Adelaide producer & DJ Inkswel introduces his new project 'The Snaglepuss' with 'Chasing Infinity,' a concept LP with a star-studded guest list that takes us on a stylistic journey from hiphop and g-funk to up tempo broken beat, boogie and house. With guests including Talib Kweli, Amp Fiddler, Steve Spacek and Kylie Auldist the album describes a cosmic quest for a new galactic home, searching for a better place and stopping on every dancefloor on the way. Inkswel (aka Jules Habib) has spent much of the last two decades in the Northern Hemisphere DJing every party and club from Rhythm Section in London to Output in New York and released music on BBE, Atjazz, Sonar Kollektiv, Tokyo Dawn and Motor City Wine. He's produced tracks for artists like Pugz Atoms & Georgia Anne Muldrow and remixed artists including Amp Fiddler and Dez Andrez. On the Snaglepuss material, he's taken a more collaborative approach and much of this record was co-created with bassist Stephen Lane, Sloth on horns, UK broken beat royalty Kaidi Tatham and Inkswel's wife and musical partner Erin Buku. Inkswel and the team's genre bending productions draw influence from P Funk, 80s Pop, Boogie Funk, Classic 90s Hip hop and Contemporary Soul stitching it all together into a seamless multicoloured package. The album kicks off with a nod to Inkswel's musical roots, golden era hiphop. 'Let It Grow' features the legendary Talib Kweli, supported by Erin Buku and Baba Israel. Next up, staying in the hiphop lane, is 'Everything' feat. Dudley Perkins, followed by the spacey stylings of 'Mystical Magic' featuring Lee "Scratch" Perry and Elf Tranzporter and 'Butterflies' featuring Steve Spacek. From there the album turns up the tempo and the heat with the bouncy rollerdisco jam 'New Day' featuring Melbourne legends Kylie Auldist and N'fa Jones and the title track which features UK Soul luminary Oliver Night on vocals. Amp Fiddler jumps on organ and vocal duties on 'How I Feel' and Kaidi Tatham steps up on keys for 'Cosmic Love Affair' featuring the princely vibe of Erik Rico and contributes again to the instrumental cut 'Intergalactic Bboy Anthem'. The album is rounded out by remixes from UK legend Mr Scruff, Detroit don DJ Dez Andrez and Adelaide's Funkwig.

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Threading their way across house, hip-hop and downtempo electronic landscapes since 2019, French imprint Cosmocities re-emerge with their fourth studio iteration “Say Goodbye” by Aussie-born / Berlin based vibist Inkswel featuring Phat Kat and Jitwam, supported by a choice pair of reworks courtesy of Adelaide's Beyond June and Amsterdam’s Jacob Otten, alias Kid Sublime.

Presented in both vocal and instrumental form, Inkswel’s hydroponic new single “Say Goodbye” blends the finest of sun-baked hip-hop and hazy R&B into a fine-grained slice of ethereal Cali-funk, as masterly provided by Phat Kat’s raw, choppy verses and Jitwam’s velvet-like timbre. Weaving a silky-smooth narrative out of retro string samples, intricate drum-programming and vaporous envelopes, Inkswel’s newest is poetry in motion, making the most of the self-balancing, therapeutical power of music.

Up on remix duty we find OZ talent Beyond June, laying down a playfully oneiric revamp, halfway cosmic abstraction and down-to-earth urban character. Transcending both spheres with non-conformist dash, the track reaches for uncharted galactic recesses. For his part, Kid Sublime takes on the cut with more of a fevered boogie approach, pulling out the infectious Rhodes stabs and athletic bass moves to keep every dancer on their toes as the drum beats a steadily sensual tempo.

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Being one of the finest exports Australia has to offer, Jules ‘Inkswel’ Habib has become very well respected the world over for his excellent musical output and undying dedication to his art.

Countless Inkswel recordings, remixes, and collaborations circulate the airwaves and internet as project after project surges through with an unstoppable force. Inkswel is a prolific artist, known for his superb album trio on BBE Records, his relentless cooperative EPs & collaborations on Rush Hour, Boogie Angst, Wolf Music & Oye, and recent output with Pugz Atoms on Jazzanova’s own Sonar Kollketiv imprint. Jules reaches even further as he launches “Inner Tribe”, his own labels boasting artists such as Ahu, Planetself with his amazing wife and vocalist Charli Umami, Kid Sublime, Stan Smith & Colonel Red to name only a few. knowing himself that working with great talent makes great music.

