Perseus Traxx makes his Schrödinger’s Box debut with a 4-track EP of experiments forged in the depths of Northern England. Pristine plateaus and eerie sweeps cover the entire first side, a Perseus Traxx from 2090, shimmering in and out of phase within a murky acidic landscape. Introspective and thoughtful throughout. B1 surges forth with resolute intention, headed straight for the singularity. The UK’s answer to Legowelt – Timothy J Fairplay finishes off the final quarter with a summer-garden Techno banger. Purple / transparent vinyl.

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A great pairing here as the rugged basslines, emotional melodies, and vintage percussion of Perseus Traxx seem right at home on the Love Notes stabel, who seem to be taking a quick break from showcasing artists from their homebase of Brooklyn, as they have on their last 4 records. More Songs About Girls is a cohesive EP of 4 original tracks and neither fans of this artist nor fans of this label will be disappointed.


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Perseus Traxx makes his debut on Hissman’s Hardmoon London imprint with a unique set of acid-free sonic experiments.



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With releases on Future Flash, Bunker, M>O>S, BOE Recordings, Photic Fields, Skylax, Chiwax, BoomChik, Snuff Trax, Use of Weapons, Got2Go, Remote Recordings & J.A.M. Traxx, 18 months after Perseus Traxx brought us his first E.P, dedicated to four of the nine Muses of ancient Greece, Flight Recorder now brings you the second instalment dedicated to four more Muses, on "Goddesses Of Inspiration II" The feel is the same as before with jagged cutting tones jammed live then edited down. Heavy synths and scattered drums perform an ode characterising the appropriate Muses, as tangled wires and a pair of hands wrench the overload of inspiration they give from basic machines. Once again Perseus' release on Flight Recorder is a unique set of acid-free sonic experiments, that sometimes feel as cold and edgy, as they do warm and carefree.


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Perseus Traxx, aka Nigel Rogers, is returning to Photic Fields with a four track outing. This young Briton has time and time again shown his ability to sculpt soulful soundscapes using the building blocks laid down by Chicago House. Harmony of Elements is further proof of this. From the outset lush key strokes are laid down, warmth and texture brushed with subtle beats. Percussion patterns are used to scaffold achingly delicate bars. Autumnal tones swirl amongst warm winds and colder currents. Darker moments are present, nightskies bruise under weighty bars. M>O>S man ASOK is on remix duty, blotting "Grey Skies" with his ink-stained sounds; eclipsed moods balanced with honeyed notes. Harmony of Elements sees Nigel Rogers full range of ability on display. There's a revived and renewed complexity to this layered EP. A landscape of emotion is lovingly created, edges are smoothed and richness flows. Undoubtedly some of the most developed, heartfelt and involving sounds to come from Perseus Traxx to date.




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Cyber Dance Records are back on the attack with a fresh release from the legendary Perseus Traxx aka Nigel Rogers, a 4-track EP entitled after recent scientific developments 'An Apparent Horizon'. It's a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the UK's own rich history of electronic dance music, with elements from the classic Warp "deep space sound" prominent as much as the more usual 303-jacking acid house grooves in the vein of Baby Ford or Bam Bam. 'Lost Dreams' opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on Side A with the irresistible roll of 'Reverse The Trend' that takes the groove harder, further and deeperstraight off to the beyond. Dark strings reminiscent of old LFO, B-12 or Autechre vinyls from the early 90s propel us into Side B on 'Darkness Stalks', and then we're transported onto the concluding track on the EP, 'Distances'; an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any M25 rave in the depths of a late 1980s night.


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Solar One Music is back with their "The Crystal Issue" series. After Mantra's debut now Nigel Rogers better known as Perseus Traxx presents his authentic chicago house on this series. Moody synths, rattling drum machines and bubbling Acid at its best. Two tracks for the dancefloor and for your mind. Limited edition on green, clear, one single-sided vinyl No digital release!



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fter his excellent and well-received Coded Emotion EP on the MOS label in late 2011, analogue fetishist Perseus Traxx returns for another MOS outing... It finds the producer in similarly classic mode, exploring the deep down depths of house and techno in his own fuzzy and hugely atmospheric way. 'Gorgon' has widescreen synths, tightly coiled synth lines and jagged beats all tussling with each other, whilst 'Poseidon's Monster' is about chattering claps hanging above a synth line that twists and turns, implodes and explodes at whim. It's focused and forceful at the same time as sounding some how human. On the flip, 'Return To Seriphos' is another dense soundscape, but one that invites you into its core thanks to the freeform analogue lines, contrast of rough with smooth and generally classy Chicago vibes. 'Stranger Shores' is less troubled and more reflective with bright melodic chords glowing from the centre of the track as warbling, swollen sub undulates all around them. This is music for dancing to, but also music in which to lose your mind as you travel a world away from here: textbook MOS.

