1
c.a.r. - Glock'd (The Asphodells Remix)
2
c.a.r. - Angelina (Manfredas Vocal Remix)
Following the huge success of DLM 004 and the massive appeal of Roman Flugel's remix of IDLE EYES (as charted by all from Dixon to Michael Mayer, Dan Avery to Maceo Plex), here's a little surprise from our camp. GLOCK'D is C.A.R's trademark washed out sarcasm, bleached cynicism, the track forages paths through Chloe's dark mind. It was one of the first tracks she wrote on her own, and was recorded down the bunker with Timothy J Fairplay. A favourite of Andrew Weatherall (who nominated MY FRIEND, the C.A.R album, as "one of the best releases of 2014), it’s now coming full-circle, being given a stomping shuffle air guitar dance-floor rework by The Asphodells … if you liked Our Lord Sabre's remix of FUCK BUTTON's this is for you. Electronics looking at the floor & air guitar. Following it is MANFREDAS (the protégé of LES DISQUES DE LA MORT) vocal version of Angelina, a request from many after the instrumental being released earlier this year. The Northern Wulf is biting again. AND HE BITES HARD.
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More records from c.a.r.
1
C.A.R. - Reveller
2
C.A.R. - Sore Loser
3
C.A.R. - Pressure Drop
4
C.A.R. - Steals The Dance
5
C.A.R. - Flight And Pursuit
6
C.A.R. - Distraction
7
C.A.R. - Slow Burner
8
C.A.R. - Drop Out
9
C.A.R. - Just Like This
10
C.A.R. - Becoming Strangers
Repress/Restock.
Canadian-born, London-based producer, songwriter and vocalist Chloé Raunet aka C.A.R. releases her third album, ‘Crossing Prior Street’, on Ransom Note Records. Full of bruised-but-ultimately- hopeful electronic art pop, the album tells Chloe’s story of escaping a broken childhood in Vancouver, and finding her way to the lonely streets of East London, at the tender age of 16.
“The one time in my life I lived alone, it was on a street called Prior. I was halfway through my teens and the place had lasting impact. This was a tiny, creaky flat, high in the eaves of an old wooden townhouse. Damp and cold, run down, sparsely furnished. Bare bulbs dangled from the ceiling, eyeing up the midnight visitors who’d come knowing at my fire escape. I’d let them in and lie limp as they crawled all over me. Thin mattress on the floor, welcoming whatever company I could get.”
An endorsement of the personal journey, ‘Crossing Prior Street’ is the sound of Raunet reconciling different sides of herself emotionally, artistically and sonically. The sparse production of minimal elements gives the album a direct punch. Booming drum machines, dissonant cold wave, skewed post punk and esoteric pop juxtapose but join in strange and interesting ways. Chloé cites this clash as a defining characteristic of the album, which was equally catalysed by her love of raw machine music and the catharsis of song.
Like the sun breaking through clouds, shining onto a grey rainy day, the album glistens. Although
proudly pop, there’s nothing idealistic, fake or saccharine here, as Raunet
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Canadian-born, London-based producer, songwriter and vocalist Chloé Raunet aka C.A.R. releases her third album, ‘Crossing Prior Street’, on Ransom Note Records. Full of bruised-but-ultimately- hopeful electronic art pop, the album tells Chloe’s story of escaping a broken childhood in Vancouver, and finding her way to the lonely streets of East London, at the tender age of 16.
“The one time in my life I lived alone, it was on a street called Prior. I was halfway through my teens and the place had lasting impact. This was a tiny, creaky flat, high in the eaves of an old wooden townhouse. Damp and cold, run down, sparsely furnished. Bare bulbs dangled from the ceiling, eyeing up the midnight visitors who’d come knowing at my fire escape. I’d let them in and lie limp as they crawled all over me. Thin mattress on the floor, welcoming whatever company I could get.”
An endorsement of the personal journey, ‘Crossing Prior Street’ is the sound of Raunet reconciling different sides of herself emotionally, artistically and sonically. The sparse production of minimal elements gives the album a direct punch. Booming drum machines, dissonant cold wave, skewed post punk and esoteric pop juxtapose but join in strange and interesting ways. Chloé cites this clash as a defining characteristic of the album, which was equally catalysed by her love of raw machine music and the catharsis of song.
Like the sun breaking through clouds, shining onto a grey rainy day, the album glistens. Although
proudly pop, there’s nothing idealistic, fake or saccharine here, as Raunet
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Label:The Nothing Special
Cat-No:TNS7001
Release-Date:19.09.2025
Genre:Alternative/Electronic
Configuration:7"
Label:The Nothing Special
Cat-No:TNS7001
Release-Date:19.09.2025
Genre:Alternative/Electronic
Configuration:7"
1
C.A.R. - Shyana
2
C.A.R. - Cecilia Road
C.A.R. (Choosing Acronyms Randomly) is the musical project of Chloé Raunet, a Canadian-born, London-based artist known for her icy synths, warm vocals, and left-field pop sensibility. Drawing from post-punk, electro, and experimental songwriting, she creates music that’s both emotionally charged and sonically adventurous.
Following a five-year hiatus, C.A.R. returns with Shyana, the first single from her long-awaited fourth album, Dance at Oscar’s. Produced by Nathan Ridley, the release marks a creative rebirth: a new label, a new live formation with Joni Green, and a sound pulsing with revitalised energy. After a pandemic-induced break to focus on filmmaking — and a period of burnout and disillusionment — Raunet was ready to walk away from music altogether. But a pair of carried-over festival dates and an impromptu onstage reunion with longtime friend Joni Green unexpectedly reignited the spark. What was meant to be a farewell became the start of something new.
