2014 RE RECORD AND REMASTER FROM ORIG TAPE - CD DIGI PAK WITH INCL. ART
The original image on the back of the sleeve will now be in colour. There will be a spot varnish finish on the images & text alongside the usual Skam Braille sticker to give the whole package new depth and a refreshing look and feel.
EAN: 0666017057828

Track listing
1. Hi Scores (4.57) 2. Turquoise Hexagon Sun (5.09) 3. Nlogax (6.54) 4. June 9th (5.18) 5. Seeya later (4.12) 6. Everything you do is a balloon (7.04) (32m 54s running time)
Skam Records are very proud to announce the re-release of Boards of Canada - Hi Scores on the 13th October 2014 . This follows the reissue of their other seminal records by Warp in 2013.
The new edition has been re-recorded and re-mastered from the original DAT tapes and has been re-cut onto heavyweight collector's edition vinyl.
Originally released in 1996, 'Hi Scores' constitutes Boards Of Canada's second official release after 1995's 'Twoism'


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Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years.

On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year.

Each Warp reissue comes with a download code and an original BOC sticker design from the era.

More about the formatting of each item: http://boardsofcanada.com

In June this year, Boards of Canada released their 4th studio album, Tomorrow’s Harvest to considerable and widespread acclaim.

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Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years.
On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year. Each Warp reissue comes with a download code and an original BOC sticker design from the era. More about the formatting of each item: http://boardsofcanada.com In June this year, Boards of Canada released their 4th studio album, Tomorrow?s Harvest to considerable and widespread acclaim.

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Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years.
On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year.Each Warp reissue comes with a download code and an original BOC sticker design from the era. More about the formatting of each item: http://boardsofcanada.com In June this year, Boards of Canada released their 4th studio album, Tomorrow?s Harvest to considerable and widespread acclaim.

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Growing up in the sound system culture of Leeds in England, George spent a fiver, courtesy of his mum, on a battered old speaker box he named “Echo45”. That box led him to Kevin Harper, a founding member of Nightmares on Wax, a chance meeting that would change the course of his life. With the latest music “Echo45 Sound System”, Nightmares On Wax takes that lineage a step further—a mixtape that feels like both a celebration and a declaration. It's a living, sound system journey inspired by the original “Echo45” speaker box that merges soul, roots, hip-hop, dub, and electronic textures with a fearless spirit. Featuring a carefully curated ensemble of collaborators—including Yasiin Bey, Greentea Peng, Sadie Walker, Liam Bailey, and more—the record doesn’t just reflect where Nightmares on Wax has been. While deeply rooted in his origins, sound system culture, and pirate radio, it boldly announces where he’s going. Selling Points: - Exclusive 2LP gold vinyl - New music from Nightmares on Wax featuring Yasiin Bey (Mos Def), Sadie Walker, Oscar Jerome, Liam Bailey, Greentea Peng & more - Guest shout-outs from friends included Gilles Peterson, Moxie, Goldie, Louie Vega, Iration Steppas, FKJ, Jordan Stephens, Roots Manuva - Creative direction by London-based menswear designer Nicholas Daley - Major live show planned at Royal Albert Hall in London (Mar 2026) - Global radio activation inspired by pirate stations - Specs Gold 2LP in printed inner sleeve in wide spine outer sleeve with printed insert

Tracklist:
A1. Echo45, We Are! feat. Oscar Jerome A2. Dive Into feat. Louis VI A3. Desire feat. Haile Supreme, Liam Bailey A4. Bang Bien feat. Yasiin Bey
B1. Echo45 feat. Liam Bailey B2. True feat. Sadie Walker B3. I Remember feat. Greentea Peng
C1. Starwood Bound feat. Sadie Walker C2. Ain't So… feat. LSK C3. Mumzie Cut feat. Liam Bailey
D1. Holding On feat. Ladi6 D2. Wind Of Change feat. Yarah Bravo C3. Hop-to-Mystic feat. Liam Bailey

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Tranquilizer conjures a sonic hallucination: ambient calm twisting into digital chaos; mundane textures giving way to emotional overload. It’s a record shaped by obscurity and obsolescence. Real and unreal blur. Samples melt into static. A door creaks open inside a dream.

