Following the sublime smash debut "X17", LA-based label Elbow Grease head conductor Dave Aju continues on his righteous piece-by-piece journey toward a multi-genre multiverse, where deep musical roots come together in kaleidoscopic expression, and unfakeable funk reigns supreme.

"Spacio Tempo" picks up where we last left off, though with a notable drop in bpm as the title implies, with a rolling 4/4 textural tapestry that combines pulsating layers of soulful synth work, effervescent live percussion, and heavenly strings into a dense yet open-as-the-night-sky extended gem yet again. Just as the machine patterns of near-equator rhythms bubble over and begin to lock into a hypnotic groove, a bold left turn into a dank latin jazz noir vibraphone solo and SH-101 duet tango ensues, before landing us safely back at home base - right on time, at its own spacial pace.

As per the Elbow Grease release recipe so far, the B1 cut offers DJs a more driving flex, this time in the form of the "Acido Tempo Mix": a raw 303-driven take on the original which will undoubtedly stomp its way fiercely thru many bass bins in sweaty basements and warehouses worldwide. Finally the B2 blessing "Domingo Dub" closes things out, removing all but the highest vibes as an ambient drifting and uplifting take on the main theme, where the faintest of vocal tones, space echoes, and light percussive touches leave us elated in a West Coast, with subtle splashes from the D, sunset dream. Another solid single turned three-tracker sure-shot from EG.
More

West Coast mainstay maverick Dave Aju launches his anticipated new label Elbow Grease with this timelessly sublime dance floor trip, dripping with outer space soul and deep ocean floor sonics. "X17", a reference to the hypothetical particle and Fifth Force discovery, is equal parts warm and cold, ruff and smooth, as a raw Detroit Electro-schooled rhythm base plows through various known musical barriers, adorned with worldly percussion hits, moving synth pads, and subtle jazz motifs. The generously unfolding "Main Mix" is accompanied by both a potent "Rhythm Dub" stripped back for maximum impact, and a beatless high "Viiibe" version offering a more immersive listen and alternative options for adventurous DJs to mix as they feel - a fine intro to the Elbow Grease credo. More

Tracklist:
A1 - Love In Zero Gravity
B1 - Aubergine Dream
B2 - Gatadu

Short info:
West Coast mainstay Dave Aju continues with his own varied style and pace, coming correct once again on Circus Company
with a truly special three-tracker of straight up dance floor bombs. This San Francisco DJ/producer is a master sampler, groove
innovator and jazz influenced artist who has been with this label for ten years. In that time, he has turned out plenty of timeless
LPs and EPs that have earned him a deserving reputation as a truly cultured craftsman.
Just in time for the warm summer months ahead, these pieces are fit for maximum daytime, nighttime, and after-hours pleasure
respectively. The releas kicks off with title track ‘Love In Zero Gravity’, one of those raw undefinable Dave Aju grooves, loaded
with soul and unique musicality. It builds in bass-heavy intensity, bright epic bursts and ecstatic waves like we've never heard
from him before. Next up the voodoo stylings continue on ‘Aubergine Dream’ but in a much deeper mode, where ultra-sweaty
basement funk collides with the darkest shades of purple imaginable, all laced-up with otherworldly lysergic lines. Finally,
‘Gatadu’ rounds things out with pure class, a bouncing robust house cut done-up with generous helpings of live percussion, rich
textures, and Aju's velvety vox - the perfect recipe to keep dancing long into Sunday's sun rays, all smiles and sing-a-long vibes
for the real heads and lovers. This is another superb offering from one of dance music’s most fascinating artists. More

Tracklist:
A1: Low Dive A2: Always Never B1: Sides B2: Tell Her Why
Short info:
The maverick maestro from the Bay Dave Aju is back with his Circus family here with an incredible
new release. Based on stripped-down hardware sessions rocking just a Roland TR-909 and SH-101,
Aju once again proves that no sound set need be limited in itself and along with the addition of one
microphone for his inimitable soulful voice, creates one of his strongest and most imaginative releases
to date, the 10101 EP.
A multiple homage to the 101 freeway that spans his native Golden State and the numeric classic
analog boxes used vs digital binary to process them, the four rich tracks offer the best of both worlds
and cover all the bases of Mr Aju's musical multiverse. "Low Dive" starts things on a deep heads-down
dance floor tip where rising synth lines soar over a blast of shuffling drums and percussion for a rocksolid
DJs delight. "Always Never" comes next with pure Aju magic, equal parts song and track, an ear
worm of a chorus, and full of sunny West Coast electro influences all the way through. On the flip
"Sides" may very well be one of Aju's most intense transmissions ever, with a sublime and seemingly
endless build-up of dark pads, driving, shifting rhythms, and voodoo vocals that will detonate many a
peak-hour sound system guaranteed. Aju then tastefully finishes with the cool psychedelic mid-tempo
bump of "Tell Her Why" which harks back to his hip-hop roots and wraps up the vibe and elements of
the whole EP perfectly. Welcome back with a bang brother Aju! More

