1
bruno pronsato - lovers dont
2
bruno pronsato - anybody but you
3
bruno pronsato - trio out
4
bruno pronsato - an anne around the neck
5
bruno pronsato - an indication of the cause
6
bruno pronsato - feel right
7
bruno pronsato - winter music for summer
8
bruno pronsato - lover do
The Song Says - Bruno Pronsato´s label restarts after 4 years of hiatus with a Vinyl Version of his seminal "Lovers Do" CD from 2011! So good...
Tracklist LP:
A1.Lovers Don't B1. Anybody But You B2. Trio-Out C1. An Anne Around The Neck C2. An Indication Of The Cause C3. Feel RIght D1. Winter Music For Summer D2. Lovers Do
It’s been fours years since the original release of Lovers Do. For the first time now finally released on vinyl. In the meantime he’s kept very busy––primarily with side projects. First there was Others, his experimental house outfit with Daze Maxim. Then came Public Lover, his duo with the French artist Ninca Leece that debuted last year on thesongsays (Bruno’s label). He’s continued to join forces with Sammy Dee as Half Hawaii, playing live shows around Europe and putting out tracks on Perlon and Diamonds & Pearls. As half of the duo Ndf, he coproduced Since We Last Met, a single that marked his debut on DFA and landed in Pitchfork’s top tracks of the year. But while he was juggling all these different projects, one piece of music was slowly taking shape: his third and most immersive album, Lovers Do. Like much of Bruno’s work to date, Lovers Do is experimental without being snobby––or to use his own term, “accidentally avantgarde”–– but this one takes it further than the others. It has a looseness that’s truly rare in techno; scrapping formulaic verses and breaks, it winds along like an abstract sketch, guided by intuition instead of logic. Some songs are fraught with nervous tension, others are soothing and rich with detail, from dappling rhodes to orchestral swells, jazzy drum fills and wet hand claps. Human voices swirl in and out of the mix, serving only to make things more surreal. Many of the tracks stretch well beyond ten minutes; one bows out after less than three. The album overall is delicate and subtle, but it also features Bruno’s best club tune in years, the eerie and delirious “Feel Right.” Brian Eno once described his own music as a place you occupy rather than a thing that happens. Lovers Do is such a place; a lovely, impressionistic scene with amber tones and murky figures, dim street lights and dusty shadows. Bruno spent two years composing Lovers Do at his home studio in Prenzaluerberg, Berlin. His muse Ninca Leece makes scattered cameos throughout More
Tracklist LP:
A1.Lovers Don't B1. Anybody But You B2. Trio-Out C1. An Anne Around The Neck C2. An Indication Of The Cause C3. Feel RIght D1. Winter Music For Summer D2. Lovers Do
It’s been fours years since the original release of Lovers Do. For the first time now finally released on vinyl. In the meantime he’s kept very busy––primarily with side projects. First there was Others, his experimental house outfit with Daze Maxim. Then came Public Lover, his duo with the French artist Ninca Leece that debuted last year on thesongsays (Bruno’s label). He’s continued to join forces with Sammy Dee as Half Hawaii, playing live shows around Europe and putting out tracks on Perlon and Diamonds & Pearls. As half of the duo Ndf, he coproduced Since We Last Met, a single that marked his debut on DFA and landed in Pitchfork’s top tracks of the year. But while he was juggling all these different projects, one piece of music was slowly taking shape: his third and most immersive album, Lovers Do. Like much of Bruno’s work to date, Lovers Do is experimental without being snobby––or to use his own term, “accidentally avantgarde”–– but this one takes it further than the others. It has a looseness that’s truly rare in techno; scrapping formulaic verses and breaks, it winds