Rights: World excluding FR & UK

Packaging: 1 x CD, 4 pages digisleeve remus spine, 2 wallets, 12 page booklet, 1 x printed inner, marketing sticker

SHORT BIOG / KEY POINTS

" All Orbital's classic tracks across all albums in one piece of vinyl / 1LP as cult edit versions.
" Extented 1CD edition with 6 additional tracks
" Orbital's own words about "A Beginner's Guide" : " The package you are holding in your hands is your threshold to a transformational psychoacoustic experience. An experience that will take you to spaces familiar, sonic pathways opening different times and different sounds to the chronosonic method of Orbital."

CD
01 Chime (Edit)
02 Halcyon (Edit)
03 Belfast (Edit)
04 Satan (Spawn)
05 The Box (Edit)
06 Lush 3.1 (Edit)
07 Beached (Edit)
08 Are We Here? (Edit)
09 Are You Alive? (feat. Penelope Isles) (Edit)
10 Style (Edit)
11 Dirty Rat (Edit)
12 Funny Break (One Is Enough) (Single Version)
13 Ringa Ringa The Old Pandemic Folk Song - Featuring the Mediaeval Baebes (Edit)
14 Remind
15 Illuminate
16 Doctor?
17 The Girl With The Sun In Her Hair


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Rights: World excluding France & UK

DOUBLE BLACK LP REPRESS EDITION : 2x 140 Grs Black Vinyl, 5 mm spine sleeve, 2 x Printed Inner sleeve ,marketing sticker

SHORT PRODUCT INFORMATIONS

SHORT INFOS / KEY POINTS

" Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
" The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
" The album has been remastered and represented in multiple formats, released April 19th alongside the band's 'Green Album' UK tour
" Initial deluxe 2X Black LP & 2x Colored LP sold out & meant as one run/no repress -This new & permanent Double Black Vinyl (Repress edition) to be released August 9th, 2024.





TRACKLIST

DOUBLE VINYL
Disc 1
A SIDE : A1 The Moebius - A2 Speed Freak - A3 Macrohead
B SIDE : B1 Oolaa - B2 Desert Storm
Disc 2
C SIDE : C1 Fahrenheit 303 - C2 Steel Cube Idolatry - C3 High Rise
D SIDE : D1 Chime (Live) - D2 Midnight (Live) - D3 Belfast


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Rights: World excluding France & UK

DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.

TRACKLIST DOUBLE CD

CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting

CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)

SHORT INFOS / KEY POINTS

Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990

1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes

BIOG / SHORT PR INFOS

Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).

The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.

33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.

Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.

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Rights: World excluding Fr & UK

CD : 1 x CD, Gatefold sleeve UV gloss finish + Black Inner sleeve.

TRACKLIST CD:
1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
2. Day One (feat. Dina Ipavic)
3. Are You Alive? (feat. Penelope Isles)
4. You Are The Frequency (feat. The Little Pest)
5. The New Abnormal
6. Home (feat. Anna B Savage)
7. Dirty Rat – With Sleaford Mods
8. Requiem For The Pre Apocalypse
9. What A Surprise (feat. The Little Pest)
10. Moon Princess (feat. Coppe)

SHORT INFOS :

Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”

SHORT BIOG:

“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”

You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.

“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.

“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”

Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.

Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.

And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”

Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.

“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”

?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.

The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”


But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.

In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.

There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More

Rights: World excluding Fr & UK

DOUBLE BLACK LP : 2 x 140 G Black Vinyl , Sleeve & 2 x Heavy Weight Printed Inner with UV Gloss Finish

TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)

B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal

C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse

D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)

SHORT INFOS :

Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”

SHORT BIOG:

“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”

You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.

“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.

“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”

Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.

Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.

And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”

Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.

“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”

?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.

The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”


But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.

In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.

There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More

Rights: World excluding Fr & UK

2 x Solid White LP, 5mm spine Sleeve UV Gloss Finish, 2x Heavy Weight Printed Inner Sleeve UV Gloss finish, marketing sticker.

TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)

B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal

C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse

D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)

SHORT INFOS :

Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”

SHORT BIOG:

“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”

You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.

“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.

“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”

Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.

Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.

And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”

Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.

“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”

?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.

The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”


But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.

In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.

There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More

Rights: World excluding France & UK

Deluxe cardboard box cmyk+special panton UV Matt,
4 x 180 G vinyl boxset each in a dedicated vinyl sleeve cmyk+ special panton ,
matt uv. 12’’ x 12’’ fold out booklet with new sleeve notes by Andrew Harrison.
Plus exclusive ’30 Something’ Slip Mat !

SHORT INFORMATION/ SHORT BIOG

Orbital missed their actual thirtieth anniversary due to lockdown, but it gave Paul and Phil pause to think and find a way to celebrate their past that was actually about the future. Unlike other Best Of’s, the ‘30-Something’ album contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks based on the duo’s unrivalled live show. Satan, The Box, Impact, Belfast and more appear in new 30-something guises, familiar yet new, time reversing, yesterday becoming tomorrow. Plus new track ‘Smiley’ Also including remixes from Yotto, ANNA, Jon Hopkins, Dusky, Joris Voorn, Logo 1000, Eli Brown, Shanti Celeste and more.
Deluxe 4x 180 Grs Vinyl Boxset , with Slip Mat & 12’’x12’’ Booklet. / 2 X CD edition .


