Label:esp institute
Cat-No:ESP125
Release-Date:24.01.2025
Configuration:12"
Barcode:198391596780
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Label:esp institute
Cat-No:ESP125
Release-Date:24.01.2025
Configuration:12"
Barcode:198391596780
1
Brendon Moeller - Deep Blue
2
Brendon Moeller - Feast
3
Brendon Moeller - Vibrations
4
Brendon Moeller - Depth Charge
5
Brendon Moeller - Ruins
6
Brendon Moeller - Signals
“Taking our time” has become a sort of ESP modus operandi, often proving that when variables are left to cook long enough—relationships, styles, politics, moments in culture—we may collectively yield a more considered result. Once in a 'Blue Moon', we set sights on a record that conducts some strange voodoo, some rare combination of elements that commands our entire being. Entering our atmosphere with a concise 6-track debut, dub technician Brendon Moeller has brought us exactly that. Although we’ve long been admirers Brendon’s work, separated by only a few degrees—he and ESP’s Lovefingers are the same age and shared a decade of salad days in New York City—it took another decade before enough courage was mustered to suggest we actually work together. Our reticence has seen Brendon’s aesthetic and palette evolve over the years, and the label has simultaneously sculpted a tone of its own, but now we’re more than proud to finally marry his highly refined output with our, let’s say, “deliberate” appetite. 'Blue Moon' touches everywhere Brendon has been as an artist—from the obtuse corners of ambient to IDM, dub techno to liquid drones and bass—yet the vocabulary is honed and succinct, relying on a very intentional handful of expressions. This is almost an exercise in restraint, all 6 tracks are delivered from a disciplined and committed point-of-view, but what we find most captivating is the exploration that this allows in terms of depth, texture, fluidity and pacing. There is a complexity hidden in plain sight that begs to be studied, a comfort that allows us to slip inside like a warm bath, an addictive tingling sensation that we must prolong indefinitely. Even as we write this testimonial, the album is going on a fourth repeat and we languish the intervening silence between tracks. This is being under the spell of Brendon’s 'Blue Moon'.
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More records from Brendon Moeller
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Last in:27.05.2025
Label:ECHO LTD
Cat-No:ECHOLTD012
Release-Date:18.04.2025
Genre:Techno
Configuration:12"
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1
Brendon Moeller - Rescue Me
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2
Brendon Moeller - Yass Queen
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Brendon Moeller - Scorching
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Brendon Moeller - How Love Is Your Deep
Tracklisting
A1 Brendon Moeller - Rescue Me
A2 Brendon Moeller - Yass Queen
B1 Brendon Moeller - Scorching
B2 Brendon Moeller - How Love Is Your Deep
Sales Note
Brendon Moeller exploring the deep on ECHOLTD012. Cut on 12" 180g blue marbled vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Brendon Moeller - Rescue Me
A2 Brendon Moeller - Yass Queen
B1 Brendon Moeller - Scorching
B2 Brendon Moeller - How Love Is Your Deep
Sales Note
Brendon Moeller exploring the deep on ECHOLTD012. Cut on 12" 180g blue marbled vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2x12"
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Label:Samurai Music
Cat-No:SMDELP13
Release-Date:20.12.2024
Genre:Drum + Bass
Configuration:2x12"
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Label:Samurai Music
Cat-No:SMDELP13
Release-Date:20.12.2024
Genre:Drum + Bass
Configuration:2x12"
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1
Brendon Moeller - Further
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Brendon Moeller - Accidental Force
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Brendon Moeller - Repercussions
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Brendon Moeller - Urban Cosmos
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Brendon Moeller - Rambler Blues
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Brendon Moeller - Radiation
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Brendon Moeller - Submit
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Brendon Moeller - Symmetry
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9
Brendon Moeller - Rogue
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Brendon Moeller - Friction
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Brendon Moeller - Decomposition
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Brendon Moeller - Not Forgetting
Tracklisting
A1 Brendon Moeller - Further
A2 Brendon Moeller - Accidental Force
A3 Brendon Moeller - Repercussions
B1 Brendon Moeller - Urban Cosmos
B2 Brendon Moeller - Rambler Blues
B3 Brendon Moeller - Radiation
C1 Brendon Moeller - Submit
C2 Brendon Moeller - Symmetry
C3 Brendon Moeller - Rogue
D1 Brendon Moeller - Friction
D2 Brendon Moeller - Decomposition
D3 Brendon Moeller - Not Forgetting
Sales Note
Building on the promise of his standout Vacuum EP, Brendon Moeller returns to Samurai Music to dial his expert dub techno up to 170 for a full-length trip. Moeller is celebrated as a versatile operator applying cavernous sound design and decades-deep machine soul to a broad sweep of tempos and styles, and his pivot to D&B territory is as natural as it is original. It's a perfect fit on Samurai, where palettes, pressure and rhythms are continually yielding fresh results in this highly fertile zone of modern club music.
It's no secret Moeller is a prolific producer, and following his initial connection with Samurai he offered up a vast folder of tracks created in this latest furrow of his production. The label has since sifted through and puzzled out a sonic narrative, first realised on the Vacuum EP in June 2024 and now extended with Further. For anyone keyed into the deep, techno-informed innovations taking place at 170, there is a logical connection to Moeller's take on the sound, but at the same time these tracks stand apart from anything else out there right now. In the particular textures, the unfolding arrangements and monolithic reverbs Moeller threads together with hypnotic poise, his accomplished legacy shines through.
Whether it's the snarl of a delay feedback pushed a little further, a soaring synth swell sculpted into artful noise or a particular shuffle applied to a particular drum rack, Moeller's tracks unfold with a masterful poise, hitting the sweet spot between club-spirited physicality for the deepest of dance floors and introspective headphone trips. Teeming with detail, swathed in soul and engineered to perfection, the inspiration driving Moeller is palpable across the LP, and it's resulted in some of his finest work in a career studded with highlights.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Brendon Moeller - Further
A2 Brendon Moeller - Accidental Force
A3 Brendon Moeller - Repercussions
B1 Brendon Moeller - Urban Cosmos
B2 Brendon Moeller - Rambler Blues
B3 Brendon Moeller - Radiation
C1 Brendon Moeller - Submit
C2 Brendon Moeller - Symmetry
C3 Brendon Moeller - Rogue
D1 Brendon Moeller - Friction
D2 Brendon Moeller - Decomposition
D3 Brendon Moeller - Not Forgetting
Sales Note
Building on the promise of his standout Vacuum EP, Brendon Moeller returns to Samurai Music to dial his expert dub techno up to 170 for a full-length trip. Moeller is celebrated as a versatile operator applying cavernous sound design and decades-deep machine soul to a broad sweep of tempos and styles, and his pivot to D&B territory is as natural as it is original. It's a perfect fit on Samurai, where palettes, pressure and rhythms are continually yielding fresh results in this highly fertile zone of modern club music.
It's no secret Moeller is a prolific producer, and following his initial connection with Samurai he offered up a vast folder of tracks created in this latest furrow of his production. The label has since sifted through and puzzled out a sonic narrative, first realised on the Vacuum EP in June 2024 and now extended with Further. For anyone keyed into the deep, techno-informed innovations taking place at 170, there is a logical connection to Moeller's take on the sound, but at the same time these tracks stand apart from anything else out there right now. In the particular textures, the unfolding arrangements and monolithic reverbs Moeller threads together with hypnotic poise, his accomplished legacy shines through.
Whether it's the snarl of a delay feedback pushed a little further, a soaring synth swell sculpted into artful noise or a particular shuffle applied to a particular drum rack, Moeller's tracks unfold with a masterful poise, hitting the sweet spot between club-spirited physicality for the deepest of dance floors and introspective headphone trips. Teeming with detail, swathed in soul and engineered to perfection, the inspiration driving Moeller is palpable across the LP, and it's resulted in some of his finest work in a career studded with highlights.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Samurai Music
Cat-No:SMDE45
Release-Date:28.06.2024
Genre:Drum + Bass
Configuration:12"
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Label:Samurai Music
Cat-No:SMDE45
Release-Date:28.06.2024
Genre:Drum + Bass
Configuration:12"
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1
Brendon Moeller - Vacuum
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2
Brendon Moeller - Round The Bend
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Brendon Moeller - Can't Run Away
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Brendon Moeller - Agitate
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Brendon Moeller - Distant Frequencies
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Brendon Moeller - Perspective
Tracklisting
A1 Brendon Moeller - Vacuum
A2 Brendon Moeller - Round The Bend
A3 Brendon Moeller - Can't Run Away
B1 Brendon Moeller - Agitate
B2 Brendon Moeller - Distant Frequencies
B3 Brendon Moeller - Perspective
Sales Note
Esteemed musical chameleon Brendon Moeller, renowned for his highly respected work in Deep Ambient, Dub Techno and a myriad of variations on these themes - turns his hand to 170 for Samurai Music.
Vacuum is the first fruits of this collaboration and encompasses a cross section of his approach to the tempo. Dub-wise 170 that hints at a deeper version of autonomic, but ultimately invents a new sound that only Brendon and his analogue dungeon could conjure. 30 years of mastering the art of the deep filtered through an all new tempo lens.
Vacuum is a gentle 6 track record that will become a close companion to those tuned to, or open to embracing the rewards of Brendons impeccable sound design and mastery of immersive, minimalist warmth.
Breathe it in
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Brendon Moeller - Vacuum
A2 Brendon Moeller - Round The Bend
A3 Brendon Moeller - Can't Run Away
B1 Brendon Moeller - Agitate
B2 Brendon Moeller - Distant Frequencies
B3 Brendon Moeller - Perspective
Sales Note
Esteemed musical chameleon Brendon Moeller, renowned for his highly respected work in Deep Ambient, Dub Techno and a myriad of variations on these themes - turns his hand to 170 for Samurai Music.
Vacuum is the first fruits of this collaboration and encompasses a cross section of his approach to the tempo. Dub-wise 170 that hints at a deeper version of autonomic, but ultimately invents a new sound that only Brendon and his analogue dungeon could conjure. 30 years of mastering the art of the deep filtered through an all new tempo lens.
Vacuum is a gentle 6 track record that will become a close companion to those tuned to, or open to embracing the rewards of Brendons impeccable sound design and mastery of immersive, minimalist warmth.
