(LP, printed inntersleeves) Blasé is going to release his debut album "BLABLABLA" on March 14, an album that stands as a personal manifesto of his sonic obsessions that open up almost as many ways: 15 original tracks in search of groove.

Thanks to his ears educated on radios and charts from across the Atlantic, he honors this generous vision of pop that encompasses old school hip-hop, R&B, jazz, funk, disco and new-wave, and navigates between different styles in the manner of American artists. Some tracks are in French when others are in English, and feature the singer Anna Majidson, the rappers Jwles and Valee, and the late Oxnard-born Cola Boyy. Thus, on "BLABLABLA" we go from a studio haunted by Quincy Jones to a cellar where The Cure rehearses "Boys Don't Cry"...

Blasé is a French-American pop artist, composer, arranger, producer, singer and author. Since his childhood and teenage years in New York, he has experimented and nourished a sound between 70s rock, electronic music, disco and hiphop. His American musical baggage in hand, he moves to Paris and starts his first band, Haute, with Anna Majidson. A first hit will be born out of their collaboration, “Shut Me Down”, whose Colors session accumulates more than 30 million views on YouTube.
After this first success, and following numerous collaborations with various artists such as Agoria, DJ Pone, Lala&ce, Niro or Jwles, Blasé has now his own signature sound. Considered an alien by his peers, his first EP “Pourquoi Blasé?” released in 2023 on French cult label Record Makers (Kavinsky, Cola Boyy, Sebastien Tellier…) demonstrates his unique talent for blending Chic, The Strokes and Manu Chao.
“BLABLABLA”, Blasé’s debut album to be released on March 14th stands as a personal manifesto, full of seemingly naive words and pop explorations: 15 original songs in search for the groove.

With ears trained on US radio and charts, Blasé celebrates a generous vision of pop that encompasses old-school hip-hop, R&B, jazz, funk, disco, and new wave, navigating between different styles like American artists do. Some songs are in French while others are in English, featuring singer Anna Majidson, French sensation rapper Jwles, cult hip-hop artist Valee, and the late Californian disco figure Cola Boyy. On “BLABLABLA”, we move from a studio haunted by Quincy Jones to a basement where The Cure’s “Boys Don’t Cry” is being rehearsed.
These references can come to mind while listening to BLABLABLA:
Gainsbourg, Kool and the Gang, old and new cold-wave, The Stranglers, Dire Straits, Bill Withers, Saint Germain, MC Solaar, The Bee Gees, Drake making cumbia, Zero 7, DJ Premier, Chic, Benny Sings, Justice, Van Halen or Defdtones guitars.

Not bad for a frenchie in his twenties!
On the mixing side, the work is shared by some big names (Neal Pogue, Bambounou, Alf, Pierrick Devin, I:Cube) for a lush result : 15 tracks – 15 bangers.
Despite its title, there’s no downtime or unnecessary chatter, but a “BLABLABLA” reflecting Blasé’s desire to express himself freely and sincerely as a fully realized artist.



Tracklist



A1. Instant Magique
A2. Different Mind
A3. Ice Comfortable
A4. Jacques (feat. Jwles)
A5. I Need It (From You)(feat. Cola Boyy)
A6. Chemicals

B1. Faces (feat. Anna Majidson)
B2. Mirror
B3. Free (feat. Eshu 7)
B4. It Feels So Good
B5. Not Now (feat. Valee and Jwles)
B6. Super Strong
B7. I Know you
B8. Ange
B9. Maria



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(MR DAN'S MAGIC WAND, GILLIGAN MOSS MIX, TONY ALLEN BONUS BEAT, PLUS ORIGINAL) REPRESS OF THE 20TH ANNIVERSARY REISSUE AND REMASTER OF 'LA RITOURNELLE' ALONGSIDE ITS TWO MOST SUCCESSFUL REMIXES AND TONY ALLEN'S ISOLATED DRUM TRACK FROM THE ORIGINAL SONG.

Tracklist
A1. La Ritournelle
A2. La Ritournelle (Mr Dan's Magic Wand Mix)

B1. La Ritournelle (Gilligan Moss Mix)
B2. La Ritournelle (Tony Allen Bonus Beat)


La Ritournelle is undoubtedly Sebastien Tellier's biggest song. Since its first release in 2003, it kept growing and circulating throughout the world year after year like a virus. Considered by many as the ultimate love anthem of the 21st century, the song has now infected numerous hearts and lovers, and gained a classic status.