Shyana is a shimmering slice of machine-funk — a warped and groovy tribute to Paul Anka, filtered through C.A.R.’s surreal pop lens. A meditation on teen hysteria, pop manufacture, and the strange alchemy of early fame, the track pulses with wonky elegance and strutting confidence. One of the most playful cuts from Dance at Oscar’s, it showcases Nathan Ridley’s tight, swaggering production while capturing the album’s embrace of movement, humour, and the weirdness of cultural nostalgia.
On the B-side, Cecilia Road offers a more reflective counterpoint — a nostalgic, synth-drenched ballad built around a call-and-response vocal, throbbing melodies, and emotional tension. Intimate yet expansive, it hints at vulnerability without losing the pulse.
Artwork by Chloé Raunet, Craig Richards and Oliver Hupfau.
Credits
Rupert Cross – Synths, production
Joni Green – Live performance, energy generator, chaos coordinator
Chloé Raunet – Vocals, synths, production
Nathan Ridley – Synths, drums, bass, percussion, production
Artwork by Chloé Raunet, Craig Richards and Oliver Hupfau
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Following a five-year hiatus, C.A.R. returns with Shyana, the first single from her long-awaited fourth album, Dance at Oscar’s. Produced by Nathan Ridley, the release marks a creative rebirth: a new label, a new live formation with Joni Green, and a sound pulsing with revitalised energy. After a pandemic-induced break to focus on filmmaking — and a period of burnout and disillusionment — Raunet was ready to walk away from music altogether. But a pair of carried-over festival dates and an impromptu onstage reunion with longtime friend Joni Green unexpectedly reignited the spark. What was meant to be a farewell became the start of something new.
Shyana is a shimmering slice of machine-funk — a warped and groovy tribute to Paul Anka, filtered through C.A.R.’s surreal pop lens. A meditation on teen hysteria, pop manufacture, and the strange alchemy of early fame, the track pulses with wonky elegance and strutting confidence. One of the most playful cuts from Dance at Oscar’s, it showcases Nathan Ridley’s tight, swaggering production while capturing the album’s embrace of movement, humour, and the weirdness of cultural nostalgia.
On the B-side, Cecilia Road offers a more reflective counterpoint — a nostalgic, synth-drenched ballad built around a call-and-response vocal, throbbing melodies, and emotional tension. Intimate yet expansive, it hints at vulnerability without losing the pulse.
Artwork by Chloé Raunet, Craig Richards and Oliver Hupfau.
Credits
Rupert Cross – Synths, production
Joni Green – Live performance, energy generator, chaos coordinator
Chloé Raunet – Vocals, synths, production
Nathan Ridley – Synths, drums, bass, percussion, production
Artwork by Chloé Raunet, Craig Richards and Oliver Hupfau
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More records from les disques de la mort
1
Tamburi Neri - Indio
2
Tamburi Neri - Religion Rebel
3
Tamburi Neri - Religion Rebel (Passarani Remix)
4
Tamburi Neri - Il Vortice
TAMBURI NERI’s WORKS 2 is the first LDDLM release of the new decade. Following their acclaimed EP on Optimo, Claudio Brioschi (aka Brioski) and Andrea Barbiera further their exploration in stripping down their psychedelia. There is a long tradition of slo-mo tribalism in Italian dance music, cosmic or not. But Tamburi Neri dissolve the tribal decorum, focusing on the beat-as-heartbeat, and on Italian language as incantation. INDIO, the faster paced track, has been a staple in our DJ sets, pure raw energy for when things get settled in darkness. RELIGION REBEL is an exercise in menacing trance-funk, whereas IL VORTICE puts the vocal forward, a track and a story. We have been a fan of Marco Passarani for more than two decades, a man constantly reinventing himself and rewriting the history of Italian electronics. He here remixes RELIGION REBEL in some kind of power-balearic anthem, a record for, yes, ecstasy and sunsets.A1. Indio, A2. Religion Rebel, B1. Religion Rebel (Passarani Remix), B2. Il Vortice
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1
d'marc cantu & danny passarella - 080
2
d'marc cantu & danny passarella - 067
3
d'marc cantu & danny passarella - 065
4
d'marc cantu & danny passarella - 068
A different transmission from LDDLM. When the strange and different has become the new normal, a certain normality, well… becomes our first straight techno 12”. Danny Passarella (following Perc and Oliver Ho in a serie of collabs) needs no introduction, his death squad of shoegaze warehouse ghost being of non-fading memory. D’Marc Cantu does not either, hero of Nation and fine purveyor of American acid. This is pure machine music straying from the eternal revival of everything vintage. It looks forward not… As they say it themselves: ‘The Future has A Silver Lining’ title comes from the advertising for a high-end utopia promised in RoboCop’s ‘Delta City’. The track titles inspired by ASCII codes, represent the key elements that lay ahead in the film, or in today’s society.
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Label:les disques de la mort
Cat-No:dlm020
Release-Date:18.10.2018
Genre:Electronic, Electronica
Configuration:12"
Label:les disques de la mort
Cat-No:dlm020
Release-Date:18.10.2018
Genre:Electronic, Electronica
Configuration:12"
1
naduve - No Title
2
naduve - No Title
3
naduve - No Title
4
naduve - No Title
NADUVE is a real hippie. Not one of those you meet at Wholefoods in Stokey, I mean a gentle soul oozing psychedelia. He ’s a floating fixture in the “second generation” Tel Aviv producers (not in age nor talent) LDDLM met through the Red Axes connection, a very tight self-gravitating crew of friends. I have pictures in my head of Naduve, very lanky, bare chest with a slightly Aladdin waistcoat but do not get fooled, the “shamanic” appearance hides a much deeper music than the dross that now entertains some of the white rich crowd in a certain spot of the Nevada desert. Is it trance? Is it tribal weirdness? It’s most definitely as “who cares” as we like it. BACK TO WORK has been a firm fixture for us, a strange off kilter bleep homage to an imaginary Sheffield. PAKANA TANA is why Naduve shines at sunrise, whilst ZE HAZMAN shows us why is he is also full moon. Finally the XEN (more with her very, very soon) REVOX version of BACK TO WORK could almost be a Rimini circa 1990 anthem.
