Enhancer Dub EP includes 4 tracks playing carefully with elements of Afrobeat, Dub & Techno. As a rare groove connoisseur and vinyl collector, Didier dlb has been delving into essential wax for almost 3 decades, navigating the underground music scene with a disregard for genre boundaries. Forget marketing hype – this is about the scientific exploration of sound, and an existential love for rave culture.

In 1999, armed with a basic setup featuring an Atari, Akai MPC 2000, Yamaha DX, and Korg 770, he ventured into music production. No flashy equipment, just a raw passion for sonic experimentation and analog sound. As a result, releases on Sonar Kollektiv, Get Physical, Klasse Recordings & Rotary Cocktail followed.

Didier dlb's undying dedication to exploration is reflected in his collaborations, residencies, and releases. He doesn't chase the limelight, instead immersing himself in the science of sound, shaping his own sonic universe. This is the story of an artist who has been shaping the underground landscape with a commitment to the art form.

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WAS - Word and Sound Medien GmbH
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After their first collaborative effort with Claudio PRC, Artefakt now team up with Maayan Nidam for a second part in their Collaborations series which is focused on live studio improvisations, capturing a raw energy and exploring new musical connections between the artists.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Across six tracks, a dream unfurls into sound – patterns emerging like scattered water droplets, a flowing dance of chance and texture. For Turmalin Dub, Tom of Terram (Hektisch Sprengen) teams up with Listensport. This EP flourishes in the fertile space between the organic and the synthetic, where textures breathe and rhythms pulse like living beings. It is shaped by five original creations and a ’90s-inspired French Dreamspell house remix by RAMZi, carrying the timeless spirit of the dancefloor. Turmalin Dub stands as a musical crystal, refracting light into deep colour and pulse; a fortress for the spirited and unconventional, an elegant tapestry of sound. The opening track weaves psychedelic hues with Balearic warmth, dubwise basslines, and whispers of slippery roots-reggae dub. Trance-inflected echoes flow together like water: from immersive ambient waves to intricate patterns and softly blurred dub techno. The release closes with Spirit, a track echoing the warmth and sway of trancehall, bridging introspective moments and the kinetic energy of a floor in motion.

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DE - 22113 Hamburg
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Pintai returns with its third release, coming courtesy of Switzerland based artist, Pango, in the shape of the ‘Helio’ EP.

Pango’s new release delves into deep, layered emotions—evoking mystery, wonder, and awe. Each track is a careful exploration of contrast: raw textures meet refined sound design, while contrasting sonic elements interlock to create immersive, textured soundscapes. Intricate, organic percussion anchors the compositions with a sense of momentum, driving the music forward with rhythm as detailed as it is dynamic.
The result is a collection that feels both exploratory and intentional—offering moments of tension, release and immersion.

Opening the release is title-track ‘Helio’, a dropped tempo journey drifting through hazy textural tones, an organic rhythm section, fluttering resonant synth tones and cossetting low-end swells all subtly nuanced throughout. ‘Christilist’ follows and picks up the tempo while stripping things down rhythmically to raw, reduced drums while an amalgamation of dubbed out stab sequences and weight subs dynamically wind through the hypnotic groove.

‘Faehtar’ opens the B-side next with bumpy bass hits and crisp, saturated percussion running alongside unfurling, cinematic strings and airy chords. ‘Wardal’ then concludes the release, diving deep via choppy bass notes, jazzy keys, intricately bubbling synth melodies and a bouncy drum groove.

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Part of the reason for the inception of this label was to platform not only my own productions, but also to have a vehicle for collaborators / friends and music I hold dear to my heart.

After the success of 001 I am very proud to present Ruff Kutz 002 - Pugilist & Tamen - Source.

Me & Luke immediately connected shortly after both moving to Melbourne around a similar time around 8 or 9 years ago. We immediately found a good working flow together and I can confidently say that we have both been massively influential to each other creatively. Source is our 5th collaborative EP and 10th record together as a production duo and I feel this EP is some of our best work yet!

The title track 'Source' is an ode to the more atmospheric Jungle anthems of innovators Source Direct - with a slightly dubbed out feel, retro aesthetics and nostalgic sampling. It culminates in a euphoric and hypnotic track, which whilst heavily referencing it's inspirations manages to be somewhat modern sounding.

In true Ruff Kutz fashion, the 2nd track on the A side 'Fuchsia' comes with an unexpected tempo drop - whilst continuing with the theme of the deep & melancholic tone of Source, but slightly more introspective and still within a jungle framework. The 2-step rhythm and melodic 808 bass underpins the carefully considered dubbing and melodic elements resulting in a unique track which could be compatible in many DJ sets across different genres.

