1
Bruno Pronsato - Above The Launderette
2
Bruno Pronsato - Perfume Saint
3
Bruno Pronsato - Statues Disfigured
4
Bruno Pronsato - Fifty Years Valiantly
5
Bruno Pronsato - No Chairs No Dancing
6
Bruno Pronsato - Like Hannah
7
Bruno Pronsato - Cops Are Weird
8
Bruno Pronsato - The Cast Crowds The Curtain
First new album in 3 years from Bruno Pronsato, fusing experimental tunings with his signature percussive workouts
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More records from Bruno Pronsato
1
Bruno Pronsato - Does she like you
2
Bruno Pronsato - Street preachers
3
Bruno Pronsato - This freak out
4
Bruno Pronsato - Lunatics and kooks
Tracklisting
A1 Bruno Pronsato - Does she like you
A2 Bruno Pronsato - Street preachers
B1 Bruno Pronsato - This freak out
B2 Bruno Pronsato - Lunatics and kooks
Sales Note
HAZE is honoured to present you a new EP by Bruno Pronsato. The tracks are full of acid arps, atonal and jazzy textures, vocal chops, swingy percussions resulting in precise and groovy masterpiece. Bruno showcases his passion, excellence and addiction, delivering pulsating still pure minimal 4-tracker. Must have! More
A1 Bruno Pronsato - Does she like you
A2 Bruno Pronsato - Street preachers
B1 Bruno Pronsato - This freak out
B2 Bruno Pronsato - Lunatics and kooks
Sales Note
HAZE is honoured to present you a new EP by Bruno Pronsato. The tracks are full of acid arps, atonal and jazzy textures, vocal chops, swingy percussions resulting in precise and groovy masterpiece. Bruno showcases his passion, excellence and addiction, delivering pulsating still pure minimal 4-tracker. Must have! More
1
BRUNO PRONSATO - A1 CATCHING LISBON
2
BRUNO PRONSATO - A2 DO IT AT YOUR FUNERAL
3
BRUNO PRONSATO - B1 LOCAL VAMPIRES
4
BRUNO PRONSATO - B2 VERSION YOU
5
BRUNO PRONSATO - C1 WITH DAZE
6
BRUNO PRONSATO - C2 ISN’T MEASURED ISN’T MANAGED
7
BRUNO PRONSATO - D1 BEST BEFORE BENJ
8
BRUNO PRONSATO - D2 ODE TO STREET HASSLE (FEATURING BENJAMIN FREENEY)
9
BRUNO PRONSATO - D3 SIMENON BRIEFLY
Format: 2x12“LP
Tracklist:
A1 CATCHING LISBON
A2 DO IT AT YOUR FUNERAL
B1 LOCAL VAMPIRES
B2 VERSION YOU
C1 WITH DAZE
C2 ISN’T MEASURED ISN’T MANAGED
D1 BEST BEFORE BENJ
D2 ODE TO STREET HASSLE (FEATURING BENJAMIN FREENEY)
D3 SIMENON BRIEFLY
Info: New album by Bruno Pronsato / 2x12“ vinyl. More
Tracklist:
A1 CATCHING LISBON
A2 DO IT AT YOUR FUNERAL
B1 LOCAL VAMPIRES
B2 VERSION YOU
C1 WITH DAZE
C2 ISN’T MEASURED ISN’T MANAGED
D1 BEST BEFORE BENJ
D2 ODE TO STREET HASSLE (FEATURING BENJAMIN FREENEY)
D3 SIMENON BRIEFLY
Info: New album by Bruno Pronsato / 2x12“ vinyl. More
1
bruno pronsato - lovers dont
2
bruno pronsato - anybody but you
3
bruno pronsato - No Title
4
bruno pronsato - an anne around the neck
5
bruno pronsato - an indication of the cause
6
bruno pronsato - feel right
7
bruno pronsato - winter music for summer
8
bruno pronsato - lover do
The Song Says - Bruno Pronsato´s label restarts after 4 years of hiatus with a CD re VRelease of his seminal "Lovers Do" Album from 2011! So good...
