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Label:Captured Tracks
Cat-No:CTLPC4181
Release-Date:04.10.2024
Genre:Alternative/Electronic
Configuration:2LP
Barcode:0817949118129
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Genre:Alternative/Electronic
Configuration:2LP
Barcode:0817949118129
1
Saâda Bonaire - You Could Be More As You Are
2
Saâda Bonaire - Invitation
3
Saâda Bonaire - Little Sister
4
Saâda Bonaire - More Women
5
Saâda Bonaire - I Am So Curious
6
Saâda Bonaire - Second Face
7
Saâda Bonaire - Heart Over Head
8
Saâda Bonaire - Shut The Door
9
Saâda Bonaire - The Facts
10
Saâda Bonaire - Give Me A Call
11
Saâda Bonaire - Wake Up City
12
Saâda Bonaire - Joanna
13
Saâda Bonaire - Your Touch
14
Saâda Bonaire - All Right Now
Limited edition repress on bone vinyl of cult-favorite Captured Tracks release, including bonus flexidisc featuring a rare cover of Free's "All Right Now". SAADA BONAIRE. The fantastic German disco/world music project from Bremen which never was meant to be. Formed by Bremen DJ Ralf Behrendt in 1982, SAADA BONAIRE was a unique concept band centered around two sultry female vocalists (Stefanie Lange and Claudia Hossfeld) and dozens of local musicians culled from the local immigration center. Originally signed to EMI in 1982, their first and only single, "You Could Be More As You Are" was produced by legendary MATUMBI, SLITS and POP GROUP producer Dennis Bovell in KRAFTWERK's studio in Cologne. Its fusion of husky female vocals, Eastern instruments, dub and African music aesthetics, drum computers and synthesizers remains unique to this day. EMI cancelled the project upon its release. SAADA BONAIRE compiles two songs from the original EMI single plus eleven previously unreleased songs recorded between 1982 and 1985. Also included are never before published photos and in depth interviews with band members and a full gate fold cover for those dedicated vinyl buyers. SAADA BONAIRE. A bizarre mix of KRAFTWERK, GRACE JONES, and MARLENE DIETRICH. These lost recordings from the early eighties still sound fresh on today's dance floor.
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Label:Captured Tracks
Cat-No:CTLP346
Release-Date:06.05.2022
Genre:Alternative/Electronic
Configuration:2LP
Barcode:0817949034610
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Cat-No:CTLP346
Release-Date:06.05.2022
Genre:Alternative/Electronic
Configuration:2LP
Barcode:0817949034610
1
Saâda Bonaire - Woman
2
Saâda Bonaire - To Know You Is To Love You
3
Saâda Bonaire - Extremes
4
Saâda Bonaire - So Many Dreams
5
Saâda Bonaire - Running
6
Saâda Bonaire - Okay It's Over
7
Saâda Bonaire - That's Right
8
Saâda Bonaire - Lovelife
9
Saâda Bonaire - Your Prince
10
Saâda Bonaire - 7th House
11
Saâda Bonaire - Move From The Heart
12
Saâda Bonaire - Follow Your Mind
Until recently, it was thought that we had heard all there was to hear from Saâda Bonaire. The German studio project's 1980s recordings had been compiled on the now cult-classic double LP Saâda Bonaire, released by Captured Tracks in 2013. Though the group had continued working until 1994, founder Ralph "von" Richtoven had firmly stated that all of their post-1986 work was lost. Released now for the first time ever, 1992 compiles the band's long-lost early nineties material. Produced between Bremen and New York City, the 12 songs presented here capture the group's attempts at steering their trademark fusion sound (reggae, afro-funk, Eastern music, and sultry German female vocals) into uncharted nu jazz, trip-hop, and house territories. It's no surprise, given both the time lapse and the fluid nature of the project, that these recordings differ sonically from the 1980s material. 1992 finds Saâda Bonaire folding new influences from the time (house, hip-hop, rap) into their eclectic sonic universe. Vocalist Andrea Ebert's soulful voice -the result of a church choir background and an early love of American soul and jazz music- offset Stephanie Lange's laid-back, more German-sounding vocals. This unique interplay bolstered the band's new direction - evident in their inspired takes on James Brown's "Woman" and Syreeta Wright and Stevie Wonder's "To Know You Is To Love You". The American influence was also made literal via contributions by renowned DJ Matthias Heillbronn and rapper Jimmy Lee Patterson, both of whom lent some stardust to the tracks at François Kevorkian's Axis Studios in NYC. Unfortunately, the demo recordings were considered too bizarre for 1990s record label standards, and as a result were never published. As with all things Saâda Bonaire, the discovery of these discarded recordings feels like a sort of magical impossibility. It's been nearly ten years since the release of the last compilation, and thirty since the recordings were originally captured. That they still manage to sound fresh and avant garde is a testament to Saâda Bonaire's flair for creating pop music for past, present, and future outsiders.