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Tranquilizer conjures a sonic hallucination: ambient calm twisting into digital chaos; mundane textures giving way to emotional overload. It’s a record shaped by obscurity and obsolescence. Real and unreal blur. Samples melt into static. A door creaks open inside a dream.

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Originally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and more).

Surfing On Sine Waves is also the sole album released under Richard D. James’ (aka Aphex Twin’s) Polygon Window alias. The name “Polygon Window” originally appeared as a track name under Richard D. James’ other pseudonym The Dice Man, as the track title for his submission on Artificial Intelligence. Surfing On Sine Waves was chosen as a title by Rob Mitchell based on a quote by Richard D. James. The album debuted at #2 on the UK dance charts. The album was followed the same year with a companion EP titled Quoth. The EP’s title track originally appeared on the album, accompanied by additional songs who first appeared on this release.

Fast forward 32 years to 2025, Surfing On Sine Waves (Expanded Edition) sees the pair of companion releases as a single entity, out on vinyl and CD.

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Originally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and more).

Surfing On Sine Waves is also the sole album released under Richard D. James’ (aka Aphex Twin’s) Polygon Window alias. The name “Polygon Window” originally appeared as a track name under Richard D. James’ other pseudonym The Dice Man, as the track title for his submission on Artificial Intelligence. Surfing On Sine Waves was chosen as a title by Rob Mitchell based on a quote by Richard D. James. The album debuted at #2 on the UK dance charts. The album was followed the same year with a companion EP titled Quoth. The EP’s title track originally appeared on the album, accompanied by additional songs who first appeared on this release.

Fast forward 32 years to 2025, Surfing On Sine Waves (Expanded Edition) sees the pair of companion releases as a single entity, out on vinyl and CD.

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Autechre continue their chronological series of LP reissues with the albums Untilted (2005) and Quaristice (2008).

Neither of these albums have been repressed since their original release and have been widely unavailable for over 15 years.

Demand in the interim has ensured coveted resale among fans wanting to hear this music on vinyl.

These reissues come at a particularly active time for Autechre as they prepare to embark on one of their most extensive live tours to date, including an entirely sold out run of 25 shows in 29 days through US, Canada and Mexico in October, as well as tours in EU (August) and UK (November).

Autechre most recently released new music in November 2024 with the ongoing digital project AE_2022–.

Other LP Reissues available: Incunabula (1993), Amber (1994), Tri Repetae (1995), Chiastic Slide (1997), LP5 (1998), Confield (2001), Draft 7.30 (2003).

- Specs Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve

Tracklist:
A1. LCC
A2. Ipacial Section
B1. Pro Radii
B2. Augmatic Disport
C1. Iera
C2. Fermium
C3. The Trees
D1. Sublimit

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Autechre continue their chronological series of LP reissues with the albums Untilted (2005) and Quaristice (2008).

Neither of these albums have been repressed since their original release and have been widely unavailable for over 15 years.

Demand in the interim has ensured coveted resale among fans wanting to hear this music on vinyl.These reissues come at a particularly active time for Autechre as they prepare to embark on one of their most extensive live tours to date, including an entirely sold out run of 25 shows in 29 days through US, Canada and Mexico in October, as well as tours in EU (August) and UK (November).

Autechre most recently released new music in November 2024 with the ongoing digital project AE_2022–.

Other LP Reissues available: Incunabula (1993), Amber (1994), Tri Repetae (1995), Chiastic Slide (1997), LP5 (1998), Confield (2001), Draft 7.30 (2003).

- Specs Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve

Tracklist:
A1. Altibzz
A2. The Plc
A3. IO
A4. plyPhon
A5. Perlence
B1. SonDEremawe
B2. Simmm
B3. paralel Suns
B4. Steels
B5. Tankakern
C1. rale
C2. Fol3
C3. fwzE
C4. 90101-5l-l
C5. bnc Castl
D1. Theswere
D2. WNSN
D3. chenc9
D4. Notwo
D5. Outh9X

