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Super Rhythm Trax's sister label Bleeper welcomes Snuff Crew for 3 tough cuts of jacking Techno fit for dark warehouses with smoke and strobes. Off kilter gurn-drones and the wonderfully suggestive ‘Where’s the Bad’ sample take over the A side while the ear-worm strings and bounce of ‘Naughty’ meet the pacey yet tongue in cheek ‘Warehouse Boy’ on the flip.

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Analogue floor killer tracks inclusive DJ Krime Remix Tip Tip Tip!!!
707 the drumsound of heaven

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Hailing from Berlin, but spiritually from Chi-town, Snuff Crew are back in your area with some freshly served up basement goodies once again. Following on from Basement Jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare I say it, they go even harder this time. Stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you; four tracks obviously engineered for use in the club, whether its the massive kick in ‘What It Is’ or the ravey acid lead in ‘88cents’. The jams on the B-side may do the most damage. ‘Remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. Analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. I know Snuff Crew are real analog guys though, in sound and mentality, so hearing Basement Jams #2 for the first time had me so excited once again.

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THE company focused on realeasing original obscure dance classic and everything’s that sounds fine to their ears !For our 22nd release, we decided to bring you guys the producers’ cream of the cream ! This BASEMENT JAMS PART I ep will feature 4 amazing cuts from the infamous SNUFF CREW.Those berlin based producers have been responsible for the past 2 years through Rush Hour, Gigolo & Playhouse for what we can call the “new chicago wave”. Heavily influenced by Proto – House, Mr Fingers, Mike Dunn, Joe Lewis & all the legendary music that came from the chi-town first in the early 80’s, they deliver here some of the most insane & crazy tracks we’ve heard for a while. Tune ! Dancefloor killers !



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Here it is, the third release on the Snuff Crew label Snuff Trax! On Snuff Trax 003 you find Winter In June. You might already know this track from the Snuff Crew livesets. Winter In June is maybe the most melodic Snuff Trax release so far. This floating music is not only for the body - it s also something for the heart. On the B-Side, Dance Disorder, who release on labels like BPitch Control, deliver a fantastic and very epic remix. This mix was also already played by Snuff Crew in their set for Tim Sweeneys Beats In Space show. STX 003 is limited to 250 hand-numbered vinyls.

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Ellen Allien joins forces with Italian synth wave band Ash Code for a formidable collaborative project. Across three tracks they merge their creative energy to produce the fearsome EP - 'Dance and Kill’.
The three track EP represents a perfect marriage of two potent and distinctive sounds, with both acts firing on all cylinders. Across the EP eerie vocal clips, vigorous percussion, stomping bass, distorted vocals, and ominous instrumentation demonstrate the parallels between these sounds. Opening track ‘Dance and Kill’ embodies this melding of techno and cold wave elements. 'Shining On You' features Ellen's vocals and thunderous drum programming, for a sombre yet irresistibly danceable track. Finally ‘Everything Collapses’ unleashes vigorous percussion and a snarling low end, lifted by a chorus of supernatural voices.

TRACKLIST:

A1 - Dance And Kill (5:16)
A2 - Shining On You (5:52)
B1 - Everything Collapses (5:05)


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Keith Carnal returns to BPitch with a rousing three-track excursion into the visceral side of techno. Stocked with deadly drum arrangements, thumping kicks and imposing basslines, Keith’s armoury is well equipped to cause maximum impact on the dance floor. The title cut takes us straight into the depths of Carnal’s wild mind, with a bombastic cut that utilises a pitched down spoken word vocal. The storyteller takes us into a world of after party excess and ‘ape shit craziness’ as the beats pump relentlessly. It’s debauched, heavy and utterly alluring...
Next up is ‘FreizeitAktivita¨t’, firing on all cylinders with a snub nosed kick and slinky snares, that lead us into the main body of the track where a hypnotic melody plays out. The melody is emotive and evokes a feeling of solemnity, all the while those powerful drums fuel a rapid pace. Lastly, ‘WiederGutMachung’, a brooding cut where Carnal employs a stripped back arrangement to great ef- fect. The main riff has an unsettling feel, cultivating an anxious atmosphere complemented by the pounding beats.

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‘‘I follow the golden stream…" sings Rosa Anschütz in the title track of her new album, in a cold, clear, determined voice. Underneath, golden interference buzzes and splashes at first, while cold light lies over the "thick water.“ Followed by powerful beats setting in as the trumpet fanfares of the chorus herald victory over the elements.