Breathe it in
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:30.06.2022
Label:Delsin
Cat-No:DSR/C17
Release-Date:27.06.2022
Genre:Techno
Configuration:LP
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1
Brendon Moeller - Poly Mod
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Brendon Moeller - Highly Concentrated
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Brendon Moeller - Route
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Brendon Moeller - Refridgeration
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Brendon Moeller - Motor
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6
Brendon Moeller - Invocation For Station Q
Twelve years since Brendon Moeller first appeared on Delsin's Ann Aimee offshoot it's time for a welcome return to Delsin Records. The prolific producer, also active as Echologist and Beat Pharmacy, hereby presents one of his most deep going, spaced out and experimental modular works to date. Crispy noodling electronics diluted with Moeller's trademark minimalist dub scapes, reaching from the mesmerizing the rubbery basslines of 'Route' to the energizing fast paced rhythms of 'Motor'.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Vibrant Music
Cat-No:vmr005
Release-Date:05.07.2019
Configuration:LP Excl
Barcode:4251648412076
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Last in:07.06.2019
Label:Vibrant Music
Cat-No:vmr005
Release-Date:05.07.2019
Configuration:LP Excl
Barcode:4251648412076
LP,Album
Brendon Moeller is an artist that needs no introduction. The South African born living in the US, like few of his generation constantly challenges himself with new concepts and ideas, has incorporated techno, dub, jazz, ambient, sound design, to his works throughout the years. Never chased the limelight, but instead the work, one idea after the next, one project after the other, restless. He has collaborated with labels like Echocord, Third Ear, Electric Deluxe, Prologue, Mord to name some. "Materialize" is his first work for Vibrant Music.
From his early days in various bands in the 80's and 90's, Brendon liked indie, shoegaze, ambient, moody, cinematic scapes.
With Materialize he came full circle, reaching out to his early influences, but with the knowledge and experience of many years of exploration of modular synths, to create a concept space that feels intimate, and at the same time vivid evoking visual imaging.
It explores the time space through a minimalist, stoic approach.
It tells the story of how we are all linked into this tree of music we call electronic music, wherever each one is coming from.
A celebration of life through the mind of one of today's scholars of electronic music.
A liberation from the strictness of tempo and metronomes, to reach to a more creative state.
Vibrant Music continuous the quest, to bring to you unique collaborations and sides of artists that we like.
Tracklist:
A1. materialize
A2. ghost strand
A3. there can be no true beauty without decay
A4. circles guaranteed
A5. summon
B1. staying in
B2. dusk
B3. dunes
B4. colorful donation
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Brendon Moeller is an artist that needs no introduction. The South African born living in the US, like few of his generation constantly challenges himself with new concepts and ideas, has incorporated techno, dub, jazz, ambient, sound design, to his works throughout the years. Never chased the limelight, but instead the work, one idea after the next, one project after the other, restless. He has collaborated with labels like Echocord, Third Ear, Electric Deluxe, Prologue, Mord to name some. "Materialize" is his first work for Vibrant Music.
From his early days in various bands in the 80's and 90's, Brendon liked indie, shoegaze, ambient, moody, cinematic scapes.
With Materialize he came full circle, reaching out to his early influences, but with the knowledge and experience of many years of exploration of modular synths, to create a concept space that feels intimate, and at the same time vivid evoking visual imaging.
It explores the time space through a minimalist, stoic approach.
It tells the story of how we are all linked into this tree of music we call electronic music, wherever each one is coming from.
A celebration of life through the mind of one of today's scholars of electronic music.
A liberation from the strictness of tempo and metronomes, to reach to a more creative state.
Vibrant Music continuous the quest, to bring to you unique collaborations and sides of artists that we like.
Tracklist:
A1. materialize
A2. ghost strand
A3. there can be no true beauty without decay
A4. circles guaranteed
A5. summon
B1. staying in
B2. dusk
B3. dunes
B4. colorful donation
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Echo echo
Cat-No:echoecho004
Release-Date:27.08.2018
Configuration:12"
Barcode:
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Last in:08.11.2018
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Last in:08.11.2018
Label:Echo echo
Cat-No:echoecho004
Release-Date:27.08.2018
Configuration:12"
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1
brendon moeller - Set In Motion
2
brendon moeller - Eastern Beach
3
brendon moeller - Economy
Brendon Moeller offers up his ‘Set In Motion’ EP on Echocord sub-label Echo Echo this September, comprising three originals from the Dub Techno veteran. South Africa, New York based producer and DJ Brendon Moeller aka Beat Pharmacy/Echologist has long been respected as one of the pioneering figures in ethereal, dubbed-out Techno with regular appearances at global hot spots like fabric, Berghain and Cielo as well as releases on labels like Third Ear, Kimochi, Neovinyl and Echocord. Here though we see Moeller joining the roster of the latter’s sublabel Echo Echo, marking its fourth release. Title-track ‘Set In Motion’ leads with Brendon’s signature murky synth textures at its core whilst lumpy low-end tones, shuffled hats and spiraling dub echoes fluidly undulate amongst one another throughout. ‘Eastern Beach’ follows, and as the name would suggest, nods towards brighter sounds with airy pads, soft bell chime synths and pulsating subs driving the composition alongside swinging, heavily reverberated percussion. ‘Economy’ then closes the package, stripping things back to gritty dub stabs, dusty 4/4 drums and billowing noise sweeps.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:27.03.2017
Label:plan b
Cat-No:pbr046
Release-Date:19.01.2017
Genre:Techno
Configuration:12"
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1
brendon moeller - "Turbulence"
2
brendon moeller - "Turbulence" (DJ Spider remix)
3
brendon moeller - "Psychoacoustics"
4
brendon moeller - "Psychoacoustics" (Phil Moffa remix)
Brendon Moeller finds himself entangled in the Plan B matrix for his next release which includes remixes from Spider & Phil Moffa! Don't sleep on this!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
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Label:submersive
Cat-No:submr01
Release-Date:24.06.2016
Genre:Techno
Configuration:12"
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Label:submersive
Cat-No:submr01
Release-Date:24.06.2016
Genre:Techno
Configuration:12"
Barcode:
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Last in:25.01.2016
Label:third ear
Cat-No:3eep201508
Release-Date:27.10.2015
Genre:Techno
Configuration:12"
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1
brendon moeller - Ode To The Basement
2
brendon moeller - Blowback
3
brendon moeller - Dude On Arrival
4
brendon moeller - Complete Disregard
Brendon Moeller returns to Third Ear after some years, following up his lauded Jazz Junk Safari trilogy of eps with 4 peak time bombs. All 4 tracks blow up the dance floor. Brendon Moeller known for his sound design, has taken his sonics to extremes on all four tracks, pushing, twisting and teasing frequencies to the limit. The bass on all tracks is phenomenal. It's just as well that a master engineer like Pole has mastered these tracks, maxing out the sound yet protecting the sound systems that these bombs will be played on. Super fun.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Last in:09.03.2015
Label:bash
Cat-No:bash006
Release-Date:04.03.2015
Genre:techhouse
Configuration:12"
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1
brendon moeller - "Magic & Luck"
2
brendon moeller - "A Blizzard Of Flurries"
3
brendon moeller - "Incoming"
4
brendon moeller - "Intentionality"
BASH006 comes courtesy of Brendon Moeller. One-third of BM/CC/CW, the collaborative project between Brendon, Clay, and Certain Creatures, Brendon is a prolific producer of various excursions across the electronic spectrum. Under such guises as the Echologist and Beat Pharmacy, his intricate dub techno tracks have been released on a variety of labels over the last 20 years, such as Francois K's Deep Space and Prologue.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:echocord colour
Cat-No:echocordcolor30
Release-Date:30.01.2015
Genre:Techno
Configuration:12"
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Label:echocord colour
Cat-No:echocordcolor30
Release-Date:30.01.2015
Genre:Techno
Configuration:12"
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1
brendon moeller - A Confederacy Of Dunces
2
brendon moeller - Stealth Mode
3
brendon moeller - This Train Is Bound For Glory
The new bomb on Echocord Colour comes from Brendon Moeller. Brendon already did releases on Echocord and Echocord Colour before, also on his monikers Echologist and Beat Pharmacy. Words from the artist: Much in line with the label aesthetic, I set out with these trax to explore the dubbier hypnotic side of techno music. My goal was to present 3 trax that could be played at different times of the evening because tthere's nothing like giving a DJ who has to carry a bag of vinyl around the world a record where each track can be played in one night! of course, the question rremains, are you a DJ that wants to play 3 trax like this? if yes, buy this now.
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12" Excl
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Label:electric deluxe
Cat-No:edlx021
Release-Date:01.06.2012
Genre:Techno
Configuration:12" Excl
Barcode:827170453869
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Label:electric deluxe
Cat-No:edlx021
Release-Date:01.06.2012
Genre:Techno
Configuration:12" Excl
Barcode:827170453869
Brendon Moeller Wanderer (Tommy Four Seven Remix NLFC81200003 Brendon Moeller Wanderer (Jonas Kopp Remix) NLFC81200002 Brendon Moeller Wanderer (Fuck Yeah Vinyl Mix) NLFC81200001
Whetting appetites for 'Works'-Brendon Moeller's ninth studio album and his first full-length for Speedy J's compound techno stable-Electric Deluxe present the 'Wanderer EP', with remixes from CLR's Tommy Four Seven and Argentine vanguard Jonas Kopp. Since relocating to New York from South Africa, Moeller has spent the last twenty years cultivating his dub techno legacy. As Beat Pharmacy and Echologist he has employed jazz, afrobeat and psychedelic semblances to redefine Basic Channel foundations, whilst producing a stockpile of records under his own name for labels like Echocord, Mule and Third Ear Recordings. In 2009 Moeller launched Steadfast, which has continued to be a platform for his more diverse projects-including the deep house collaboration with Chicago-based Area, as Lightness, and his last Echologist album, 'Subterranean'. Taken from 'Works' scheduled for release in April 2012 -Moeller's idiosyncratic reflection upon "the spirit of techno"-"Wanderer" nods to the genre's dark and industrial side, whilst it's crashing hats and surging bass allude to Berlin and the artist's fomented Berghain affiliation. Growling, guttural strata and robotic peals further cement it as one of Moeller's more dystopian creations and most driving effort to date. Jonas Kopp toughens "Wanderer" into one of his signature marching workouts, sliced with urgent stabs. Tommy Four Seven on the other hand picks up the track's shimmering melody-at the fore in its pre-mastered state, made available here in digital form-and tousles it with his distinctive bone-crushing beatwork and crunchy, field-generated padding.