along like an abstract sketch, guided by intuition instead of logic. Some songs are fraught with nervous tension, others are soothing and rich with detail, from dappling rhodes to orchestral swells, jazzy drum fills and wet hand claps. Human voices swirl in and out of the mix, serving only to make things more surreal. Many of the tracks stretch well beyond ten minutes; one bows out after less than three. The album overall is delicate and subtle, but it also features Bruno’s best club tune in years, the eerie and delirious “Feel Right.” Brian Eno once described his own music as a place you occupy rather than a thing that happens. Lovers Do is such a place; a lovely, impressionistic scene with amber tones and murky figures, dim street lights and dusty shadows. Bruno spent two years composing Lovers Do at his home studio in Prenzaluerberg, Berlin. His muse Ninca Leece makes scattered cameos throughout More
More records from bruno pronsato
1
Bruno Pronsato - Above The Launderette
2
Bruno Pronsato - Perfume Saint
3
Bruno Pronsato - Statues Disfigured
4
Bruno Pronsato - Fifty Years Valiantly
5
Bruno Pronsato - No Chairs No Dancing
6
Bruno Pronsato - Like Hannah
7
Bruno Pronsato - Cops Are Weird
8
Bruno Pronsato - The Cast Crowds The Curtain
First new album in 3 years from Bruno Pronsato, fusing experimental tunings with his signature percussive workouts
More
1
Bruno Pronsato - Does she like you
2
Bruno Pronsato - Street preachers
3
Bruno Pronsato - This freak out
4
Bruno Pronsato - Lunatics and kooks
Tracklisting
A1 Bruno Pronsato - Does she like you
A2 Bruno Pronsato - Street preachers
B1 Bruno Pronsato - This freak out
B2 Bruno Pronsato - Lunatics and kooks
Sales Note
HAZE is honoured to present you a new EP by Bruno Pronsato. The tracks are full of acid arps, atonal and jazzy textures, vocal chops, swingy percussions resulting in precise and groovy masterpiece. Bruno showcases his passion, excellence and addiction, delivering pulsating still pure minimal 4-tracker. Must have! More
A1 Bruno Pronsato - Does she like you
A2 Bruno Pronsato - Street preachers
B1 Bruno Pronsato - This freak out
B2 Bruno Pronsato - Lunatics and kooks
Sales Note
HAZE is honoured to present you a new EP by Bruno Pronsato. The tracks are full of acid arps, atonal and jazzy textures, vocal chops, swingy percussions resulting in precise and groovy masterpiece. Bruno showcases his passion, excellence and addiction, delivering pulsating still pure minimal 4-tracker. Must have! More
1
BRUNO PRONSATO - A1 CATCHING LISBON
2
BRUNO PRONSATO - A2 DO IT AT YOUR FUNERAL
3
BRUNO PRONSATO - B1 LOCAL VAMPIRES
4
BRUNO PRONSATO - B2 VERSION YOU
5
BRUNO PRONSATO - C1 WITH DAZE
6
BRUNO PRONSATO - C2 ISN’T MEASURED ISN’T MANAGED
7
BRUNO PRONSATO - D1 BEST BEFORE BENJ
8
BRUNO PRONSATO - D2 ODE TO STREET HASSLE (FEATURING BENJAMIN FREENEY)
9
BRUNO PRONSATO - D3 SIMENON BRIEFLY
Format: 2x12“LP
Tracklist:
A1 CATCHING LISBON
A2 DO IT AT YOUR FUNERAL
B1 LOCAL VAMPIRES
B2 VERSION YOU
C1 WITH DAZE
C2 ISN’T MEASURED ISN’T MANAGED
D1 BEST BEFORE BENJ
D2 ODE TO STREET HASSLE (FEATURING BENJAMIN FREENEY)
D3 SIMENON BRIEFLY
Info: New album by Bruno Pronsato / 2x12“ vinyl. More
Tracklist:
A1 CATCHING LISBON
A2 DO IT AT YOUR FUNERAL
B1 LOCAL VAMPIRES
B2 VERSION YOU
C1 WITH DAZE
C2 ISN’T MEASURED ISN’T MANAGED
D1 BEST BEFORE BENJ
D2 ODE TO STREET HASSLE (FEATURING BENJAMIN FREENEY)
D3 SIMENON BRIEFLY
Info: New album by Bruno Pronsato / 2x12“ vinyl. More
1
bruno pronsato - lovers dont
2
bruno pronsato - anybody but you
3
bruno pronsato - No Title
4
bruno pronsato - an anne around the neck
5
bruno pronsato - an indication of the cause
6
bruno pronsato - feel right
7
bruno pronsato - winter music for summer
8
bruno pronsato - lover do
The Song Says - Bruno Pronsato´s label restarts after 4 years of hiatus with a CD re VRelease of his seminal "Lovers Do" Album from 2011! So good...