Tracklist CD:
1. Lovers Don't 2.Anybody But You 3. Trio-Out 4. An Anne Around The Neck 5.An Indication Of The Cause (Part 1) 6. Feel Right 7. Wintermusic For Summer 8.Lovers Do
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Tracklist CD:
1. Lovers Don't 2.Anybody But You 3. Trio-Out 4. An Anne Around The Neck 5.An Indication Of The Cause (Part 1) 6. Feel Right 7. Wintermusic For Summer 8.Lovers Do
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1
bruno pronsato - lovers dont
2
bruno pronsato - anybody but you
3
bruno pronsato - trio out
4
bruno pronsato - an anne around the neck
5
bruno pronsato - an indication of the cause
6
bruno pronsato - feel right
7
bruno pronsato - winter music for summer
8
bruno pronsato - lover do
The Song Says - Bruno Pronsato´s label restarts after 4 years of hiatus with a Vinyl Version of his seminal "Lovers Do" CD from 2011! So good...
Tracklist LP:
A1.Lovers Don't B1. Anybody But You B2. Trio-Out C1. An Anne Around The Neck C2. An Indication Of The Cause C3. Feel RIght D1. Winter Music For Summer D2. Lovers Do
It’s been fours years since the original release of Lovers Do. For the first time now finally released on vinyl. In the meantime he’s kept very busy––primarily with side projects. First there was Others, his experimental house outfit with Daze Maxim. Then came Public Lover, his duo with the French artist Ninca Leece that debuted last year on thesongsays (Bruno’s label). He’s continued to join forces with Sammy Dee as Half Hawaii, playing live shows around Europe and putting out tracks on Perlon and Diamonds & Pearls. As half of the duo Ndf, he coproduced Since We Last Met, a single that marked his debut on DFA and landed in Pitchfork’s top tracks of the year. But while he was juggling all these different projects, one piece of music was slowly taking shape: his third and most immersive album, Lovers Do. Like much of Bruno’s work to date, Lovers Do is experimental without being snobby––or to use his own term, “accidentally avantgarde”–– but this one takes it further than the others. It has a looseness that’s truly rare in techno; scrapping formulaic verses and breaks, it winds along like an abstract sketch, guided by intuition instead of logic. Some songs are fraught with nervous tension, others are soothing and rich with detail, from dappling rhodes to orchestral swells, jazzy drum fills and wet hand claps. Human voices swirl in and out of the mix, serving only to make things more surreal. Many of the tracks stretch well beyond ten minutes; one bows out after less than three. The album overall is delicate and subtle, but it also features Bruno’s best club tune in years, the eerie and delirious “Feel Right.” Brian Eno once described his own music as a place you occupy rather than a thing that happens. Lovers Do is such a place; a lovely, impressionistic scene with amber tones and murky figures, dim street lights and dusty shadows. Bruno spent two years composing Lovers Do at his home studio in Prenzaluerberg, Berlin. His muse Ninca Leece makes scattered cameos throughout More
Tracklist LP:
A1.Lovers Don't B1. Anybody But You B2. Trio-Out C1. An Anne Around The Neck C2. An Indication Of The Cause C3. Feel RIght D1. Winter Music For Summer D2. Lovers Do
It’s been fours years since the original release of Lovers Do. For the first time now finally released on vinyl. In the meantime he’s kept very busy––primarily with side projects. First there was Others, his experimental house outfit with Daze Maxim. Then came Public Lover, his duo with the French artist Ninca Leece that debuted last year on thesongsays (Bruno’s label). He’s continued to join forces with Sammy Dee as Half Hawaii, playing live shows around Europe and putting out tracks on Perlon and Diamonds & Pearls. As half of the duo Ndf, he coproduced Since We Last Met, a single that marked his debut on DFA and landed in Pitchfork’s top tracks of the year. But while he was juggling all these different projects, one piece of music was slowly taking shape: his third and most immersive album, Lovers Do. Like much of Bruno’s work to date, Lovers Do is experimental without being snobby––or to use his own term, “accidentally avantgarde”–– but this one takes it further than the others. It has a looseness that’s truly rare in techno; scrapping formulaic verses and breaks, it winds along like an abstract sketch, guided by intuition instead of logic. Some songs are fraught with nervous tension, others are soothing and rich with detail, from dappling rhodes to orchestral swells, jazzy drum fills and wet hand claps. Human voices swirl in and out of the mix, serving only to make things more surreal. Many of the tracks stretch well beyond ten minutes; one bows out after less than three. The album overall is delicate and subtle, but it also features Bruno’s best club tune in years, the eerie and delirious “Feel Right.” Brian Eno once described his own music as a place you occupy rather than a thing that happens. Lovers Do is such a place; a lovely, impressionistic scene with amber tones and murky figures, dim street lights and dusty shadows. Bruno spent two years composing Lovers Do at his home studio in Prenzaluerberg, Berlin. His muse Ninca Leece makes scattered cameos throughout More
1
Bruno Pronsato, - Nobody Calls
2
Bruno Pronsato, - Where'd You Learn To Kiss That Way
Following Bruno Pronsatos latest fantastic album "Why Can't We Be Like Us", we are more than happy to get with "Nobody Calls" another timeless pearl on Hello?Repeat. On the title track Bruno worked this time with his very good friend Caro (aka Randy Jones), and together they delivered a truely magical vocal track. On the flip side you'll find a fairly dirty track called "Where'd You Learn To Kiss That Way". Again Bruno manages to create a record with his very unique atmosphere.
