Today, the celebrated multi-instrumentalist and visionary artist Guy Gerber announces his new three track EP 'Dripping Diamonds' on his Rumors label. The rarest of artists in electronic music, Guy possesses the ability to write, compose and record live instrumentation with crushing effect for the dance floor. Dripping Diamonds, the lead song, sees Guy collaborate again with singer songwriter Albertina who previously sung on his renowned Bocat single. The track has been overpowering the dance floor of Guy's Rumors Ibiza Residency all summer and now he’s decided it’s only fair to share. While Guy is famed for his ability to create the worlds leading melodies, La Sombra shows a new level of beauty and cool from him. A song of careless whispers, the track will take its listeners to a deeper place most tracks fail to. It’s Idea 6 though that flexes his live composition capability, bringing in trumpet sections that make the hair on the back of your neck stand while keeping feet moving. An EP, like the artist, that doesn’t fail to deliver.

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Underground mainstay Guy Gerber is back on his own Rumors label with new EP Leave It On. Across three tracks he showcases his famously emotive and melodic house sounds. Gerber has been a core part of the underground for years, headlining the world's most revered clubs and festivals, collaborating with P. Diddy, bringing all new party concepts to Ibiza, and serving up serene and synth heavy soundscapes that move people physically and emotionally on labels like Cocoon, Italians Do It Better and Rumors. This one kicks off with the lush deep house elegance of 'Leave It On' with its languid bass and live sounding drums. Swirling pads and atmospheric vocals bring a romantic feel to this late-night jam. 'Leave Me' then picks up the pace with more percussive but still smooth grooves, this time doused in sweeping chords that bring sunshine and soul. 'Jupiter Blues' closes out with a cosmic exploration, the gently tinkling keys shining like stars as warm, rubbery drums carry you onwards and upwards. This is another classy EP from Guy Gerber.

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Originally released in November 2021, Guy Gerber and Albertina’s ‘Bocat’ is now remixed by Michael Bibi & Tel Aviv’s OMRI. Now recruiting Michael Bibi for a hard-hitting club remix, the Solid Grooves founder track delivers a new lease of life to the original. Bringing his signature production style to Rumors, Bibi adds twisted vocal chops amongst spacious percussion, deep acid lines, and pounding kicks. Following appearances on Disco Halal, Mobilee Records, and more, OMRI. now arrives on Guy Gerber’s Rumors imprint with his interpretation of ‘Bocat’. Injecting a solid groove to the track, OMRI. brings skippy hats, pounding kick drums and heavy low end underneath Albertina’s vocals and other select elements of the original to craft a new vibe perfectly curated to move dance?oors worldwide.

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Returning to his Rumors imprint Guy Gerber delivers his latest missive, ‘Pyramid of the Moon’. Offering up a four -track EP, the enigmatic DJ/producer drops four delicately crafted house tracks featuring Gerber’s own guitar playing and Albertina on vocals. The title track ‘Pyramid Of The Moon’ sees Gerber play with chugging low end, twinkling keys and warping guitar licks, crafting a hypnotic atmosphere throughout the track’s duration. On the flip, ‘The Untold Glory of Mister Nobody’ pairs upfront drums with further guitar chords and airy synths, fusing to create an emotionally climactic slice of Balearic bliss. On the flip Guy team’s up with singer/songwriter Albertina for the enchanting title track, the duo combines guitar licks, shuffling percussion, and subtle synth lines with Albertina’s sublime vocal performance. On the flip, ‘Polaris’v sees Gerber take the wheels solo, drawing upon his years of expertise to craft a deep and moving piece complete with twinkling arps, deep low-end, and piano work.

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Guy Gerber’s Rumors recruits Öona Dahl and Amber Cox aka Slumber for a dose of psychedelic house on the ‘Twin Moon EP’ this May. Slumber’s previous outings for the likes of Nervous, Viva Recordings and Desert Hearts have seen them push an otherworldly, dreamlike sound and this debut for Gerber’s imprint sees the pair turn in the most accomplished expression of their heady aesthetic to date. Across the release, the duo displays their talent for crafting hypnotic and engaging tracks. From the wistful, muted vocals on ‘Envoke’ through to twinkling closer ‘Twin Moon’, understated atmospherics, soft tones and well-considered production take the forefront, leading the listener through their delicate sound. Öona Dahl’s solo work has seen her grace the likes of Watergate, All Day I Dream and DJ Three’s Hallucienda and San Francisco-based Amber Cox’s has appeared on Motek Music and Occultists. Since 2009, the pair have been involved with Slumber, a project initially started in Florida from a shared passion for vivid electronic music.