The song is made of 7 epic minutes of a sensual and mesmerizing piano hook, with the late afro-beat maestro Tony Allen on drums, lush romantic strings, Philippe Zdar on the mix, and a heartbreaking lyric at the center of the song that goes: Oh nothing's going to change my love for you / I wanna spend my life with you So we make love on the grass under the moon / No one call tell, damned if I do Forever journey on golden avenues / I drift in your eyes since I love you I got that beat in my veins for only rule / Love is to share, mine is for you Since the release, we have received countless love messages.

One from a famous DJ who told us he heard the tune while driving on the freeway and had to stop on the side of the road, in tears. Many couples have asked whether Tellier would perform "La Ritournelle" at their wedding ceremony. It was sampled by The Weeknd for the song on "Kiss Land" (2013) and used in several long feature films. "La Ritournelle": often been copied and covered, but rarely equaled.
For the first time, Record Makers is releasing the song with its most successful remixes on one EP, and a special gift in memory of his genius: Tony Allen's bonus beat, the original drum track, a must have for DJs. Also included: Gilligan Moss' mix, an atmospheric remix and a streaming hit, and Mr Dan's Magic Wand mix, the chorus/verse version of "La Ritournelle", basically Unfinished Sympathy pt. II, according to the NME.

“Epic, gorgeous dance track we can't, can't, can't stop playing” - The Sunday Times

“A big balearic goosebump of stirrings, rolling pianos and funky drumming, No with this odd male vocal that heightens its strange psychedelic vulnerability. („) One day, Frenchman Sébastien Tellier's slow-burning club anthem "La Ritournelle" will be huge. (...) Basically, we're talking "unfinished Sympathy pt. II"." - NME (2005)




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(2xLP, printed innersleeves, sticker sheet) nit is the genius underdog of the current French chanson scene. After playing along with Sébastien Tellier or Juliette Armanet (a huge success in France), after remixing Phoenix, Myd, Dita Von Teese, Cola Boyy, Tony Allen or Jane Birkin, here he comes with his debut album. The balearic sound is always a big nit influence, feel good electronics & lush acoustic chords.

Tracklist

A1. Bas
A2. Autostop
A3. Insecure

B1. Acid Arizona
B2. Primeiro Amor
B3. Puzzle Effect

C1. Paradoxe A
C2. Paradoxe B
C3. Pazzo
C4. Zoom !

D1. Drawn to Me
D2. Looney Tune
D3. Haut

Spotted by French label Record Makers (Sébastien Tellier, Kavinsky, AIR, Cola Boyy) with his 2017 “Dessous de plage” first EP, nit has since grown from funky DIY library music to a lush and complex groovy sound. The magic of this debut album “Big Bang Puzzle” is a keen sense of composition and an innate affinity for 90’s European electronica.

It’s a playful album, the work of an artist at the peak of his craft, determined to twist styles and references (Daft Punk, Ennio Morricone, Robert Miles, Vangelis...) in order to give them a new form.

“Big Bang Puzzle” is a tangle of psychedelic and cartoon-esque pieces, an abstract modernist painting of sounds inspired by vintage pop music. The cover, created by Swiss artist Flora Mottini, offers a first glimpse of his brand new universe.

But it’s also by collaborating with French iconic design studio H5 that nit suddenly enters the French Touch genealogy. nit takes the shape of an n that grows legs and arms to become a cheeky cartoon character traveling through a real space-time continuum. Parisian H5 studio has been involved since the end of the ‘90s in the design of strong visual concepts for French Touch’s elite (Etienne de Crécy, AIR, Mirwais). French music at its best from which nit is a direct descendant. And one who expands and opens even further: pop, italo-disco, trip-hop impulses, Morriconian cavalcades, lo-fi aesthetics, Caribbean music. Producer and mixer Lucien Krampf (Oklou, Ascendant Vierge, Casual Gabberz, CRYSTALLMESS) was the person in charge of mixing this ambitious record.

nit is both a question and an answer, and a musical enigma that pushes us to explore the far reaches of our imagination…


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Tristesse Contemporaine’s new album is like a space shuttle, full of metropolitan and eccentric music makers. A free-spirited album filled with irresistible beat-driven tunes thanks to Mike's thunderous voice, Narumi's sparkling synths and Leo's gleaming guitar, conquering new territories from reggae to 90's breakbeat or New-York disco. A unique and united style glued together by a rare ability to switch moods and dynamics in a gleam of light, like a skilled DJ would. Produced by Lewis OfMan.