Barcode: 827170553064 Release : 15.12.14
Tracklist: A1 - Dave Aju - Psylica feat. Qzen (Henrik Schwarz remix) A2 - Dave Aju - Nu Threads (Freaksnuthreadsspeakeasy remix) B1 - Dave Aju - Vins Noirs (Awanto3 remix)- ISRC: FR-2T0-14-00045
Short info:
The rugged, noirish soul of Dave Aju's third album Black Frames is still lingering in our minds months after it dropped, and as you well know by now we at Circus Company can never get enough of the San Francisco man's honey-coated voice. As such, we once again reached out to dear friends and like-minded souls within the house and techno community to deliver three reinterpretations of the man's distinctive sound for a fresh dancefloor perspective. Henrik Schwarz is a force to be reckoned with in the world of rich, emotive and masterfully produced house music, and his reputation as a remixer and editor extraordinaire is well founded. His approach to the romantic sway of "Psylica" is nothing short of astounding, underpinning the sizzling chemistry of Dave and Qzen's vocals with playful bassline throb, plucked string elegance and just the right amount of freakiness. In the world of leftfield grooves we inhabit, Freaks have been vital figures all the way back to the early days of Classic, and so the input of Justin Harris and Luke Solomon makes perfect sense on this reworking of "Nu Threads". With a rock-solid rhythm section given the necessary kink by a playful low-end and some tuba-like blasts, the mischievous pair whip up an upbeat party-starter that sets the original elements simmering amongst a delightfully modern confection of prime-time house music. The B-side is given over to a thirteen-minute epic by the rapidly-rising Rush Hour mainstay Awanto3, and he seizes the opportunity to pile on the tension with a machine-driven reworking of "Vins Noirs" that builds fervently towards total rave-fuelled abandon. The rhythmic pressure may stay high throughout, but there's plenty of dusty soul rubbed into the joints to keep things warm before a thrilling crescendo of old-skool stabs blasts the track into the stratosphere.
Each and every one of these remixes is a dancefloor killer, but in between the pumped-up energy of them bubbles the imagination and inventiveness that Circus Company lives for. It's no less than the music of Dave Aju deserves, and it's just the kind of originality the dancefloor needs.
More

UPC: 827170517066 Rel date 16.6.2014
Tracklist 2x12": A1. Nu Threads A2. Nobody Knows B1. Clean St. B2. Law C1. Vins Noirs C2. Bee's Birth D1. Psylica (feat. Qzen) D2. When We Drift
Info:
'Black Frames' is a creation from two major life transitions for Dave Aju, namely the end of a long-term relationship combined with a move away from his home town of San Francisco. Punctuated with philosophical statements and political punches, the former MC proves he isn't afraid to use his voice and production skills to unite music and passion with his latest album on Circus Company.
The outer rhythms of deep-rooted electronic music form the backbone of 'Black Frames', while its veins are filled with the red­-hot attitude of hip­hop, outerspace soul, and forthright lyrical content. A remarkable variety of songs covering topics such as personal relationships ('Psylica'), cultural issues ('Race on Haight') and global government actions ('Law') rock alongside bass­-centered dancefloor bombs like 'Nu Threads' and 'Clean St'. Through its body, Aju also tips his hat to 60s psych rock, early 70s fusion, and the soft undertones of blues as can be felt in the Magnum Opus of 'Vins Noirs' with it's full choir finale, the wildly fun and uptempo 'Bee's Birth' and the reflective close of 'When We Drift'.
With a decade of releases under his belt and remixes for the likes of Nicolas Jaar, JT Donaldson and Herbert, San Francisco Bay Area native Marc Barrite AKA Dave Aju is a true maverick of the electronic music scene and 'Black Frames' is a proper follow-up, both a literal nod to the classic 60s/70s artwork that hung in his home studio, and a bold statement toward that rare place where breaking a sweat and breaking the rules come together.
Aju's distinctive voice, a fixture in his production and live performances, has proven to have a life of its own. His formative years added stripes to his coat as an MC in the underground hip-hop scene, paying off in consequent vocal contributions for fellow artists like dOP and Tiefschwarz and an ongoing collaboration with fellow Circus Company artist Guillaume & The Coutu Dumonts as lead vocalist for The Side Effects band.
Aju's third album features collaborations with close friends and hometown heroes of the San Francisco scene including SF native sister Qzen, who lends vocals for the back ­and ­forth duet of 'Psylica', while SF/ Chicago masterclass act DJ Tyrel Williams teams up to 'get our shit together' on 'Nobody Knows'. Once again, Dave Aju takes us on a personal journey set to the groove of a damn good party.
More

