Territory: Worldwide

Tracklist:

A1 / Tangible Dreams
A2 / Tangible Dreams (Lawrence Remix)

B1 / Idle Space
B2 / Altered Pollen
B3 / Influx

Info

Enigmatic artist GRANT, a longtime figure in the deep house and techno underground, collaborates with Alex Albrechton the title track 'Tangible Dreams'
The two connected via the Scissor & Thread label and Francis Harris, forming a creative partnership. The EP is a textured homage to late '90s dub techno, echoing Basic Channel and Chain Reaction, while retaining a modern touch. The tracks are timeless, groove-focused, and sonically deep.
On the release, GRANT says: "I've been a fan of Alex's work. Through Francis and Scissor & Thread, it felt natural to collaborate. This EP is the kind of music I love to play - not flashy or trendy, but tracks that hold up and grow on you."
With decades of record collecting and acclaimed releases on Lobster Theremin, Mörk, and his own imprints, GRANT has built a loyal following. His albums The Acrobat, Cranks, Perception, and Fantasy Blues are collectors' favorites.
Alex Albrecht, known for immersive performances at Paradise City, MNMT, Public Records, and Giant Steps, has released on Anjunadeep, Mule Musiq, and his Analogue Attic imprint.
With 'Tangible Dreams', GRANT and Albrecht deliver a collaboration destined to stand out.










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Territory: Worldwide

Tracklist:
A1 /Brotherhood (Glitched)
A2 /Existenz
B1 /Pänaroma
B2 /Brotherhood (Moomin Remix)

Info

For its latest release, Last Year in Marienbad welcomes back French producer Moonee, who delivers an EP brimming with his signature blend of euphoric and emotive grooves.

One of François Lefevre’s main aliases, Moonee explores the airier side of dance music, crafting deeply immersive sonic experiences that evoke introspection and escapism. While initially focused on deep house, his sound has evolved across recent releases, particularly on his Sandquest LP for OATH. His finely curated approach highlights fluid, intuitive soundscapes that invite repeat listens.

His new EP, Brotherhood, is perhaps his most refined and carefully poised work to date. The title track’s Glitched version opens with a sense of urgency, combining a stepping garage beat, lo-fi vocal snippets, and deep basslines. Existenzfollows, elevating four-on- the-floor energy with intricate rhythmic textures and a rich, orchestral-like melodic palette. Panorama rounds off the EP’s initial arc with playful vocal samples and an uplifting bassline—perfect for late-night city wanderings.

Closing out the release, Oath affiliate Moomin reinterprets the title track with an electro-infused remix. More understated than the original, his version builds gradually, offering a masterclass in energy control.For those seeking enriching grooves, entrancing melodies, and warmth, Brotherhood delivers. It’s a journey through electronic currents, shifting effortlessly between moments of calm and surging energy—press play and dive in.
Key Sale Points :

- Featuring a very rare Moomin Remix.









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Back Catalogue - shipping beginning by June 20


Mosso, originally from Argentina but currently based in Berlin, has since 2002 released a plethora of records that has over time showcased his sound and craft as one of profoundness and emotional dexterity. Mosso has aligned himself within the threshold between House, minimal, tribal and experimental music, with a firm eye on creating razor sharp sounds and highly immersive audial palettes. This curiosity stems from Mosso’s range of compositional and technical skills, with a degree in Sound Studies and Sonic Arts highlighting his fascination with the look and feel of what can be heard and touched upon with music. His live performances epitomise his approach to his craft, and have been highly received around the world, no matter the space. Mosso’s discography is littered with releases on some of the best labels going, including the likes of Hivern Discs, Third Ear, LumineresLaNuit, and his own imprint Mosso – a real journey throughout the electronic music cosmos.

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On their latest excursion, Last Year At Maienbad proudly invites you into the gloriously breezy, beautifully put-together world of Retromigration, who’s melodic abilities have put him firmly within everyone’s passenger seat as they shoot down a sun-kissed highway…

There are a number of artists within the present day whose names remain constantly on the tongues of music lovers, and Retromigration’s name has been there so consistently of late for a number of reasons. His music represents the nucleus of what dance music means to so many, a form of music that channels the soul, chimes deep within the mind, and makes the listener escape into the depths of their emotional palette. His songs have an ever present Jazz presence to them, but his sound has numerous components to it, with rhythmic feel being right at the heart of proceedings. Retromigration always finds a way to feel himself out within his records, covering an enormity of ground and allowing each track to interact with the next. This makes his tracks at ease with the listener, forging a vital connection that works with mood and the concept of listening intently – and feeling very content about it. The instrumental approach he makes is certainly something, and channels into the notion that his music can come alive in any context, swaying to the rhythm of life rather than the confines of space. With excellent releases on labels such as WOLF, Handy and previously on Last Year at Marienbad to name but a few, Retromigration has traversed the plains of human expressionism and conjured up some pure magic within his music, not least with this latest effort of his…..