DEEP. REDUCED. GLORIOUS. PRONSATO
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DEEP. REDUCED. GLORIOUS. PRONSATO
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„If archetypal rock music claims „Satisfaction” then the rhythmachine requieres emotion” wrote Kodwo Eshun in his 1998 book „More Brilliant Than The Sun: Adventures in Sonic Fiction.” Today, almost ten
years later, his theory is still correct, and it shows that his idea is explosive when the rhythmachine is programmed against the common sense. Steven Ford aka Bruno Pronsato knows all of this, because
he knows rock music and its creative dead end street. He knows because he played in several rock bands in his hometown of Seattle, trying time and again to play the same songs, and the same rhythms in new ways. But that's a long time ago. Now, more than five years later, he generates music via synthezisers and computers - emotional rhythms far beyond any kind of cliché. His new longplayer „Why can’t we be like us” embodies his old passion for playing the drums as well as his addiction to ones and zeros. Instead of creating streamlined minimal, he has more of an abstract sound on his mind - one that lives on a dark, organic and percussive note. Nothing really new, he has always been unpredictable and funky with an organic twist between the beats. His tracks often rely on devious turns, flickering sounds, warm basslines and some free riding vocals. They still do, but more importantly now, they are more musical, more space filling and above all, much more percussive. His intention here is to provide you with a long player - not a compilation of danceable clubtracks. He wants to tell a story and he does it with nine long, grooving compositions that are full of rhythms that twist around bubbling sounds that seem to launch out of his very own inner space: sometimes a piano melody is dancing in space, then an undefinable vibrancy chirps out of the background, and in the next moment some unheared buzzing sighs in time and space. The only real red threat you can feel deeply is a soulful climax towards the last track „Why Can’t We Be Like Us”. A story-arc that makes his album look like a book that releases emotions via rhythms from chapter to chapter. An experimenting, playful track-architecture that never reacts too apparent with our nervous systems. This album feels like a locigal progression from his E.P.’s for labels like Orac, Philpot, Hello?Repeat and his creative powers as one part of the duo Half Hawaii on Perlon. Musical suspense that processes feelings and soul through electronic vibrations. Everything sounds like Bruno Pronsato plays it himself on his machines and follows the „I am an instrument”-dictum of the spacy free jazzer sun ra. He still maintains his own inner sound and translates it into unheard arrangements. To quote Kwodo Eshun ones more: „Drum and electronica converge in a new space of rhythmatic and syncussion!”
More
years later, his theory is still correct, and it shows that his idea is explosive when the rhythmachine is programmed against the common sense. Steven Ford aka Bruno Pronsato knows all of this, because
he knows rock music and its creative dead end street. He knows because he played in several rock bands in his hometown of Seattle, trying time and again to play the same songs, and the same rhythms in new ways. But that's a long time ago. Now, more than five years later, he generates music via synthezisers and computers - emotional rhythms far beyond any kind of cliché. His new longplayer „Why can’t we be like us” embodies his old passion for playing the drums as well as his addiction to ones and zeros. Instead of creating streamlined minimal, he has more of an abstract sound on his mind - one that lives on a dark, organic and percussive note. Nothing really new, he has always been unpredictable and funky with an organic twist between the beats. His tracks often rely on devious turns, flickering sounds, warm basslines and some free riding vocals. They still do, but more importantly now, they are more musical, more space filling and above all, much more percussive. His intention here is to provide you with a long player - not a compilation of danceable clubtracks. He wants to tell a story and he does it with nine long, grooving compositions that are full of rhythms that twist around bubbling sounds that seem to launch out of his very own inner space: sometimes a piano melody is dancing in space, then an undefinable vibrancy chirps out of the background, and in the next moment some unheared buzzing sighs in time and space. The only real red threat you can feel deeply is a soulful climax towards the last track „Why Can’t We Be Like Us”. A story-arc that makes his album look like a book that releases emotions via rhythms from chapter to chapter. An experimenting, playful track-architecture that never reacts too apparent with our nervous systems. This album feels like a locigal progression from his E.P.’s for labels like Orac, Philpot, Hello?Repeat and his creative powers as one part of the duo Half Hawaii on Perlon. Musical suspense that processes feelings and soul through electronic vibrations. Everything sounds like Bruno Pronsato plays it himself on his machines and follows the „I am an instrument”-dictum of the spacy free jazzer sun ra. He still maintains his own inner sound and translates it into unheard arrangements. To quote Kwodo Eshun ones more: „Drum and electronica converge in a new space of rhythmatic and syncussion!”
