Belgian artist Philippe Petit joins Radio Slave’s imprint with four analogue techno cuts on his Rekids debut. The Chamonix based DJ and producer Philippe Petit is widely respected amongst the techno community for his plethora of rumbling releases such as ‘Venus’ on EarToGround and ‘Scrape’ on his own imprint Decision Making Theory as well as releasing on Involve and Figure SPC to name a few. With a wealth of experience playing at the likes of Tresor, Suicide Circus, La Graviere, Batofar, Weetamix, Corsica Studios, and Berghain, the sophisticated production he showcases was a natural fit for the Rekids’ Special Projects series. ‘Anger’ rolls in with force and bumping sub frequencies, rattling percussion and jarring keys, then ‘Crystal Clear’ keeps things murky with evolving pads, fleeting highs and rolling low-end. On the flip, ‘When We Meet’ jumps in with climbing stabs, tight hi-hats and galloping kicks, when finally, ‘La Floria’ cuts through with chopped highs, washing chords, snappy cymbals and dreamy harp-esque patterns.

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For EarToGround's second release of 2014 they once again step it up another gear with their latest signing from Belgium born now French based artist Philippe Petit. Three brand new, expertly crafted tracks with additional remix work from Fachwerk's Roman Lindau. Venus was Ben Klock's first tune of 2014 at Awakenings' New Years celebrations at Gashouder and Roman's remix of Meteorite has seen airplay on London's Rinse FM...




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In addition, he invites Terrence Dixon back on Knotweed so that Terrence can give his own minimalistic interpretation of Stars.



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Mixing Berlin and Detroit influences, Philippe Petit comes up with three new tracks that will satisfy listeners looking for main room full-on pumping techno, Detroit chords or atmospheric early/late evening dubby sounds.



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Knotweed Records is a new label launched out of Chamonix, France, by Belgian DJ and producer Philippe Petit. Philippe Petit has been around the dance music scene for a good 20 years. When he was not playing in his thrash metal bands, he was going out but did not like the music he was hearing. That is when he started DJing. Very eclectic in the beginning, he quickly veered towards funk, hip hop and acid jazz in the early nineties, playing for Guru, Ronnie Jordan, Galliano, the Goats, Palm Skin Productions etc. In 1995, he moved to London. Having to stop his sweaty metal activities, he needed to find another way to release all his extra energy, this time on his own. That is the reason why slowly but surely he started to incorporate more and more techno into his DJ sets. By 1997, it was only techno that was coming out of his needles. Having no time to start producing tracks, he focused mainly on playing gigs across London, as well as the one-off gigs in Belgium, France, Italy and Spain, mixing deep house and techno, always with a funk twist. By 2000, he was sharing his time between Chamonix and London, where he became a regular at Cantina Club and at Soulfood. Two years ago he moved permanently to Chamonix where he now spends 100% of his time focusing on making music. After one year of trial, he comes with this first release. As Philippe is composing music mainly when the weather grounds him at home, the dark atmosphere of the steep-sided mountain environment can be felt in all tracks of this release. The sound is techno at its best, Detroit influenced, hypnotic, dubby, but always with a funk element incorporated in the tracks. The key here is energy and groove



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We are happy to welcome Invite (aka Tim van Paradijs) to the Knotweed Records family. Many of you already know Tim for his skills as a DJ and for his famous Invite's Choice podcasts serie. He now demonstrates his production skills by delivering three big room techno tracks that will for sure make some noise on techno dance floors across the globe.



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Deep, moody, yet powerful techno from the Reclusive Perfectionist. Myles come up with two deeper, slower, moodier minimalistic tracks, venturing in more house territory: “Red Eye to Bogota” and “When I Meet God”. Both tracks go over 10 minutes during which Myles slowly tweaks the rhythmic elements, basslines and chords for your aural pleasure. Myles also delivers a more stripped-down uptempo techno track that we love him for, “TransMilenio”: its full on repetitive bassline should for sure inflict some dancefloor damage.




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In addition, he invites Terrence Dixon back on Knotweed so that Terrence can give his own minimalistic interpretation of Stars.