"Golden Stream" is second album of the 24-year-old artist, who lives in Vienna and Berlin - an amazing work. It can be danced to, but one can also listen to it as a conceptual album; it is as full of beats as it is full of thoughts. Rosa Anschütz plays piano, flute and trumpet, she worked a lot with modular synthesizers in the beginning of her career. Her musical awakening experience was the Atonal Festival in Berlin, later she also danced a lot at Berghain, and Berghain DJ Max Kobosil remixed her song "Rigid". Rosa Anschütz reinforces her enormously versatile vocals -ranging from a pleading breath to a cold New Wave speaking voice - with a relentlessly marching four-to-the-floor techno; but underneath it all, lay polyrhythmic deviations again and again. Clattering and trembling, deep basses digging into the ground, while shimmering veils of sound blow from above. Rosa Anschütz follows the traditions of Dark Wave and Postpunk, but carves deep notches of sound sculpture and romantic smoothness. "Goldener Strom" is a great pop album, full of melodies, aphorisms and beats that immediately catch your ear. At the same time, it is a manifesto of artistic sovereignty - precious and wise in our times of streamlined art. At the same time, it is a manifesto of artistic sovereignty - precious and wise in our times of streamlined art.

Format:

- 140G black vinyl including lyrics sheet

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A warm welcome to Italian-American producer Matasism, who debuts on BPitch with his four-track EP Can You Feel My Soul. Matasism launched his own label Ma¨ta¨sism in 2017, releasing exclusively via the platform until very recently. He lands on BPitch with an EP that channels the essence of freedom and liberty found in the rave. It’s a compelling EP that blends trance, techno and acid influences into a memory evoking collection of music.

The remake of ‘Can You Feel My Soul’ kicks things off, firing on all cylinders with a hypnotic riff and hea- vyweight kicks. More layers are added to increase the depth and energy, leading into a mesmerising break- down. Meanwhile, the following original mix has a grizzly bassline spliced with hard-hitting beats. On the flip ‘Age Of Fantasy’ opens up with a dramatic intro leading into a powerful, enchanting main riff. Vintage sounds with a contemporary flavour. Next up is ‘Space Invaders’, a high-octane cut that utilises a trance-esque oscillating low end to captivate the listener. Get ready for an explosion of energy after the bre- akdown, transcendent.

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Berlin techno luminary Ellen Allien turns her attention to the romantic darkwave duo Lebanon Hanover with this double pack of remixes. These cuts began life as personal edits for her own DJ sets in 2019, appearing in many shows since.

First she takes on ‘Living On The Edge’. Larissa’s vocals sit comfortably on top of the club-focused instrumental, which stays true to the original spirit of the song while reconfiguring it for the dancefloor. Ellen’s second remix is a techno reinterpretation of ‘Invite Me To Your Country’. Pulsating kick drums and an air of menace pervade throughout.

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The BPitch family are pleased to announce the arrival of a new member of our team, as Berlin-based pro- ducer Amotik join us with his Daya EP. Amotik has been self-releasing his music for the past couple of years, dropping several EPs and his debut album. His minimalist, hypnotic take on techno is mesmerising and it caught the ear of BPitch boss Ellen Allien some time ago. It didn’t take long for a strong connection to be made between Amotik and the label, resulting in his first appearance with us. Daya contains four powerful cuts, with undulating low frequencies and nuanced composition designed to target mind, body and spirit...


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Ellen Allien emits a powerful "AURAA" on new longplayer !

Ellen Allien - one of Berlin’s most ardent techno ambassadors - proudly unveils her latest full-length expedition into the realms of underground electronica. Brimming with creative energy, Ellen’s new LP “Auraa” follows her 2019 release “Alientronic”, and is her third album in three years. Raw, emotive and capable of transporting you from reality to an electrofied fantasy, “Aurra” explores the notion of unseen energies controlling our planet.

Tracklist

1. Hello Planet Earth (Breath Mix)
2. In Music I Trust
3. Walking In The Dark
4. Confusion
5. Human
6. True Romantics
7. Traum

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One-Sided 12" with the hit from "Berlin Calling" Soundtrack!

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The Alientronic Remixes have landed! - Ellen Allien brings in a stellar line up of artists to put their own spin on tracks from her latest album ‘Alientronic’ for the first of several remix packages. Terence Fixmer and Introversion remix ‘Love Distortion’: Terence rocks out with a gnarly guitar riff and extra bold percussion, while Introversion injects a murky feel to his rework, adding a trance-inspired element to hypnotise the listener and take them to another dimension. Regal drops an ‘XTC Remix’ of ‘Electronic Joy’ with high-octane percussion and an enchanting retro feel. Lastly, there’s a special edit of ‘Love Distortion’ which offers a more restrained version of the killer original.
Tracklisting
Side One
A1. Love Distortion (Terence Fixmer Remix)
A2. Love Distortion (Introversion Remix)
Side Two
B1.Electronic Joy (Regal XTC Remix)
B2. Love Distortion (Edit1)

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Shlomi Aber has been a driving force in house and techno for almost a quarter of a century now. Having first stepped up to the decks at the young age of 14, he received classical music training and worked in a record store in his native Israel before eventually becoming one of the country’s most forward-thinking producers. With his debut EP »Lost In Humanity« on Ellen Allien’s BPitch Berlin, the Be As One founder presents his rawest material to date, energetic yet murky techno for basement raves drenched in sweat and chemicals.


