All tracks written & produced by Ark (Guillaume Erroyer) and Pit Spector (Pierre Deniel) 4-track package from exciting new duo Ark & Pit Spector. Made up of brothers Ark, the Parisian known for his pioneering releases on Perlon and Karat, and Pit Spector, an up and coming producer, they join forces on their debut EP for eclectic label Hold Youth. True to the Hold Youth ethos the EP calls on a number of different influences, from the smooth, funk-led vibes on Tournsoul, to the techno-inspired sounds of Seuil’s remix of The Nuts. Ark & Pit Spector explore all that is sexy and hypnotic through the subtle but effective All Green, while more down-tempo The Nuts is verging on 80’s-esque wonky-pop. Seuil steps up for his take on the latter and delivers a dark, murky and all together sinister version of the original, adding a pulsating bassline to compliment the stripped back edit of the vocal. Forward-thinking and open-minded sounds, Old Futur is another worthy addition to the Hold Youth catalogue.
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More records from ark & pit spector
1
ark & pit spector - Chauffage Central
2
ark & pit spector - Chauffage Central (Le Loup Remix)
3
ark & pit spector - Petite Ondée
4
ark & pit spector - Air Conditionelle
5
ark & pit spector - Sub Tropical
6
ark & pit spector - Averse Et Contre Tous
Ark & Pit Spector continue their inspired journey with an extended EP full of groovy jams and absorbing rhythms for Hold Youth. The Frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. On this new EP they go deeper into their sound explorations with five original works and a remix from their Parisian buddy and Hold Youth member, Le Loup. First up, we go into bumping jazzy territory with ‘Chauffage Central’, a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. Straight up after that, Hold Youth rudeboy Le Loup gives ‘Chauffage Central’ a funky little rework, throwing live sounding percussion, Nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. The final track on side A, is a cheeky teaser called ‘Petite Ondée’. Rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys. On the flip we kick off with ‘Air Conditionelle’, a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. The bassline takes you to a New York City street and the whole atmosphere is that of an old school NYC neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. ‘Sub Tropical’ goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. ‘Averse Et Contre Tous’ closes out the EP with a slothish ride into the sunset – Ark and Pit Spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys. Another triumphant effort from Ark and Pit Spector, in fact, some of the finest work to date. Make sure you check it out!
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Barcode: 827170460362 Release : 08.07.13
Tracklist A1 - Hall Of Confusion A2 - Tirés Par Les Chevaux B1 - Troll of Detroit B2 - Megasalad
Swinging from the chandelier and setting fire to the feast, our original raison d'etre is back to raise merry hell and we couldn't be happier as accessories to the crime. Ark was one of the biggest influences on Circus Company when it first formed from the freakier corners of the Paris scene, and since day one he has been a guiding force in maintaining an uncompromising attitude towards house and techno in all its most flamboyant forms. It has been some time since the Mr. Full Destructor graced our label, but he comes to us on a wave of productivity that has seen recent singles for Versatile and Thema boast developed studio skills clashing with the same punk spirit that has always forced Ark to stand on his own for the safety of the other kids on the dancefloor. On this new EP, Guillaume Berroyer has never sounded so urgent, so demanding, and yet so in control of his creative powers. "Hall Of Confusion" is a brutal call to arms that channels rolling breakbeat badness into a nerve-jangling alarm while the samples come flying thick and fast throughout the jam. As if to complete twist with your fragile state of mind, the track's successor "Tirés Par Les Chevaux" employs a horse to drag you by the hair back into some refined beat-head shit (as La Funk Mob would say), calling to mind some of those early downtempo interludes you would find on Brif Records but still played out like a psychedelic doodle pad of ideas and samples.
Never afraid to wave two irreverent fingers at the electronic music establishment (with the utmost respect behind it of course), "Troll Of Detroit" comes to life on some romantic Motor City strings before mutating into a bastard child of the early days of the Belleville Three, still sounding inimitably like Ark. If ever you needed an indication that the man is ever-evolving as a producer, EP closer "Megasalade" is the perfect pudding to a hearty four-course dinner. On an easy swing and more concerned with jazz than anything electronic, the track unfurls like a wondorous tapestry of organic instrumentation and easy-going funk perfect for sunny afternoons recovering from the intensity of an evening with the Unknown Mysterioso.