His latest album offering Astral Love on ARCo. is an outstanding 9 song Long-player featuring a plethora of brilliant artist backing up his bouncy-rough-cuts. Naming only a few, you will find maestros such as Dwight Trible, Stan Smith & Andrew Ashong among many others who elevate this album to great heights.

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Hot on the heels of his brilliant 'Superfoods' trilogy of albums on BBE, Australian production powerhouse Inkswel returns with a brand new solo effort entitled 'Unity 4 Utopia'. Stellar collaborators Steve Spacek, Recloose, Crazy P, Lay-Far, Kid Sublime, Mark de Clive-Lowe & Colonel Red all make an appearance help to make Inkswel's quest for musical utopia a reality, and the album certainly does not disappoint. As the man himself puts it: "we need to work together if we want happiness and furthermore if we want positive change- this is mirrored in music, collaboration being key". Echoes of early hip hop, 80's boogie, disco and House can all clearly be heard, all woven together by Inkwel's uniquely soulful, futuristic yet vintage production style. Drawn together by an abundantly positive feeling, vocal performances and beats are all faultlessly smooth and highly polished, but somehow the album retains a real sense of fun. Already touring tirelessly, 'Unity 4 Utopia' could well be the project which elevates Mr Inkswel from an underground phenomenon into a household name.

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Release : 25.01. 2014 UPC 827170141421
Tracklist: A1: Inkswel - No More Suckas ft. Dave Aju A2: Inkswel - Mind Yours ft. Cazeaux O.S.L.O A3: Inkswel - Saturated ft. Isaac Aesili & Charli James A4: Inkswel - Oishi Stylus (bonus beats) B1: Inkswel - No More Suckas (DJ Nature remix) B2: Inkswel - Minds Your (Iron Curtis remix) B3: Inkswel - Mind Yours (IG Culture remix)
Hot on the heels of his successful autumnal tour of Europe, the antipodean beatsmith and low-riding soul-brother, Inkswel, arrives on the eighth 12" from Burek Records. Considering Inkswel's been working with people like Merwyn from Virgo Four, Gifted & Blessed and Linkwood for the third release on his own Hot Shot Sounds imprint, we weren't surprised when he told us about the recent collaboration he'd had with Dave Aju. Naturally we were keen to get this out into the world, complementing it with great remixes and additional tracks from Inkswel. The A-side comprises three funkadelicious, shape-throwing, pop-locking slices featuring the talents of San Fran's Dave Aju, Melbourne's Cazeaux O.S.L.O, Christchurch's Isaac Aesili and Adelaide's Charli James. They wear their shared love for hiphop on their sleeves, replicating old school sampling techniques and twinning them with a feel for modernity. The open kicks and sax thrills that begin 'No More Suckas' cement syrupy pads and swirling keys as Dave Aju rhymes about that classic conundrum, being given the chance for a night of intimate relations. Rotascoping blips and pads combined with fat bass work underpin the conscious spoken word poetry of 'Mind Yours', and 'Saturated' closes the side with razor-sharp claps, wonky chords and 808 cowbells laying the foundation for vocal call and responses. In classic turntablist style the bonus beat track 'Oishi Stylus' is also included, evoking the Pacific Rim's interconnectivity with its Nipponese flavours cut over solid beats. This ain't hip-house, it's hiphop-house. On the B-side our trio of heavyweight remixers let rip, each in their characteristic inimitable styles. NYC's DJ Nature edits and extends No More Suckas, playing with the vocals and adding strong drum patterns with a lilting flute melody to turn in a true hypnotic deep house chugger. Berlin's Iron Curtis uses the pads and spoken word component of the original to prelude a darkly evocative late-night slice of enticement, with heavy off-kilter kicks, haunting bells and floating chords drawing the listener deeper and deeper. London's breakbeat legend IG Culture uses the same spoken word parts as Iron but recombines them into new patterns as he lays down massive echoing big-room bass and jukey snares to fashion the original into a tour-de-force of footwork. Inkswel proves that hiphop is the sibling of house music, and this EP helps join the dots between those two forms of music whilst taking it to future forms.


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Australaborialis is the concept mini-album from Melbourne drum machine kid, Inkswel. A collection of raw ideas, tape jams, new concepts and gritty homages

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A health conscious Inkswel (Superior Elevation/Boogie Bash) on the newly revitalised Dopeness Galore.

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WOLF Music welcome Toronto Hustle & Sean Roman to the label with their The Symington Avenue EP for the 77th release on the label. Having previously released of Freerange, the Canadians don’t disappoint with two killer original tracks.

Certified legend, Kai Alce steps up to remix Not Now, Not Ever and it’s just as good as you’d imagine it to be!