TRACKLIST
LP
FACE A
1. Smiley
2. Satan (30 Something Years Later Mix)

FACE B
1. Where Is It Going (feat. Stephen Hawking)
2. Impact (30 Years Later And The Earth Is Still Burning Mix)

FACE C
1. Chime (30 Something Years Later Mix)
2. Halcyon (30 Something Years Later Mix)

FACE D
1. The Box (30 Something Years Later Mix)
2. Belfast (30 Something Years Later Mix)

FACE E
1. The Girl with the Sun in Her Head (Floex Remix)
2. Belfast (David Holmes Remix)

FACE F
1. Halcyon & On (Jon Hopkins Remix)
2. Chime (Eli Brown Remix)

FACE G
1. Impact (John Tejada Remix)
2. Are We Here? (Dusky Remix)

FACE H
1. Belfast (ANNA Techno Remix)
2. The Box (Joris Voorn Remix)
3. Are We Here? (Shanti Celeste Remix) More

Rights: World excluding France & UK

2 x CD in deluxe 4 page digisleeve,cmyk+special panton, U
V Matt, 12 page booklet ,cmyk+special panton ,
including new sleeve notes by Andrew Harrison.Sticker

SHORT INFORMATION/ SHORT BIOG

Orbital missed their actual thirtieth anniversary due to lockdown, but it gave Paul and Phil pause to think and find a way to celebrate their past that was actually about the future. Unlike other Best Of’s, the ‘30-Something’ album contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks based on the duo’s unrivalled live show. Satan, The Box, Impact, Belfast and more appear in new 30-something guises, familiar yet new, time reversing, yesterday becoming tomorrow. Plus new track ‘Smiley’ Also including remixes from Yotto, ANNA, Jon Hopkins, Dusky, Joris Voorn, Logo 1000, Eli Brown, Shanti Celeste and more.
Deluxe 4x 180 Grs Vinyl Boxset , with Slip Mat & 12’’x12’’ Booklet. / 2 X CD edition .


TRACKLIST CD

CD1
1. Smiley
2. Acid Horse
3. Where Is It Going? (feat. Stephen Hawking)
4. Impact (30 Years Later And The Earth Is Still Burning Mix)
5. Satan (30 Something Years Later Mix)
6. Chime (30 Something Years Later Mix)
7. Halcyon (30 Something Years Later Mix)
8. Belfast (30 Something Years Later Mix)
9. The Box (30 Something Years Later Mix)
10. Are We Here? (Dusky Remix)
11. The Girl with the Sun in Her Head (Floex Remix)
12. Halcyon & On (Logic 1000 Mix)

CD2
1. Belfast (ANNA Techno Remix)
2. Impact (John Tejada Remix)
3. Chime (Octave One Remix)
4. Halcyon & On (Jon Hopkins Remix)
5. Are We Here? (Shanti Celeste Remix)
6. Belfast (Yotto Remix)
7. The Box (Joris Voorn Remix)
8. The Girl with the Sun in Her Head (Lone Remix)
9. Impact - Rich NxT Remix (Edit)
10. Chime (Eli Brown Remix)
11. Belfast (David Holmes Remix) More

Rights: World excluding FR & UK

Packaging: 1 x CD, 4 pages digisleeve remus spine, 2 wallets, 12 page booklet, 1 x printed inner, marketing sticker

SHORT BIOG / KEY POINTS

" All Orbital's classic tracks across all albums in one piece of vinyl / 1LP as cult edit versions.
" Extented 1CD edition with 6 additional tracks
" Orbital's own words about "A Beginner's Guide" : " The package you are holding in your hands is your threshold to a transformational psychoacoustic experience. An experience that will take you to spaces familiar, sonic pathways opening different times and different sounds to the chronosonic method of Orbital."

CD
01 Chime (Edit)
02 Halcyon (Edit)
03 Belfast (Edit)
04 Satan (Spawn)
05 The Box (Edit)
06 Lush 3.1 (Edit)
07 Beached (Edit)
08 Are We Here? (Edit)
09 Are You Alive? (feat. Penelope Isles) (Edit)
10 Style (Edit)
11 Dirty Rat (Edit)
12 Funny Break (One Is Enough) (Single Version)
13 Ringa Ringa The Old Pandemic Folk Song - Featuring the Mediaeval Baebes (Edit)
14 Remind
15 Illuminate
16 Doctor?
17 The Girl With The Sun In Her Hair


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Rights: World excluding France & UK

Packaging: 4 CD + 1 DVD 9 , Hardcover boxset sized 16cmx16cm with mat UV & spot Gloss , 24 page booklet (like a book) + special printed panels for CDs/DVD, front sticker

