion. I love connecting the raw energy of the club with more dreamlike textures, because you can
absolutely dream while dancing. Each track is an instinctive snapshot of my inner world.” Goldie B
The EP’s opening act, “The Space Between” blends ethereal pads, organic strings and a steady
crescendo, recalling the elegance of Air or Moby. It opens a suspended space, equally suited to inner
drift or physical release. “I wanted it to feel like a threshold, a gentle hand pulling you into a trance
state.”
On “U Make Me Feel So Good”, a sensual and narrative breakbeat track, a flowing bassline gradually
tightens into trancier energy. Seductive female vocals weave through broken rhythms, creating a
piece that is as tactile as it is hypnotic. “It’s about contrast, the softness and caress at the start, then a
tension that rises and electrifies.”
Instagram | Youtube | TikTok | SoundCloudAt the heart of the project, “Rêve de Rave” channels 90’s breakbeat spirit with old-school samples, an
euphoric central break and voices urging to move your feet. Urgent and liberating, it embodies the
dreamlike essence of the rave. “It’s how I imagine the rave: a lucid dream where joy and collective
energy feel almost unreal.”
Next comes the most incisive cut of the EP, “Purple FX”, driven by a grating central bassline that
evolves relentlessly until its explosive drop. Minimalist yet implacable, it captures the sheer force of a
peak-time track. “I wanted a track purely designed for the club, where the tension just keeps rising
until it explodes.”
Closing in chiaroscuro, “Snake Waves” shifts from breakbeat into a half-house, half-techno 4/4
groove, carried by a sinuous, hypnotic bassline. The track plays on tension and release, with a rich
harmonic break before fading like a suspended farewell, where the party recedes but the energy
lingers. “It’s a farewell piece that keeps the intoxication alive, like a final vertigo before slipping back
into the night.”
Goldie B is a multifaceted force on the French electronic scene. A producer, multi-instrumentalist,
singer, MC, DJ, and co-founder of the label Omakase Recordings, her sets blend bass, jungle, UKG,
and breakbeat, captivating audiences with their contagious energy. Based in Marseille, she has
released music on renowned labels such as D.KO, Banoffee Pies, and YUKU, and has performed on
some of the biggest French stages and festivals: Peacock Society, Astropolis, NDK, Marsatac, Delta,
Le Bon Air, and even the Festival d’Avignon. In 2024, she was selected by Apple Music for its
Women In Electronic series. Her new Who Says Night’s For Sleeping? EP confirms her status as an
instinctive and distinctive artist to watch on the French electronic scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1. The Space Between
2. U Make Me Feel So Good
3. Rêve de Rave
4. Purple FX
5. Snakes Waves
Genres: Breakbeat, UK Rave, Electronica
A rising and genre-defying figure in the French electronic scene, Goldie B continues her
ascent with Who Says Night’s For Sleeping?, a five-track EP that asserts her distinctive
signature: an instinctive blend of club energy, cinematic storytelling and UK rave influences.
Conceived as the soundtrack to a night lived in full intensity, the record moves through the fire
of the dancefloor, the collective trance, and those suspended moments where one floats
between dream and wakefulness.
“I imagined this EP as the soundtrack to a night experienced in its entirety. From the first rush of
adrenaline on the dancefloor to that floating walk home, still carried by the music. My influences range
from Moby and Air to Floating Points and Joy Orbison, artists who know how to combine power and
emotion. I love connecting the raw energy of the club with more dreamlike textures, because you can
absolutely dream while dancing. Each track is an instinctive snapshot of my inner world.” Goldie B
The EP’s opening act, “The Space Between” blends ethereal pads, organic strings and a steady
crescendo, recalling the elegance of Air or Moby. It opens a suspended space, equally suited to inner
drift or physical release. “I wanted it to feel like a threshold, a gentle hand pulling you into a trance
state.”
On “U Make Me Feel So Good”, a sensual and narrative breakbeat track, a flowing bassline gradually
tightens into trancier energy. Seductive female vocals weave through broken rhythms, creating a
piece that is as tactile as it is hypnotic. “It’s about contrast, the softness and caress at the start, then a
tension that rises and electrifies.”
Instagram | Youtube | TikTok | SoundCloudAt the heart of the project, “Rêve de Rave” channels 90’s breakbeat spirit with old-school samples, an
euphoric central break and voices urging to move your feet. Urgent and liberating, it embodies the
dreamlike essence of the rave. “It’s how I imagine the rave: a lucid dream where joy and collective
energy feel almost unreal.”