UPC: 827170125421 Rel date 16.6. 2014
Tracklist CD: 1. Race On Haight 2. Nu Threads 3. Clean St. 4. Nobody Knows 5. Vins Noirs 6. Psylica (feat. Qzen) 7. Law 8. Bee's Birth 9. When We Drift
infos:
'Black Frames' is a creation from two major life transitions for Dave Aju, namely the end of a long-term relationship combined with a move away from his home town of San Francisco. Punctuated with philosophical statements and political punches, the former MC proves he isn't afraid to use his voice and production skills to unite music and passion with his latest album on Circus Company. The outer rhythms of deep-rooted electronic music form the backbone of 'Black Frames', while its veins are filled with the red­-hot attitude hip­hop, outerspace soul, and forthright lyrical content. A remarkable variety of songs covering topics such as personal relationships ('Psylica'), cultural issues ('Race on Haight') and global government actions ('Law') rock alongside bass­-centered dancefloor bombs like 'Nu Threads' and 'Clean St'. Through its body, Aju also tips his hat to 60s psych rock, early 70s fusion, and the soft undertones of blues as can be felt in the Magnum Opus of 'Vins Noirs' with it's full choir finale, the wildly fun and uptempo 'Bee's Birth' and the reflective close of 'When We Drift'. With a decade of releases under his belt and remixes for the likes of Nicolas Jaar, JT Donaldson and Herbert, San Francisco Bay Area native Marc Barrite AKA Dave Aju is a true maverick of the electronic music scene and 'Black Frames' is a proper follow-up, both a literal nod to the classic 60s/70s artwork that hung in his home studio, and a bold statement toward that rare place where breaking a sweat and breaking the rules come together. Aju's distinctive voice, a fixture in his production and live performances, has proven to have a life of its own. His formative years added stripes to his coat as an MC in the underground hip-hop scene, paying off in consequent vocal contributions for fellow artists like dOP and Tiefschwarz and an ongoing collaboration with fellow Circus Company artist Guillaume & The Coutu Dumonts as lead vocalist for The Side Effects band. Aju's third album features collaborations with close friends and hometown heroes of the San Francisco scene including SF native sister Qzen, who lends vocals for the back ­and ­forth duet of 'Psylica', while SF/ Chicago masterclass act DJ Tyrel Williams teams up to 'get our shit together' on 'Nobody Knows'. Once again, Dave Aju takes us on a personal journey set to the groove of a damn good party.
More

Barcode: 827170516168 Release : 30.09.13
Tracklist: A - Maybeso B - Inmahed
Our West Coast brother from another mother Dave Aju has been a vital part of the Circus Company troupe since the early days of the label, due in no small part to his combination of flamboyant style and hefty funk. For all the experimental qualities in Aju's music there is an equal amount of hip hop swagger and heartfelt soul, and when you filter those elements through a house music template you get close to a perfect definition of the tastes that drive our label. After the stunning diversity of last year's Heirlooms LP, it is an unbridled pleasure to welcome Mr. Aju back for a focused two-track release that finds the San Franciscan enchanter summoning up his finest deep house powers. As ever, there is a wistful, sunkissed quality to the music contained within this record, as Blue Note keys wrap themselves around the nagging beats, side-stepping the frantic urgency of so much 'dance' music to focus on easy going attitude that encourages a more sensual kind of body movement. Aside from the rhythmic alchemy Dave Aju whips up in his creative cauldron, it will always be the adventurous use of his voice that announces his inimitable sonic identity, and that's no different here. From the pitched down surreality of his tones on "Maybeso" with its hopeful lyrical refrain, to the catchy rapping-singing alternation that runs through "Inmahed", Aju's voice is his music and his music is his voice, the two perfectly intertwined like no-one else could step to. Satisfying every craving we have for soul and boogie in the fresh, exciting house music we want to share with the world, we'll never tire of Dave Aju and his freaky ways. When his offerings so perfectly balance the desire to listen to engaging sounds and the need to get our groove on, how could we ever ask for more? More

12" Remote ControlEPdelivers the sameproduction quality asCAUCASIAN BOY’s classic singles, Spangle and Northern Lights.