TRACKLISTING:
DISC #1:
01. WOMAN
02. TO KNOW YOU IS TO LOVE YOU
03. EXTREMES
04. SO MANY DREAMS
05. RUNNING
06. OKAY IT'S OVER
DISC #2:
01. THAT'S RIGHT
02. LOVELIFE
03. YOUR PRINCE
04. 7TH HOUSE
05. MOVE FROM THE HEART
06. FOLLOW YOUR MIND More
TRACKLISTING:
DISC #1:
01. WOMAN
02. TO KNOW YOU IS TO LOVE YOU
03. EXTREMES
04. SO MANY DREAMS
05. RUNNING
06. OKAY IT'S OVER
DISC #2:
01. THAT'S RIGHT
02. LOVELIFE
03. YOUR PRINCE
04. 7TH HOUSE
05. MOVE FROM THE HEART
06. FOLLOW YOUR MIND More
More records from Captured Tracks
2LP
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Label:Captured Tracks
Cat-No:CTLPC1368
Release-Date:13.09.2024
Configuration:2LP
Barcode:0817949036867
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Release-Date:13.09.2024
Configuration:2LP
Barcode:0817949036867
Tri-fold jacket with mirror-board `Chamber of Reflection' interior, poster, full-color booklet, and new liners written by Mac. Pressed on holographic black vinyl. Includes Salad Days Demos. Salad Days is the follow-up to Mac DeMarco's lauded 2012 album 2, which saw the Edmonton local propelled into the limelight. Written and recorded around a relentless tour schedule, Salad Days gives the listener a very personal insight into what it's all about to be Mac amidst the craziness of a rising career in a very public format. In celebration of the 10 year anniversary of DeMarco's career-defining album, this limited edition 2xLP compiles both the original Salad Days and Salad Days Demos into a unique `Chamber Of Reflection' package complete with full color poster, 12-page booklet with DeMarco's Salad Days Tour dates, original rider, previously unpublished photos, and new liners written by Mac.
TRACKLIST
1.1 SALAD DAYS
1.2 BLUE BOY
1.3 BROTHER
1.4 LET HER GO
1.5 GOODBYE WEEKEND
1.6 LET MY BABY STAY
1.7 PASSING OUT PIECES
1.8 TREAT HER BETTER
1.9 CHAMBER OF REFLECTION
1.10 GO EASY
1.11 JONNY'S ODYSSEY
2.1 GOODBYE WEEKEND
2.2 SALAD DAYS
2.3 KEN THE WOLF BOY
2.4 PASSING OUT PIECES OF ME
2.5 ORGAN RONALD DONKEY WATER
2.6 LET MY BABY STAY
2.7 PEPPERONI PLAYBOY
2.8 BROTHER
C
No. 31
2.9 POTATO BOY
2.10 GO EASY
2.11 HORSE HOT WEE WEE WATER
2.12 BLUE BOY
2.13 SLOPPY LAU LAU
2.14 AVOCADO ANDREW More
TRACKLIST
1.1 SALAD DAYS
1.2 BLUE BOY
1.3 BROTHER
1.4 LET HER GO
1.5 GOODBYE WEEKEND
1.6 LET MY BABY STAY
1.7 PASSING OUT PIECES
1.8 TREAT HER BETTER
1.9 CHAMBER OF REFLECTION
1.10 GO EASY
1.11 JONNY'S ODYSSEY
2.1 GOODBYE WEEKEND
2.2 SALAD DAYS
2.3 KEN THE WOLF BOY
2.4 PASSING OUT PIECES OF ME
2.5 ORGAN RONALD DONKEY WATER
2.6 LET MY BABY STAY
2.7 PEPPERONI PLAYBOY
2.8 BROTHER
C
No. 31
2.9 POTATO BOY
2.10 GO EASY
2.11 HORSE HOT WEE WEE WATER
2.12 BLUE BOY
2.13 SLOPPY LAU LAU
2.14 AVOCADO ANDREW More
Label:Captured Tracks
Cat-No:CTLPC132
Release-Date:15.12.2023
Configuration:LP
Barcode:0817949003265
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Label:Captured Tracks
Cat-No:CTLPC132
Release-Date:15.12.2023
Configuration:LP
Barcode:0817949003265
1
Mac Demarco - Little Pepper
2
Mac Demarco - Onion Man
3
Mac Demarco - Peter Pickles
4
Mac Demarco - Don Juan
5
Mac Demarco - Young Coconut
6
Mac Demarco - Hachiko
7
Mac Demarco - First Terry
8
Mac Demarco - Hoso Boyo
9
Mac Demarco - Special K
First and only pressing, limited to 5,500 copies worldwide
In the summer of 2015, Mac DeMarco released Some Other Ones — a collection of original instrumental recordings DeMarco deemed his “BBQ soundtrack” — as a digital download exclusively on Bandcamp. It was recorded in just 5 days at his home in Far Rockaway, Queens, about a year after the massive success of his third album, Salad Days, and just weeks before the release of mini-LP Another One.
Originally released in conjunction with a barbecue DeMarco hosted to promote Another One and collect food bank donations, Some Other Ones soon became regarded amongst his fans as a key entry in his beloved catalog.
Now, almost 10 years later, and following the success of his recent full length instrumental album Five Easy Hot Dogs, Some Other Ones is finally getting the full release treatment. The album is now available digitally across all streaming platforms, and released on its first and only limited edition vinyl pressing.
The real heads get down to Some Other Ones! More
In the summer of 2015, Mac DeMarco released Some Other Ones — a collection of original instrumental recordings DeMarco deemed his “BBQ soundtrack” — as a digital download exclusively on Bandcamp. It was recorded in just 5 days at his home in Far Rockaway, Queens, about a year after the massive success of his third album, Salad Days, and just weeks before the release of mini-LP Another One.