Next comes the most incisive cut of the EP, “Purple FX”, driven by a grating central bassline that
evolves relentlessly until its explosive drop. Minimalist yet implacable, it captures the sheer force of a
peak-time track. “I wanted a track purely designed for the club, where the tension just keeps rising
until it explodes.”
Closing in chiaroscuro, “Snake Waves” shifts from breakbeat into a half-house, half-techno 4/4
groove, carried by a sinuous, hypnotic bassline. The track plays on tension and release, with a rich
harmonic break before fading like a suspended farewell, where the party recedes but the energy
lingers. “It’s a farewell piece that keeps the intoxication alive, like a final vertigo before slipping back
into the night.”
Goldie B is a multifaceted force on the French electronic scene. A producer, multi-instrumentalist,
singer, MC, DJ, and co-founder of the label Omakase Recordings, her sets blend bass, jungle, UKG,
and breakbeat, captivating audiences with their contagious energy. Based in Marseille, she has
released music on renowned labels such as D.KO, Banoffee Pies, and YUKU, and has performed on
some of the biggest French stages and festivals: Peacock Society, Astropolis, NDK, Marsatac, Delta,
Le Bon Air, and even the Festival d’Avignon. In 2024, she was selected by Apple Music for its
Women In Electronic series. Her new Who Says Night’s For Sleeping? EP confirms her status as an
instinctive and distinctive artist to watch on the French electronic scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
.Vril / Rødhåd / Out of Place Artefacts - Intergalactic Announcement
2
.Vril / Rødhåd / Out of Place Artefacts - Calar Infinitos
3
.Vril / Rødhåd / Out of Place Artefacts - Closed Loop Grids
4
.Vril / Rødhåd / Out of Place Artefacts - Panopticum
5
.Vril / Rødhåd / Out of Place Artefacts - Biomath
6
.Vril / Rødhåd / Out of Place Artefacts - Wunschmaschine
7
.Vril / Rødhåd / Out of Place Artefacts - Healing Of A Ghost feat. Sara Clarke
8
.Vril / Rødhåd / Out of Place Artefacts - Secular System
9
.Vril / Rødhåd / Out of Place Artefacts - My Battery Is Low And It’s Getting Dark
10
.Vril / Rødhåd / Out of Place Artefacts - Datasette
11
.Vril / Rødhåd / Out of Place Artefacts - Quand Le Temps S´Arrête
12
.Vril / Rødhåd / Out of Place Artefacts - Help Is On The Way
13
.Vril / Rødhåd / Out of Place Artefacts - Quantum Waltz feat. Peryl
Rødhåd and Vril return with the third chapter of their ongoing collaboration, OUT OF PLACE ARTEFACTS III, released on WSNWG.
While the preceding volumes laid out the duo‘s ongoing investigation into the numinous aspects of sound and texture, this chapter can be conceived as a clearing of sonic space. The compositions appear more deliberate, their architecture more explicit. Yet beneath the surface, the familiar tension between disorder and clarity shapes the record’s structural framework.
What emerges is an album of uncanny cinematic melancholia, the traces of which were already present in the earlier volumes, now coming to full bloom. The evoked landscapes appear widescreen in scope, although the record’s feel remains oddly intimate. It is never clear whether one expands into the furthest realms of outer-space loneliness or navigates through the densest of earthly topographies.
The heightened presence of acoustic instruments and human voice expands the project’s sonic spectrum. In the convergence of the organic and the synthethic, esoteric melodies rise and vanish, as obscured rhythms break into precision, resonating motion-picture nostalgia while remaining uniquely modern and anticipatory. What we encounter is OOPA‘s true aesthetic nature: a deeply human sense of playfulness and curiosity fused with a strangely alien and otherworldly detachment.
1. Intergalactic Announcement
2. Calar Infinitos
3. Closed Loop Grids
4. Panopticum
5. Biomath
6. Wunschmaschine
7. Healing Of A Ghost feat. Sara Clarke
8. Secular System
9. My Battery Is Low And It’s Getting Dark
10. Datasette
11. Quand Le Temps S´Arrête
12. Help Is On The Way
13. Quantum Waltz feat. Peryl
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
While the preceding volumes laid out the duo‘s ongoing investigation into the numinous aspects of sound and texture, this chapter can be conceived as a clearing of sonic space. The compositions appear more deliberate, their architecture more explicit. Yet beneath the surface, the familiar tension between disorder and clarity shapes the record’s structural framework.
What emerges is an album of uncanny cinematic melancholia, the traces of which were already present in the earlier volumes, now coming to full bloom. The evoked landscapes appear widescreen in scope, although the record’s feel remains oddly intimate. It is never clear whether one expands into the furthest realms of outer-space loneliness or navigates through the densest of earthly topographies.