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Tracklist A1 - Hall Of Confusion A2 - Tirés Par Les Chevaux B1 - Troll of Detroit B2 - Megasalad
Swinging from the chandelier and setting fire to the feast, our original raison d'etre is back to raise merry hell and we couldn't be happier as accessories to the crime. Ark was one of the biggest influences on Circus Company when it first formed from the freakier corners of the Paris scene, and since day one he has been a guiding force in maintaining an uncompromising attitude towards house and techno in all its most flamboyant forms. It has been some time since the Mr. Full Destructor graced our label, but he comes to us on a wave of productivity that has seen recent singles for Versatile and Thema boast developed studio skills clashing with the same punk spirit that has always forced Ark to stand on his own for the safety of the other kids on the dancefloor. On this new EP, Guillaume Berroyer has never sounded so urgent, so demanding, and yet so in control of his creative powers. "Hall Of Confusion" is a brutal call to arms that channels rolling breakbeat badness into a nerve-jangling alarm while the samples come flying thick and fast throughout the jam. As if to complete twist with your fragile state of mind, the track's successor "Tirés Par Les Chevaux" employs a horse to drag you by the hair back into some refined beat-head shit (as La Funk Mob would say), calling to mind some of those early downtempo interludes you would find on Brif Records but still played out like a psychedelic doodle pad of ideas and samples.
Never afraid to wave two irreverent fingers at the electronic music establishment (with the utmost respect behind it of course), "Troll Of Detroit" comes to life on some romantic Motor City strings before mutating into a bastard child of the early days of the Belleville Three, still sounding inimitably like Ark. If ever you needed an indication that the man is ever-evolving as a producer, EP closer "Megasalade" is the perfect pudding to a hearty four-course dinner. On an easy swing and more concerned with jazz than anything electronic, the track unfurls like a wondorous tapestry of organic instrumentation and easy-going funk perfect for sunny afternoons recovering from the intensity of an evening with the Unknown Mysterioso.
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He’s been in the game for 15 years now, and throughout Ark has proven he’s not one to spread himself thinly. Leading up to 2010’s Arkuarium on THEMA, he had released a string of collaborations that wandered enthusiastically and whose experimentalism culminated on that record. Apart from a few celebrated remixes since then, Ark has been busy in the studio crafting a new batch of focused heat, mostly alongside his brother Pit Spector, himself a respected producer and DJ known from associations with Circus Company and Minibar. As we finish exploring a heavier sound with our well received Re:Vision Series, the sophisticated deep house tracks on Ark and Pit Spector’s new Call of the Horns EP announce a new direction for the artists and a direction we seek to illuminate as we define the different shades of the spectrum at THEMA. Continuing with this metaphor, opener Wrong Way certainly makes use of the many colors of deep house music. There’s the yearning, faraway vocal, the spacey piano chords, the dusky-voiced monologue, and the funky bass, but it is all delicately interwoven with dense layers of ambient sound and effected, sweeping pads. Like its title, Velours moves in a sexier swing with nearly-nonverbal vocals moaning against liquid pads and a chugging, organic rhythm executed with extra, slinky details that get more frantic as it moves along. The disco-sampling, discofied feel of Clark Kent finds the producers thriving in the witty kind of groovy house Ark has played with so much before. They wait until the very last bar to deliver the punch line, but until then it’s a rollicking, wacky ride filled with squealing synthesizers, slap bass-style licks, and chirpy vocal samples. They Ruff again looks to its own title with a firmer stomp in the rhythm section that contrasts their continued use of subtle production touches. The breakdown is unusual, unexpected, and downright dirty, and with the interlude reprise of BKorizon that closes, it brings the EP to a strongly assured finish. Here at THEMA, we’re once again happy to be reunited with old friends, and the feel-good dancefloor vibes from Ark and Pit Spector warmly confirm this camaraderie with all of its history and detail. As a statement of intent and a revelation of a partnership, Call of the Horns signals both commencement and continuation of a bright future for THEMA and this duo.
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More records from hold youth
1
ark & pit spector - Chauffage Central
2
ark & pit spector - Chauffage Central (Le Loup Remix)
3
ark & pit spector - Petite Ondée
4
ark & pit spector - Air Conditionelle
5
ark & pit spector - Sub Tropical
6
ark & pit spector - Averse Et Contre Tous
Ark & Pit Spector continue their inspired journey with an extended EP full of groovy jams and absorbing rhythms for Hold Youth. The Frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. On this new EP they go deeper into their sound explorations with five original works and a remix from their Parisian buddy and Hold Youth member, Le Loup. First up, we go into bumping jazzy territory with ‘Chauffage Central’, a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. Straight up after that, Hold Youth rudeboy Le Loup gives ‘Chauffage Central’ a funky little rework, throwing live sounding percussion, Nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. The final track on side A, is a cheeky teaser called ‘Petite Ondée’. Rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys. On the flip we kick off with ‘Air Conditionelle’, a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. The bassline takes you to a New York City street and the whole atmosphere is that of an old school NYC neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. ‘Sub Tropical’ goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. ‘Averse Et Contre Tous’ closes out the EP with a slothish ride into the sunset – Ark and Pit Spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys. Another triumphant effort from Ark and Pit Spector, in fact, some of the finest work to date. Make sure you check it out!