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STAY UNDERGROUND, IT PAYS is a brand new sub - label from SKYLAX RECORDS. For this 3rd release, we decided to bring you guys one of the best UK producer right now : PERSEUS TRAXX !!! The analog man, Future Flash boss is back with some killer tracks after a bunch of releases through BOE, Bunker, MOS (aroy dee’s label). As you guys can expect those are deep & jacking chicago sounds with haunting pads, big basselines & some classic TR 707 - 909 drum machines. The title track “Hindsight” is a raw bumpy cut with a sneaky bassline going all along with rolling claps & rims. Influenced by all the best 80’s trax records releases, it’s a late night masterpiece of minimalistic electronic sounds. The 4 other tracks “Late night calls”, “A slave to feelings”, “How the future lies” & the crazy “wrangle” are clearly working in the same movement.

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Six Chicago house tracks from Future Flash boss Perseus Traxx on this M>O>S release. The 15th release for MOS Recordings and the last for 2011 comes from Future Flash boss and deepest house producer Perseus Traxx. With releases on labels like Bunker and Boe Recordings, the UK producer has earned himself a deserving reputation amongst 4/4 connoisseurs, and the six tracks he serves up here only confirm that.

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Crimes Of The Future 016 is a very special collaboration between N.O.I.A. Rubicon & Rude 66 with the track 'Morning Bells'. Italian synth pioneers N.O.I.A. formed in 1978 originally as a 5 piece band, their New Wave sound was a precursor to Electro & Italo. In 1983 they signed to Oderso Rubini's Italian Records as a three piece. During their golden age of 1983-1985AN.O.I.A. released 5 singles and the mini LP "The Sound of Love" which were all successful in the European dance market. Also in 1983 Band member Davide Piatto composed the dance classic "Dirty Talk" sung by Rossana Casale. Released under the name Klein & MBO and it reaches the top of the charts all over the world.AN.O.I.A are still producing music in their studio based in the seaside city of Cervia. Rubicon is an Italian electronic musician and producer.AHe comes from a small town in North-eastern Italy, land of the red river RubiconAthat was famously crossedAby Julius Caesar. Rude 66 is known a being one of the creators of The West Coast Sound Of Holland. A prolific producer in electro music and acid house since the early 1990s. Born Ruud Lekx, Rude 66 has been making noise since the '80s, when his first musical endeavours involved noise bands andAEBM. His first solo work, however, surfaced in 1993 on the newly founded Bunker Records, after Lekx passed a tape of acid tracks to high school classmate (and Bunker co-founder) Guy Tavares. Alongside like-minded artists such as I-f and Unit Moebius, Rude 66 was instrumental in putting the seminal Hague label on the map, releasing multiple albums and EPs of gritty, lo-fi acid sounds.AThe track 'Morning Bells' was originally demo'd by N.O.I.A. then produced and arranged together with Rubicon, Rude 66 mixed and added the final touches. The track is both moody & uplifting, hinting at Electro, Acid & Italo, as well as all the signature sounds of the collaborators. For the B Side there is a version produced by Timothy J. Fairplay. Due to the analogue nature of how the original was recorded there were no 'parts' to do a remix with, so Timothy rerecorded all of it from scratch, more a cover than a remix, Timothy's version sits on an Electro break unlike the 4/4 original and is maybe a touch more menacing.

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Crimes Of The Future head to the other side of the world their first release from Australia. Paradise Box is responsible for the killer "Reel Nitty Gritty" on Greece's highy repected Echovolt Records back in 2014 and in 2017 he joins the Crimes Of The Future family with the Hookup EP. Two original cuts of fine and upliftying deep and tropical house music are joined by two very special cover versions like you have never heard before...... An incredible EP working equaly as well in the club or on a sun kissed beach bar.


