1
C++ - Sure
2
C++ - angiesfucked
SPECIAL REMARKS : 2017 Remaster 12” with new (actual) MFF Housebag, 150g Vinyl
Tracklist:
A: Sure
AA : Angie's Fucked
Short info:
Repress of the original vinyl release on MFF back in 2001....
Newly re-mastered for 2017, Angie's Fucked and Sure are sounding bigger and better. Driving dubby deep house with freaky effects.
This EP was undoubtedly one of MFF's release highlights and C++ (aka Joshua, Circulation, J-Boom, C++, Free Energy, Stereo People, Dubwise and as Iz of Iz & Diz) needs no introduction having been making music for past 24 years and setting up Vizual Records with production partner Diz.
He's previously released tracks on label giants such as Prescription, Balance, Clas-sic, Junior Boys Own, OM and Guidance, working with the likes of Derrick Carter, Chez Damier and Cajmere.
Four Tet also chose to pay homage to this rarity by adding Angie's Fucked to his highly revered Fabric Live 59 compilation, released in 2011. The track sits comfor-tably alongside Burial, Floating Points, Red Rack'em, Ricardo Villalobos and Cari-bou, who all feature on the album too.
Make sure you play it loud and lose your mind in it ! More
Tracklist:
A: Sure
AA : Angie's Fucked
Short info:
Repress of the original vinyl release on MFF back in 2001....
Newly re-mastered for 2017, Angie's Fucked and Sure are sounding bigger and better. Driving dubby deep house with freaky effects.
This EP was undoubtedly one of MFF's release highlights and C++ (aka Joshua, Circulation, J-Boom, C++, Free Energy, Stereo People, Dubwise and as Iz of Iz & Diz) needs no introduction having been making music for past 24 years and setting up Vizual Records with production partner Diz.
He's previously released tracks on label giants such as Prescription, Balance, Clas-sic, Junior Boys Own, OM and Guidance, working with the likes of Derrick Carter, Chez Damier and Cajmere.
Four Tet also chose to pay homage to this rarity by adding Angie's Fucked to his highly revered Fabric Live 59 compilation, released in 2011. The track sits comfor-tably alongside Burial, Floating Points, Red Rack'em, Ricardo Villalobos and Cari-bou, who all feature on the album too.
Make sure you play it loud and lose your mind in it ! More
More records from Music For Freaks
12" Remote ControlEPdelivers the sameproduction quality asCAUCASIAN BOY’s classic singles, Spangle and Northern Lights.
GENRE/S:ACID HOUSE / DEEP HOUSE / HOUSE3.
TRACKLISTS: A SIDE: REMOTE CONTROLAASIDE: DYSTOPIA
SHORT INFO: “I can remember literally bolting across a busy warehouse party in the early 90's (I think it was actually DIY in Gloucester?) afterhearing a record come on which immediately stood out to me, hadn't heard it before.... A clear 303 single note bassline/hook with sublime strings and undeniable flavours of Detroit and Chicago in the drums and vibe. I needed to know what it was!!That record was "Northern Lights" by Caucasian Boy (AKA Crispin J Glover and David Jenkins, AKA DJ Shakra), and I have honestly been playing it ever since. Fast forward 28 years, and here we are releasing their new acid house monster, the Remote Control EP”Justin Harris Remote Control immediately puts youback in the warehouse or one of those dark, sweaty basement parties which have shaped manymusical educationsover the decades, you know, when things are just starting to get really involved! Beginning with a relentless 90's feel and withmore thana nod to early 90's Belgian Techno, Remote Control steers you through a perfect six and a half minutes of heads down warehouse acid groove, all culminating in a kick-ass gorgeous breakdown. And then there's Dystopia.A deep, dark 909 driven cut of excellence. You can hear in every bar that the purveyors of this track have a deep experience of and are driven to write for the dance floor. Once again, making perfect use of 303, 909 and 808 (amongst others) Dystopia pullsno punches and shamelessly leads you right into the middle of that sweaty dancefloor, and it's perfectly executed deliverykeeps you right there.
More
GENRE/S:ACID HOUSE / DEEP HOUSE / HOUSE3.
TRACKLISTS: A SIDE: REMOTE CONTROLAASIDE: DYSTOPIA
SHORT INFO: “I can remember literally bolting across a busy warehouse party in the early 90's (I think it was actually DIY in Gloucester?) afterhearing a record come on which immediately stood out to me, hadn't heard it before.... A clear 303 single note bassline/hook with sublime strings and undeniable flavours of Detroit and Chicago in the drums and vibe. I needed to know what it was!!That record was "Northern Lights" by Caucasian Boy (AKA Crispin J Glover and David Jenkins, AKA DJ Shakra), and I have honestly been playing it ever since. Fast forward 28 years, and here we are releasing their new acid house monster, the Remote Control EP”Justin Harris Remote Control immediately puts youback in the warehouse or one of those dark, sweaty basement parties which have shaped manymusical educationsover the decades, you know, when things are just starting to get really involved! Beginning with a relentless 90's feel and withmore thana nod to early 90's Belgian Techno, Remote Control steers you through a perfect six and a half minutes of heads down warehouse acid groove, all culminating in a kick-ass gorgeous breakdown. And then there's Dystopia.A deep, dark 909 driven cut of excellence. You can hear in every bar that the purveyors of this track have a deep experience of and are driven to write for the dance floor. Once again, making perfect use of 303, 909 and 808 (amongst others) Dystopia pullsno punches and shamelessly leads you right into the middle of that sweaty dancefloor, and it's perfectly executed deliverykeeps you right there.
More
1
Dan Ghenacia & Chris Carrier - No Title
2
Dan Ghenacia & Chris Carrier - No Title
The tag team are back with another club-ready release bringing together their combined experience and production prowess. Dan Ghenacia and Chris Carrier are long-time friends who’ve been working together in the studio over the last few years, resulting in a series of EPs on labels like Apollonia, Adult Only and, of course, Music For Freaks, for whom this is their second release. On the A-side ‘Vocalized’ comes at us full throttle with a powerful bassline and crisp, punchy beats. The vibe is unrelenting with a neat call and response vocal clip and a simple, catchy melody in the top line, keeping it hypnotic. Funky, groovy and full of potent energy from start to end. On the flip ‘Burning’ has a similar aesthetic, with taut drums and bass, plus a range of unusual sounds to add depth and character. Indecipherable vocal clips pop up occasionally, and the pace picks up as the track hits the midpoint. A repeated siren-esque effect locks you into the groove, keeping you hopelessly hooked until the end...
More
More
Special remarks: 12" with printed deluxe sleeve, 180g
... Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree! ...
Tracklist:
A1. Freaks - He's Angry - Villalobos Techmix
A2. Freaks - Unbeknown to Us
AA1. Freaks - Time - The Martinez Brothers Remix
AA2. Freaks - Turning Orange - TCK 808 Fate Mix
Short info:
2019 marks the year that Music for Freaks has officially been running for over 20 whole years. Two decades of topsy turvy, downright Freakish behaviour. How the hell did that happen?
So, what better time to delve deep into the labels vaults again and uncover more of its hidden treasures. Back in 2015, we approached some of today's most discerning producers, those who truly "get" the label's ethos from old, to let them loose on tracks old and new. It brought to the fore the "Freaks - Let's Do It Again" series of releases and we're super chuffed to bring you the 3rd in the series to kick off the label's 20th anniversary celebrations; a new collaboration with likeminded artists and we think you'll agree it's another testament to the divergent & insouciant house music that has always been the beating heart of this label.
First up, we welcome back the Chilean anti-hero Ricardo Villalobos.
When we sent Ricardo the parts to the Freaks album, "The Man Who Lived Underground" a few years ago, he sent back 5 interpretations which blew our collective minds. This is the 3rd of his journeys. Edited by head Freak, Justin Harris, it delivers a tripped out, discordant tech mix of the Freaks track, 'He's Angry' and is a wonderfully warped and highly hypnotic jam, that drives deep down into the subconscious.
The 20th anniversary wouldn't feel right without some brand spanking new music from Freaks themselves.
This track was properly hidden in the Freaks DAT vaults from the 1990's and Justin & Luke have dusted it off, mixed it down and "Unbeknown To Us" will finally see the light of day. It's safe to say Freaks have always had a timeless feel to their music and this track, despite being 20 years old as an original production, is no exception.
Next up, The Martinez Brothers make their MFF debut and to say we're chuffed to be releasing this one after 3 years of it being in the vault, is a huge understatement. There's nothing but good vibes, cranked to eleven, on this cut and the brothers have cooked up a true rip snorting tech house remix of "Time", that will charm the roof off any self-respecting club or festival tent.