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Incunabula, the debut full-length offering from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001. Having first emerged onto a post-acid house 1993, Incunabula was released as part 7 of the now legendary Artificial Intelligence series of albums and compilations from Warp. A series that gave us early records from artists who went on to sculpt the electronic landscape both in and out of the club. Being lined up against such contemporaries as Black Dog Productions (Balil and Plaid) Aphex under his Polygon Window guise, Richie Hawtin's FUSE project, Speedy J, B12 & on the series' closing compilation, artists as diverse as Seefeel, Richard H Kirk & The Higher Intelligence Agency. Incunabula set the tone for the following landmark albums from Ae, huge caustic dissections of sound that almost resemble vast mathematical equations more than they do club fodder (though tracks like the breakbeat whip crack of Doctrine and the acidic euphoria of Maetl, which when deployed by the right DJ will go off). For those just arriving at the edge of Ae's world and are looking for an entry point into the sprawling discography of the group, or those of you looking to delve into the pre-MaxMSP archives, this is the record for you. There is not much we can say that has not been said before, but this truly is a landmark album of UK electronica, a legendary recording that still even after twenty-six years still sounds like a future we are yet to arrive at.

Spec: 2LP in paper inners in gatefold sleeve with postcard size download card

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1993 debut album by the trio of Andrew Weatherall, Jagz Kooner and Gary Burns. Unavailable on vinyl and CD since original release. Remastered from the original tapes by Matt Colton, contains “Smokebelch II (Beatless Mix)” for the first time on the 2LP edition.

Coming off the back of his work on the era-defining Screamadelica album by Primal Scream, not to mention groundbreaking remix work for the likes of New Order, My Bloody Valentine and the Happy Mondays, Weatherall was as revered by fans of indie guitar music as he was namechecked by hardcore ravers. The increasing demands on his services led to a studio partnership with Kooner and Burns, forming the production trio The Sabres Of Paradise (named after a 1960 book about a Muslim chieftain’s efforts to repel a Russian invasion).

The opening track on Sabresonic (named after the popular weekly club night Weatherall was then running) started life as a remix of the Primal Scream track “Don’t Fight It Feel It” but got so radically mutated that it turned into something entirely new. As well as reflecting on contemporary trends in dance music (“Inter-Legen-Ten-ko” is a swipe at the IDM genre name), the album also brought in older influences - “R.S.D” is an acronym for “Red Stripe Dub”, the deep influence of King Tubby et al evident at various points throughout the album, whilst the epic icy vistas of the 14 minute+ “Clock Factory” are informed by the electronic experiments of industrial groups such as Coil. The album also flagged future trends in electronic music, with the timeless “Smokebelch II (Beatless Mix)”, a beautiful re-work of an old Chicago house tune by Lamont Booker, becoming a staple of chillout compilation CDs for the rest of the decade.

- Specs Black 2LP vinyl in black polylined inner sleeves in wide spine outer sleeve

Tracklist:
A1. Still Fighting
A2. Smokebelch I
B1. Clock Factory
C1. Ano Electro (Andante)
C2. R.S.D.
D1. Inter-Lergen-Ten-ko
D2. Ano Electro (Allegro)
D3. Smokebelch II (Beatless Mix)

Key Information:
- Both are classic Warp albums - unavailable on vinyl & CD since original release
- Remastered from the original tapes by Matt Colton
- One of the key musical projects of the much-missed Andrew Weatherall who formed the group with Jagz Kooner and Gary Burns, initially as a production unit before signing to Warp and evolving into a proper band
- Remasters available digitally from May 29th 2025
- Sabresonic vinyl contains 'Smokebelch II (Beatless Mix)' for the first time on the 2LP edition
- Haunted Dancehall vinyl contains 'Theme' for the first time on the 2LP edition
- First live shows in over 3 decades

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1994 second album by the trio of Andrew Weatherall, Jagz Kooner and Gary Burns, unavailable on vinyl and CD since original release. A concept album with accompanying text for each track by James Woodbourne, it also includes additional production by Portishead and Mr Scruff. Remastered from the original tapes by Matt Colton, contains “Theme” for the first time on the 2LP edition.

By the time this record came out towards the end of ‘94, The Sabres Of Paradise had evolved from a production trio into a fully fledged band, embarking on live tours and augmented for the stage by additional members such as Rich Thair, from Warp labelmates Red Snapper, and Phil Mossman, later to join LCD Soundsystem. Tapped by Noel Gallagher to support Oasis at enormodomes, the group opted instead to play clubs, student unions, and infamously, a car park in Central London. Their tour adverts contained small print specifying a policy of “no jugglers, no fire eaters, no flutes and no hippies with lawyers”.