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WAS - Word and Sound Medien GmbH
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Contact: gpsr@wordandsound.netMore
Whetting appetites for 'Works'-Brendon Moeller's ninth studio album and his first full-length for Speedy J's compound techno stable-Electric Deluxe present the 'Wanderer EP', with remixes from CLR's Tommy Four Seven and Argentine vanguard Jonas Kopp. Since relocating to New York from South Africa, Moeller has spent the last twenty years cultivating his dub techno legacy. As Beat Pharmacy and Echologist he has employed jazz, afrobeat and psychedelic semblances to redefine Basic Channel foundations, whilst producing a stockpile of records under his own name for labels like Echocord, Mule and Third Ear Recordings. In 2009 Moeller launched Steadfast, which has continued to be a platform for his more diverse projects-including the deep house collaboration with Chicago-based Area, as Lightness, and his last Echologist album, 'Subterranean'. Taken from 'Works' scheduled for release in April 2012 -Moeller's idiosyncratic reflection upon "the spirit of techno"-"Wanderer" nods to the genre's dark and industrial side, whilst it's crashing hats and surging bass allude to Berlin and the artist's fomented Berghain affiliation. Growling, guttural strata and robotic peals further cement it as one of Moeller's more dystopian creations and most driving effort to date. Jonas Kopp toughens "Wanderer" into one of his signature marching workouts, sliced with urgent stabs. Tommy Four Seven on the other hand picks up the track's shimmering melody-at the fore in its pre-mastered state, made available here in digital form-and tousles it with his distinctive bone-crushing beatwork and crunchy, field-generated padding.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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More records from esp institute
Label:esp institute
Cat-No:ESP120
Release-Date:13.06.2025
Genre:Techno
Configuration:12"
Barcode:199066754931
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Genre:Techno
Configuration:12"
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Fashion Flesh - Atoms Revolt
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Fashion Flesh - New Freedom
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Label:esp institute
Cat-No:ESP107
Release-Date:16.05.2025
Configuration:2LP
Barcode:198391396205
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Ground - Iwafune ft. Cazu-23
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Ground - Swallow Groove ft. DJ Ryota & Noritaka Itoh
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Ground - Don Pami
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Ground - Twinbee ft. SMS
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Ground - Otoooh ft. Taihei
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Ground - Yaoyorozoo
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Ground - Akokuro ft. Harikuyamaku, Mizuki & Yuko Nakai
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Ground - Ominaeshi
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Ground - Fudoukutsu ft. Cazu-23
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Ground - Water City
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Ground - Ginryusou
When Daichi Furukawa showed up on our radar in 2018, it was at a time when the ESP Institute was loosely focusing on (our obtuse version of) club-friendly releases, but upon our first listen to his Ground demos that would become his debut 2xLP 'Sunizm', we immediately threw accessibility out the window again. Ground is technically from Osaka, but we believe he’s actually from another planet, merely passing through, collecting data from all aspects of Earth—be it organic, animal, chemical, or human-made fodder. Perhaps his clan found the “Golden Record” on our space junk Voyager 1 and considered our attempt at self-representation oblivious, mediocre, laughable, and decided to come show us how it could be done properly. After the inimitable 'Sunizm', a slew of singles and remixes, and follow-up EP entitled 'Wakusei', we’re proud to finally present the long-awaited 2xLP, 'Yaoyorozoo'. Once again, Daichi steps into some hybrid-of-hybrids territory—a truly mutant fusion of culture and sonics that should make no sense at all, but his confidence (and disregard for public comprehension) shows no mercy in thrusting his vision upon us. 'Yaoyorozoo' is both ancient and future, primitive and advanced, tribal and lone wolf—a mélange of human success and failure, a cerebral scraping of consciousness, a granular paste of Earthly artefacts smeared across 73 minutes. Moments of undeniable beauty devolve into heavy and uncomfortable hallucinations, voices speak to us from hidden spaces in the soundstage… or do they? Scenes are set just long enough for the listener to accept one reality, only to be abruptly disoriented by jarring elements that pull our subconscious center-stage and question our sense of perception. What the fuck is actually happening here? Everything evolves tangentially, much like dream abstractions—or this press release itself—testing the limits of audience patience and laughing at any semblance of what’s acceptable, functional, or conventional.
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Label:esp institute
Cat-No:ESP114
Release-Date:04.04.2025
Configuration:12"
Barcode:199066843185
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Cat-No:ESP114
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Patrick Conway - Loss
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Patrick Conway - Silencio
Patrick Conway crossed the threshold to find a new hope. This is his third offering for the ESP Institute. On side A, 'Loss' sets an overall melancholic tone for the record. A single repeating high note on the piano establishes a guiding element, which is eventually supported by a tear-jerking yet resolving chord progression, a trailing choir of angelic voices, and a filter-modulating synth that pads the widest zones of the mix with the occasional counter-melody. Robust in and of itself, Patrick’s melodic arrangement floats gracefully over an otherwise antagonistic rhythm section built from his signature corroded dancehall arsenal. This hornets nest of boxed live kick drums, piccolo snares, and high-pitched toms is held together by a dry veneer of saturation, sitting at safe distance from but in natural harmony with the bulbous low-frequency atmospherics. On the flip, 'Silencio' employs a similar statement at the top of each measure, this time an anthemic polyphonic synth stab as opposed to the singular piano note, however, unlike the layered melodies throughout 'Lost', here Patrick explores the narrative possibility of negative space—call and response, rhythmic dialogue, and the implied notes that leave the listener’s or dancer’s intuition to complete a phrase. In the game “musical chairs,” children run around manically until signaled to find a chair, at which point their diverse personalties must urgently synchronize, until set free to run again and repeat the process. Patrick's approach for 'Silencio' conjures said metaphor—his melody and rhythm are unleashed to meander and spasm within the confines of each respective bar, until that anticipated synth stab unifies everything “on the one”—controlling the chaos, calling on muscle memory and affirming logic. These two songs will be with you always as they always have been.
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Label:esp institute
Cat-No:ESP088B
Release-Date:10.05.2024
Genre:Techno
Configuration:12"
Barcode:198391305085
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Label:esp institute
Cat-No:ESP088B
Release-Date:10.05.2024
Genre:Techno
Configuration:12"
Barcode:198391305085
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Metal - Point Vacancies (Hodge Remix)
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Metal - Dislocation Climb (Jamie Paton Remix)
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Metal - Dislocation Climb (Jamie Paton Dubwise)
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Metal - Dislocation Climb (Jamie Paton Dubwise II)
Following 2020’s 'Point Vacancies', the debut EP from Jamie Paton and Mike Bourne’s collaborative act Metal, the duo return with a trio of dubwise remixes from Mr Paton himself as well as a peak-time stormer from fellow Bristol artist, Hodge. The latter immediately sets the record ablaze with a driving thump, duo of grainy hi-hats and a chalky clap. He layers an anthemic three-chord pad progression, building octaves, peppering in arpeggiated bleeps and articulate lead melodies, then tops it off with a few modular elements that retain the character of the original, before climaxing in true rave fashion. Proper. The following three mixes by Metal’s own Jamie Paton make apparent his sonic obsession — the type of infinite tweaking that sees some artists/producers to the edge of madness, or at the very least satisfies some dragon-chasing addiction. There’s a successive deconstruction from 'Remix' to 'Dubwise' to 'Dubwise II', most notably a reduction of rhythm and drum machinery, but also in general tonality. The melody remains central but is gradually obscured, taking on a less and less recognizable form, and by the end we’re left with a skeleton of the track, quips and cranks, an assembly line of aluminum sheeting punctuated by demented nuts and bolts. As with the previous EP, the sparsity of elements illustrates just how far one can twist aesthetics, proving that self-imposed limitations can often propel an artist’s process and land them somewhere unfamiliar, somewhere foreign, somewhere enchanted.
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Label:esp institute
Cat-No:ESP081
Release-Date:03.05.2024
Configuration:LP
Barcode:197190883169
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Cat-No:ESP081
Release-Date:03.05.2024
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Barcode:197190883169
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Raymond Richards - Badwater Basin
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Raymond Richards - Rattlesnake Pass
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Raymond Richards - Monument Valley
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Raymond Richards - 2 Cent Mambo
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Raymond Richards - Saguaro
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Raymond Richards - Zion Lodge
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Raymond Richards - Farrington Dome
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Raymond Richards - Deer On Hwy 80
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Raymond Richards - Mescal Shakes
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Raymond Richards - Sonora
There was a long time I considered Raymond Richards the ultimate secret weapon. There were sounds he could make that other people just couldn’t. Pure, whole, yet complex sounds. The pedal steel is an extremely niche instrument outside of its Country confines, but its sheer and transcendent depth has never failed to floor me. Raymond’s ear for implementing the steel into literally 'anything' has always been uncanny. After decades of being savvy to his work ethic, multi-faceted studio skills and overall sense of musical honesty, it became a priority for me to channel some of this into narratives through the ESP Institute and get his stories told. Without further recounting the history and trajectory of our musical relationship (see the press release for 2020’s critically-acclaimed album 'The Lost Art Of Wandering'), I can whole-heartedly confirm this sophomore release, 'Sand Paintings', opens an even wider door into Raymond’s visceral, contemplative world. The cast of players has elaborated to include Calexico’s John Convertino on drums and percussion, a bevy of eccentric stringed instruments and even a hint of brass to collectively stratify context for the pedal steel. Through diversifying the timbral palette, we invite an increased soundstage acuity but also reveal untapped wells of emotion for the listener, perhaps even testing cultural literacies. One foot remains in our established ambient realm, while the other steps toward grand cinematic gestures, and despite the dense, insurmountable emotion in these songs, there is a stoic singularity, like a lonesome cowboy pulling up his boot straps to endure another day. 'Badwater Basin' opens with courage, an enormous chord evoking Raymond’s image of “hard dawn”, but in navigating through the dramatic depictions of 'Monument Valley', 'Saguaro' and 'Deer On Hwy 80', we grapple with a cloaked vulnerability—weathered by the elements, beaten down and alone, yet still madly in love with the world. —Lovefingers
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Label:esp institute
Cat-No:ESP104
Release-Date:26.01.2024
Genre:Electronic, Electronica
Configuration:2LP
Barcode:197189620553
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Label:esp institute
Cat-No:ESP104
Release-Date:26.01.2024
Genre:Electronic, Electronica
Configuration:2LP
Barcode:197189620553
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1
Bartellow - Grana
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Bartellow - Vorsichtig - Mutiger - Verloren
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Bartellow - The Idea Of A Horizon
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Bartellow - View From My Parents House
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Bartellow - Folie
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Bartellow - X-Pulse
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Bartellow - Ungeheuer Ist Vieles
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Bartellow - Seance
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Bartellow - Nexus II On The Beach
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Bartellow - Langsame Bewegung
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Bartellow - Zwischen Luft
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Bartellow - Chez Charles
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Bartellow - P-Analyse
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Bartellow - La Caduta Degli Dei
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Bartellow - Aavikon (No Water)
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Bartellow - ??? ????? ???????