GENRE/S:ACID HOUSE / DEEP HOUSE / HOUSE3.

TRACKLISTS: A SIDE: REMOTE CONTROLAASIDE: DYSTOPIA

SHORT INFO: “I can remember literally bolting across a busy warehouse party in the early 90's (I think it was actually DIY in Gloucester?) afterhearing a record come on which immediately stood out to me, hadn't heard it before.... A clear 303 single note bassline/hook with sublime strings and undeniable flavours of Detroit and Chicago in the drums and vibe. I needed to know what it was!!That record was "Northern Lights" by Caucasian Boy (AKA Crispin J Glover and David Jenkins, AKA DJ Shakra), and I have honestly been playing it ever since. Fast forward 28 years, and here we are releasing their new acid house monster, the Remote Control EP”Justin Harris Remote Control immediately puts youback in the warehouse or one of those dark, sweaty basement parties which have shaped manymusical educationsover the decades, you know, when things are just starting to get really involved! Beginning with a relentless 90's feel and withmore thana nod to early 90's Belgian Techno, Remote Control steers you through a perfect six and a half minutes of heads down warehouse acid groove, all culminating in a kick-ass gorgeous breakdown. And then there's Dystopia.A deep, dark 909 driven cut of excellence. You can hear in every bar that the purveyors of this track have a deep experience of and are driven to write for the dance floor. Once again, making perfect use of 303, 909 and 808 (amongst others) Dystopia pullsno punches and shamelessly leads you right into the middle of that sweaty dancefloor, and it's perfectly executed deliverykeeps you right there.
More

Special remarks: 12" with printed deluxe sleeve, 180g

... Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree! ...


Tracklist:

A1. Freaks - He's Angry - Villalobos Techmix
A2. Freaks - Unbeknown to Us

AA1. Freaks - Time - The Martinez Brothers Remix
AA2. Freaks - Turning Orange - TCK 808 Fate Mix


Short info:

2019 marks the year that Music for Freaks has officially been running for over 20 whole years. Two decades of topsy turvy, downright Freakish behaviour. How the hell did that happen?

So, what better time to delve deep into the labels vaults again and uncover more of its hidden treasures. Back in 2015, we approached some of today's most discerning producers, those who truly "get" the label's ethos from old, to let them loose on tracks old and new. It brought to the fore the "Freaks - Let's Do It Again" series of releases and we're super chuffed to bring you the 3rd in the series to kick off the label's 20th anniversary celebrations; a new collaboration with likeminded artists and we think you'll agree it's another testament to the divergent & insouciant house music that has always been the beating heart of this label.

First up, we welcome back the Chilean anti-hero Ricardo Villalobos.

When we sent Ricardo the parts to the Freaks album, "The Man Who Lived Underground" a few years ago, he sent back 5 interpretations which blew our collective minds. This is the 3rd of his journeys. Edited by head Freak, Justin Harris, it delivers a tripped out, discordant tech mix of the Freaks track, 'He's Angry' and is a wonderfully warped and highly hypnotic jam, that drives deep down into the subconscious.

The 20th anniversary wouldn't feel right without some brand spanking new music from Freaks themselves.
This track was properly hidden in the Freaks DAT vaults from the 1990's and Justin & Luke have dusted it off, mixed it down and "Unbeknown To Us" will finally see the light of day. It's safe to say Freaks have always had a timeless feel to their music and this track, despite being 20 years old as an original production, is no exception.

Next up, The Martinez Brothers make their MFF debut and to say we're chuffed to be releasing this one after 3 years of it being in the vault, is a huge understatement. There's nothing but good vibes, cranked to eleven, on this cut and the brothers have cooked up a true rip snorting tech house remix of "Time", that will charm the roof off any self-respecting club or festival tent.