2022 was a busy year for the producer, overseeing four releases including ‘Kush Calls’, which featured some truly exquisite and memorable cuts that lingered long in the memory. ‘Dead Tech’ sees Retromigration shift over into more clubby territory, but many of the motifs we all know and love him for make some notable appearances as we shift from track to track. Playful, emotively porous and ever-searching are perhaps some key features of the first two tracks, ‘BO’ and ‘Lapras’, which represent Retromigration doing a house in such a refined and considered manner. Powerful swaying rhythm sections interweave themselves with melodic excellence, including an inspired flute line that rides high within the EP’s opener. The intro then flows into a groove like no other, with the flute featuring prominently once again, with particular emphasis placed upon the breakdown, which dips the listener in such a glorious mood. The vocals that move in and around the groove are inspired, providing an additional level of narrative in which to dive deep within.

The title track anchors the album in the mid-section, and it takes the mood down to a softly speaking space. Effortless in its approach, the tune takes all the time it needs to saunter along, with a groove to ride upon and a collection of melodic layers that are so easy on the ear and the heart too. ‘Half Pure’ arrives next, and this one kicks the tempo up a few notches to the energies that persisted in the opening cuts. The vocals make more of a visible presence here, with the repeating vocal working very well indeed with the solid chordal arrangement. The melodies are once again handled with care and attention, their floating feel merging superbly with the rhythm as the listener is allowed to rise higher and higher. To wrap up proceedings, we have Da Poet on remix duties of ‘Half Pure’, and this one complements what has come before wonderfully. The additional glassy chords do wonders to the soul, with the bass line adding power and purpose to the groove. It’s a fitting end to a record that carries the listener along, showcasing all it has to offer from up high but also on the ground, with feelings reverberating from top to bottom – always shifting, searching and moving, no matter what.

Artists who remain on people’s lips are worth talking about for a reason, and with this latest effort, Retromigration continues his presence at the forefront of dance music in general. A record that is sophisticated technically, with the production second to none, but it’s the centre of the tunes that make it magical. The soul is laid bare in its various guises, from the up-tempo right through to the slow and steady, there is so much here to feel with and grow alongside, and for that we can all be pleased for this to pass through our mind. So go on, take a gander, breathe, and immerse yourself……

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The wax is hot. The tunes are massive. Oath’s sub-label, Last Year at Marienbad, dispenses a foursome of punchy house tracks for its fifth release, lovingly crafted by some of the genre’s finest producers.

‘The Way We Flow’ by Sam Paradise pairs detuned, lo-fi samples with thumping kicks, and muffled drums. Just when those innocent lo-fi elements simmer, the drums slam back into your periphery harder than ever, making for an absolute dancefloor smasher.

‘De Nuit (3 A.M)’ by Nu-Cleo descends deeper. Swinging drums and chocolatey, indulgent keys lay the basis for a hypnotic acid bassline. Real tension builder.

Flipping over to the B-Side – careful, it’s hot – is ‘She Wrote’ by Gloved Hands. Seemingly just a ride through a well-made bouncing synth and house groove combo at first, this track soon shows off Gloved Hands’ knack for leftfield flavours. There’s an unexpected trap-esque vocal that gets re-contextualised for the club alongside piercing synths and a bulging broken beat.

‘Hard Deep’ by Rick Wade is an obvious one. The stalwart of the house scene serves up another of his zesty, masterful grooves. Shimmering, effortless keys steer a tight drum groove while a subtle bassline nestles between the kick’s low end.

Four cuts from four house experts. Is there much more a dancefloor could ask for?

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Picture this – the light in the room has moved into the golden hour, where the sunlight sits so easy on the walls, soaking up the wooden floors, illuminating the plants, and making the crystals in the drink feel that oh-so sweet. The wavelengths that reverberate around the room flow into the sun-drenched evening sky, blue and warm to the touch, easing the mind as smiles abound on those all around the floor. All this and more can be found in the expertly curated vibe that is KX9000’s ‘The Sofa Lamp’ EP, the latest perfected atmosphere from Oath sub-label Last Year in Marienbad.