The studio sound had shifted radically as well, utilising samples (notably on the 1930s voodoo jazz inflected “Wilmot”), live instrumentation (the heavy twang guitar riff of “Tow Truck”) and a deep love of film scores audible throughout, from the block party funk of “Theme” to the noir-ish soundscapes of the title track. The sense of the album being a soundtrack itself is underpinned by the accompanying text for each track, rumoured to have been penned by Weatherall himself under a pseudonym, each text fragment joining up to form a suitably grimy, low-lit short story. The Guardian later summed up Haunted Dancehall as “techno’s first concept album”.

- Specs Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve, spot gloss to cover

Tracklist:
A1. Bubble And Slide
A2. Bubble And Slide II
A3. Duke Of Earlsfield
B1. Flight Path Estate
B2. Planet D
B3. Wilmot
B4. Tow Truck
C1. Theme
C2. Theme 4
C3. Return To Planet D
C4. Ballad Of Nicky McGuire
D1. Jacob Street 7am
D2. Chapel Street Market 9am
D3. Haunted Dancehall

Key Information:
- Both are classic Warp albums - unavailable on vinyl & CD since original release
- Remastered from the original tapes by Matt Colton
- One of the key musical projects of the much-missed Andrew Weatherall who formed the group with Jagz Kooner and Gary Burns, initially as a production unit before signing to Warp and evolving into a proper band
- Remasters available digitally from May 29th 2025
- Sabresonic vinyl contains 'Smokebelch II (Beatless Mix)' for the first time on the 2LP edition
- Haunted Dancehall vinyl contains 'Theme' for the first time on the 2LP edition
- First live shows in over 3 decades

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Following the release of his new collaborative album Tall Tales with Thom Yorke, a 2LP vinyl repress of Mark Pritchard’s previous solo album Under The Sun will be available on 25 July via Warp Records.

Originally released in 2016, Under The Sun is one story told in chapters and, as with any good story, the spell is only maintained if you don't skip to the end. Pritchard, as usual, defies easy categorisation and that is what gives depth and nuance to this work. He draws on the sounds and influences genetically coded in his musical DNA; ambient, nu-wave, avant-garde electronics and folk; but reimagines them through an otherworldly filter that cements Under The Sun somewhere in the future, rather than the past.

The album features contributions from peers and friends including Thom Yorke, Linda Perhacs, Bibio, and Beans, and explores themes of beauty, desolation, and longing for home.

- "Beautiful melancholic downtempo from masterful electronic polyglot." - MOJO****
- "Under the Sun is deeply atmospheric and richly impressionistic." - Pitchfork

- Specs: 2LP black vinyl in printed inners in gatefold outer

Tracklisting:
A1. ?
A2. Give It Your Choir feat. Bibio
A3. Infrared
A4. Falling

B1. Beautiful People feat. Thom Yorke
B2. Sad Alron
B3. You Wash My Soul feat. Linda Perhacs
B4. Where Do They Go, The Butterflies

C1. Hi Red
C2. Ems
C3. The Blinds Cage
C4. Dawn Of The North

D1. Khufu
D2. Rebel Angels
D3. Under The Sun
D4. Cycles Of 9

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An album beloved by fans since its release in March 2004, Ultravisitor is one of the most popular records in Squarepusher’s entire discography. A unique blend of studio and live recordings, it’s an excellent showcase for the diversity of his music: from the frenetic title track to the funky jazz of “Iambic 9 Poetry” to the sunlit bliss of “Tommib Help Buss” and beyond.

Following last year’s 20th-anniversary expanded deluxe reissue, the standalone remastered edition is now widely available. Carefully remastered from the original tapes by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson - who was never entirely happy with the original release - this edition brings fresh dynamics and details in the tracks.