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1
init - Stereometric
2
init - Nuts
3
init - Wheels
4
init - Mindwork
This one has been a long time coming. Great 12”s never get shelved at LDDLM, time is not the essence. Benedikt Frey has been part of the extended family since his remix of CAR’s Idle Eyes and we crossed paths a few times at Robert Johnson in Frankfurt. INIT, his project with his other half Nadia d’Alò, has seen releases on neighbours such as Hivern or Correspondant, our door was naturally open to their pretty personal brand of “off-kilter techno” as RA says. STEREOMETRIC is almost a definition of INIT’s acid mind. Failing their own tricks, heavy atmosphere and unusual restraint. NUTS is almost an instrumental extension of the title track, when your head finally hit that window pane. WHEELS slows the rush down, wandering on an imaginary Khyber pass. This is only deception though, MINDWORK being a real exercise in post-goa trance. Hope you enjoy the trip. See you after the summer.
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1
arthur johnson - Perfect Stranger
2
arthur johnson - Ballada
3
arthur johnson - Perfect Stranger (Cosmo Vitelli Remix Remix Instrumental)
4
arthur johnson - Secretary Disordia
In ancient LDDLM times, BLDDLM even, Belgium could well have been the freaky house and ecstasy center of the world. If only we could remember all the lost hours… But after all, as the Brussel saying goes: “it’s Friday, tomorrow is Tuesday”. At LDDLM, we try not to reminisce, that was just setting the mood.We are very happy to welcome ARTHUR JOHNSON in our non-fold, a young producer from Liege via Marseille and La Dame Noir. AJ is amongst those ever mutating artists, his u-turns slowly composing a real personality, and one fitting our contrarian attitude. In a way PERFECT STRANGER reminds us of a good 90’s Farley/Heller remix, not so much camp Fire Island than almost sweaty late night trancer. We love those tracks that do not fit our ethos a priori but that we can’t stop playing. COSMO VITELLI is a long time family friend and he beams up this stranger through the axis into some kind of romantic italo-german anthem. BALLADA and SECRETARY DISCORDIA show a different side of AJ, a dub march echoing Dif Juz and a percussive machine funk number.
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1
dj oil - Telephunk
2
dj oil - Paresse
3
dj oil - Fall
In those times of newfound experimental conformity, it is sometimes needed to go back to simplicity. This may be where DJ OIL is leading us to. You think you know what you can expect but common ground is not always in your head, it is sometimes under your feet. This is the second 12” of the BREF AVENIR collection (to be released digitally later this month), our Southern activist using well-known tropes and samples to provide necessary confusion. TELEPHUNK is nothing else than a monster breakbeat funk (away from the new Lynn Collins dictatorship), unfashionably cool if you see what we mean. If PARESSE is its twin dark sister, locking electro in its black music roots whilst remaining strangely “European”, then FALL is its downer baggy brother.
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1
dj oil - Heritage
2
dj oil - Maybe
3
dj oil - Brouillage
Having been an electronic activist in Marseille for more two decades and more, DJ OIL is now a firm staple of LDDLM. Following the RAIN ep released in the summer 2016, here is the first 2018 outing from us: the already bubbling HERITAGE ep. “Heritage” has been an Ivan Smagghe (and a few others) secret weapon for more than a year now, a strange sampladelic track featuring a full Marcus Garvey speech. A subtle yet powerful appropriation of early house clichés, the hit has one feet in tradition, one feet in political modernity. The EP comes with two more warped cuts: the slow guitar swamp of “Brouillage” and the System 01/McKenna influenced “May Be”. Psychedelics and sun. A second 12” by DJ OIL will follow shortly, doubled with a full digital release of the two EP’s with digital extras.
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Label:les disques de la mort
Cat-No:dlm014
Release-Date:15.06.2017
Genre:Electronic, Electronica
Configuration:12"
Label:les disques de la mort
Cat-No:dlm014
Release-Date:15.06.2017
Genre:Electronic, Electronica
Configuration:12"
1
Easter - - Champagne (Luke Abbott Remix)
2
Mutado Pintado presents Sworn Virgins - - Lazy Boy (Tom Of England Speed Edit)
3
Manfredas - - A Scene from the Future (Mandredas Edit)
4
Golden Bug - - Physical Disco (Cowboy Rhythmbox Edit)
Before coming back in September for a new year of new releases, LDDLM gives you their current mood and state of affairs in the form of a sampler 12" GRIEVE NOT, BUT TRY AGAIN. Luke Abbot's mix of EASTER's "Champagne" has been in our drawers since the very early days of the label but still shines as new. No dust gathered. Easter's "synth pop" is turned into a slow, yet nor chugging, futuristic r n'b number. This is our conception of sunrise music. TOM OF ENGLAND grasps the metallic fury of Mutado Pintado's classic "Lazy boy" and chops it in a grinder. Decomposition / re-composition with of high industrial standard. A SCENE FROM A FUTURE, a from-a-lost-tape edit by our underbuy MANFREDAS has been one of our biggest club tracks for the last year. Check his recent Boiler Room ending to know how warped yet strangely hit-like it is.
Finally, COWBOY RHYTHMBOX decided of their own accord to do a club edit of GOLDEN BUG's "Physical Disco". We liked it, we release it. Simple and effective. Jugular attack.
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Finally, COWBOY RHYTHMBOX decided of their own accord to do a club edit of GOLDEN BUG's "Physical Disco". We liked it, we release it. Simple and effective. Jugular attack.