And last but by no means least, fellow previous collaborators on Let's Do It Again, Part 1, Gerd Jansen and Phillip Lauer, aka Tuff City Kids, have graced us with another superb remix of a firm Freaks favourite from back in the day, "Turning Orange". The duo have whipped up an excellent stripped 808, electro-hop mix with low slung electro beats, minor key atmospherics and nostalgic 80s vocal pitch-shifts. Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree!
More
... Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree! ...
Tracklist:
A1. Freaks - He's Angry - Villalobos Techmix
A2. Freaks - Unbeknown to Us
AA1. Freaks - Time - The Martinez Brothers Remix
AA2. Freaks - Turning Orange - TCK 808 Fate Mix
Short info:
2019 marks the year that Music for Freaks has officially been running for over 20 whole years. Two decades of topsy turvy, downright Freakish behaviour. How the hell did that happen?
So, what better time to delve deep into the labels vaults again and uncover more of its hidden treasures. Back in 2015, we approached some of today's most discerning producers, those who truly "get" the label's ethos from old, to let them loose on tracks old and new. It brought to the fore the "Freaks - Let's Do It Again" series of releases and we're super chuffed to bring you the 3rd in the series to kick off the label's 20th anniversary celebrations; a new collaboration with likeminded artists and we think you'll agree it's another testament to the divergent & insouciant house music that has always been the beating heart of this label.
First up, we welcome back the Chilean anti-hero Ricardo Villalobos.
When we sent Ricardo the parts to the Freaks album, "The Man Who Lived Underground" a few years ago, he sent back 5 interpretations which blew our collective minds. This is the 3rd of his journeys. Edited by head Freak, Justin Harris, it delivers a tripped out, discordant tech mix of the Freaks track, 'He's Angry' and is a wonderfully warped and highly hypnotic jam, that drives deep down into the subconscious.
The 20th anniversary wouldn't feel right without some brand spanking new music from Freaks themselves.
This track was properly hidden in the Freaks DAT vaults from the 1990's and Justin & Luke have dusted it off, mixed it down and "Unbeknown To Us" will finally see the light of day. It's safe to say Freaks have always had a timeless feel to their music and this track, despite being 20 years old as an original production, is no exception.
Next up, The Martinez Brothers make their MFF debut and to say we're chuffed to be releasing this one after 3 years of it being in the vault, is a huge understatement. There's nothing but good vibes, cranked to eleven, on this cut and the brothers have cooked up a true rip snorting tech house remix of "Time", that will charm the roof off any self-respecting club or festival tent.
And last but by no means least, fellow previous collaborators on Let's Do It Again, Part 1, Gerd Jansen and Phillip Lauer, aka Tuff City Kids, have graced us with another superb remix of a firm Freaks favourite from back in the day, "Turning Orange". The duo have whipped up an excellent stripped 808, electro-hop mix with low slung electro beats, minor key atmospherics and nostalgic 80s vocal pitch-shifts. Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree!
More
1
DAVE AJU & THATMANMONKZ - They Sleep We Love feat. Foxxee
2
DAVE AJU & THATMANMONKZ - They Sleep We Dub feat. Foxxee
3
DAVE AJU & THATMANMONKZ - They Sleep We Love feat. Foxxee (Sev's Bay Area Remix)
4
DAVE AJU & THATMANMONKZ - They Sleep We Love feat. Foxxee (Foxxapella)
SPECIAL REMARKS : 12” in MFF House Bag, 150g Vinyl
Tracklist:
A1. They Sleep We Love feat. Foxxee
A2. They Sleep We Dub feat. Foxxee
B1. They Sleep We Love feat. Foxxee (Sev's Bay Area Remix)
B2. They Sleep We Love feat. Foxxee (Foxxapella)
Shortinfo:
After a wildly successful collaboration on Thatmanmonkz's "Turn It Out" from the LP, Columbus-ing, Dave Aju suggested they should continue their production streak for a new percussive tracks project.
At the same time, Aju had finally kept his word to legendary Bay Area club/underground MC and personality, Foxxee aka Foxxee Brown aka Lawrence Petty, to work on a track together as well. Petty being a core part of the infamous Ya Mama's House radio show on 106 KMEL alongside Pete Avila and David Harness that introduced legions of young Bay Area DJs to real House Music, includ-ing Aju, in the early 90s.
While Aju & Monkz had originally been working on more of a slick club romance narrative angle over some robust tumbling drums, some very tragic news had struck their hometown - at an under-ground event in Oakland California, more than 30 people including many dear friends and stalwarts of the local dance music community had been trapped inside a building and killed in a fire that broke out while doing what they love, in the now-infamous Ghost Ship.
Lawrence and Aju immediately acknowledged and agreed that the track should serve as a tribute to the event and the loved ones affected by it. But decidedly, rather than it being a solemn requiem of sorts, it should reflect the communal power, strength and uplifting spirit of the underground scene they all helped build and knew so well.
At first entitled They Sleep We Live, a representative reference to the iconic arm tattoo of the late Jonny Igaz aka Nacht, one of the more well-known and active DJs whose life was lost that tragic evening, and a lyrical direction idea for Lawrence for a direct tribute to the SF Bay Area scene, it was then decided that a universal underground anthem angle would be far more appropriate and that brothers and sisters from around the world in scenes just as the deep and expansive as the one in the Bay Area are a part of what happened - an extended family for real.
Aju and Monkz then imbued the track with some flavor and attitude that evoked their own respective rave scene heydays - from early Cajual/Relief style fuzzy drum knocks to a filtered voiced bass line nod to MAW. The track was then unintentionally renamed They Sleep We Love by hands at the Music For Freaks label office, who loved at first listen and agreed to release it, a happiest of fitting acci-dents followed by fellow dance floor maverick Seven Davis Jr hearing the tune from Dave Aju, and immediately offering an enthused and upbeat remix. Aju paired the cuts with a nasty They Sleep We Dub version for the later-night DJ moments, and a clean "Foxxapella" so Lawrence's loving words can be heard and felt directly, fast forward through a bit of processing time, and now the rest as they say..
"We are the music.. we are a family"
More
Tracklist:
A1. They Sleep We Love feat. Foxxee
A2. They Sleep We Dub feat. Foxxee
B1. They Sleep We Love feat. Foxxee (Sev's Bay Area Remix)
B2. They Sleep We Love feat. Foxxee (Foxxapella)
Shortinfo:
After a wildly successful collaboration on Thatmanmonkz's "Turn It Out" from the LP, Columbus-ing, Dave Aju suggested they should continue their production streak for a new percussive tracks project.
At the same time, Aju had finally kept his word to legendary Bay Area club/underground MC and personality, Foxxee aka Foxxee Brown aka Lawrence Petty, to work on a track together as well. Petty being a core part of the infamous Ya Mama's House radio show on 106 KMEL alongside Pete Avila and David Harness that introduced legions of young Bay Area DJs to real House Music, includ-ing Aju, in the early 90s.
While Aju & Monkz had originally been working on more of a slick club romance narrative angle over some robust tumbling drums, some very tragic news had struck their hometown - at an under-ground event in Oakland California, more than 30 people including many dear friends and stalwarts of the local dance music community had been trapped inside a building and killed in a fire that broke out while doing what they love, in the now-infamous Ghost Ship.
Lawrence and Aju immediately acknowledged and agreed that the track should serve as a tribute to the event and the loved ones affected by it. But decidedly, rather than it being a solemn requiem of sorts, it should reflect the communal power, strength and uplifting spirit of the underground scene they all helped build and knew so well.
At first entitled They Sleep We Live, a representative reference to the iconic arm tattoo of the late Jonny Igaz aka Nacht, one of the more well-known and active DJs whose life was lost that tragic evening, and a lyrical direction idea for Lawrence for a direct tribute to the SF Bay Area scene, it was then decided that a universal underground anthem angle would be far more appropriate and that brothers and sisters from around the world in scenes just as the deep and expansive as the one in the Bay Area are a part of what happened - an extended family for real.
Aju and Monkz then imbued the track with some flavor and attitude that evoked their own respective rave scene heydays - from early Cajual/Relief style fuzzy drum knocks to a filtered voiced bass line nod to MAW. The track was then unintentionally renamed They Sleep We Love by hands at the Music For Freaks label office, who loved at first listen and agreed to release it, a happiest of fitting acci-dents followed by fellow dance floor maverick Seven Davis Jr hearing the tune from Dave Aju, and immediately offering an enthused and upbeat remix. Aju paired the cuts with a nasty They Sleep We Dub version for the later-night DJ moments, and a clean "Foxxapella" so Lawrence's loving words can be heard and felt directly, fast forward through a bit of processing time, and now the rest as they say..