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Bartellow - Dark Matter Art Cabinet
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18
Bartellow - Hatch On A Hunch
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Bartellow - Theban Constitutional
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Bartellow - Kismet
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21
Bartellow - No Noosphere
ESP Institute artist Bartellow, one third of the project Tambien and otherwise known in the Contemporary Classical sphere as Beni Brachtel, returns to the label with his second full-length release, Noosphere. While currently heading the SVS label and residency series out of Munich, Beni’s resume expands well beyond electronic music to include immersive sound installations such as The Adven- ture Of The Empty House (solo live performance across seven floors of Walter Henn’s Deckelbau building), a slew of compositions for the Bavarian State Opera (for which he doubled as conductor), and a prolific career of over twenty-five theater scores for institutions such as the Münchner Kammerspiele, Schauspiel Basel, Maxim Gorki Theater Berlin, Berliner Ensemble, Schauspiel Köln, Schaus- piel Graz and with directors Ersan Mondtag, Alexander Eisenach, Jessica Glause and Tobias Staab among others. Noosphere is a compendium excerpting from theatrical scores WUT (Elfriede Jelinek, at Schauspielhaus Köln, directed by Ersan Mondtag, 2020), Ödipus and Antigone (Maxim Gorki Theatre Berlin, directed by Ersan Mondtag, 2017), Der Zauberberg (Thomas Mann, Schauspiel Graz, directed by Alexander Eisenach, 2017), Hass Tryptichon (Sybille Berg, Wiener Festwochen / Maxim Gorki Theatre, directed by Ersan Mondtag, 2019), Wonderland Ave. (Sibylle Berg, Schauspielhaus Köln, directed by Ersan Mondtag, 2018), Die Verdammten (after Visconti ´s film, Schauspielhaus Köln, directed by Ersan Mondtag, 2019) and Roi Ubu (Alfred Jarry, Theater Neumarkt, Zurich, directed by Alexander Eisenach, 2018). The work traverses homages, infusing everything from Baroque to Impressionism, and while these types of references are certainly built into the canon of Theatre as a discipline, here we gather histor- ic layers in an even wider net. Under the self-referential thumb of Contemporary Classical music, this sort of "hindsight" approach has been largely avoided, however, in today’s all-access arena, the constant stream of historic causal-chained events has opened a delta where anything is possible. This defines Bartellow’s stance among his colleagues as well as his cultural position as a composer. Beni considers beauty a fleeting objective in the arts, that expression is often expected to follow notions of Destructivism or the unfulfilled. Art will pore over wounds, collective angst, mourn- ing a loss of natural habitat or a fear of technological invasion, yet there is a bitter irreverence for the friction or salvation in beauty itself. Acknowledging this subjectivity — what one audience considers superficial pleasure may be deeply profound to another — he leans into musical instinct as if composing via divine conduit. Noosphere conjures a array of suspense, ecstasy, melancholy, and dread, but in isolating the work from its theatrical component, Brachtel directs our focus toward formal qualities, clearing unim- peded space to conceive fresh narratives and examine dynamism and interconnectivity. In sympathy with often difficult theatre pieces, the passages can be dark and transgressive, but more importantly they remain relative to Brachtel’s circumstances at their time of creation. The title Noosphere speaks to the evolution of human thought and knowledge, opening a door to subjective points-of-view. For example, Nexus II On The Beach refers to both Roberto Musci’s Water Messages On Desert Sand as well as the film Bladerunner, invoking the image of an android enjoying the sunset, but whether or not this abstraction may be considered beautiful depends the listener’s cumulative life experience and perspective. This is hybrid chamber music, augmented by electro-acoustic layers, juxtaposing various periods and successively processing their residual themes into a trans-generational rendering of “now.”
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Label:esp institute
Cat-No:ESP113
Release-Date:13.10.2023
Genre:Techno
Configuration:12"
Barcode:197189067716
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Jdotbalance - Sublimate
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Jdotbalance - Precipitate
Jdotbalance left the moon and the sky for a city that works. This is their first offering for the ESP Institute. On side A, 'Sublimate' combines two aspects of a digital pipe and mallet assortment—both as the percussive base for a groove, and as an interstitial layer where inherent resonances are massaged into melody. Bubbles and squeaks dance around the sound-stage periphery, occasionally pierced by high frequency statements, presenting as either ghostly yelps from the aether or as bursts of kaleidoscopic shards. A third of the way through the track, the instrumentation truly does sublimate, crystallizing into a new self—bolder and naughtier, abandoning its pensive optimism for a detour around the spectrum's dark end. On the flip, 'Precipitate' continues with its predecessor's primer of metallic percussion, but accelerates the pace to reveal Jdot’s attitude leaning toward cunty malice. The kick drum relentlessly pounds us as 16th note droplets metamorphose from chrome-dipped hail into full-blown acid wind. As intensity retreats beneath the digital rubble and the track draws to a close, so does our stream of Jdot’s consciousness. These two songs will accelerate your nervous system.
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12"
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Low End Activist - Gossip Is The Devil's Radio
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Low End Activist - Good Question
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Low End Activist - Strings of Sorrow
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Low End Activist - Perpetual Conflict
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Low End Activist - G.E.L.
After heavy-duty releases on self-administered imprints Low End Activism and Sneaker Social Club, as well as London’s beloved graffiti-laden mutant-bass stronghold Seagrave (RIP), the almighty Low End Activist makes a welcome debut with the ESP Institute. No stranger to mining distant regions the hardcore continuum and the residue of soundsystem culture at large, his relentless traversing and assembling of U.K.-specific rhythms demonstrates there is no end in sight when it comes to evolving the region’s musical gene pool. The 5-track 'Gossip Is The Devil’s Radio' strings together a smear of dystopian instrumentation—ghostly pads wrapped in melancholy, percussion that marries bleep with low resolution shrapnel, and vocal fragments that resemble a control tower’s two-way radio on the fritz—all imperfectly focused through a damaged lens of dancehall. We’re drawn to a dull moan that pervades throughout the record, reminiscent of the nihilistic moments in Abigail Meade’s score to 'Full Metal Jacket' where the sonics resemble a slow churn of molten steel occasionally punctuated and pierced by crystalline shards. The depth between the bone dry immediate foreground and distant wet background creates an exquisite sense of longing which isn’t inherently dark or menacing, but seductively bleak. As voyeurs, we may certainly appreciate the aesthetic LEA portrays, but we can’t fully comprehend the sense of escapism rooted within this music without having come of age in the damp and restless confines of England on the cusp of Thatcher’s abuse. Its a reminder that the light at the end of a tunnel, while it may be dim and grey, is still a light after-all, and the only way out is through.
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Label:esp institute
Cat-No:ESP103
Release-Date:28.07.2023
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Benedikt Frey - Habits
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Benedikt Frey - Fast Lane
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Benedikt Frey - Crank
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Benedikt Frey - Move Me (ft. Nadia D'Alo`)
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Benedikt Frey - Solver
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Benedikt Frey - Element
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Benedikt Frey - Gasoline
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Benedikt Frey - Industry
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Benedikt Frey - Trick Shot
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Benedikt Frey - Silverblade (ft. O-Wells)
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Benedikt Frey - Lost (Again)
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Benedikt Frey - 1337
Close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, as you stare out the windshield at the red light, warping in fata-morgana a mile down the road. It’s a straight-away, a black top with two lanes, and against your better judgment you decide to floor the gas. No hesitation in your muscle, your ankle or the ball of your foot, which you now realize is some kind of universal pivot, the first point of contact fusing your body with the will of machine. In this moment you’re in awe that you, a human, an animal, grew from pond scum into something so advanced as to engineer this thing, a mechanical beast capable of overwhelming power and exhilaration. But you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, ‘How far can I take this thing?’ The dread, now a constant, is numbed, equalized by an adverse intoxicating gratification. You feel both sensations in real time, however, rather than take responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. Noise around you fades to mute. Smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some objective view, as if watching climax of a film. Past the point of no return, you embrace abandon and lean into fate. The film becomes slow motion, a crawling pace so mesmerizing you convince yourself of an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light head-on into the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and know the catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but afterall it is our nature to stare.
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Liebigstrasse 2-20
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Germany
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Liebigstrasse 2-20
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Germany
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Label:esp institute
Cat-No:ESP116
Release-Date:28.07.2023
Genre:Techno
Configuration:12"
Barcode:197189122095
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Genre:Techno
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Evelyn - Tremors
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Evelyn - Pregunta
Evelyn spreads her wings and prepares to fly. This is her first offering for the ESP Institute. On side A, 'Tremors' slams together a plethora of seemingly disparate rhythms, organic percussion, field samples, hypnotic chants and a relentless low end punch, that when in full-swing, works some seriously deep sorcery. Contrasting her pounding kick and rolling sub combo are a softer grouping of melodies, soft mallets and muted tones that lay subtly beneath the aggression, skillfully playing with a sense of spatial depth and room size. Its the kind of track that draws you in with meditative bars, concentric cycles that sit ever so slightly off-axis, inducing the mind and body to obsess and regulating its timing, and then drops you into a very intentionally arranged soundstage giving expansive space to explore. On the flip, 'Pregunta' continues this approach of natural versus industrial instrumentation. The consistent machine kick has a powerful but playful tone, the negative space between each stroke evoking a mighty gesture as its note bends in the decay. Set in 3/4, a community of live percussion successively adds and subtracts, each player’s imperfect attack accumulating into a mechanically smeared and addictive loop that toys with peaks a handful of times yet restrains any unnecessary climax for the betterment of a driving groove. Near the end, as the kick and various players mute and the base of the track is given a moment to breathe, its apparent just how layered the production was in the moments prior, as we’re suddenly at home, smitten with the wobbly and lopsided innocence of the foundational percussion. These two songs will push you headfirst into the light.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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Label:esp institute
Cat-No:ESP111
Release-Date:10.02.2023
Genre:House
Configuration:12"
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Jasper James - 0141
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Jasper James - E-Maniac
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12"
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Cat-No:ESP112
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Genre:Electronic, Electronica
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Opal Sunn - The Problem With George
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Opal Sunn - The Mystery Of Mr Lee
Opal Sunn (Alex Kassian and Hiroaki OBA) believe in unicorns, leprechauns and mermaids. This is their first offering for the ESP Institute. The A side leads with 'The Problem With George', a percussive monster at a half-time tempo that goes deep with a dual mission; to successively build round after round while keeping the listeners mind and body in an ecstatic state of surrender. Imagine the dancefloor pumping, and at a dynamic peak the DJ halves the timing and wipes the floor with your spinal fluid. On the flip, 'The Mystery Of Mr Lee' takes a similar approach in terms of arc and arrangement, although replacing the analogue percussion with 16th-note arpeggios of synthetic steel, glass and tubes. Beneath this glistening veneer lies another scale-wandering melody constructed of machine toms that eventually opens up, morphing into a more decisive hook, wrapping more tightly around the drum pattern before retreating back beneath layers. If dropped at the opportune time, let’s say the sensitive blue morning before dawn cracks, we expect a dancefloors to reach the highest level of psychedelic escape, after which hugs are essential. These two songs will tuck you in and kiss you goodnight.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:esp institute
Cat-No:ESP108
Release-Date:18.11.2022
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Lord Of The Isles - Endless Beyond
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Lord Of The Isles - Isolarian
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Lord Of The Isles - Strato
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Lord Of The Isles - Together
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Lord Of The Isles - Light Nights
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Lord Of The Isles - Quadralogue
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Lord Of The Isles - Otherness
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Lord Of The Isles - Truth
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Lord Of The Isles - Wonder
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Lord Of The Isles - Postdrome
'Night Of The Endless Beyond', the sophomore album by Lord Of The Isles AKA Neil McDonald for the ESP Institute, had almost become a mythical piece of work. The tracks very slowly crept into formation from the lowest depths of 2021, and once the completed album finally made the leap from creation into manufacturing, an entirely new onslaught of follies and delays awaited at the pressing plant. We began to laugh, for not only did Mario Hugo’s otherworldly sleeve artwork visually translate this music so well, but it was an uncanny premonition to the album being lost in space, falling through a black hole, evaporating into the aether like a dream that never really happened. But, at long last, ground control has confirmed contact! It did happen, it will arrive, and it’s not a myth. Listening to 'Night Of The Endless Beyond' now feels like the return of a strayed friend, one whose distance left us pining for an embrace. Although this Techno relies on unassuming means, there is a remarkably complex and persuasive emotional statement embedded here, insisting we learn to endure the long game and allow ourselves patience to investigate and appreciate the minutiae contained not only within the notes, but their negative space. From its introduction, through its mellow crests and valleys, there is a conveyance of restraint — subtle dynamics that quietly beg for attention, repetition so hypnotic that imaginary melodies are inescapable, transient peaks so deliberately scaled that we mourn the subsequent decay. In accordance with Neil’s ESP debut, 'In Waves', we never feel attacked by instrumentation but shielded from sharp edges, able to step inside the music, breathe the air it occupies and know its true intentions, whether bright or bleak.