Originally released in conjunction with a barbecue DeMarco hosted to promote Another One and collect food bank donations, Some Other Ones soon became regarded amongst his fans as a key entry in his beloved catalog.
Now, almost 10 years later, and following the success of his recent full length instrumental album Five Easy Hot Dogs, Some Other Ones is finally getting the full release treatment. The album is now available digitally across all streaming platforms, and released on its first and only limited edition vinyl pressing.
The real heads get down to Some Other Ones! More
Label:Captured Tracks
Cat-No:CTLP346
Release-Date:06.05.2022
Genre:Alternative/Electronic
Configuration:2LP
Barcode:0817949034610
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Label:Captured Tracks
Cat-No:CTLP346
Release-Date:06.05.2022
Genre:Alternative/Electronic
Configuration:2LP
Barcode:0817949034610
1
Saâda Bonaire - Woman
2
Saâda Bonaire - To Know You Is To Love You
3
Saâda Bonaire - Extremes
4
Saâda Bonaire - So Many Dreams
5
Saâda Bonaire - Running
6
Saâda Bonaire - Okay It's Over
7
Saâda Bonaire - That's Right
8
Saâda Bonaire - Lovelife
9
Saâda Bonaire - Your Prince
10
Saâda Bonaire - 7th House
11
Saâda Bonaire - Move From The Heart
12
Saâda Bonaire - Follow Your Mind
Until recently, it was thought that we had heard all there was to hear from Saâda Bonaire. The German studio project's 1980s recordings had been compiled on the now cult-classic double LP Saâda Bonaire, released by Captured Tracks in 2013. Though the group had continued working until 1994, founder Ralph "von" Richtoven had firmly stated that all of their post-1986 work was lost. Released now for the first time ever, 1992 compiles the band's long-lost early nineties material. Produced between Bremen and New York City, the 12 songs presented here capture the group's attempts at steering their trademark fusion sound (reggae, afro-funk, Eastern music, and sultry German female vocals) into uncharted nu jazz, trip-hop, and house territories. It's no surprise, given both the time lapse and the fluid nature of the project, that these recordings differ sonically from the 1980s material. 1992 finds Saâda Bonaire folding new influences from the time (house, hip-hop, rap) into their eclectic sonic universe. Vocalist Andrea Ebert's soulful voice -the result of a church choir background and an early love of American soul and jazz music- offset Stephanie Lange's laid-back, more German-sounding vocals. This unique interplay bolstered the band's new direction - evident in their inspired takes on James Brown's "Woman" and Syreeta Wright and Stevie Wonder's "To Know You Is To Love You". The American influence was also made literal via contributions by renowned DJ Matthias Heillbronn and rapper Jimmy Lee Patterson, both of whom lent some stardust to the tracks at François Kevorkian's Axis Studios in NYC. Unfortunately, the demo recordings were considered too bizarre for 1990s record label standards, and as a result were never published. As with all things Saâda Bonaire, the discovery of these discarded recordings feels like a sort of magical impossibility. It's been nearly ten years since the release of the last compilation, and thirty since the recordings were originally captured. That they still manage to sound fresh and avant garde is a testament to Saâda Bonaire's flair for creating pop music for past, present, and future outsiders.
TRACKLISTING:
DISC #1:
01. WOMAN
02. TO KNOW YOU IS TO LOVE YOU
03. EXTREMES
04. SO MANY DREAMS
05. RUNNING
06. OKAY IT'S OVER
DISC #2:
01. THAT'S RIGHT
02. LOVELIFE
03. YOUR PRINCE
04. 7TH HOUSE
05. MOVE FROM THE HEART
06. FOLLOW YOUR MIND More
TRACKLISTING:
DISC #1:
01. WOMAN
02. TO KNOW YOU IS TO LOVE YOU
03. EXTREMES
04. SO MANY DREAMS
05. RUNNING
06. OKAY IT'S OVER
DISC #2:
01. THAT'S RIGHT
02. LOVELIFE
03. YOUR PRINCE
04. 7TH HOUSE
05. MOVE FROM THE HEART
06. FOLLOW YOUR MIND More
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Label:TTJ Edits
Cat-No:TTJ4945
Release-Date:16.02.2024
Configuration:12"
Barcode:
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Release-Date:16.02.2024
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1
V.A. - A1.Black Magic
2
V.A. - A2.Wanda Rode Again
3
V.A. - B1.Fate
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V.A. - B2.Homewerk
Label:Peace World Records
Cat-No:PWR001
Release-Date:20.09.2024
Genre:House
Configuration:12"
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Cat-No:PWR001
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Genre:House
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1
Space Ghost - East Of The Lake
2
Space Ghost - Dream Tool
3
Space Ghost - Prism
4
Space Ghost - Homeworld
USA pressing, limited copies.
Space Ghost is excited to announce the release of Dream Tool, a four track 12” EP produced by Space Ghost himself. Dream Tool offers up four spacious house tunes exploring Space Ghost’s signature style of dance music. Each track is equipped with groovin’ drums, atmospheric pads, catchy piano melodies, and bouncy basslines. Dream Tool is the debut release of Space Ghost’s new label, Peace World Records.
