Where does the memory of a melody reside? Lucid phrases and half-remembered intonations buried somewhere, folded into times and places. 9 Airs took shape during an unconscious reconnection with music long since forgotten; an instinctive recall for melodies played out on guitar, low whistle and voice. Recordings of these revived melodies became the starting point for new pieces, the audio manipulated, processed and folded back into the fabric.

A1 - Seven Hour Flight to Nowhere
A2 - Hold Gem Cut
A3 - Hiding in Plain Sight
A4 - Looking Inside to See How it Works
A5 - Low D
B1 - Emotional Risk Assessment
B2 - Every Weather
B3 - Wake Up Now
B4 - Tapping on a Hollow Body

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a: Igam-Ogam b: First Image bb: Seeker
Livity Sound's final transmission of 2019 comes from the esteemed Freerotation resident and UntilMyHeartStops co-founder, Leif.
Quietly earning himself a well-deserved reputation for his outer-worldly production stance and forward-thinking approach to Dj-ing, Leif has spent the last decade refining his musical palette with a slew of releases including highly acclaimed LPs for Whities and UntilMyHeartStops. In 2017 he launched the TIO-Series label as a vehicle to showcase the more off-kilter rhythmical side of his own productions releasing contemporary anthems such as July V and Bluebird.
This new EP for Livity Sound continues in the exploratory TIO-series vein finding Leif in percussion mode, combining nimble rhythms, deep bass and hazy synths in his idiosyncratic style to dazzling effect.
This 12" vinyl release comes with brand new art direction from Tess Redburn in a full colour artwork reverse board sleeve.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground music.


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After the widespread acclaim for "Shoulders Back" and "July V", Leif fires up his 10" TIO Series with another pair of dazzling, future-minded cuts for the more inquisitive dancefloor. Increasingly he's been moving away from house and techno conventions towards intriguing broken beat variations, and that's apparent in abundance on this new release. "Bluebird" rides on a set of tough but dynamic drum ripples, but the stand-out element is the gorgeous twinkling arpeggio that pirouettes over the top of the beat. "Number 13" meanwhile takes a moodier, dubbier approach without losing that deft programming, harmonic warmth and crafty rhythmic interplay that has become Leif's calling card in recent times.


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On the back of an acclaimed LP on his own UMHS label, Freerotation resident Leif takes his woozy grooves and lush atmospherics for a trackier spin on Galdoors. Macro Beat's broken latin groove propels the A1 through layers of bubbling dub synths and twinkling atmospherics. Moment Beat shares the first track's club focus, but this time chimes unfurl over a low-slung groove that leaves things perfectly poised for a change in direction. On the B, Tumbler picks up the pace once more with highs and arpeggios that pulse and slide around each other restlessly, before Untitled wraps up with a beatless and beautiful flourish.


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UntilMyHeartStops offers its first Album, in the form of a 9-Track excursion by Leif

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Fear of Flying delve once more into the world of long players with Leif, someone who has been a feature of the label since the labels inception, having contributed seven releases on their combined journey together. 'Dinas Oleu' is the culmination of that journey; a sonically refined trip through hazy deep house and tripped out ambient skits

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Fear of Flying delve once more into the world of long players with Leif, someone who has been a feature of the label since the labels inception, having contributed seven releases on their combined journey together. 'Dinas Oleu' is the culmination of that journey; a sonically refined trip through hazy deep house and tripped out ambient skits

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Hot on the heels of Ornate Music's last release featuring the bumping house business of Digs, the imprint set their sights on Welsh producer Leif, who has been turning heads with his masterful deep house for labels like Fear Of Flying and Fina since 2003. Kicking off with "Circumstance 4", whose smooth organ refrain drifts over a lightly rolling groove, the vibe switches up with "Every Cloud", whose gentle jazz-inspired piano and abstract, dubbed out soundscape is strongly reminiscent of Floating Points more freeform productions. However, it's "Each Day Made New" that provides the EP's most surprising moment, an Andres style hip-hop track with a cut-up, sunshine drenched quality calling Recloose to mind.