Just prior to the album close, a film dialogue excerpt summarizes everything quite honestly by proposing, “The truth of the universe is waiting … the truth of what is … it’s all going to go away … everything … into blackness … the void … and nobody is in charge.” “…and what do you do with that?” We stare long into the 'Night Of The Endless Beyond' and answer… “You smile.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Just prior to the album close, a film dialogue excerpt summarizes everything quite honestly by proposing, “The truth of the universe is waiting … the truth of what is … it’s all going to go away … everything … into blackness … the void … and nobody is in charge.” “…and what do you do with that?” We stare long into the 'Night Of The Endless Beyond' and answer… “You smile.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:esp institute
Cat-No:ESP110
Release-Date:01.04.2022
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1
Stalactite - Starnet
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Stalactite - Gamete
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Stalactite - Massonia
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Stalactite - Zooid
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Stalactite - Ssekkai
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Stalactite - Pyrosome
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Stalactite - Kaseijin
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Stalactite - AAVT AAVTSL
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Stalactite - Hydrozoa
Stalactite is a collaborative recording project by renown Japanese artist and multi-instrumentalist Susumu Mukai AKA Zongamin and producer Drew Brown, whose discography ranges from his own group Off World to a variety of integral productions for artists such as Blonde Redhead and Beck. Their self-titled debut for the ESP Institute is a grand gesture, a broad stroke that illustrates both singular focus and vast complexity, which is no easy feat considering the almost oppressive immediacy and availability of tools at the disposal of contemporary artists. There’s a level of creative confidence and discipline needed to work so fundamentally, and whether or not the listener has an appetite refined enough to process the tasteful subtleties throughout this production, these same subtleties accumulate regardless and land that listener in a highly considered and developed space. The deceptively naive melodic approach consistent across these nine tracks can feel transparent, familiar to a point the listener can anticipate its path, but when listening with acute focus we find a variable range of texture, temperature, depth and negative space. As alumni of the Minimal, Cold Wave, Synth Pop era, Susumu and Drew successfully personify a motley crew of synthesizers to work in concert, reduced to their core personalities and presented as their most honest selves — austere, shy, cinematic, percolating, bulbous, glistening, cantankerous, rubberized, clumsy and animated. Each masterfully paired with complimentary counterparts, these players assemble into a sound-stage we typically find in live recordings, enveloping and inviting us to the center of an acoustic cavern to wade through sonic impressions of monolithic stalactites.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:esp institute
Cat-No:ESP106
Release-Date:19.11.2021
Configuration:2x12"
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1
Patrick Conway - Evident Wear
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Patrick Conway - Evacuation Zone
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Patrick Conway - Autophagy
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Patrick Conway - A Long Way To Walk For Bad News
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Patrick Conway - Swings In Reactivity
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Patrick Conway - Eyes of Providence
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Patrick Conway - Castor & Pollux
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Patrick Conway - Eat Thyself, Sustain Thyself
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Patrick Conway - Cellular Housekeeping
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10
Patrick Conway - Lorentz Factor
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Patrick Conway - Element
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Patrick Conway - New Beginning
In pairing words with art, the ESP Institute often does everything journalists hate. We drown the reader in hyperbole, abstractions as opposed to didactic or literal depictions, and paint the press release with superlatives that construct an existential struggle around the art and its conditions. To articulate our reasoning behind collaborating with the artist, or the synergy between their work and our catalogue, is sometimes so challenging that crossing that finish line is achingly delayed. Patrick Conway’s 2xLP 'Cellular Housekeeping', his fourth release with the label, is one of these works so monumentally exciting for us that we’ve strained over how to deliver with honor his art unto the masses. After the initial hurdle of visual representation (in this case handled with gusto by artist Hassan Rahim), how do we directly and intentionally talk about the art we deeply love, when in reality we’re largely guided by instinct? We explore many angles, often failing along the way, until finding a final click in the combination that unlocks the floodgates. With Patrick’s album, that elusive impetus revealed itself in a literary gem that both symbolized his aggressive, melancholic, romantic, and bleak overtones, as well as synchronized his work and our task with a metaphor so grand it justified putting these words to paper. In the deeply British poem of despair and hope, 'Comus: A Mask Presented at Ludlow Castle', John Milton immortalized the classic idiom of the “silver lining”, and we find comfort in this transaction between struggle and what the poet considered divine intervention. Our bout of procrastination that brewed a cloud over the art may too tout a silver lining, the time that’s elapsed clearing a path for the album to exist in its rightful place, as opposed to fighting for a voice at an overcrowded table. In hindsight, this final hurdle might have only existed because without it, there is no glory, no resolution, but as all the pieces click and we collectively cross the finish line, Patrick Conway’s once captive 'Cellular Housekeeping' is now truly released.
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DE - 22113 Hamburg
Germany
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12"
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Label:esp institute
Cat-No:ESP085
Release-Date:15.10.2021
Genre:Electronic, Electronica
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Juan Ramos - Agua Del Cenote
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Juan Ramos - Agua Del Cenote (Harald Grosskopf Synthesist Mix)
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Juan Ramos - Let It Loose (Freaks Only)
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Juan Ramos - Cuko
Prodigal son of the ESP Institute, Juan Ramos, rises from the cesspool of a world gone mad with 'Agua Del Cenote', his fifth release with the label. Whilst many artists are following their inner light to bring us some much needed joy amidst these rotten times, Juan (being the little shit that he is) follows an inner demon and delivers listeners and dancers a demented clusterfuck of sadistic chaos. The title track opens with what sounds like a butane torch and we metaphorically freebase into oblivion. Our perception of reality unravels, writhing in abrasive textures smeared across a low-slung, mid-tempo erotic thump. Everything feels blurry and distant, as if we’re swimming through an underground aquatic tunnel, in a panic, searching for an invisible band of spirits whose tune summons us into certain annihilation. Following this is a remix from a decorated lord of 20th Century electronics, Harald Grosskopf AKA The Synthesist. Harald wipes away grit and lethargy to reveal elements hidden deep within the mix as well as softens Juan’s sense of terror by building up to an optimistic layer of added synth. We’d love to offer some relief with the balance of the EP, however, the remaining two tracks paint complimentary hues in the same cerebral palette. 'Let It Go (Freaks Only)' veers closely to House in terms of tempo and gestalt, utilizing a vocal sample from Third Generation (Kerri Chandler) and a healthy dose of sub bass, but Juan hardly apologizes for his masochistic tendencies and certainly never relents into an uplifting mood. Closing the EP, Juan serves an antidote of sorts with 'Cuko', as if suggesting a way out of the swamp, but leaves it up to the listener’s intuition to not only see the carrot, but actually follow it into the light, thus completing the quest.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Label:esp institute
Cat-No:esp105
Release-Date:11.06.2021
Genre:Electronic, Electronica
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
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Trinity Carbon - No Title
Something wicked this way comes. Following singles 'Know The Future' b/w 'Digital Warfare' in 2019 and 'Hypersocial' b/w 'Safety Test' in 2020, ESP’s own Patrick Conway has now teamed up with the illustrious Appleblim (of Skull Disco and Apple Pips fame) for a meaty self-titled debut 2xLP under the new collaborative moniker, Trinity Carbon. There is something to be said for art created in the face of global unraveling, while mass transgression and the friction of culture shifting produce poignant commentary, but more often than not, it’s the personal coping mechanisms within our work that have the power to speak directly to the receiver. After a number of sessions resulting in wild imaginative beginnings, it was the untimely passing of Andrew Weatherall and a coming to terms with that loss that moved the two Brits-via-Berlin to herd their roaming sketches into a more narrative statement. In the uphill struggle to retain some sense of individualism, it’s always outsiders like Weatherall whose risks illuminate the roads of creativity less traveled, and when those beacons go dark there is a disorientation felt far and wide. Conway and Blim concede to the internal inquiry, “What would Weatherall do?” bringing to mind the man’s pervading morale, always soldiering onward through mediocrity, as it was undoubtedly an impetus for the duo growing steadfast and chiseling 'Trinity Carbon' into completion. While employing trusted machines in the bass department, they established a warm euphonic home base from which they could stray in a variety of tonal and rhythmic directions without straining a tether to the album’s core. However, as soon as any hint of familiarity may arise, or listeners begin to mentally assign stylistic epithets, the duo boldly change course to remind us that while the banal stay safely defined, it’s the iconoclasts, the outsiders who make us feel.
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Label:esp institute
Cat-No:esp099
Release-Date:16.04.2021
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1
Hoshina Anniversary - Hitsuji
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Hoshina Anniversary - Nakasora
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Hoshina Anniversary - Sadacho No Netori
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Hoshina Anniversary - Shin Sekai
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Hoshina Anniversary - Kegon
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Hoshina Anniversary - Rokumeikan
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Hoshina Anniversary - Tougenkyo
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Hoshina Anniversary - Tanabata Monogatari
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Hoshina Anniversary - Jomon
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Hoshina Anniversary - Taira
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Hoshina Anniversary - Yamatouta
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Hoshina Anniversary - Bonnou
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Hoshina Anniversary - Hane No Uta
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Hoshina Anniversary - Kizamu
On steady rise following two sublime singles over the past year—Sagano b/w Haru Wa Akebono and Karakuri b/w Michinoku—Tokyo-based artist Hoshina Anniversary elaborates his eccentric musical point-of-view even further with a debut album for the ESP Institute entitled Jomon. Fourteen tracks stir a melting pot in line with our obsessions, a variety of styles which often stay in their own dedicated lanes while here their trajectories collide in demonstrable fusion. Hoshina gleans borderline absurdist qualities from late Jazz hero Chick Corea (evident in his wild and meticulous keyboard runs), calls upon ancient Japanese instruments, shrines and mythologies, and makes sideways nods to early minimal synth productions, yet all of the above are sifted through some granular equalization, an abstract veil that smooths the skin of Hoshina's mutant creation. A weight of experience pervades throughout, a requisite education in the electronic realm and a deep reverence for Jazz and its masters, and in turn this confidence transfers a sense of ease which leaves us poring over alternative approaches to otherwise familiar tropes. Once this conversation with the music is established, a subliminal push/pull tension toys with us across the length of the album, undulating our sense of space. The tonally rich, dynamic and melodic side of the works present a cool sense of depth but are violently contrasted by a slew of over-saturated punches, and at some point an inevitable alchemy casts these disparate expressions into a haunting monolithic array. Some are glistening and smooth, others are porous and jagged, but all amount to a staunch and cohesive work with the ability to transport listeners to regions unknown.