Tracklist CD:
1. Lovers Don't 2.Anybody But You 3. Trio-Out 4. An Anne Around The Neck 5.An Indication Of The Cause (Part 1) 6. Feel Right 7. Wintermusic For Summer 8.Lovers Do
More
Tracklist CD:
1. Lovers Don't 2.Anybody But You 3. Trio-Out 4. An Anne Around The Neck 5.An Indication Of The Cause (Part 1) 6. Feel Right 7. Wintermusic For Summer 8.Lovers Do
More
1
Bruno Pronsato, - Nobody Calls
2
Bruno Pronsato, - Where'd You Learn To Kiss That Way
Following Bruno Pronsatos latest fantastic album "Why Can't We Be Like Us", we are more than happy to get with "Nobody Calls" another timeless pearl on Hello?Repeat. On the title track Bruno worked this time with his very good friend Caro (aka Randy Jones), and together they delivered a truely magical vocal track. On the flip side you'll find a fairly dirty track called "Where'd You Learn To Kiss That Way". Again Bruno manages to create a record with his very unique atmosphere.
DEEP. REDUCED. GLORIOUS. PRONSATO
More
DEEP. REDUCED. GLORIOUS. PRONSATO
More
„If archetypal rock music claims „Satisfaction” then the rhythmachine requieres emotion” wrote Kodwo Eshun in his 1998 book „More Brilliant Than The Sun: Adventures in Sonic Fiction.” Today, almost ten
years later, his theory is still correct, and it shows that his idea is explosive when the rhythmachine is programmed against the common sense. Steven Ford aka Bruno Pronsato knows all of this, because
he knows rock music and its creative dead end street. He knows because he played in several rock bands in his hometown of Seattle, trying time and again to play the same songs, and the same rhythms in new ways. But that's a long time ago. Now, more than five years later, he generates music via synthezisers and computers - emotional rhythms far beyond any kind of cliché. His new longplayer „Why can’t we be like us” embodies his old passion for playing the drums as well as his addiction to ones and zeros. Instead of creating streamlined minimal, he has more of an abstract sound on his mind - one that lives on a dark, organic and percussive note. Nothing really new, he has always been unpredictable and funky with an organic twist between the beats. His tracks often rely on devious turns, flickering sounds, warm basslines and some free riding vocals. They still do, but more importantly now, they are more musical, more space filling and above all, much more percussive. His intention here is to provide you with a long player - not a compilation of danceable clubtracks. He wants to tell a story and he does it with nine long, grooving compositions that are full of rhythms that twist around bubbling sounds that seem to launch out of his very own inner space: sometimes a piano melody is dancing in space, then an undefinable vibrancy chirps out of the background, and in the next moment some unheared buzzing sighs in time and space. The only real red threat you can feel deeply is a soulful climax towards the last track „Why Can’t We Be Like Us”. A story-arc that makes his album look like a book that releases emotions via rhythms from chapter to chapter. An experimenting, playful track-architecture that never reacts too apparent with our nervous systems. This album feels like a locigal progression from his E.P.’s for labels like Orac, Philpot, Hello?Repeat and his creative powers as one part of the duo Half Hawaii on Perlon. Musical suspense that processes feelings and soul through electronic vibrations. Everything sounds like Bruno Pronsato plays it himself on his machines and follows the „I am an instrument”-dictum of the spacy free jazzer sun ra. He still maintains his own inner sound and translates it into unheard arrangements. To quote Kwodo Eshun ones more: „Drum and electronica converge in a new space of rhythmatic and syncussion!”