KX9000 is the primary alias of Kerim Ben Mustapha, who for a good while now has been serving up the kinds of Jazz tinged, softly undulating dance-y cuts that expertly nail the orange hues that frequent the finer moments in life, regardless of whether its the hottest dance floor or a fun-fuelled home exercusion. His previous efforts have all impressed, with a finely stuck balance found between rhythm and melodic features. Mustapha’s framework picks from a wide range of motifs, all of which touch upon a number of cornerstones within the contemporary electronic melting pot. What comes out of the process is a sound that is elegant, effortless and infectious, cutting through pre-conceived contexts and aligning itself with the mood that comes from people being together. His previous efforts cover it all – the peak time, the down times and that middle ground that simply gets things going, its dance music that is both emotionally and rhythmically intuitive, and as you dive deeper there is always more to be elaborated on and enjoyed.

‘The Sofa Lamp’ is the next serving that Mustapha has come to the surface with, and it has all the hallmarks of his established sound, but with plenty of scopes bolted on that make this a throughly well-rounded and delectable audial experience. The EP spends no time messing about, with the opener ‘Sauce Pepe’ throwing itself right into the mix, with its engrossing percussive palette doing much to get the vibrations flowing. The bass line adds weight whilst the melodic outlay that develops up top consists of jazz laden chords, snazzy horns and deep set chordal patterns, and its easy to say this will be doing the rounds come summer. ‘Locha’ arrives next, which features Cosmonection, and this one kicks the tempo up a little bit. The beat swings expertly, providing a basis for a grooving bass line to meander through the bottom ends, all the while sun-kissed chords lap over the top with such feverishness. The layers are collated and managed for maximum effectiveness, with the breaks provided allowing for those bona fide hands-in-the-air moments. ‘April’, which features man of the moment Tour Maubourg, keeps the rhythmic flavours flowing from the previous effort, with the emotive quality of the chords traveling deep into the neurons. The gorgeous lead line adds a ear worm that will last for days, and with that the key ingredients persist for an inspired dip into the dance. Last but not least, ‘Everw*day’ caps off the experience with purpose and emotional presence, with the music operating beautifully been expansive deep house notions and the rhythms of Balaeria – it does much to leave a long-lasting impression on those who encounter this collection of tunes, and we for one feel all the richer for sticking by it for these four excellent cuts.

If enriching environmental dance music is what you are after, then this is the EP for you. This EP sees KX9000 in peerless form, helped along by some inspired features that add density to proceedings and allow for the most well-rounded of experiences to prevail. If there ever was a record to soundtrack the good times, the ones where you feel at ease with your surroundings and melt into the sunlight, then this is the one for you – so go on, give it a spin.

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As we stumble into 2023, Oath sub-label Last Year At Marienbad stands tall with this wondrous new mini-album from the multi-faceted and talented Ben Hauke, with a collection of tracks that make the head turn and the soul yearn.

Ever since his debut back in 2013, Hauke has been chasing a sound that is fed into from multiple angles and reference points, so much so that it feels like he has been making music over the course of many lifetimes. Hauke operates within that contemporary House realm where the genre is broken down and reconstructed within differing images, but there is a continuity that threads it all together, a deep mystifying presence that knits skylight emotions with superb drumming patterns. His craft as such feels elastic and boundless, leaving the listener finding all they could ever wish for and more with every release, the flow from one record to the next only bounding people more to his effortless emotive breeze. There’s a haziness to his work that persists within the sampled feel of many elements within his tunes, which provide an earthiness to proceedings and provide vitality in all its forms. So much has been covered within his soundscape yet there is always room for growth, such as Hauke’s vision and his control over how his sound will develop and morph. He has released on a wide variety of labels, including Far Out, Church, Hear Other Sounds, Melodica, Co-Operation Recordings, and YAM. The founding of WOOP records would go on to see Hauke further experiment with his style, with UK Garage, Jungle, and Breakbeat all making an appearance on this wonderful series of wax releases which only further Hauke as a go-to producer for keeping you on your toes and for taking you deep within the dance.