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1
save! - The Darkness (ICube Remix)
2
save! - Rainy Monday (Lipelis Fixed Twins Version)
3
save! - Darkness In The Middle (Lipelis On The Sides Remix)
Following their album SAVE! AKA COLDER & MUTADO PINTADO are back on DLM, with another deadly attack! Kamikaze style. We've been waiting a longtime for an I-CUBE remix. We've been fans and friends since his debut and we love that he strayed from his more technoey recent work, as great as it is. This is full on psychedelia, almost rock in its approach. A trip, not a track. Russia's great hope (not Ivan Drago), LIPELIS, hot on the wheels of his MacDonald Flack And The Ack-Ack Pack Pack remix delivers two radicals/tangents. Police & Robbers. They fly high, both in their own manner. RAINY MONDAY is dubbed out in space with that "jungle screw" feel. Slowed down breaks that are all the rage with the yoof, apparently but LIPELIS takes it to another level. Last floor his version of DARKNESS IN THE MIDDLE is a trickster, you'd think almost ambient kraut before you end up on an italo-piano-expansives beach.
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1
la disques de la mort - The Way You Do
2
la disques de la mort - Infiniti
3
la disques de la mort - The First Time (Lokier Remix)
4
la disques de la mort - Seven Is My Lucky Number
THIS IS A RECORD FOR THE SPRING THAT NEVER COMES. THE HEAT THAT WOULD BE ON. Through old Ghent acquaintances here's the tenth release from the LDDLM bunker.RHEINZAND is almost our super group. Mo (ex Glimmer Twins but still shining), Rheinard, the multi-instrumentalist force and Charlotte, the softer voice. We don't do retro but if we had, it would be them, chameleons on a sequin dress, sometimes camp, sometimes deep, sometimes even "disco clash" (the term is now copyrighted) On remix duties, we have the lovely cat lover Lokier who turns THE FIRST TIME (track who was a big hit with influential minor players blah blah) into her own smacked out industrial groove. AH, IT ALSO HAS THE BELGIAN COLORS. This is part 1 of 2. Get the talc out.
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Non Exclusive/German Exclusive 2LP
TRACKLISTING:
01 Monsters , 02 Feel So Good , 03 Don't Be Mad , 04 Rainy Monday , 05 Easy Walk & Talk , 06 The Tick , 07 The Darkness In The Middle, 08 The Light , 09 What Are We Looking At , 10 The Light (Extended Version)
The music world waits a decade for more music from Marc Nguyen Tan AKA Colder - and then along come two albums at once.
As Colder, Marc released two acclaimed, cult darkwave, post-punk albums on Trevor Jackson's taste-making Output Recordings in the mid 00s ('Again' in '03 and 'Heat' in '05). After the closure of Output, Marc spent the last few years playing and recording improvised jazz in the mountains of Spain and working at his creative agency Le Cabinet. Paris.
Then in 2015 he released the third Colder album 'Many Colours', after a decade of musical silence. His new musical vehicle is SAVE! and their record 'Monsters and Fairies'. On this one he steps aside as vocalist and collaborates with American poet and singer Craig Louis Higgins Jr. Last year Craig contributed his unsettling spoken word to the acclaimed dub-acid trax by Paranoid London (recording under his Mutado Pintado moniker).
The world they have created together, with Craig recording in London and Marc in Spain, exists in a dream, suspended between the two locations. A creeping, creepy Lynchian-world, where acid-dub work-outs combine with stream-of-consciousness monologues to make one of the strangest records this side of Serge Gainsbourg's reggae albums like 'Aux Armes et cætera'. The record warps and shimmers as if seen through a heat haze, a confused existential daydream or a dark wave mirage.
Released on Parisian DJ Ivan Smagghe (It's A Fine Line / Kill The DJ) Les Disques De La Mort label, SAVE! finds Marc operating in the experimental shadows, against the grain, much as Colder's post-punk sound originally appeared in the context of the other dance music in 2003
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TRACKLISTING:
01 Monsters , 02 Feel So Good , 03 Don't Be Mad , 04 Rainy Monday , 05 Easy Walk & Talk , 06 The Tick , 07 The Darkness In The Middle, 08 The Light , 09 What Are We Looking At , 10 The Light (Extended Version)
The music world waits a decade for more music from Marc Nguyen Tan AKA Colder - and then along come two albums at once.
As Colder, Marc released two acclaimed, cult darkwave, post-punk albums on Trevor Jackson's taste-making Output Recordings in the mid 00s ('Again' in '03 and 'Heat' in '05). After the closure of Output, Marc spent the last few years playing and recording improvised jazz in the mountains of Spain and working at his creative agency Le Cabinet. Paris.
Then in 2015 he released the third Colder album 'Many Colours', after a decade of musical silence. His new musical vehicle is SAVE! and their record 'Monsters and Fairies'. On this one he steps aside as vocalist and collaborates with American poet and singer Craig Louis Higgins Jr. Last year Craig contributed his unsettling spoken word to the acclaimed dub-acid trax by Paranoid London (recording under his Mutado Pintado moniker).
The world they have created together, with Craig recording in London and Marc in Spain, exists in a dream, suspended between the two locations. A creeping, creepy Lynchian-world, where acid-dub work-outs combine with stream-of-consciousness monologues to make one of the strangest records this side of Serge Gainsbourg's reggae albums like 'Aux Armes et cætera'. The record warps and shimmers as if seen through a heat haze, a confused existential daydream or a dark wave mirage.
