UPC: 827170525764 Release Date: 9.12.2013
Tracklist EP: Side A A1. Slowed Down A2. No Result (Solve For X) Side B B1. Remote Control B2. Fifteen
Andrew Fox has spent nearly a decade in New York City sketching psychic spaces and emotions like a cinematographer in conversation with himself, reckoning with demons, seeking understanding. His debut four-song EP as VISUALS arrives October 27th on Nicolas Jaar's Other People imprint.
Fox formed a three-piece band called VISUALS in 2012, choosing the name as an oblique reference to a debilitating ocular disorder he suffered as a child. His previous releases were a series of cryptic self-released 7" singles written in collaboration with drummer Marshall Ryan—but Fox felt further development was still needed. He went into hibernation, experimenting and playing solo electronics sets in small NY venues, and writing new songs. VISUALS' EP is a collaborative relay race between like minds. After recording and producing much of the arrangements himself, Fox handed the songs off to Darkside guitarist Dave Harrington for a final round of mixing and edits. His partner Nicolas Jaar finished the job, lending the record a distinctive psychedelic thump that fits Fox's songs hand-in-glove. Over the course of its all-too-brief runtime, VISUALS' EP pits the soulful against the inhuman, evoking everything from Broadcast's eerie, hermetic pop experimentation to Prince's minimalist sex funk. Songs like "Solve for X" and "Remote Control" are bottom-heavy love songs to an uncertain future, propelling Fox's cracked, weather-beaten drawl through a gauntlet of rubber-band basslines, bone-dry drum machines and deft sample manipulation. While much of VISUALS' EP is a clear product of the dog days of the early 21st century, closing track "Fifteen" is something else altogether, a transmission from the heart of Old Weird America, all acoustic guitars, telephonic vocals and unsteady drums. In one heart-stopping moment, the EP's chilly synthesizers and sequencers finally give way to Andrew Fox, alone in his music, creaking out the line "I know, you know / it's natural" like he's being chased by the devil himself. After cutting away all but the essentials, we're left with VISUALS' EP, a four-song collection of rusty electronic soul with a beating heart.

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The Song Says - Bruno Pronsato´s label restarts after 4 years of hiatus with a CD re VRelease of his seminal "Lovers Do" Album from 2011! So good...

Tracklist CD:
1. Lovers Don't 2.Anybody But You 3. Trio-Out 4. An Anne Around The Neck 5.An Indication Of The Cause (Part 1) 6. Feel Right 7. Wintermusic For Summer 8.Lovers Do




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The Song Says - Bruno Pronsato´s label restarts after 4 years of hiatus with a Vinyl Version of his seminal "Lovers Do" CD from 2011! So good...

Tracklist LP:
A1.Lovers Don't B1. Anybody But You B2. Trio-Out C1. An Anne Around The Neck C2. An Indication Of The Cause C3. Feel RIght D1. Winter Music For Summer D2. Lovers Do

It’s been fours years since the original release of Lovers Do. For the first time now finally released on vinyl. In the meantime he’s kept very busy––primarily with side projects. First there was Others, his experimental house outfit with Daze Maxim. Then came Public Lover, his duo with the French artist Ninca Leece that debuted last year on thesongsays (Bruno’s label). He’s continued to join forces with Sammy Dee as Half Hawaii, playing live shows around Europe and putting out tracks on Perlon and Diamonds & Pearls. As half of the duo Ndf, he coproduced Since We Last Met, a single that marked his debut on DFA and landed in Pitchfork’s top tracks of the year. But while he was juggling all these different projects, one piece of music was slowly taking shape: his third and most immersive album, Lovers Do. Like much of Bruno’s work to date, Lovers Do is experimental without being snobby––or to use his own term, “accidentally avantgarde”–– but this one takes it further than the others. It has a looseness that’s truly rare in techno; scrapping formulaic verses and breaks, it winds along like an abstract sketch, guided by intuition instead of logic. Some songs are fraught with nervous tension, others are soothing and rich with detail, from dappling rhodes to orchestral swells, jazzy drum fills and wet hand claps. Human voices swirl in and out of the mix, serving only to make things more surreal. Many of the tracks stretch well beyond ten minutes; one bows out after less than three. The album overall is delicate and subtle, but it also features Bruno’s best club tune in years, the eerie and delirious “Feel Right.” Brian Eno once described his own music as a place you occupy rather than a thing that happens. Lovers Do is such a place; a lovely, impressionistic scene with amber tones and murky figures, dim street lights and dusty shadows. Bruno spent two years composing Lovers Do at his home studio in Prenzaluerberg, Berlin. His muse Ninca Leece makes scattered cameos throughout

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Public Lover's debut album, A Broken Shape Of You, shows Bruno Pronsato and Ninca Leece doing what they do best: electronic avant-pop with a playful touch of romance. The album comes third in their short catalogue, after last fall's Musique D'Hiver Pour L' Été, released on Pronsato's label, thesongsays, and Naked Figures, a more upbeat but equally elegant effort for Telegraph. Both records revealed Public Lover to be something rather fresh: an electronic duo that has both production savvy and lyrical finesse. With A Broken Shape Of You, this budding dynamic reaches maturity, creating what is surely one of the best albums of the year. There are two sides to Public Lover--the indie group and the production duo--and the tension between these two gives the album its momentum. At times it's driven by Ninca Leece's singing. The title track sets the scene with a string of potent images: "cold sunshine," "frosted window pane," "shadows of you and I." On "Under Your Tongue," she keeps us guessing with ambiguous metaphors: "It's something, to keep under your tongue, it's something, between your teeth." "I Try," one of the duo's best songs and the only previously released one here, strikes the album's most melancholy note, with those simple two words speaking volumes as they repeat. "Your Eyes Taste Like Mine" follows a similar blueprint: the oblique title phrase becomes more meaningful and more mysterious as the song floats on.
At other times the album's pop element subsides, letting its unique production take the fore. From the first note of the opening song--a distant, quivering minor chord--it's clear the album's aural palette is something truly inspired. Pronsato has always earned accolades for his impeccable sound design, but his key strengths are in texture and rhythm; Ninca Leece, a trained vocalist and indie artist at heart, fills in the gaps with her ear for warmth and melody. Dusty piano keys bounce off polished kick drums, surreal vocal lines float above imperfect hand claps, and room noise and vocal outtakes (two of Pronsato's trademarks) give the mix a sonorous dimension. Delivered in hues of pale winter light, the album has a wispy, almost weightless feel--something thanks in part to Steffen Betke, better known as Pole, the esteemed dub techno artist, who mastered the album.

A Broken Shape of You is something many electronic albums are not: understated, elliptical, and most importantly, personal.



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