With the launch of Peace World Records, Space Ghost aims to harness his passion for music to create a unique platform for like-minded artists in the Bay Area and beyond. Since moving to Oakland in 2009, Space Ghost has been a consistent fixture in the Bay Area music scene, DJing regularly and refining his production skills. For Space Ghost, honing his craft and creating enduring, high-quality art is essential, making the establishment of his new label a natural progression in his artistic journey.
Space Ghost has garnered an international following over the years by steadily dropping a diverse array of LPs and EPs. He has collaborated with Danish label Tartelet Records for multiple projects and has also put out music with acclaimed labels such as Apron Records, Pacific Rhythm, and PPU. Across his releases, Space Ghost’s production style weaves between ambient and dance music, drawing inspiration from the underground scenes of the '80s and '90s while adding a contemporary touch.
The launch of Peace World Records and its debut release, Dream Tool, marks Space Ghost’s inaugural step towards his goal at a full-time music career. Embodying his journey, this debut release truly is his Dream Tool.
Dream Tool will be available September 20th, 2024. More
Space Ghost is excited to announce the release of Dream Tool, a four track 12” EP produced by Space Ghost himself. Dream Tool offers up four spacious house tunes exploring Space Ghost’s signature style of dance music. Each track is equipped with groovin’ drums, atmospheric pads, catchy piano melodies, and bouncy basslines. Dream Tool is the debut release of Space Ghost’s new label, Peace World Records.
With the launch of Peace World Records, Space Ghost aims to harness his passion for music to create a unique platform for like-minded artists in the Bay Area and beyond. Since moving to Oakland in 2009, Space Ghost has been a consistent fixture in the Bay Area music scene, DJing regularly and refining his production skills. For Space Ghost, honing his craft and creating enduring, high-quality art is essential, making the establishment of his new label a natural progression in his artistic journey.
Space Ghost has garnered an international following over the years by steadily dropping a diverse array of LPs and EPs. He has collaborated with Danish label Tartelet Records for multiple projects and has also put out music with acclaimed labels such as Apron Records, Pacific Rhythm, and PPU. Across his releases, Space Ghost’s production style weaves between ambient and dance music, drawing inspiration from the underground scenes of the '80s and '90s while adding a contemporary touch.
The launch of Peace World Records and its debut release, Dream Tool, marks Space Ghost’s inaugural step towards his goal at a full-time music career. Embodying his journey, this debut release truly is his Dream Tool.
Dream Tool will be available September 20th, 2024. More
12"
pre-sale
Label:Discolidays Recordings
Cat-No:DISCOREC006
Release-Date:25.10.2024
Configuration:12"
Barcode:198588597095
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Label:Discolidays Recordings
Cat-No:DISCOREC006
Release-Date:25.10.2024
Configuration:12"
Barcode:198588597095
1
La Compagnie Créole - Le Bal Masque´ (The Reflex Revision)
2
La Compagnie Créole - La Nuit Des Requins (The Reflex Revision)
Welcome to the second instalment of the collaboration between THE REFLEX’ DISCOLIDAYS label and BECAUSE MUSIC in Paris, remixing gems from the ZAGORA catalogue. Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood. On this 12’’, we’ve got two first time ever remixes from LA COMPAGNIE CREOLE, one of the most successful acts in France during the 80’s who expertly mixed tropical sounds from the West Indies with pop and disco to staggering record sales. With tapes thought to be long lost, a chance find of stems from two of their songs not only makes this release possible, but also perfectly showcases two sides of the band with ‘Le Bal Masqué’ which was a huge hit commercially in 1984 and ‘La Nuit Des Requins’ which is probably their least known and most underground track, both masterminded by songwriters DANIEL VANGARDE and JEAN KLUGER. ‘LE BAL MASQUE’, now devoid of its cheesiest sections, puts the focus on that infectious groove adorned with percussions and electronics but with its singalong chorus intact and stronger than ever. A guaranteed tropical disco floor filler at 122bpm, regardless of your knowledge of the French language! ‘LA NUIT DES REQUINS’, an ode to session musicians found regularly in Paris studios back in the day, gets a complete overhaul by putting the exhilarating drums and killer bass line of the original to the fore into a brand new 124bpm version that is destined to rock the most discerning dance floors the world over.
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Label:SUPERSTITION RECORDS
Cat-No:2853
Release-Date:23.09.2022
Configuration:12" Excl
Barcode:4250382446545
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Cat-No:2853
Release-Date:23.09.2022
Configuration:12" Excl
Barcode:4250382446545
1
ENERGY 52 - Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
2
ENERGY 52 - Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)
30 YEARS ANNIVERSARY VINYL REMASTERS
Vinyl only
Remastered
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)
SHORT INFO:
Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions. Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.
Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.
Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.
In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.
More
Vinyl only
Remastered
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)
SHORT INFO:
Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions. Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.
Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.
Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.
In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.