More
years later, his theory is still correct, and it shows that his idea is explosive when the rhythmachine is programmed against the common sense. Steven Ford aka Bruno Pronsato knows all of this, because
he knows rock music and its creative dead end street. He knows because he played in several rock bands in his hometown of Seattle, trying time and again to play the same songs, and the same rhythms in new ways. But that's a long time ago. Now, more than five years later, he generates music via synthezisers and computers - emotional rhythms far beyond any kind of cliché. His new longplayer „Why can’t we be like us” embodies his old passion for playing the drums as well as his addiction to ones and zeros. Instead of creating streamlined minimal, he has more of an abstract sound on his mind - one that lives on a dark, organic and percussive note. Nothing really new, he has always been unpredictable and funky with an organic twist between the beats. His tracks often rely on devious turns, flickering sounds, warm basslines and some free riding vocals. They still do, but more importantly now, they are more musical, more space filling and above all, much more percussive. His intention here is to provide you with a long player - not a compilation of danceable clubtracks. He wants to tell a story and he does it with nine long, grooving compositions that are full of rhythms that twist around bubbling sounds that seem to launch out of his very own inner space: sometimes a piano melody is dancing in space, then an undefinable vibrancy chirps out of the background, and in the next moment some unheared buzzing sighs in time and space. The only real red threat you can feel deeply is a soulful climax towards the last track „Why Can’t We Be Like Us”. A story-arc that makes his album look like a book that releases emotions via rhythms from chapter to chapter. An experimenting, playful track-architecture that never reacts too apparent with our nervous systems. This album feels like a locigal progression from his E.P.’s for labels like Orac, Philpot, Hello?Repeat and his creative powers as one part of the duo Half Hawaii on Perlon. Musical suspense that processes feelings and soul through electronic vibrations. Everything sounds like Bruno Pronsato plays it himself on his machines and follows the „I am an instrument”-dictum of the spacy free jazzer sun ra. He still maintains his own inner sound and translates it into unheard arrangements. To quote Kwodo Eshun ones more: „Drum and electronica converge in a new space of rhythmatic and syncussion!”
More
More records from thesongsays
1
visuals - the state of things
2
visuals - days of our youth
3
visuals - no handle
Tracklist:
A1 The State Of Things B1 Days Of Our Youth B2 No Handle
Info:
On March 30, VISUALS will debut on thesongsays with his beautifully well-rounded novella of an EP, The State Of Things.
The label has long focused on the romantic and conceptual currents of dance music and VISUALS joins the tight-knit roster with three stunning songs that perfectly fit the thesongsays ethos while bringing together the diverse elements of his musical background. The Brooklyn-based singer, songwriter and multi-instrumentalist - whose work debuted on Nicolas Jaar's Other People imprint - excels not only through his distinctive vocal style and melodic richness, but also through the acute subtlety of his lyrical content.
The record's A-side is a case in point: pure tropical melancholia that finds VISUALS lyrically sifting through the modern contradictions of everyday life over lambent pads and off-kilter percussion: "I couldn't tell hell from paradise / I'm so caught up in the state of things." While the vocals recall the realm of indie, the quirky textures and post-production (courtesy of DARKSIDE member Dave Harrington) gesture toward the electronic.
On the flip, the buoyant bass line of 'Days Of Our Youth' anticipates an infectious chorus that feels perfectly anthemic for spring and summer: "Days of our youth on fire / Burning in your eyes." It's an expertly crafted and arranged piece of music that lends itself to adventurous DJs wanting to give the room something counterintuitive and unusual. Completing the release is 'No Handle'-pensive, deep, and hypnotic for the noir corners of early morning dance floors.
More
A1 The State Of Things B1 Days Of Our Youth B2 No Handle
Info:
On March 30, VISUALS will debut on thesongsays with his beautifully well-rounded novella of an EP, The State Of Things.
The label has long focused on the romantic and conceptual currents of dance music and VISUALS joins the tight-knit roster with three stunning songs that perfectly fit the thesongsays ethos while bringing together the diverse elements of his musical background. The Brooklyn-based singer, songwriter and multi-instrumentalist - whose work debuted on Nicolas Jaar's Other People imprint - excels not only through his distinctive vocal style and melodic richness, but also through the acute subtlety of his lyrical content.
The record's A-side is a case in point: pure tropical melancholia that finds VISUALS lyrically sifting through the modern contradictions of everyday life over lambent pads and off-kilter percussion: "I couldn't tell hell from paradise / I'm so caught up in the state of things." While the vocals recall the realm of indie, the quirky textures and post-production (courtesy of DARKSIDE member Dave Harrington) gesture toward the electronic.