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A producer known for his eclectic and melodic sounds, Guy Gerber has delivered the brand-new remix package of his very own ‘What To Do’ production, set for release on Friday 26th October. Embodying a varied range of sonic arrangements that the Israeli DJ has become synonymous with, the original was released earlier this year and demonstrates varied cymbal-claps and a wide range of isolated percussive instruments. With &ME spinning his own dynamic rework of the track, the German - who has performed a number of sets across Ibiza this summer, playing at DC-10 ’s ‘ Circoloco’ - adds groove-fuelled elements to the mix, a stark contrast to the deep, and driving style favoured by DJ Jes. A great remix package of the beloved original version of ‘What To Do’

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The duo Acid Mondays have brought their quirky forms of house and techno to a wealth of respected labels over the years - Warp, Circus and 2020 Vision to name but a few. Now, Negghead and Lex Wolf can add Guy Gerber’s forward-thinking RUMORS to that list, with their humorously-titled ‘Tacos Per Minute’ EP which looks set to add to the imprint’s hard-earned reputation as a breeding ground for innovative techno. The eponymous lead track features skittering metallic echoes, a pulsing sub-bass, distorted vocals and futuristic synth chords for an atmospheric opener. The first of the B-sides, ‘Mezcalid’ takes things darker and deeper. Rattling, mechanical percussion combines with a satisfyingly heavy, rhythmic bass-line before joining skipping riders for an irresistible groove. That characteristic sub-bass makes a reappearance in ‘Techno Wellies’, a track whose driving drums and up-tempo claps set the scene for a multitude of echoing effects and shimmying percussion eventually developing into a samba-esque piece of techno. The ‘Tacos Per Minute’ EP is a danceable yet quirky techno release, whose attention to percussive detail and slightly dusty feel mark it out as a characteristic Acid Mondays production, sitting comfortably amongst the high-calibre catalogue of RUMORS releases.



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Following a solid year of releases kick started by Beatport #1 ‘No Distance', collaboration with Innervisions boss Dixon, we’ve witnessed Guy Gerber's RUMORS label go from strength to strength. In its debut year the label has already had guest appearances from Seth Troxler and Chaim, and now Guy himself is set to reveal 'Rumors On The Dancefloor' featuring Miss Kittin. Set to be Miss Kittin's debut appearance on the label and also marking the eighth RUMORS release, 'Rumors On The Dancefloor' is a powerful embodiment of Guy's innovative imprint. Divided into two parts, the release is built around a symbolic whisper and deep bass guitar riffs that follow a galactic-inspired house and techno framework - with part two a harder offering awash with Guy's signature blend of melodic soundscapes and stylish beats. Over on the white isle, RUMORS is also encompassing a hugely successful event series held at Playa d'en Bossa’s beautiful Beachouse. The party has its own unique ethos whereby each week, the lineups can only be discovered by hearsay and word of mouth. In addition to his weekly party in Ibiza, key dates in Guy’s diary include Space in New York, Story Nightclub in Miami and ENTER's Space opening party.

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Haunting, ethereal, emotive, propulsive Guy Gerber and Puff Daddy's long-awaited collaborative album project 11 11 will at last be revealed. At once a meeting of two worlds, and yet also a dismissal of those signifiers, 11 11 inverts the recent dialogue between the worlds of hip-hop and electronic music, eschewing simple radio friendly factory fare, for darker, richer, deeper soundscapes. 11 11 is not a project aimed at main-stages and masses, but outliers and after-hours. Guy and Puff Daddy's collaboration was not born out of opportunism, indeed it's disruptive of the current main-stage malaise, and was germinated before the current electronic explosion; it's collaborative and combative, an expression of two outsized creative personalities unfettered, unfiltered, fearless, raw, and after four years of work, almost unrealized. Despite their obvious differences, the duo behind these 11 tracks have crafted an album that feels organic and truthful. Puff Daddy's delicate and understated vocals, Gerber's emotive layering of synths, drums and melodies, 11 11 feels like a nuanced and diverse exploration of whatever powerful force drew these disparate talents together. On paper it's a crazy collaboration, on the ears it's magical. How an underground Israeli techno producer was cherry picked by Puff Daddy as his partner on this project, says a lot about Guy Gerber, and in turn, about Puff Daddy. One of electronic music's most vibrant and contrarian characters, Gerber possesses one of its most singular contemporary voices, his music is both simultaneously haunting and uplifting, its music that inspires you to dance yet is evidently colored by melancholy. Sean 'Diddy' Combs is one of hip-hops biggest and most successful stars, but he is no stranger to the electronic music, indeed he was one of the first hip-hop artists to embrace dance music, and has been making annual pilgrimages to Ibiza's DC10 and Miami's WMC for over 10 years. He has recorded electronic records with dance icons like Felix da Housecat, DJ Hell and Erick Morillo and released the much venerated album, 'Last Train To Paris'. '11 11' is the realization of his long-standing desire to create a soundtrack to, as he puts it, 'rooms I don't belong in.'

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