Tracklist
A. Stimming - Frankfurt Main
B. Dave DK - Saida 222
Info:
Hart & Tief turns 3. As the most fascinating yet tremendous of creatures, H&T relaunches its sound in every release, like a shiny day that gently welcomes an outrageous storm leaving your body wet and your mind connected with what's next. Everlasting artists Dave DK & Stimming are the chosen ones to break through the clouds and reach the dimension beyond what's predictable.
SoulPhiction, Mike Dehnert, Robag Wruhme and Dj Koze delivered the first 2 releases, showing what not to expect from the Hart & Tief state of beat: comforting sounds for predictable minds. Let's turn it upside down: deep emotional trips for like-minded clubbers and artists. Non-conformist dancefloors and exacting passionate crowds.
Hamburg-based, Stimming and Dave DK have built their experience through uncountable tracks and performances. Turning the lights off and playing it loud is what they are best known for. On this special occasion, painting the vinyl specially dark is what they were desiring and the frame brings together two superb tracks: Frankfurt Main and Saida222.
Stimming has built in a sneaky percussion with an enormous engaging touch. Buoyed up by a textured bass, Frankfurt Main reaches the center of what an in-depth track aims to be.
Saida222 takes us on a contemplative, introspective and melodic journey, a route usually explored by Dave DK in his previous and acclaimed works.
Both tracks are pushing a refreshing and windy vision that, far beyond from being "just obscure", gets us closer to a wise enlightening experience.
More
A. Stimming - Frankfurt Main
B. Dave DK - Saida 222
Info:
Hart & Tief turns 3. As the most fascinating yet tremendous of creatures, H&T relaunches its sound in every release, like a shiny day that gently welcomes an outrageous storm leaving your body wet and your mind connected with what's next. Everlasting artists Dave DK & Stimming are the chosen ones to break through the clouds and reach the dimension beyond what's predictable.
SoulPhiction, Mike Dehnert, Robag Wruhme and Dj Koze delivered the first 2 releases, showing what not to expect from the Hart & Tief state of beat: comforting sounds for predictable minds. Let's turn it upside down: deep emotional trips for like-minded clubbers and artists. Non-conformist dancefloors and exacting passionate crowds.
Hamburg-based, Stimming and Dave DK have built their experience through uncountable tracks and performances. Turning the lights off and playing it loud is what they are best known for. On this special occasion, painting the vinyl specially dark is what they were desiring and the frame brings together two superb tracks: Frankfurt Main and Saida222.
Stimming has built in a sneaky percussion with an enormous engaging touch. Buoyed up by a textured bass, Frankfurt Main reaches the center of what an in-depth track aims to be.
Saida222 takes us on a contemplative, introspective and melodic journey, a route usually explored by Dave DK in his previous and acclaimed works.
Both tracks are pushing a refreshing and windy vision that, far beyond from being "just obscure", gets us closer to a wise enlightening experience.
More
More records from Hart & Tief
1
dj koze - DRIVEN
2
robag wruhme - X-mop 198
2024 Repress
Tracklist
A. DJ KOZE- DRIVEN
B. ROBAG WRUHME - X-mop 198
Info:
Hart & Tief returns. Pampa's dark bastard. The Proverbial black sheep.
For the second statement from the label, we have the twin voices of DJ Koze and Robag Wruhme. Both are masters at remaining simultaneously identifiable yet surprising, and the freedom afforded by this fledgling label sees them push their respective milieus.
Driven see's Koze return to previously mined percussive tropes and plumb a new minimalist clarity of emotion through maximal means. The track thuds, clicks and pumps in a singular trajectory that belies its complexity and compliments its title.
Not to be outdone, Robag Wruhme provides X-mop 198, a slice of linear horror-techno that deftly re-contextualises its simplistic components in to a jagged and constantly surprising listen, creating a form of body music for the mind.
More
Tracklist
A. DJ KOZE- DRIVEN
B. ROBAG WRUHME - X-mop 198
Info:
Hart & Tief returns. Pampa's dark bastard. The Proverbial black sheep.
For the second statement from the label, we have the twin voices of DJ Koze and Robag Wruhme. Both are masters at remaining simultaneously identifiable yet surprising, and the freedom afforded by this fledgling label sees them push their respective milieus.
Driven see's Koze return to previously mined percussive tropes and plumb a new minimalist clarity of emotion through maximal means. The track thuds, clicks and pumps in a singular trajectory that belies its complexity and compliments its title.
Not to be outdone, Robag Wruhme provides X-mop 198, a slice of linear horror-techno that deftly re-contextualises its simplistic components in to a jagged and constantly surprising listen, creating a form of body music for the mind.