TRACK LISTING

A1. Nothing Left to Win
A2. Sly Fox
A3. Midori
A4. Rude!
A5. Rock This Town

B1. XRaver
B2. England
B3. Running
B4. Do Nothing
B5. Popstar
B6. Forget

INFO

"UNITED", Tristesse Contemporaine’s new album is like a space shuttle, full of metropolitan and eccentric music makers.

Inside the shuttle: Narumi, Leo & Mike, respectively from Japan, Sweden and Jamaican-British. All "united" behind the unique Tristesse Contemporaine flag and led since the start by French label Record Makers (Kavinsky, Sebastien Tellier, Cola Boyy…).

After three rock & post-punk infused albums: "Tristesse Contemporaine" (2012), "Stay Golden" (2013) and "Stop and Start" (2017), they’re off to a new start and open a new cycle with their new opus "UNITED".

Who other than young prodigy Lewis OfMan, the one-man band behind hits like "Attitude" and renowned collaborations including Rejjie Snow or Carly Rae Jepsen, to join the joyous ride?

After hearing "Sly Fox"'s first demo in 2019, they convinced him to produce a whole album for them and became the fourth member of sorts, adding his pop sensibility, mixing genres and emotions with funky basslines, strong hooks, and digital arrangements.

A free-spirited album filled with irresistible beat-driven tunes thanks to Mike's thunderous voice, Narumi's sparkling synths and Leo's gleaming guitar, conquering new territories from reggae to 90’s breakbeat or New-York disco. A unique and united style glued together by a rare ability to switch moods and dynamics in a gleam of light, like a skilled DJ would.

"Nothing Left to Win?" as the opening track goes.

Well yes, precisely.

Far from distorting Tristesse Contemporaine, "UNITED", by flirting with club culture, triggered a new need to play with their origins, using old & new genres to project themselves into a new self.

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'Renegade' recorded in collaboration with Victor Le Masne and Gaspard Augé (half of Justice) reinvents the French producer's unique recipe: dark mood but with a thunderous groove. With a vocal assistance from Cautious Clay, 'Renegade' announces one of this years' most anticipated comebacks.

TRACKLIST

A1. Renegade
B1. Renegade (Instrumental)

INFO

Kavinsky is a zombie who came back from the dead after his Testarossa crashed in 1986.

His first song, "Testarossa Autodrive", was an instant success, and was followed by two singles. In 2007, he was chosen by Daft Punk to open their now legendary "Alive" tour.

In 2011, his track "Nightcall", produced with Guy-Manuel de Homem-Christo, became the theme song for the film "Drive", and consequently a worldwide success.

Kavinsky's first album, "Outrun", was released in 2013, followed by a collaboration with The Weeknd on the song "Odd Look".

In 2022, Kavinsky is back with "Reborn", his second album recorded at the famous Motorbass studio in Paris, due March 25th. "Renegade" which was recorded in collaboration with Victor Le Masne and Gaspard Augé (half of Justice) reinvents the French producer’s unique recipe: dark mood but with a thunderous groove. With a vocal assistance from Cautious Clay, « Renegade » announces one of this years’ most anticipated comebacks.






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Kavinsky envisioned ‘Zenith’ as a sequel to ‘Nightcall’, his 2010 breakthrough hit that became an integral part of the iconic ‘Drive’ soundtrack. Prudence, formerly of the Dø, sings the verses, while Diamond Nights' Morgan Phalen takes the choruses..

TRACKLIST

A1. Zenith
B1. Zenith (Instrumental)

INFO

Kavinsky is a zombie who came back from the dead after his Testarossa crashed in 1986.

His first song, "Testarossa Autodrive", was an instant success, and was followed by two singles. In 2007, he was chosen by Daft Punk to open their now legendary "Alive" tour.

In 2011, his track "Nightcall", produced with Guy-Manuel de Homem-Christo, became the theme song for the film "Drive", and consequently a worldwide success.