Released on Parisian DJ Ivan Smagghe (It's A Fine Line / Kill The DJ) Les Disques De La Mort label, SAVE! finds Marc operating in the experimental shadows, against the grain, much as Colder's post-punk sound originally appeared in the context of the other dance music in 2003
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1
save! - The Light - Marc PInol Remix
2
save! - The Light
3
save! - Dont Be Mad - Judy vs Save Remix
4
save! - Don't Be Mad - Smagghe & Cross Edit
The Light' is the first taste of the weird world created by American vocalist Craig Louis Higgins Jr. and French composer Marc Nguyen Tan. Marc is best know for recording under the name Colder for Trevor Jackson's OUTPUT in the 00s. 2016 see's him back after a ten-year hiatus with two records, the Save! LP and a new Colder one called 'Turn Your Back'. Forthcoming on Les Disques De La Mort, Save! mines similar terrain to David Lynch's surreal landscapes. Marc's collaborator Craig Louis Higgins Jr. was born in Cape Cod, MA. He has released his debut album '336 W 17th St.' under the name Mutado Pintado and is also known for contributing the wry vocals to acid house outfit Paranoid London, featuring on their 2014 self-titled album. Like Higgins, Tan is also a painter and video artist. Although the pair only met in person recently, months after establishing Save!, the project is well served by Tan's background as the solitary creative force in Colder. Just what Higgins and Tan are here to save is anyone's guess. It's a name that implies much yet remains elusive and misleading. That's the way the pair prefer it. The debut 12" release comes with a remix by Hivern Disc's Marc Piñol. B1 of the 12" sees Marc re-edit the track under a new moniker Judy Vs Save!, while Les Disques De La Mort boss Ivan Smagghe contributes an edit for side B2.
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1
margot - Waldorf (Club Mix)
2
margot - Waldorf
3
margot - Waldorf (Erol Alkan's Extended Rework)
Les Disques De La Mort is the new and highly anticipated label from Ivan Smagghe & The Ginger Prince. Their first release is by the true originals Rimini maestros Margot, featuring a spellbinding remix courtesy the one and only Erol Alkan. Previously released as a very limited white label, this ecstatic 12" now gets a full release!! Margot who have previously released on luminaries such as Kill The DJ, Border Community and Hell Yeah!, are now given the esteemed honors of opening the Les Disques De La Mort coffin, and we could not have picked up better caretakers. Their Club Mix is an over-fast, Detroit infused earth-shaker, it sparseness balanced with a Franck Tovey / Soft Cell vocal romp sung in an undistinguishable language. The Original version on the inside cut is even more evocative of Marc Almond but shredded backwards through a blender, and slowed down to an almost eighties electronic glam beat. On the flip, Erol Alkan reworks the original to epic proportions. Erol has been a huge fan of Margot (he compiled them on his Bugged Out! "Inside" cd) and his admiration comes to life in a respectful but transcendental interpretation. Managing to combine elements of both versions, Erol then adds his own unique production magic and a transmogrifying piano line (dare we say "italo rave"?) that lifts the whole affair to new heights. This record has already been championed by Andrew Weatherall, James Holden, Erol Alkan, Optimo, Red Axes and Ivan Smagghe...
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2026 Repress!
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Fjaak - "It's Time Again"
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Fjaak - "Myrcene"
3
Fjaak - "Highrise49"
More FJAAKy goodness for your Bag.
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1
M.A.N.D.Y. vs Booka Shade - A. 01 M.A.N.D.Y. vs Booka Shade - Body Language (Patrice Bäumel Remix)
2
M.A.N.D.Y. vs Booka Shade - B1. M.A.N.D.Y. vs Booka Shade - Body Language (HOSH Remix )
3
M.A.N.D.Y. vs Booka Shade - B2. M.A.N.D.Y. vs Booka Shade - Body Language (Original)
Get Physical strides into its 21st year with a reissue of one of its most iconic tunes. M.A.N.D.Y. vs Booka
Shade's 'Body Language' has been remastered for the occasion and will be available on vinyl, as well as
digitally and on streaming platforms for the first time ever, with new remixes from HOSH and Patrice
Bäumel.
Tracklist:
01 M.A.N.D.Y. vs Booka Shade - Body Language (Patrice Bäumel Remix)
02 M.A.N.D.Y. vs Booka Shade - Body Language (HOSH Remix )
03 M.A.N.D.Y. vs Booka Shade - Body Language (Original)
M.A.N.D.Y. aka Patrick Bodmer and Philipp Jung, and Booka Shade, aka Walter Merziger and Arno
Kammermeier, are Get Physical co-founders alongside DJ T., and 'Body Language' is one of the label's, as well
as dance music's, biggest ever tunes. Released in 2005, it defined an entire generation of house music and
spawned myriad copycats in its wake as well as making household names of the artists behind it. It became an
instant classic that worked as well in cosy clubs as it did on festival main stages and it has remained an
ever-green house anthem. The influential track has been sampled many times over the years but nothing beats
the original.
The chunky house drums still sound from the future today, with fleshy hits and warming bass. What makes it such
a standout track, though, is the gorgeous melodic hook that rides up and down the scale. Those soft focus notes
are full of subtle but playful soul that never fails to unify a crowd, bring smiles to faces, and get hands in the air.
The first to remix is acclaimed German artist Patrice Bäumel. He is a master of stylish and deep house and techno
with expressive synth work on labels like Kompakt and his own HALO. His superb version is a complete overhaul
with deeper drums and a sense of late-night tension that is released in glorious fashion when the iconic melody
comes in. It's the sort of tune that is suited to 4 am dance floors and will take things to the next level. The second
remix comes from fellow German HOSH. For many years a core part of the Diynamic family he is also the founder
of the fryhide imprint and an assured underground talent. He layers in some fresh and airy breakbeats to power
along an expansive remix. After a long and atmospheric build with plenty of cosmic synth work, the original
melody arrives during a breakdown and then plays out over the suspensory grooves.
This is a superb package that brings a widely loved favourite back to the fore with contemporary remixes and a
fresh remaster.
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Shade's 'Body Language' has been remastered for the occasion and will be available on vinyl, as well as
digitally and on streaming platforms for the first time ever, with new remixes from HOSH and Patrice
Bäumel.
