RNT introduces MOTEL PHANTASMA, a new project from two seasoned producers, with their incendiary Claptrap EP. A tasty double A-side 7inch, this pair of tracks establishes the MP sound as both club-tough and musically weighty.

The title track is a peaktime weapon of epic proportions, oozing slippery electronic percussion, razory synth work, and in-your-face vocal incantations delivered in Portuguese.

The flip side is a bouncey Afro-boogie number, a bit more organic in approach, and with a relentlessly catchy hook by featured singer Kaleta. With a gorgeous full color jacket to match the music’s punch, this one is an absolute late-summer essential.

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RNT is rebooting the beloved House of Spirits project with a 7Inch series streamlined for the dusty donut heads. First up is the one that started it all 'Holding On' on the A side with it’s P&P meets rare-groove-gospel flavor that essentially defines Tom Noble’s HOS sound, and crowd favorite album cut 'Love Trip' on the flip. Never-leave-the-bag material!

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DJ Support: Hunee, Deb Grant, Laurent Garnier, Felipe Gordon, Francois K

JKriv’s long out-of-press Bukom Mashie Rework gets a king-size reboot in this tasty 7 Inch package with a fresh new acid dub! J’s original 8 min opus is nipped and tucked in all the right places to make for a streamlined A-side stomper, and a brand new version on the flip, with a tastefully reimagined arrangement, punctuated with spicy 303 acid lines and live flute performed by the inimitable Domenica (of Underground System). Big summer banger alert!

Played on 6Music by Tom Ravenscroft & Deb Grant.

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Mexican sensation Pahua comes to Razor-N-Tape via a huge remix project featuring some of the hottest producer names in current outer-national dance music. This special 7 inch version features two newcomers to the RNT remix roster.

On the A side, global groove merchant Poirer delivers a stripped down and hypnotic mix in his signature style Pahua’s uptempo anthem ‘Espantapájaros”.

On the B side, Detroit Latin production legend John Beltran adorns the melancholic ‘Flor de Jazmin’ with a samba-inflected rhythmic foundation and a lush horn arrangement that transports you straight to Cafe del Mar, Ibiza.

This package honors the essence of the original music, while flipping it in quintessential RNT club-ready fashion.

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Elado’s original edit of this Bollywood gem has brought immeasurable joy to dance floors around the world for the past 2 years, RNT now double down on the love with this official 7’ remix package. The familiar Gulab Jamun rework graces the A side, and on the flip we have the dubby acidic treatment of Elado’s brand new 4 A.M. mix. And in homage to the artist Nadim Khan, the original CD artwork as been repurposed for a slick custom jacket. Tu Tak Tu Tak Tutiyan…RNT LOVES YOU!

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Razor-N-Tape Present A special 7 inch release featuring Japanese artist Kan Sano with a cover version of the Roy Ayres classic.

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RNT welcomes Amy Douglas to their ever-growing lineup of illustrious talent with a double A-side 7" of pulsating, Rough-N-Tumble NYC Disco.

Known to the heads as a voice and pen behind Horse Meat Disco, Roisín Murphy, and as the face of HARD FEELINGS (her project with Hot Chip’s Joe Goddard), Amy’s distinctive vocal swagger and songwriting talent are on full display on this EP. Co-written with and produced by RNT co-honcho JKriv, both tracks are bass heavy instant earworms, and wickedly naughty party starters.

Grab this pair of future modern disco classics, conceived by a pair of experienced dance-floor auteurs.

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Repress!

RNT welcomes Brooklyn-based band 79.5 to the family with the first single from their forthcoming eponymous LP. Soulful and psychedelic, the haunting melodies of Club Level float above a steady strutting rhythm section, punctuated by moaning baritone saxophone and drenched in washy reverb.

NYC mainstay Eli Escobar crafts a masterful remix that leans into 80s nostalgia, with a soundscape and arrangement nothing short of perfection.

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A1 - 7" Disco Mix
B1 - Art Of Tones Remix

A new project by Dicky Trisco and JKriv, Sentimental Animals is a celebration of dancing, late night antics, and musical togetherness.

This offering of all-original disco features lead singer of Brooklyn disco outfit Escort belting her heart out, and Robin Lee of Faze Action showing his muso side on guitar, bass and keys duties. Art of Tones gets down and dirty on the flip side with a rolling and raucous funk remix.

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A1 – Emancipacao
B1 - 50 Anos Em 5

Having previously released on RNT as part of duo Balako, Diogo Strausz now makes his solo debut on the label with an absolutely stunning offering of electronic Brazilian jazz. A São Paulista now living in Paris, Strausz made international waves earlier this year with his piece ‘Pausa,’ a grand and sprawling orchestral work written and recorded by musicians around the world in isolation.

The two songs on Strausz’ new Emancipação EP showcase his gift for instrumental composition that feels at once both fresh and timeless, informed heavily by the classic Bossa Nova and Samba repertoires of his native Brazil, yet translated through a modern production lens, and executed with exceptional musicianship. The end result is an undeniably unique sound that will fit equally well in the collections of jazz and MPB aficionados, as in the crates of modern DJs and listeners alike.