And last but by no means least, fellow previous collaborators on Let's Do It Again, Part 1, Gerd Jansen and Phillip Lauer, aka Tuff City Kids, have graced us with another superb remix of a firm Freaks favourite from back in the day, "Turning Orange". The duo have whipped up an excellent stripped 808, electro-hop mix with low slung electro beats, minor key atmospherics and nostalgic 80s vocal pitch-shifts. Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree!
More

SPECIAL REMARKS : 12” in MFF House Bag, 150g Vinyl

Tracklist:
A1. They Sleep We Love feat. Foxxee
A2. They Sleep We Dub feat. Foxxee
B1. They Sleep We Love feat. Foxxee (Sev's Bay Area Remix)
B2. They Sleep We Love feat. Foxxee (Foxxapella)

Shortinfo:

After a wildly successful collaboration on Thatmanmonkz's "Turn It Out" from the LP, Columbus-ing, Dave Aju suggested they should continue their production streak for a new percussive tracks project.

At the same time, Aju had finally kept his word to legendary Bay Area club/underground MC and personality, Foxxee aka Foxxee Brown aka Lawrence Petty, to work on a track together as well. Petty being a core part of the infamous Ya Mama's House radio show on 106 KMEL alongside Pete Avila and David Harness that introduced legions of young Bay Area DJs to real House Music, includ-ing Aju, in the early 90s.

While Aju & Monkz had originally been working on more of a slick club romance narrative angle over some robust tumbling drums, some very tragic news had struck their hometown - at an under-ground event in Oakland California, more than 30 people including many dear friends and stalwarts of the local dance music community had been trapped inside a building and killed in a fire that broke out while doing what they love, in the now-infamous Ghost Ship.

Lawrence and Aju immediately acknowledged and agreed that the track should serve as a tribute to the event and the loved ones affected by it. But decidedly, rather than it being a solemn requiem of sorts, it should reflect the communal power, strength and uplifting spirit of the underground scene they all helped build and knew so well.

At first entitled They Sleep We Live, a representative reference to the iconic arm tattoo of the late Jonny Igaz aka Nacht, one of the more well-known and active DJs whose life was lost that tragic evening, and a lyrical direction idea for Lawrence for a direct tribute to the SF Bay Area scene, it was then decided that a universal underground anthem angle would be far more appropriate and that brothers and sisters from around the world in scenes just as the deep and expansive as the one in the Bay Area are a part of what happened - an extended family for real.

Aju and Monkz then imbued the track with some flavor and attitude that evoked their own respective rave scene heydays - from early Cajual/Relief style fuzzy drum knocks to a filtered voiced bass line nod to MAW. The track was then unintentionally renamed They Sleep We Love by hands at the Music For Freaks label office, who loved at first listen and agreed to release it, a happiest of fitting acci-dents followed by fellow dance floor maverick Seven Davis Jr hearing the tune from Dave Aju, and immediately offering an enthused and upbeat remix. Aju paired the cuts with a nasty They Sleep We Dub version for the later-night DJ moments, and a clean "Foxxapella" so Lawrence's loving words can be heard and felt directly, fast forward through a bit of processing time, and now the rest as they say..

"We are the music.. we are a family"
More

SPECIAL REMARKS : 12" MFF House Bag, 2018 Remaster from Original Tapes, 2018 Re Issue of the Classic!

TRACK LIST:
A1. Freaks - Look Behind You (Home & Garden Dub)
A2. Freaks - Methods In Madness
AA1. Freaks - Instrument (Soul Capsule On It)
AA2. Freaks - Instrument (Soul Capsule Off It)


SHORT INFO:
REPRESS ALERT. From the classic vinyl vaults of Music For Freaks, Methods in Madness, was originally released in 2000 and featured a minimal funk house remix courtesy of Chicago based deep house guru, Tim Shumaker and Brooklyn-based musician, Tim Kvasnosky as Home & Garden. The flipside came with 2 mixes from Soul Capsule aka Thomas Melchior and Peter Baby Ford, who delivered a minimal house tour de force of stripped back, energetic beats, bubbling bass and atmospheric vocal samples to round off the package.
VITAL SALES POINTS:
Freaks - Instrument (Soul Capsule On It) remix featured on Fabric 17 compilation by Akufen / Marc Leclair alongside Matthew Dear, Herbert, Cabanne and Kalabrese.
More

SPECIAL REMARKS : 12" MFF House Bag, 150g Vinyl
Tracklist:
A1. Two Sharp Pencils (Get Bad) Anna Wall & Corbi Remix
AA1. Two Sharp Pencils (Get Bad) Jamie 3:26 Punk Funk Version

Shortinfo:
Anna Wall & Corbi's take on Queen drummer Roger Taylor's 'Two Sharp Pencils (Get Bad)'. The result? One of the most unlikely and essential party records of 2017.