PRODUCT INFOS:

LIMITED 4CD+1DVD BOXSET

" The definitive version of Bronski Beat's The Age of Consent
" Meticulously researched by project consultant Barnaby Ashton-Bullock
" 67 tracks, including 22 previously unreleased tracks uncovered and restored from the London Records archive
" 5 Discs in wallets (4 audio CDs and 1 DVD)
o The Age of Consent [16 Tracks]
" The original album, plus 6 bonus tracks [7" versions and radio edits]
o Hundreds & Thousands [11 Tracks]
" The original remix album, plus 5 bonus tracks
o Consent Extended - The 12 Inches Plus [11 Tracks]
" Rare 12" versions, US Club Mixes, B-sides
o Ignore at Your Peril - The Rarities Plus [19 Tracks]
" Radio sessions, previously unreleased early versions, and studio sessions
o DVD - The First Chapter - The Videos Plus [10 Tracks]
" Restored music videos
" Top of The Pops performances
" Original TV adverts
" 24-page booklet featuring rare and unseen photos, and essays by:
o Tom Rasmussen
o Lesley Chow
o Lucy Robinson
o Barnaby Ashton-Bullock

SHORT BIOG
Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.



TRACKLISTING:

LIMITED 4CD+1DVD BOXSET

DISC ONE : THE AGE OF CONSENT - THE ALBUM PLUS
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND & MONEY
6. SMALLTOWN BOY
7. HEATWAVE
8. JUNK
9. NEED A MAN BLUES
10. I FEEL LOVE / JOHNNY REMEMBER ME
11. SMALLTOWN BOY (DJ 7" EDIT) - Bonus track
12. WHY? (REMIX) - Bonus track
13. IT AIN'T NECESSARILY SO (7" VERSION) - Bonus track
14. I FEEL LOVE (7" VERSION) WITH MARC ALMOND - Bonus track
15. RUN FROM LOVE (RADIO VERSION) - Bonus track
16. HARD RAIN (NME 7" VERSION) - Bonus track

DISC TWO : HUNDREDS & THOUSANDS - THE REMIX PLUS
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
4. HARD RAIN (HARVEY GOLDBERG REMIX)
5. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
6. JUNK (HARVEY GOLDBERG REMIX)
7. LOVE AND MONEY (HUNDREDS & THOUSANDS REMIX) * - Bonus track
8. INFATUATION / MEMORIES - Bonus track
9. CLOSE TO THE EDGE - Bonus track
10. I FEEL LOVE (CAKE MIX) WITH MARC ALMOND - Bonus track
11. CADILLAC CAR (EXTENDED) - Bonus track

DISC THREE : CONSENT EXTENDED - THE 12 INCHES PLUS
1. SMALLTOWN BOY (12" VERSION)
2. WHY? (12" VERSION)
3. IT AIN'T NECESSARILY SO (12" VERSION)
4. I FEEL LOVE (12" VERSION) WITH MARC ALMOND
5. RUN FROM LOVE (US CLUB REMIX '85) *
6. SMALLTOWN BOY (US CLUB REMIX '84) *
7. RED DANCE
8. THE POTATO FIELDS
9. PUIT D'AMOUR
10. SIGNS (AND WONDERS)
11. I FEEL LOVE (FRUIT MIX)

DISC FOUR : IGNORE AT YOUR PERIL - THE RARITIES PLUS
1. SMALLTOWN BOY (CAPITAL RADIO SESSION, MAY '84) *
2. HEATWAVE (CAPITAL RADIO SESSION, MAY '84) *
3. HARD RAIN (CAPITAL RADIO SESSION, MAY '84 )*
4. WHY? (EARLY VERSION, MARCH '84) *
5. CRAZY MARAQUITTA (STUDIO SESSION) *
6. IT AIN'T NECESSARILY SO (EARLY VERSION) *
7. UPSIDE DOWN (STUDIO SESSION) *
8. SCREAMING (EARLY VERSION, MARCH '84) *
9. THE POWER OF THE GOLD (STUDIO SESSION) *
10. LOVE AND MONEY (EARLY VERSION) *
11. FIRST CHURCH (FEEL LOVE) (STUDIO SESSION) *
12. JUNK (EARLY VERSION 2) *
13. WALKING (STUDIO SESSION) *
14. NO MORE WAR (EARLY VERSION) *
15. GO (YOU & ME) (STUDIO SESSION) *
16. CLOSE TO THE EDGE (EARLY ALTERNATE EXTENDED MIX) *
17. HEATWAVE (EARLY VERSION) *
18. THE OTHER SIDE OF THE TRACKS (STUDIO SESSION) *
19. SMALLTOWN BOY (EARLY VERSION, MARCH '84) *

