Tracklisting
A1 Brendon Moeller - Rescue Me
A2 Brendon Moeller - Yass Queen
B1 Brendon Moeller - Scorching
B2 Brendon Moeller - How Love Is Your Deep

Sales Note
Brendon Moeller exploring the deep on ECHOLTD012. Cut on 12" 180g blue marbled vinyl.

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“Taking our time” has become a sort of ESP modus operandi, often proving that when variables are left to cook long enough—relationships, styles, politics, moments in culture—we may collectively yield a more considered result. Once in a 'Blue Moon', we set sights on a record that conducts some strange voodoo, some rare combination of elements that commands our entire being. Entering our atmosphere with a concise 6-track debut, dub technician Brendon Moeller has brought us exactly that. Although we’ve long been admirers Brendon’s work, separated by only a few degrees—he and ESP’s Lovefingers are the same age and shared a decade of salad days in New York City—it took another decade before enough courage was mustered to suggest we actually work together. Our reticence has seen Brendon’s aesthetic and palette evolve over the years, and the label has simultaneously sculpted a tone of its own, but now we’re more than proud to finally marry his highly refined output with our, let’s say, “deliberate” appetite. 'Blue Moon' touches everywhere Brendon has been as an artist—from the obtuse corners of ambient to IDM, dub techno to liquid drones and bass—yet the vocabulary is honed and succinct, relying on a very intentional handful of expressions. This is almost an exercise in restraint, all 6 tracks are delivered from a disciplined and committed point-of-view, but what we find most captivating is the exploration that this allows in terms of depth, texture, fluidity and pacing. There is a complexity hidden in plain sight that begs to be studied, a comfort that allows us to slip inside like a warm bath, an addictive tingling sensation that we must prolong indefinitely. Even as we write this testimonial, the album is going on a fourth repeat and we languish the intervening silence between tracks. This is being under the spell of Brendon’s 'Blue Moon'.

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Tracklisting
A1 Brendon Moeller - Further
A2 Brendon Moeller - Accidental Force
A3 Brendon Moeller - Repercussions
B1 Brendon Moeller - Urban Cosmos
B2 Brendon Moeller - Rambler Blues
B3 Brendon Moeller - Radiation
C1 Brendon Moeller - Submit
C2 Brendon Moeller - Symmetry
C3 Brendon Moeller - Rogue
D1 Brendon Moeller - Friction
D2 Brendon Moeller - Decomposition
D3 Brendon Moeller - Not Forgetting

Sales Note
Building on the promise of his standout Vacuum EP, Brendon Moeller returns to Samurai Music to dial his expert dub techno up to 170 for a full-length trip. Moeller is celebrated as a versatile operator applying cavernous sound design and decades-deep machine soul to a broad sweep of tempos and styles, and his pivot to D&B territory is as natural as it is original. It's a perfect fit on Samurai, where palettes, pressure and rhythms are continually yielding fresh results in this highly fertile zone of modern club music.

It's no secret Moeller is a prolific producer, and following his initial connection with Samurai he offered up a vast folder of tracks created in this latest furrow of his production. The label has since sifted through and puzzled out a sonic narrative, first realised on the Vacuum EP in June 2024 and now extended with Further. For anyone keyed into the deep, techno-informed innovations taking place at 170, there is a logical connection to Moeller's take on the sound, but at the same time these tracks stand apart from anything else out there right now. In the particular textures, the unfolding arrangements and monolithic reverbs Moeller threads together with hypnotic poise, his accomplished legacy shines through.

Whether it's the snarl of a delay feedback pushed a little further, a soaring synth swell sculpted into artful noise or a particular shuffle applied to a particular drum rack, Moeller's tracks unfold with a masterful poise, hitting the sweet spot between club-spirited physicality for the deepest of dance floors and introspective headphone trips. Teeming with detail, swathed in soul and engineered to perfection, the inspiration driving Moeller is palpable across the LP, and it's resulted in some of his finest work in a career studded with highlights.

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Tracklisting
A1 Brendon Moeller - Vacuum
A2 Brendon Moeller - Round The Bend
A3 Brendon Moeller - Can't Run Away
B1 Brendon Moeller - Agitate
B2 Brendon Moeller - Distant Frequencies
B3 Brendon Moeller - Perspective

Sales Note
Esteemed musical chameleon Brendon Moeller, renowned for his highly respected work in Deep Ambient, Dub Techno and a myriad of variations on these themes - turns his hand to 170 for Samurai Music.
Vacuum is the first fruits of this collaboration and encompasses a cross section of his approach to the tempo. Dub-wise 170 that hints at a deeper version of autonomic, but ultimately invents a new sound that only Brendon and his analogue dungeon could conjure. 30 years of mastering the art of the deep filtered through an all new tempo lens.
Vacuum is a gentle 6 track record that will become a close companion to those tuned to, or open to embracing the rewards of Brendons impeccable sound design and mastery of immersive, minimalist warmth.
Breathe it in