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After nine years of quality assured house music, FINA Records hits release number 30 with another of its forward looking offerings, this time from red hot young Frenchman Armless Kid. Well known on his native Paris circuit, Armless Kid is now breaking out on the wider international scene. He's released his bustling, heart felt house grooves on Rekids and the legendary Classic Music Company, is a Rinse FM regular and has an anything goes approach that has won him high profile fans like DJ Harvey and The Black Madonna. Opener Shadows is a superbly warm deep house cut with real drive in the silky smooth drums. It's perfect for cosy dance floors, while Lost Days picks up the pace with raw and hurried kick drums and dusty piano keys bringing real beauty to the groove. Brute Factor Disco pumps any party with its urgent drum programming, explosive sense of energy and dazzling disco chords and last of all, NaturaL FL Groove slips into a funky bass riff, with organic licks and authentic old school production values that make it a timeless classic in the making.

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FINA co-owner Corbi makes his long-awaited debut on the label with three tracks of his playful, inventive house sounds. He has made a notable impact in just a couple of years, with EPs and edgy, in demand edits on The Bricks, Music For Freaks and Morris Audio. Opener 'Samurai' continues in that rich vein, with seven sublime minutes of dreamy house. It's awash with gorgeous chords and vocals, adding to the escapist effects of a truly lush track. The smooth 'Access Serenity' slows things down, with loose drum tumbles, summery and Balearic string sounds and exotic, tropical percussion that take you direct to the beach. Last of all, 'Warp' with J33 reworks a cult classic with driving, elastic drums and bass and the original's deadpan vocal style. Add in curious whistles and the whole perfectly off-balance groove is sure to get big reactions.

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Fina’s next release comes from Mathew Ferness, an exciting and already hotly tipped rising star for just his second ever EP. It features three tracks that showcase his musical house style with a remix from Helsinki’s Saine. Ferness hails from a small town near Montreal in Quebec, where he was an outcast obsessed with music. With no access to record shops, parties or scenes Mathew started taking matters into his own hands DJing in his teens taking inspiration from J Dilla, he soon began producing his own beats on a sampler and drum machine. An exploration of analogue sounds, DAWS and most recently electronic music have all lead him to the rich sound he has now. His last EP on Beat changers was championed by Rhythm Section International and Radio 1 tastemaker Bradley Zero and this latest EP is likely to prove just as popular. Pad laced opener ‘Escapade’ is a summery deep house jam with breezy acoustic guitar and warm, punchy drums of the sort to get any floor cutting loose. ‘Solitude’ is more paired back, with thoughtful piano keys laid over deep rolling drums. There is a musical romance and beauty to the synths that elevate this one above purely functional fodder, and then ‘At First Sight’ awakens your senses once more with broad synth smears and perfectly rough-edged drums which create pure deep house soul. Saine is a producer with a range that goes from hazy hip hop to dusty house on labels like Odd Socks, Andy Hart’s Voyage and this one before now. After his 2017 EP Mint, he returns with a remix that is bubbly and laden with colourful melodies and open-air house grooves.
This is EP full of rich house music that is for mind, body and soul.

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FINA Records welcome Jad & The for a new EP that shows off the Australian-born, Berlin-based producer’s majestically melodic house sound. A special dub from 6th Borough Project makes this another essential release. Before now Jad & The has served up tracks of the year (‘Strings That Never Win’ - Mixmag 2017), fronted four piece live act Mitzi—who played alongside the likes of Nile Rodgers—and also produced as Jad & The Ladyboy, all the while picking up fans like Moxie and Bradley Zero. Sonar Kollektiv and Toy Tonics have put out his charming sounds before and this new one is another joyous offering. The feel good ‘2 Getha (4 Eva Mix)’ kicks things of with old school drum breaks and loved-up vocals. Big smeared pads, a new age melody and classic bassline line finish it off and carry you away to summery house heaven. ‘Twist Club’ then drops into lush deep house with a long legged bassline tumbling beneath organic drums. It’s a dreamy and romantic cut before ‘Disco Hold Down’ has live sounding jazz drums, choppy vocals and rough edges that take you to the heart of a vibe-fulled basement party. Delusions Of Grandeur’s 6th Borough Project serve up a Dub that’s more stripped back and built on a big rubber bassline. Jacking drums and a more rapturous vocal make it a truly steamy jam.