DISC FIVE / DVD : THE FIRST CHAPTER - THE VIDEOS PLUS
OFFICIAL MUSIC VIDEOS
1. SMALLTOWN BOY (RESTORED PROMO)
2. WHY? (RESTORED PROMO)
3. IT AIN'T NECESSARILY SO (RESTORED PROMO)
4. I FEEL LOVE (RESTORED PROMO) WITH MARC ALMOND
TOP OF THE POPS PERFORMANCES
5. SMALLTOWN BOY (BBC 'TOP OF THE POPS', JUNE '84)
6. WHY? (BBC 'TOP OF THE POPS', SEPTEMBER '84)
7. IT AIN'T NECESSARILY SO (BBC 'TOP OF THE POPS', DECEMBER '84)
8. I FEEL LOVE (BBC 'TOP OF THE POPS', APRIL '85) WITH MARC ALMOND
ORIGINAL TV ADVERTS
9. THE AGE OF CONSENT - TV ADVERT #1 (DECEMBER '84) *
10. THE AGE OF CONSENT - TV ADVERT #2 (JANUARY '85) *
* PREVIOUSLY UNRELEASED

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Rights: World excluding France & UK

Packaging: 2 x CD, 4/4 6 page sleeve - 3 wallets- with mat UV & spot gloss UV, 24 page booklet, front sticker

PRODUCT INFOS:

DOUBLE CD
" 40th Anniversary double CD edition including
o Disc One - The Age of Consent plus 5 newly commissioned 2024 remixes
o Disc Two - Hundreds & Thousands and 5 bonus tracks
o Remixes from ABSOLUTE., Planningtorock, The Knocks, Dave Audé, and Superchumbo
o 26 tracks across 2 CDs
o 6 previously unreleased tracks, 5 for the first time on CD
" 24,page booklet, updated artwork with rare and unseen photos



SHORT BIOG
Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.



TRACKLISTING:

DOUBLE CD
CD1
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND MONEY
6. SMALLTOWN BOY
7. HEATWAVE
8. JUNK
9. NEED A MAN BLUES
10. I FEEL LOVE / JOHNNY REMEMBER ME
11. SMALLTOWN BOY (ABSOLUTE. EXTENDED REWORK)
12. SMALLTOWN BOY (PLANNINGTOROCK'S 'THE LOVE THAT YOU NEED' REWORK)
13. SMALLTOWN BOY (DAVE AUDÉ VS TALL PAUL REMIX) *
14. WHY? (SUPERCHUMBO MIX FT. NEIL TENNANT) *
15. SMALLTOWN BOY (THE KNOCKS & BRONSKI BEAT FT PERFUME GENIUS) *

CD2
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
4. HARD RAIN (HARVEY GOLDBERG REMIX)
5. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
6. JUNK (HARVEY GOLDBERG REMIX)
7. LOVE AND MONEY (HUNDREDS & THOUSANDS REMIX) *
8. INFATUATION / MEMORIES
9. CLOSE TO THE EDGE
10. I FEEL LOVE (CAKE MIX) WITH MARC ALMOND
11. CADILLAC CAR (EXTENDED)

More

Rights: World excluding France & UK

Packaging: 2 x Black 140 Grs Vinyl, Gatefold Sleeve with Mat UV & Spot Gloss UV, 2 x Printed Inner sleeve, front sticker

PRODUCT INFOS:

DOUBLE BLACK VINYL
" 40th Anniversary double vinyl edition featuring:
o The Age of Consent (2018 remaster)
o Hundreds & Thousands (2024 remaster)
" Updated artwork with rare and unseen photos on Inner Sleeves


SHORT BIOG
Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.



TRACKLISTING:

DOUBLE VINYL
VINYL 1 : THE AGE OF CONSENT (2018 REMASTER)
SIDE ONE
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND MONEY
SIDE TWO
1. SMALLTOWN BOY
2. HEATWAVE
3. JUNK
4. NEED A MAN BLUES
5. I FEEL LOVE / JOHNNY REMEMBER ME

VINYL 2 : HUNDREDS & THOUSANDS (2024 REMASTER)
SIDE THREE
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
SIDE FOUR
1. HARD RAIN (HARVEY GOLDBERG REMIX)
2. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
3. JUNK (HARVEY GOLDBERG REMIX)
More

Rights: World excluding UK (and including France)

Packaging: 2 x CD, deluxe 6 page digisleeve made with mirrorboard,booklet,marketing sticker

SHORT BIOG / KEY POINTS

" Utah Saints are one of the most important acts since the inception of electronic dance music. Early adopters of sampling, they brought the artform - used chiefly in hip-hop in the 1980s - into new realms.

" Incorporating rock, dance and hip-hop elements into their music, they scored 5 Top 40 UK singles including 'Something Good' and 'What Can You Do For Me' and a Top 10 album in the space of just two years.
" Out of print since its original release over 30 years ago, Utah Saints' eponymous debut album returns on 2LP - remastered & extended with 3 sought after remixes by CJ Bolland, DJ Misjah and Union Jack. Includes special limited edition mirror board packaging, for National Album Day 2024.

