Belgian artist Philippe Petit joins Radio Slave’s imprint with four analogue techno cuts on his Rekids debut. The Chamonix based DJ and producer Philippe Petit is widely respected amongst the techno community for his plethora of rumbling releases such as ‘Venus’ on EarToGround and ‘Scrape’ on his own imprint Decision Making Theory as well as releasing on Involve and Figure SPC to name a few. With a wealth of experience playing at the likes of Tresor, Suicide Circus, La Graviere, Batofar, Weetamix, Corsica Studios, and Berghain, the sophisticated production he showcases was a natural fit for the Rekids’ Special Projects series. ‘Anger’ rolls in with force and bumping sub frequencies, rattling percussion and jarring keys, then ‘Crystal Clear’ keeps things murky with evolving pads, fleeting highs and rolling low-end. On the flip, ‘When We Meet’ jumps in with climbing stabs, tight hi-hats and galloping kicks, when finally, ‘La Floria’ cuts through with chopped highs, washing chords, snappy cymbals and dreamy harp-esque patterns.

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For EarToGround's second release of 2014 they once again step it up another gear with their latest signing from Belgium born now French based artist Philippe Petit. Three brand new, expertly crafted tracks with additional remix work from Fachwerk's Roman Lindau. Venus was Ben Klock's first tune of 2014 at Awakenings' New Years celebrations at Gashouder and Roman's remix of Meteorite has seen airplay on London's Rinse FM...




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In addition, he invites Terrence Dixon back on Knotweed so that Terrence can give his own minimalistic interpretation of Stars.



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Played by Ben Klock, Myles Sergé, Gonzalo MD, Opuwerk, Darkcell

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Mixing Berlin and Detroit influences, Philippe Petit comes up with three new tracks that will satisfy listeners looking for main room full-on pumping techno, Detroit chords or atmospheric early/late evening dubby sounds.



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Knotweed Records is a new label launched out of Chamonix, France, by Belgian DJ and producer Philippe Petit. Philippe Petit has been around the dance music scene for a good 20 years. When he was not playing in his thrash metal bands, he was going out but did not like the music he was hearing. That is when he started DJing. Very eclectic in the beginning, he quickly veered towards funk, hip hop and acid jazz in the early nineties, playing for Guru, Ronnie Jordan, Galliano, the Goats, Palm Skin Productions etc. In 1995, he moved to London. Having to stop his sweaty metal activities, he needed to find another way to release all his extra energy, this time on his own. That is the reason why slowly but surely he started to incorporate more and more techno into his DJ sets. By 1997, it was only techno that was coming out of his needles. Having no time to start producing tracks, he focused mainly on playing gigs across London, as well as the one-off gigs in Belgium, France, Italy and Spain, mixing deep house and techno, always with a funk twist. By 2000, he was sharing his time between Chamonix and London, where he became a regular at Cantina Club and at Soulfood. Two years ago he moved permanently to Chamonix where he now spends 100% of his time focusing on making music. After one year of trial, he comes with this first release. As Philippe is composing music mainly when the weather grounds him at home, the dark atmosphere of the steep-sided mountain environment can be felt in all tracks of this release. The sound is techno at its best, Detroit influenced, hypnotic, dubby, but always with a funk element incorporated in the tracks. The key here is energy and groove



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