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Fina Records strides into 2018 with another fresh new house EP, this time from PASO aka Pascal Pamme. Over the last few years this French artist has released on the likes of D.KO Records, Increase, and The Groove, and always showcases his knack for loose limbed, organic house grooves laden with jazzy keys and soul-infused synths. The four cuts he offers up here once again prove he is a producer with a truly authentic and musical style. The warm and golden ‘Idocracy’ kicks things off with gently shuffling kicks, noodling chords and twinkling keys that together make for a perfectly cozy and intimate house track. ‘Fuzy’ is another perfectly louche and disheveled number with woody kicks stuttering beneath effusive Rhodes keys. Vinyl crackle and tinkling percussive sounds add to the immediately aged and lived in style of the track and mean it is one that will get smaller rooms well and truly involved. On the flip, ‘Limited Perception’ ups the ante, with quicker drums decorated with more languid chords, plenty of smartly sampled sounds and a breezy sense of groove that is heartfelt and effortlessly feel good. Last of all, ‘No Matter Where You’re From’ has great female vocals stitched into long-tailed pads as lazy, swaggering drums lay down a perfectly imperfect groove. It rounds out an EP of masterfully atmospheric house for those who like their beats with real feeling.

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For our next FINA records release we welcome French native Closed Paradise… Closed Paradise has been on our radar for a while after hearing releases on Fools & Fables, Kolour LTD & Whiskey Disco. His unique (and mainly vinyl only) productions have featured heavily in our sets over the last few years, If you are familiar with his vibe you’ll know his tracks have a certain French finesse, and these are no exception. So we are extremely happy to finally put this out and add Closed Paradise ‘Praise’ Ep to the FINA family.

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Quality house label FINA Records are back with their next carefully curated EP of 2016. This one comes from the choice house duo of Rob Glassett and Sam Fussell aka Homepark, who serve up four more of their finely crafted cuts. Over the last six years, Homepark have slowly but surely built up a classy discography that takes in smooth and seductive deep house that has real drive. It has come on labels like Ornate Music and Chez Damier’s Courtesy Of Balance Recordings, and always marries a classic sense of house history with fresh new perspectives for both head and heel. This latest EP kicks off with ‘RFMS,’ an immediately atmospheric track with shakers, rubbery drums and smeared synths all making for a fulsome groove. Some choice vocals help elevate things to a higher level and the whole thing exudes real warmth as it effortlessly glides along. If that was a more peak time offering, ’Lost In Days’ is much less direct and hurried: it encourages you to wallow in the encircling and spiritual synths that spread out all around you as whispered female sounds add real soul . The widescreen, dubby house vibes continue on ’16 Sessions’ with its firefly-like synths squiggling about above a gurgling FM bassline and crisp claps. Again with an exquisite sense of electronic soul, the whole EP gets rounded out with the rueful and far-gazing ‘Endings.’ Globular synths step up and down the scale, thin pads add a glow of white light and fresh drum programming and fingers clicks really help get you on your toes and swinging those hips. All in all, this is a timeless house EP that reaches heartwarming depths whilst also keeping one foot well and truly on the ‘floor.