The heightened presence of acoustic instruments and human voice expands the project’s sonic spectrum. In the convergence of the organic and the synthethic, esoteric melodies rise and vanish, as obscured rhythms break into precision, resonating motion-picture nostalgia while remaining uniquely modern and anticipatory. What we encounter is OOPA‘s true aesthetic nature: a deeply human sense of playfulness and curiosity fused with a strangely alien and otherworldly detachment.
1. Intergalactic Announcement
2. Calar Infinitos
3. Closed Loop Grids
4. Panopticum
5. Biomath
6. Wunschmaschine
7. Healing Of A Ghost feat. Sara Clarke
8. Secular System
9. My Battery Is Low And It’s Getting Dark
10. Datasette
11. Quand Le Temps S´Arrête
12. Help Is On The Way
13. Quantum Waltz feat. Peryl
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ataxia - Detroit Gospel
2
Ataxia & Andres - Pine Island
3
Ataxia - Language
4
Ataxia & Dj Minx - Maxia
5
Ataxia - Spit In Your Percolator
6
Ataxia - 98 Degrees
7
Ataxia - Number Streets
8
Ataxia - The Formulator
9
Ataxia - The Pusher
10
Ataxia & Mister Joshooa - Feels Like
11
Ataxia - WM
12
Ataxia - Dance the Bridge
Tracklist:
Ataxia - Detroit Gospel
Ataxia & Andres - Pine Island
Ataxia - Language
Ataxia & Dj Minx – Maxia
Ataxia - Spit In Your Percolator
Ataxia - 98 Degrees
Ataxia - Number Streets
Ataxia - The Formulator
Ataxia - The Pusher
Ataxia & Mister Joshooa - Feels Like
Ataxia – WM
Ataxia - Dance the Bridge
Info:
Having torn up raves for well over a decade, the Detroit duo Rickers and Ted Krisko AKA Ataxia present their debut longplayer ‘Out Of Step’. Featuring guest spots from close peers DJ Minx, Andrés and Mr Joshooa, they twist house, techno, electro, breakbeat and rave into revitalized new shapes; embellished with a touch of soul, funk and hip hop. With backgrounds in hardcore and punk, Ataxia’s debut is suffused with that energy, attitude, and approach; this is raw, lean and unashamedly no-nonsense dance floor tackle that goes straight for the jugular. Heavily analogue, the album experiments with tape saturation, which harks back to the duo’s formative years in bands, recording demos to cassettes. These straight-up, in-the-red tracks give preference to overdriven drum machines, rather than generic polished sheen, but conversely, it’s all deceptively well-crafted too; ‘Out Of Step’ is a standout record that’s big in character, bringing to mind the renegade spirit of Underground Resistance, and the bombastic brilliance of The Prodigy and Chemical Brothers.
Defiantly optimistic despite the state of the world, a “life is good” vocal sample meets minor chords sliding over 808 hats on the exemplary house/techno pumper ‘Detroit Gospel’, before a lighter moment on the album, but no less impactful with its hefty low-end thump, is ‘Pine Island’ featuring Motor City hero Andrés. Together they cook up a Motown-inspired house cut awash with horn swells and backup singers, bouncing to wide swung funk bass, in classic 313 style. ‘Language’ turns the club on its head – busting out one of the most distinct basslines in recent times, and bristling with buzzy, undulating chords, whilst ‘Maxia’ features influential Detroit royalty DJ Minx. Inspired by her classic ‘A Walk In The Park’, with a fat distorted kick and stealthy bass groove, this is low-slung, stripped-back, heads-down coolness. The high-tech funk of ‘Spit In Your Percolator’, is laser-guided in its efficiency, with a strobe-like, increasingly intensifying energy, peppered with clever, tripped up vocal chops. With the next cut, conveyor belt noises and fast churning low-end gives way to a dubbed-out breakdown, on the deep breakbeat roller ‘98 Degrees’. Charged with a blistering, rave intensity, ‘Number Streets’, is a futuristic distorted techno workout that booms through the subs, whilst ‘The Formulator’ mixes filtered snippets, abstract synth noises and melodic bleeps with a bassline echoing Paperclip People’s ‘The Floor’. Closer to the UK definition of hardcore, combining 4/4 and breakbeat, ‘The Pusher’ evokes the spirit of late 80s orbital raves, adding a natty keys solo, and deadly bass used sparingly, for even deadlier effect. ‘Feels Like’ sees Rickers and Ted team up their studiomate and fellow TV Lounge resident and club booker, Mister Joshooa. Inspired by Photek but also almost UKG in style, this breakbeat session is stamped with MJ’s signature chopped vocals and intricate rhythmic interplay. The bubbling, wobbly loose swing of ‘WM’ is constructed around a classic chopped-up MTV cribs sample, with a filtered vocal creating a far out psychedelic effect – all of which is propelled apace by a huge bruising LFO. The LP concludes in fine style with ‘Dance The Bridge’, where bouncy beats and wigged-out keys meet bright, gently uplifting synth chords that bring a clear-skied mood; ending the record as it began, on an optimistic note.