" Collector 2CD edition remastered album, extended with b-sides, remixes and rarities - on 2CD, limited edition mirror board packaging

DOUBLE CD
Disc One
1 New Gold Dream (81-82-83-84)
2 What Can You Do For Me
3 Soulution
4 Believe In Me
5 Too Much To Swallow (Part 1)
6 Something Good
7 I Want You
8 States Of Mind
9 Trance Atlantic Glide
10 Kinetic Synthetic
12 My Mind Must Be Free

Disc Two

12 Utah Saints Take on The Theme From Mortal Kombat
13 What Can You Do For Me (Madness Mix)
14 Something Good (051 Mix)
15 I Want You (DJ Tim's Funky Bliss Mix) (Short Version)
16 I Still Think Of You (Perfecto Mix)
17 Highlander (CJ Bolland Mix)
18 Ohio (DJ Misjah Mix)
19 Star (Union Jack Mix)
20 I Want You (Sabres 130)

More

Rights: World excluding UK (and including France)

Packaging: 2 x Black Vinyl, deluxe mirroboard sleeve, 2 x printed inner, marketing sticker

SHORT BIOG / KEY POINTS

" Utah Saints are one of the most important acts since the inception of electronic dance music. Early adopters of sampling, they brought the artform - used chiefly in hip-hop in the 1980s - into new realms.

" Incorporating rock, dance and hip-hop elements into their music, they scored 5 Top 40 UK singles including 'Something Good' and 'What Can You Do For Me' and a Top 10 album in the space of just two years.
" Out of print since its original release over 30 years ago, Utah Saints' eponymous debut album returns on 2LP - remastered & extended with 3 sought after remixes by CJ Bolland, DJ Misjah and Union Jack. Includes special limited edition mirror board packaging, for National Album Day 2024.

" Collector 2CD edition remastered album, extended with b-sides, remixes and rarities - on 2CD, limited edition mirror board packaging

TRACKLISTING
DOUBLE VINYL
Side One
A1 New Gold Dream (81-82-83-84) A2 What Can You Do For Me A3 Soulution

Side Two
B1 Believe In Me B2 Too Much To Swallow (Part 1) B3 Something Good B4 I Want You

Side Three
C1 States Of Mind C2 Trance Atlantic Glide C3 Kinetic Synthetic C4 My Mind Must Be Free

Side Four
D1 Highlander - CJ Bolland Mix D2 Ohio - Dj Misjah Mix D3 Star - Union Jack Mix

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Rights: World excluding FR & UK

Packaging: 1 x Solid White Vinyl & 1 x Black Vinyl, 5mm spine Sleeve gloss finish, 2 x Printed Inner sleeve matt finish, front sticker

SHORT BIOG / KEY POINTS


" The Brand New Heavies revisit their seminal 1994 album Brother Sister for its 30 year anniversary. Replete with groove-driven, horn-splashed, hand-clapping funk, Brother Sister saw the band dig deep into their jazz grooves, with N'Dea Davenport in full flight as diva/lead vocalist.

" Featuring some of their best loved songs including the chart hits 'Midnight at the Oasis', 'Dream on Dreamer', and 'Spend Some Time', Brother Sister debuted in the UK charts at #4 and went onto be a hit worldwide, the band rightly claiming their crown as Acid Jazz heavyweights, delivering knock-out punch after punch on this album.

" Freshly remastered, the 2LP vinyl - 18 tracks edition features three bonus tracks, and is pressed onto one black and one white vinyl, and will be signed by Andrew and Simon from the band.

" The remastered 2CD - 31 tracks edition features rarities and classic remixes from the likes of David Morales, Roger Sanchez and a newly commissioned rework of 'Back To Love' by Luke Mornay. And also includes two newly uncovered demos, 'Pocketful of Bass' and an alternate demo of 'Put Yourself In My Shoes', with vocals by N'dea Davenport.

" The band will celebrate 'Brother Sister' live with dates around the UK this November and December


TRACKLISTING:

DOUBLE BLACK & WHITE LP
A1 Have a Good Time A2 Brother Sister A3 Dream on Dreamer A4 Midnight at the Oasis
B1 Back to Love B2 Ten Ton Take B3 Mind Trips B4 Spend Some Time
C1 Keep Together C2 Snake Hips C3 Fake C4 People Giving Love C5 World Keeps Spinning
D1 Forever D2 Day Break D3 Los Burritos D4 Baby Don't Use Me D5 Touch of Your Love
More

Rights: World excluding FR & UK

Packaging: 2 x CD, 6 page digisleeve gloss finish - 3 wallets- , 16 page booklet matt finish, front sticker

SHORT BIOG / KEY POINTS


" The Brand New Heavies revisit their seminal 1994 album Brother Sister for its 30 year anniversary. Replete with groove-driven, horn-splashed, hand-clapping funk, Brother Sister saw the band dig deep into their jazz grooves, with N'Dea Davenport in full flight as diva/lead vocalist.