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FINA Records presents 'Tyranny of Fun', the debut EP from Slow Learner. The coining of the new alias 'Slow Learner', marks a new chapter and musical direction for an already established artist who is by no means new to the game. Preferring to start afresh and steer clear from associations, the somewhat reclusive figure from the South Coast is now focused instead on allowing his new output to speak solely for itself. And his debut release under his new pseudonym achieves just that. 'Tyranny of Fun' is an accomplished sonic offering that reveals a versatile sound characterized by original combinations of samples, depth and range. The EPs opener, 'The Skin Horse' is surely one for the after afters - a dark and off kilter growler of a track whose prevailing bassline and waltz time beat provide a brooding backdrop and relentless rolling nod to its intricate fusion of dissident chords, dusty synths and jazz stabs. On the flip side, an unpredictable 'Cupboard Love' starts muted and deep but soon surprises, opening out into a warm and progressive feel-good groove. Mixing things up again, Slow Learner impulsively cuts up the flow 4 minutes in with a funk-filled refrain, leaving the track dancing in and around dirtier disco territories. Last up, a made for vinyl 'Honey' goes deeper still; a delectably crafted down tempo offering whose syrupy vocals stir and evocative cross-rhythm synths, coupled with the vintage analogue percussion, ooze an unmistakable old 90's deep house sound.


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FINA Records returns with its sixteenth release this June, this time coming from German duo Tarron Trekka who offer up a four-track self-titled EP. Daniel Muller-Sachs and Andreas Kriester aka Tarron Trekka have been releasing material via the likes of Freude Am Tamzen, Brut! and Milnor Modern since the late 2000's, although have been actively DJ'ing since the late 90's. Since unveiling the Tarron Trekka alias in 2006 the pair have picked up support from some well respected heads in the underground circuit such as Rodhad, Don't Be Afraid founder Semtek and Adultnapper, so it's no surprise to see the pair snapped up for a single here on the illustrious FINA imprint.


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FINA Records marks its fifteenth release this March/April with Borrowed Indentity's 'Bang Bang Boogie', a four-track single of rugged house and disco grooves. Romanian born now Germany based Borrowed Identity has been releasing gradually creeping out his electronic compositions since late 2011, releasing through reputable imprints such as Supplement Facts, Pets Recordings and Quintessentials to name a few. Picking up support along the way from leading names such as Mike Huckaby, Move D, Brawther and Delano Smith. Here we see Borrowed Identity join the FINA Records roster, a fitting placement for his soul-laden electronic sound. Title cut 'Bang Bang Boogie ft. Mechanical Soul Brother' opens the record, a stab fuelled Chicago house number, employing an amalgamation of organic piano chords, fluttering pads, cutting bass tones and soulful vocal snippets to create a classic house piece, skilfully crafted. Following we have 'Mental State', which again tips its focus to the foundations of house with a gritty acidic bass hook, retro cowbells, shuffling snares and Juno strings, while a seemingly improvised sax melody in the latter stages adds a further charm to the arrangement. On the latter half of the release we see Borrowed Identity display his diversity as a producer, with 'Roboto Moves' veering into dub territories, animated by dubbed out synth stabs, ethereal bass and a sharp bass hook. We then see the release rounded off with an infectious disco track entitled 'You're Mine', which blends organic rhythms and gospel-style vocals with slap bass licks and funk infused guitar lines to truly close the package in style.


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Powel aka Paul Christie is a Berlin based DJ/Producer, and a relatively fresh name on the underground house circuit. Christie has previously released material with some exciting new labels, namely, Berlin-based label Keller, Wunderbar Recordings and Deliciuse, here he joins the FINA roster, well and truly putting him on the map, and slotting in alongside Move D, Cottam and Leif. Title track ‘Cloud City’ opens the single here, an ethereal deep house number featuring an amalgamation of cosseting synth tones, understated, organic drums and intricate, blooming melodies.This is a stunning opener for the EP and a clear-cut sign that Powel has a deep-seated knowledge for sculpting heartfelt house music. Up next is ‘Falling In A Black Hole’, which sees Powel take a more reserved approach and minimal sentiment, opting for sparse drums, emotive chord progressions and smooth pad lines. On the B-Side of the release, first up we have ‘I’m Talking Quietly’, Powel drops the tempo down to create a chuggy, disco inflected feel. Throwing in loose, organic percussion for an authentic nu-disco feel, while piano chords, heavily delayed strings and sax licks further fuel the musicality, adding a further charm and character to the record. Then up last to close things is ‘Getting Out’, embracing a similar slo-mo, low-slung aesthetic to the preceding track, yet introducing a gritty electronic bass hook and analogue style synth lines this time to create a brilliantly contrasting track, and rounding off a stellar package full of understated, intelligent electronic music.