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Last in:24.07.2024
Label:Nu Groove
Cat-No:NG147
Release-Date:19.04.2024
Genre:House
Configuration:12"
Barcode:826194647773
1
Franck Roger - Part Of My Soul
2
Franck Roger - The Music
3
Franck Roger - Radik'Hall
4
Franck Roger - Cosmic Funk
Parisian producer Franck Roger lands on Nu Groove with Cosmic Tree EP, a four-track outing of deep house perfectly at home on the legendary NYC label. An established DJ, crate digger and label boss of Real Tone Records, Franck is known for his loop-based approach to sound, with his focus on beats earning the respect of house heads and underground selectors worldwide. This latest offering demonstrates his distinct style flawlessly; ‘Part Of My Soul’ features Detroit tastemaker and radio stalwart Rimarkable, showing two trusted authorities at their best as Rimarkable’s vocals, combined with Franck’s production, add a cool downtown feel to the future classic. Franck goes solo for the next three, with ‘The Music’ carrying deep club weight, while ‘Radik’Hall’ brings with it a certain percussive groove as only Franck can. ‘Cosmic Funk’ is a love letter to the genre with synthy basslines, vocoder rhythms and spacey trebles combining in hypnotic bliss, completing this collection of modern deep house excellence with flair.
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Label:Be With Records
Cat-No:bewith023twelve
Release-Date:30.08.2024
Configuration:12" Excl
Barcode:4251804181266
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Cat-No:bewith023twelve
Release-Date:30.08.2024
Configuration:12" Excl
Barcode:4251804181266
1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
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Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
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Label:We Release Jazz
Cat-No:WRJ005LTD
Release-Date:19.04.2019
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1
Placebo (Marc Moulin) - A1 Showbiz Suite (part 1)
2
Placebo (Marc Moulin) - B2 Showbiz Suite (part 2)
Format: 180g vinyl, mastered at half speed, 350g heavy cardboard o sleeve w. UV Coating, obi, sticker
- For fans of jazz-funk, soul jazz, spaced out sounds,fusion, deep solos, Belgian magic, Montreux Jazz Festival, Soft Machine, Weather Report, epic suites for the mind travelers, cognac by the fireplace.
- First ever release of the first ever live performance and recording by Marc Moulin's Placebo available on 180g vinyl mastered at half speed.
Tracklisting
A1 Showbiz Suite (part 1) 14:37
B2 Showbiz Suite (part 2) 11:31
Info
We Release Jazz is ecstatic to present its fifth release (following Ryo Fukui's Scenery and Mellow Dream, Le Cercle Rouge's soundtrack by Eric Demarsan and Stuff Combe 5 + Percussion), the first ever live performance and recording by Marc Moulin's sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. Placebo's Live 1971 is available in a limited edition 180g vinyl mastered at half speed, housed in a 350gsm sleeve with UV coating and an obi strip.
June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26 minutes+ jazz adventure - Nick Kletchkovsky on bass, Freddy Rottier on drums, Johnny Dover on bass clarinet, Alex Scorier on soprano saxophone, and Richard Rousselet on flugelhorn. The magic of that night is dripping through Placebo's sumptuous "Showbiz Suite", a soulful piece in two parts in which every instrument gets enough room to shine, smoothly navigating between cozy cognac-by-the-fireplace funk and heartfelt grittiness, served with a pinch of Soft Machine vibes. It's the night Placebo was born, when foundations were laid for three classic albums: Ball of Eyes (on which you can hear a shorter studio version of "Showbiz Suite"), 1973, and their final self-titled album.
Born in 1942 in Ixelles, the multifaceted Marc Moulin had one of the most fascinating careers in the history of Belgian music, from his jazz roots and Placebo to founding electronic disco pop band Telex ("Moskow Diskow", "Rock Around The Clock"…), producing a vast array of French and Belgian hits (notably for Philip Catherine and Lio), pioneering downtempo and electro jazz with three albums on Blue Note, and exploring other avenues of expression such a radio hosting and comedy. He sadly left us in 2008. His incredible legacy shall live on.
Points of interests
- 5th release from We Release Jazz, following Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan and Stuff Combe 5 + Percussion. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble's KI-Motion, Jun Fukamachi's Nicole, Bruno Spoerri's Voice of Taurus and The Sound of the UFOs, Piero Umiliani's Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
More
- For fans of jazz-funk, soul jazz, spaced out sounds,fusion, deep solos, Belgian magic, Montreux Jazz Festival, Soft Machine, Weather Report, epic suites for the mind travelers, cognac by the fireplace.
- First ever release of the first ever live performance and recording by Marc Moulin's Placebo available on 180g vinyl mastered at half speed.
Tracklisting
A1 Showbiz Suite (part 1) 14:37
B2 Showbiz Suite (part 2) 11:31
Info
We Release Jazz is ecstatic to present its fifth release (following Ryo Fukui's Scenery and Mellow Dream, Le Cercle Rouge's soundtrack by Eric Demarsan and Stuff Combe 5 + Percussion), the first ever live performance and recording by Marc Moulin's sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. Placebo's Live 1971 is available in a limited edition 180g vinyl mastered at half speed, housed in a 350gsm sleeve with UV coating and an obi strip.
June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26 minutes+ jazz adventure - Nick Kletchkovsky on bass, Freddy Rottier on drums, Johnny Dover on bass clarinet, Alex Scorier on soprano saxophone, and Richard Rousselet on flugelhorn. The magic of that night is dripping through Placebo's sumptuous "Showbiz Suite", a soulful piece in two parts in which every instrument gets enough room to shine, smoothly navigating between cozy cognac-by-the-fireplace funk and heartfelt grittiness, served with a pinch of Soft Machine vibes. It's the night Placebo was born, when foundations were laid for three classic albums: Ball of Eyes (on which you can hear a shorter studio version of "Showbiz Suite"), 1973, and their final self-titled album.