On the flip, the buoyant bass line of 'Days Of Our Youth' anticipates an infectious chorus that feels perfectly anthemic for spring and summer: "Days of our youth on fire / Burning in your eyes." It's an expertly crafted and arranged piece of music that lends itself to adventurous DJs wanting to give the room something counterintuitive and unusual. Completing the release is 'No Handle'-pensive, deep, and hypnotic for the noir corners of early morning dance floors.
More
1
bruno pronsato - lovers dont
2
bruno pronsato - anybody but you
3
bruno pronsato - No Title
4
bruno pronsato - an anne around the neck
5
bruno pronsato - an indication of the cause
6
bruno pronsato - feel right
7
bruno pronsato - winter music for summer
8
bruno pronsato - lover do
The Song Says - Bruno Pronsato´s label restarts after 4 years of hiatus with a CD re VRelease of his seminal "Lovers Do" Album from 2011! So good...
Tracklist CD:
1. Lovers Don't 2.Anybody But You 3. Trio-Out 4. An Anne Around The Neck 5.An Indication Of The Cause (Part 1) 6. Feel Right 7. Wintermusic For Summer 8.Lovers Do
More
Tracklist CD:
1. Lovers Don't 2.Anybody But You 3. Trio-Out 4. An Anne Around The Neck 5.An Indication Of The Cause (Part 1) 6. Feel Right 7. Wintermusic For Summer 8.Lovers Do
More
1
Public Lover , - I Try
2
Public Lover , - Under Your Tongue
3
Public Lover , - What She Saw
4
Public Lover , - Someone Somewhere
5
Public Lover , - Your Eyes Taste Like Mine
6
Public Lover , - It's So
7
Public Lover , - The Same is the Same
8
Public Lover , - A Broken Shape Of You
Public Lover's debut album, A Broken Shape Of You, shows Bruno Pronsato and Ninca Leece doing what they do best: electronic avant-pop with a playful touch of romance. The album comes third in their short catalogue, after last fall's Musique D'Hiver Pour L' Été, released on Pronsato's label, thesongsays, and Naked Figures, a more upbeat but equally elegant effort for Telegraph. Both records revealed Public Lover to be something rather fresh: an electronic duo that has both production savvy and lyrical finesse. With A Broken Shape Of You, this budding dynamic reaches maturity, creating what is surely one of the best albums of the year. There are two sides to Public Lover--the indie group and the production duo--and the tension between these two gives the album its momentum. At times it's driven by Ninca Leece's singing. The title track sets the scene with a string of potent images: "cold sunshine," "frosted window pane," "shadows of you and I." On "Under Your Tongue," she keeps us guessing with ambiguous metaphors: "It's something, to keep under your tongue, it's something, between your teeth." "I Try," one of the duo's best songs and the only previously released one here, strikes the album's most melancholy note, with those simple two words speaking volumes as they repeat. "Your Eyes Taste Like Mine" follows a similar blueprint: the oblique title phrase becomes more meaningful and more mysterious as the song floats on.
At other times the album's pop element subsides, letting its unique production take the fore. From the first note of the opening song--a distant, quivering minor chord--it's clear the album's aural palette is something truly inspired. Pronsato has always earned accolades for his impeccable sound design, but his key strengths are in texture and rhythm; Ninca Leece, a trained vocalist and indie artist at heart, fills in the gaps with her ear for warmth and melody. Dusty piano keys bounce off polished kick drums, surreal vocal lines float above imperfect hand claps, and room noise and vocal outtakes (two of Pronsato's trademarks) give the mix a sonorous dimension. Delivered in hues of pale winter light, the album has a wispy, almost weightless feel--something thanks in part to Steffen Betke, better known as Pole, the esteemed dub techno artist, who mastered the album.
A Broken Shape of You is something many electronic albums are not: understated, elliptical, and most importantly, personal.