Queen and house music: not necessarily the most obvious of bedfellows, but Music For Freaks has never been a label to take the path most travelled. Over the course of their de-cades long journey the label founded by Luke Solomon and Justin Harris has released uni-quely idiosyncratic dance music, establishing the label as a go-to imprint for those seeking imaginative, unpredictable records that still undeniably work on the dancefloor.

Their latest release might well be among the most out-there of them all.
Originally released back in 1984, 'Two Sharp Pencils (Get Bad)' is a record by Queen drum-mer Roger Taylor, featuring him on vocals as well as drums, bass & guitar. Now brought bang up to date via a fully official and endorsed remix courtesy of Anna Wall & Corbi, this overlooked album track looks set to become one of the summer's most essential records.

Born and bred in the UK, Anna Wall is a DJ, producer and label owner who is a key player in London's underground house music scene. Her label The Bricks champions up-and-coming producers, while Anna herself has DJ'd all over the world, most recently for Mixmag at Pacha for their IMS launch party.

Corbi is an Ibiza-based DJ and producer, A&R for the highly respected FINA Records and co-founder of Melon Bomb, a party and DJ collective that has in the space of just a couple of years become one of the White Isle's most talked-about exports.

Having met while working at house giant Defected Records some years ago, Anna felt that Corbi would be the perfect studio accomplice to work on the remix of 'Two Sharp Pencils'.

"I was honoured to be asked to remix Roger Taylor. It felt right to work with Juan as we have a really great workflow, and he'd just released his first single on my label The Bricks. We made it at his home studio in Ibiza and were absolutely inspired by our surroundings." Anna Wall

The remix of 'Two Sharp Pencils' is about as far away from a run-of-the-mill house record as its possible to get. Full of character, unexpected turns and moments of joyful brilliance, it's every DJs dream: a statement record that will illuminate every dancefloor and stage at which it is dropped.

"It was a great project to work on with my good friend and producer Anna Wall who had managed to get hold of the stems of this Roger Taylor track. We retained all the parts we loved and then added extra drums, synth parts and textures, really trying to stay faithful to the vibe of the original." Juan Corbi

The package also includes an additional version from Chicago's Jamie 3:26, who adds disco guitar licks and claps - as well as incorporating additional vocals - for his Punk Funk versi-on.
More

SPECIAL REMARKS : 2017 Remaster 12” with new (actual) MFF Housebag, 150g Vinyl

Tracklist:
A: Sure
AA : Angie's Fucked

Short info:

Repress of the original vinyl release on MFF back in 2001....
Newly re-mastered for 2017, Angie's Fucked and Sure are sounding bigger and better. Driving dubby deep house with freaky effects.

This EP was undoubtedly one of MFF's release highlights and C++ (aka Joshua, Circulation, J-Boom, C++, Free Energy, Stereo People, Dubwise and as Iz of Iz & Diz) needs no introduction having been making music for past 24 years and setting up Vizual Records with production partner Diz.
He's previously released tracks on label giants such as Prescription, Balance, Clas-sic, Junior Boys Own, OM and Guidance, working with the likes of Derrick Carter, Chez Damier and Cajmere.

Four Tet also chose to pay homage to this rarity by adding Angie's Fucked to his highly revered Fabric Live 59 compilation, released in 2011. The track sits comfor-tably alongside Burial, Floating Points, Red Rack'em, Ricardo Villalobos and Cari-bou, who all feature on the album too.
Make sure you play it loud and lose your mind in it ! More

SPECIAL REMARKS : 12” with black sleeve, 150g Vinyl
Tracklist:
A1 - ALIENS FROM ANOTHER DIMENSION, B1 - PROPHET FUNK, B2 - MESSAGE TO THE STARS (DUBSTRUMENTAL)

Shortinfo:
Mr Tophat, an enigmatic Swedish house head who's awkward grooves and unconventional arrangements has heads nodding across the universe.
From Another Dimension EP was inspired by his addiction to the club tracks that Music For Freaks originally released, with Rob Mello’s No Ears Dub version of Discorobot in his top 10 tracks of all time.
Here, Mr Tophat generously serves up 3 of his textbook trips down the rabbit hole. This is entertainment for the freakiest of people. Aliens From Another Dimension is a squeeky adventure in sound, navigating the inner workings of Mr Tophats imagination and penchant for Sci-Fi.
Prophet Funk is a chugging, progressive slice of hip house surrealism. Its quirky call and response melodies and gawky vocals are straight out of an episode of the Twilight Zone.