Born in 1942 in Ixelles, the multifaceted Marc Moulin had one of the most fascinating careers in the history of Belgian music, from his jazz roots and Placebo to founding electronic disco pop band Telex ("Moskow Diskow", "Rock Around The Clock"…), producing a vast array of French and Belgian hits (notably for Philip Catherine and Lio), pioneering downtempo and electro jazz with three albums on Blue Note, and exploring other avenues of expression such a radio hosting and comedy. He sadly left us in 2008. His incredible legacy shall live on.
Points of interests
- 5th release from We Release Jazz, following Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan and Stuff Combe 5 + Percussion. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble's KI-Motion, Jun Fukamachi's Nicole, Bruno Spoerri's Voice of Taurus and The Sound of the UFOs, Piero Umiliani's Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
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Label:Be With Records
Cat-No:bewith142lp
Release-Date:01.09.2023
Genre:Jazz
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Barcode:4251804140195
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Genre:Jazz
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1
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 4 (2:03)
2
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 5 (2:03)
3
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 6 (2:10)
4
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 7 (1:48)
5
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 8 (3:50)
6
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 9 (2:45)
7
Pierre-Alain Dahan & Mat Camison - Piano + Piano (2:30)
8
Pierre-Alain Dahan & Mat Camison - Auto Rythmiques (3:45)
9
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 10 (2:00)
10
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 11 (2:10)
11
Pierre-Alain Dahan & Mat Camison - Océan Horizon (2:45)
12
Pierre-Alain Dahan & Mat Camison - Super Carrousel (1:40)
13
Pierre-Alain Dahan & Mat Camison - Gay Shopping (2:10)
14
Pierre-Alain Dahan & Mat Camison - Suspense N° 1 (3:50)
Territories: Worldwide no restrictions
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Rythmiques N° 4 2:03
A2 Rythmiques N° 5 2:03
A3 Rythmiques N° 6 2:10
A4 Rythmiques N° 7 1:48
A5 Rythmiques N° 8 3:50
A6 Rythmiques N° 9 2:45
A7 Piano + Piano 2:30
B1 Auto Rythmiques 3:45
B2 Rythmiques N° 10 2:00
B3 Rythmiques N° 11 2:10
B4 Océan Horizon 2:45
B5 Super Carrousel 1:40
B6 Gay Shopping 2:10
B7 Suspense N° 1 3:50
Release Notes:
Wow! Pierre-Alain Dahan & Mat Camison's Rythmiques is another iconic release in the hallowed Tele Music catalogue. First appearing in 1973, it features tense funk, blunted jazz and heavy breaks all the way. Considered the rightful sequel to Continental Pop Sound, it's a vital album for producers and DJs; and you can probably guess that RHYTHM is central to the record's presentation. And you can really taste what's rhythm, to borrow a phrase. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet whilst his partner here, Mat Camison, was a pioneering synth LORD. So, you know this Be With reissue is absolutely crucial.
The album picks up from where Continental Pop Sound left us, opening with the tense, stabbing thriller-funk of "Rythmiques N° 4". The dubbier "Rythmiques N° 5" is no less electric and definitely has a spacey air of wonky funk about it with the slightly off-kilter rolling piano. "Rythmiques N° 6" is more percussive-focussed with a brilliantly hypnotic opening that really stretches the drama out. “Rythmique N° 7” alternates between fast-paced, skipping drums and slo-mo funk, always with the clavinet high up in the mix. Wicked. The dope jazz of “Rythmique N° 8” truly mesmerises with licks of electric piano, funky bass flourishes and varied percussion. “Rythmique N° 9” has great, sloppy-yet-hard intro drums which sound like something Daft Punk could've pilfered circa Human After All, punctuated by a guitar rock refrain that repeats til the end but is never overdone. The A-Side closes with the beautiful, melancholic "Piano + Piano", a reflective jazzy piano track which could easily open a wide-ranging set this autumn and many after it. Stunning.
Opening Side B, "Auto Rythmiques" is a hectic yet compelling funk workout but it's all about the frankly devastating breakbeats on “Rythmiques N° 10 & N° 11” with effortlessly twisted funk bass lines over open drum breaks and enough tension and rhythmic switch-ups to keep your neck-snapping and your mind lifted. Downright essential. Taking leave from the heavy funk break action, the pastoral "Océan Horizon" is perhaps an unfairly overlooked highlight. A gorgeous, softly-aquatic, ambient gem, it's gently percussive with warm, floaty keys decorating the mellow rhythmic bed. The mercifully brief "Super Carrousel" is harmless fun-fair-funk but perhaps best skipped over whilst the intriguingly titled "Gay Shopping" is another throwaway exercise in inexcusable jaunt whilst. To close out this memorable set, thankfully, we're left with "Suspense N° 1" to get us back on course with its unsurprisingly tense mix of urgent stringed instruments that flirt with rhythm and melody yet the longer the track goes on. Deep.
One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member in the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Sauveur Mallia et al), Jef Gilson Septet (alongside Henri Texier) and many more. Some pedigree.