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Boston 168 return to BPitch Berlin with an EP that promises no less than a proper »909 Therapy« in three cathartic sessions. Their second release for Ellen Allien’s label sees the two Italians working with the legendary drum machine for a triptych that ranges from the raw to the melancholic and cosmic techno. Theirs is a hands-on approach to physical and psychological therapy, for sure.

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Tim Xavier’s »Dust to Dust« EP for Ellen Allien’s BPitch Berlin showcases the Berlin-based US American producer’s knack for a timeless techno sound that harkens back to the heyday of minimal techno while relentlessly rushing towards a yet unknown future. Between quasi-acid anthems and complex minimal structures, Xavier again proves to be one of techno’s most reliable producers.

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Ellen Allien’s “Take a Stand” receives four remixes that highlight and amplify the original track’s unrestrained power. From Kobosil’s anthemic rave bomb to Cosmin TRG’s atmospheric take on it or K’ Alexi Shelby’s Chicago-style house rendition and Jonas Kopp’s hypnotic percussion rework, this versatile remix package elevates the vigour of “Take a Stand” to new levels.


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The shortest connection between the past and the future leads through the music of Boston 168. Drawing inspiration from both classic and contemporary approaches to the acid techno sound, early nineties rave culture and the throbbing pulse of the now, Sergio Pace and Vincenzo Ferramosca have carved out a niche for themselves which over the past four years has become a musical microcosm of its own. Having released a slew of records on such labels as Involve, Attic, Odd Even and Dustin Zahn’s Enemy, the Italian duo now presents its most cohesive musical statement thus far on Ellen Allien’s BPitch. On the three tracks of »Drops In Heaven«, Boston 168 seamlessly mold together lysergic acid lines with elements of nineties ambient techno and a rhythmic groundwork that is as thrilling as it is intricate.
»Cosmic Tribe« translates its idea of universal togetherness into a nerve-wrecking groove punctuated by complex percussion work and a subtly building acid line, while »Drops In Heaven« uses a booming kick drum as base for an emotionally driven exploration of sonic textures. The psychedelic »Straight to Light« nods to nineties pioneers like Emmanuel Top, showcasing Ferramosca and Pace’s talent for creating musical depth by ingeniously bringing together a few select elements to greater effect. These are tracks that relentlessly head towards the unknown final frontier of what techno can sound like in 2018, while not in the least neglecting the rich tradition that they draw from.


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Berlin’s infamous Ellen Allien proudly delivers her 7th solo LP, the superlative ‘Nost’. Across nine seminal tracks, Ellen Allien demonstrates why she is widely regarded as one of the pioneers of Berlin’s techno scene. A visionary who has cultivated a sound which continues to evolve and mutate into new areas, moving smoothly between the classic analogue squelches of acid to anarchic splendour and mesmerising, celestial soundscapes. ‘Nost’ is the work of an artist who has found herself, yet still pushes herself to go beyond her comfort zone, still creating, still learning and still yearning for more. This is Ellen Allien, this is Berlin and this is "Nost’

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The DJ, producer, label owner, jovial illustrator and graphic designer Alan Oldham, aka DJ T-1000, is regarded as an all-round genius and has long been one of techno's living legends. Living in Berlin these days, and a regular booking at the city's top clubs, he is making his first guest appearance on BPC with his brand new EP Ratchet Traxx. With Ratchet Traxx the Detroit icon Oldham steals the show once again, serving up four tracks of his quintessentially relentless "Bangin' Funky Ass Techno". Each track is literally a musical kick in the ass like nothing you’ve felt before. Minimal yet gigantic at the same time, brimming with energy. Booty Shaking Ghetto Gagging hits the bullseye: a straight-up 909 beat, coupled with a bassline and a vocal sample that burrows into your senses over almost six minutes - true as an arrow. She Loves Big Black Cock springs a surprise – no, not with its philosophical examination of gender roles - but with its quirkily constructed break. This master's genius likes to reveal itself in sublime details. We Need Our Weave sounds more stripped down by comparison. In fact, it unfolds without a real bassline or break. Meanwhile, Black Guys Really Love My Big Fat Ass, with its shuffling off-beat bass and one-tone hook, could almost be described as bombastic... In short, Ratchet Traxx has what it takes to become a classic and perfectly sums up everything we have come to expect from "Detroit Techno's Renaissance Man". Don't play this at home, kids...

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