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Release-Date:16.05.2025
Genre:House
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Pallas - Ulysses Horizons (2025 Adios Adonis Version)
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Pallas - Ulysses Horizons (Gerd Janson Extended DJ Version)
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Pallas - Flowerdale Beach
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Pallas - Are You In Heaven?
Tracklist:
A1. Ulysses Horizons (2025 Adios Adonis Version)
A2. Ulysses Horizons (Gerd Janson Extended DJ Version)
A2. Flowerdale Beach
B1. Are You In Heaven?
"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era—it’s also the title of one of the three tracks featured here.
In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant—youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally.
Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals.
Complemented by a new edit of Ulysses Horizon by Gerd Janson (alongside a revised version of the original), alongside Flowerdale Beach, and Are You in Heaven?, the music here hasn’t lost a single inch of its charm or allure. A taste of Dutch house deluxe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Ulysses Horizons (2025 Adios Adonis Version)
A2. Ulysses Horizons (Gerd Janson Extended DJ Version)
A2. Flowerdale Beach
B1. Are You In Heaven?
"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era—it’s also the title of one of the three tracks featured here.
In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant—youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally.
Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals.
Complemented by a new edit of Ulysses Horizon by Gerd Janson (alongside a revised version of the original), alongside Flowerdale Beach, and Are You in Heaven?, the music here hasn’t lost a single inch of its charm or allure. A taste of Dutch house deluxe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Last in:04.07.2025
Label:mask
Cat-No:msk14
Release-Date:04.07.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804186414
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ZentaSkai - A1
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ZentaSkai - A2
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ZentaSkai - B1
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ZentaSkai - B2
Tracklist
A1
A2
B1
B2
Berlin’s ZentaSkai continues his slew of limited-run 200-copy vinyl releases via his Mask Records this July, presenting the ‘JIMMY’ EP, and following up last year’s ‘Bob’ EP and two instalments from his Cuddling Monsters project with Laura Merino Allue.
Across the four tracks on ‘JIMMY’, ZentaSkai delves deep, placing mysterious, foreboding synths over crunchy taped drums and exploring a variety of tempos. Dub influences are rife, its elements echoing across carefully laid-out Techno grooves while minimal shifts subtly build the energy. With ‘JIMMY’, ZentaSkai once again offers a journey through sound already supported by Luke Slater, Blasha & Allatt, Truncate, Elisa Bee, and many more. ZentaSkai (aka No Mad Ronin, Matt Nowak, and MASK) is a German DJ and producer active since 1997. Based out of his studio in Berlin, ZentaSkai runs the Zaijenroots label and, since 2017, the Mask sub-label, which houses his stunning 2023 ‘Architecture of the Mind’ LP as well as his Cuddling Monsters alias - with other credits including a release on Jerome Sydenham’s Ibadan Records and support from the likes of Richie Hawtin, Joseph Capriati, Marcel Dettmann, Luke Slater, Laurant Garnier, DVS1, Ben Sims and Radio Slave.
ZentaSkai ‘JIMMY’ releases via Mask Records 4th July 2025
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1
A2
B1
B2
Berlin’s ZentaSkai continues his slew of limited-run 200-copy vinyl releases via his Mask Records this July, presenting the ‘JIMMY’ EP, and following up last year’s ‘Bob’ EP and two instalments from his Cuddling Monsters project with Laura Merino Allue.
Across the four tracks on ‘JIMMY’, ZentaSkai delves deep, placing mysterious, foreboding synths over crunchy taped drums and exploring a variety of tempos. Dub influences are rife, its elements echoing across carefully laid-out Techno grooves while minimal shifts subtly build the energy. With ‘JIMMY’, ZentaSkai once again offers a journey through sound already supported by Luke Slater, Blasha & Allatt, Truncate, Elisa Bee, and many more. ZentaSkai (aka No Mad Ronin, Matt Nowak, and MASK) is a German DJ and producer active since 1997. Based out of his studio in Berlin, ZentaSkai runs the Zaijenroots label and, since 2017, the Mask sub-label, which houses his stunning 2023 ‘Architecture of the Mind’ LP as well as his Cuddling Monsters alias - with other credits including a release on Jerome Sydenham’s Ibadan Records and support from the likes of Richie Hawtin, Joseph Capriati, Marcel Dettmann, Luke Slater, Laurant Garnier, DVS1, Ben Sims and Radio Slave.
ZentaSkai ‘JIMMY’ releases via Mask Records 4th July 2025
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Label:Definitive Recordings
Cat-No:DEFCLAS011
Release-Date:04.04.2025
Genre:House
Configuration:12" Excl
Barcode:5054288476885
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Last in:31.03.2025
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Label:Definitive Recordings
Cat-No:DEFCLAS011
Release-Date:04.04.2025
Genre:House
Configuration:12" Excl
Barcode:5054288476885
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1
Juicy Fruit - A1.Juicy Fruit - Liferaft (Remaster)
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Juicy Fruit - B1. Juicy Fruit - Liferaft (John Acquaviva's Dub Remaster)
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Juicy Fruit - B2. Juicy Fruit - Liferaft (The Stickmen Dub Remaster)
12"
GENRE/S:
House, Deep House
TRACKLIST:
A1 Juicy Fruit - Liferaft (Remaster)
B1 Juicy Fruit - Liferaft (John Acquaviva's Dub Remaster)
B2 Juicy Fruit - Liferaft (The Stickmen Dub Remaster)
SHORT INFO:
Definitive Recordings is proud to announce the reissue of deep house classic "Liferaft" by Juicy Fruit (aka Meredith Ledger), fully remastered and set to breathe new life into one of the 90s' most iconic releases. Originally dropped in 1993, this EP features the original as well as remixes by John Acquaviva and The Stickmen.
The standout title track, "Liferaft", is a rich and soulful deep house gem, built around a captivating piano house theme that harks back to the golden era of house music. The track's groove is driven by a classic house beat and a funky, rhythmic guitar lick that perfectly complements its melodic core. The fresh remaster brings new clarity to its timeless warmth, elevating it for modern sound systems while keeping the vintage charm intact.
House music legend John Acquaviva takes the funky guitar lick and pushes it further into the groove, layering it with a robust and simplistic bassline. His remix evolves into a deep yet vibrant soundscape, showcasing Acquaviva's signature house influence.
The "The Stickmen Dub" intensifies the original's foundation by supplementing it with a hypnotic organ sound. This remix enriches the track with subtle but powerful layers, creating a mood that's both dancefloor-ready and deeply immersive.
Definitive Recordings is excited to share this release with long-time fans and newcomers alike. Whether you're a die-hard house aficionado or just discovering the classics, the "Liferaft" EP is a must-have addition to any collection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S:
House, Deep House
TRACKLIST:
A1 Juicy Fruit - Liferaft (Remaster)
B1 Juicy Fruit - Liferaft (John Acquaviva's Dub Remaster)
B2 Juicy Fruit - Liferaft (The Stickmen Dub Remaster)
SHORT INFO:
Definitive Recordings is proud to announce the reissue of deep house classic "Liferaft" by Juicy Fruit (aka Meredith Ledger), fully remastered and set to breathe new life into one of the 90s' most iconic releases. Originally dropped in 1993, this EP features the original as well as remixes by John Acquaviva and The Stickmen.
The standout title track, "Liferaft", is a rich and soulful deep house gem, built around a captivating piano house theme that harks back to the golden era of house music. The track's groove is driven by a classic house beat and a funky, rhythmic guitar lick that perfectly complements its melodic core. The fresh remaster brings new clarity to its timeless warmth, elevating it for modern sound systems while keeping the vintage charm intact.
House music legend John Acquaviva takes the funky guitar lick and pushes it further into the groove, layering it with a robust and simplistic bassline. His remix evolves into a deep yet vibrant soundscape, showcasing Acquaviva's signature house influence.
The "The Stickmen Dub" intensifies the original's foundation by supplementing it with a hypnotic organ sound. This remix enriches the track with subtle but powerful layers, creating a mood that's both dancefloor-ready and deeply immersive.
Definitive Recordings is excited to share this release with long-time fans and newcomers alike. Whether you're a die-hard house aficionado or just discovering the classics, the "Liferaft" EP is a must-have addition to any collection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Syncrophone
Cat-No:SYNCRO61
Release-Date:07.03.2025
Genre:Techno
Configuration:12"
Barcode:
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Last in:27.05.2025
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Label:Syncrophone
Cat-No:SYNCRO61
Release-Date:07.03.2025
Genre:Techno
Configuration:12"
Barcode:
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Convextion - Torc
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Convextion - Andas
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Convextion - Torc (E.R.P. Version)
Syncrophone proudly presents Convextion - Torc, marking Gerard Hanson's long-awaited return to the EP format since his iconic releases. The title track 'Torc' delivers deep, atmospheric techno grooves, while 'Andas' plunges further into his signature sound. E.R.P.'s remix flips 'Torc' into a futuristic electro masterpiece. Essential wax from a legend back in full force—don't miss this!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Deewee / Because Music
Cat-No:bec5613338
Release-Date:08.03.2024
Configuration:LP Excl
Barcode:5056556133384
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Last in:11.07.2024
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in stock
Last in:11.07.2024
Label:Deewee / Because Music
Cat-No:bec5613338
Release-Date:08.03.2024
Configuration:LP Excl
Barcode:5056556133384
World excluding FR, UK,US,Belgium & Netherlands
Packaging: 1 x 140 grs Black Vinyl, 3mm spine sleeve with UV Gloss finish, Printed Inner Sleeeve,, marketing front sticker
SHORT BIOG
Following 2022' acclaimed 'Topical Dancer' album with Charlotte Adigéry, here comes 'Letter To Yu', the debut solo album by Bolis Pupul : produced by fellow Belgians Soulwax & released on DEEWEE/Because Music. Exploring many themes including loss, grief, ancestry, culture, belonging/not belonging and identity. It's no coincidence that Bolis Pupul's music sounds the way it does. Born in Belgium to a Chinese mother and Belgian father and raised in the super-cool creative city of Ghent, Bolis' music is a joyous cross-cultural assemblage. Mixing widescreen electronica with the warm-hearted and wonky naivete of Belgian New Beat, Bolis' singular sonics are at once playful, emotive, unrelenting and tender. The real key to unlocking Bolis' musical secret, however, is that conversation he has between his Eastern and Western roots. The creation of the album is built around Bolis' trip to Hong Kong earlier this year, made to reconnect with his late mother's roots.