More
At other times the album's pop element subsides, letting its unique production take the fore. From the first note of the opening song--a distant, quivering minor chord--it's clear the album's aural palette is something truly inspired. Pronsato has always earned accolades for his impeccable sound design, but his key strengths are in texture and rhythm; Ninca Leece, a trained vocalist and indie artist at heart, fills in the gaps with her ear for warmth and melody. Dusty piano keys bounce off polished kick drums, surreal vocal lines float above imperfect hand claps, and room noise and vocal outtakes (two of Pronsato's trademarks) give the mix a sonorous dimension. Delivered in hues of pale winter light, the album has a wispy, almost weightless feel--something thanks in part to Steffen Betke, better known as Pole, the esteemed dub techno artist, who mastered the album.
A Broken Shape of You is something many electronic albums are not: understated, elliptical, and most importantly, personal.
More
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For its landmark 20th anniversary, Apnea Records proudly presents XX, a double 12" compilation that chronicles the label's journey from its inception to its current cutting-edge form. Featuring both original innovators and fresh talents from its recent relaunch, this release is a sonic time capsule and a forward-looking statement. Spanning from deep techno to Detroit-infused house, Jamal Moss's abstract house, electro, and E.R.P.'s signature machine funk, XX dives into the label's broad sonic spectrum. With contributions from Alex Under, Damian Schwartz, Jamal Moss, E.R.P., Dopplereffekt, Thomas Brinkmann, and Kyle Hall & Kero, this collection serves as both a reflection of Apnea's past and a bold vision for the future.
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1
Mike Ink - Dadajack
2
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3
Mike Ink - Astral Theorie
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Mike Ink - Polier
5
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6
Mike Ink - Statistik
In 1993, Wolfgang Voigt started his label Profan. From its very beginning, it provided a universal platform for Voigt’s unconventional musical hustle. Under several project names the resilience of the bass drum is fathomed again and again. Under the – even then – well introduced hooligan-techno alias MIKE INK, the 12 inch DADAJACK is released in 1994. Like the title indicates, Voigt construes the ubiquitous use of the TB 303 and the TR 909 machines very “artfully”: Reckless, elastic groove-drafts and abstract-dadaistic Acid textures create a funkiness far off Soul and Disko. Mike Ink goes Polier.
In addition to the encyclopedic digital release “EARQUAKE – Wolfgang Voigt 1991-1999”, several selected reissues and new releases are published exclusively via kompakt.fm on vinyl. MIKE INK – DADAJACK, out of print for 20 years, breaks the first ground.
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In addition to the encyclopedic digital release “EARQUAKE – Wolfgang Voigt 1991-1999”, several selected reissues and new releases are published exclusively via kompakt.fm on vinyl. MIKE INK – DADAJACK, out of print for 20 years, breaks the first ground.
More
1
Model 500 - Milky Way
2
Model 500 - Warning
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Model 500 - Orbit
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Model 500 - The Flow
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Model 500 - Astralwerks
6
Model 500 - Starlight
7
Model 500 - Last Transport To Alpha Centauri
8
Model 500 - I Wanna Be There (Edit)
9
Model 500 - Lightspeed
Model 500's "Deep Space," released in 1995, is a landmark album in electronic and techno music, crafted by Detroit pioneer Juan Atkins. This work seamlessly combines atmospheric textures with pulsating beats, reflecting the innovative spirit of the Detroit techno scene. With tracks like "The Chase" and "No UFOs," "Deep Space" captivates listeners through its hypnotic melodies and complex rhythms, creating an immersive experience that feels both expansive and futuristic. The album is revered for its groundbreaking sound and continues to inspire artists and fans alike in the electronic music landscape. This new pressing has been carefully remastered and re-cut from original sources to achieve The best sonic experience possible.