‘Out Of Step’ marks another chapter in the ongoing relationship between Life and Death co-founder DJ Tennis and Ataxia. Their connection goes back to the earliest days of the label, where they played gigs together on some of Tennis’ initial visits to Detroit. It’s a friendship that’s blossomed organically over the last decade through their shared love of punk and hardcore, and led to the fruition of one of Ataxia’s most compelling projects to date. Labels to release Ataxia’s output include legendary Detroit techno imprints Planet E and KMS, plus the seminal American house label Nervous Records. Their catalogue also includes music for Visionquest, Leftroom, 20/20 Vision and Seth Troxler’s Play It Say It.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ataxia - Detroit Gospel
Ataxia & Andres - Pine Island
Ataxia - Language
Ataxia & Dj Minx – Maxia
Ataxia - Spit In Your Percolator
Ataxia - 98 Degrees
Ataxia - Number Streets
Ataxia - The Formulator
Ataxia - The Pusher
Ataxia & Mister Joshooa - Feels Like
Ataxia – WM
Ataxia - Dance the Bridge
Info:
Having torn up raves for well over a decade, the Detroit duo Rickers and Ted Krisko AKA Ataxia present their debut longplayer ‘Out Of Step’. Featuring guest spots from close peers DJ Minx, Andrés and Mr Joshooa, they twist house, techno, electro, breakbeat and rave into revitalized new shapes; embellished with a touch of soul, funk and hip hop. With backgrounds in hardcore and punk, Ataxia’s debut is suffused with that energy, attitude, and approach; this is raw, lean and unashamedly no-nonsense dance floor tackle that goes straight for the jugular. Heavily analogue, the album experiments with tape saturation, which harks back to the duo’s formative years in bands, recording demos to cassettes. These straight-up, in-the-red tracks give preference to overdriven drum machines, rather than generic polished sheen, but conversely, it’s all deceptively well-crafted too; ‘Out Of Step’ is a standout record that’s big in character, bringing to mind the renegade spirit of Underground Resistance, and the bombastic brilliance of The Prodigy and Chemical Brothers.
Defiantly optimistic despite the state of the world, a “life is good” vocal sample meets minor chords sliding over 808 hats on the exemplary house/techno pumper ‘Detroit Gospel’, before a lighter moment on the album, but no less impactful with its hefty low-end thump, is ‘Pine Island’ featuring Motor City hero Andrés. Together they cook up a Motown-inspired house cut awash with horn swells and backup singers, bouncing to wide swung funk bass, in classic 313 style. ‘Language’ turns the club on its head – busting out one of the most distinct basslines in recent times, and bristling with buzzy, undulating chords, whilst ‘Maxia’ features influential Detroit royalty DJ Minx. Inspired by her classic ‘A Walk In The Park’, with a fat distorted kick and stealthy bass groove, this is low-slung, stripped-back, heads-down coolness. The high-tech funk of ‘Spit In Your Percolator’, is laser-guided in its efficiency, with a strobe-like, increasingly intensifying energy, peppered with clever, tripped up vocal chops. With the next cut, conveyor belt noises and fast churning low-end gives way to a dubbed-out breakdown, on the deep breakbeat roller ‘98 Degrees’. Charged with a blistering, rave intensity, ‘Number Streets’, is a futuristic distorted techno workout that booms through the subs, whilst ‘The Formulator’ mixes filtered snippets, abstract synth noises and melodic bleeps with a bassline echoing Paperclip People’s ‘The Floor’. Closer to the UK definition of hardcore, combining 4/4 and breakbeat, ‘The Pusher’ evokes the spirit of late 80s orbital raves, adding a natty keys solo, and deadly bass used sparingly, for even deadlier effect. ‘Feels Like’ sees Rickers and Ted team up their studiomate and fellow TV Lounge resident and club booker, Mister Joshooa. Inspired by Photek but also almost UKG in style, this breakbeat session is stamped with MJ’s signature chopped vocals and intricate rhythmic interplay. The bubbling, wobbly loose swing of ‘WM’ is constructed around a classic chopped-up MTV cribs sample, with a filtered vocal creating a far out psychedelic effect – all of which is propelled apace by a huge bruising LFO. The LP concludes in fine style with ‘Dance The Bridge’, where bouncy beats and wigged-out keys meet bright, gently uplifting synth chords that bring a clear-skied mood; ending the record as it began, on an optimistic note.