"We are the music.. we are a family"
More
1
FREAKS - Look Behind You (Home & Garden Dub)
2
FREAKS - Methods In Madness
3
FREAKS - Instrument (Soul Capsule On It)
4
FREAKS - Instrument (Soul Capsule Off It)
SPECIAL REMARKS : 12" MFF House Bag, 2018 Remaster from Original Tapes, 2018 Re Issue of the Classic!
TRACK LIST:
A1. Freaks - Look Behind You (Home & Garden Dub)
A2. Freaks - Methods In Madness
AA1. Freaks - Instrument (Soul Capsule On It)
AA2. Freaks - Instrument (Soul Capsule Off It)
SHORT INFO:
REPRESS ALERT. From the classic vinyl vaults of Music For Freaks, Methods in Madness, was originally released in 2000 and featured a minimal funk house remix courtesy of Chicago based deep house guru, Tim Shumaker and Brooklyn-based musician, Tim Kvasnosky as Home & Garden. The flipside came with 2 mixes from Soul Capsule aka Thomas Melchior and Peter Baby Ford, who delivered a minimal house tour de force of stripped back, energetic beats, bubbling bass and atmospheric vocal samples to round off the package.
VITAL SALES POINTS:
Freaks - Instrument (Soul Capsule On It) remix featured on Fabric 17 compilation by Akufen / Marc Leclair alongside Matthew Dear, Herbert, Cabanne and Kalabrese.
More
TRACK LIST:
A1. Freaks - Look Behind You (Home & Garden Dub)
A2. Freaks - Methods In Madness
AA1. Freaks - Instrument (Soul Capsule On It)
AA2. Freaks - Instrument (Soul Capsule Off It)
SHORT INFO:
REPRESS ALERT. From the classic vinyl vaults of Music For Freaks, Methods in Madness, was originally released in 2000 and featured a minimal funk house remix courtesy of Chicago based deep house guru, Tim Shumaker and Brooklyn-based musician, Tim Kvasnosky as Home & Garden. The flipside came with 2 mixes from Soul Capsule aka Thomas Melchior and Peter Baby Ford, who delivered a minimal house tour de force of stripped back, energetic beats, bubbling bass and atmospheric vocal samples to round off the package.
VITAL SALES POINTS:
Freaks - Instrument (Soul Capsule On It) remix featured on Fabric 17 compilation by Akufen / Marc Leclair alongside Matthew Dear, Herbert, Cabanne and Kalabrese.
More
SPECIAL REMARKS : 12" MFF House Bag, 150g Vinyl
Tracklist:
A1. Two Sharp Pencils (Get Bad) Anna Wall & Corbi Remix
AA1. Two Sharp Pencils (Get Bad) Jamie 3:26 Punk Funk Version
Shortinfo:
Anna Wall & Corbi's take on Queen drummer Roger Taylor's 'Two Sharp Pencils (Get Bad)'. The result? One of the most unlikely and essential party records of 2017.
Queen and house music: not necessarily the most obvious of bedfellows, but Music For Freaks has never been a label to take the path most travelled. Over the course of their de-cades long journey the label founded by Luke Solomon and Justin Harris has released uni-quely idiosyncratic dance music, establishing the label as a go-to imprint for those seeking imaginative, unpredictable records that still undeniably work on the dancefloor.
Their latest release might well be among the most out-there of them all.
Originally released back in 1984, 'Two Sharp Pencils (Get Bad)' is a record by Queen drum-mer Roger Taylor, featuring him on vocals as well as drums, bass & guitar. Now brought bang up to date via a fully official and endorsed remix courtesy of Anna Wall & Corbi, this overlooked album track looks set to become one of the summer's most essential records.
Born and bred in the UK, Anna Wall is a DJ, producer and label owner who is a key player in London's underground house music scene. Her label The Bricks champions up-and-coming producers, while Anna herself has DJ'd all over the world, most recently for Mixmag at Pacha for their IMS launch party.
Corbi is an Ibiza-based DJ and producer, A&R for the highly respected FINA Records and co-founder of Melon Bomb, a party and DJ collective that has in the space of just a couple of years become one of the White Isle's most talked-about exports.
Having met while working at house giant Defected Records some years ago, Anna felt that Corbi would be the perfect studio accomplice to work on the remix of 'Two Sharp Pencils'.
"I was honoured to be asked to remix Roger Taylor. It felt right to work with Juan as we have a really great workflow, and he'd just released his first single on my label The Bricks. We made it at his home studio in Ibiza and were absolutely inspired by our surroundings." Anna Wall
The remix of 'Two Sharp Pencils' is about as far away from a run-of-the-mill house record as its possible to get. Full of character, unexpected turns and moments of joyful brilliance, it's every DJs dream: a statement record that will illuminate every dancefloor and stage at which it is dropped.
"It was a great project to work on with my good friend and producer Anna Wall who had managed to get hold of the stems of this Roger Taylor track. We retained all the parts we loved and then added extra drums, synth parts and textures, really trying to stay faithful to the vibe of the original." Juan Corbi
The package also includes an additional version from Chicago's Jamie 3:26, who adds disco guitar licks and claps - as well as incorporating additional vocals - for his Punk Funk versi-on.
More
Tracklist:
A1. Two Sharp Pencils (Get Bad) Anna Wall & Corbi Remix
AA1. Two Sharp Pencils (Get Bad) Jamie 3:26 Punk Funk Version
Shortinfo:
Anna Wall & Corbi's take on Queen drummer Roger Taylor's 'Two Sharp Pencils (Get Bad)'. The result? One of the most unlikely and essential party records of 2017.
Queen and house music: not necessarily the most obvious of bedfellows, but Music For Freaks has never been a label to take the path most travelled. Over the course of their de-cades long journey the label founded by Luke Solomon and Justin Harris has released uni-quely idiosyncratic dance music, establishing the label as a go-to imprint for those seeking imaginative, unpredictable records that still undeniably work on the dancefloor.
Their latest release might well be among the most out-there of them all.
Originally released back in 1984, 'Two Sharp Pencils (Get Bad)' is a record by Queen drum-mer Roger Taylor, featuring him on vocals as well as drums, bass & guitar. Now brought bang up to date via a fully official and endorsed remix courtesy of Anna Wall & Corbi, this overlooked album track looks set to become one of the summer's most essential records.
Born and bred in the UK, Anna Wall is a DJ, producer and label owner who is a key player in London's underground house music scene. Her label The Bricks champions up-and-coming producers, while Anna herself has DJ'd all over the world, most recently for Mixmag at Pacha for their IMS launch party.
Corbi is an Ibiza-based DJ and producer, A&R for the highly respected FINA Records and co-founder of Melon Bomb, a party and DJ collective that has in the space of just a couple of years become one of the White Isle's most talked-about exports.
Having met while working at house giant Defected Records some years ago, Anna felt that Corbi would be the perfect studio accomplice to work on the remix of 'Two Sharp Pencils'.
"I was honoured to be asked to remix Roger Taylor. It felt right to work with Juan as we have a really great workflow, and he'd just released his first single on my label The Bricks. We made it at his home studio in Ibiza and were absolutely inspired by our surroundings." Anna Wall
The remix of 'Two Sharp Pencils' is about as far away from a run-of-the-mill house record as its possible to get. Full of character, unexpected turns and moments of joyful brilliance, it's every DJs dream: a statement record that will illuminate every dancefloor and stage at which it is dropped.
"It was a great project to work on with my good friend and producer Anna Wall who had managed to get hold of the stems of this Roger Taylor track. We retained all the parts we loved and then added extra drums, synth parts and textures, really trying to stay faithful to the vibe of the original." Juan Corbi
The package also includes an additional version from Chicago's Jamie 3:26, who adds disco guitar licks and claps - as well as incorporating additional vocals - for his Punk Funk versi-on.
More
SPECIAL REMARKS : 12” with black sleeve, 150g Vinyl
Tracklist:
A1 - ALIENS FROM ANOTHER DIMENSION, B1 - PROPHET FUNK, B2 - MESSAGE TO THE STARS (DUBSTRUMENTAL)
Shortinfo:
Mr Tophat, an enigmatic Swedish house head who's awkward grooves and unconventional arrangements has heads nodding across the universe.