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DE - 22113 Hamburg
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1
damien zala - A1: Ms Blue
2
damien zala - A2 : Considered Done
3
damien zala - A3 Tribute to Willy Simon
4
damien zala - B1 Second Life
5
damien zala - B2 The Same Ending
Introducing Damien Zala… the next promising young Frenchman to release on Hold Youth. Although relatively unknown, his first album ‘Lonely Happiness’ received strong support from Theo Parrish, Norm Talley and Luke Hess amongst others. Combining analogue synths and drum-machines with acoustic elements and samples from old records, the trained sound engineer is a rigorous technician aiming to create sophisticated deep house atmospheres. Hold Youth provide a breeding ground for open-minded and innovative music, and Zala’s Second Life EP ticks all the right boxes. Exploring sounds from a broad spectrum, ‘Ms Blue’ is the moody opener that creates a melange of raw minimal jazz, while the B side continues in this vein with more of an obvious off-key German micro house influence. ‘Considered Done’ references the late Herbie Hancock, sampling his voice over a flowing piano melody and punchy bass line, while ‘Tribute to Willy Simon’ goes all out funky, full of brass, with a classic Hip Hop swagger.
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1
nail - I’ve Been There
2
nail - Our Love
Riding on the back of a surge of interest in De La Club, the debut LP from Hold Youth, comes a smartly picked repress of House don Nail. While the duo is known for their eclectic vision of dance music, the first repress on the label I’ve Been There EP is in fact an exemplary example of straight-up, no-fuss House. Enjoying a modest comeback of late both as a producer and DJ, Nail originally released Full of Beestone Promise EP on DIY Discs in ’97. The stronger two of the four tracks will be repressed one on each side, ‘Our Love’ and ‘I've Been There’, distinctive for its melodic vocal and recent inclusion in the Apollonia fabric 70 compilation. While we have become accustomed to Hold Youth’s diversification of sounds with the current LP, I’ve Been There reminds us that a pigeon-holable classic can be highly refreshing
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1
hold youth - A1: D Light (Human Beat Intro)
2
hold youth - A2: Kool & The Boug
3
hold youth - A3: Les Enfants Du Soleil
4
hold youth - B1: Disc-O-Tabac
5
hold youth - B2: Street My Baby
6
hold youth - B3: Dream (Outro)
7
hold youth - C1: Dance With The ***
8
hold youth - C2: Street My Baby
9
hold youth - D1: Black Dog
10
hold youth - D2: La Tournerie
From the two individually revered artists Seuil and Le Loup, comes the debut LP under their collaborative DJ/producing alias Hold Youth. A collection of dance-orientated tracks, designed to make the body move, De La Club explores the origins of Hold Youth’s fundamental influences to their modern day stance.A LP in two parts, the first vinyl is almost a retrospective of primarily State-side club sounds, but also of the pair’s early musical staples. Paying homage to old skool production, the inspiration drawn from the Detroit greats like Moodymann and Andres is clear on the funked-out, jazzy vibes of Street My Baby or the smooth flowing Les Enfants Du Soleil. Hold Youth’s love affair with head-bobbing hip hop also makes an appearance on the intro and outro, sampling the one and only J Dilla, perfectly combined with their own personal beat-boxing. Not forgetting their French 90’s roots, Kool & The Boug oozes that warmth defined so well by Pepe Bradock and Trankilou… a club track which has the power of subtlety to submerge the dancefloor that one level deeper.Part two looks to the example of German minimal and micro house and brings us up to date with the sounds fresh from Hold Youth’s record bag today. Be it the weird and murky territory of Dodge This, or the eerie, glitchy world of Black Dog, their modern vision of De La Club is darker and sturdier in its stature. But it is the ability to weave seamlessly between the LPs two halves, two ideals, which truly characterises the Hold Youth ethos and their signature DJing style.
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Seuil & Le Loup aka Hold Youth for deep vibes. Really good EP.
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all tracks written, produced & Published by Jordan Fields Music Ascap.
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Detroit’s original underground groove-maker comes on board with a 4-track package of goodies. For his debut release on Hold Youth, Mr. Rick Wade brings back the deep and soulful vibes of his famous ‘night series’ with Night Addiction EP. The A-side title track kicks off with dark keys winding through a thumping bassline and sultry horns, while Enter Dawn plunges deep into an ocean of warm pads and hypnotic bass. Flip over to the B-side for the obscure sounds of Hold Youth’s modern rework of Night Addiction, plus S3A’s disco-house interpretation, full of funky sampling, that will surely have your hands up in the air.