Kavinsky's first album, "Outrun", was released in 2013, followed by a collaboration with The Weeknd on the song "Odd Look".

In 2022, Kavinsky is back with "Reborn", his second album recorded at the famous Motorbass studio in Paris, due March 25th. While recording it, Kavinsky had this special project to record a sequel to his hit song "Nightcall", which after all sounded almost like a movie scene. This sequel would be called "Zenith".

Therefore, like in the original, he composed a duet between a girl and a man, but reversed:
the verse is sung by the woman, the chorus by the man.
Prudence (formerly from the successful duet The Dø) is the female vocalist, Morgan Phalen (who sung with Justice and is the vocalist of the band Diamond Nights) plays the male character along with a special guest: the saxophone.

"Zenith" showcases Kavinsky's romantic side on a muted and futuristic sound.






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‘Cameo’ is the third and last stepping-stone which lead to Kavinsky’s long-awaited new album ‘Reborn’, out on June 3rd. Its raging funky beat and syncopated synths offer the most perfect case for American sensation Kareen Lomax to deliver a warm though exhilarating vocal performance. Robot disco guitar bumps all along and that secret recipe everyone knows was invented in Paris. Yet another humongous track by the and only dead & alive 88.1 to 107.9 FM fiend.

TRACKLIST

A1. Cameo
B1. Cameo (Instrumental)

INFO

Kavinsky is a zombie who came back from the dead after his Testarossa crashed in 1986.

His first song, "Testarossa Autodrive", was an instant success, and was followed by two singles. In 2007, he was chosen by Daft Punk to open their now legendary "Alive" tour.

In 2011, his track "Nightcall", produced with Guy-Manuel de Homem-Christo, became the theme song for the film "Drive", and consequently a worldwide success.

Kavinsky's first album, "Outrun", was released in 2013, followed by a collaboration with The Weeknd on the song "Odd Look".

‘Cameo’ is the third and last stepping stone which lead to Kavinsky’s long-awaited new album ‘Reborn’, out on June 3rd. Its raging funky beat and syncopated synths offer the most perfect case for American sensation Kareen Lomax to deliver a warm though exhilarating vocal performance. Robot disco guitar bumps all along and that secret recipe everyone knows was invented in Paris. Yet another humongous track by the and only dead & alive 88.1 to 107.9 FM fiend.






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(2LP gatefold, shiny cover, printed innersleeves, holographic sticker on cover) Kavinsky is back with 'Reborn', his second album recorded at the famous Motorbass studio in Paris. The first single 'Renegade' has an impactful sound and a powerful chorus, whilst the second single 'Zenith' has a more muted and futuristic feel. On 'Reborn', Kavinsky amplifies these sounds without deviating from his relentless trajectory.



TRACKLISTING

A1. Pulsar
A2. Reborn
A3. Renegade
B1. Trigger
B2. Goodbye
B3. Plasma


C1. Cameo
C2. Zenith
C3. Vigilante
D1. Zombie
D2. Outsider
D3. Horizon


INFO

Kavinsky is a zombie who came back from the dead after his Testarossa crashed in 1986.

His first song, "Testarossa Autodrive", was an instant success, and was followed by two singles. In 2007, he was chosen by Daft Punk to open their now legendary "Alive" tour.

In 2011, his track "Nightcall", produced with Guy-Manuel de Homem-Christo, became the theme song for the film "Drive", and consequently a worldwide success.

Kavinsky's first album, "Outrun", was released in 2013, followed by a collaboration with The Weeknd on the song "Odd Look".

In 2022, Kavinsky is back with "Reborn", his second album recorded at the famous Motorbass studio in Paris. The first single "Renegade" has an impactful sound and a powerful chorus, whilst the second single "Zenith” has a more muted and futuristic feel. On "Reborn", Kavinsky amplifies these sounds without deviating from his relentless trajectory.




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(1xLP - Gatefold w/ exclusive drawing) Sébastien Tellier's "Sessions" album get pressed to vinyl for the first time.

TRACKLIST
A1. Bye Bye
A2. La Ritournelle
A3. Black Douleur
A4. League Chicanos
A5. La Dolce Vita
B1. Fantino
B2. Kissed by You
B3. Broadway
B4. Universe
B5. Classic

INFO

In January 2004, Sébastien Tellier released "Politics", an ambitious album which preaches the defense of the oppressed peoples, in a luxurious dressing. The press ignites, but he was considered as an original elitist. Nevertheless, "La Ritournelle" is a piece which whole France knows, without knowing who sings it.