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Chicago house legend Mystic Bill joins Crimes Of The Future for a 2 straight up jacking house tracks with bonus instrumental and a mind bending remix by Scott Fraser. Bill Torres needs little introduction to those fans of the original Chicago movement in the late 1980's and 1990's, he produced a string of 12's for the likes of Trax and Relief Records whilst playing and holding down DJ residences in some of the citties best loved venues. After remixing Scott Fraser's No Word Of Truth release last year on his DX Recordings label his first full solo release on Crimes Of The Future has arrived.The A cut Frequency 9 is a rolling jacker with rattling percussion and dark synth stabs to dement the warehouse dancefloor and very much in the line of Bill's trademark style. A2 see's Fraser return the remix favour delivering a massive floor bumping remix adding all new drums, 303 and huge bassline giving a nod to the classic sound of those Sex Trax/ Power Music 12's from the 1990's with his 11 minute mind control remix.... The frequency cannot be controlled! Side B has both the original and a bonus intrumental of The Ship Is Sinking, a dark slice of jacking house complete with real tension and total mastery of the sampler for those able to spot it. Frequency 9 was originally recorded in 1995 (Chicago) The Ship Is Sinking was originally recorded in 1994 (Chicago) "Up to about the late nineties it had become widely popular in Chicago for Dj's to play their own recordings and edits off of tape. Many in the past had used Reel To Reel, but pitch control cassette decks and cassette tapes were a more inexpensive way to go. This gave us a chance to feature songs and edits that we had been made right on the fly, A lot of these songs became popular amongst certain groups but were never pressed to vinyl. Here are two of my own recording that could only be found on cassette, until now" Mystic Bill"


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'White of the Eye' is the first release under "Nothing but Blood" from Scott Fraser, a direct link back to Scott's earlier 90's work and sound around the darker realms of techno and harder-edged Chicago house. The EP title refers back to a favourite Donald Cammell film of Scott's from 88'. 'White of the Eye' on the A-side is an 11 minute extended mix of the lead cut. Silent Servant on remix duties delivers an amyl fuelled techno bomb landing somewhere in an 80's new york basement. Diving deeper on B2 it features Atlanta resident Claire Elise Tippins on vocals.


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Crimes of the Future is a new label from Timothy J Fairplay & Scott Fraser, and follows on from their night of the same name at the Berkeley Suite, Glasgow and in Plastic People, London. Timothy and Scott both work out of Andrew Weatherall's 'Basement Bunker' studio on Scrutton Street and are part of a group of DJ's becoming known as 'The Scrutton Street Axis'. Timothy is also one half of The Asphodells with Andrew Weatherall who released their first album 'Ruled by Passion, Destroyed by Lust' this year on Rotters Golf Club. Over the last few years between them Scott & Timothy have released music on BIrd Scarer, World Unknown, Astro Lab, Emotional Response/Relish, Magic Feet among others. Crimes of the Future's output is going to be harder edged and more up tempo than many of the labels both have generally been associated with, they want to express their love for leftfield house & techno. Release number one comes from the mysterious Antoine Rouge with his 'Spook Juke' EP. Timothy for a while was letting cult leader and spiritualist Antoine use the studio during the evenings. Unfortunately the relationship turned sour when Antoine broke the Pro One, was abusive when Timothy complained, and then did a runner with the Boss DR55 drum machine. Last seen in Sierra Leone, he did however leave quite a lot of recorded music on Timothy's hard drive. All in his distinctive deep house/techno style - or 'deep donk' as Antoine likes to call it. This first collection is a four tracker, joining the dots between Antoine's influences of European 70's synth slop & 80's chi-town slam-jack.


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Crimes of the Future is a new label from Timothy J Fairplay & Scott Fraser, and follows on from their night of the same name at the Berkeley Suite, Glasgow and in Plastic People, London. Timothy and Scott both work out of Andrew Weatherall's 'Basement Bunker' studio on Scrutton Street and are part of a group of DJ's becoming known as 'The Scrutton Street Axis'. Timothy is also one half of The Asphodells with Andrew Weatherall who released their first album 'Ruled by Passion, Destroyed by Lust' this year on Rotters Golf Club. Over the last few years between them Scott & Timothy have released music on BIrd Scarer, World Unknown, Astro Lab, Emotional Response/Relish, Magic Feet among others. Crimes of the Future's output is going to be harder edged and more up tempo than many of the labels both have generally been associated with, they want to express their love for leftfield house & techno. Release number one comes from the mysterious Antoine Rouge with his 'Spook Juke' EP. Timothy for a while was letting cult leader and spiritualist Antoine use the studio during the evenings. Unfortunately the relationship turned sour when Antoine broke the Pro One, was abusive when Timothy complained, and then did a runner with the Boss DR55 drum machine. Last seen in Sierra Leone, he did however leave quite a lot of recorded music on Timothy's hard drive. All in his distinctive deep house/techno style - or 'deep donk' as Antoine likes to call it. This first collection is a four tracker, joining the dots between Antoine's influences of European 70's synth slop & 80's chi-town slam-jack.


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