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For the fourth release, Hold Youth presents a new member to his family. S3A is a new french artist who travel all over the scene for some years, but finally release his great music. After his first acclaimed works on Phonogramme, he brought us 4 deep and moody tracks, where he draws his style from his standards. We remind you that we work vinyl only, so check your dealer asap for this essential 12" !!!
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Seuil & Le Loup return with Hold Youth's 3rd release, revealing a new aspect of their universe. The original of Jinx is a dirty & hypnotic track with an unstoppable groove. 2 remixes complete the package : the first comes from Doctor San Proper who takes you on a voodoo Journey that won’t let you go unscathed, whilst on the flipside, Och delivers a killer modern techno-oriented 12” to thrill any dance floor.
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Leading deep house connoisseurs and creators of Hold Youth Records Seuil and Le Loup, gear up to unveil their labels debut EP ‘Classics’ – an excursion into blue-eyed soul and hip-hop infused grooves. Retaining an element of mystery and authenticity, Hold Youth will be a vinyl only label, keeping it strictly underground. An outlet for Seuil and Le Loup’s own productions, the label will feed on their musical inspirations, and nurture homegrown talent while exploring a range of sounds and styles, from hip-hop and soul through to house and techno. Hold Youth is also the name of the DJ duo and their residency at Social Club in Paris. ‘Classics 001’ is a split EP with two offerings from Hold Youth on the A-side. The first track ‘Nautil Us’ is a rework, which modernises the 1974 ‘Nautilus’ by Bob James while ‘Paname’ focuses on the solid underground house style with that all-important French touch and a sprinkling of NYC. On the B-Side, Seuil delves into funkadelic, hip-hop influenced waters with ‘Khemestry’, which pays homage to Trankilou and J. Dilla’s deep side. Le Loup rounds off the EP with a track rooted in Cuban Salsa, but with brawny beats and a modern hip-hop twist.
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Customers who bought this also bought this
1
Stimming - Buxton Pipes
2
Stimming - Kakusei
3
Stimming - Seepferdchen
Hamburg‘s very own Stimming arrives on the hospitable shores of a freshly cut Audiomatique with the wonderful ‚Buxton Pipes‘ EP. With releases on Diynamic, Freerange, Terminal M and Liebe*Detail Martin Stimming‘s carreer was boosted by the underground hit „Una Pena“ last year and peaked in his debut album ‚Refl ections‘ earlier this year. ‚Buxton Pipes‘, the lead track on the new EP, is a beautifully reduced, gentle roller that combines textural, shifting fi ltered percussion, phasing, effected melodies and a rich sub-room sound design that confi rms Stimming‘s talents at working those subliminal zones. Dainty, pretty and yet totally punchy at the right volumes, its a genuine slice of ultra modern micro-post-minimal- house. Continuing the trippy, time-melting vibe perfectly, ‚Kakusei‘ arrives with its pushing array of softened percussion and carefully extended spooky breakdowns. Sliding and squelching through 7 minutes of prime tracky workout territory its another stellar addition to the record. Finally the skipping ‚Seepferdchen‘ throws a spanner in the otherwise smooth grooves with delicately jacked drum patterns and controlled sub-bassline throwdowns. Super funky, ultimately reduced and sample-heavy it‘ll make those afterhours carry-ons all the more delicious. Simply superb work from Stimming on Audiomatique.
Tracklisting:
A: Boxton Pipes
B1: Kakusei
B2: Seepferdchen
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Tracklisting:
A: Boxton Pipes
B1: Kakusei
B2: Seepferdchen
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1
Bolla/Afrikan Basement/Joe Claussell - Downward Staircase (Joaquin Sacred Rhythm version)
2
Bolla/Afrikan Basement/Joe Claussell - Kwelo
3
Bolla/Afrikan Basement/Joe Claussell - Basement Seance
4
Bolla/Afrikan Basement/Joe Claussell - Downward Staircase (Joaquin Drum dub version)
Fresh from the critically embraced full-length LP/CD, Downward Staircase now arrives in a special remix release - answering the persistent calls from supporters of Joaquin "Joe" Claussell who have been demanding a 12" single. The wait is over.
Downward Staircase is an Afro-Jazz House composition crafted in a way only Joaquin himself can manifest. Layered with masterful percussion from a host of renowned players, the groove is both infectious and deeply rooted. The rhythm section drives with purpose, creating the perfect foundation for the stunning piano work of Joaquin's longtime production partner and favored pianist. The result is a powerful Afro-dance journey - spiritual, percussive, and built to ignite dance floors wherever it's played.