More
More records from Foom
NEW RELEASE ON FOOM, THE LABEL BEHIND THE ARTHUR RUSSELL INSTRUMENTALS SHOW WHICH CONTINUES TO PLAY MAJOR FESTIVALS AROUND THE WORLD.... Bruno Pronsato's debut album as Archangel, The Bedroom Slant, released in 2014, saw the producer update the style he has developed over the last decade on labels such as Hello? Repeat, Perlon, DFA and The Song Says, and in the process, manifesting his love of pop, rock and post-punk in his music for the first time. On this EP, selected album tracks from the debut Archangel album are reworked by Dean Blunt, Peter Gordon & Oliver Coates.
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barcode 5060376931945 rel date 7.4.2014
TRACKLISTING: 1.Half-Man Half-Lisa 2.To Be Seen 3.Julia 4.Come Undone 5.You In Sin 6.L.A. Teen (Live) 7.Momentum Of The Farce 8.The Future Kiss 9.Steal The Groom 10. High Alarm
FOR FANS OF:
DFA, Perlon, LCD Soundsystem, Warp, Domino, Ricardo Villalobos, Excepter, Peter Gordon
The Bedroom Slant is the new album by one of electronic music's most vital and innovative producers, Bruno Pronsato, under his new Archangel moniker.
The new project (Archangel), is a significant new chapter in the evolution of Pronsato's signature electronic sound. The human voice acts as one of it's major elements (with Pronsato himself stepping up to the mic to take on vocal duties) and it incorporates traditional instrumentation to a larger degree than his previous work (bass guitar lines, played by his brother David Ford, act as the rhythmic foundation for many of the new songs). Acknowledging his love of pop, rock and post-punk in his music for the first time, (music he first came into contact with on the airwaves during his youth) Pronsato's experimentalism is this time filtered through the one time romance he had with the radio. Pronsato is highly notable for being able to draw on influences from his past, subsequently creating something remarkably fresh and strange, unrecognisable from it's inspiration. The Bedroom Slant was written, produced, recorded and mixed by Pronsato during early morning sessions in the Prenzlauer Berg studio he shares with Benoit & Sergio. It features collaborations with downtown scene multi-instrumentalist Peter Gordon (Peter Gordon & Love Of Life Orchestra), Caro aka Randy Jones - the Orac Records boss, Yonatan Levi (double bassist on the Jimmy Cobb's Miles Davis Kind Of Blue tour) and Chicago based composer and pianist David A. Powers.
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TRACKLISTING: 1.Half-Man Half-Lisa 2.To Be Seen 3.Julia 4.Come Undone 5.You In Sin 6.L.A. Teen (Live) 7.Momentum Of The Farce 8.The Future Kiss 9.Steal The Groom 10. High Alarm
FOR FANS OF:
DFA, Perlon, LCD Soundsystem, Warp, Domino, Ricardo Villalobos, Excepter, Peter Gordon
The Bedroom Slant is the new album by one of electronic music's most vital and innovative producers, Bruno Pronsato, under his new Archangel moniker.