From Another Dimension EP was inspired by his addiction to the club tracks that Music For Freaks originally released, with Rob Mello’s No Ears Dub version of Discorobot in his top 10 tracks of all time.
Here, Mr Tophat generously serves up 3 of his textbook trips down the rabbit hole. This is entertainment for the freakiest of people. Aliens From Another Dimension is a squeeky adventure in sound, navigating the inner workings of Mr Tophats imagination and penchant for Sci-Fi.
Prophet Funk is a chugging, progressive slice of hip house surrealism. Its quirky call and response melodies and gawky vocals are straight out of an episode of the Twilight Zone.
Message To The Stars is a love song to the multiverse and the stars that reside within her. A funky breakbeat is underpinned by discordant melodies and lead lines that resonate with the head and the hear More
Tracklist:
A1 - ALIENS FROM ANOTHER DIMENSION, B1 - PROPHET FUNK, B2 - MESSAGE TO THE STARS (DUBSTRUMENTAL)
Shortinfo:
Mr Tophat, an enigmatic Swedish house head who's awkward grooves and unconventional arrangements has heads nodding across the universe.
From Another Dimension EP was inspired by his addiction to the club tracks that Music For Freaks originally released, with Rob Mello’s No Ears Dub version of Discorobot in his top 10 tracks of all time.
Here, Mr Tophat generously serves up 3 of his textbook trips down the rabbit hole. This is entertainment for the freakiest of people. Aliens From Another Dimension is a squeeky adventure in sound, navigating the inner workings of Mr Tophats imagination and penchant for Sci-Fi.
Prophet Funk is a chugging, progressive slice of hip house surrealism. Its quirky call and response melodies and gawky vocals are straight out of an episode of the Twilight Zone.
Message To The Stars is a love song to the multiverse and the stars that reside within her. A funky breakbeat is underpinned by discordant melodies and lead lines that resonate with the head and the hear More
Two of Paris’ original old school bad boys get together for the third in their special series of collabs. With fresh new releases already on the streets through their own labels, Apollonia and Adult Only, Dan Ghenacia and Chris Carrier step up to the legendary Music For Freaks with a brand new collection of delectable dance floor delights. Music For Freaks is back after a long break and this release couldn’t be anymore fitting for the highly-respected label’s relaunch. Full of vibrant flavours and addictive rhythms, Dan and Chris bless MFF with some irresistible Paris funk. Kicking off with ‘Vaporized’, a catchy little groover with dried out percussion which slaps down over a sultry bassline. Wibbly-wobbly FX combine with mysterious chimes and sketchy radio interference to create an odd atmosphere.Then we have ‘The Green Bell’, a squelchy heads-down vibe provider. ‘Wind And Fire’ brings the EP to a close and continues the duo’s use of strange sounds to great effect. This is no run-of-the-mill 4x4 production, there’s depth, subtle progression and hypnotic rhythms as only two seasoned pros like Dan and Chris can muster. An instant classic, what more would you expect from Music For Freaks?...
More
More
S12" with black sleeve, 150g Vinyl
Tracklist:
A1. Find a Lover , A2. Freeez
AA1. Freeez - (SoulPhiction Re-Rub), AA2. Givin it Dub
Shortinfo:
Dave Aju's, The Freee Lover EP has landed as the 1st new artist release on the newly re-launched MFF and setting the benchmark for the label.
With a huge worldwide fan base and instinctual passion for delivering fresh sounding quality material, the name Dave Aju has become synonymous with originality and diversity.
The Freee Lover EP offers 3 original tracks from Aju and an amazing remix from Germany's SoulPhiction.
Find A Lover & Givin It Dub are 2 signature Aju cuts, deep and soulful tech house featuring original vocals and just the right amount of jack.
Freeeze takes route firmly in the leftfield. A discordant downtempo number, with muted jazzy chords and twisted grooves, a sure fire track for sunrise dance floors.
To top off the package, SoulPhiction inject some peak time energy back into Freeeze, offering a beautifully produced, perc lead tech roller. More
Tracklist:
A1. Find a Lover , A2. Freeez
AA1. Freeez - (SoulPhiction Re-Rub), AA2. Givin it Dub
Shortinfo:
Dave Aju's, The Freee Lover EP has landed as the 1st new artist release on the newly re-launched MFF and setting the benchmark for the label.
With a huge worldwide fan base and instinctual passion for delivering fresh sounding quality material, the name Dave Aju has become synonymous with originality and diversity.
The Freee Lover EP offers 3 original tracks from Aju and an amazing remix from Germany's SoulPhiction.
Find A Lover & Givin It Dub are 2 signature Aju cuts, deep and soulful tech house featuring original vocals and just the right amount of jack.
Freeeze takes route firmly in the leftfield. A discordant downtempo number, with muted jazzy chords and twisted grooves, a sure fire track for sunrise dance floors.
To top off the package, SoulPhiction inject some peak time energy back into Freeeze, offering a beautifully produced, perc lead tech roller. More
Special remarks : 12" with printed deluxe sleeve,
Tracklist :
A1. FREAKS - EIGHTIES THROWBACK (Villalobos Greiner Remix Two)
AA1.FREAKS - WASHING MACHINE (Soul Clap's Static Cling Mix) , AA2.FREAKS - ROBOTIC MOVEMENT
Short info:
For Let's Do It Again 2….Ricardo Villalobos delivers his 2nd remix for the label (2 of 5 !) which he's worked up, alongside studio partner Frank Greiner, into a confoundingly brilliant reworking of Eighties Throwback. Taking Freaks' original and already twisted sounds and vocals and twisting them up even further into another 14 minute (in it's edited form) piece of musical genius.
Free of compromise and thus fitting the MFF ethos perfectly, the track is a wonderful example of Villalobos wildly experimental dexterity. This is for all those dedicated to their turntable and the love of an awe inspiring journey into sonics and beats.
On the flip side you'll find a record from the other side of the house planet... Boston disco inspired, Soul Clap rework Diz Washington's vocals on the wonderful Washing Machine to funk them up to within an inch of their beautifully original understated life. Fresh from working with P-Funk orginator, George Clinton, their Washing Machine remix is a crisp, futuristic and downright freaky funkathon which will undoubtedly resonate at clubs and after parties for many moons.
And last but not least, an original track from Freaks - originally a remix, Justin and Luke recorded back in the 90's which never saw the light of day, they removed any references, renamed it Robotic Movement and released it on their album The Beat Diaries. Here they've re-mastered the original for vinyl (never having been available before on wax) and are very happy to be able to press up one of the tracks they've been most proud of throughout the musical history of Freaks and Music For Freaks.
More
Tracklist :
A1. FREAKS - EIGHTIES THROWBACK (Villalobos Greiner Remix Two)
AA1.FREAKS - WASHING MACHINE (Soul Clap's Static Cling Mix) , AA2.FREAKS - ROBOTIC MOVEMENT
Short info:
For Let's Do It Again 2….Ricardo Villalobos delivers his 2nd remix for the label (2 of 5 !) which he's worked up, alongside studio partner Frank Greiner, into a confoundingly brilliant reworking of Eighties Throwback. Taking Freaks' original and already twisted sounds and vocals and twisting them up even further into another 14 minute (in it's edited form) piece of musical genius.
Free of compromise and thus fitting the MFF ethos perfectly, the track is a wonderful example of Villalobos wildly experimental dexterity. This is for all those dedicated to their turntable and the love of an awe inspiring journey into sonics and beats.
On the flip side you'll find a record from the other side of the house planet... Boston disco inspired, Soul Clap rework Diz Washington's vocals on the wonderful Washing Machine to funk them up to within an inch of their beautifully original understated life. Fresh from working with P-Funk orginator, George Clinton, their Washing Machine remix is a crisp, futuristic and downright freaky funkathon which will undoubtedly resonate at clubs and after parties for many moons.
And last but not least, an original track from Freaks - originally a remix, Justin and Luke recorded back in the 90's which never saw the light of day, they removed any references, renamed it Robotic Movement and released it on their album The Beat Diaries. Here they've re-mastered the original for vinyl (never having been available before on wax) and are very happy to be able to press up one of the tracks they've been most proud of throughout the musical history of Freaks and Music For Freaks.