" Featuring some of their best loved songs including the chart hits 'Midnight at the Oasis', 'Dream on Dreamer', and 'Spend Some Time', Brother Sister debuted in the UK charts at #4 and went onto be a hit worldwide, the band rightly claiming their crown as Acid Jazz heavyweights, delivering knock-out punch after punch on this album.

" Freshly remastered, the 2LP vinyl - 18 tracks edition features three bonus tracks, and is pressed onto one black and one white vinyl, and will be signed by Andrew and Simon from the band.

" The remastered 2CD - 31 tracks edition features rarities and classic remixes from the likes of David Morales, Roger Sanchez and a newly commissioned rework of 'Back To Love' by Luke Mornay. And also includes two newly uncovered demos, 'Pocketful of Bass' and an alternate demo of 'Put Yourself In My Shoes', with vocals by N'dea Davenport.

" The band will celebrate 'Brother Sister' live with dates around the UK this November and December


TRACKLISTING:

DOUBLE CD
Disc 1
1. Have a Good Time 2. Brother Sister 3 .Dream on Dreamer 4. Midnight at the Oasis
5. Back to Love 6. Ten Ton Take 7. Mind Trips 8. Spend Some Time 9. Keep Together
10. Snake Hips 11. Fake 12. People Giving Love 13. World Keeps Spinning
14. Forever 15. Day Break 16. Los Burritos 17. Baby Don't Use Me
18. Touch of Your Love

Disc 2
1. Pocketful of Bass 2. Put Yourself in My Shoes 3. Brother Sister (Stone One Vocal Remix)
4. Dream on Dreamer (Morales Extended UK Version) 5. Back to Love (Much Love Mix feat. Bahamadia_
6. Mind Trips (SuperStar Remix) 7. Forever (Mellow Mix) 8. Midnight at the Oasis (Roger's Brand New Anthem) 9. Spend Some Time (Bobby D'Ambrosio Remix)
10. Spend Some Time (Malone & Mollison Full Club Mix) 11. World Keeps Spinning (Spen & Jo's World Mix)
12. Dream on Dreamer (T-Empo Club Mix) 13. Back to Love (Luke Mornay's Homecoming Mix)

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Rights: World excluding France & UK

DOUBLE BLACK LP REPRESS EDITION : 2x 140 Grs Black Vinyl, 5 mm spine sleeve, 2 x Printed Inner sleeve ,marketing sticker

SHORT PRODUCT INFORMATIONS

SHORT INFOS / KEY POINTS

" Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
" The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
" The album has been remastered and represented in multiple formats, released April 19th alongside the band's 'Green Album' UK tour
" Initial deluxe 2X Black LP & 2x Colored LP sold out & meant as one run/no repress -This new & permanent Double Black Vinyl (Repress edition) to be released August 9th, 2024.





TRACKLIST

DOUBLE VINYL
Disc 1
A SIDE : A1 The Moebius - A2 Speed Freak - A3 Macrohead
B SIDE : B1 Oolaa - B2 Desert Storm
Disc 2
C SIDE : C1 Fahrenheit 303 - C2 Steel Cube Idolatry - C3 High Rise
D SIDE : D1 Chime (Live) - D2 Midnight (Live) - D3 Belfast


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Rights: World excluding France & UK

4 CD + 1 DVD Boxset, carboard clamshell box, expended booklet

PRODUCT INFORMATIONS
• 35th Anniversary edition of the seminal 1989 album ‘Vini Reilly’, Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
• Remastered and heavily expanded 5 disc version, featuring over 75 tracks:
1. Disc 1. Vini Reilly album + 3 Bonus tracks [16 tracks] The original album (presented in the famous (and as to now unseen) ‘rejected’ sleeve by 8vo) remastered with bonus tracks.
2. Disc 2. The Sporadic Recordings [28 tracks] , a limited edition CD from 1989 [SPORE 1]
3. Disc 3 :=‘Womad Live’ EP plus bonus live tracks and demos [16 tracks]
4. Disc 4 : An exclusive DVD, Live from Porto 1988
5. Disc 5 : Bonus 1 track 3-inch mini CD - ‘I Know Very Well How I Got My Name’ a replica of the bonus addition from the original CD pressing
• Expansive booklet includes new essay by Durutti Column / Factory Records expert James Nice, liner notes by band member Bruce Mitchell, liner notes from Anthony Wilson, interview extracts with Vini Reilly and restored images and outtake images.