More
1
Robag Wruhme - Eingang
2
Robag Wruhme - Veddel Braav
3
Robag Wruhme - Perluv
4
Robag Wruhme - Wuzzelbud FF
5
Robag Wruhme - Tisma
6
Robag Wruhme - Provol Eto
7
Robag Wruhme - Maiowu
8
Robag Wruhme - Wabb Bodun
9
Robag Wruhme - Ausgang
Tracklist
A1 Eingang
A2 Veddel Braav
A3 Perluv
B1 Wuzzelbud FF
B2 Tisma
C1 Provol Eto
C2 Maiowu
D1 Wabb Bodun
D2 Ausgang
External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".
Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."
And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.
A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.
Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.
No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.
The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey
More
A1 Eingang
A2 Veddel Braav
A3 Perluv
B1 Wuzzelbud FF
B2 Tisma
C1 Provol Eto
C2 Maiowu
D1 Wabb Bodun
D2 Ausgang
External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".
Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."
And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.
A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.
Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.
No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.
The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey
More
1
soulphiction, mike dehnert - Sky So High
2
soulphiction, mike dehnert - Zumwald
Tracklist
A. SoulPhiction - Sky So High
B. Mike Dehnert - Zumwald
Shortinfo:
So kam die Postmoderne über uns und machte aus vormals ehrbaren Kulturschaffenden Werksarbeiter, denen alle Schrauben abhanden gekommen schienen, im besten Fall.
Mit minimaler Eigenleistung (nimmt man die unbeabsichtigten Fehler in der Produktion mal aus), aber bei maximaler Entgleisung entstand ein gänzlich neuer Berufszweig. Der grundsolide Werksarbeiter, mit Gema Anmeldung im Griff und guten Draht zu seinem Steuerberater. Um die quietschfidelen Arpeggio Terroristen soll es heute mal nicht gehen.
Unsere Protagonisten dieser Geschichte sind andere. Wahnwitzige, Soziophobiker, Menschen mit gebrochenen Lebensläufen statt Joghurt im Rucksack, emsig agierende Mitstreiter mit Tupperdose in der Tasche für die Frühstückspause, willens den Kampf der letzten Kulturoffensive zu Ende zu bringen, samplen, pitchen, alles zerhacken und zu undefinierbaren Fetzen von Funk wieder zusammensetzen.
Ausgeglichen vom Duft der Natur ankommend den Fortschritt definieren wollen und den Strom in die Maschinen juckeln. Ästheten der Fehler waren geboren. Losgelöst vom Fließband.
Hart & tief wird geackert geschwitzt, gebimmelt, der Filter aufgedreht, der Schmutz schaufelweise rangekarrt, bis die Stufe der Erlösung erreicht wird oder eben halt auch nicht. Das Leben ist nun mal kein einziger Orgasmus und der Funk entsteht in den Pausen wie die Befriedigung der Gier und der Besitz des Moments, weil das Leben ist doch nur ein Wimpernschlag und wir immer nur einen Abgrund entfernt von Weltekel oder Erlösung.
More
A. SoulPhiction - Sky So High
B. Mike Dehnert - Zumwald
Shortinfo:
So kam die Postmoderne über uns und machte aus vormals ehrbaren Kulturschaffenden Werksarbeiter, denen alle Schrauben abhanden gekommen schienen, im besten Fall.
Mit minimaler Eigenleistung (nimmt man die unbeabsichtigten Fehler in der Produktion mal aus), aber bei maximaler Entgleisung entstand ein gänzlich neuer Berufszweig. Der grundsolide Werksarbeiter, mit Gema Anmeldung im Griff und guten Draht zu seinem Steuerberater. Um die quietschfidelen Arpeggio Terroristen soll es heute mal nicht gehen.
Unsere Protagonisten dieser Geschichte sind andere. Wahnwitzige, Soziophobiker, Menschen mit gebrochenen Lebensläufen statt Joghurt im Rucksack, emsig agierende Mitstreiter mit Tupperdose in der Tasche für die Frühstückspause, willens den Kampf der letzten Kulturoffensive zu Ende zu bringen, samplen, pitchen, alles zerhacken und zu undefinierbaren Fetzen von Funk wieder zusammensetzen.
Ausgeglichen vom Duft der Natur ankommend den Fortschritt definieren wollen und den Strom in die Maschinen juckeln. Ästheten der Fehler waren geboren. Losgelöst vom Fließband.
Hart & tief wird geackert geschwitzt, gebimmelt, der Filter aufgedreht, der Schmutz schaufelweise rangekarrt, bis die Stufe der Erlösung erreicht wird oder eben halt auch nicht. Das Leben ist nun mal kein einziger Orgasmus und der Funk entsteht in den Pausen wie die Befriedigung der Gier und der Besitz des Moments, weil das Leben ist doch nur ein Wimpernschlag und wir immer nur einen Abgrund entfernt von Weltekel oder Erlösung.
More