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Guy Andrews has been a prominent name on the underground circuit as of late, racking up a reputable back catalogue with releases and remixes for the likes of Hotflush, Hemlock and The Vinyl Factory. Andrews has seen heavy support on the aforementioned singles from the likes of Lorca, The Black Dog and A1 Bassline, testament to his classy, understated take on house and techno. Here Guy joins the FINA Records roster, following a release from DFRNT, a striking indication of the attentive A&R approach of the label so far this year. The release opens with ‘Divide’, a brooding house cut employing punchy organic drums, smooth ethereal synthesizers and dubbed out chord progressions as its driving force. Andrews throws in a modern drawn-out bass hook to add a contemporary touch to the otherwise classic format, resulting in a classy, understated opener for the EP. Up next we have, ‘7AM’, embracing a similarly natural percussive edge, with rolling toms, heavily reverberated claps, and shakers taking the reins, while emotive melodies and bulbous low-end tones drive the musicality. First up on the B-Side is ‘Fixture’, taking on a more direct 4/4 approach with raw distorted drums, gritty electronic synth hooks and a blossoming atmospherics. The record builds in this state for several minutes, before Andrews reverts back to the punchy drum groove and hypnotic pads to tail things out. Lastly to close the EP Guy offers up ‘Tapes’, tipping the focus towards an off-kilter, deep aesthetic, with broken kicks, claps and shuffling hats, while swirling synths, vocal snippets and heavily delayed Rhodes build a profound depth around them.


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DFRNT aka Alex Cowles, has put out a string of critically acclaimed releases via his own Echodub, and London’s, On The Edge imprint, since his arrival on the scene in 2008, had his track ‘Headspace’ remixed by Scuba which featured on the producer’s Sub:Stance mix CD for Ostgut Ton, and maintained a consistently forward-thinking approach to electronic music throughout this. Here he joins 2020 Vision offshoot FINA Records, alongside the likes of Move D, Leif and Roberto Rodriguez. The release opens with title track ‘Nobody Stop Me feat Caye Slaymaker’, an emotive slice of piano-laden house music. Bulbous, subby bass tones meander around shuffling drums and emotive vocal lines that build for several minutes before a gritty saw wave hook is introduced, upping the energy and adding a direct, driving feel to the cut. ‘Sugar Free’ follows on next, embracing a similar aesthetic to the preceding track, taking beautiful, organic elements and tightly blending them with gritty electronics, Cowles fuses bright string melodies, cosseting pads and crunchy drums with heavily manipulated vocals chops to once again create something intelligent and brilliantly crafted. Entering the latter half of the release we have ‘Start Changing Tempo’, takings things deep with a bright chord progression, subtle, chiming marimba style percussion and a cavernous atmosphere achieved through echoing vocal murmurs and off-kilter reverberated drums. ‘Frisky Disco’ follows, and as the name would suggest, veers things into an eighties disco influenced direction, dropping the tempo with a slo-mo beat, warbling Rhodes, dubbed out guitar and brass licks and R&B vocal samples, creating a fantastic contrast against the previous cuts. Finally to close things Cowles turns in ‘The Way You Look At Me’, the perfect way to wind things down, with heartwarming piano melodies and call and response style vocals.