- "Spectacle of beauty and of terror." - The Quietus, Reissue Of The Week

- "The most accessible Squarepusher record to date. He has been careful to ensure he continues to challenge and alienate, but one can't help be thankful that he has started to find his human heart." - BBC (2004)

- Specs: Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve

Tracklist:
A1. Ultravisitor
A2. I Fulcrum
A3. Iambic 9 Poetry
A4. Andrei
B1. 50 Cycles
B2. Menelec
B3. C-Town Smash
C1. Steinbolt
C2. An Arched Pathway
C3. Telluric Piece
C4. District Line II
D1. Circlewave
D2. Tetra-Sync
D3. Tommib Help Buss
D4. Every Day I Love

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Tracklisting:
A1. A Fake In A Faker's World
A2. Ice Shelf
A3. Bugging Out Again
B1. Back In The Game
B2. The White Cliffs
B3. The Spirit
C1. Gangsters
C2. This Conversation Is Missing Your Voice
C3. Tall Tales
D1. Happy Days
D2. The Men Who Dance In Stag's Heads
D3. Wandering Genie

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Tracklisting:
A1. A Fake In A Faker's World
A2. Ice Shelf
A3. Bugging Out Again
B1. Back In The Game
B2. The White Cliffs
B3. The Spirit
C1. Gangsters
C2. This Conversation Is Missing Your Voice
C3. Tall Tales
D1. Happy Days
D2. The Men Who Dance In Stag's Heads
D3. Wandering Genie

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Tracklisting:
A1. A Fake In A Faker's World
A2. Ice Shelf
A3. Bugging Out Again
B1. Back In The Game
B2. The White Cliffs
B3. The Spirit
C1. Gangsters
C2. This Conversation Is Missing Your Voice
C3. Tall Tales
D1. Happy Days
D2. The Men Who Dance In Stag's Heads
D3. Wandering Genie

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United Lions Conquer Studmission

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We go through life. We shed our skins. We become ourselves.” This line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed Under Tangled Silence, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes. The result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life.

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Repress!

Social Media Frustration Treatment


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It was only in 2018 that New York techno mainstay Joey Beltram revealed that he was the man behind 'SW37', a record which had been an underground classic since it first started doing the rounds in 1998. It remains an evergreen favourite almost 30 years on, which is why Damon Wild's Synewave is reissuing it here. The A-side is gloppy, dubby techno with impish percussion darting about the mix and drunken hits bring an off-kilter edge. On the flip, 'SW37B' is stripped back to pure deep techno serenity with deft ambient pads and a sense of unrelenting meditation that locks you in the here and now.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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MOMO. releases his 7th album Gira, on Batov Records bringing together some very special musicians and guests from London’s bustling and hustling jazz community, with fellow Brazilian artists, recorded and cut to tape at East London’s Total Refreshment Center.

Tracklist
1.1Para
1.2Rio
1.3Passo de Avarandar
1.4Oqueeei
1.5Jao
1.6My Mind
1.7Beija Flor
1.8Summer Interlude
1.9A Walk In The Park
1.10Gira

Listen: https://listen.k7.com/1e1f40dd-ccd8-4a47-924d-d79a91da4830

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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Khruangbin did not know if they were actually making an album. All they knew in the first frigid days of 2025, as they shivered in the Central Texas barn where they’ve recorded almost all of their music, was that the 10th anniversary of their debut, The Universe Smiles Upon You, was steadily approaching. Months earlier, they’d bandied about ways to mark the occasion, debating orchestral arrangements or compendiums of bonus materials and alternate takes. Thing was, back before Khruangbin helped establish a new modern idiom of semi-instrumental and gently psychedelic American music, there had been no bonus material, no unused songs. And how interesting would alternate takes or symphonic extravagance really be for a band whose aesthetic—essential vibes, infinite grooves, riffs that rippled across the horizon—seemed so direct and pure, anyway? What if, they had instead wondered, they went back to the barn where it all began and recut the record that had started it all, on the actual 10th anniversary of those sessions? They decided, at least, to try.

It did not take long for Laura Lee, Mark Speer, and DJ Johnson to know that the idea was indeed a good one, that in holding up a mirror shaped by the past 10 years to their formative set of songs they could feel and hear how they had changed as people and players. The result is The Universe Smiles Upon You ii, 10 entirely new renditions of the songs from Khruangbin’s oldest album, played and sequenced in a way that works for them now without being strictly allegiant to who they were then. Watchful eyes, for instance, will notice that “Bin Bin ii”, a bonus track back in 2015, has moved toward this album’s center. More importantly, attentive ears will hear how liberated Khruangbin sound from any expectations rendered by their own success, how this is once again the sound of three longtime friends deciding how this material might move in real time.