But that's not all.
Also featured on this EP is another Joaquin Joe Claussell remix titled Kwelo, featuring Afro-dance originator Mr. Jephte Guillaume. A collaboration rich in heritage and forward motion, it further expands the sonic landscape of this release.
This project has been over a year in the making - a true labor of dedication and persistence. We're incredibly excited for its release, and we know our loyal following shares that excitement. In many ways, it was your continued support that helped bring this record into existence.
Don't sleep.
.
Enjoy the Journey
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Downward Staircase is an Afro-Jazz House composition crafted in a way only Joaquin himself can manifest. Layered with masterful percussion from a host of renowned players, the groove is both infectious and deeply rooted. The rhythm section drives with purpose, creating the perfect foundation for the stunning piano work of Joaquin's longtime production partner and favored pianist. The result is a powerful Afro-dance journey - spiritual, percussive, and built to ignite dance floors wherever it's played.
But that's not all.
Also featured on this EP is another Joaquin Joe Claussell remix titled Kwelo, featuring Afro-dance originator Mr. Jephte Guillaume. A collaboration rich in heritage and forward motion, it further expands the sonic landscape of this release.
This project has been over a year in the making - a true labor of dedication and persistence. We're incredibly excited for its release, and we know our loyal following shares that excitement. In many ways, it was your continued support that helped bring this record into existence.
Don't sleep.
.
Enjoy the Journey
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Label:Smallville Records
Cat-No:smallville69
Release-Date:19.06.2026
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville69
Release-Date:19.06.2026
Genre:Deephouse
Configuration:12" Excl
1
Frank & Tony - Ways Of Mine
2
Frank & Tony - After All
3
Frank & Tony - Dimension
2026 repress
Artwork and Typography by Stefan Marx
Tracklist:
A1 Ways Of Mine
B1 After All
B1 Dimension
We feel like Frank & Tony and Smallville have been on the same musical wave-length since forever. Our musical paths have crossed back and forth over the years and we have always shared a lot of the same values- steadily putting out quality music, that stands the test of time - growing consistently - never stop following our very own way - always not-following trends forever..
Frank & Tony is the collaborative guise of Scissor & Thread co-founders Francis Harris and Anthony Collins aka Grant. Both have long been staples of the underground with material under their own names and numerous other guises shaping the musical landscape of House Techno and beyond since the turn of the millennium. Both lived together in New York and as Frank & Tony the pair have delivered multiple albums and many EP’s on their own label, Tokyo’s Mule Musiq and Pacific Rhythm- now they are warmly welcomed onto the Smallville Records roster with their latest collection of works.
‘Ways Of Mine’ leads on the A-Side and showcases the pairs signature deep hypnotic house style via soft billowing pads cascading metallic chimes psychedelic spoken word and dreamy dubbed out keys floating atop a robust bouncy rhythm
section.To open the flip-side title-track ‘After All’ lays down a subtly blooming chord sequence shuffled drums and bumpy bass stabs at its core all subtly nuanced while the latter half introduces more dynamic rhythmic elements and intertwined melodic touches. ‘Dimension’ then concludes the release diving deeper with saturated ethereal pads and bubbling resonant arpeggio lines alongside heavily swung crisp drums jazzy keys and delayed vocal chants.
After All comes with a full cover artwork by Stefan Marx.
All tracks written & produced by Francis Harris & Anthony Collins
Mastering and Vinyl cut by Helmut Erler at Lathesville
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Artwork and Typography by Stefan Marx
Tracklist:
A1 Ways Of Mine
B1 After All
B1 Dimension
We feel like Frank & Tony and Smallville have been on the same musical wave-length since forever. Our musical paths have crossed back and forth over the years and we have always shared a lot of the same values- steadily putting out quality music, that stands the test of time - growing consistently - never stop following our very own way - always not-following trends forever..
Frank & Tony is the collaborative guise of Scissor & Thread co-founders Francis Harris and Anthony Collins aka Grant. Both have long been staples of the underground with material under their own names and numerous other guises shaping the musical landscape of House Techno and beyond since the turn of the millennium. Both lived together in New York and as Frank & Tony the pair have delivered multiple albums and many EP’s on their own label, Tokyo’s Mule Musiq and Pacific Rhythm- now they are warmly welcomed onto the Smallville Records roster with their latest collection of works.
‘Ways Of Mine’ leads on the A-Side and showcases the pairs signature deep hypnotic house style via soft billowing pads cascading metallic chimes psychedelic spoken word and dreamy dubbed out keys floating atop a robust bouncy rhythm
section.To open the flip-side title-track ‘After All’ lays down a subtly blooming chord sequence shuffled drums and bumpy bass stabs at its core all subtly nuanced while the latter half introduces more dynamic rhythmic elements and intertwined melodic touches. ‘Dimension’ then concludes the release diving deeper with saturated ethereal pads and bubbling resonant arpeggio lines alongside heavily swung crisp drums jazzy keys and delayed vocal chants.
After All comes with a full cover artwork by Stefan Marx.
All tracks written & produced by Francis Harris & Anthony Collins
Mastering and Vinyl cut by Helmut Erler at Lathesville
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dee Dee Brave - My My Lover (Tony Humphries Dub)
2
Jomanda - Don’t You Want My Love (Street Style)
3
R-Tyme - Illusions (Mayday Mix)
4
Blakk Society feat. David Hollister - Just Another Lonely Day (Club Mix)
5
Anthony Thomas - You Don’t Love Me
6
Victor Romeo - Love Will Find a Way (Zanzibar Edit)
7
Romanthony - In The Mix (Tony’s Classic Mastermix)
8
Slam - Eternal
9
Mondee Oliver - Make Me Want You (Club Mix, Extended)
10
Bobby Harding - Feelin' Happy (The KiKi Club Mix)
11
Deskee - Let There Be House (Mix ABCD I)
12
Bizzy B - B With U
13
When Worlds Collide - Deep (2263 Mix)
14
Jay Williams - Sweat (Dance Track)
Tracklist
A1. Dee Dee Brave – My My Lover (Tony Humphries Dub)*
A2. Jomanda – Don’t You Want My Love (Street Style)
B1. R-Tyme – Illusions (Mayday Mix)
B2. Blakk Society feat. David Hollister – Just Another Lonely Day (Club Mix)
C1. Anthony Thomas – You Don’t Love Me
C2. Victor Romeo – Love Will Find a Way (Zanzibar Edit)*
C3. Romanthony – In The Mix (Tony’s Classic Mastermix)
D1. Slam – Eternal
D2. Mondee Oliver – Make Me Want You (Club Mix, Extended)
E1. Bobby Harding – Feelin' Happy (The KiKi Club Mix)
E2. Deskee – Let There Be House (Mix ABCD I)
E3. Bizzy B – B With U
F1. When Worlds Collide – Deep (2263 Mix)
F2. Jay Williams – Sweat (Dance Track)
(*Previously unreleased)
Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have pickedNew Release Information original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Dee Dee Brave – My My Lover (Tony Humphries Dub)*
A2. Jomanda – Don’t You Want My Love (Street Style)
B1. R-Tyme – Illusions (Mayday Mix)
B2. Blakk Society feat. David Hollister – Just Another Lonely Day (Club Mix)
C1. Anthony Thomas – You Don’t Love Me
C2. Victor Romeo – Love Will Find a Way (Zanzibar Edit)*
C3. Romanthony – In The Mix (Tony’s Classic Mastermix)
D1. Slam – Eternal
D2. Mondee Oliver – Make Me Want You (Club Mix, Extended)
E1. Bobby Harding – Feelin' Happy (The KiKi Club Mix)
E2. Deskee – Let There Be House (Mix ABCD I)
E3. Bizzy B – B With U
F1. When Worlds Collide – Deep (2263 Mix)
F2. Jay Williams – Sweat (Dance Track)
(*Previously unreleased)
Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have pickedNew Release Information original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Imagination - Flashback
2
Imagination - Just An Illusion
3
Imagination - Music And Lights
4
Imagination - So Good, So Right
5
Imagination - Body Talk
6
Imagination - Heart 'n' Soul
7
Imagination - Changes (Larry Levan Dub)
8
Imagination - Burnin' Up
Territories: Worldwide
DLP: Limited Edition 45rpm Half Speed Master Cut, Heavyweight Silver Cardboard Sleeve, Sticker
Tracklisting DLP
A1. Flashback
A2. Just An Illusion
B1. Music And Lights
B2. So Good, So Right
C1. Body Talk
C2. Heart 'n' Soul
D1. Changes (Larry Levan Dub)
D2. Burnin' Up
Info
WRWTFWW Records unleashes the first ever release of legendary post-disco, funk, soul and electronic UK trio Imagination's cult album Night Dubbing in (well deserved) double LP format. The limited edition full-length comes with pristine audiophile treatment and luxurious packaging : a 45rpm and Half Speed Mastered DLP housed in heavyweight silver cardboard sleeve.