Tracklisting:

1. VINI REILLY (CD)

1. Love No More
2. Pol In G
3. Opera I
4. People’s Pleasure Park
5. Red Square
6. Finding the Sea
7. Otis
8. William B
9. They Work Every Day
10. Opera II
11. Homage to Catalonea
12. Requiem Again
13. My Country
14. Otis (No Samples)
15. Dry
16. My Country (Monarchy Mix)

2. THE SPORADIC RECORDINGS (CD)

1. Buddhist Prayer
2. Pathway
3. Nile Opera
4. Shirt No. 7
5. Kind of Love
6. Rob Grey’s Elegy
7. Misere
8. For Steven Patrick
9. We Stumble
10. Sketch for a Manchester Summer 1989
11. Arpeggiator II
12. Diazepam 5 mgs
13. But Was I…?
14. Pol in Ab
15. Real Drums – Real Drummer
16. Another Mirror – Another Wall
17. 30 Oldham Street
18. 4.10 AM
19. For Lydia
20. Detail for Heidi & Jodie
21. Zinni’s Dance
22. PPP Version
23. For Lucy H
24. 4.30 AM
25. It’s a Bright Guilty World – Pt 1
26. It’s a Bright Guilty World – Pt 2
27. Nile Reprise
28. Diazepam 5 mgs

3. WOMAD LIVE EP + DEMOS (CD)

1. Otis (Womad Live)
2. English Landscape Tradition (Womad Live)
3. Finding the Sea (Womad Live)
4. Bordeaux (Womad Live)
5. Day Is Over (Live)
6. Red Shoes (Live)
7. Opera II
8. Finding the Sea I
9. PPP (demo)
10. Juan Montero (Sketch 1)
11. Sample Tune
12. Finding the Sea (2)
13. Juan Montero (Sketch 2)
14. William B (demo)
15. Sketches on Stratocaster
16. Zinni and Vini Tune

4. LIVE IN PORTO 30/04/1988 (DVD)

1. Mercy Theme
2. Arpeggiator
3. What It Is To Me (Woman)
4. Jongleur Grey
5. Pol in B
6. Bordeaux Sequence
7. Jacqueline
8. Sketch for Dawn
9. Tomorrow
10. Requiem Again
11. English Landscape Tradition
12. When the World
13. The Missing Boy
14. Red Shoes
15. The Beggar
16. Sketch for Summer

5. I KNOW VERY WELL HOW I GOT MY NOTE WRONG (Mini CD 3’’)

1. I KNOW VERY WELL HOW I GOT MY NOTE WRONG
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Rights: World excluding France & UK

Packaging: 1 X Black Vinyl, Sleeve with laminate matt finish, Printed Inner, Marketing Sticker

SHORT INFOS
Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
The vinyl features the 10 Blancmange's essential tracks. The Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.

Side One
1 Living On The Ceiling
2 Waves
3 Blind Vision
4 Don't Tell Me
5 The Day Before You Came

Side Two
1 What's The Time?
2 Distant Storm
3 Mindset
4 Reduced Voltage
5 Some Times These
More

Rights: World excluding France & UK

Packaging: 1 X Colored LP ' Coke-Bottle Green', Sleeve with laminate matt finish, Printed Inner

SHORT INFOS

" Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
" Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
" Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
" All formats contain the Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.

" The vinyl is being pressed onto special Coke-bottle green vinyl.It features the 10 Blancmange's essential tracks.


" Double CD 38 tracks includes many bonus songs as well as 2 previously unreleased tracks 'Again, I Wait For The World' and 'Wish'.



Coke Bottle Green Vinyl LP TRACKLISTING-

Side One
1 Living On The Ceiling
2 Waves
3 Blind Vision
4 Don't Tell Me
5 The Day Before You Came

Side Two
1 What's The Time?
2 Distant Storm
3 Mindset
4 Reduced Voltage
5 Some Times These
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Rights: World excluding France & UK

Packaging: Collector Double CD , 4 Panel Digisleeve with laminate matt finish.

SHORT INFOS

" Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
" Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
" Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
" All formats contain the Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.

" The vinyl is being pressed onto special Coke-bottle green vinyl.It features the 10 Blancmange's essential tracks.


" Double CD 38 tracks includes many bonus songs as well as 2 previously unreleased tracks 'Again, I Wait For The World' and 'Wish'.



DOUBLE CD TRACKLISTING
DISC ONE:
1 Sad Day (Original Version)
2 I've Seen The Word
3 God's Kitchen
4 Feel Me
5 Living On The Ceiling
6 Waves
7 Game Above My Head (12 inch version)
8 Blind Vision
9 That's Love, That It Is
10 Vishnu
11 Don't Tell Me
12 The Day Before You Came
13 What's Your Problem
14 Lose Your Love
15 Why Don't They Leave Things Alone
16 Drive Me
17 I'm Having A Coffee
18 The Western
19 Just Another Spectre

DISC TWO:
1 The Fall
2 Last Night (I Dreamt I Had A Job)
3 Jack Knife (Red Shift EP)
4 What's The Time?
5 We Are The Chemicals
6 Anna Dine
7 Distant Storm
8 I Smashed Your Phone
9 Not A Priority
10 Mindset
11 This Is Bliss
12 Clean Your House
13 Commercial Break
14 Some Times These
15 Reduced Voltage
16 Take Me
17 Again, I Wait For The World
18 Wish
19 Empty Street
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RSD 2024 - don't sell before 20th of April - Rights: World excluding France & UK

1 x 140 grs Black Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.