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Boogie from the ‘Burgh! RNT breathes new life into their 45 series with a boom-bap-laden 7” from Pittsburgh’s Buscrates. A pitched down lead vocal, crisp drum programming and slinky synth work demonstrates that Mary Jane (not cocaine) is a helluva drug on the A side’s “Main Thing”.
On the flip, “F.T.F. (Freak The Funk)” explores a familiar sample from the golden era of hip-hop, recontextualized in vocoded synths, funky wah-wah clavinet, and shimmery strings layered perfectly over a pulsating disco groove. RNT 45 is back, and straight into the bag

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For Record Store Day 2017 Razor-N-Tape presents "Icarus," an original song by Lovebirds, with remixes from Tall Black Guy, Moods, and JKriv in a striking double 7" package. Giving the shine to their 45 series for this year's Record Store Day, RNT welcomes back Lovebirds aka Sebastian Doering with a slice of chilled-out analogue soul. Although primarily known for his nu-disco and house productions, Lovebirds is a seasoned hand at all things deep, and Icarus shows the smoky late-nite side of Basti's skilled production style. An all-original tune, Icarus layers jazzy vintage electric pianos over restrained but head-nodding percussion, with Galliano's soulful vocal soaring above it all. The ever consistent Tall Black Guy delivers a 90's-esque boom-bapper of a mix, with an added verse from 80's Babies for good measure. Moods works the track into a slo-mo stomper on his mix, complete with stuttering synth bass and driving percussion. And rounding out the package is RNT's JKriv, with a beachy stripped-down retro-boogie remix perfect for those warm-weather months to come. Each mix gets its own side in this double 7" pack, with stunning full colour artwork, making it a truly special package perfect for both collectors and DJs alike.



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Pye Corner Audio presents his debut for the label with 2 EPs of Acid touched live jams. The main electronic project of Martin Jenkins, here he detours from his on-going journey of the mysterious foggy soundtrack inspirations and fragments of techno, here adding deep, dark 303 fuelled experiments, clearly aimed at dark dancefloors.

After decades of experience working in London recording studios, his recent time near the South Coast has born incredible fruition, with releases on a who’s who of electronic labels – Ghost Box, Type, Ecstatic and Lapsus – that showcased a fragility of electronics, mixing Radiophonic and Library sounds, touches of post punk aesthetics and the deep pulse of the 4/4, Jenkins (aka The Head Technician) has offered a series of timeless albums over the past decade and more, including the much heralded Black Mill Tape series.

Recorded while the world was in lockdown, these EPs update Jenkins moody, retro-futuristic sound with a clear love of Acid House that can be traced back to halcyon raves of his youth.

The sparse sounds and spatial dub are all there, the favoured stripped back collection of equipment were pulled even further to be just the crucial Roland RE-501 (Space Echo), Roland TR-06 and TR-08 drum machines, the audio alchemy of the Make Noise Stada and the all-important Cyclone TT-303.

Mostly recorded live to reel-to-reel, then bounced back at half speed, lightly edited and transposed down an octave, the murky acidtronics join Pye Corner’s signature audio visual meets vintage touch.

From the pure club acid trax of opener Dust Acid to the deep 303 experiments of the aptly titled, Wanna Show U Acid and Magnetic Acid Four, Pye Corner Audio covers the cinematic, the psychedelic, to the dark, the basement throb, as only this master technician dreams.

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A dense and driving club interpretation of the well-loved ethereal classic “Genesis,” reworked into a hypnotic instrumental with plenty of low-end weight and emotional charge.
Built for impact, not nostalgia, it comes in four versions — each tuned with a different tone for different zones of the night. Out on vinyl and digital via Axis of People.

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Pye Corner Audio presents his debut for the label with 2 EPs of Acid touched live jams. The main electronic project of Martin Jenkins, here he detours from his on-going journey of the mysterious foggy soundtrack inspirations and fragments of techno, here adding deep, dark 303 fuelled experiments, clearly aimed at dark dancefloors.

After decades of experience working in London recording studios, his recent time near the South Coast has born incredible fruition, with releases on a who’s who of electronic labels – Ghost Box, Type, Ecstatic and Lapsus – that showcased a fragility of electronics, mixing Radiophonic and Library sounds, touches of post punk aesthetics and the deep pulse of the 4/4, Jenkins (aka The Head Technician) has offered a series of timeless albums over the past decade and more, including the much heralded Black Mill Tape series.

After providing a Recorded while the world was in lockdown, these EPs update Jenkins moody, retro-futuristic sound with a clear love of Acid House that can be traced back to halcyon raves of his youth.

The sparse sounds and spatial dub are all there, the favoured stripped back collection of equipment were pulled even further to be just the crucial Roland RE-501 (Space Echo), Roland TR-06 and TR-08 drum machines, the audio alchemy of the Make Noise Stada and the all-important Cyclone TT-303.

Mostly recorded live to reel-to-reel, then bounced back at half speed, lightly edited and transposed down an octave, the murky acidtronics join Pye Corner’s signature audio visual meets vintage touch.