Abacus a regular on both Prescription and Guidance Recordings labels in the mid-90’s adds his midas touch to Could This Be, with a tasteful edit to round off the EP.

Real House fans rejoice!

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The FRITS x WOLF series returns for the third instalment of rough and ready deep house in the style that only the King of Swing, Frits can bring!

All four tracks were first aired at the now legendary Frits Panorama Bar set back in April to rapturous response & induced multiple shutter opening moments on that sunny Sunday afternoon.

This series just keeps getting better & better! Buy or cry!

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Limited edition repress
"In Love Again" first surfaced as part of Red Rack'em's "All I Ever Wanted EP" in 2010 becoming an underground smash. Soulful vocal samples, and beautiful Detroit strings work uniquly in the Wolf style that we come to expect. The new remix is uptempo, with skippy drums, and a deep warm feel. This tweaked mix is made for underground dancefloors. The B side features a brand new track entitled "Latin Techno", which combines filtered chopped up loops layered over huge beats. Another successful release for Red Rack'em and a fine return to form for Wolf Music.



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Little wolfy number yeah? Medlar stepped up before and he’s stepping up again! This time he’s brought a couple of friends along for the ride with the WOLF OG showcasing four solid Deep House cuts with some UK & US flavours. 15 years deep and they still can’t keep us down.

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Retromigration makes a welcome return to WOLF Music following up from Straight Foxin, his debut album on the label. For Cloudin he presents six deep cuts that once again showcase the German producer talents and abilities. Dusty samples sit alongside original compositions, hitting that musical sweet spot. Fans of Retromigration, this might be his best work to date! This one’s for the heads.

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Real House fans rejoice! The King of Swing, Frits Wentink is back on WOLF Music. Following on from last years ‘Remember That Feeling’ the prolific Frits steps up again with ‘Club Land Special’ for the second in the Frits x WOLF series. Doing exactly what it says on the tin, four special club ready cuts guaranteed to make you move.

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Justin Drake and Clive Henry, recognised as the legendary Peace Division, stood out as one of the UK's most successful tribal/tech house production duos from the late 90s to the mid-00s. Their contributions extended to renowned British labels such as NRK and Junior London, as well as releases with Hooj, Crosstown Rebels, and major label remixes.

Lesser-known but equally intriguing was their venture into a different musical realm under the alias Soul Purpose. Shifting towards a deeper shade of house, Soul Purpose featured tracks characterised by lush chords and rolling basslines, placing a strong emphasis on the soulful elements.

Originally released on Low Pressing Limited, an offshoot label of Clive Henry and Rocky (X-Press 2) iconic Low Pressing, the four Soul Purpose titles emerged between 1997 and 1998. Despite being somewhat under the radar, these tracks gained recognition among DJs in the know. Now, the Selected Works release, compiled from the original DAT tapes and fully remastered, reunites the entire Soul Purpose catalogue for the first time in 27 years since their initial release.

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The karaoke connoisseur, Luigi impersonator and all round good guy, Manuel Darquart has stepped up before and he’s stepping up again, this time with The Del Sol EP. Three down to business tracks with the perfect blend of Italo, Boogie and Deep House that will have you dreaming of a sunny coastline, Guayabera flapping in the breeze and an ice cold beer in your hand.

Rounding off the package is Oakland CA native, Space Ghost who stamps his distinct style on the EP with a beautiful slice of Dream House.

A welcome return to the label as WOLF hit their 71st release and enter fifteen years in the game.

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Few things hit the spot better than a Frits Wentink release on WOLF Music. Like a crisp pint of vitamin G on a summer’s day, Frits pulls the perfect pour for the 70th release on the label. Three trademark wonky, left of centre cuts, designed to intrigue, yet destined to make you dance.

It’s fair to say that there aren’t many producers who can claim to have as distinctive a style as Frits. A captivating wobbliness brews with a deft swing and tangible bounce in the Wentink barrels, instantly distinguishable from the very first sip.

‘Remember that Feeling’, the first in a fresh run of Frits x WOLF EPs, has got all those flavours and more in the mix. ‘Royale’ takes the full A side, a Fritsy bumper if we ever saw one. Skippy, seductive garage house with a psychedelic tinge. On the B, ‘Intentions’ showcases that MPC crunched sample wizardry, as smokey jazz keys swirl around RnB vocal snippets.

Closing out proceedings ‘Move Steady’ is a hit of off-kilter, late night basement business, rolling low-end, UK funky flavoured percussion and all.