'Limerick' on the B1 is affectionately named in the honour of Luke's great Uncle who sadly passed away around the time of writing this piece. It is a deeply personal atmospheric jungle track and might be one of our favorite pieces of music we have done together - it felt essential to have this on a home label and I'm really glad to have this on Ruff Kutz.

B2 'Miel' is a 160 Jungle track with 90s Hardcore leanings, a bit more playful in its approach with its fun drum edits and feel good pads and chords. This track elevates the EP with a welcome uplifting energy - nostalgic yet hopeful and whimsical and not taking itself too seriously.

We wanted to go a bit deeper with this EP and create something unique and more musical than we have previously released. In essence - delicate and dubbed out atmospheric groovers for those special moments on the dancefloor.

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Joyful Intimate Harbour Gateway

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20 light years across. Release your release.

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Following the monumental release of the JS Zeiter album, Lempuyang is back with a VIP remix 12" packed with stellar reworks. Legendary minimalist and tech house man Dean Decosta kicks off with a Reconfiguration of 'Arrival' that rides on fathom-deep drums with gently churning percussion and endless reverb. Rod Modell's Darker mix has more intent but remains silky smooth and deft then the JS Zeiter Reshape brings some more techno energy with a frictionless groove topped with dusty hi hats. Mike Schommer shuts down with a gently broken beat dub of 'Pradox' for early morning sessions.



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Acclaimed British artist Leon Vynehall presents is highly anticipated third album, In Daytona Yellow, via Ooze INC. Marking the next stage in the Ivor Novello-nominated producer and DJ’s evolving sound, In Daytona Yellow showcases Vynehall’s experimentations with fringe electronics, pop, and R&B, and his growing confidence through collaboration and live vocals. Across 10 hypnotically off-kilter tracks, we hear Vynehall at his most deft and diaristic.

Over the past 13 years, Vynehall has built a formidable reputation through his genre-defying artistry. From his early days as a leftfield house producer releasing on labels like Aus Music, Running Back, 3024, and Rush Hour, to his critically acclaimed debut album Nothing Is Still (2018) and the boundary-pushing Rare, Forever (2021), he has continually redefined his creative limits. While Rare, Forever was a bold step away from dance music—melding post-punk textures with experimental electronics—In Daytona Yellow pushes these experiments into a more traditional songwriting framework, inspired by both contemporary and 80s avant-pop.

In Daytona Yellow is set to be a career-defining release, cementing Leon Vynehall as one of electronic music’s most innovative and thought-provoking artists, part of a vanguard expanding the ambition of electronic music.

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On Biotope, Valentino Mora ventures even further from the dancefloor, delving into a rich, psychoacoustic realm shaped by modular and spectral synthesis. Built primarily around the Rossum Panharmonium, a module that analyzes and re-synthesizes audio into evolving harmonic clusters in real time, the album conjures an imagined ecosystem, where sound behaves with the logic and fluidity of organic life. Eschewing traditional field recordings, Mora instead sculpts textures and gestures that feel deeply natural yet are entirely synthetic. Inspired by elements such as soil composition, air, humidity, light, temperature, and the chemical properties of both land and aquatic environments and the living creatures that inhabit them, the soundscapes emerge as a kind of sonic biology. The result is a collection of slow-moving, tension-laden compositions that blur the boundaries between physical sensation and abstract design. Biotope unfolds like a closed ecosystem: modular synthesis treated as a breathing entity, shaped by resonance, friction, and organic motion. It embodies a kind of mystical biology, where textures mimic living forms, and frequencies pulse with intent. This is music to be felt as much as heard, Biotope invites you to listen with your skin, not just your ears.

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Unearthing old gems, remastering and bringing them back to the forefront is what Private Parts are up to for release number 07 in the catalog. Original London Tech masters Rob Pearson & Dave Mothersole originally released Wanting You in the early 00’s, but with the extreme prices on Discogs it seemed like the right choice to get this re pressed for your pleasure.

Wanting you is everything you ever wanted from those timeless sounds of London Tech. Dubbed out vocals, tribal rhythms, pulsating acid lines and a groove to keep you locked right in.

Flipping to the B, and the biggest thank you to Rob himself for spending weeks searching old DAT tapes in his loft to find the original pre master of the driving remix from the late Iteration X. They don’t come more heads down, and hypnotic than this. Throbbing bass stabs, luscious chords and in true Iteration X style, a roller that you could keep you shaking for days on end.

It only seems fitting to dedicate this re issue to Simon Copleston, Mr Iteration X. Thank you for the music!

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