In September 2005, lead by his Ritournelle which crossed the Channel by swimming, the same album goes out to the UK with crash. "Epic, gorgeous dance track we can't, can't, can't stop playing", The Sunday Times, October 2005.

Sébastien Tellier's live shows reached a kind of artistic summit, a model of intensity and strakness. It is from this control that came the idea to record, on December 30th 2005, an acoustic session of his directory accompanied by the pianist Simon Dalmais.

The fruit of this session gave birth to this album, "Sessions", intimate and straight. "Sessions" is a collection of timeless pieces, stemming from his directory, in the right lined by the authors / composers / performers who mark their period. In bonus of this recording produced as an album studio by Alf (Air, Phoenix), Sébastien Tellier recorded a resumption of Christophe's "La Dolce Vita", as well as an instrumental unpublished one "Classic".

This is the first time this album is pressed on vinyl.



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(printed cardboard inner sleeve) Repress of “Politics” including Sébastien's masterpiece, the melody that everybody knows, “La Ritournelle”. It features prominent drumming provided by Tony Allen.



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2LP vinyl reissue of Arpanet's 2006 electronic masterpiece! Under his real name Gerald Donald, Arpanet is a man-machine from Detroit fond of science with multiple identities:Glass Domain, Heinrich Mueller, also part of Drexciya, and Dopplereffekt. Following Kraftwerk, he became on his turn a real pioneer of an uncluttered and effective industrial electronic music.

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(transparent red vinyl, shiny cover with goffering, printed insert) Cola Boyy gets members of MGMT, The Avalanches, Chairlift’s Patrick Wimberly, AIR's Nicolas Godin, Myd, Infinite Bisous, and John Carroll Kirby on debut album.



TRACKLIST

A1. Don't Forget Your Neighborhood (w/ The Avalanches)

A2. Mailbox (w/ John Carroll Kirby)

A3. Song for the Mister (w/ Nicolas Godin)

A4. Roses (w/ Myd)

A5. For the Last Time

B1. You Can Do It (w/ nit)

B2. Mink

B3. One of These Winters Will Take Me (w/ Bon Voyage Organisation)

B4. Go the Mile (w/ infinite bisous)

B5. Kid Born in Space (w/ Andrew VanWyngarden of MGMT)

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1xLP - gatefold glossy lamination- pink coloured vinyl- printed inner cardboard sleeve. French singer-songwriter Sébastien Tellier wrote and co-produced the 10-track LP, set for release on February 16th and spanning sparkling electronica to lightly psychedelic pop.


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Taken from 'L'Aventura', Sebastien Tellier's new remix EP, featuring contributions from Tom Furse (The Horrors), Hercules & Love Affair, Principle of Geometry and Walter. Artwork by Valentine Reinhardt.



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Dark, sexy and catchy, FIRE has inspired four distinguished remixers: house and salsoul from Clement ASWF, Hispanic and cinematic from Daniel Maloso, tropical and funky from Hypnolove, electro and dreamy from Kasper Bjørke. Fire walks with them.

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Incl. MP3. The very team which helped Tellier create his cult classic song 'La Ritournelle' reunited: Tony Allen, of Fela fame, on drums. Rob, keyboardist for Phoenix. Emmanuel d'Orlando on string arrangements and Philippe Zdar mixing the record.