Tracklist:
01 M.A.N.D.Y. vs Booka Shade - Body Language (Patrice Bäumel Remix)
02 M.A.N.D.Y. vs Booka Shade - Body Language (HOSH Remix )
03 M.A.N.D.Y. vs Booka Shade - Body Language (Original)
M.A.N.D.Y. aka Patrick Bodmer and Philipp Jung, and Booka Shade, aka Walter Merziger and Arno
Kammermeier, are Get Physical co-founders alongside DJ T., and 'Body Language' is one of the label's, as well
as dance music's, biggest ever tunes. Released in 2005, it defined an entire generation of house music and
spawned myriad copycats in its wake as well as making household names of the artists behind it. It became an
instant classic that worked as well in cosy clubs as it did on festival main stages and it has remained an
ever-green house anthem. The influential track has been sampled many times over the years but nothing beats
the original.
The chunky house drums still sound from the future today, with fleshy hits and warming bass. What makes it such
a standout track, though, is the gorgeous melodic hook that rides up and down the scale. Those soft focus notes
are full of subtle but playful soul that never fails to unify a crowd, bring smiles to faces, and get hands in the air.
The first to remix is acclaimed German artist Patrice Bäumel. He is a master of stylish and deep house and techno
with expressive synth work on labels like Kompakt and his own HALO. His superb version is a complete overhaul
with deeper drums and a sense of late-night tension that is released in glorious fashion when the iconic melody
comes in. It's the sort of tune that is suited to 4 am dance floors and will take things to the next level. The second
remix comes from fellow German HOSH. For many years a core part of the Diynamic family he is also the founder
of the fryhide imprint and an assured underground talent. He layers in some fresh and airy breakbeats to power
along an expansive remix. After a long and atmospheric build with plenty of cosmic synth work, the original
melody arrives during a breakdown and then plays out over the suspensory grooves.
This is a superb package that brings a widely loved favourite back to the fore with contemporary remixes and a
fresh remaster.
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1
Samim - Heater (2019 Remaster)
2
Samim - Heater (Tube & Berger Remix)
3
Samim - Heater (Diplo Remix - 2019 Remaster)
4
Samim - Heater (FNX Omar Remix)
Info:
12 years after Samim scored a worldwide underground smash with his massive 'Heater' tune, Get Physical re-release a fantastic packages of remixes with new versions from Tube & Berger, Diplo and FNX Omar.
It was impossible to dance in 2007 without someone dropping 'Heater' at some point in the set. It still sounds as quirky, inventive and left of centre now as it did then. The fresh 2019 remaster beefs up the drums, crystallises the Colombian cumbia lead sample and it's not hard to see this being big once again this summer.
Tracklist Vinyl:
A1 Samim - Heater (2019 Remaster)
A2 Samim - Heater (Tube & Berger Remix)
B1 Samim - Heater (Diplo Remix - 2019 Remaster)
B2 Samim - Heater (FNX Omar Remix)
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12 years after Samim scored a worldwide underground smash with his massive 'Heater' tune, Get Physical re-release a fantastic packages of remixes with new versions from Tube & Berger, Diplo and FNX Omar.
It was impossible to dance in 2007 without someone dropping 'Heater' at some point in the set. It still sounds as quirky, inventive and left of centre now as it did then. The fresh 2019 remaster beefs up the drums, crystallises the Colombian cumbia lead sample and it's not hard to see this being big once again this summer.
Tracklist Vinyl:
A1 Samim - Heater (2019 Remaster)
A2 Samim - Heater (Tube & Berger Remix)
B1 Samim - Heater (Diplo Remix - 2019 Remaster)
B2 Samim - Heater (FNX Omar Remix)
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1
Various - Hotaru - Catch The Train
2
Various - Red Lebanese - Belle Vie
3
Various - Cornelius Doctor & Tushen Rai - Fekete
4
Various - Cornelius Doctor & Tushen Rai - Salaam Sholay
Vinyl Only /
The oriental wind brings 4 exquisite cuts of scrub from the lefty quarters of the Hamam. Soap of emotion, towels by synergy. Don't look back. Release your inner gumption.
Note: This aura twisting exercise on wax might just take u on a journey through time and space.
A1 Hotaru - Catch The Train 4:49 min
A2 Red Lebanese - Belle Vie 5:34 min
B1 Cornelius Doctor & Tushen Rai - Fekete 4:31 min
B2 Cornelius Doctor & Tushen Rai- Salaam Sholay 6:02 min
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The oriental wind brings 4 exquisite cuts of scrub from the lefty quarters of the Hamam. Soap of emotion, towels by synergy. Don't look back. Release your inner gumption.
Note: This aura twisting exercise on wax might just take u on a journey through time and space.
A1 Hotaru - Catch The Train 4:49 min
A2 Red Lebanese - Belle Vie 5:34 min
B1 Cornelius Doctor & Tushen Rai - Fekete 4:31 min
B2 Cornelius Doctor & Tushen Rai- Salaam Sholay 6:02 min
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1
tokyo matt & afacan soundsystem - Tokyo Matt - Fist Full Of Dollars
2
tokyo matt & afacan soundsystem - Tokyo Matt - Tales Of The Orientale
3
tokyo matt & afacan soundsystem - Afacan Soundsystem - Ya Sabir Disco
4
tokyo matt & afacan soundsystem - Afacan Soundsystem - Biz Salkimiz
Time for another adventure down the east . . .
Disco Hamam is back with their 4th presentation of turkish & oriental killer disco edits. This time, Tokyo Matt tells you a tale of the oriental with a fist full of dollars, whilst Afacan Soundsystem has a thing or two to tell about the disco.. East is east but these are the real deal yeast free dance floor beasts.
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Disco Hamam is back with their 4th presentation of turkish & oriental killer disco edits. This time, Tokyo Matt tells you a tale of the oriental with a fist full of dollars, whilst Afacan Soundsystem has a thing or two to tell about the disco.. East is east but these are the real deal yeast free dance floor beasts.