The audio for Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
More
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Rythmiques N° 4 2:03
A2 Rythmiques N° 5 2:03
A3 Rythmiques N° 6 2:10
A4 Rythmiques N° 7 1:48
A5 Rythmiques N° 8 3:50
A6 Rythmiques N° 9 2:45
A7 Piano + Piano 2:30
B1 Auto Rythmiques 3:45
B2 Rythmiques N° 10 2:00
B3 Rythmiques N° 11 2:10
B4 Océan Horizon 2:45
B5 Super Carrousel 1:40
B6 Gay Shopping 2:10
B7 Suspense N° 1 3:50
Release Notes:
Wow! Pierre-Alain Dahan & Mat Camison's Rythmiques is another iconic release in the hallowed Tele Music catalogue. First appearing in 1973, it features tense funk, blunted jazz and heavy breaks all the way. Considered the rightful sequel to Continental Pop Sound, it's a vital album for producers and DJs; and you can probably guess that RHYTHM is central to the record's presentation. And you can really taste what's rhythm, to borrow a phrase. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet whilst his partner here, Mat Camison, was a pioneering synth LORD. So, you know this Be With reissue is absolutely crucial.
The album picks up from where Continental Pop Sound left us, opening with the tense, stabbing thriller-funk of "Rythmiques N° 4". The dubbier "Rythmiques N° 5" is no less electric and definitely has a spacey air of wonky funk about it with the slightly off-kilter rolling piano. "Rythmiques N° 6" is more percussive-focussed with a brilliantly hypnotic opening that really stretches the drama out. “Rythmique N° 7” alternates between fast-paced, skipping drums and slo-mo funk, always with the clavinet high up in the mix. Wicked. The dope jazz of “Rythmique N° 8” truly mesmerises with licks of electric piano, funky bass flourishes and varied percussion. “Rythmique N° 9” has great, sloppy-yet-hard intro drums which sound like something Daft Punk could've pilfered circa Human After All, punctuated by a guitar rock refrain that repeats til the end but is never overdone. The A-Side closes with the beautiful, melancholic "Piano + Piano", a reflective jazzy piano track which could easily open a wide-ranging set this autumn and many after it. Stunning.
Opening Side B, "Auto Rythmiques" is a hectic yet compelling funk workout but it's all about the frankly devastating breakbeats on “Rythmiques N° 10 & N° 11” with effortlessly twisted funk bass lines over open drum breaks and enough tension and rhythmic switch-ups to keep your neck-snapping and your mind lifted. Downright essential. Taking leave from the heavy funk break action, the pastoral "Océan Horizon" is perhaps an unfairly overlooked highlight. A gorgeous, softly-aquatic, ambient gem, it's gently percussive with warm, floaty keys decorating the mellow rhythmic bed. The mercifully brief "Super Carrousel" is harmless fun-fair-funk but perhaps best skipped over whilst the intriguingly titled "Gay Shopping" is another throwaway exercise in inexcusable jaunt whilst. To close out this memorable set, thankfully, we're left with "Suspense N° 1" to get us back on course with its unsurprisingly tense mix of urgent stringed instruments that flirt with rhythm and melody yet the longer the track goes on. Deep.
One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member in the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Sauveur Mallia et al), Jef Gilson Septet (alongside Henri Texier) and many more. Some pedigree.
The audio for Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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Label:Bureau B
Cat-No:BB4541
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698168518
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Barcode:4015698168518
1
Faust - For Schlaghammer
2
Faust - Künstliche Intelligenz
3
Faust - Sunny Night
4
Faust - Kriminelle Kur
5
Faust - Die 5. Revolution
6
Faust - Kratie
After dipping into the archive to deliver a series of essential reissues, Bureau B continue to encourage the chaotic brilliance of Faust with an LP of brand new music curated by originator Zappi Diermaier and a band of musical friends, including fellow founder Gunther Wüsthoff. Over the years Faust has become many things, each as separate as the fingers, but as together as the hand which makes up their eponymous fist. From 1971 to 1974 the Hamburg band blazed a bold sonic trail, helping to create the distinct and delirious strand of German music we"ve come to know as Krautrock. Uncompromising, innovative and experimental, their releases in that period, and the stories accompanying their creation, are nothing short of legendary, and the fact that after a hiatus, the band returned and remained active in a variety of separate and simultaneous incarnations is entirely fitting for these musical revolutionaries. On Blickwinkel, Diermaier"s incarnation embrace synchronicity and chance in order to capture the moment in a six track snapshot of industrial churn, unsettling ambience and psychedelic motorik.
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Label:InFiné
Cat-No:IF1094LP
Release-Date:15.11.2024
Genre:Electronic
Configuration:LP Excl
Barcode:3516628461613
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Cat-No:IF1094LP
Release-Date:15.11.2024
Genre:Electronic
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1
Murcof - Going Home (IRCAM version)
2
Murcof - All These Worlds Part. I
3
Murcof - All These Worlds Part. II
4
Murcof - Tomorrow Part. II
5
Murcof - They Glow
6
Murcof - Enemy
7
Murcof - Fight
territories : ww -fr -benelux -uk
Genre: Electronic, Experimental
Tracklist
A1_Going Home (IRCAM version)
A2_All These Worlds Part. I
A3_All These Worlds Part. II
A4_Tomorrow Part. II
B1_They Glow
B2_Enemy
B3_Fight
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
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Genre: Electronic, Experimental
Tracklist
A1_Going Home (IRCAM version)
A2_All These Worlds Part. I
A3_All These Worlds Part. II
A4_Tomorrow Part. II
B1_They Glow
B2_Enemy
B3_Fight
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
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Label:Flee
Cat-No:FLEE006
Release-Date:27.09.2024
Genre:Electronic
Configuration:2LP Excl
Barcode:3516628462610
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Cat-No:FLEE006
Release-Date:27.09.2024
Genre:Electronic
Configuration:2LP Excl
Barcode:3516628462610
Territories: worldwide minus France, Italy, Greece & Benelux
Genre: Archival, Electronic, Experimental
Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.