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1
Hajime Mizoguchi - A Monologue 2:50
2
Hajime Mizoguchi - Jin-Roh - Main Theme - Opening Version 2:37
3
Hajime Mizoguchi - Dark Star 2:06
4
Hajime Mizoguchi - Sting 0:37
5
Hajime Mizoguchi - Mad Black 0:47
6
Hajime Mizoguchi - Damp 0:19
7
Hajime Mizoguchi - Gray Black 0:36
8
Hajime Mizoguchi - Blue Clouds 3:10
9
Hajime Mizoguchi - Silence & Wind 1:19
10
Hajime Mizoguchi - Fragrance Rain 1:09
11
Hajime Mizoguchi - Latest Flame 3:01
12
Hajime Mizoguchi - Curse 2:50
13
Hajime Mizoguchi - Pride 2:51
14
Hajime Mizoguchi - Unit One 1:57
15
Hajime Mizoguchi - Long Destiny 0:57
16
Hajime Mizoguchi - The Force 3:41
17
Hajime Mizoguchi - Keel 3:12
18
Hajime Mizoguchi - Angel 1:34
19
Hajime Mizoguchi - Shadow Of Rainbow 1:36
20
Hajime Mizoguchi - Seal 2:41
21
Hajime Mizoguchi - The Top 4:37
22
Hajime Mizoguchi - Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Territories: World excluding Japan
Genre: Soundtrack, Classical, Ambient, Orchestration, Anime, Emo
LP: Heavyweight 350gsm sleeve, sticker
Tracklisting LP
A1. A Monologue 2:50
A2. Jin-Roh - Main Theme - Opening Version 2:37
A3. Dark Star 2:06
A4. Sting 0:37
A5. Mad Black 0:47
A6. Damp 0:19
A7. Gray Black 0:36
A8. Blue Clouds 3:10
A9. Silence & Wind 1:19
A10. Fragrance Rain 1:09
A11. Latest Flame 3:01
A12. Curse 2:50
A13. Pride 2:51
A14. Unit One 1:57
B1. Long Destiny 0:57
B2. The Force 3:41
B3. Keel 3:12
B4. Angel 1:34
B5. Shadow Of Rainbow 1:36
B6. Seal 2:41
B7. The Top 4:37
B8. Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Info
WRWTFWW Records is overjoyed to present the first ever vinyl release for the outstanding soundtrack of 1999 Japanese action-political-thriller anime Jin-Roh: The Wolf Brigade by Hajime Mizoguchi. The epic full-lenght album is available as a limited-edition LP cut at Emil Berliner Studios and housed in a heavyweight 350gsm sleeve.
Legendary animation film Jin-Roh was penned by Palme d’Or and Leone d’Oro award winning filmmaker, television director and writer Mamoru Oshii whose filmography includes Ghost in the Shell, Patlabor 2: The Movie, and Angel’s Egg – critically acclaimed works praised worldwide, notably by luminaries such as James Cameron, Steven Spielberg and The Wachowskis. The film was directed by leading studio Production I.G. affiliate Hiroyuki Okiura (Record of the Lodoss War, A Letter to Momo…)
The film’s score, courtesy of famed anime and tv score composer, cellist and arranger Hajime Mizoguchi, evokes the dystopian world in which Jin-Roh takes place and captures the Little Red Riding Hood theme that carries the story – a dark, atmospheric, and immensely emotional soundscape that takes you on a grand and immersive journey and stays with you forever. It blends classical, orchestrated ambient, and poignant melodies carried by ominous strings.
This new project by WRWTFWW Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap, Violent Cop and precedes the upcoming release of Takeshi Kitano’s Sonatine soundtrack by Joe Hisaishi.
Points of interests
For fans of classical, ambient, soundtracks, anime, manga, strings, dark and atmospheric soundscapes, Ghost in the Shell, Patlabor, epic journeys, James Cameron, big emotions, soundtracks that were never released on vinyl until…today!
First ever vinyl release for the soundtrack of acclaimed 1999 anime Jin-Roh!
More
Genre: Soundtrack, Classical, Ambient, Orchestration, Anime, Emo
LP: Heavyweight 350gsm sleeve, sticker
Tracklisting LP
A1. A Monologue 2:50
A2. Jin-Roh - Main Theme - Opening Version 2:37
A3. Dark Star 2:06
A4. Sting 0:37
A5. Mad Black 0:47
A6. Damp 0:19
A7. Gray Black 0:36
A8. Blue Clouds 3:10
A9. Silence & Wind 1:19
A10. Fragrance Rain 1:09
A11. Latest Flame 3:01
A12. Curse 2:50
A13. Pride 2:51
A14. Unit One 1:57
B1. Long Destiny 0:57
B2. The Force 3:41
B3. Keel 3:12
B4. Angel 1:34
B5. Shadow Of Rainbow 1:36
B6. Seal 2:41
B7. The Top 4:37
B8. Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Info
WRWTFWW Records is overjoyed to present the first ever vinyl release for the outstanding soundtrack of 1999 Japanese action-political-thriller anime Jin-Roh: The Wolf Brigade by Hajime Mizoguchi. The epic full-lenght album is available as a limited-edition LP cut at Emil Berliner Studios and housed in a heavyweight 350gsm sleeve.