It only makes sense for Hauke to release his latest masterclass via the one and only Last Year In Marienbad, which has blessed us with two excellent records from Retromigration and Jesse Bru thus far, with ‘Save The Date’ acting as yet another impressive step forward for both the imprint and Hauke. The record is, as always, seeped in dynamic boundary defying moods and breezy, steppin grooves, moving easily from club floors through to sun kissed walks and deep hued evenings. There’s the broken beat masterclasses in the form of ‘Make Up Break Up Bench’ and ‘Let’s Move On Bro’, both of which contain swings that could move mountains and a sombre yet uplifting top layer of keys and flutes which really tie into that sampled feel we know and adore Hauke for. Then there’s the upbeat house numbers, and they really are something – from the fast talking ‘Watch Me Now’, with its gorgeous filtered melodic lines and evocative vocal elements, through to the 90s leaning ‘Forever Me’ with its electronic Sax taking centre stage as we welcome the morning light, through to the title track and its driving wobbles and emphatic piano lines, there is much to be said about the spaces that can be inhabited within and around these tracks. There’s even time for a break halfway through, with the sub-1 minute ‘First Snow’ showcasing Hauke’s love of Hip Hop , and within a sea of energized grooves its joyous to be provided with a differing side to the story, recharge if you will.

Ben Hauke has really harnessed a particular something during his career to date, and it is no surprise that he continues to push out top-quality recordings that feel very much in his own image, and for us ‘Save The Date’ feels like his most complete and accomplished release to date, and that is saying something when compared to the quality he has provided us with before. Heart-inducing, pulse-setting, all bound within a easygoing atmosphere that washes away the fears and sets the mind on a brighter path – a path we are so very willing to traverse. So why not take a gander and be whisked away on a sea of only the finest House laden Vibrations – Mr. Hauke has you covered…..

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Vinyl Only!

The Shaketown series is back with another sunshine-fueled chapter - this time celebrating the blissful, sun-drenched sounds of the Balearic Islands. Following the highly acclaimed
African Shaketown and Caribbean Shaketown EPs, the third installment, Balearic Shaketown, delivers four irresistible edits and remixes of classic ‘80s pop gems - lovingly reimagined by MAGIC JAMS for today’s dancefloors.

Tracklist:

THIS 1 // Cloudbusting (Magic Jams Remix)
THIS 2 // Orinoco Flow (Magic Jams Remix)
THAT 1 // The Space Between (Magic Jams Remix)
THAT 2 // Rule the World (Magic Jams Edit

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Genre: Alternative, Pop

Tracklist LP:
A1. Préliminaires - A2. La montée - A3. Le cri - A4. Le plaisir des sources - A5. Ronde génitale - B1. Grand frisson - B2. Branle [Censuré] - B3. La petite mort - B4. Simulation Blues - B5. Le calme après l'œuvrette


Bonnie Banane and Joseph Schiano di Lombo present L'Orguasme, an album of bawdy and devotional songs accompanied by the organ of the Cité de la Musique / Philharmonie de Paris. Literally composed and written for pleasure, this work (of the flesh, naturally) pays tribute to the most spectacular expression of ecstasy - a paradise so near and yet so misunderstood. From the most restrained sighs to the most dazzling vocal outbursts, from the foreplay to the eruption, not to mention the bliss that follows the incandescence, Bonnie and Joseph sing about the art of reaching seventh heaven, of genuflection and "la petite mort" ("little death" a French expression for "climax") without shying away from the darker areas: those of guilty, forbidden, feigned, or selfish pleasures, for instance.
By turns light, explosive, mystical, burlesque, and poetic, this music diverts the organ from its centuries-old habits, achieving a union of the profane and the sacred, the crass and the beautiful, the body and the spirit, early music and pop - reminding us of the essential truth: it's better to come than to cry.
While the minimalism of the arrangements initially strikes the ear - no instruments other than the organ accompany these musical escapades - the album is infused with numerous unexpected influences: R&B (La petite mort), swing (Le cri), gospel (Simulation blues), jazz (Le calme après l'œuvrette), medieval ballads (Ronde génitale, Au plaisir), and even a famous 16th-century folk dance called the branle (Branle [Censored]).
A sexy, lush, stripped-down, and unabashed opus, glorifying what remains glorious: love, music, and the boundless joy of creation.


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NO Return!