After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.
Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.
A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).
A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.
Tracklist
A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)
B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)
C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)
D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir) More
Genre: Archival, Electronic, Experimental
Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.
After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.
Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.
A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).
A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.
Tracklist
A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)
B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)
C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)
D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir) More
Label:Temporal Drift
Cat-No:DFRT09-LP
Release-Date:11.10.2024
Configuration:LP
Barcode:850054840011
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Label:Temporal Drift
Cat-No:DFRT09-LP
Release-Date:11.10.2024
Configuration:LP
Barcode:850054840011
1
Hiroshi Yoshimura - Time After Time
2
Hiroshi Yoshimura - Surround
3
Hiroshi Yoshimura - Something Blue
4
Hiroshi Yoshimura - Time Forest
5
Hiroshi Yoshimura - Water Planet
6
Hiroshi Yoshimura - Green Show
Repress!
If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated.
— Hiroshi Yoshimura
Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” designed to enhance the company’s newly built living spaces.
In his original notes for the album, Yoshimura recommends that Surround be placed in the same family of sounds “as the vibration of footsteps, the hum of an air conditioner, or the clanging of a spoon inside a coffee cup.” And, as he suggests, “with the addition of city noise from outside the window,” you may hear Surround in a completely new way.
A pioneer in the field of environmental music, Yoshimura’s previous works included Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and designing sound environments for public spaces and subway systems. Surround was recorded almost concurrently with the acclaimed and popular GREEN (1986); the two albums are described by Hiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang.
* First-ever official reissue of the pioneering 1986 ambient work
* Produced in full cooperation with Hiroshi Yoshimura’s estate
* New liner notes by original album producer Hiroyoshi Shiokawa
* Includes Yoshimura’s original notes in Japanese & English
* Remastering and lacquer cutting by John Baldwin
* Vinyl pressed at Gotta Groove Records
Original credits:
COMPOSED & PERFORMED Hiroshi Yoshimura
RECORDED Hiroo 806 Studio, Kojima Recording Studio
RECORDING ENGINEER Yukio Kojima
DESIGN Toshikazu Ota
PHOTO Yoichi Nagata
PRODUCTION Misawa Homes Institute of Research and Development
Reissue credits:
REISSUE PRODUCERS Yosuke Kitazawa & Patrick McCarthy
REMASTERING & LACQUERING John Baldwin
VINYL PRESSING Gotta Groove Records
REISSUE DESIGN & LAYOUT Ella Gold
ARTWORK SCANNING Satomi Sugiyama
RETOUCHING Ward Long
REISSUE LINER NOTES Hiroyoshi Shiokawa
TRANSLATION Yosuke Kitazawa
SPECIAL THANKS Yoko Yoshimura More
If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated.
— Hiroshi Yoshimura
Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” designed to enhance the company’s newly built living spaces.
In his original notes for the album, Yoshimura recommends that Surround be placed in the same family of sounds “as the vibration of footsteps, the hum of an air conditioner, or the clanging of a spoon inside a coffee cup.” And, as he suggests, “with the addition of city noise from outside the window,” you may hear Surround in a completely new way.
A pioneer in the field of environmental music, Yoshimura’s previous works included Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and designing sound environments for public spaces and subway systems. Surround was recorded almost concurrently with the acclaimed and popular GREEN (1986); the two albums are described by Hiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang.
* First-ever official reissue of the pioneering 1986 ambient work
* Produced in full cooperation with Hiroshi Yoshimura’s estate
* New liner notes by original album producer Hiroyoshi Shiokawa
* Includes Yoshimura’s original notes in Japanese & English
* Remastering and lacquer cutting by John Baldwin
* Vinyl pressed at Gotta Groove Records
Original credits:
COMPOSED & PERFORMED Hiroshi Yoshimura
RECORDED Hiroo 806 Studio, Kojima Recording Studio
RECORDING ENGINEER Yukio Kojima
DESIGN Toshikazu Ota
PHOTO Yoichi Nagata
PRODUCTION Misawa Homes Institute of Research and Development
Reissue credits:
REISSUE PRODUCERS Yosuke Kitazawa & Patrick McCarthy
REMASTERING & LACQUERING John Baldwin
VINYL PRESSING Gotta Groove Records
REISSUE DESIGN & LAYOUT Ella Gold
ARTWORK SCANNING Satomi Sugiyama
RETOUCHING Ward Long
REISSUE LINER NOTES Hiroyoshi Shiokawa
TRANSLATION Yosuke Kitazawa
SPECIAL THANKS Yoko Yoshimura More