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Twelve years since Brendon Moeller first appeared on Delsin's Ann Aimee offshoot it's time for a welcome return to Delsin Records. The prolific producer, also active as Echologist and Beat Pharmacy, hereby presents one of his most deep going, spaced out and experimental modular works to date. Crispy noodling electronics diluted with Moeller's trademark minimalist dub scapes, reaching from the mesmerizing the rubbery basslines of 'Route' to the energizing fast paced rhythms of 'Motor'.

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Brendon Moeller offers up his ‘Set In Motion’ EP on Echocord sub-label Echo Echo this September, comprising three originals from the Dub Techno veteran. South Africa, New York based producer and DJ Brendon Moeller aka Beat Pharmacy/Echologist has long been respected as one of the pioneering figures in ethereal, dubbed-out Techno with regular appearances at global hot spots like fabric, Berghain and Cielo as well as releases on labels like Third Ear, Kimochi, Neovinyl and Echocord. Here though we see Moeller joining the roster of the latter’s sublabel Echo Echo, marking its fourth release. Title-track ‘Set In Motion’ leads with Brendon’s signature murky synth textures at its core whilst lumpy low-end tones, shuffled hats and spiraling dub echoes fluidly undulate amongst one another throughout. ‘Eastern Beach’ follows, and as the name would suggest, nods towards brighter sounds with airy pads, soft bell chime synths and pulsating subs driving the composition alongside swinging, heavily reverberated percussion. ‘Economy’ then closes the package, stripping things back to gritty dub stabs, dusty 4/4 drums and billowing noise sweeps.

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Brendon Moeller finds himself entangled in the Plan B matrix for his next release which includes remixes from Spider & Phil Moffa! Don't sleep on this!



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BASH006 comes courtesy of Brendon Moeller. One-third of BM/CC/CW, the collaborative project between Brendon, Clay, and Certain Creatures, Brendon is a prolific producer of various excursions across the electronic spectrum. Under such guises as the Echologist and Beat Pharmacy, his intricate dub techno tracks have been released on a variety of labels over the last 20 years, such as Francois K's Deep Space and Prologue.

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The new bomb on Echocord Colour comes from Brendon Moeller. Brendon already did releases on Echocord and Echocord Colour before, also on his monikers Echologist and Beat Pharmacy. Words from the artist: Much in line with the label aesthetic, I set out with these trax to explore the dubbier hypnotic side of techno music. My goal was to present 3 trax that could be played at different times of the evening because tthere's nothing like giving a DJ who has to carry a bag of vinyl around the world a record where each track can be played in one night! of course, the question rremains, are you a DJ that wants to play 3 trax like this? if yes, buy this now.

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This EP is 6 unreleased tracks in the Thomas Brinkmann celebrated Max Ernst series of 12", all with female names, released with names ordered alphabetically. Starting with. 1. Anna Beate, the series ran for 12 releases over the 2 years from 1998 to 2000. 2. Clara Doris 3. Erika Frauke 4. Gisela Heidi 5. Inge Jutta 6. Karin Lotte 7. Monika Nikola 8. Olga Petra 9. Susie Trixi 10. Ulla Vera 11. Wanda Xenia 12. Yvette Zara, followed. There was never an ep with Q and R. Number 9 is Susie and Trixie. The tapes were lost. But have come to light nearly 25 years later. So now, here is Q/R; Quila 1-3 and Romy 1-3. What we have here are the original tracks as intended for release, with some minor editing and rearranging for release now. The original series was very successful. The first 3 12", released at the same time were a sensation on release. Suddenly, Thomas Brinkmann was the name to check. Today, these Quila/Romy tracks may well have the same impact as the other tracks in the series had when they were released. There is still nothing that sounds like this music. It seems to be an example of a perfect melding of soul and machine. 25 five years later... a annniversary of sorts, offered up by the machines.

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Mike Agent X Clark returns to Third Ear with four new tracks. His first release for the label in six years, after the River People Edits. The quality and variety which is typical of many Detroit releases is very evident here. Is it house? Is it techno? Is it disco? These genre-defining labels don't really come into the minds of many Detroit producers when making tracks, the music they create often seamlessly blends many genres. What is recognisably Detroit is the weight and the swing of these releases; they do not mess around, and Mike Clark is a master of this.