PRODUCT INFORMATIONS
• 35th Anniversary edition of the seminal 1989 album as Record Store Day Exclusive
• The album is presented in the famous (and as to now unseen) ‘rejected’ artwork sleeve by 8vo. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
• Vinyl mastered by Peter Beckmann at Technology Works.
• Numbered limited edition – 2 200 copies for the World

TRACKLIST
A1. Love No More – A2. Pol in G – A3. Act I Opera – A4. People’s Pleasure Park – A5. Finding the Sea
B1. Otis – B2. They Work Every Day – B3. Act II Opera – B4. Homage to Catalonea -B5. My Country More

RSD 2024 - don't sell before 20th of April - Rights: World excluding France & UK

1 x Yellow Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.

PRODUCT INFORMATIONS
• Numbered, limited edition on yellow vinyl only as Record Store Day 2024 Exclusive
• First time reissued on vinyl since its original release for Northside – key players in the ‘Madchester’ / baggy / indie-rave scene of the early 90s
• Top 20 album produced by The Lightning Seeds’ Ian Broudie (Echo & The Bunnymen, Shack, The Coral, Texas)
• Featuring the indie dancefloor fillers ‘Take 5’, ‘Shall We Take A Trip’ and ‘My Rising Star’
• Vinyl cut from the original Factory Records masters
• Restored artwork by Central Station Design
• Numbered limited edition – 1 600 copies for the World

TRACKLIST
A1. Take 5 - A2. Weight Of Air - A3. Funky Munky - A4. A Change Is On Its Way - A5. Yeah Man
B1. Tour De World - B2. Wishful Thinking - B3. Shall We Take A Trip - B4. Who’s To Blame
B5. Practise Makes Perfect More

Rights: World excluding France & UK

DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.

TRACKLIST DOUBLE CD

CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting

CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)

SHORT INFOS / KEY POINTS

Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990

1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes

BIOG / SHORT PR INFOS

Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).

The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.

33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.

Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.

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Genre: Electronica Romantica / Nu Disco

System Olympia drops her album debut and, in turn, initiates her Okay Nature label. 'Delta Of Venus' takes elements of minimal synth/wave, pop, contemporary R&B, and fashions them into this steely, icy cool and highly original new form whilst keeping loyal to the DIY tradition. Stunning release that you really don't want to miss.

A Side:
The Only Way To Do It
Sirius Desire
So True
Look With Your Eyes
Possible Worlds


B Side:
Erotic Line
Tommib
You’re Not Talking
6AM Romance
Not Us (U)

Vital Sales Point:

First album from System Olympia
Sold out on presale twice when previously released
Currently selling for £ 100 average on Discogs.


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* 3 x LP
* Deluxe Trifold Sleeve
* Analogue Remastered

Versions: 300 x Black Vinyl Edition

Tracklist:
Side A
A1. Order Within The Universe
A2. Under The Influence (Jes Grew)
A3. If 6 Was 9
Side B
B1. Orbitron Attack
B2. Cosmic Slop
Side C
C1. Free-Bass (Godzillatron Cush)
C2. Tell The World
C3. Pray My Soul
Side D
D1. Hideous Mutant Freekz
D2. Sax Machine
Side E
E1. Animal Behavior
E2. Trumpets And Violins, Violins
E3. Telling Time
Side F
F1. Jungle Free-Bass
F2. Blackout
F3. Sacred To The Pain

Release Notes:
Regrooved Records proudly present the ultimate reissue of Axiom Funk's legendary album, Funkcronomicon! This psychedelic and funkalicious masterpiece continues to amaze listeners with its eclectic variety, thanks to the impressive roster of artists under the name Axiom Funk. At the heart of this project is legendary producer and bassist Bill Laswell, whose artistic vision and skills seamlessly unite the album. Funkcronomicon features appearances by many (former) members of Parliament-Funkadelic, making Funkcronomicon a de facto release of this legendary band. Among the featured musicians are the p-funk legends George Clinton, Bootsy Collins, Bernie Worrell and
Jerome “Bigfoot” Brailey, and it features the last studio recordings from guitarist extraordinaire Eddie Hazel. Nex to that it also features contributions from icons such as Sly Stone, Maceo Parker, Fred
Wesley, Bobby Byrd, the dynamic duo Sly & Robbie and Herbie Hancock and many, many others. Funkcronomicon masterfully combines funk with the mythical Necronomicon by H.P. Lovecraft Lovecraft's cosmic horror stories, which radiate liveliness despite the ominous title. The cover art by the legendary Pedro Bell, this was one of his last projects before his vision was tragically lost, adds to the album's enigmatic allure and is reminiscent of Lovecraftian rituals.
Now it's time for a high-quality vinyl reissue of this cultural phenomenon. Remastered and pressed onto three discs, this new batch of Funkcronomicon now comes with extensive artwork and now offers you the ultimate listening experience for this classic album. Don't miss your chance to own a piece of funk history. Get your funk on with this must-have reissue! More

AAL record on Other People.
Pressed on to wax due to popular demand.

Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
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Tracklist

A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)



Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.

Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.

While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!


Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More