Imagination's singular 1983 album Night Dubbing is a refined deconstruction of black British soul and club pop, filtered through the deep studio and mixing techniques of dub music. Elegant, restrained, and, in its very own subtle way, radical, the record reshapes choice selections from the group's stellar catalogue into an immersive and out-of-this-world listening experience.
The special mixes on Night Dubbing are built on time and space. Basslines elongate and dissolve. Vocals appear, vanish, and reappear like ghosts. Drums fall away into vast silences, while echoes, tape edits, and precise engineering manoeuvres smoothly slide across the stereo field, revealing themselves like magic over repeated listens. Far from simple extensions or 12" versions, Night Dubbing treats the studio itself as an instrument, opening new dimensions of sound.
Often cited as a foundational record in the genesis of the house genre, the album also features the historic Larry Levan remix of "Changes", a Paradise Garage anthem that helped shape the direction of club music for decades to come.
More than 40 years on, Night Dubbing remains a seminal work. Its influence continues to echo through contemporary dance music, offering a blueprint for how pop could be transformed into something darker, stranger, more physical - a timeless sound that drifts effortlessly from the dancefloor into space.
Important note : it sounds amazing played on 33rpm too !
Points of interest
- For fans of disco and post-disco sounds, funk, soul, electronic, deep grooves, heavy basslines, beautiful synth, classics, dancing, sharing, loving, world peace.
- First-ever double LP release for Imagination's Night Dubbing album in full audiophile 45rpm Half Speed Mastered cut. Housed in heavy SILVER sleeve !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition 45rpm Half Speed Master Cut, Heavyweight Silver Cardboard Sleeve, Sticker
Tracklisting DLP
A1. Flashback
A2. Just An Illusion
B1. Music And Lights
B2. So Good, So Right
C1. Body Talk
C2. Heart 'n' Soul
D1. Changes (Larry Levan Dub)
D2. Burnin' Up
Info
WRWTFWW Records unleashes the first ever release of legendary post-disco, funk, soul and electronic UK trio Imagination's cult album Night Dubbing in (well deserved) double LP format. The limited edition full-length comes with pristine audiophile treatment and luxurious packaging : a 45rpm and Half Speed Mastered DLP housed in heavyweight silver cardboard sleeve.
Imagination's singular 1983 album Night Dubbing is a refined deconstruction of black British soul and club pop, filtered through the deep studio and mixing techniques of dub music. Elegant, restrained, and, in its very own subtle way, radical, the record reshapes choice selections from the group's stellar catalogue into an immersive and out-of-this-world listening experience.
The special mixes on Night Dubbing are built on time and space. Basslines elongate and dissolve. Vocals appear, vanish, and reappear like ghosts. Drums fall away into vast silences, while echoes, tape edits, and precise engineering manoeuvres smoothly slide across the stereo field, revealing themselves like magic over repeated listens. Far from simple extensions or 12" versions, Night Dubbing treats the studio itself as an instrument, opening new dimensions of sound.
Often cited as a foundational record in the genesis of the house genre, the album also features the historic Larry Levan remix of "Changes", a Paradise Garage anthem that helped shape the direction of club music for decades to come.
More than 40 years on, Night Dubbing remains a seminal work. Its influence continues to echo through contemporary dance music, offering a blueprint for how pop could be transformed into something darker, stranger, more physical - a timeless sound that drifts effortlessly from the dancefloor into space.
Important note : it sounds amazing played on 33rpm too !
Points of interest
- For fans of disco and post-disco sounds, funk, soul, electronic, deep grooves, heavy basslines, beautiful synth, classics, dancing, sharing, loving, world peace.
- First-ever double LP release for Imagination's Night Dubbing album in full audiophile 45rpm Half Speed Mastered cut. Housed in heavy SILVER sleeve !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lance Desardi - The Strobe
2
Lance Desardi - The Strobe (A Capella)
3
Lance Desardi - CJ Bass Dub
4
Lance Desardi - Spirit Level
Live Trax Vol. 1 is the first in a series of new releases that come from live hardware sets
recorded straight to 1/4” tape.
It’s rough & ready deep house that’s been road-tested on cultivated dance floors, including
Heidigluhen, Block 9, Sunset Sound System and Love International.
Two years ago, a good friend - who knows stuff - suggested I should do a live show. Thinking it an
interesting concept, I started building the idea of a full set with new and old music, and set up my
hardware in a way that would allow me to make it work.
Distilled down to the essentials, my live touring rig consists of four main pieces of gear -
Sequentix Cirklon, Roland MC-707 & TR-8S, and a 1010 Music Blackbox.
This process led to making music in a new way that harks back to the 90’s when I started - all
hardware, minimal gear and recording versions straight down to the Studer A80 Tape machine.