The new project (Archangel), is a significant new chapter in the evolution of Pronsato's signature electronic sound. The human voice acts as one of it's major elements (with Pronsato himself stepping up to the mic to take on vocal duties) and it incorporates traditional instrumentation to a larger degree than his previous work (bass guitar lines, played by his brother David Ford, act as the rhythmic foundation for many of the new songs). Acknowledging his love of pop, rock and post-punk in his music for the first time, (music he first came into contact with on the airwaves during his youth) Pronsato's experimentalism is this time filtered through the one time romance he had with the radio. Pronsato is highly notable for being able to draw on influences from his past, subsequently creating something remarkably fresh and strange, unrecognisable from it's inspiration. The Bedroom Slant was written, produced, recorded and mixed by Pronsato during early morning sessions in the Prenzlauer Berg studio he shares with Benoit & Sergio. It features collaborations with downtown scene multi-instrumentalist Peter Gordon (Peter Gordon & Love Of Life Orchestra), Caro aka Randy Jones - the Orac Records boss, Yonatan Levi (double bassist on the Jimmy Cobb's Miles Davis Kind Of Blue tour) and Chicago based composer and pianist David A. Powers.
More
barcode 702811579064 Post Punk /Disco/Minimalism
Tracklisting: 1. Exposition , 2. Transgression , 3. Juvenalia , 4. Homeland Security , 5. Chamber Disco
PETER GORDON performed his first symphony, Symphony in Four Movements, at New York's new-music centre, The Kitchen in February 1976, with a band that included Philip Glass, Laurie Anderson, Arthur Russell and Rhys Chatham. Combining disco, electronic, pop and jazz elements with experimental music
SYMPHONY 5 is the first release in an extensive series devoted to PETER GORDON, on independent London label, FOOM. The series will concentrate on new recordings, unearthed material from his personal archive, as well as a few select reissues from his discography.
More
Tracklisting: 1. Exposition , 2. Transgression , 3. Juvenalia , 4. Homeland Security , 5. Chamber Disco
PETER GORDON performed his first symphony, Symphony in Four Movements, at New York's new-music centre, The Kitchen in February 1976, with a band that included Philip Glass, Laurie Anderson, Arthur Russell and Rhys Chatham. Combining disco, electronic, pop and jazz elements with experimental music
SYMPHONY 5 is the first release in an extensive series devoted to PETER GORDON, on independent London label, FOOM. The series will concentrate on new recordings, unearthed material from his personal archive, as well as a few select reissues from his discography.
More
barcode 702811579064 Post Punk /Disco/Minimalism
Tracklisting: 1. Exposition , 2. Transgression , 3. Juvenalia , 4. Homeland Security , 5. Chamber Disco
PETER GORDON performed his first symphony, Symphony in Four Movements, at New York's new-music centre, The Kitchen in February 1976, with a band that included Philip Glass, Laurie Anderson, Arthur Russell and Rhys Chatham. Combining disco, electronic, pop and jazz elements with experimental music
SYMPHONY 5 is the first release in an extensive series devoted to PETER GORDON, on independent London label, FOOM. The series will concentrate on new recordings, unearthed material from his personal archive, as well as a few select reissues from his discography.
More
Tracklisting: 1. Exposition , 2. Transgression , 3. Juvenalia , 4. Homeland Security , 5. Chamber Disco
PETER GORDON performed his first symphony, Symphony in Four Movements, at New York's new-music centre, The Kitchen in February 1976, with a band that included Philip Glass, Laurie Anderson, Arthur Russell and Rhys Chatham. Combining disco, electronic, pop and jazz elements with experimental music
SYMPHONY 5 is the first release in an extensive series devoted to PETER GORDON, on independent London label, FOOM. The series will concentrate on new recordings, unearthed material from his personal archive, as well as a few select reissues from his discography.
More
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Ruf Dug, the Mancunian record producer, radio host, and self-professed video game freak is back for round two on Pinchy and Friends recordings with a 6 song ep that truly defies categorization.
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It is then followed up by the soothing, downtempo sounds of 'Pomegranate Dub' - another instantly iconic track featuring a lead horn melody that evokes memories of the late, great John Hassall.
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On side A... 'Asking for Trouble' comes brazenly out of the gate with 'buttoned down'- a bold and instantly iconic Zouk-inspired dance floor destroyer.
It is then followed up by the soothing, downtempo sounds of 'Pomegranate Dub' - another instantly iconic track featuring a lead horn melody that evokes memories of the late, great John Hassall.
Jumping over to side two, things kick off with 'Watching', which, even at it's chuggy BPM, is as deadly as a dance floor track can get.