Message To The Stars is a love song to the multiverse and the stars that reside within her. A funky breakbeat is underpinned by discordant melodies and lead lines that resonate with the head and the hear More

Special remarks : 12" with printed deluxe sleeve,

Tracklist :
A1. FREAKS - EIGHTIES THROWBACK (Villalobos Greiner Remix Two)
AA1.FREAKS - WASHING MACHINE (Soul Clap's Static Cling Mix) , AA2.FREAKS - ROBOTIC MOVEMENT

Short info:
For Let's Do It Again 2….Ricardo Villalobos delivers his 2nd remix for the label (2 of 5 !) which he's worked up, alongside studio partner Frank Greiner, into a confoundingly brilliant reworking of Eighties Throwback. Taking Freaks' original and already twisted sounds and vocals and twisting them up even further into another 14 minute (in it's edited form) piece of musical genius.
Free of compromise and thus fitting the MFF ethos perfectly, the track is a wonderful example of Villalobos wildly experimental dexterity. This is for all those dedicated to their turntable and the love of an awe inspiring journey into sonics and beats.
On the flip side you'll find a record from the other side of the house planet... Boston disco inspired, Soul Clap rework Diz Washington's vocals on the wonderful Washing Machine to funk them up to within an inch of their beautifully original understated life. Fresh from working with P-Funk orginator, George Clinton, their Washing Machine remix is a crisp, futuristic and downright freaky funkathon which will undoubtedly resonate at clubs and after parties for many moons.

And last but not least, an original track from Freaks - originally a remix, Justin and Luke recorded back in the 90's which never saw the light of day, they removed any references, renamed it Robotic Movement and released it on their album The Beat Diaries. Here they've re-mastered the original for vinyl (never having been available before on wax) and are very happy to be able to press up one of the tracks they've been most proud of throughout the musical history of Freaks and Music For Freaks.


More

Special remarks : 12" with printed deluxe sleeve

Tracklist :

A1. Freaks - The Man Who Lived Underground - Ricardo Villalobos Remix One
AA1. Turner - Been Out - Tuff City Kids Vocal Remix
AA2. Freaks - Instrument - Unreleased 1999 Edit

Short info:

Initial release for the relaunch of MFF (Music For Freaks).
The label was previously responsible for releases such as Turning Orange, Washing Machine, Where Were You When The lights Went Out, The Creeps and worked with artists Recloose / Kenny Hawkes / Doc L Junior / Mark Farina to name a few.

For Let's Do It Again….Ricardo Villalobos delivers in an innovative reworking. Sent a variety of parts from tracks released on Freaks - The Man Who Lived Underground album, Ricardo took his inspiration from all of them and mixes them into a distinctively Villalobos track - it was originally 14 minutes long ! This is the 1st of a series of reworkings from him for the label and speaks for itself.

Turner - Been Out was a classic MFF release and Tuff City Kids, Gerd Janson & Phillip Lauer, get their hands dirty with the parts and show why they're 2 of house music's current treasures. Tuff City Kids remixes have featured on labels such as Output Recordings, Rekids, Careless, Spectral and Sonar Kollektiv.

Freaks - Instrument - one of the rediscovered unreleased gems from the days of dat recording.

Vital Sales Points:

Villalobos - Over 700,000 facebook followers :
https://www.facebook.com/ricardovillalobosofficial/timeline

Upcoming live gigs for Villalobos during summer include :
Cocoon In The Park and Cocoon @ Amnesia monthly in Ibiza / Sonus Festival / Dekmantel Festival / Into The Valley

Full PR campaign by Favouritism PR for each individual track featured on vinyl.

Ricardo Villalobos - Specialist radio / Tastemaker DJ mailout / Press reviews
Tuff City Kids - Targetting Radio 1 UK and other key global radio stations / press / tastemaker DJ mailout.
Freaks - specialist radio / tastemaker DJ mailout / press reviews / blogs

Sales points will be updated regularly once PR campaign commences wk beginning 20th July 2015.


More