‘Out Of Step’ marks another chapter in the ongoing relationship between Life and Death co-founder DJ Tennis and Ataxia. Their connection goes back to the earliest days of the label, where they played gigs together on some of Tennis’ initial visits to Detroit. It’s a friendship that’s blossomed organically over the last decade through their shared love of punk and hardcore, and led to the fruition of one of Ataxia’s most compelling projects to date. Labels to release Ataxia’s output include legendary Detroit techno imprints Planet E and KMS, plus the seminal American house label Nervous Records. Their catalogue also includes music for Visionquest, Leftroom, 20/20 Vision and Seth Troxler’s Play It Say It.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2*12" Territories: WW except US/CA/UK/BENELUX
Warehouse Find
Tracks:
01) Late Flowering Lust (Phil Kieran Remix)
02) Beglammered (Justin Robertson's Deadstock 33s Remix)
03) Skwatch (Black Merlin?s Reel to Reel Remix)
04) Never There (Hardway Bros Remix)
05) Another Lonely City (Daniele Baldelli and DJ Rocca Remix)
06) Beglammered (Richard Sen Remix)
07) We Are The Axis (Scott Fraser Remix)
08) One Minute's Silence (Ivan Smagghe Remix)
Andrew Weatherall never wakes up in the morning and decides to start a new album that day. Instead, recording music is a continuous process usually working with different collaborators and seeing where the muse takes him. Somewhere down the line the rewards of a collaboration will coalesce into a body of work between thirty minutes and an hour long and he will put a call into the Rotters' team to say he has a new release ready to go.
We were visiting the studio catching up on new tracks in various states of readiness when he offered up some remixes of tracks from his recent "Ruled by Passion…" he'd been sent by fellow musicians. Tim Fairplay, Andrew's partner in The Asphodells, Sean Johnston from A Love From Outer Space and Scott Fraser live and work in the area and all popped in at various points.
Andrew's black book reads like the who's who of contemporary music but rather than plunder it for remixers he'd let drop the idea of a remix with friends and neighbours. These plus a couple a swaps with musical friends who were new to the concept of remixing, gave Andrew an hour of music he thoroughly enjoyed listening to.
It goes without saying none of the tracks are duds but our ears always prick up when Justin Robertson's take on "Beglammered" ups the heart rate or Daniel Avery's own unscrewing of "… the Axis" ruffles the neck hairs. We've stopped arguing in the office about which is the best track. They all are.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Warehouse Find
Tracks:
01) Late Flowering Lust (Phil Kieran Remix)
02) Beglammered (Justin Robertson's Deadstock 33s Remix)
03) Skwatch (Black Merlin?s Reel to Reel Remix)
04) Never There (Hardway Bros Remix)
05) Another Lonely City (Daniele Baldelli and DJ Rocca Remix)
06) Beglammered (Richard Sen Remix)
07) We Are The Axis (Scott Fraser Remix)
08) One Minute's Silence (Ivan Smagghe Remix)
Andrew Weatherall never wakes up in the morning and decides to start a new album that day. Instead, recording music is a continuous process usually working with different collaborators and seeing where the muse takes him. Somewhere down the line the rewards of a collaboration will coalesce into a body of work between thirty minutes and an hour long and he will put a call into the Rotters' team to say he has a new release ready to go.
We were visiting the studio catching up on new tracks in various states of readiness when he offered up some remixes of tracks from his recent "Ruled by Passion…" he'd been sent by fellow musicians. Tim Fairplay, Andrew's partner in The Asphodells, Sean Johnston from A Love From Outer Space and Scott Fraser live and work in the area and all popped in at various points.
Andrew's black book reads like the who's who of contemporary music but rather than plunder it for remixers he'd let drop the idea of a remix with friends and neighbours. These plus a couple a swaps with musical friends who were new to the concept of remixing, gave Andrew an hour of music he thoroughly enjoyed listening to.
It goes without saying none of the tracks are duds but our ears always prick up when Justin Robertson's take on "Beglammered" ups the heart rate or Daniel Avery's own unscrewing of "… the Axis" ruffles the neck hairs. We've stopped arguing in the office about which is the best track. They all are.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More