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Kavinsky’s ‘Odd look’ is one of those songs which will haunt you for a long time after hearing them, one of Kavinsky’s acclaimed ‘Outrun’ highlights for sure. The deep, raw and soulful instrumental brings a cinematic sound which has the power to litterally put you in a virtual movie just listening to music ! And SebastiAn’s vocal part on top is a unique rendering, somewhere between Stevie Wonder and HAL. The Weeknd was invited to sing on the song by Kavinsky himself. As a big fan of his singing skills, the zombie wanted him to give his song the real soul touch that he’d had in mind for ages. His performance reminds of Michael Jackson, a fast and swinging vocal line, extremely addictive ! A-Trak who has been Kavinsky’s pal for years now delivers a banging remix with bass & drums and a beautiful & strange vocal hook. The kind of tune that can be played in a NYC hip hop party, as well as in a techno warehouse in Berlin with the same effect : arms up ! A-Track rules it as always. Midnight Juggernauts have taken the spacey-progressive path for their approach towards ‘Odd Look’. Trancey sounds built around those Scarface-like choirs surround you and bring you back to the early 9O’s chill out era, It’s emotional music, as on their recently released ‘Uncanny Valley’ album. Prince 85 is the newcomer of this selection of X-tra strong producers. His new-hip hop sound fits Kavinsky’s moods perfectly, adding a brilliant re-cut work and some exquisite additional keyboards. Real drinving music, that’s the deal. Surkin has the recipe for producing absolute club anthems, his re-do of Kavinsky’s tune is one more proof of his skills. Sirens, brilliantly produced vocal excerpts and his signature synth sounds alltogether create a happy and hysteric mood that one could imagine create club riots !


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On February 28, 2025, Stereolab are making seven of their studio albums available again as 2LP editions. These utilise the same remasters as the 2019 expanded album editions, cut from the original 1/2" tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane, but without any of the bonus material from the 3LP versions (which have now been discontinued), the idea being to make more cost-effective versions of these sought-after titles available to fans and shops. Each record comes housed in a single 5mm printed sleeve with printed inner sleeves, and a protective PVC outer bag.

Albums:
1. Transient Random-Noise Bursts With Announcements (1993)
2. Mars Audiac Quintet (1994)
3. Emperor Tomato Ketchup (1996
4. Dots And Loops (1997)
5. Cobra And Phases Group Play Voltage In The Milky Night (1999)
6. Sound-Dust (2001)
7. Margerine Eclipse (2004)

Remastered from original tapes.
Co-released by band’s own label Duophonic UHF Disks and Warp Records.

Specs 2LP in 5mm spine sleeve with printed inners with a protective PVC outer sleeve

Tracklisting:
A1. Metronomic Underground
A2. Cybele’s Reverie
A3. Percolator
B1. Les Yper-Sound
B2. Spark Plug
B3. OLV 26
B4. The Noise Of Carpet
C1. Tomorrow Is Already Here
C2. Emperor Tomato Ketchup
C3. Monstre Sacre
D1. Motoroller Scalatron
D2. Slow Fast Hazel
D3. Anonymous Collective

Trailer: https://www.youtube.com/watch?v=KWNlrII31rU&t=22s

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Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.

TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope


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Growing up in Chicago, later Detroit-based music producer, Theo Parrish is internationally well known for his own inimitable downtempo house music style. The approach Parrish took to compiling DJ-Kicks was very ambitious, inviting his Detroit peers to produce a collection of brand new material, and in turn creating the first ever all exclusive entry to the esteemed series.
3LP TRACKLIST
A1: De'Sean Jones & Ideeyah - Pressure
A2: Donald Lee Roland II - Simba's Theme
A3: Jason Hogans - Surrounded By Trees
B1: John C & Meftah - Full
B2: Meftah - When The Sun Falls
B3: De'Sean Jones - Psalm 23
C1: Ian Fink - Moonlight (Duality/Detroit Live Version)
C2: KESSWA - Chasing Delerium feat. Nova Zai
D1: Specter - The Upper Room
D2: Raj Mahal - Hudsons
E1: Raybone Jones - Green Funk
E2: Whodat & Sophiyah.e - Don’t Know
F1: Howard Thomas - Experiment 10
F2: mBtheLight - aGAIN (T’s Edit)
F3: Sterling Toles - Janis

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Following up 2021’s compilation 'and felt like...', ' ...it wasn't really me' can be seen as the missing part of a diptych, only separated by the passage of time, yet whole in spirit. Again, a familiar company of singular artists showcase remarkable unity in diversity. Similar to its predecessor, a rustic gloom glues everything together into a seamless whole, enabling the collective to transcend each unique contributors' musical voice elegantly.

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Tracklist:

01. Song With No Words
02. Offscreen
03. I Knew It — feat. Kate NV
04. Glance
05. How Are You — feat. Sessa (Como é que vai você)
06. Beige Days
07. Morning Moon (Lua da manhã)
08. Force of the Wind
09. Weather Report

Some records just stop you in your tracks. They resonate with you and feel instantly familiar like an old friend, even on the first listen. SOYUZ's third album ‘Force of the Wind’ is one of those records. It holds all the trademarks, beauty, and eccentricities of classic Brazilian recordings, from the 60s and 70s, that we have come to love. Think artists such as Milton Nascimento, Lô Borges, Burnier e Cartier, Arthur Verocai et al. But this record wasn’t made in Brazil and is in fact a brand-new release.

