General Ludd sculpt bizarre auditory mazes built within the fracturing constraints of western dance musics. These tremors ripple from the dear green place of Glasgow, Scotland; beguiling a physical cathartic experience for the dancer disillusioned with the horror and folly of our times.

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Fragrant Harbour has invited General Ludd's Richard McMaster (Golden Teacher) and Tom Marshallsay (Dam Mantle) to end the year long hiatus since the last FGHB release. The first track What brings dark, African rhythms alongside meticulously structured techno elements, coming together to create an intense and maddening energy. Later Last Night continues forward with interspersed percussion layered on top of inventive sub-frequencies bringing a constant pulse to the track. The fastest track of the record, Making Strange ends with more madness; a hollow mid-low range drives unrelenting throughout, visited unexpectedly by frenzied percussive highs. "


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General Ludd are back with Sunset Yellow, their third EP for us in as many years. This one picks up where "Are You Losing My Hearing?" left off with three more doses of heady drum breaks and spacey synth lines that have been psyching out our dance floor in New York for quite some time now with no negative side effects.

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General Ludd is Rich McMaster from New Jersey and Tom Marshallsay from Canterbury. The guys met at the Glasgow Art School, where Rich studied environmental art and Tom studied fine art. Their first collaborations were interactive sound installations, but that quickly gave way to all night music making sessions. This is their second EP for us – a more left field turn than their first, but, we can assure you, both tracks will break discerning dancefloors wide open.



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2 Glasgow Art School students who moved from interactive sound installations, to club tracks. Both tracks are Mister Saturday Night party staples w/play from Ben UFO, Theo Parish, Four Tet and Harvey.

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It is with honour & pleasure that we present to you the return of one of the finest in game! Active since god-knows-when, and equally known as artist, label owner, event promoter and all-round champion of all that’s right and proper, Semtek has cast a long shadow in the electronic underground over the past two decades. Ever the mercurial savant, Benji distils a wide range of influences that have shaped his various endeavours on his first 12” for us: from the darkside revivalism of DJ Persuasion through to the raw productions of L.M.Y.E, and even down to his earliest productions on DBA. RAD-SEM1 is two tracks of ice-cold club cuts that capture the chilly futurism of second wave Detroit Techno, the sparser fringes of UKG and the abyssal soundscapes of late 90s DnB. But as is characteristic of Semtek’s output, always far greater than the sum of its parts.

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In accordance with relativity, they are in some sense interchangeable, but we do know that they form co-equal parts of a larger 'thing' called space-time, and it is only within space-time that the most complete understanding of the motion and properties of natural objects and phenomena can be rigorously understood by physicists. Space and time are to space-time what arms and legs are to humans. In some sense they are interchangeable, but you cannot understand 10,000 years of human history without including both arms and legs as part of the basic human condition.

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Gen Ludd are Glasgow-based Rich McMaster (Golden Teacher, Modern Institute) and Tom Marshallsay, both of whom are a big part of the extended Rubadub family. Their music perfectly embodies the Rubadub ethos of music for heads and feet. After months of negotiations with our minister of finance Hillington West Snr, TAFKNAGL (That artists formerly known as General Ludd) return with four precise cuts of pure rhythm and motion. These tracks are a message to the Ramona-toting, gymnasium-powered international dance deejay. Please be bold enough to play them... you’ll make the world a better place. We’ll give you free WAVS too.

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When someone drops a CD in, and says "I've recorded a couple of tracks, that I would like to put on on vinyl, would be up for distributing them ?" " One of them is not finished yet though, I just need to put some trumpets on it", well your expectations are not particularly high. It's a wonder that it even made it on toThe record flew out the door.Few months later we pressed a 12 for him on P&D deal. It didn't sell as well, which is often the way with records we love. Fast forward few years.. I got a call from the 'No Trumpet Man' aka FAKE LEFT, who had another couple of tracks he'd done. My first thoughts were, sorry afraid we can't help out this time... then had a listen, second thoughts were.. Fuck Aye, these have got to go out. So here they are.RAD-TRUMPET1 - as you'll see on the scribe.. well there is the story. When we sent this off to master, we were not sure what the catalogue number would be. So the files were titled Rad Trumpet.. with a view to updating before the lacquers were cut and test presses done. Of course we forgot, and only realised when the test presses came back as RAD-TRUMPET.. and I'm left having to explain to Graeme via these notes that he is 'affectionately' known here as Trumpet Man.So RAD-FAKE we'll let the music speak for itself.. and not a trumpet in sight. Oh apart from the stamp.. but that's another more politically based story.

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So this is the tune you’ve been hearing all summer in Ibiza. Many of the world's biggest djs have been playing it, it’s had something like a million plays on Youtube and didn’t even require a sponsored post on Facebook.



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"Crude noisemaker..... I like the glow that flashes red like our Krypton sun. But not this irritating noise. Make way."


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Much like Crowded House, you know more Dave Clark songs than you think you do. In fact, Mr Clark's musical endeavours past & present trace a line through the occult history of the Glasgow underground. Along with JD Twitch he made up the Optimo Espacio remix unit, reworking tracks by the likes of Factory Floor, Boris & Pharoahe Monch (?!). As a member of Big Ned he's traversed the nefarious regions of Post-Beefheart Shaman Rock. With Roger Elliot as State of Flux he released a series of stone-cold killing Techno records in the mid-90's. Under the guise of LUMA, Clark put out one of 2013's most anthemic 12"s for Optimo Trax in the form of the Amesville EP. As Truffle Club - driving electronic disco for the likes of Andy Blake's much-lauded Dissident imprint. Here however, he returns to the moniker of Sparky, a name you might already be familiar with having probably copped the Drexciyan epic "Portland" - the title track having been subsequently remixed by no less than Ricardo Villalobos & Tuff City Kids respectively. With this inimitable EP, Sparky dug deep into the archives to unearth two unique cuts recorded direct to tape in 1994. yes: NINETEEN-NINETY-FOUR. Listening to these tracks it becomes immediately apparent how ahead of the curve Clark was in dem heady dayz. Anyway, enough of the talkin - it's now time to step though the doors of Gnarnia and wash yourself in the light of.... the "Tapes".

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Now might not be the best point in time to be referencing Rolf Harris, but.... can you guess what it is yet? It ain't gonna be hard for those in the know. The second in Rubadub's white label series sees a gang of veteran knob twiddlers with over 20 years of experience under their belt. At this stage we might as well just tell you who it is..... but we're still not gonna. Strictly limited pressing. When it's gone, it's..... copies stashed away in the warehouse to flog on discogs for £300 a pop after everywhere else sells out. One clue : the cat no is RAD-FRK1 !


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