Semtek returns to Don't Be Afraid label for the first time in five years with four tracks strictly for the DJs.

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The modus operandi of Awkward Movements has been defined by quality of electronic music coming forth rather than a set look based on tempo range or sound. This has recently resulted in 12s from some of the underground's finest producers including NKC, Chairman Kato and Daojia, pairing them with an eclectic group of remixers such as Andres, Scan 7, Maddslinky and Ekoplekz.Awkward Movements came together under Keith P in 2009, and has since extended in to an ever-growing family of players, now including one of our London's top talents in the form of Don't Be Afraid boss Semtek.




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Pizza is the 6th release on Don't Be Afraid, coming hot on the heels of Mr. Beatnick's Synthetes EP and Semtek's West Acyd Shelter. The first track on the 12", Pizza, combines disco, techno and acid house elements on a broken funky base. Goons is a mean little track with caper-like 303s and a bumping trumpet bassline, backed by sweet drum machine beats. DJ 3000 takes the fundamentals of the original and replaces them with some of his own locally sourced Detroit ingredients, including a euphoric rhodes and some rich pads, to create a peak time banger for fans of Dirty Bird and the like.



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The fourth release on Don´t Be Afraid is a reinterpretation of one of the most important jazz funk records of the 1970´s. Semtek rebuilds the legendary hook from scratch over a disorienting range of acid, broken and techno accoutrements leaving a rolling monster that might set dancefloors alight. Photonz bring their unique Lisbon via Essex style to the proceedings with an "I can´t believe it´s not Garage" take on Semtek´s beat, proving yet again that they are a force to be reckoned with in 2011. The B-side "East Acyd Shelter" is a sparse analogue workout that would be at home as much in legendary and much missed Kings Cross hangout The Key, as it would in a James Bond soundtrack of the Timothy Dalton era.

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In accordance with relativity, they are in some sense interchangeable, but we do know that they form co-equal parts of a larger 'thing' called space-time, and it is only within space-time that the most complete understanding of the motion and properties of natural objects and phenomena can be rigorously understood by physicists. Space and time are to space-time what arms and legs are to humans. In some sense they are interchangeable, but you cannot understand 10,000 years of human history without including both arms and legs as part of the basic human condition.

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Gen Ludd are Glasgow-based Rich McMaster (Golden Teacher, Modern Institute) and Tom Marshallsay, both of whom are a big part of the extended Rubadub family. Their music perfectly embodies the Rubadub ethos of music for heads and feet. After months of negotiations with our minister of finance Hillington West Snr, TAFKNAGL (That artists formerly known as General Ludd) return with four precise cuts of pure rhythm and motion. These tracks are a message to the Ramona-toting, gymnasium-powered international dance deejay. Please be bold enough to play them... you’ll make the world a better place. We’ll give you free WAVS too.

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When someone drops a CD in, and says "I've recorded a couple of tracks, that I would like to put on on vinyl, would be up for distributing them ?" " One of them is not finished yet though, I just need to put some trumpets on it", well your expectations are not particularly high. It's a wonder that it even made it on toThe record flew out the door.Few months later we pressed a 12 for him on P&D deal. It didn't sell as well, which is often the way with records we love. Fast forward few years.. I got a call from the 'No Trumpet Man' aka FAKE LEFT, who had another couple of tracks he'd done. My first thoughts were, sorry afraid we can't help out this time... then had a listen, second thoughts were.. Fuck Aye, these have got to go out. So here they are.RAD-TRUMPET1 - as you'll see on the scribe.. well there is the story. When we sent this off to master, we were not sure what the catalogue number would be. So the files were titled Rad Trumpet.. with a view to updating before the lacquers were cut and test presses done. Of course we forgot, and only realised when the test presses came back as RAD-TRUMPET.. and I'm left having to explain to Graeme via these notes that he is 'affectionately' known here as Trumpet Man.So RAD-FAKE we'll let the music speak for itself.. and not a trumpet in sight. Oh apart from the stamp.. but that's another more politically based story.

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So this is the tune you’ve been hearing all summer in Ibiza. Many of the world's biggest djs have been playing it, it’s had something like a million plays on Youtube and didn’t even require a sponsored post on Facebook.



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Ned Ludd, possibly born Edward Ludlam, is the person from whom, it is popularly claimed, the Luddites took their name. In 1779, Ludd is supposed to have broken two stocking frames in a fit of rage. After this incident, attacks on the frames were jokingly blamed on Ludd. When the "Luddites" emerged in the 1810s, his identity was appropriated to become the folkloric character of Captain Ludd, also known as King Ludd or General Ludd, the Luddites' alleged leader and founder.


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"Crude noisemaker..... I like the glow that flashes red like our Krypton sun. But not this irritating noise. Make way."


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Much like Crowded House, you know more Dave Clark songs than you think you do. In fact, Mr Clark's musical endeavours past & present trace a line through the occult history of the Glasgow underground. Along with JD Twitch he made up the Optimo Espacio remix unit, reworking tracks by the likes of Factory Floor, Boris & Pharoahe Monch (?!). As a member of Big Ned he's traversed the nefarious regions of Post-Beefheart Shaman Rock. With Roger Elliot as State of Flux he released a series of stone-cold killing Techno records in the mid-90's. Under the guise of LUMA, Clark put out one of 2013's most anthemic 12"s for Optimo Trax in the form of the Amesville EP. As Truffle Club - driving electronic disco for the likes of Andy Blake's much-lauded Dissident imprint. Here however, he returns to the moniker of Sparky, a name you might already be familiar with having probably copped the Drexciyan epic "Portland" - the title track having been subsequently remixed by no less than Ricardo Villalobos & Tuff City Kids respectively. With this inimitable EP, Sparky dug deep into the archives to unearth two unique cuts recorded direct to tape in 1994. yes: NINETEEN-NINETY-FOUR. Listening to these tracks it becomes immediately apparent how ahead of the curve Clark was in dem heady dayz. Anyway, enough of the talkin - it's now time to step though the doors of Gnarnia and wash yourself in the light of.... the "Tapes".

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Now might not be the best point in time to be referencing Rolf Harris, but.... can you guess what it is yet? It ain't gonna be hard for those in the know. The second in Rubadub's white label series sees a gang of veteran knob twiddlers with over 20 years of experience under their belt. At this stage we might as well just tell you who it is..... but we're still not gonna. Strictly limited pressing. When it's gone, it's..... copies stashed away in the warehouse to flog on discogs for £300 a pop after everywhere else sells out. One clue : the cat no is RAD-FRK1 !


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