Shonky has over the years developed a signature hypnotic hard grooving sound, characterised by punishing beats laced through with detailed polyrhythms and elusive motifs. Sexy and playful, seriously jacking. The result is dance grooves that punch and tickle every surface and joint in the body. It sounds effortless, but it's far from it. Shonky crafts his tracks to deliver a prefect groove every time.

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Paradygm Shift, the first Robert Hood album to be released since 2012. A staggering record of techno dynamite sees the Detroit legend excelling at what he does best. The record serves as a milestone for the Dutch label Dekmantel, celebrating its tenth anniversary, with the label’s 50th release. Paradygm Shift is return to the distinguished style that defined Robert Hood’s music in the early 90s. It is the older, and more mature brother to Hood’s classic Minimal Nation, highlighting his more evolved, technical craftsmanship, It is an album of crisp, smooth and delicately orchestrated techno that is quintessentially minimal in focus, and grandiose in sound, juxtaposed with electronic funk, wrapped up in blisteringly urgent, and honest, pulsating techno. The LP is the culmination of a three EP series released on Dekmantel. “The idea behind it is just a shift in our focus. We can become so complacent; we are so comfortable with our surroundings. I think this is the time for electronic music to find a new mindset." Robert says about the record’s concept. "I felt it necessary to reiterate Robert Hood as an electronic music artist who is bringing minimalism back in the forefront, and not to get lost in the melody. I want to get back to the simple repetitive programming that I'm known for, and to me it was returning to that, and shifting the listeners' focus.”


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While feeling very honored and excited to have three extremely talented artists feature on his new Real Tone Records release, Shonky the French Berlin-based producer who is also a part of Apollonia, has asked Larry Heard, Delano Smith and The Martinez Brothers a couple of different questions each to give us more of an insight to them and their artistry.



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Shonky’s debut EP for the label bears a lot of his signature elements, mixed in with a dash of patented Culprit funk. The title-track fits the label’s canon of soulful, warm grooves and provides the inspiration for the rest of the EP. The two companion songs ‘La Bestia’ and ‘Kwality’ took shape as label and artist moulded the release together. In ‘La Bestia’ Shonky serves up his take on the melodic, funky bassline sound which Hot Natured pioneered for the label, with his own more euphoric twist. ‘Kwality’ channels Shonky’s love for classic 90’s US house. It works a dancefloor but reflects LA’s sun-drenched vibe far more than darkened warehouse spaces. The song recently set the roof ablaze at Culprit’s Sonar showcase. An outgrowth of another trans-Atlantic relationship also sees Londoner jozif join Culprit on this release, remixing ‘Oasis’. His remix has been a secret weapon in Droog sets for the last few months, with its dramatic piano flourishes and jozif’s own original guitar elements adding up to a modern take on a truly Balearic style. It’s only fitting that jozif has just become a Space, Ibiza resident. Through a “meeting of the minds” last year in London and playing together in Miami and Sonar, a friendship between the label and jozif has been cemented that, in typical Culprit symmetry, will see him go from remixing to contributing a full release to the label later this year.

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This EP is 6 unreleased tracks in the Thomas Brinkmann celebrated Max Ernst series of 12", all with female names, released with names ordered alphabetically. Starting with. 1. Anna Beate, the series ran for 12 releases over the 2 years from 1998 to 2000. 2. Clara Doris 3. Erika Frauke 4. Gisela Heidi 5. Inge Jutta 6. Karin Lotte 7. Monika Nikola 8. Olga Petra 9. Susie Trixi 10. Ulla Vera 11. Wanda Xenia 12. Yvette Zara, followed. There was never an ep with Q and R. Number 9 is Susie and Trixie. The tapes were lost. But have come to light nearly 25 years later. So now, here is Q/R; Quila 1-3 and Romy 1-3. What we have here are the original tracks as intended for release, with some minor editing and rearranging for release now. The original series was very successful. The first 3 12", released at the same time were a sensation on release. Suddenly, Thomas Brinkmann was the name to check. Today, these Quila/Romy tracks may well have the same impact as the other tracks in the series had when they were released. There is still nothing that sounds like this music. It seems to be an example of a perfect melding of soul and machine. 25 five years later... a annniversary of sorts, offered up by the machines.

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Mike Agent X Clark returns to Third Ear with four new tracks. His first release for the label in six years, after the River People Edits. The quality and variety which is typical of many Detroit releases is very evident here. Is it house? Is it techno? Is it disco? These genre-defining labels don't really come into the minds of many Detroit producers when making tracks, the music they create often seamlessly blends many genres. What is recognisably Detroit is the weight and the swing of these releases; they do not mess around, and Mike Clark is a master of this.

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Thomas Brinkmann creates a new moniker for his latest project to push technical limitations and challenge perceptions; classic Brinkmann agendas. Mele is Italian for Apples, and with Mele Boy, Thomas Brinkmann uses Apple Loops and Apple Logic Pro as the foundation of this music, invoking what he terms Apple Incest, apropos the controversy surrounding Serge Gainsbourg and the song Lemon Incest. What he has produced here for the Seduction ep is simply brilliant music regardless of the machines used or the sounds he works with, reinforcing the axiom that it's the artist not the tools that establishes the greatness of the work.. Those who are prejudiced against such ubiquitous tools may not be swayed. But Brinkmann is not attempting to change opinions, instead he is asking us to challenge our perceptions and the fact that we have prejudices at all... through some brilliant music for the body and the soul.

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Sinethemba Mahlangu is from Zola, Soweto, South Africa. Third Ear received some demos from him in 2019 and since then have mentored him and encouraged his talent. The Unorthodox Flow EP is his first release. We are proud and excited to now share his music with the world. The EP shows a prodigious talent creating a original form of music. His choice of tempos demonstrates a fearless approach, while his sounds and arrangements show a knowledge and understanding of house and classic soul and jazz, with an experimental edge.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "The ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a eurorack modular system.

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Detroit's Scan 7 drop a fine ep of Motor City electronic Techno Soul on Third Ear.

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Freerotation resident Sam Watson drops his second ep for Third Ear. Techno. Coordinates: Hard. Trippy.

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Detroit's Sean Deason drops the second release in our New Detroit Deep series, following Hazmat's Infinite Silence ep. Sean has delivered an ep of classic Detroit Techno and Breakbeat, showcasing all the Detroit Techno elements of groove and soul.

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From somewhere in Tennessee. Actually, Knoxville Tennessee. Raw Electro and Breakbeats out of the swamps. Techno and Tennessee are not normally thought of together, but here they are. Bumping.

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Norken lands on Third Ear with a true Techno Soul record (Eddie Fowlkes would approve). Gorgeous bass lines. Wonderfully crisp drums. Lush emotive pads and strings. Destined to be regarded as one of his best records.

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Shonky has over the years developed a signature hypnotic hard grooving sound, characterised by punishing beats laced through with detailed polyrhythms and elusive motifs. Sexy and playful, seriously jacking. The result is dance grooves that punch and tickle every surface and joint in the body. It sounds effortless, but it's far from it. Shonky crafts his tracks to deliver a prefect groove every time.

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Thomas Brinkmann is one of the great producers of Techno music and modern dance music. He initially gained notoriety in the experimental electronic music and Techno community for his full-length 'variations' of material by Wolfgang Voigt under his Mike Ink moniker, and Richie Hawtin. The variations were made by playback of the original artist records on a turntable of Brinkmann's design, which has two tone arms with separate outputs for left and right channels. The turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. Both Voigt and Hawtin were sufficiently impressed they released the results on their own labels. Since then Thomas Brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by Thomas Brinkmann himself. There are unreleased tracks, different versions, and tracks that have never been released on vinyl. A full colour 20-page book with track notes by Thomas Brinkmann and photos from his personal collection is included. Limited edition box. Highly Recommended!

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Imprints is back with Audri on his new release! 3 fresh House tracks for all the dancefloors, don't miss it!

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Isolation Diaries is Argentinian producer Alejandro Mosso's 2nd album. It comes more than ten years after his debut, Hiperborea in 2005. He says "I think the album is warm, emotive and nostalgic but not dark nor sad. It is percussive and melodic but not laid back and Balearic. It is tribal and organic but still very precise", as only electronic music can be. The grooves are strong and infectious and the sounds are rich and satisfying, resulting in music that sounds very organic and unpremeditated. The album is accompanied by a Burnt Freidman remix of the track Isolation Diaries, and a Ricardo Villalobos remix of Deardrum.



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New talent from Detroit. HazMat's Infinite Silence ep is as deep as they come, and is the first release in a new series of Detroit artist releases from Third Ear. Following on from Third Ear's landmark Detroit Beatdown series, the New Detroit Deep series of releases is just that. HazMat has played keyboards for artists such as Bilal and Mary J Blige, as well as Detroit legends Kenny Dixon Jr, Amp Fiddler and Delano Smith. Along the way, he started to make his own beats and his own tracks and is now ready to take things to the next level. He also plays keys with Motown legacy artists' touring bands, such as The The Four Tops, The Detroit Spinners, The Gap Band. It's not all about the beats and the synths, though. HazMat's work using the Talkbox is right up there.



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