More
1
Freaks - ManWhoLivedUnderground_VilalobosRemixOne
2
Freaks - Turner_BeenOut_TuffCityKidsVocalRemix
3
Freaks - Freaks_Instrument_LetsFreaksLostEdit
Special remarks : 12" with printed deluxe sleeve
Tracklist :
A1. Freaks - The Man Who Lived Underground - Ricardo Villalobos Remix One
AA1. Turner - Been Out - Tuff City Kids Vocal Remix
AA2. Freaks - Instrument - Unreleased 1999 Edit
Short info:
Initial release for the relaunch of MFF (Music For Freaks).
The label was previously responsible for releases such as Turning Orange, Washing Machine, Where Were You When The lights Went Out, The Creeps and worked with artists Recloose / Kenny Hawkes / Doc L Junior / Mark Farina to name a few.
For Let's Do It Again….Ricardo Villalobos delivers in an innovative reworking. Sent a variety of parts from tracks released on Freaks - The Man Who Lived Underground album, Ricardo took his inspiration from all of them and mixes them into a distinctively Villalobos track - it was originally 14 minutes long ! This is the 1st of a series of reworkings from him for the label and speaks for itself.
Turner - Been Out was a classic MFF release and Tuff City Kids, Gerd Janson & Phillip Lauer, get their hands dirty with the parts and show why they're 2 of house music's current treasures. Tuff City Kids remixes have featured on labels such as Output Recordings, Rekids, Careless, Spectral and Sonar Kollektiv.
Freaks - Instrument - one of the rediscovered unreleased gems from the days of dat recording.
Vital Sales Points:
Villalobos - Over 700,000 facebook followers :
https://www.facebook.com/ricardovillalobosofficial/timeline
Upcoming live gigs for Villalobos during summer include :
Cocoon In The Park and Cocoon @ Amnesia monthly in Ibiza / Sonus Festival / Dekmantel Festival / Into The Valley
Full PR campaign by Favouritism PR for each individual track featured on vinyl.
Ricardo Villalobos - Specialist radio / Tastemaker DJ mailout / Press reviews
Tuff City Kids - Targetting Radio 1 UK and other key global radio stations / press / tastemaker DJ mailout.
Freaks - specialist radio / tastemaker DJ mailout / press reviews / blogs
Sales points will be updated regularly once PR campaign commences wk beginning 20th July 2015.
More
Tracklist :
A1. Freaks - The Man Who Lived Underground - Ricardo Villalobos Remix One
AA1. Turner - Been Out - Tuff City Kids Vocal Remix
AA2. Freaks - Instrument - Unreleased 1999 Edit
Short info:
Initial release for the relaunch of MFF (Music For Freaks).
The label was previously responsible for releases such as Turning Orange, Washing Machine, Where Were You When The lights Went Out, The Creeps and worked with artists Recloose / Kenny Hawkes / Doc L Junior / Mark Farina to name a few.
For Let's Do It Again….Ricardo Villalobos delivers in an innovative reworking. Sent a variety of parts from tracks released on Freaks - The Man Who Lived Underground album, Ricardo took his inspiration from all of them and mixes them into a distinctively Villalobos track - it was originally 14 minutes long ! This is the 1st of a series of reworkings from him for the label and speaks for itself.
Turner - Been Out was a classic MFF release and Tuff City Kids, Gerd Janson & Phillip Lauer, get their hands dirty with the parts and show why they're 2 of house music's current treasures. Tuff City Kids remixes have featured on labels such as Output Recordings, Rekids, Careless, Spectral and Sonar Kollektiv.
Freaks - Instrument - one of the rediscovered unreleased gems from the days of dat recording.
Vital Sales Points:
Villalobos - Over 700,000 facebook followers :
https://www.facebook.com/ricardovillalobosofficial/timeline
Upcoming live gigs for Villalobos during summer include :
Cocoon In The Park and Cocoon @ Amnesia monthly in Ibiza / Sonus Festival / Dekmantel Festival / Into The Valley
Full PR campaign by Favouritism PR for each individual track featured on vinyl.
Ricardo Villalobos - Specialist radio / Tastemaker DJ mailout / Press reviews
Tuff City Kids - Targetting Radio 1 UK and other key global radio stations / press / tastemaker DJ mailout.
Freaks - specialist radio / tastemaker DJ mailout / press reviews / blogs
Sales points will be updated regularly once PR campaign commences wk beginning 20th July 2015.
More
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Rediscover classics like never before with our limited edition vinyl, Volume 4 from Frieds 4 Ever. Featuring two expertly crafted edits of well-known tracks, recorded at 45 RPM, this release infuses nostalgia with innovation.
Get your hands on this exclusive gem, where timeless favorites undergo an extraordinary transformation.
45 RPM
500 copies
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Get your hands on this exclusive gem, where timeless favorites undergo an extraordinary transformation.
45 RPM
500 copies
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Machomovers - Jaegermeister ( Oliver Dollar Remix )
2
Machomovers - Jaegermeister ( Original Mix )
3
Machomovers - Jaegermeister ( Dj Jauche Klappfix Mix )
4
Machomovers - Smooth Operator
White Vinyl Repress of FR 006!
This Remix Ep was original released in 2018.
Great House Record with some of Berlins best Producers DJ Jauche & Oliver Dollar. And dont forget the great cover version of an instant classic!
Must Have for House headz!
Including remixes by Oliver Dollar & Dj Jauche and the "Smooth Operator" Cover by Machomovers.
TRACKLISTS:
A1 Machomovers - Jaegermeister ( Oliver Dollar Remix )
A2 Machomovers - Jaegermeister ( Original Mix )
B1 Machomovers - Jaegermeister ( Dj Jauche Klappfix Mix )
B2 Machomovers - Smooth Operator
More
This Remix Ep was original released in 2018.
Great House Record with some of Berlins best Producers DJ Jauche & Oliver Dollar. And dont forget the great cover version of an instant classic!
Must Have for House headz!
Including remixes by Oliver Dollar & Dj Jauche and the "Smooth Operator" Cover by Machomovers.
TRACKLISTS:
A1 Machomovers - Jaegermeister ( Oliver Dollar Remix )
A2 Machomovers - Jaegermeister ( Original Mix )
B1 Machomovers - Jaegermeister ( Dj Jauche Klappfix Mix )
B2 Machomovers - Smooth Operator
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Moodymann - No
2
Eluize - Prowl
3
Move D - The Garden
4
Axel Boman - Lucky Luke
5
AWAY Soundsystem - Shifting Scenes
6
Lady Starlight - Ghzelian
7
Inland - Minerals
8
Mark Broom - Ain't No Thang
9
Discrete Circuit - Tenterhooks
10
Attila & Blivv - Unveiling
World excl. US
Tracklist:
A1. Moodymann - No
A2. Eluize - Prowl
A3. Move D - The Garden
B1. Axel Boman - Lucky Luke
B2. AWAY Soundsystem - Shifting Scenes
C1. Lady Starlight - Ghzelian
C2. Inland - Minerals
D1. Mark Broom - Ain't No Thang
D2. Discrete Circuit - Tenterhooks
D3. Attila & Blivv - Unveiling
Release Info:
BERLIN PARTY AWAY WILL CELEBRATE A DECADE OF EVENTS WITH LABEL COMPILATION "AWAY 10 YEARS" AND THREE WEEKEND PARTIES
"AWAY 10 Years" features 10 tracks from a family-and-friends lineup of influential powerhouses like Moodymann, Move D, Axel Boman, Lady Starlight, Mark Broom, Inland, and well-known talents Discrete Circuit, Eluize, AWAY Soundsystem, and Attila & Blivv
Founded by DJ and producer Discrete Circuit in 2012, AWAY was born in Berlin out of a purist desire to establish a party for timeless house and techno music. In the early days, AWAY moved from multiple in- and outdoor venues to showcases across Europe to ultimately finding a stable home base at the About Blank club in 2015. Quickly they earned a reputation as a must-attend event series without losing its underground credibility. The AWAY crew did not shy away from booking many veterans and legends of the genre, some of whom are now on the compilation "AWAY 10 Years".