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For its tenth release, Knotweed Records welcomes back Myk Derill. The Unison E.P. start with a pure techno banger, Facial Features: the heavy kick drum and synth pattern hit you where it hurts. Myk then goes in more minimal territory with Omage and See, both tracks making use of nice background repetitive voices, heavy basslines and dubby synths that remind you of late nights in Berlin. The E.P. ends up with with Synda, a peak time atmospheric dub experience that will not leave you indifferent. Supported and played by: DVS1, Brendon Moeller, Jeroen Search, Session Restore, Samuli Kemppi, Invite, Anaxander, Myles Sergé, Mary Velo, Arnaud Le Texier, Patrick Gil, Opuswerk, Kereni, Gonzalo MD...

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We go straight to Detroit as we welcome Terrence Dixon to the Knotweed family! Terrence has been busy for almost 20 years producing the best deep minimal atmospheric techno, and this is the next chapter of his extensive discography.



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Reclusive perfectionist, originally from Michigan, USA and now based in Brighton, UK, begins the process of planting new roots and laying the foundation for a new and exciting life in europe. To celebrate, he delivers three hypnotic techno tracks on Knotweed Records: thanks Myles!



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Opuswerk... Three new tracks of raw analog prime time techno, direct from Geneva...



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We would like to welcome Gonzalo Medina to the Knotweed family. Gonzalo MD is a young producer coming straight from Buenos Aires, Argentina. He likes to qualify his music as hypnotic dub techno with a touch of darkness & Detroit and we think that suits his sound very well. He tests his own productions regularly in Buenos Aires at Cocoliche, where he DJs often with all the usual suspects. He has already more than a handful of releases on digital labels, but this is his first foray in the vinyl world.!Support by > Markus Suckut, Audio Injection aka Truncate, Jeroen Search, Mattias Fridell, Eric Cloutier, Roberto Bosco, Patrick Bolton, Kereni, Thomas Hessler, Patrick Krieger...


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Mixing Berlin and Detroit influences, Philippe Petit comes up with three new tracks that will satisfy listeners looking for main room full-on pumping techno, Detroit chords or atmospheric early/late evening dubby sounds.



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“For our second release, I am very glad to welcome on board Myk Derill! Myk comes from Berlin, Germany. He already has several releases under his belt.
He creates a very dark techno, without any concessions, influenced by the current sounds of the techno underground I love. Myk Derill is a dj/ producer from Berlin , already well immersed in the german techno scene. As a big techno activist, he is the label owner of Glare records and regularly plays in several clubs and parties in Berlin. From the beginning , Myk Derill has developed a passion for the Detroit techno sound, particularly for the dub style of this sound. His inspiring influences are Mike Dehnert, Jeff Mills or even Ben klock. He started mixing in 1995 and nine years later began production. In 2006, he released his first EP "Meileinweit" on 2 sides records, which was a real success. Since then, he has worked with national and international artists as a remixer and producer and has also released many EP’s on several labels.”



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Knotweed Records is a new label launched out of Chamonix, France, by Belgian DJ and producer Philippe Petit. Philippe Petit has been around the dance music scene for a good 20 years. When he was not playing in his thrash metal bands, he was going out but did not like the music he was hearing. That is when he started DJing. Very eclectic in the beginning, he quickly veered towards funk, hip hop and acid jazz in the early nineties, playing for Guru, Ronnie Jordan, Galliano, the Goats, Palm Skin Productions etc. In 1995, he moved to London. Having to stop his sweaty metal activities, he needed to find another way to release all his extra energy, this time on his own. That is the reason why slowly but surely he started to incorporate more and more techno into his DJ sets. By 1997, it was only techno that was coming out of his needles. Having no time to start producing tracks, he focused mainly on playing gigs across London, as well as the one-off gigs in Belgium, France, Italy and Spain, mixing deep house and techno, always with a funk twist. By 2000, he was sharing his time between Chamonix and London, where he became a regular at Cantina Club and at Soulfood. Two years ago he moved permanently to Chamonix where he now spends 100% of his time focusing on making music. After one year of trial, he comes with this first release. As Philippe is composing music mainly when the weather grounds him at home, the dark atmosphere of the steep-sided mountain environment can be felt in all tracks of this release. The sound is techno at its best, Detroit influenced, hypnotic, dubby, but always with a funk element incorporated in the tracks. The key here is energy and groove



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