Where does the memory of a melody reside? Lucid phrases and half-remembered intonations buried somewhere, folded into times and places. 9 Airs took shape during an unconscious reconnection with music long since forgotten; an instinctive recall for melodies played out on guitar, low whistle and voice. Recordings of these revived melodies became the starting point for new pieces, the audio manipulated, processed and folded back into the fabric.

A1 - Seven Hour Flight to Nowhere
A2 - Hold Gem Cut
A3 - Hiding in Plain Sight
A4 - Looking Inside to See How it Works
A5 - Low D
B1 - Emotional Risk Assessment
B2 - Every Weather
B3 - Wake Up Now
B4 - Tapping on a Hollow Body

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a: Igam-Ogam b: First Image bb: Seeker
Livity Sound's final transmission of 2019 comes from the esteemed Freerotation resident and UntilMyHeartStops co-founder, Leif.
Quietly earning himself a well-deserved reputation for his outer-worldly production stance and forward-thinking approach to Dj-ing, Leif has spent the last decade refining his musical palette with a slew of releases including highly acclaimed LPs for Whities and UntilMyHeartStops. In 2017 he launched the TIO-Series label as a vehicle to showcase the more off-kilter rhythmical side of his own productions releasing contemporary anthems such as July V and Bluebird.
This new EP for Livity Sound continues in the exploratory TIO-series vein finding Leif in percussion mode, combining nimble rhythms, deep bass and hazy synths in his idiosyncratic style to dazzling effect.
This 12" vinyl release comes with brand new art direction from Tess Redburn in a full colour artwork reverse board sleeve.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground music.


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After the widespread acclaim for "Shoulders Back" and "July V", Leif fires up his 10" TIO Series with another pair of dazzling, future-minded cuts for the more inquisitive dancefloor. Increasingly he's been moving away from house and techno conventions towards intriguing broken beat variations, and that's apparent in abundance on this new release. "Bluebird" rides on a set of tough but dynamic drum ripples, but the stand-out element is the gorgeous twinkling arpeggio that pirouettes over the top of the beat. "Number 13" meanwhile takes a moodier, dubbier approach without losing that deft programming, harmonic warmth and crafty rhythmic interplay that has become Leif's calling card in recent times.


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On the back of an acclaimed LP on his own UMHS label, Freerotation resident Leif takes his woozy grooves and lush atmospherics for a trackier spin on Galdoors. Macro Beat's broken latin groove propels the A1 through layers of bubbling dub synths and twinkling atmospherics. Moment Beat shares the first track's club focus, but this time chimes unfurl over a low-slung groove that leaves things perfectly poised for a change in direction. On the B, Tumbler picks up the pace once more with highs and arpeggios that pulse and slide around each other restlessly, before Untitled wraps up with a beatless and beautiful flourish.


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UntilMyHeartStops offers its first Album, in the form of a 9-Track excursion by Leif

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Fear of Flying delve once more into the world of long players with Leif, someone who has been a feature of the label since the labels inception, having contributed seven releases on their combined journey together. 'Dinas Oleu' is the culmination of that journey; a sonically refined trip through hazy deep house and tripped out ambient skits

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Fear of Flying delve once more into the world of long players with Leif, someone who has been a feature of the label since the labels inception, having contributed seven releases on their combined journey together. 'Dinas Oleu' is the culmination of that journey; a sonically refined trip through hazy deep house and tripped out ambient skits

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Leif has been good enough to grace us with a bumper four track E.P. featuring a tingling special guest vocal from Welsh songstress Donna Lea, whose voice resonates through your chest on title track, 'So Long'. Sticking with the land of daffodils & dragons, a chance meeting at Freerotation festival spawned an instant remix request. German groovecat Move D on hearing 'So Long' immediately saw an opportunity to put his stamp on the record. The result is a low-slung roller whose heart remains firmly rooted to the floor. Joining it on the A is murmuring bass heavy 'Tell You Something', while on the flip, 'Bide the Time' pays testament to the early shuffling NYC garage sound.

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The latest offering from Ornate Music sees the welcome return of HomePark to the label. The duo of Rob Glassett and Sam Fussell were last seen round these parts in 2012 with the Fill Emptiness EP, which followed on from sterling singles for bliq, Enterbt and 3rd Strike before that. In the meantime, the duo have been seen moonlighting on Courtesy Of Balance, but this new release marks the first outing for the pair in a good long while. Rob Glassett has been busy developing his own Fold project with a string of 12"s for labels such as Electric Minds and ManMakeMusic, but behind the scenes there has been plenty of activity in the HomePark studio leading up to these four tracks. The style Glassett and Fussell deal in remains ever consistent, fusing crisp machine rhythms with plush chords and strings, using the finest ingredients to whip up impeccable house music to burrow comfortably into any number of nocturnal situations. With melodic soul at its core, this EP carries the Ornate message on perfectly from previous flag-bearers Ka One & St-Sene and Jordan in a blissful blur of blue-hued synths and bumping drums.