More
Tracklist:
A1. Moodymann - No
A2. Eluize - Prowl
A3. Move D - The Garden
B1. Axel Boman - Lucky Luke
B2. AWAY Soundsystem - Shifting Scenes
C1. Lady Starlight - Ghzelian
C2. Inland - Minerals
D1. Mark Broom - Ain't No Thang
D2. Discrete Circuit - Tenterhooks
D3. Attila & Blivv - Unveiling
Release Info:
BERLIN PARTY AWAY WILL CELEBRATE A DECADE OF EVENTS WITH LABEL COMPILATION "AWAY 10 YEARS" AND THREE WEEKEND PARTIES
"AWAY 10 Years" features 10 tracks from a family-and-friends lineup of influential powerhouses like Moodymann, Move D, Axel Boman, Lady Starlight, Mark Broom, Inland, and well-known talents Discrete Circuit, Eluize, AWAY Soundsystem, and Attila & Blivv
Founded by DJ and producer Discrete Circuit in 2012, AWAY was born in Berlin out of a purist desire to establish a party for timeless house and techno music. In the early days, AWAY moved from multiple in- and outdoor venues to showcases across Europe to ultimately finding a stable home base at the About Blank club in 2015. Quickly they earned a reputation as a must-attend event series without losing its underground credibility. The AWAY crew did not shy away from booking many veterans and legends of the genre, some of whom are now on the compilation "AWAY 10 Years".
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1
Sascha Dive - Dub Chronicles #5
2
Sascha Dive - Late Night Up North
3
Sascha Dive - Beautiful People (feat. Robert Owens)
4
Sascha Dive - Meditation
Special remarks:
180G VINYL // VINYL ONLY // NEW PRINTED SLEEVE // Kraftpack
Tracklist 12":
A1 Dub Chronicles #5
A2 Late Night Up North
B1 Beautiful People (feat. Robert Owens)
B2 Meditation
'With its roots in Leipzig, Bondage-Music has developed a cogent back catalogue which draws on the principles of Romanian minimalism whilst evincing a certain verve prevalent across dance floors in Berlin and further afield. Previous releases from Mihai Popoviciu, Pornbugs and NTFO, have woven a clear thread within the catalogue - a thread defined by the adroit use of distilled elements.
Adding to this thread with the next release on Bondage-Music is the masterful producer Sascha Dive. Based in Frankfurt and with releases stretching back to 2005, Sascha Dive has earned his status as a venerated contributor to the scene and has developed a musical identity characterised by a combination of deep, moody synthesis and precise, punchy drums.
His 'Beautiful People' EP develops these tropes and - as the name would suggest - suffuses them with a lick of dub. Sunken pads, deftly woven melodies and dense subs are rendered to a lucid finish across a versatile and effective set of tools which slot neatly into the Bondage-Music catalogue.'
Vinyl pressed on 180g, vinyl only release.
More
180G VINYL // VINYL ONLY // NEW PRINTED SLEEVE // Kraftpack
Tracklist 12":
A1 Dub Chronicles #5
A2 Late Night Up North
B1 Beautiful People (feat. Robert Owens)
B2 Meditation
'With its roots in Leipzig, Bondage-Music has developed a cogent back catalogue which draws on the principles of Romanian minimalism whilst evincing a certain verve prevalent across dance floors in Berlin and further afield. Previous releases from Mihai Popoviciu, Pornbugs and NTFO, have woven a clear thread within the catalogue - a thread defined by the adroit use of distilled elements.
Adding to this thread with the next release on Bondage-Music is the masterful producer Sascha Dive. Based in Frankfurt and with releases stretching back to 2005, Sascha Dive has earned his status as a venerated contributor to the scene and has developed a musical identity characterised by a combination of deep, moody synthesis and precise, punchy drums.
His 'Beautiful People' EP develops these tropes and - as the name would suggest - suffuses them with a lick of dub. Sunken pads, deftly woven melodies and dense subs are rendered to a lucid finish across a versatile and effective set of tools which slot neatly into the Bondage-Music catalogue.'
Vinyl pressed on 180g, vinyl only release.
More
1
bicep - just
2
bicep - celeste
3
bicep - back 2 u (tranz dub)
2022 Repress
Tracklist
A1 Just B1 Celeste B2 Back 2 U (Tranz Dub)
Info:
Hot on the heels of AUS' recent releases from Breach, Huxley and Bwana they ready their next offering from Irish duo and long term label affiliates Bicep. Aptly timed for the festival months, their 'Just' EP follows up a series of self-released titles which include collaborations with Ebony and Midland and is an impassioned bundle of broken beats, shimmering synth lines and rapturous piano chords. The title track kicks things off and suffuses a broken kick and snare combo with a poignant sequence and heart-rending synth strings. A vocal refrain drops in and out throughout a lucent breakdown before () lays a soft, filtered croon over a swelling piano motif. Tension is astutely balanced, never quite boiling over and keeping the listener pinned before () drives a tough, gravelly kick under gentle flecks of acid and rich sweeping pads.
More
Tracklist
A1 Just B1 Celeste B2 Back 2 U (Tranz Dub)
Info:
Hot on the heels of AUS' recent releases from Breach, Huxley and Bwana they ready their next offering from Irish duo and long term label affiliates Bicep. Aptly timed for the festival months, their 'Just' EP follows up a series of self-released titles which include collaborations with Ebony and Midland and is an impassioned bundle of broken beats, shimmering synth lines and rapturous piano chords. The title track kicks things off and suffuses a broken kick and snare combo with a poignant sequence and heart-rending synth strings. A vocal refrain drops in and out throughout a lucent breakdown before () lays a soft, filtered croon over a swelling piano motif. Tension is astutely balanced, never quite boiling over and keeping the listener pinned before () drives a tough, gravelly kick under gentle flecks of acid and rich sweeping pads.
More
1
Metal Master (Sven Väth) - Spectrum (Bart Skils & Weska Reinterpretation)
2
Metal Master (Sven Väth) - Spectrum (Original Mix)
Tracklist:
(A1) Metal Master – Spectrum (Bart Skils & Weska Reinterpretation)
(B1) Metal Master – Spectrum (Original Mix)
Release Info:
black 12-inch vinyl + cover with rainbow silver foil
You may have already been waiting for this one. After the limited splattered one-sided vinyl edition, this 12-inch pressing comes with the remastered original mix on the B-side.
The original, the second release on the label Harthouse at the time, is an all-time classic and went down in the music history of Frankfurt. Thirty years later, the track by Sven Väth and A.C. Boutsen has not lost its shine and will certainly continue to provide goosebump moments.
Techno is all too often described as timeless but while most of it eventually evaporates into the ether, there are some riffs, melodies, and breakdowns that remain etched into our collective consciousness forever. Legendary Frankfurt label Harthouse is home to more than its fair share of such moments, but you must go all the way back to 1992, the opening strains of the Metal Master classic ‘Spectrum’ to locate the source for this special single-sided remix release.
The common denominator and catalyst to all this is of course Sven Väth, co-creator of ‘Spectrum’ and founder of both Harthouse and Cocoon Recordings, while the independent variables in the equation are Bart Skils and Weska, who lend their considerable talent and vision to this sublime makeover.
Coming on like rolling thunder, sparks fly immediately as crackling vocoder licks, silky ride cymbals and soaring arpeggios build an atmosphere taut with anticipation before giving way to that iconic melody - a love letter from Frankfurt to Ibiza, wrought from metal, drenched in distortion yet pulling at the heartstrings - the perfect soundtrack to any chemical sunrise.
It‘s a powerful re-interpretation that pays the warmest respects to the original and, despite the relentless groove, there is still room for sentimentality - an invitation to momentarily pause for thought and reflect on the journey so far as the sumptuous breakdown washes over the dance-floor. But not for long, the simmering bass line soon emerges from the euphoria and the track kicks in again, driving us forward towards a new, uncharted spectrum of possibilities.
More
(A1) Metal Master – Spectrum (Bart Skils & Weska Reinterpretation)
(B1) Metal Master – Spectrum (Original Mix)
Release Info:
black 12-inch vinyl + cover with rainbow silver foil
You may have already been waiting for this one. After the limited splattered one-sided vinyl edition, this 12-inch pressing comes with the remastered original mix on the B-side.
The original, the second release on the label Harthouse at the time, is an all-time classic and went down in the music history of Frankfurt. Thirty years later, the track by Sven Väth and A.C. Boutsen has not lost its shine and will certainly continue to provide goosebump moments.
Techno is all too often described as timeless but while most of it eventually evaporates into the ether, there are some riffs, melodies, and breakdowns that remain etched into our collective consciousness forever. Legendary Frankfurt label Harthouse is home to more than its fair share of such moments, but you must go all the way back to 1992, the opening strains of the Metal Master classic ‘Spectrum’ to locate the source for this special single-sided remix release.
The common denominator and catalyst to all this is of course Sven Väth, co-creator of ‘Spectrum’ and founder of both Harthouse and Cocoon Recordings, while the independent variables in the equation are Bart Skils and Weska, who lend their considerable talent and vision to this sublime makeover.
Coming on like rolling thunder, sparks fly immediately as crackling vocoder licks, silky ride cymbals and soaring arpeggios build an atmosphere taut with anticipation before giving way to that iconic melody - a love letter from Frankfurt to Ibiza, wrought from metal, drenched in distortion yet pulling at the heartstrings - the perfect soundtrack to any chemical sunrise.
It‘s a powerful re-interpretation that pays the warmest respects to the original and, despite the relentless groove, there is still room for sentimentality - an invitation to momentarily pause for thought and reflect on the journey so far as the sumptuous breakdown washes over the dance-floor. But not for long, the simmering bass line soon emerges from the euphoria and the track kicks in again, driving us forward towards a new, uncharted spectrum of possibilities.
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1
Gesaffelstein - Hatred
2
Gesaffelstein - Aufstand
3
Gesaffelstein - The Lack Of Hope
Format: 12” Vinyl (140g, Black)
Tracklist:
A1 / Hatred
B1 / Aufstand
B2 / The Lack Of Hope
Release Info:
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Gesaffelstein's 'Variations' EP set an all-time record for feedback at Turbo. For a new
artist to attract that kind of attention from such a broad cross-section of DJs is
extremely special and a clear sign that he's tapped into something very, very big. To
the younger generation of clubbers and DJs for whom the funtastic era of 2001-2003
revivalism was a missed experience, Gesaffelstein represents a double-breasted
jacket of nostalgia for everything from the power of Industrial and 80s New Wave to
the Gigolo-glam of early Kittin & the Hacker, Steril, Vitalic, Fixmer, and yes, Tiga.
We have no hesitation in declaring that he has single-handedly updated an entire
genre, sharpened the edges, and notably traded in the camp and pastiche that made
Electroclash a dirty word for a refined and stylish simplicity. The breakdowns are
massive and very French, but never out of order. These are futuristic party bombs
which skillfully draw from our favorite dance music of the last 30 years... and add
more cowbell!
More
Tracklist:
A1 / Hatred
B1 / Aufstand
B2 / The Lack Of Hope
Release Info:
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Gesaffelstein's 'Variations' EP set an all-time record for feedback at Turbo. For a new
artist to attract that kind of attention from such a broad cross-section of DJs is
extremely special and a clear sign that he's tapped into something very, very big. To
the younger generation of clubbers and DJs for whom the funtastic era of 2001-2003
revivalism was a missed experience, Gesaffelstein represents a double-breasted
jacket of nostalgia for everything from the power of Industrial and 80s New Wave to
the Gigolo-glam of early Kittin & the Hacker, Steril, Vitalic, Fixmer, and yes, Tiga.
We have no hesitation in declaring that he has single-handedly updated an entire
genre, sharpened the edges, and notably traded in the camp and pastiche that made
Electroclash a dirty word for a refined and stylish simplicity. The breakdowns are
massive and very French, but never out of order. These are futuristic party bombs
which skillfully draw from our favorite dance music of the last 30 years... and add
more cowbell!
More
Tracklist: 1. (A1) Fear Of An Extra Planet (Black Out) 2. (B1) Hail the Whale
Info:
Finally, the long awaited third part of the EXTRAWELT trilogy on Cocoon Recordings is on the way, and with this advance 12" release of "Fear Of An Extra Planet (Blackout)" and "Hail The Whale" we are given an incredibly strong first impression of EXTRAWELT's third Album. ??"Fear Of An Extra Planet (Blackout)" in particular, has the potential to become a monumental club hit. The title track from the new EXTRAWELT album is, strictly speaking, more than just a maxi-version, it's almost a separate EXTRAWELT remix of the original, fully optimized for the clubs. Arne Schaffhausen and Wayan Raabe have let loose a real bass and drum monster on us. From the very first second, the doubled-up kick bursts from the bassbins to signal the journey into this new EXTRAWELT adventure is underway. The acid-heavy bassline completes the pressure-packed arrangement until the track suddenly stops dead. Sometimes it's just so simple and effective to completely hit the brakes before re-energizing and building up to full speed again. The 12" version of "Fear Of An Extra Planet (Blackout) "is a powerful techno bomb and for us - one of the highlights of the year!? ?The exclusive, non-album cut "Hail the Whale", starts off a little more subdued. However, the cool old-skool cowbell intro with light Chicago house touches soon develops an energy through a driving electro bassline that shakes us from the initial calm. Although "Hail the Whale" doesn't appear on the album, it perfectly represents the science fiction sound aesthetics on EXTRAWELT's new LP. Sci-fi FX, distorted vocals and dramatic synth lines envelop us in an extremely intense soundtrack atmosphere. From warp speed space travel to misty wastelands on strange planets and breathtaking pursuit scenes, "Hail the Whale" conjures up all manner of images as it hammers from the speakers. To be honest, the notion of "grand cinema" has already been used too often but in this case it just fits! We are primed and we are ready for the new EXTRAWELT!
More
Info:
Finally, the long awaited third part of the EXTRAWELT trilogy on Cocoon Recordings is on the way, and with this advance 12" release of "Fear Of An Extra Planet (Blackout)" and "Hail The Whale" we are given an incredibly strong first impression of EXTRAWELT's third Album. ??"Fear Of An Extra Planet (Blackout)" in particular, has the potential to become a monumental club hit. The title track from the new EXTRAWELT album is, strictly speaking, more than just a maxi-version, it's almost a separate EXTRAWELT remix of the original, fully optimized for the clubs. Arne Schaffhausen and Wayan Raabe have let loose a real bass and drum monster on us. From the very first second, the doubled-up kick bursts from the bassbins to signal the journey into this new EXTRAWELT adventure is underway. The acid-heavy bassline completes the pressure-packed arrangement until the track suddenly stops dead. Sometimes it's just so simple and effective to completely hit the brakes before re-energizing and building up to full speed again. The 12" version of "Fear Of An Extra Planet (Blackout) "is a powerful techno bomb and for us - one of the highlights of the year!? ?The exclusive, non-album cut "Hail the Whale", starts off a little more subdued. However, the cool old-skool cowbell intro with light Chicago house touches soon develops an energy through a driving electro bassline that shakes us from the initial calm. Although "Hail the Whale" doesn't appear on the album, it perfectly represents the science fiction sound aesthetics on EXTRAWELT's new LP. Sci-fi FX, distorted vocals and dramatic synth lines envelop us in an extremely intense soundtrack atmosphere. From warp speed space travel to misty wastelands on strange planets and breathtaking pursuit scenes, "Hail the Whale" conjures up all manner of images as it hammers from the speakers. To be honest, the notion of "grand cinema" has already been used too often but in this case it just fits! We are primed and we are ready for the new EXTRAWELT!
More
1
Extrawelt - Superposition
2
Extrawelt - Gott ist Schrott
3
Extrawelt - Oddification
4
Extrawelt - Gentle Venom
5
Extrawelt - Das große Flimmern
6
Extrawelt - Silly Idol
7
Extrawelt - Punch the Dragon
8
Extrawelt - Fear of an extra Planet
9
Extrawelt - The friendly Coroner
10
Extrawelt - 2084
Includes: HQ Gatefold, 3x12 140g Vinyl, black innersleeve, download code
Tracklisting:
CD / LP
A1.Superposition B1. Gott Ist Schrott B2. Oddification C1. Gentle Venom C2. Das Große Flimmern D1.Silly Idol D2.Punch The Dragon E1.Fear Of An Extra Planet F1.The Friendly Coroner F2.Extrawelt - 2084
Info:
EXTRAWELT are back! Although in fairness, they were never gone. On the contrary, since their first release on James Holden's Border Community Label dropped in 2005, Arne Schaffhausen and Wayan Raabe have been responsible for a plethora of classics including "Schöne Neue Extrawelt" and "In Aufruhr", their two seminal albums on Cocoon Recordings. The duo are one of the most booked live acts worldwide, commanding a huge fan base. Their performances are the stuff of legend, making them the absolute highlight at every club and festival they play. So it's with great pride and respect, that we can announce the release of Extrawelt's third album for Cocoon Recordings. "Fear Of An Extra Planet" completes the Cocoon trilogy and the excitement growing among their fans represents a new high in the history of EXTRAWELT!
Musically, of course, there's enormous pressure on EXTRAWELT to deliver, but this is dismissed with a playful disregard and they are clearly focused on the job in hand. The album title "Fear Of An Extra Planet" sounds cinematic, like some art-house science fiction film, without giving too much away. However, from the first seconds of the opening track "Superposition", the album title makes 100% sense and sets the scene for the rest of the trip. We are immersed in wide open spaces and invited to explore dark and dusky worlds that transport us back to their Border Community years. Timeless and elegant, "Superposition" perfectly captures the epic, dream like quality that made James Holden's label so influential.
Second up, "Gott ist Schrott" takes a much more minimalist approach with its retro 80s drum programming, monster bass lurking in the breaks and playful Rhodes/synth riffs that span the divide between early German techno and deep Detroit electro with a distinctive film soundtrack aesthetic. "Oddification" continues this theme, adding extra spice reminiscent of the techno-synth vibe of Detroit with a punchy, almost Prodigy-style breakbeat complete with shredded vocal samples that gives us a taste of what's in store. "Gentle Venom" then takes the breakbeat motif to the next stage. The main focus here is the classy sprinter of a bassline, peppered with a flurry of intricate and subtle effects and modulations, that immediately trigger an intense, movie-like 'in pursuit' feeling.
With "Das Grosse Flimmern" we cautiously approach the album's high point. It's still in keeping with the soundtrack aesthetics, but faster and with more urgency. Almost hypnotically, Extrawelt invade us with an energy and impetus that always radiates from their music. Next in line is "Silly Idol" and here Arne Schaffhausen and Wayan Raabe opt again for a more minimal tack, focusing even more intensely on the dance floor to reveal a pulsing, twisted heart to the album.
"Punch The Dragon" is the hidden gem of the collection, utilising and melting together the most bombastic and playful elements. This one is totally off the hook, a sensory overload in an acoustic widescreen format! Then we have the title track "Fear Of An Extra Planet" which perfectly sums up the album concept. It opens up like a film score, with minimal passages following dark sequences that morph into dreamy melodies, all grounded by cool, constantly alternating analogue drum patterns. If you're not listening closely, you might get the impression that three or four different titles are mixed together; such is the effortless flow of the album.
As we near our destination, "The Friendly Coroner" really does honour its name. The morbid charm of the title is captured by a fluid bassline and melodic arrangements that border on the absurd, until the funky drum beat finally drops. In our mind's eye we see a cheerful medical doctor removing his bloody gloves, hanging his smock in the closet and vibing out in his neon drenched workspace. And there we sit, glued to our cinema seat, submerged in the different textures EXTRAWELT have conjured up on "Fear Of An Extra Planet". Over the course of the last title, the strings usher in the final acknowledgments as the credits roll. The dramatic end of "2084" leaves us transfixed in front of a black screen in a large, dark room safe in the knowledge that we've just witnessed a science fiction epic.
More
Tracklisting:
CD / LP
A1.Superposition B1. Gott Ist Schrott B2. Oddification C1. Gentle Venom C2. Das Große Flimmern D1.Silly Idol D2.Punch The Dragon E1.Fear Of An Extra Planet F1.The Friendly Coroner F2.Extrawelt - 2084
Info:
EXTRAWELT are back! Although in fairness, they were never gone. On the contrary, since their first release on James Holden's Border Community Label dropped in 2005, Arne Schaffhausen and Wayan Raabe have been responsible for a plethora of classics including "Schöne Neue Extrawelt" and "In Aufruhr", their two seminal albums on Cocoon Recordings. The duo are one of the most booked live acts worldwide, commanding a huge fan base. Their performances are the stuff of legend, making them the absolute highlight at every club and festival they play. So it's with great pride and respect, that we can announce the release of Extrawelt's third album for Cocoon Recordings. "Fear Of An Extra Planet" completes the Cocoon trilogy and the excitement growing among their fans represents a new high in the history of EXTRAWELT!
Musically, of course, there's enormous pressure on EXTRAWELT to deliver, but this is dismissed with a playful disregard and they are clearly focused on the job in hand. The album title "Fear Of An Extra Planet" sounds cinematic, like some art-house science fiction film, without giving too much away. However, from the first seconds of the opening track "Superposition", the album title makes 100% sense and sets the scene for the rest of the trip. We are immersed in wide open spaces and invited to explore dark and dusky worlds that transport us back to their Border Community years. Timeless and elegant, "Superposition" perfectly captures the epic, dream like quality that made James Holden's label so influential.
Second up, "Gott ist Schrott" takes a much more minimalist approach with its retro 80s drum programming, monster bass lurking in the breaks and playful Rhodes/synth riffs that span the divide between early German techno and deep Detroit electro with a distinctive film soundtrack aesthetic. "Oddification" continues this theme, adding extra spice reminiscent of the techno-synth vibe of Detroit with a punchy, almost Prodigy-style breakbeat complete with shredded vocal samples that gives us a taste of what's in store. "Gentle Venom" then takes the breakbeat motif to the next stage. The main focus here is the classy sprinter of a bassline, peppered with a flurry of intricate and subtle effects and modulations, that immediately trigger an intense, movie-like 'in pursuit' feeling.
With "Das Grosse Flimmern" we cautiously approach the album's high point. It's still in keeping with the soundtrack aesthetics, but faster and with more urgency. Almost hypnotically, Extrawelt invade us with an energy and impetus that always radiates from their music. Next in line is "Silly Idol" and here Arne Schaffhausen and Wayan Raabe opt again for a more minimal tack, focusing even more intensely on the dance floor to reveal a pulsing, twisted heart to the album.
"Punch The Dragon" is the hidden gem of the collection, utilising and melting together the most bombastic and playful elements. This one is totally off the hook, a sensory overload in an acoustic widescreen format! Then we have the title track "Fear Of An Extra Planet" which perfectly sums up the album concept. It opens up like a film score, with minimal passages following dark sequences that morph into dreamy melodies, all grounded by cool, constantly alternating analogue drum patterns. If you're not listening closely, you might get the impression that three or four different titles are mixed together; such is the effortless flow of the album.
As we near our destination, "The Friendly Coroner" really does honour its name. The morbid charm of the title is captured by a fluid bassline and melodic arrangements that border on the absurd, until the funky drum beat finally drops. In our mind's eye we see a cheerful medical doctor removing his bloody gloves, hanging his smock in the closet and vibing out in his neon drenched workspace. And there we sit, glued to our cinema seat, submerged in the different textures EXTRAWELT have conjured up on "Fear Of An Extra Planet". Over the course of the last title, the strings usher in the final acknowledgments as the credits roll. The dramatic end of "2084" leaves us transfixed in front of a black screen in a large, dark room safe in the knowledge that we've just witnessed a science fiction epic.
More
1
Extrawelt - Dark Side Of My Room
2
Extrawelt - Wippsteert
3
Extrawelt - Trümmerfeld
4
Extrawelt - Must Attack
5
Extrawelt - Wolkenbruch
6
Extrawelt - Added Planet
7
Extrawelt - Daten Raten
8
Extrawelt - Lost In Willaura
9
Extrawelt - Kurt Curtain (Skit)
10
Extrawelt - One Tree Hill
11
Extrawelt - Messy Machinery (Rough Mix)
12
Extrawelt - Homing
13
Extrawelt - Bright Side Of My Room
3x12" Gatefold White Vinyl (Download Code Inside)
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
More
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
More
1
dj koze - XTC
2
dj koze - Knee On Belly
2024 repress
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
More
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
More
1
DJ Krust - A
2
DJ Krust - B
strictly limited-edition 12" vinyl in full colour sleeve
Hailing from the musical melting pot of Bristol, Krust earned respect through countless releases on V Recordings, his imprint Full Cycle Records, his collective with Roni Size, Reprazent and a series of cutting edge solo albums on Talkin Loud.
In 2020 Krust released his album 'The Edge Of Everything', followed by a remix project featuring the likes of Four Tet, Calibre and LCY.
Back for his 2nd outing as part of the Legends series this strictly vinyl-only release sees two in demand cuts from Krust finally see the light of day, 'The Master' and ' Resistance '.
The sixth part in this vinyl series, with yet more legends waiting in the wings. These are an absolute essential for vinyl collectors.
More
Hailing from the musical melting pot of Bristol, Krust earned respect through countless releases on V Recordings, his imprint Full Cycle Records, his collective with Roni Size, Reprazent and a series of cutting edge solo albums on Talkin Loud.
In 2020 Krust released his album 'The Edge Of Everything', followed by a remix project featuring the likes of Four Tet, Calibre and LCY.
Back for his 2nd outing as part of the Legends series this strictly vinyl-only release sees two in demand cuts from Krust finally see the light of day, 'The Master' and ' Resistance '.
The sixth part in this vinyl series, with yet more legends waiting in the wings. These are an absolute essential for vinyl collectors.
More