These tracks are the beginnings of the fruits of this process.
If you don’t know me: as well as doing my own music, I work in various capacities as producer,
mix engineer and arranger for Honey Dijon, Luke Solomon, Gideon, Horse Meat Disco
Defected Records and lots more.
I’ve performed at as some the best clubs and festivals including Genosys & NYC Downlow at
Block 9, Heidegluen, Adonis in London and Panorama Bar.
My style of house and techno has always been tipped towards the underground, with raw, deep &
driving sounds all key to the mix.
A1. The Strobe
A2. The Strobe (A Capella)
B1. CJ Bass Dub
B2. Spirit Level
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
recorded straight to 1/4” tape.
It’s rough & ready deep house that’s been road-tested on cultivated dance floors, including
Heidigluhen, Block 9, Sunset Sound System and Love International.
Two years ago, a good friend - who knows stuff - suggested I should do a live show. Thinking it an
interesting concept, I started building the idea of a full set with new and old music, and set up my
hardware in a way that would allow me to make it work.
Distilled down to the essentials, my live touring rig consists of four main pieces of gear -
Sequentix Cirklon, Roland MC-707 & TR-8S, and a 1010 Music Blackbox.
This process led to making music in a new way that harks back to the 90’s when I started - all
hardware, minimal gear and recording versions straight down to the Studer A80 Tape machine.
These tracks are the beginnings of the fruits of this process.
If you don’t know me: as well as doing my own music, I work in various capacities as producer,
mix engineer and arranger for Honey Dijon, Luke Solomon, Gideon, Horse Meat Disco
Defected Records and lots more.
I’ve performed at as some the best clubs and festivals including Genosys & NYC Downlow at
Block 9, Heidegluen, Adonis in London and Panorama Bar.
My style of house and techno has always been tipped towards the underground, with raw, deep &
driving sounds all key to the mix.
A1. The Strobe
A2. The Strobe (A Capella)
B1. CJ Bass Dub
B2. Spirit Level
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jomanda - Make My Body Rock
2
Mae-1 - Sweet Feelin’
3
Billy 'Jack' Williams presents Utterance - Grant Me Utterance
4
Precious - Definition of a Track
5
Man-Machine - Elektro-Genetik
6
Jay Williams - Sweat (Sweat the Club Mix)
7
Kerri Chandler - Kerri KAOZ Beat (Acetate Instrumental)
8
Romanthony - Falling From Grace (Tony Humphries Demo Mix)
9
Ed The Red feat. Passion in Fashion - 1-900 (Instrumental)
10
The Brotherhood - Love Will Make It Right (Club Mix)
11
A Slice of Life - You Make Me Feel So (ASOL Mix)
12
The It - Donnie (Hardy Mix by Ron Hardy)
13
Cisco Ferreia - Cisco’s Groove
Tracklist
Side A
A1. Jomanda – Make My Body Rock
A2. Mae-1 – Sweet Feelin’
B1. Billy “Jack” Williams presents Utterance – Grant Me Utterance *
B2. Precious – Definition of a Track
B3. Man-Machine – Elektro-Genetik
C1. Jay Williams – Sweat (Sweat the Club Mix)
C2. Kerri Chandler – Kerri KAOZ Beat (Acetate Instrumental)
D1. Romanthony – Falling From Grace (Tony Humphries Demo Mix)*
D2. Ed The Red feat. Passion in Fashion – 1-900 (Instrumental)
E1. The Brotherhood – Love Will Make It Right (Club Mix)
E2. A Slice of Life – You Make Me Feel So (ASOL Mix)
F1. The It – Donnie (Hardy Mix by Ron Hardy)
F2. Cisco Ferreia – Cisco’s Groove
(*Previously unreleased)
Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Side A
A1. Jomanda – Make My Body Rock
A2. Mae-1 – Sweet Feelin’
B1. Billy “Jack” Williams presents Utterance – Grant Me Utterance *
B2. Precious – Definition of a Track
B3. Man-Machine – Elektro-Genetik
C1. Jay Williams – Sweat (Sweat the Club Mix)
C2. Kerri Chandler – Kerri KAOZ Beat (Acetate Instrumental)
D1. Romanthony – Falling From Grace (Tony Humphries Demo Mix)*
D2. Ed The Red feat. Passion in Fashion – 1-900 (Instrumental)
E1. The Brotherhood – Love Will Make It Right (Club Mix)
E2. A Slice of Life – You Make Me Feel So (ASOL Mix)
F1. The It – Donnie (Hardy Mix by Ron Hardy)
F2. Cisco Ferreia – Cisco’s Groove
(*Previously unreleased)
Info:
Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have picked original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More