SOYUZ (which translates as 'union') is a creative collective from Minsk, Belarus, led by composer, arranger, and singer, Alex Chumak, multi-instrumentalist, Mikita Arlou, and drummer, Anton Nemahai. SOYUZ's previous albums explored and reimagined the legacy of jazz-oriented, non-English-language pop music of the 20th century. For their third album, there is a stronger focus, and it is influenced by 70s Música popular Brasileira and building bridges from it to present-day Belarus. Alex notes that from the moment he first encountered Brazilian music, he found in it a kind of concentrated emotion that felt as if it were familiar to him from his childhood. This non-verbal emotion and connection between the listener and musician echoes in the music, regardless of understanding of the language the album is recorded in.

‘Force of the Wind’ includes songs sung in Russian and Portuguese as well as instrumental compositions. Its musical palette is both acoustic and electroacoustic: rich warm Rhodes piano, soaring string arrangements, and a controlled drum swagger sounding both relaxed yet super tight. Alongside Alex's sublime vocals, that grace the majority of the tracks, the album features guest performances by multi-talented musician and vocalist Kate NV and rising Brazilian star, Sessa. Alex also recently arranged a number of tracks on Sessa's highly praised 2022 album 'Estrela Acesa'.

On the album, the trio is joined by a cast of friends; NY-based musician of Turkish origin percussionist, Cem Misirlioglu, classically trained composer, Simon Hanes, who aided with string arrangements and conducting the string players, Netherlands-based Brazilian multi-instrumentalist, Gabriel Milliet, on flutes. With the collaboration of these friends SOYUZ have created nine songs/suites that are subtle and plenitude and like the best albums, leave you aching for more.

‘Force of the Wind’ is an enigma, Brazilian yet not Brazilian, vintage yet still contemporary, out of sync with modern culture yet completely relevant and necessary.

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Repress!

Saxophonist, composer and arranger Chelsea Carmichael is an understated innovator and educator, quietly adding her own contribution to the iteration of jazz that has evolved on these islands. She’s a warm and hypnotic player, who brings subtle and considered improvisation to everything she does.

She’s already been part of a mercury-nominated band – she played on seed ensemble’s 2019 driftglass – and currently plays with theon cross, the neue grafik ensemble and the hyper-popular outlook orchestra who play for huge audiences at major venues and festivals. She also writes and arranges for her own Chelsea Carmichael Ensemble.

The River Doesn’t Like Strangers from start to finish is jazz mastery at its finest. The title track was inspired by the words of Chelsea’s dad on the Rio Grande in Jamaica: the river that goes through the centre of his home village of Grants Level, in the parish of Portland.

The intertwining of skilled players invokes the movement of the Rio Grande throughout. Playful, unpredictable and masterful, it’s simply a sublime record. Album highlights include the pensive and beautifully expansive ‘Bone And Soil’, the mythical ‘Myriad’ and the transcendental ‘All We Know’.

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RESTOCK

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“Krok” means “step” in Belarusian - and for Alex Chumak and his band this word comes with a lot of meaning. It’s the title and theme that run throughout SOYUZ's fourth album, reflecting the journeys the band has navigated in recent years, having moved to Warsaw due to political unrest in their homeland of Belarus and the outbreak of war in Ukraine. Embracing the uncertainty became both the inspiration and main lyrical theme for Alex Chumak, SOYUZ’ composer and arranger, who also decided to go a step further and change the language in which he writes songs from Russian, which is used as lingua franca in many post-Soviet countries, to his native Belarusian. The result is nine songs about dreams and outer space, ordinary miracles, things very close and very distant at the same time.

In early 2022, Chumak and original members, Mikita Arlou and Anton Nemahai, joined tens of thousands of Belarusians seeking safety abroad. Resettling in Warsaw, the band released Force of the Wind in October 2022, garnering widespread acclaim, a string of major European gigs, and led to Polish musicians Albert Karch and Igor Wisniewski joining the band.

Deeper and more melancholic than previous works, KROK is quintessentially SOYUZ, laced with hope, dreams and a celebration of life. Given the difficulties with finding rehearsal and recording spaces in Warsaw and the departure of the drummer Anton Nemahai from the band, Chumak explored alternative options. He reached out to friend and fellow musical collaborator, Sessa, about the possibility of recording the new album in his recently finished studio in São Paulo, with Sessa and Biel Basile coming onboard as recording engineers.

At the tail end of 2024, Chumak and SOYUZ’ new drummer, Albert Karch, made the trip to São Paulo to record the first sessions for KROK. Sadly, they travelled without Mikita Arlou, SOYUZ’ co-founder and Chumak’s longtime creative partner, due to the financial impossibility of bringing him too. Laid down directly to tape, these sessions featured prominent Brazilian musicians Sessa, Biel Basile, and Marcelo Cabral, with a guest vocal feature by Tim Bernardes recorded at a later date. The final touches were then added back in Europe. Lush string and woodwind arrangements written by Chumak and Karch were recorded at the Polish Radio studio in Warsaw, and Rhodes parts were added by Chumak at Sven Wunder’s studio in Stockholm.

Though primarily recorded in Brazil, KROK is not a Brazilian or MPB album. It blends the bands' Eastern European roots with jazz, folk and global influences. The genre of the music is hardly identifiable: there are folk ballads and jazz-driven pop compositions covered in lush and often dissonant string and woodwind arrangements where each note is placed with care and meaning behind it.

Broad in its palette, KROK is full of highlights. The title track was the first song Chumak wrote in Belarusian as an adult, making for a fitting opener and one of the band’s finest tracks. Darker than most of SOYUZ’ songs, the tensions lift and lighten as the track progresses. The cinematic library jazz of 'Voo Livre', with ghostly vocals sung by Ciça Góes and Ina, feels like a modern twist on the Italian library composer Alessandro Alessandroni through its sublime choir and woodwind orchestration. Elsewhere, the heartfelt 'Lingua Do Mundo', composed, written, and sung by Chumak and the incredible Tim Bernardes, features one of the standout string arrangements from Chumak and Karch. 'Cichi Karahod' is an instant SOYUZ classic, almost Pat Metheny-esque as it opens, with the acoustic guitar and bass riff transitioning into jazzy AOR / pop-folk territory. The record closes with 'Smak žyccia', a gentle, dreamy spoken-word poetry piece in Japanese by singer-songwriter Manami Kakudo.

Despite immense challenges, SOYUZ have delivered a career-defining album in KROK. Heartfelt and beautiful, it is not an imitation of the past, but rather a truly original, contemporary expression all of its own.

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‘’OF is a word that can be used as a preposition to express the relationship between a part and a whole. It is an unfinished tone, a broken sentence, a start and a whole. It is sustainable, full of potentials and longings.’’

London based performance and sound artist Li Yilei shared an experience familiar to many migrants during the past year of COVID-19 chaos. With their UK visa set to expire, and family back in China, Li made a last-minute dash to return to their nation of birth. Able to board one of the last few flights to China during the initial turmoil of the coronavirus outbreak, Li made it back to Shanghai for a two-week stint in a quarantine hotel.

Though Li had already begun creating OF, the reality of the pandemic began to seep into the recordings. Each of the 12 tracks is a study in horology, using metaphorical sound transcriptions and atmospheric extractions to focus on the temporal relationship between experience and surroundings. Li’s awareness of their own understanding of time became increasingly heightened during quarantine and the emotional involvement found within these new realities informed many of the sounds created.

‘’I tried to portray each song as a short, scattered poem - a moment that I captured to represent each hour.’’

Composed using analogue synthesisers, vocal samples, field recordings and string instruments such as the violin and guqin, Li indulges in moments of grief, panic, healing, cessation, melancholy, vastness, hope, joy and emptiness as they explore the acoustic relations between humans and the many forces of nature.

The art of the Song Dynasty, with its ancient traditions of poetry and timekeeping, were also great sources of inspiration for the album - whilst paintings from the period, specifically those of flowers and birds, are common themes throughout the tracks. Indeed, it is within the vastness of time that the album artwork comes to relevance. The eighth emperor of the Song Dynasty, Huizong, was a revered artist and a scene from his work ‘Finches and Bamboo’ adorns the album cover.

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