Legendary animation film Jin-Roh was penned by Palme d’Or and Leone d’Oro award winning filmmaker, television director and writer Mamoru Oshii whose filmography includes Ghost in the Shell, Patlabor 2: The Movie, and Angel’s Egg – critically acclaimed works praised worldwide, notably by luminaries such as James Cameron, Steven Spielberg and The Wachowskis. The film was directed by leading studio Production I.G. affiliate Hiroyuki Okiura (Record of the Lodoss War, A Letter to Momo…)
The film’s score, courtesy of famed anime and tv score composer, cellist and arranger Hajime Mizoguchi, evokes the dystopian world in which Jin-Roh takes place and captures the Little Red Riding Hood theme that carries the story – a dark, atmospheric, and immensely emotional soundscape that takes you on a grand and immersive journey and stays with you forever. It blends classical, orchestrated ambient, and poignant melodies carried by ominous strings.
This new project by WRWTFWW Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap, Violent Cop and precedes the upcoming release of Takeshi Kitano’s Sonatine soundtrack by Joe Hisaishi.
Points of interests
For fans of classical, ambient, soundtracks, anime, manga, strings, dark and atmospheric soundscapes, Ghost in the Shell, Patlabor, epic journeys, James Cameron, big emotions, soundtracks that were never released on vinyl until…today!
First ever vinyl release for the soundtrack of acclaimed 1999 anime Jin-Roh!
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Label:Captured Tracks
Cat-No:CTLPC4181
Release-Date:04.10.2024
Genre:Alternative/Electronic
Configuration:2LP
Label:Captured Tracks
Cat-No:CTLPC4181
Release-Date:04.10.2024
Genre:Alternative/Electronic
Configuration:2LP
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Saâda Bonaire - You Could Be More As You Are
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Saâda Bonaire - Invitation
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Saâda Bonaire - Little Sister
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Saâda Bonaire - More Women
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Saâda Bonaire - I Am So Curious
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Saâda Bonaire - Second Face
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Saâda Bonaire - Heart Over Head
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Saâda Bonaire - Shut The Door
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Saâda Bonaire - The Facts
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Saâda Bonaire - Give Me A Call
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Saâda Bonaire - Wake Up City
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Saâda Bonaire - Joanna
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Saâda Bonaire - Your Touch
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Saâda Bonaire - All Right Now
Limited edition repress on bone vinyl of cult-favorite Captured Tracks release, including bonus flexidisc featuring a rare cover of Free's "All Right Now". SAADA BONAIRE. The fantastic German disco/world music project from Bremen which never was meant to be. Formed by Bremen DJ Ralf Behrendt in 1982, SAADA BONAIRE was a unique concept band centered around two sultry female vocalists (Stefanie Lange and Claudia Hossfeld) and dozens of local musicians culled from the local immigration center. Originally signed to EMI in 1982, their first and only single, "You Could Be More As You Are" was produced by legendary MATUMBI, SLITS and POP GROUP producer Dennis Bovell in KRAFTWERK's studio in Cologne. Its fusion of husky female vocals, Eastern instruments, dub and African music aesthetics, drum computers and synthesizers remains unique to this day. EMI cancelled the project upon its release. SAADA BONAIRE compiles two songs from the original EMI single plus eleven previously unreleased songs recorded between 1982 and 1985. Also included are never before published photos and in depth interviews with band members and a full gate fold cover for those dedicated vinyl buyers. SAADA BONAIRE. A bizarre mix of KRAFTWERK, GRACE JONES, and MARLENE DIETRICH. These lost recordings from the early eighties still sound fresh on today's dance floor.
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