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Following a string of hot releases from Leif, Jonno & Tommo, Rai Scott and Jordan, London-based label Ornate Music is reaching across the channel to Parisian producers and Flyance Records founders Ka One & St-Sene - who deliver four tracks of pitch-perfect, soul-searching 4/4 that align perfectly with the sonic philosophy of the label. The EP comes to life with the energised insistence of "Necessary Illusions", which capitalises on a sprightly rhythm section balanced out by sweeping pads that help the track straddle the warm-up / peak-time divide with grace. "404 Page Not Found" takes a more heads-down route into moody bass tones, snapping percussive hits and mysterious melodic swirls lingering in the far distance, making a haunting foil to the inviting tones of the opening track. On the flip, "F/ck The Hype" channels the spirit of dub techno into a subtly funky confection, letting the aqueous chords bounce in their feedback echoes, neatly sidestepping the soporific qualities normally associated with the style. "Facing You" meanwhile makes for the ideal EP closer with its submerged beats and elegant swathes of harmony, conjuring up a captivating melancholia in each lingering piano note and chiming bell. With each track telling its own unique story, Ka One and St-Sene have crafted a rich and engrossing release that shows how much diversity there is to be enjoyed in the contemporary house and techno scene.


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Operating from the heart of Brooklyn, NY, the latest artist to sign up to Ornate is Jordan, whose plush deep house sound has already surfaced via a collaboration with Fred P on the Deep Explorer compilation Far & Beyond. Living on the border of the Bushwick and Ridgewood neighbourhoods, the title of the EP is a nod to the difference Jordan sees between his own spiritual, detailed work and the trend for rougher analogue sounds that have been sweeping the city he calls home. With a focus on expressive, richly melodic synths and delicately balanced rhythms, his music stands apart from the wave of guttural lo-fi sonics, and yet this is still house music with that East coast punch where it counts. With an imminent release for the noted Finale Sounds imprint establishing Jordan well within the remit of high-end house and techno, it gives us great pleasure to present these exercises in soulful immersion, from the three 4/4 driven pieces to the ambient vignette "Visage". With the door open for more experimental interpretations, it made perfect sense to invite former Ornate guest Leif back to turn out a remix of the track, his own hushed tones having recently graced a critically-acclaimed debut album for Fear Of Flying. It's the ideal complement to an EP of highly developed musicianship that spells another exciting step forward for both Jordan and Ornate.

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One of the founder members of the DiY crew - whose records have been picked up by Zip for his latest Fabric mix, and whose legendary outdoor parties in the early 90s were instrumental in the government bringing in the Criminal Justice Bill - Digs is a long-time comrade of the Ornate Music crew, and his debut for the label comes keenly anticipated. Across three tracks of warm yet party-starting deep house, he demonstrates his keen ear for playful rhythms and interesting melodies; the abstract chimes and diva vocals of "Jus' In Style" are underpinned by a subtle acid bassline simmering to the surface, while "Loopdaloop" combines an insistent organ with clattering percussion that's more WAX than Kerri Chandler. "Gimme The Trus'" closes things out with a number filled with rolling drums, hypnotic vocal, sweeping pads and improvised synth jam that inject a bit of classic Chi-town soul into proceedings.

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Bliq label bosses Homepark might only have a few releases in their arsenal, but the standard of labels the East London duo have graced demonstrates it's all about the quality and not quantity. Having already graced the likes of 3rd Strike, Enterbt and Simoncino's House Sound initiative, Homepark hop onto one of the UK's most respected proper house hubs in the shape of Ornate Music with the three tracker Fill Emptiness EP. Senses are flushed with warmth as soon as the title track arises from the warmth of the opening pads, slinking into twilight action on a slick Chicago groove driven by crisp, intricate percussion. Proceedings change up on the flip, with the buffed up toughness of "Fall Down On Me" with Homepark taking a more stripped back approach, lining a bumping drum track with mere hints at melody (which explode with intermittent excitement) and an expertly weaved vocal sample drenched in all too effective delay. Finally, Homepark flex their emotive chord abilities to the max on the sumptuous "Ninety" letting the textural emotions build for a good few minutes before dropping the kick!

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After teasing followers of the label with a couple remixes on previous Ornate Music releases, Jonno & Tommo drop their full debut EP of well honed deep house on Ornate Music. The EP opens with the pulsating, wigged out groove of "Lidl Moon", with its fierce kick and twinking synth flourishes, it recalls the simple, effortless, yet effective productions of the Ukraine's finest, Vakula, so it comes as no surprise that the duo have approached the man himself to remix the track. Adding a deep bass throb and fluctuating synth bells which float across channels, Vakula totally changes the mood of the original into something altogether more trippy. The B-Side meanwhile features two more stellar originals; "Pandy's Groove" combines subtle Balearic melodies and pitch-shifted chords with a raw and jacking Chicago rhythm and deep bassline, whilst "The Future Is All Sorts Of Colours Not Just Orange" is a more moody, rolling groover, with classic piano chords in notes of blue, making for a soulful end to an excellent debut.

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London-based deep house label Ornate Music come through with another gem in the shape of the latest EP from Dubbyman, filled with robust, beatdown grooves. The EP opens with "Time & Sensibility", creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. "Kirigi Is Coming", meanwhile, showcases Dubbyman's excellent knack for crafting Moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and Detroit-referencing melodies. Finally "Uuuuhhhh!!!!" closes the EP with its breathy intro and low slung filtered grooves combining with bubbling laser sound effects.

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The All City Harmony Show rolls into Ornate towers with the A MasDelux Session EP. Kicking proceedings off "I See" is endowed with the kind of boompty bass that immediately brings to mind Julio Bashmore, complemented by gently cooing vocals and synths that drop in and out of the mix sweetly. The mid section breakdown is divine! Moodymanc takes a good long hard look in the mirror with his Deep Reflection mix of "I See", stripping back the original to create a genuine late night burner - exactly the kind of quality we've come to expect from this producer. This shares the flips side with another original ACHS cut, namely "Extra Funk", which shapes a broken beat around some killer boogie bass and cleverly arranged funk samples.

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