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Following the rapturously received top ten album 'Our Love', which has dominated end-of-year lists, Caribou has revealed a gloriously layered remix of 'Your Love Will Set You Free' by the one and only Carl Craig. Dan Snaith had this to say about the remix "Carl Craig is a peerless remixer. I've dreamed of having him remix one of my tracks for ages. He was one of the first people to publicly mention how much he liked 'Swim' when it was released and we've been in touch since then. Before I'd gathered up the courage to ask him to remix a track on this album he got in touch and suggested it himself. The result is superlative and speaks for itself."
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1
Nicolas Jaar, - WOUH
2
Nicolas Jaar, - Love You Gotta Lose Again
3
Nicolas Jaar, - Don't Believe The Hype
A1 WOUH
B1 Love You Gotta Lose Again
B2 Don't Believe The Hype
If you haven’t already been introduced, be prepared to be astounded by the truth and beauty in the music of Nicolas Jaar. ‘Love You Gotta Lose Again’ is a special edition 10 inch all white vinyl and Double Standard’s fourth release in an outstanding run of body loosening musical creations on Gadi Mizrahi’s pioneering imprint. Kicking off with the unhurried ssures of ‘WOUH’, a time stopping piece set to distract and provoke new observations with each listen. Typical of Jaar’s pieces, ‘WOUH’ threads sparse arrangements, quirky gulps of sound and electric ambiance in a complex tapestry of engulng harmony. The anthemic ‘Love You Gotta Lose Again’ moves into contrasting boundless activity with broken beats, triumphant singing and pleasant guitar licks. The track is laden with allure and magnetism and made for endless enjoyment at any time. ‘Don’t Believe The Hype’ retreats into mystique again - a cascading mass of body moving sound simmering with broodiness and secrecy, it is short, sharp and succinct in its action to arouse the listener’s senses. Nicolas Jaar will release two of these original cuts of his ‘Inés’ compilation this winter, through his own Clown & Sunset imprint, while the captivating ‘WOUH’ is exclusive to this release. Recently hailed a ourishing young star by the Guardian newspaper, 20 year old Jaar is inspiring ears and eyes around the world with his original musical approach. Born in NYC where he currently resides, his early years spent in Chile created a multi-cultural nature to his music that resonates far and wide. Gadi Mizrahi is one half of the musical partnership Wolf + Lamb and Double Standard is his solo venture aiming to deliver non-conformist dancefloor music from those closest to his
heart.
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B1 Love You Gotta Lose Again
B2 Don't Believe The Hype
If you haven’t already been introduced, be prepared to be astounded by the truth and beauty in the music of Nicolas Jaar. ‘Love You Gotta Lose Again’ is a special edition 10 inch all white vinyl and Double Standard’s fourth release in an outstanding run of body loosening musical creations on Gadi Mizrahi’s pioneering imprint. Kicking off with the unhurried ssures of ‘WOUH’, a time stopping piece set to distract and provoke new observations with each listen. Typical of Jaar’s pieces, ‘WOUH’ threads sparse arrangements, quirky gulps of sound and electric ambiance in a complex tapestry of engulng harmony. The anthemic ‘Love You Gotta Lose Again’ moves into contrasting boundless activity with broken beats, triumphant singing and pleasant guitar licks. The track is laden with allure and magnetism and made for endless enjoyment at any time. ‘Don’t Believe The Hype’ retreats into mystique again - a cascading mass of body moving sound simmering with broodiness and secrecy, it is short, sharp and succinct in its action to arouse the listener’s senses. Nicolas Jaar will release two of these original cuts of his ‘Inés’ compilation this winter, through his own Clown & Sunset imprint, while the captivating ‘WOUH’ is exclusive to this release. Recently hailed a ourishing young star by the Guardian newspaper, 20 year old Jaar is inspiring ears and eyes around the world with his original musical approach. Born in NYC where he currently resides, his early years spent in Chile created a multi-cultural nature to his music that resonates far and wide. Gadi Mizrahi is one half of the musical partnership Wolf + Lamb and Double Standard is his solo venture aiming to deliver non-conformist dancefloor music from those closest to his
heart.
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1
Keraw (Lucas Moinet & Bruce Vanderro) - Jersey Bass (Mellow Mix)
2
Keraw (Lucas Moinet & Bruce Vanderro) - Until The End Of The Night (Piano Mix)
3
Keraw (Lucas Moinet & Bruce Vanderro) - Never 4get About The Second Vibe
4
Keraw (Lucas Moinet & Bruce Vanderro) - 50% (937 Dub)
"Never 4get EP", an EP of house tracks from KERAW (Bruce Vanderro & Lucas Moinet) made at their Studio 937 in Paris. For this release, they wanted to give back the original color of the traditional deep house sound from New Jersey with four essential-to-release tracks of theirs. "Never 4get About The Second Vibe" pays tribute to the 90's deep chords tradition with a proper hardcore deep house second vibe. On the other hand, "Until The End Of The Night" brings a deep & introspective ballad theme to the record, while "50%" and "Jersey Bass" ensure the resurrection of the early 90's traditional New Jersey sound. All tracks have been composed, recorded and produced at Studio 937 with yesterday's and today's hardware equipment. Matter of fact, Keraw never wants to forget the NY sound of deep house music foundations.
KERAW is a deep house production duo made by Lucas Moinet (Groove Boys Project) and Bruce Vanderro (aka Rawaï). This production team is the fusion between an instrumentalist and a beat maker, and became a common ground project for paying tribute to the early 90's US House sound. Their production process is mainly hardware based with an full analog recording studio and old school recording methods. Through their record collection, Lucas & Bruce fell for the NY deep house sound and co-founded the Studio 937 in 2018 as a place to create, experiment and record their music. Behind the desk, they play old school house music records in the NY tradition.
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KERAW is a deep house production duo made by Lucas Moinet (Groove Boys Project) and Bruce Vanderro (aka Rawaï). This production team is the fusion between an instrumentalist and a beat maker, and became a common ground project for paying tribute to the early 90's US House sound. Their production process is mainly hardware based with an full analog recording studio and old school recording methods. Through their record collection, Lucas & Bruce fell for the NY deep house sound and co-founded the Studio 937 in 2018 as a place to create, experiment and record their music. Behind the desk, they play old school house music records in the NY tradition.
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1
Martinou - Ready To Let Go
2
Martinou - Surge
3
Martinou - Find Me
4
Martinou - Paean
Repress!
Swedish producer Martinou returns to Nous'klaer Audio for another dream inducing dance record.
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Swedish producer Martinou returns to Nous'klaer Audio for another dream inducing dance record.
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1
Various Artists - A1 Rune Lindbaek - Hashish
2
Various Artists - A2 Tushen Raï - Balü
3
Various Artists - B1 Paralel Disko - Gimme The Nite
4
Various Artists - B2 Afacan Sound System - Oriental
Vinyl Only!
Rune on the belly dancing peace pipe, Tushen on the lefty new wave trip, Afacan Cruising tru the mists of the orient to top it of turkish version of give me the night by paralel disco.... one two let's go back for that cosmic scrub at the hamam!
Tracklist:
A1 Rune Lindbaek - Hashish
A2 Tushen Raï - Balü
B1 Paralel Disko - Gimme The Nite
B2 Afacan Sound System - Oriental
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Rune on the belly dancing peace pipe, Tushen on the lefty new wave trip, Afacan Cruising tru the mists of the orient to top it of turkish version of give me the night by paralel disco.... one two let's go back for that cosmic scrub at the hamam!
Tracklist:
A1 Rune Lindbaek - Hashish
A2 Tushen Raï - Balü
B1 Paralel Disko - Gimme The Nite
B2 Afacan Sound System - Oriental
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1
DJ Sneak - Love Can Make It Happen
2
DJ Sneak - Going Back to It
3
DJ Sneak - Full Cycle
4
DJ Sneak - Pockets
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1 Love Can Make It Happen
A2 Going Back to It
B1 Full Cycle
B2 Pockets
Release Info:
House music legend DJ Sneak shows us why he’s a master of the groove on his ‘Back to love’ EP for Heist Recordings.
There’s only a handful of people that can really say they’ve seen House music since its earliest days. Puerto Rica-born, Chicago-bred, and LA-based artist DJ Sneak is definitely one of them. He has been the king of the groove ever since his big break back in ’94 through Cajmere’s label Cajual and was key in the development of that mid-nineties house sound with appearances on labels such as Strictly Rhythm, Henry St Music and 83 West. Sneak has worked with some of the biggest artists in the game including Daft Punk, (delivering lyrics for their track ‘Digital Love’), Armand Van Helden and many more.
After a break in the past few years where Sneak re-evaluated his relationship with the scene and his music, he’s now back doing the thing he loves most: Making killer tracks and slamming it on a record. We’ve always considered each other friends and Sneak has been a true supporter of our music and the label since day 1, so it’s humbling to realize that we’re now in a place where we can let his music shine on Heist. With that, we’re proud to present this future classic from the master himself.
The aptly titled “Back to love” EP starts off with one of Sneak’s most intimate productions to date: “Love can make it happen”. Built around an ever-evolving vocal loop, and dreamy strings this track is deeper than deep with the percussion matching that meditative energy, with the grunt only Sneak can bring.
“Going back to it” is Chicago house music in its core. Moody chords, some vocal chops, a badass bass line, and solid percussion is all you need. With ‘Full Cycle’ on the flip, we see Sneak take back his rightful place as the king of the groove. It’s a track that has us reminiscing the days of ‘Paperclip People’ where the bluntness of a live recorded ‘on/off’ arrangement really adds something special to a track.
The EP ends with “Pockets”, a house jam with classic 90s vocals and energetic snare drums to add that classic New York touch to this already amazing record and shows us that DJ Sneak has a great feel for bringing modern day house music with a vintage feel.
As always, enjoy the music and play it loud!
Maarten & Lars
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Track list:
A1 Love Can Make It Happen
A2 Going Back to It
B1 Full Cycle
B2 Pockets
Release Info:
House music legend DJ Sneak shows us why he’s a master of the groove on his ‘Back to love’ EP for Heist Recordings.
There’s only a handful of people that can really say they’ve seen House music since its earliest days. Puerto Rica-born, Chicago-bred, and LA-based artist DJ Sneak is definitely one of them. He has been the king of the groove ever since his big break back in ’94 through Cajmere’s label Cajual and was key in the development of that mid-nineties house sound with appearances on labels such as Strictly Rhythm, Henry St Music and 83 West. Sneak has worked with some of the biggest artists in the game including Daft Punk, (delivering lyrics for their track ‘Digital Love’), Armand Van Helden and many more.
After a break in the past few years where Sneak re-evaluated his relationship with the scene and his music, he’s now back doing the thing he loves most: Making killer tracks and slamming it on a record. We’ve always considered each other friends and Sneak has been a true supporter of our music and the label since day 1, so it’s humbling to realize that we’re now in a place where we can let his music shine on Heist. With that, we’re proud to present this future classic from the master himself.
The aptly titled “Back to love” EP starts off with one of Sneak’s most intimate productions to date: “Love can make it happen”. Built around an ever-evolving vocal loop, and dreamy strings this track is deeper than deep with the percussion matching that meditative energy, with the grunt only Sneak can bring.
“Going back to it” is Chicago house music in its core. Moody chords, some vocal chops, a badass bass line, and solid percussion is all you need. With ‘Full Cycle’ on the flip, we see Sneak take back his rightful place as the king of the groove. It’s a track that has us reminiscing the days of ‘Paperclip People’ where the bluntness of a live recorded ‘on/off’ arrangement really adds something special to a track.
The EP ends with “Pockets”, a house jam with classic 90s vocals and energetic snare drums to add that classic New York touch to this already amazing record and shows us that DJ Sneak has a great feel for bringing modern day house music with a vintage feel.
As always, enjoy the music and play it loud!
Maarten & Lars
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