TRACKLISTING VINYL:
A1. Letter To Yu
A2. Completely Half
A3. Goodnight Mr Yi
A4. Doctor Says
A5. Spicy Crab
B1. Ma Tau Wai Road
B2. Causeway Bae
B3. Cantonese
B4. Kowloon
B5. Cosmic Rendez-Vous
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Packaging: 1 x 140 grs Black Vinyl, 3mm spine sleeve with UV Gloss finish, Printed Inner Sleeeve,, marketing front sticker
SHORT BIOG
Following 2022' acclaimed 'Topical Dancer' album with Charlotte Adigéry, here comes 'Letter To Yu', the debut solo album by Bolis Pupul : produced by fellow Belgians Soulwax & released on DEEWEE/Because Music. Exploring many themes including loss, grief, ancestry, culture, belonging/not belonging and identity. It's no coincidence that Bolis Pupul's music sounds the way it does. Born in Belgium to a Chinese mother and Belgian father and raised in the super-cool creative city of Ghent, Bolis' music is a joyous cross-cultural assemblage. Mixing widescreen electronica with the warm-hearted and wonky naivete of Belgian New Beat, Bolis' singular sonics are at once playful, emotive, unrelenting and tender. The real key to unlocking Bolis' musical secret, however, is that conversation he has between his Eastern and Western roots. The creation of the album is built around Bolis' trip to Hong Kong earlier this year, made to reconnect with his late mother's roots.
TRACKLISTING VINYL:
A1. Letter To Yu
A2. Completely Half
A3. Goodnight Mr Yi
A4. Doctor Says
A5. Spicy Crab
B1. Ma Tau Wai Road
B2. Causeway Bae
B3. Cantonese
B4. Kowloon
B5. Cosmic Rendez-Vous
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Fuck Reality
Cat-No:fuckreality07
Release-Date:15.03.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180085
in stock
Last in:19.01.2024
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Last in:19.01.2024
Label:Fuck Reality
Cat-No:fuckreality07
Release-Date:15.03.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180085
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1
Fossar - Good 2 Me
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Fossar - Free
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Fossar - Make Me Feel
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Fossar - Aeriel (Windy City Version)
Tracklist:
A1 Good 2 Me
A2 Free
B1 Make Me Feel
B2 Aeriel (Windy City Version)
Smallville Record sub-label Fuck Reality returns in March 2024 with Fossar’s ‘Make Me Feel’ EP.
The Fuck Reality imprint founds it origins in 2015 as a sub label of the widely lauded Smallville label with a heavy focus on classic House music. The label kicked off with the reissue of Westbam and Nena’s iconic ‘Oldschool Baby’ with remixes from Smallpeople and Gerd Janson before going on to release music from Smallville staple Moomin, Frantzvaag – who also release the first album on the label last year - and more. Here the label welcomes Fossar, co-founder of the Feuilleton imprint, onto the imprint with his new EP.
‘Good 2 Me’ opens with airy chords, robust toms, flickers of resonant synth stabs and soulful vocals running atop snappy drums before ‘Free’ embraces a classic 90’s New York aesthetic with heavily swung percussion a jazzy bass groove, emotive piano lines and warm vocal chants.
The B-side is then kicked off with ‘Make Me Feel’, diving deep with shimmering, expansive leads, looped vocal, swirling string melodies and a classic bumpy bass and snare combination. The ‘Aeriel (Windy City Version)’ then rounds things out, as the name would suggest nodding to the Chicagoan roots of House and employing all the classic tropes from slick flutes, intertwined keys, glistening piano melodies and shuffled 909 drums.
All tracks written, produced and mixed by Pchris Gruber
Mastering by Lopazz / Mixmastering, vinyl Cut by Helmut Erler / Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Good 2 Me
A2 Free
B1 Make Me Feel
B2 Aeriel (Windy City Version)
Smallville Record sub-label Fuck Reality returns in March 2024 with Fossar’s ‘Make Me Feel’ EP.
The Fuck Reality imprint founds it origins in 2015 as a sub label of the widely lauded Smallville label with a heavy focus on classic House music. The label kicked off with the reissue of Westbam and Nena’s iconic ‘Oldschool Baby’ with remixes from Smallpeople and Gerd Janson before going on to release music from Smallville staple Moomin, Frantzvaag – who also release the first album on the label last year - and more. Here the label welcomes Fossar, co-founder of the Feuilleton imprint, onto the imprint with his new EP.
‘Good 2 Me’ opens with airy chords, robust toms, flickers of resonant synth stabs and soulful vocals running atop snappy drums before ‘Free’ embraces a classic 90’s New York aesthetic with heavily swung percussion a jazzy bass groove, emotive piano lines and warm vocal chants.
The B-side is then kicked off with ‘Make Me Feel’, diving deep with shimmering, expansive leads, looped vocal, swirling string melodies and a classic bumpy bass and snare combination. The ‘Aeriel (Windy City Version)’ then rounds things out, as the name would suggest nodding to the Chicagoan roots of House and employing all the classic tropes from slick flutes, intertwined keys, glistening piano melodies and shuffled 909 drums.
All tracks written, produced and mixed by Pchris Gruber
Mastering by Lopazz / Mixmastering, vinyl Cut by Helmut Erler / Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
pre-sale
Label:High Fashion Music
Cat-No:MS474
Release-Date:18.07.2025
Genre:House
Configuration:12"
Barcode:
pre-sale
Last in:15.01.2025
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Last in:15.01.2025
Label:High Fashion Music
Cat-No:MS474
Release-Date:18.07.2025
Genre:House
Configuration:12"
Barcode:
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1
The Bucketheads - The Bomb! (These Sounds Fall Into My Mind) (Massivedrum Remix)
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The Bucketheads - The Bomb! (These Sounds Fall Into My Mind) (Massivedrum Dub Mix)
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The Bucketheads - The Bomb! (These Sounds Fall Into My Mind)
REPRESS!
Masters at Work member Kenny “Dope” Gonzalez is the genius behind The Bucketheads – The Bomb! (These Sounds Fall Into My Mind). An established History of House hall of famer’, The Bomb’ is a 90’s house, party soundtrack essential that mixies electro, hip-hop and 4/4 house it features samples from Chicago’s ‘Street Player’ & Green Velvet’s ‘The Preacher Man’ fused into a disco-funk and house groove with edgy, funky, rough and ready beats and subtle latino flavour. It easy to see why its ranked in the 100 Greatest Dance Singles of All Time! Portuguese house producer Massivedrum is on remix duties. He has remixed dance royalty from Bob Sinclar, Axwell, Mory Kantè, Alexandra Stan, DJ Chus, Kentphonik, Yolanda B Cool among many others. He lends his house sensibilities and ear for the floor to enhance ‘The Bomb’ to new levels for an unforgettable experience. Besides the Massivedrum remix and it’s dub, also the full 14’51” minutes original version is available on this double A sided release! The Massivedrum remix is taken from the album “High Fashion Dance Music 5 – Mixed by Ben Liebrand”, which is available on LP/CD/MC and DCC.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Masters at Work member Kenny “Dope” Gonzalez is the genius behind The Bucketheads – The Bomb! (These Sounds Fall Into My Mind). An established History of House hall of famer’, The Bomb’ is a 90’s house, party soundtrack essential that mixies electro, hip-hop and 4/4 house it features samples from Chicago’s ‘Street Player’ & Green Velvet’s ‘The Preacher Man’ fused into a disco-funk and house groove with edgy, funky, rough and ready beats and subtle latino flavour. It easy to see why its ranked in the 100 Greatest Dance Singles of All Time! Portuguese house producer Massivedrum is on remix duties. He has remixed dance royalty from Bob Sinclar, Axwell, Mory Kantè, Alexandra Stan, DJ Chus, Kentphonik, Yolanda B Cool among many others. He lends his house sensibilities and ear for the floor to enhance ‘The Bomb’ to new levels for an unforgettable experience. Besides the Massivedrum remix and it’s dub, also the full 14’51” minutes original version is available on this double A sided release! The Massivedrum remix is taken from the album “High Fashion Dance Music 5 – Mixed by Ben Liebrand”, which is available on LP/CD/MC and DCC.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:The Outer Edge
Cat-No:EDGE-032R
Release-Date:11.07.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:
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Last in:11.07.2025
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Last in:11.07.2025
Label:The Outer Edge
Cat-No:EDGE-032R
Release-Date:11.07.2025
Genre:Soul/Funk
Configuration:LP Excl
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1
Collage - Nachtcafé
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2
Collage - Rendezvous
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Collage - Herzschlag
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Collage - Motel d'amour
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5
Collage - Casanova
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6
Collage - Wir haben getanzt heut' Nacht
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7
Collage - All diese Jahre
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8
Collage - Rotes Licht für rote Liebe
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9
Collage - Musik (Rhythmische Verführung)
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Collage - Die Nacht ist noch jung
Red vinyl is a limited Edition of 200 copies!
Motel d'amour - A Lost Electro-Funk Gem from the NDW Era Resurfaces
When we first collaborated with Collage member Markus Kammann on the EP project "Mit den Puppen tanzen" at the end of last year, we never imagined what would follow: Kammann approached us with a completely unreleased full-length album by his former band. Upon receiving the first three preview tracks, we were floored. One of them was "Nachtcafé" - a track that kicks off with a funky bassline layered over the punchy rhythm of a Roland TR-808. Add shimmering synths and Katrin A. Kunze's sharp, distinctive vocals, and we instantly knew we were hearing something special.
For a label dedicated to rediscovering lost treasures, this was exactly what we'd been searching for. The next two tracks - "Rendezvous" and "Casanova" - were just as compelling. When Kammann sent us the full album, we realized we were holding an electro-funk grail from the late golden days of the German Neue Deutsche Welle (NDW). We were listening to "Motel d'amour".
"Motel d'amour" is a concept album, offering a sharp, vibrant perspective from a confident, intelligent, and radiant young woman eager to experience nightlife, love, and music. Kunze's lyrics paint vivid scenes of flirtation ("Nachtcafé", "Rendezvous"), encounters with men ("Casanova"), the pulse of nightlife ("Die Nacht ist noch jung"), love ("Rotes Licht für rote Liebe"), one-night stands ("Motel d'amour"), and more. Rarely has a German album from that era captured emotional nuance and social dynamics so insightfully. Without veering into the overly personal, Kunze's direct, daring lyrical style was groundbreaking at the time - and remains refreshingly bold today.