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The mysterious Henk Donkers conjures up the 69th release on WOLF Music. No-one knows where the promo came from, a Dropbox link landing in the WOLF HQ inbox labelled, ‘With love, Henk Donkers x’.

Crack the vault to find some slick, sultry, steamed up window biz from this mystery entity, ranging from a soulful 2-step burner featuring Ell Murphy (we’re still trying to track Ell down to shed some much-needed light on this conundrum), to an acid-tinged melon twister on the A side.

On the B, Henk teases further with that red-light basement feeling, blending breakbeats with heartstring hitting sweetness, before closing it out with a spoken word, psychedelic trip.

Henk Donkers is no fool, Henk Donkers is no amateur. Who is Henk Donkers? Are you Henk Donkers? Contact us immediately - [email protected]

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Emotive sweetness from the one they call Gratts, coming correct via those ever-reliable purveyors of all things house, WOLF Music. Two dream-state gems from the Belgian-born, Australia-based DJ and producer, complete with a signature, deep and delectable remix from one of Dublin’s finest exports Glenn Davis.

On the A, ‘Pretty Lights’ is a bittersweet saunter beachside, sun setting in the distance, bass striding beside as keys dance across the horizon. A melancholic narrative over a blissful groove, Brandon Markell Holmes’ heavenly vocals add an undeniable elegance to proceedings, combined with Leïto’s deft touch on the keys. Subtle house music with soul from a producer that’s been toiling away for nearly 25 years.

Flip it to find ‘Polaroids’, a late-night trip across the underground with Tee Amara leading the way. Her sublime vocals are laid over a bumping, piano-laden beat, bit-crushed synths and all. A track that keeps that distinct soulful thread, yet laces it with a club-ready dose of the good stuff.

Glenn Davis then rounds off the package laying down a remix of ‘Polaroids’ that hits in all the right spots. A deeper journey, that sees Davis reworking the drums, dousing it in ethereal pads and dreamy synthwork, elevating Amara’s vocals to stratospheric heights. One for the dancers and romancers.

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Dam-based don Retromigration steps into the big leagues letting loose his debut album on WOLF Music. An LP that has long been in the works and for good reason too. Fourteen expertly executed tracks that range from hazy beats and jazz-tinged broken rhythms to club-ready groovers, deep excursions, soulful footwork and even some jungle energy. A flavour for every occasion and damn it tastes good.

With an envious run of releases on the likes of Handy, Healthy Scratch, wewillalwaysbealovesong and WOLF in a relatively short space – Retormigration is hot property and it’s clear to see why. A distinctive style and energy permeate his tracks with a breadth of influences on offer, from hip hop, to jazz, soul to funk. You just know a long player from this player is going to cover all bases.

His debut LP, Straight Foxin’, is a carefully curated and crafted journey showcasing the creative explosions firing off in Retromigration’s brain. Joining the dots between genres, taking elements from here, ideas from there – twisting and turning yet never out of place. Take the opening three tracks, all tied together by a deep fondness for jazz but served up in different styles, ‘Kunta’ with that hazy beatsy blend, ‘Formant’ leaning into the realms of broken beat and DnB and ‘Be Someone’ cruising with the off-kilter house.

Elsewhere there’s prime examples of Retromigration’s signature sample-laden house with deeper cuts like ‘Mada’ and ‘Bouncer’, sitting side by side with more soulful explorations such as ‘New Cribs’ and ‘ITWT’.

Not one to be pigeonholed, another course of Retromigration’s expansive taste gets served up with four high energy hits. The bouncing footwork flavours of ‘Kush Love’ ft. Passion Deez and ethereal excursion ‘What If’ lead into a captivating nod to the heydays of jungle and DnB on ‘Mild Fever’ and ‘Bad Knees’ respectively.

Straight Foxin’, mad flexin’ – Retromigration has laid down the law with this LP, a debut album done right.

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Fresh off the back of his highly acclaimed debut album on Astral Black, Footshooter returns to the WOLF Music pack following his ethereal remix of Velour last year, with an exquisite six track journey through his signature sound.

An amalgamation of genres, ideas and vibes blend seamlessly together throughout the record, showing a wealth of knowledge, alongside a production prowess to match. From the cinematic opener 'Welcome In' to the soulful, synth-laden broken beat of ‘Turning’ and 'Archetype 7' on the A side. Samples dance next to magical playing and programming, with hats tipped to legends of yester year whilst keeping things completely fresh at the same time.

Flip it for the B, where UK Funky feels mix with bumping house for the fresh to death, dress to impress 'Dojo'. Footshooter then dips the lights down low and and slows the tempo with the beatsy, piano shimmering brilliance of 'Angel(s)' and the eyes closed, soul healing sounds of 'Hold On'.