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Fina Records return with a stellar six track EP entitled ‘ These Things’ this .... by Leeds-based producer Tom Taylor, backed with mixes from Jack Dixon and Clive Herny & Rui Da Silva.The release opens with ‘Twilight’, a smooth, ethereal number employing gentile filtered melodies, a whispering vocal hook and off-kilter broken beats all of which are seemingly ever-evolving for seven minute duration. Following is ‘Don’t Give Up’, a chuggy, slo-mo track, driven by punchy disco drums, soulful vocal licks and a cosseting pad-line. Taylor demonstrates his ability to craft intelligent, hypnotizing music across the board here brilliantly. Next up is ‘This World’, a piano-driven, groove-led track focusing on steady progression and subtle background automation to create a flourishing dynamism, Taylor throws in some emotive vocal lines and hi- strings to boot, resulting in a beautiful house cut. Stepping up on remix duties is man of the hour Jack Dixon reworking ‘Twilight’, the Hotflush artist strips back the vibe of the original with sparse, weighty drums and infuses drawn out reverb tails and elongated echoes into the depths of the background alongside a heady synth line tipping this interpretation into peak-time territory. Closing the release are the digital exclusives, firstly Clive Henry teams up with Rui Da Silva to reshape ‘This World’, the duo instil a raw energy to the original, adding sharp keys and dark atmospherics that slowly blossom towards a huge reverb soaked breakdown. This is perfect early hours deepness.



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Francis Inferno Orchestra is a name you may already be familiar with. The relatively young stargazer has been straddling the cosmic yet-invisible line of disco meets house with a string of tight knitted, warm productions across Kolour Recordings, Join the Dots, Under The Shade, Wolf Music, and Voyeurhythm to name a few. 'Silk And Smooth' kicks off things with an animated punchy filtered disco number - tipping the cap to Bangalter and Philippe Zdar along the way. 'Here's To Feeling Good All The Time' brings the needles closer to traditional deep house pastures with classic piano layers, sneakesq hats and lazy dog lines while 'Astral Breeze' disguises itself as early 808 State - flowing with lazy-rave basslines and melody before the mid-tempo drum patterns roll over to reveal undulating house, penetrated with a chopshop vocal hook.


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With MAM bringing some local-yet Modern Heat to FINA Records, we decided to keep things up close and personal once again – a sort of family affair minus the Costra Nosa connotation. Although Simon Baker may have left us standing in Yorkshire sized puddles for the big smog, he luckily still has a soft spot for his northern roots. Fresh from his universally acclaimed debut L.P ‘Traces’ on stable mate label 2020Vision, Simon has already taken 2012 by the horns. Since January Simon has already made a welcome return to 2020Vision with ‘Let Me In’, rolled out the emphatic 'All Of A Sudden' on Nic Fanciulli’s Saved Records with production cohort Robert James (Hot Natured), and delivered the masterful Osaka Nights E.P on trend spotter label du jour, Leftroom Ltd - not to mention completing a world tour. FINA Records is therefore proud to present the ‘Riker EP’ - a three track cosmic delight from the man himself. Title track ‘Riker’ is a warm, emotive, progressive number, interspersed with glockenspiel lines that would make Lil Louie Vega jealous. In stark contrast, ‘Geo’ is a spacious, punchy, deep kicker of a house track layered with ghostly dropping baselines and shimmering echo’s. A futuristic Deep House shoulder shaker for the terrace. On the ‘Riker Remix’, purveyor of new vibrations and rising star Elphino (somethinksounds) delivers a driving House track, chopping up the vocals, and firmly stamping his own imprint across the basslines into an up-tempo designated dance floor record.

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Spring has arrived. Think daffodils, premature outdoor parties, ambitious BBQ's and the new FINA 007. Continuing our trend for spotting emerging stars we have enlisted the talents of Mannheim poacher turned gamekeeper, and Air London starlet, Steffen Deux. After mixing the '5 Years of 8 Bit' compilation and appearing on Cocoons 'Party Animals' mix , Steffen has demonstrated his ability to turn his Loft Club fame, into a reputation as a producer, not just a record maestro.


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