While German listeners will fully appreciate the lyrical depth, the music speaks volumes on its own. Kunze's words are masterfully complemented by the production of Markus Kammann and Jürgen Grah. As heard on the in-demand "Mit den Puppen tanzen", their creativity seemed boundless. Each track is tightly composed, catchy, and full of character. While many German bands at the time leaned into rock, Kammann drew from the deep grooves of Earth, Wind & Fire, The Isley Brothers, Brothers Johnson, The Commodores, and the electro-futurism of Afrika Bambaataa's "Planet Rock" and "Looking for the Perfect Beat". The result: tracks with unmistakable electro-funk flair, powered by the classic 808 drum sound.
Though primarily rooted in funk and electro, the album retains flashes of NDW aesthetics - "Wir haben getanzt heut' Nacht" being a prime example. The instrumentation is a dream list for vintage gear lovers: Yamaha keyboards, Roland Juno-60, vocoder, Micromoog, Hohner D6 Clavinet, Fender bass, and a Telecaster guitar all feature prominently.
Recorded in 1985 at the high-profile Delta Studio by Richard Rossbach, the album attracted interest from Polydor. However, the label proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, "Motel d'amour" was shelved, and Kammann, Grah, and Kunze moved on to form Cold End.
The album cover features a rare archival photo of Katrin A. Kunze - rediscovered by Kammann and now finally seeing the light of day, 40 years later.
We believe Motel d'amour deserves recognition alongside cult German classics like P!OFF?, 1. Futurologischer Congress' "Wer spricht?", Ami Marie's "Verrückt nach Glück", the funkier cuts of Cosa Rosa, or Piet Klocke's groove classic "Heute ist nicht sonst". It's a record that fits into adventurous DJ sets but also rewards a full, start-to-finish listen.
A note on audio quality: Sadly, the original master tapes were lost. The tracks were restored from a vintage TDK cassette. Thanks to modern digital tools, we were able to remaster them to a high standard - but in some songs light distortions remain. We appreciate your understanding and hope you enjoy this lost and undiscovered gem.
- Completely unissued NDW Electro-Funk LP
- Fully Licenced, recorded in 1985
- Thick 350 g picture sleeve with sticker
- Contains lyrics insert
- Quality lacquer cut by SST
Side A
Nachtcafé
Rendezvous
Herzschlag
Motel d'amour
Casanova
Side B
Wir haben getanzt heut' Nacht
All diese Jahre
Rotes Licht für rote Liebe
Musik (Rhythmische Verführung)
Die Nacht ist noch jung
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Motel d'amour - A Lost Electro-Funk Gem from the NDW Era Resurfaces
When we first collaborated with Collage member Markus Kammann on the EP project "Mit den Puppen tanzen" at the end of last year, we never imagined what would follow: Kammann approached us with a completely unreleased full-length album by his former band. Upon receiving the first three preview tracks, we were floored. One of them was "Nachtcafé" - a track that kicks off with a funky bassline layered over the punchy rhythm of a Roland TR-808. Add shimmering synths and Katrin A. Kunze's sharp, distinctive vocals, and we instantly knew we were hearing something special.
For a label dedicated to rediscovering lost treasures, this was exactly what we'd been searching for. The next two tracks - "Rendezvous" and "Casanova" - were just as compelling. When Kammann sent us the full album, we realized we were holding an electro-funk grail from the late golden days of the German Neue Deutsche Welle (NDW). We were listening to "Motel d'amour".
"Motel d'amour" is a concept album, offering a sharp, vibrant perspective from a confident, intelligent, and radiant young woman eager to experience nightlife, love, and music. Kunze's lyrics paint vivid scenes of flirtation ("Nachtcafé", "Rendezvous"), encounters with men ("Casanova"), the pulse of nightlife ("Die Nacht ist noch jung"), love ("Rotes Licht für rote Liebe"), one-night stands ("Motel d'amour"), and more. Rarely has a German album from that era captured emotional nuance and social dynamics so insightfully. Without veering into the overly personal, Kunze's direct, daring lyrical style was groundbreaking at the time - and remains refreshingly bold today.
While German listeners will fully appreciate the lyrical depth, the music speaks volumes on its own. Kunze's words are masterfully complemented by the production of Markus Kammann and Jürgen Grah. As heard on the in-demand "Mit den Puppen tanzen", their creativity seemed boundless. Each track is tightly composed, catchy, and full of character. While many German bands at the time leaned into rock, Kammann drew from the deep grooves of Earth, Wind & Fire, The Isley Brothers, Brothers Johnson, The Commodores, and the electro-futurism of Afrika Bambaataa's "Planet Rock" and "Looking for the Perfect Beat". The result: tracks with unmistakable electro-funk flair, powered by the classic 808 drum sound.
Though primarily rooted in funk and electro, the album retains flashes of NDW aesthetics - "Wir haben getanzt heut' Nacht" being a prime example. The instrumentation is a dream list for vintage gear lovers: Yamaha keyboards, Roland Juno-60, vocoder, Micromoog, Hohner D6 Clavinet, Fender bass, and a Telecaster guitar all feature prominently.
Recorded in 1985 at the high-profile Delta Studio by Richard Rossbach, the album attracted interest from Polydor. However, the label proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, "Motel d'amour" was shelved, and Kammann, Grah, and Kunze moved on to form Cold End.
The album cover features a rare archival photo of Katrin A. Kunze - rediscovered by Kammann and now finally seeing the light of day, 40 years later.
We believe Motel d'amour deserves recognition alongside cult German classics like P!OFF?, 1. Futurologischer Congress' "Wer spricht?", Ami Marie's "Verrückt nach Glück", the funkier cuts of Cosa Rosa, or Piet Klocke's groove classic "Heute ist nicht sonst". It's a record that fits into adventurous DJ sets but also rewards a full, start-to-finish listen.
A note on audio quality: Sadly, the original master tapes were lost. The tracks were restored from a vintage TDK cassette. Thanks to modern digital tools, we were able to remaster them to a high standard - but in some songs light distortions remain. We appreciate your understanding and hope you enjoy this lost and undiscovered gem.
- Completely unissued NDW Electro-Funk LP
- Fully Licenced, recorded in 1985
- Thick 350 g picture sleeve with sticker
- Contains lyrics insert
- Quality lacquer cut by SST
Side A
Nachtcafé
Rendezvous
Herzschlag
Motel d'amour
Casanova
Side B
Wir haben getanzt heut' Nacht
All diese Jahre
Rotes Licht für rote Liebe
Musik (Rhythmische Verführung)
Die Nacht ist noch jung
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Tresor Records
Cat-No:tresor360
Release-Date:24.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804141376
in stock
Last in:12.07.2024
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Last in:12.07.2024
Label:Tresor Records
Cat-No:tresor360
Release-Date:24.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804141376
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1
Model 500 - I.D.L.E. 05:39
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2
Ectomorph - Searching (Live at Globus) 04:54
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3
AMX - Your Body 05:20
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4
DJ Stingray 313 - Dynamic Instability 04:14
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5
JakoJako - Metal Goat 05:05
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6
Erik Jabari - Screamore 04:47
Territories: World excl. UK
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Break New Soil
Cat-No:BNS090
Release-Date:04.04.2025
Genre:Techno
Configuration:12" Excl
Barcode:0618119343378
in stock
Last in:31.03.2025
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Last in:31.03.2025
Label:Break New Soil
Cat-No:BNS090
Release-Date:04.04.2025
Genre:Techno
Configuration:12" Excl
Barcode:0618119343378
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1
Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
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2
Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
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Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
GENRE/S: Techno
TRACKLISTS:
A: Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
B1: Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
B2: Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
SHORT INFO:
We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLISTS:
A: Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
B1: Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
B2: Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
SHORT INFO:
We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP
backorder
Label:Paranoid London
Cat-No:PDONLP001
Release-Date:21.03.2025
Genre:Techno
Configuration:2LP
Barcode:199066542460
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Last in:16.06.2025
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Last in:16.06.2025
Label:Paranoid London
Cat-No:PDONLP001
Release-Date:21.03.2025
Genre:Techno
Configuration:2LP
Barcode:199066542460
1
paranoid london - 01. Light Tunnel ft Mutado Pintado
2
paranoid london - 02. Transmission 5 ft Mutado Pintado
3
paranoid london - 03. Headtrack
4
paranoid london - 04. Paris Dub 3 ft Paris Brightledge
5
paranoid london - 05. Machines Our Coming
6
paranoid london - 06. Lovin U (Ahh Shit) ft DJ Genesis
7
paranoid london - 07. We Ain't
8
paranoid london - 08. Eating Glue ft Mutado Pintado
9
paranoid london - 09. 300 Hangovers A Year ft Mutado Pintado
10
paranoid london - 10. Paris Dub 1 ft Paris Brightledge
10th Anniversary Repress of the Paranoid London LP from 2014. From the moment you hear the first warm pads you know this is going to be an epic journey. Not really. Here is some more repetitive, machine bass music for DJs to play loud & dancers to freak to. Featuring vocals from Mutado Pintado (NYC), Paris Brightledge (Chicago) & DJ Genesis (Detroit). Includes New Printed Insert
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:ANS Recordings
Cat-No:ans6000
Release-Date:11.04.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804141857
in stock
Last in:20.03.2025
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Last in:20.03.2025
Label:ANS Recordings
Cat-No:ans6000
Release-Date:11.04.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804141857
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1
Anthony Naples - Moto Verse
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2
Anthony Naples - Orb Two
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3
Anthony Naples - Morph
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4
Anthony Naples - Silas
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5
Anthony Naples - Gem
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6
Anthony Naples - Ackee
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7
Anthony Naples - Scars
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8
Anthony Naples - Strobe (second single)
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9
Anthony Naples - Tito
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10
Anthony Naples - Unknow
2025 repress
Tracklist:
A1. Moto Verse
A2. Orb Two
A3. Morph
A4. Silas
A5. Gem
B1. Ackee
B2. Scars
B3. Strobe (second single
B4. Tito
B5. Unknow
Release Info:
Anthony Naples fifth full length LP “orbs” is a moody portal of shoegazed and slo-mo songs suspended in thin air. The album doesn’t reassemble the A.N. sound from the ground up, so much as enhance and expand its scope in all directions. Samples and Instruments meld together into new languorous and liquid forms that with or without the beat of drums, shift with the gentle movements of time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. Moto Verse
A2. Orb Two
A3. Morph
A4. Silas
A5. Gem
B1. Ackee
B2. Scars
B3. Strobe (second single
B4. Tito
B5. Unknow
Release Info:
Anthony Naples fifth full length LP “orbs” is a moody portal of shoegazed and slo-mo songs suspended in thin air. The album doesn’t reassemble the A.N. sound from the ground up, so much as enhance and expand its scope in all directions. Samples and Instruments meld together into new languorous and liquid forms that with or without the beat of drums, shift with the gentle movements of time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore