THE PLAYGROUND invites Aussie beat connoisseur INKSWEL back again for a funky, soul drenched 7 track EP. Catchy with you humming the hooks. "ASTRO SOUL" features COL RED and "EARLY IN THE AM" features MR. FLIP & CALI4NIA. LA stalwart CASERTA delivers a trio of deep chunky remixes to round it out.

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Threading their way across house, hip-hop and downtempo electronic landscapes since 2019, French imprint Cosmocities re-emerge with their fourth studio iteration “Say Goodbye” by Aussie-born / Berlin based vibist Inkswel featuring Phat Kat and Jitwam, supported by a choice pair of reworks courtesy of Adelaide's Beyond June and Amsterdam’s Jacob Otten, alias Kid Sublime.

Presented in both vocal and instrumental form, Inkswel’s hydroponic new single “Say Goodbye” blends the finest of sun-baked hip-hop and hazy R&B into a fine-grained slice of ethereal Cali-funk, as masterly provided by Phat Kat’s raw, choppy verses and Jitwam’s velvet-like timbre. Weaving a silky-smooth narrative out of retro string samples, intricate drum-programming and vaporous envelopes, Inkswel’s newest is poetry in motion, making the most of the self-balancing, therapeutical power of music.

Up on remix duty we find OZ talent Beyond June, laying down a playfully oneiric revamp, halfway cosmic abstraction and down-to-earth urban character. Transcending both spheres with non-conformist dash, the track reaches for uncharted galactic recesses. For his part, Kid Sublime takes on the cut with more of a fevered boogie approach, pulling out the infectious Rhodes stabs and athletic bass moves to keep every dancer on their toes as the drum beats a steadily sensual tempo.

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Being one of the finest exports Australia has to offer, Jules ‘Inkswel’ Habib has become very well respected the world over for his excellent musical output and undying dedication to his art.

Countless Inkswel recordings, remixes, and collaborations circulate the airwaves and internet as project after project surges through with an unstoppable force. Inkswel is a prolific artist, known for his superb album trio on BBE Records, his relentless cooperative EPs & collaborations on Rush Hour, Boogie Angst, Wolf Music & Oye, and recent output with Pugz Atoms on Jazzanova’s own Sonar Kollketiv imprint. Jules reaches even further as he launches “Inner Tribe”, his own labels boasting artists such as Ahu, Planetself with his amazing wife and vocalist Charli Umami, Kid Sublime, Stan Smith & Colonel Red to name only a few. knowing himself that working with great talent makes great music.

His latest album offering Astral Love on ARCo. is an outstanding 9 song Long-player featuring a plethora of brilliant artist backing up his bouncy-rough-cuts. Naming only a few, you will find maestros such as Dwight Trible, Stan Smith & Andrew Ashong among many others who elevate this album to great heights.

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Hot on the heels of his brilliant 'Superfoods' trilogy of albums on BBE, Australian production powerhouse Inkswel returns with a brand new solo effort entitled 'Unity 4 Utopia'. Stellar collaborators Steve Spacek, Recloose, Crazy P, Lay-Far, Kid Sublime, Mark de Clive-Lowe & Colonel Red all make an appearance help to make Inkswel's quest for musical utopia a reality, and the album certainly does not disappoint. As the man himself puts it: "we need to work together if we want happiness and furthermore if we want positive change- this is mirrored in music, collaboration being key". Echoes of early hip hop, 80's boogie, disco and House can all clearly be heard, all woven together by Inkwel's uniquely soulful, futuristic yet vintage production style. Drawn together by an abundantly positive feeling, vocal performances and beats are all faultlessly smooth and highly polished, but somehow the album retains a real sense of fun. Already touring tirelessly, 'Unity 4 Utopia' could well be the project which elevates Mr Inkswel from an underground phenomenon into a household name.

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Ex bboy turned worldwide rumpshaker. Inkswel holds the torch for those who cannot be pigeon holed. Australian native, worldwide resident. Here he pops up on WOLF Music's vinyl only series with 4 tracks of modern boogie featuring collaborations with Tom Trago, Freekwency and vocals from Charli James.

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Release : 25.01. 2014 UPC 827170141421
Tracklist: A1: Inkswel - No More Suckas ft. Dave Aju A2: Inkswel - Mind Yours ft. Cazeaux O.S.L.O A3: Inkswel - Saturated ft. Isaac Aesili & Charli James A4: Inkswel - Oishi Stylus (bonus beats) B1: Inkswel - No More Suckas (DJ Nature remix) B2: Inkswel - Minds Your (Iron Curtis remix) B3: Inkswel - Mind Yours (IG Culture remix)
Hot on the heels of his successful autumnal tour of Europe, the antipodean beatsmith and low-riding soul-brother, Inkswel, arrives on the eighth 12" from Burek Records. Considering Inkswel's been working with people like Merwyn from Virgo Four, Gifted & Blessed and Linkwood for the third release on his own Hot Shot Sounds imprint, we weren't surprised when he told us about the recent collaboration he'd had with Dave Aju. Naturally we were keen to get this out into the world, complementing it with great remixes and additional tracks from Inkswel. The A-side comprises three funkadelicious, shape-throwing, pop-locking slices featuring the talents of San Fran's Dave Aju, Melbourne's Cazeaux O.S.L.O, Christchurch's Isaac Aesili and Adelaide's Charli James. They wear their shared love for hiphop on their sleeves, replicating old school sampling techniques and twinning them with a feel for modernity. The open kicks and sax thrills that begin 'No More Suckas' cement syrupy pads and swirling keys as Dave Aju rhymes about that classic conundrum, being given the chance for a night of intimate relations. Rotascoping blips and pads combined with fat bass work underpin the conscious spoken word poetry of 'Mind Yours', and 'Saturated' closes the side with razor-sharp claps, wonky chords and 808 cowbells laying the foundation for vocal call and responses. In classic turntablist style the bonus beat track 'Oishi Stylus' is also included, evoking the Pacific Rim's interconnectivity with its Nipponese flavours cut over solid beats. This ain't hip-house, it's hiphop-house. On the B-side our trio of heavyweight remixers let rip, each in their characteristic inimitable styles. NYC's DJ Nature edits and extends No More Suckas, playing with the vocals and adding strong drum patterns with a lilting flute melody to turn in a true hypnotic deep house chugger. Berlin's Iron Curtis uses the pads and spoken word component of the original to prelude a darkly evocative late-night slice of enticement, with heavy off-kilter kicks, haunting bells and floating chords drawing the listener deeper and deeper. London's breakbeat legend IG Culture uses the same spoken word parts as Iron but recombines them into new patterns as he lays down massive echoing big-room bass and jukey snares to fashion the original into a tour-de-force of footwork. Inkswel proves that hiphop is the sibling of house music, and this EP helps join the dots between those two forms of music whilst taking it to future forms.


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Australaborialis is the concept mini-album from Melbourne drum machine kid, Inkswel. A collection of raw ideas, tape jams, new concepts and gritty homages

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A health conscious Inkswel (Superior Elevation/Boogie Bash) on the newly revitalised Dopeness Galore.

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Three next level remixes with corresponding instrumentals all done by the legendary PREFUSE 73: "BUTTERFLIES" feat. STEVE SPACEK, "BLAMO!" feat. COL RED, and "GO TO SLEEP" feat. COL RED. Vocals on the A-side, instrumental mixes on the B-side. Custom die cut sleeve.

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From the HERBIE-inspired outro jam of "ONE TIME OFFER," to the angular early-'80s UK feel of "BIRTHDAY BOY," and the HALL & OATES-tinged glow of "LATER TONIGHT," HYBRID showcases AULDIST at her most assured-grounded, soulful,and completely at ease. Full Pic Sleeve

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Fresh off the success of her sold-out self-titled debut ERIN BUKU returns with a collaborative EP with legendary producer DJ SPINNA. Weaving SPINNA's cosmic production with ERIN's rich, honeyed vocals. Feat. collabs from CHALI 2NA, STEVE SPACEK, and more. Full pic sleeve.

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BLOOMY MEADOWS comes with deep and introspective melodic flows over INKSWEL's hard knock groovy boom bap on this fresh & organic 10 track collab hip hop album. Amazing features from LYRICS BORN, REGGIE B, PEOPLE WITHOUT SHOES, LEONARD CHARLES, ERIN BUKU, KULTAR AHLUWALIA, LEVEL MTINDO, and more.

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This 2000 classic, originally released on ISM, gets modern re-rubs from STEVE SPACEK, Amsterdam bruk boogie don KID SUBLIME and INNER TRIBE's very own INKSWEL (with an assist from future boogie producer and vocalist REGGIE B.)

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elebrated vocalist known for legendary tracks such as "GABRIEL" & "STUCK", teams up with the Aussie producer for a lush, soulful boogie groover that perfectly complements PEVEN'S distinctive vocals. Remixes from DJ SPINNA, LEONARD CHARLES, ED TEMPLE. Jacket sticker by PECUE.

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RED's most refined work to date, "THANKFUL" is an instant classic. COLONEL has seen fervent support from GILES PETERSON and has recorded & performed with artists ranging from TEDDY PENDERGRASS to MOODYMANN. "THANKFUL" is the culmination of lifetime spent honing one's craft.

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"MYSTIKAL MAJIC FEAT. ELF TRANZPOTER." 4 unreleased & never-before-heard mixes of LEE SCRATCH PERRY's last known recording. LSP teamed up with Aussie beat maker INKSWEL for this twisted beat-boogie influenced dub vibe. Feat. club ready mixes JAMES CURD & SOFATALK.

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Tip!

Hot from his recent outing on SOUNDWAY, SAI steps up with a full length album full of soulful house numbers, jazzy broken beats and neo soul stylings. Guest appearances from EGLO's NATALIE SLADE, HORATIO LUNA, and more. 6 tracks of forward thinking club jams.

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The 5 track cult classic EP from 2014 finally repressed! MERWYN SANDERS of OG house group VIRGO FOUR lends vocals to INKSWEL'S early drum machine experiments. Backed with outer worldly remix from UK enigma LINKWOOD, and STONES THROW alum GB. Xtra dope pic sleeve by DISCREET UNIT.

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10 track LP of beat forward, no-nonsense classic hip hop with tinges of soul and funk, from illustrious UK producer WIPE THE NEEDLE (with releases on GAMM, LOCAL TALK and SLIP ‘N SLIDE) and Atlanta's STAN "STEAM" SMITH, with an appearance from the late great TY. A project that's throwback in theory but forward thinking by design.

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Groove-laden remix of the standout track from ERIN BUKU's self-titled debut LP on this 2 track single-sider. SAI GALAXY bridges the gap between the soulful introspection of the original, and the infectious, danceable grooves he's known for, with an Afro-disco/boogie flair.

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INKSWEL proudly presents a “from the vaults” homage to the late great AMP FIDDLER. On this previously unheard club cut, soulful baseline tinges over quirky acidic stabs and AMP's unforgettable falsetto and organ playing. A true soulful house journey. Backed by a remix from LEONARD CHARLES. 5 mixes in all.

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Bergsonist emerges on Dark Entries with Depths, a genre-bending 12-track LP of atmospheric and rhythmic excursions. For more than a decade, Moroccan-born Selwa Abd has been using the Bergsonist moniker to examine postcolonial identity and speculative temporalities across disparate media, including sound, image, video, and installation. She is also a key figure in New York underground music, fostering mutual aid and community support through her platforms Pick up the Flow (PUTF) and BizaarBazaar. On the 2025 album ASL ??? ???, Bergsonist explored her Amazigh heritage using field recordings captured in Morocco. With Depths, her sixth LP, she continues the project of ancestral reconnection through sound. Abd notes: “I really use making music as therapy, not as a precious act, more as an energy release that makes me feel alive.” Depths overflows with this excess of vitality. Tracks like “Trust the Current”, “Depths”, and “Underwater World Pursuit” showcase her singular take on diasporic techno-futurism, where James Stinson-esque atmospherics meet Moroccan rhythms. Elsewhere, “Again” and “Higher” push into coldwave territory, with icy arpeggios and electroid beats dancing beneath Abd’s ethereal vocals. But the dancefloor is not to be neglected: “Breakthrough” and “Ode to Life” spring forth with the kind of skewed peak-hour energy that only Bergsonist can bring. Artwork for Depths was designed by Eloise Leigh, and incorporates photographs by Abd and Greg Zifcak taken in Morocco. Also included is a protection poster that features an Amazigh symbol used for warding off the evil eye. Depths is an album that achieves a rare balance of elegance and DIY ethics - it is truly an ode to life.

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Man O To from the elusive producer NU is finally set to be released as a single on Crosstown Rebels, featuring remixes from Parisian producer Pépé Bradock who producers two amazing takes on the original. Since its inclusion on Acid Pauli’s Get Lost Compilation in 2012, the track has gained huge support and become a modern-day electronic classic. A nomad of modern times, NU has travelled the continents with his diverse music to unearth his imitable style. Represented heavily in Man O To, where instruments amalgamate with electronic production to become solid rhythms. An extra spark come from its lyrics, outtakes from an old Persian poem from the well known poet Rumi, who speaks of true happiness in love here performed by Ghazal Shakeri from an original recording made by renowned French composer Armand Amar.
Julien Auger aka Pépé Bradock is a widely respected producer best known for his ground breaking remixes and releases on labwes such a Avatisme, Classic and Versatile Recordings. As a DJ, he has spun in almost every major club in the world and is known for his versatile, and mesmerising style. Bradock conjures a trippy remix and dub version of Man O To and fitting ode to the original.

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Berlin-based DJ/producer and Miami-based Major Lazer member make their first appearance on Damian Lazarus’ label, featuring a bold reinterpretation from Whitesquare. Following their widely championed 2025 collaboration ‘111’, a standout of the summer season, JAMIIE and Ape Drums reconnect for ‘4ME’, a track born from long-distance sessions and a unique creative flow. Crafted via a partnership that thrives on spontaneity, with ideas bouncing seamlessly between Berlin and Miami, the result is a production that feels alive, organic, and meticulously detailed as they both make their debut appearance on Damian Lazarus’ renowned Crosstown Rebels imprint. The original ‘4ME’ moves at its own pace, layering resonant synth textures, alluring vocal phrases, and subtle melodic chords to create a hypnotic pull. Moments of intimacy give way to rolling, percussive grooves, pulling the listener into a slow-burning, immersive journey. On the flip, Italian DJ/producer and returning Crosstown Rebels talent Whitesquare sharpens the track, injecting jittering percussion, bubbling organ stabs, and a taut, club-ready pulse that transform the hypnotic original into a late-hours weapon without losing its emotional core. A continuation of their creative dialogue, ‘4ME’ showcases JAMIIE and Ape Drums’ ability to fuse emotive depth with kinetic energy, offering a release that captivates from the first listen to the final drop.

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Belgian tastemaker Charlotte de Witte returns to her own KNTXT to serve up the well regarded label's seventh EP. Rave On Time is about reminding us of the joys of being lost on the dance floor and is another hard hitting EP filled with her distinctive techno energy. Charlotte is at the centre of her own musical movement, with a hard hitting, no frills style. Her powerful grooves, whether solo or in collaboration with the likes of Chris Liebing, come laced with ambient and synth beauty. She has mesmerised crowds all over the world as well as at her own special KNTXT events, and has been as creative as ever during lockdown, as this new EP shows. Says the artist herself of this latest offering, "Rave On Time. Three words that probably have never been more relevant. In a time where raving feels like a distant memory, it seems increasingly important to bring music back in our lives, in reverse. Let's not forget where we came from and let's not lose hope. We'll be together again soon. Rave On Time." Opener Rave On Time is built on hammering, distorted kicks that bend you to their whim. Freaky vocals and monstrous hits add extra pressure and ensure you stay locked before shooting laser synths and retro hoover sounds bring the rave. There's No One Left To Trust keeps up the energy with scintillating synths rattling over rock solid drum programming that never lets up. The World Inside is brain frying material, with serrated synths firing out and growing ever more acid as the groove pounds on. Common Era is brilliant hands in the air acid-trance-techno that froths with energy and flashing strobes. Finally, vinyl only track 'Wahr Ist Sie Dann’ is a distorted, brain melting techno workout with brutalist kicks and vast walls of synths that are hugely powerful. As ever from de Witte, this is pure, unadulterated club music that makes a gargantuan impact. TRACK LISTING: A1. Rave On Time, A2. There's No One Left To Trust, B1. The World Inside, B2. Common Era, B3. Wahr Ist Sie Dann

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Once again, this 2x12" release is beautifully presented in a raw reverse board sleeve, a tactile nod to Classic's earliest releases. Inside, are deep teal and green GMUND card stock inner sleeves with embossed detailing elevate the package into a collector's item worthy of the music it holds. Record One opens with one of the most revered remixes in house history. Isolee's 'Beau Mot Plage' (Freeform Reform Parts 1 & 2), originally licensed from Germany's Playhouse and lovingly reworked by Freeform Five's Anu Pillai with a live ensemble. It's a sprawling, euphoric journey that helped define Classic's international reach and is still widely regarded as one of the greatest house records ever pressed. Up next is Greenskeepers' off-kilter banger 'Bang in Your Face?', showcasing the quirky, 'G-swing' sound for which James Curd and his crew became known for during their long-standing relationship with the label. On the flip, Pépé Bradock's jaw-dropping rework of Iz & Diz's 'Mouth' takes center stage-a remix composed entirely from human sounds, equal parts sensual and surreal. Universally praised, it's a masterclass in sonic innovation and remains one of the most acclaimed house remixes of all time. The side closes with Markus Nikolai's beloved 'Bushes', The First Re-Creation (Version 1.2) by Classic co founder Derrick Carter-a distinctive and maximalist edit that draws out the Latin horns, strings, and quirky vocals, turning a cult hit into a distinctly 'Classic' anthem. Record Two captures Classic's renewed energy in the 2010s.? Folamour's 'Devoted To U' from his Umami LP is a 10-minute odyssey in groove-warm, progressive, and cinematic, with soaring piano lines and narrative richness. Then comes Crazy P's 'One True Light', shimmering with spacey textures, cosmic energy, and the deep, effortless groove the band has perfected over decades. On Side D, we have Girls of the Internet's lush and emotionally rich 'When U Go', blending soulful vocals with clean, spacious production that balances melancholy with movement. Closing out Volume 2 is Sophie Lloyd's now iconic 'Calling Out', featuring the unstoppable vocal force of Dames Brown. A modern gospel-disco-house anthem, the track glows with raw energy, live instrumentation, and spiritual fire-cementing its place as one of Classic's defining moments of the last decade.




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Michele Manzo's "Niños Del Mar" on DIRT TECH RECK is a vibrant fusion of Latin rhythms, soulful grooves, and deep house beats. The LP effortlessly blends organic instrumentation with electronic production, creating a rich sonic tapestry. Each track radiates warmth and energy, transporting listeners to sun-soaked, coastal landscapes

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Danny Howells debuts on Rekids with the ‘Throb’ EP. The legendary DJ’s DJ first EP for Radio Slave’s imprint sees him pair with keyboard player Elliott Herrington. Howells, a quietly revered figure in house music since the mid ‘90s, delves deep across the ‘Throb’ EP, which celebrates subtle drum programming, otherworldly keys and soundscapes throughout. The cossetting warmth of ‘Throb’, a track which tips the smallest of nods to Danny’s role in the heyday of progressive house, was born out of a late-night studio session - long forgotten about and then rediscovered, re-appraised, as so many great tracks are. ‘Thrunk’, another supremely heady cut, follows and sees keys slide around the mix, modulated and tweaked just enough to create a constant feeling of movement without losing balance, firmly rooted by a bassline that Howells, contrary to his usual practice, wrote first. Danny Howells is a darling of British dance music. Emerging in the late 1990s with the likes of the era-defining Jackpot Records, his journey in dance music has always been about music, which has seen him eschew frantic touring and production schedules in favour of doing what he loves. Famous, for those in the know, as Cassy’s favourite DJ, Howell’s deft touch and subtlety as a DJ and Producer are evident in spades on ‘Throb’

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