It’s a welcome return to the label with an EP that will sound as good by the poolside in Ibiza or on a wet Tuesday afternoon in Manchester. Buy or cry! More
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Take it as a soundtrack for the balearic block party of fantasy; a communal affair of trance-dance conjuring and conjugation, genetic cellular beings fusing via common sound and familiar yet distant rhythms. Time to stretch, whether your face or legs, with the odd glance and side-eye around to your fellow dancers to confirm ‘mmmm yes’.
Each mix seemingly holds a place with the movement of the sun; Telephone’s mix bringing the street together through the day, Audrey Danza’s descending into dusk, Jogada’s ascending for the dawn, and the essential bonus track for when the daydream finally melts away... More
Take it as a soundtrack for the balearic block party of fantasy; a communal affair of trance-dance conjuring and conjugation, genetic cellular beings fusing via common sound and familiar yet distant rhythms. Time to stretch, whether your face or legs, with the odd glance and side-eye around to your fellow dancers to confirm ‘mmmm yes’.
Each mix seemingly holds a place with the movement of the sun; Telephone’s mix bringing the street together through the day, Audrey Danza’s descending into dusk, Jogada’s ascending for the dawn, and the essential bonus track for when the daydream finally melts away... More
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Sales Note
Limited edition: Printed sleeve & Orange marbled vinyl
Stasis returns to De:tuned with 7 unreleased tracks from his archives for the 'Time Sensitive' LP. Legendary UK techno pioneer Steve Pickton compiles a stunning collection of DAT tape excerpts from the Otherworld studio sessions. Recorded between 1992-1996, this collection represents the peak of the Stasis sound. An in-depth masterclass of emotive techno and simply a must-have for any true techno enthusiast.
Mastered by Matt Colton at Metropolis. Al White created all the graphic work. A separate digital release will also be available at the usual digital shops. Stay tuned! More
A1 Stasis - Crystal Plateaux
A2 Stasis - Express (Phenomyna remix)
B1 Stasis - Do You Remember
C1 Paul W. Teebrooke - A Face At The Door
C2 Stasis - Revealed to None
D1 Stasis - Out Of The Unknown (Alt Version)
D2 Stasis - So-lar (Alt version)
Sales Note
Limited edition: Printed sleeve & Orange marbled vinyl
Stasis returns to De:tuned with 7 unreleased tracks from his archives for the 'Time Sensitive' LP. Legendary UK techno pioneer Steve Pickton compiles a stunning collection of DAT tape excerpts from the Otherworld studio sessions. Recorded between 1992-1996, this collection represents the peak of the Stasis sound. An in-depth masterclass of emotive techno and simply a must-have for any true techno enthusiast.
Mastered by Matt Colton at Metropolis. Al White created all the graphic work. A separate digital release will also be available at the usual digital shops. Stay tuned! More
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Hotspring is the alias of musician Scott Gailey.
Recent collaborative releases include a 2023 appearance on 0 Records’ 02 alongside C3D-E and Hashman, and a 2022 drop of three releases by loose Vancouver collective Kinda Green; past solo releases include 2019’s Polysensuality on Séance Centre and 2020’s Obit for Sunshade, also on Mood Hut.
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Recent collaborative releases include a 2023 appearance on 0 Records’ 02 alongside C3D-E and Hashman, and a 2022 drop of three releases by loose Vancouver collective Kinda Green; past solo releases include 2019’s Polysensuality on Séance Centre and 2020’s Obit for Sunshade, also on Mood Hut.
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Alberto Castellana - Your Own Star
3
Alberto Castellana - Dualism (Lerba Guitar Mix)
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Alberto Castellana - Mind Escaper (Lerba's Guitar Mix)
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Alberto Castellana - What's Up Pal? (Carlo Ferro's Wurli Mix)
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Alberto Castellana - Ice Cream 90's (Nolan's Piano Interlude Mix)
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Alberto Castellana - South Expression (Nolan's Rhodes Mix)
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Alberto Castellana - Apparent Quite (Lerba's Guitar Mix)
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Alberto Castellana - Ice Cream 90's (Long Version) (Digital Bonus)
Introducing Alberto Castellana and his electrifying nine-track debut album. Hailing from Italy, Castellana brings the classic Italian signature Nu-Jazz sound to the table. Accompanied by a trio of exceptionally talented musicians on the piano, guitar, and Rhodes piano, Castellana's debut album promises an in-depth journey through various electronic genres, including House, Break Beat, Drum & Bass, as well as the realms of Jazz.
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