Starting deeper than EP1, Stregan Acid bubbles and broods, building to hats and 303 as absolute crescendo, while Magnetic Acid Three takes it towards the calling basement lights. The unrelenting 4/4 kick of the club is there with Thermionic Acid, before the stripped to the bare elements of Magnetic Acid One comes full circle and Pye Corner Audio completes this cinematic, psychedelic, dark, basement throb, a master technician dreams.

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Mannequin Records proudly reissues "My Government Is My Soul", a searing 1989 statement from Bourbonese Qualk, one of the UK’s most defiant and politically engaged experimental acts. Originally released on the group’s own label, this LP captures the uncompromising spirit of a band deeply embedded in the resistance movements of 1980s Britain.

Recorded during a turbulent period of social unrest, "My Government Is My Soul" stands as a fierce response to authoritarianism, surveillance, and the neoliberal decay that defined the Thatcher era. Bourbonese Qualk fused industrial rhythms, minimal synth, distorted tape loops, and spoken-word polemics into a sound that was both confrontational and deeply physical—a weaponized form of music rooted in activism and direct action.

Widely regarded by fans as one of the band’s strongest works, "My Government Is My Soul" has earned a near-mythic status in underground circles. Fans have praised the album’s stylistic breadth—“sometimes it kisses the hem of rock, at others it bows towards the likes of Steve Reich & Philip Glass".

This reissue, fully remastered by Rude 66, reintroduces a critical work of post-industrial dissent to a new generation. Still as urgent and unflinching as ever, the album resonates with today’s climate of mass disinformation and systemic control. It is a timely reminder that sound can still be a form of resistance.

Remastered by Rude66. Graphic design by Simon Crab.

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Pleasure of Love reissue imprint, New Islands, is back with another stunning restoration of a sought-after 12” gem. Originally produced by Paul Robb of Information Society in 1987, Venus II emerged as an otherworldly girl group in the Minneapolis scene. The mysterious duo wrote, programmed/sequenced, and performed everything live in the studio and on stage, including their local hit “Oh Boy.” Over the years, balearic heads have come to know and love this rare 12”. Now New Islands, sourcing from the original multi-track tapes, delivers a wicked, lush reissue of the original songs along with a pair of Justin Strauss remixes. Recommended if you like Nu Shooz, Tom Tom Club, and Torch Song.

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Mexican magic man Iñigo Vontier returns with another stroke of high NRG-nius on ACID COWBOY.

Put on your pointy boots & strap on your stetson: this stripped-down hip-spurring mix of meme-ready themes might be the dance hit of the summer.

Fresh off releases for Optimo & Crosstown Rebels, Iñigo has been smashing his ‘Calypso Cult’ parties around the world with a hypnotic blend of tribal house, acid techno, and playful eccentricity. This release encapsulates this special brand of mischief into a super-potent 12 inch coming this summer on Multi Culti World Records.

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Domenique Dumont’s fourth album, Deux Paradis, arrives like the three that came before it – with an air of mystery and wonder. This is dance music for inner worlds – rituals, revelations and reveries.
Deux Paradis is a ten-track song cycle that leads the listener through the rhythm of a day, the bloom and fade of a relationship, or even the stages of a life.

It begins with a song about waking up – the candy-striped dub of “Enchantia” – and traces the sun’s arc with the pixelated reggae of “La Vie Va” and the sensuous rush of “Amants Ennemis”. As night falls, the songs take on a twilight quality in the
shimmering pop of “The Order of Invisible Things” and the seductive pulse of “Visages Visages” (a subtle nod to the Desireless classic). There’s also the baroque swoon of “Deux Paradis” and the soft exotica of “Visiteur de la Nuit”. Bolder and richer than before, it’s vintage Domenique Dumont – timeless and romantic, yet laced with an unplaceable sense of longing, like in an Éric Rohmer film. After the instrumental film score People On Sunday (Leaf, 2020) – composed solo by Arturs Liepins – singer Anete Stuce returns to Domenique Dumont, bringing her inimitable joie de vivre. Deux Paradis completes a trilogy of releases alongside Comme Ça (2015) and Miniatures De Auto Rhythm (2018) on the Antinote label.

Deux Paradis was composed, arranged and between 2022 and the end of 2024 in studios in Riga and Paris, and on the Estonian island of Hiiumaa.

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‘THE INFINITE STREAM TO ETERNITY LAYS IN THE UNDERSTANDING OF THE WHIRLING ASCENT TO PERFECTION’

Jon Tye, aka Ocean Moon is a man who truly needs no introduction. For the last 30 plus years, the founder of LO RECORDINGS has consistently been a part of some of the most seminal and groundbreaking sonic excursions of our time — MLO, Seahawks, Cherry Garcia, and Brain Machine, to name a few.

After his recent album for Music From Memory, ‘Ways To The Deep Meadow’, Ocean Moon now sets his controls for the heart of the sun and takes the listener on an epic journey into a world of vibration, wild oscillations, molecular transformation and altered states of consciousness.

Inspired by the kaleidoscopic majesty of 4 Hero, Terre Thaemlitz, and Alice Coltrane combined with the the wonders of the cosmos, 'SHIMMERING STATES' is an electronic symphony that feels like a magical sonic voyage into deep space.

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