The barn is an essential piece of Khruangbin lore. In 2009, many years before Khruangbin’s early singles started to shape their course or even before they were really a band, they began to head to the barn, bought by Speer’s parents in the ’80s on a modest cattle farm midway between Houston and Austin. They’d been looking for a place to rehearse in Houston when Speer’s parents volunteered the spot and the small house next door—three bedrooms downstairs, dorm-style bunks above, a century-old stove in a small kitchen. The process was so consummately D.I.Y. that, when they convened there in January 2015 to make what would become The Universe Smiles Upon You, Speer and Lee rushed to remove a nest of bees by playing bass and smashing cymbals loudly before Johnson (famously not into bees, mind you) arrived. They made the record for $1,500.

This time around, Khruangbin decided to try a few functional updates. They finally ripped out the plywood dancefloor that had been installed for a wedding nearly two decades earlier but had since become something of a sanctuary for critters that would inevitably destroy any gear left behind. They rented a new floor, then bought silent new space heaters and boxes of hand warmers that they’d stuff into gloves during sessions. The first day was Central Texas paradise—T-shirts in January, the sun shining as they set up their instruments, ran cables, and even recorded the seven-minute version of “Two Fish and an Elephant” that appears here, the rhythm that Lee and Johnson built offering a welcoming group hug for Speer’s flickering lead. But then the cold set in, a cold so gripping that they stuffed bits of construction flotsam into every crack and crevice they could find inside the barn. They moved closer and closer as the four days progressed, as if trying to absorb one another’s radiant heat.

Perhaps, then, that’s why The Universe Smiles Upon You ii feels so warm, as if they were tending a fire simply by playing together. Early into “August Twelve ii,” Johnson watched an eastern meadowlark sing just outside the barn, its song picked up by the microphones. It wasn’t their favorite performance, but they knew it captured the magic of the time and place, the yellow beauty’s melody calling these six gorgeous minutes to order. They are likewise jubilant during this very extended take on “People Everywhere (Still Alive),” applying the lessons about pace, momentum, and dynamics they’ve learned during a decade on the road to start and sustain this dance party. It is an immaculate map of the moment.

Funnily enough, while on tour with this electric trio during the last several years, Speer became fascinated with early European instruments that could sound full without being loud—the viol de gamba, for instance, or the clavichord. He imported that enthusiasm into these sessions, not only often playing acoustic guitar alongside Lee’s hollow-body Höfner bass and Johnson’s brushed drums but also covering instruments in contact mics, so that they sounded close and real. You can hear that pursuit clearly on “White Gloves ii,” a song that has become such a Khruangbin staple they initially struggled with how to remake it here. When Johnson suggested it become “country disco,” though, the track suddenly unlocked. A rural-funk canter buttresses the bittersweet vocals and twilit guitars; the recording makes it feel as if you’re sitting in the center of the barn, head pressed between the bass amp and bass drum as Khruangbin drift away.

In many ways, The Universe Smiles Upon You ii represents the close of Khruangbin’s first chapter, the complete culmination of the music they made when they arrived at the barn in January 2015. During the last decade, they have reached an apotheosis of sorts, their love of Thai pop and heavy dub and American soul and Ethiopian haze perfectly crystallized in a string of splendid records and live shows that have hypnotized massive theaters and festival crowds alike. They’ve repeatedly sold out the United States’ most famous venues, from Red Rocks and Forest Hills to the Hollywood Bowl and Radio City, and they’ve crowned festivals from Glastonbury to Bonnaroo. Paul McCartney plucked them to reimagine one of his songs, while they’ve collaborated with Mali legend and band inspiration Vieux Farka Touré to honor his late father on 2022’s Ali. After more than a decade of relentless touring and recording, their expertly polyglot 2024 album, A LA SALA, helped earn a Grammy nomination for Best New Artist. Not bad for a band that recorded its debut in a barn of bees and mice for a grand or so.

So, then, what is next? The Universe Smiles Upon You ii provides a point of pause for Khruangbin, a chance to step back from a sound they now know so well and figure out where it may go from here. They talk about woodshedding, about spending a few hours every day with their instruments to see what new shapes they can make. Khruangbin’s splendid next run, then, begins where the first one did, too—in the barn, finding their way into the world through the songs of The Universe Smiles Upon You, second time even more absorbing than the first.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More