Six shots, no misses, Footshooter gets deep into the heart of what’s bubbling in London town right now.

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Steppin up, steppin in. Tom Esselle, one half of the minds behind the South London label and former Peckham record store, Yam Records, joins the WOLF Music fam for his first full length EP. And you best believe it doesn’t disappoint.

Following VA appearances on Rhythm Section and his own imprint, he goes all out for this first solo EP outing. Shuffling bumpers, SE LDN jazz-flecked deepness, tough drum workouts and broken beat heaters, all mixed down by Chaos In The CBD main man Beans, this really does have a cut for every occasion and shows an accomplished head rests on Esselle’s shoulders. Someone who’s been part of the scene for years, slingin records and throwing parties, he knows what makes people tick and even better what makes people move.

This is premium grade dancefloor business, tinged by a whole host of different influences and genres, strung together with that distinctive South London feel.

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A family affair since the early days, WOLF Music have been shining a light on the scenes and sounds the duo are ingrained in. Staying true to form and rolling deep for WOLFEP065, the spotlight turns to a selection of familiar faces and new recruits for a four track VA EP that’s strictly for the groovers.

WOLF OG, man like Medlar kicks it off in signature style with 'Bandit', a heads-down, techno-tinged trip. Machine music with the soul of south London. Next, professor of the dark arts, Manuel Darquart, conjures up the aptly named 'Euphoria' a deep, ‘90s leaning house excursion, synth wizardry and all, that works just as well as a sunset cruiser, as it does an end of the night closer.

On the flip, two long time listeners, first time callers, with a double dose of debuts on the label. Jon Sable takes the B1 with 'Infinite Care', offering up that trademark strong and Sable, In Dust We Trust flavour. Deep, emotive, intricate house with a nod to the worlds of Bruk and Chicago house melded together with that NZ feel.

Closing it out, debut number two comes in the form of rising star moon who lays down a beatsy, broken earworm ‘Handmade’ featuring some dreamy bars from Tamu.

Full crew, through and through – this one hits different!

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King Theo has landed! You can bet 12 years ago when WOLF Music started the label, they never thought they’d be welcoming certified royalty Theo Parrish to lay down a remix on a release. And what better track for Theo to work his magic on, than the deep depths of Tone Control’s 2008 classic – ‘Illusion’.

Buttery, soulful deepness, ‘Illusion’ has it all, hitting you right in that soft spot - pure eyes closed business. Late night, early morning, peak time, take your pick. It was an instant classic when it was released, with Theo regularly drawing for it at his legendary Plastic People residency.

Now sit the man Theo down in the studio with the stems for a track he clearly loves and what do you get? A slice of Theo genius no doubt. His ‘SS Translation’ clocks in at nearly 10 minutes, building, twisting and turning in a way only Theo knows how. Restructuring and relayering the elements to squeeze every last drop of emotion out of Tone Control’s track, Theo’s delectable bass synth playing, at times haunting keys and fresh drum programming give a rawness and punch to the cut that channel that inner Theo spirit in style.

Flip it to find Tone Control’s mix of ‘Illusion’, Simon Finnegan and Marcus Harris’ biggest hit that’s still played today by the likes of Kyle Hall, Jay Daniel and Kerri Chandler. In fact, who better to talk this track up than Kerri himself, with a quote from back in the day:

“…It is one of my favorite songs. Even the way the song is put together is honestly what house is all about for me. It's got every element I love in one song, dope bass line, a different deep vocal, the sounds are hot (drums, even the way he made them swing, that Rhodes) all of it… Everyone I play it for they freak out about it.”

All in all, this 12 is a must-have for those that like to get down!

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Retromigration returns to WOLF Music for his 2nd solo outing on the label with a trademark, warm, jazz-flecked house journey.

Hot property by anyone’s standards, the Amsterdam-based producer stretches his legs across six MPC chopped and screwed heaters, from the punchy, deep deliciousness of ‘Hafenluft’ and sun-soaked vibrations of ‘Mad Fox’, to the bouncing bubbler ‘Tinger’ that features Nephews.

On the flip, the Dam-Funk channeling, keytar cruise ‘Be Alright’ sits side by side with ‘Disk Yard’ and ‘Nur Wir’, two twilight cuts that showcase Retromigration's love of the beats and hip hop scenes whilst putting his own unique spin on them. Another sure-fire example of why you’re seeing Retromigration’s name popping up all over the place right now – pure class from start to finish.

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