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Thomas Brinkmann creates a new moniker for his latest project to push technical limitations and challenge perceptions; classic Brinkmann agendas. Mele is Italian for Apples, and with Mele Boy, Thomas Brinkmann uses Apple Loops and Apple Logic Pro as the foundation of this music, invoking what he terms Apple Incest, apropos the controversy surrounding Serge Gainsbourg and the song Lemon Incest. What he has produced here for the Seduction ep is simply brilliant music regardless of the machines used or the sounds he works with, reinforcing the axiom that it's the artist not the tools that establishes the greatness of the work.. Those who are prejudiced against such ubiquitous tools may not be swayed. But Brinkmann is not attempting to change opinions, instead he is asking us to challenge our perceptions and the fact that we have prejudices at all... through some brilliant music for the body and the soul.

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Sinethemba Mahlangu is from Zola, Soweto, South Africa. Third Ear received some demos from him in 2019 and since then have mentored him and encouraged his talent. The Unorthodox Flow EP is his first release. We are proud and excited to now share his music with the world. The EP shows a prodigious talent creating a original form of music. His choice of tempos demonstrates a fearless approach, while his sounds and arrangements show a knowledge and understanding of house and classic soul and jazz, with an experimental edge.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.

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Following his debut Third Ear release, the Shonky ep in 2018, Third Ear follow up with 8 more Shonky dance floor bombs. Shonky has a signature hypnotic, hard grooving sound, characterised by punishing beats laced with detailed polyrhythms and elusive motifs. On The Run is Shonky's debut album.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "The ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a eurorack modular system.

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Detroit's Scan 7 drop a fine ep of Motor City electronic Techno Soul on Third Ear.

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Freerotation resident Sam Watson drops his second ep for Third Ear. Techno. Coordinates: Hard. Trippy.

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Detroit's Sean Deason drops the second release in our New Detroit Deep series, following Hazmat's Infinite Silence ep. Sean has delivered an ep of classic Detroit Techno and Breakbeat, showcasing all the Detroit Techno elements of groove and soul.

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From somewhere in Tennessee. Actually, Knoxville Tennessee. Raw Electro and Breakbeats out of the swamps. Techno and Tennessee are not normally thought of together, but here they are. Bumping.

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Norken lands on Third Ear with a true Techno Soul record (Eddie Fowlkes would approve). Gorgeous bass lines. Wonderfully crisp drums. Lush emotive pads and strings. Destined to be regarded as one of his best records.

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Shonky has over the years developed a signature hypnotic hard grooving sound, characterised by punishing beats laced through with detailed polyrhythms and elusive motifs. Sexy and playful, seriously jacking. The result is dance grooves that punch and tickle every surface and joint in the body. It sounds effortless, but it's far from it. Shonky crafts his tracks to deliver a prefect groove every time.

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Thomas Brinkmann is one of the great producers of Techno music and modern dance music. He initially gained notoriety in the experimental electronic music and Techno community for his full-length 'variations' of material by Wolfgang Voigt under his Mike Ink moniker, and Richie Hawtin. The variations were made by playback of the original artist records on a turntable of Brinkmann's design, which has two tone arms with separate outputs for left and right channels. The turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. Both Voigt and Hawtin were sufficiently impressed they released the results on their own labels. Since then Thomas Brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by Thomas Brinkmann himself. There are unreleased tracks, different versions, and tracks that have never been released on vinyl. A full colour 20-page book with track notes by Thomas Brinkmann and photos from his personal collection is included. Limited edition box. Highly Recommended!

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Imprints is back with Audri on his new release! 3 fresh House tracks for all the dancefloors, don't miss it!

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Isolation Diaries is Argentinian producer Alejandro Mosso's 2nd album. It comes more than ten years after his debut, Hiperborea in 2005. He says "I think the album is warm, emotive and nostalgic but not dark nor sad. It is percussive and melodic but not laid back and Balearic. It is tribal and organic but still very precise", as only electronic music can be. The grooves are strong and infectious and the sounds are rich and satisfying, resulting in music that sounds very organic and unpremeditated. The album is accompanied by a Burnt Freidman remix of the track Isolation Diaries, and a Ricardo Villalobos remix of Deardrum.



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New talent from Detroit. HazMat's Infinite Silence ep is as deep as they come, and is the first release in a new series of Detroit artist releases from Third Ear. Following on from Third Ear's landmark Detroit Beatdown series, the New Detroit Deep series of releases is just that. HazMat has played keyboards for artists such as Bilal and Mary J Blige, as well as Detroit legends Kenny Dixon Jr, Amp Fiddler and Delano Smith. Along the way, he started to make his own beats and his own tracks and is now ready to take things to the next level. He also plays keys with Motown legacy artists' touring bands, such as The The Four Tops, The Detroit Spinners, The Gap Band. It's not all about the beats and the synths, though. HazMat's work using the Talkbox is right up there.



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