To celebrate our 10th release, we are proud to welcome Slippy G (@slippygmusic) to the RAW SOUL family.
The Cologne-based producer, DJ and freestyle rapper was inspired by the German beat scene, J Dilla and niche underground rap while growing up with hip-hop.
He also delved deeply into electronic music, discovering the shared DNA between beat-driven hip-hop and early house productions - from the raw energy to the production techniques of the legendary Akai MPC.
Over the years, Slippy G has built his own creative playground, crafting a sound that blends groove, warmth and raw authenticity with his own vocals.
RAWSOUL010 delivers six versatile tracks designed for the dance floor, smooth warm-ups and sunrise moments at festivals. Across the release, Slippy G showcases the vibrant soundscapes in his repertoire. If you're looking for grooves that get you in the pocket or house tracks that pay homage to the early '90s with a playful twist, RAW SOUL 010 has you covered.
With a fresh new look and a timeless, forward-thinking sound, this anniversary release marks a significant milestone for the label and the beginning of an exciting new chapter for Slippy G.

A1. Slippy G. - Pixel Waterfall
A2. Slippy G - Time Loops (Dub)
A3. Slippy G. - Orange Flight
B1. Slippy G - Morning Rise
B2. Slippy G - Worthy Boy
B3. Slippy G - In Your Eyes (Calm Mix)


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After releasing SOUL FICTION in May 2023! Cosmo Klein & The Campers release a "Soul Fiction Remix"ed album with remix-management by Berlin based DJ Daniel W. Best of Best's Friends Music. Remixers inc. Art Of Tones, Opolopo, Philippa, DJ Friction (Germany).
In the past the Cosmo Klein from Berlin has dedicated himself to different genres of music such as Pop, House Music, Soul, Jazz & Funk. Numerous hits like "Beautiful Lie", "Feel Alive", "All I ever need" or the Duet with German singer Maya Saban have made Cosmo Klein one of the few internationally successful music exports from Germany.


Tracklist:
A1 Nothing But Love (Art of Tones Extended Remix)
A2 Life Back Home (Philippa Rework)

B1 Right Here Right Now (OPOLOPO remix vocal)
B2 Right Here Right Now (OPOLOPO remix instrumental)
B3 Nothing But Love (DJ Friction remix vocal)


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Territories: World ex US, CA, UK

Tracklist
Side 1 (A)
1. Bad From Day
2. Bitter Better
3. No Fear
4. Gal Dem
5. Believe - Magugu

Side 2 (B)
1. On Topper
2. Blend
3. Kindness Weakness
4. Let Me Down


Blurb:

Label boss Le Motel and versatile pidgin-rap experimentalist Magugu return to Maloca for their second full-length EP, Bitter Better. Drawing roots once again from across the full club music continuum, the release is a tour de force through rugged rhythmic workouts and self-assured vocal flows as the duo continue to develop their shared universe.

Available on vinyl, Bitter Better is also the artists' first ever shared physical release - all 5 tracks appearing on side A. On the B side, the duo's first EP, 2023's Kindness Weakness can be found, making this record a must-have for long standing fans and those just discovering Le Motel and Magugu's output.






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Tracklist 12":

A1) Espirito de Estado
A2) Assim (w/ Gabto)
B1) Uber Moto
B2) Uber Moto (Lipelis Remix)

A new Toy Tonics artist! Brazilian DJ, vinyl collector, party promoter, and style aficionado Martha Pinel has joined the Toy Tonics family.

Originally from Rio de Janeiro, where she is a well-established DJ and a prominent figure in the lifestyle scene, Martha also resides in Berlin, where she became friends with the Toy Tonics crew.

She is the creator of Assembleia, a celebrated party in Rio de Janeiro known for its laid-back and unpretentious atmosphere. Assembleia has also become a Carnival sensation, hosting unforgettable annual editions that are now a highlight of the season. In Brazil, she is also known as the co-founder of the Croma project, where fashion and music merged to revolutionize Rio de Janeiro's alternative scene. She has been featured on the cover of GQ Brazil, which named her one of the "13 artists giving voice to the generation that is changing the world."

Martha has been DJing worldwide at festivals such as KALA Festival, Paris Fashion Week, DGTL, and Boiler Room. She has made a name for herself in the diggers scene, sharing the stage with DJs such as Hunee, Antal, Yusu, Sam Ruffillo, Prins Thomas, and many others.

Martha is passionate about discovering music daily and crafts dynamic, non-linear sets that play with the audience's emotions. Known for her bold approach, her sets are always powerful and brimming with personality. They seamlessly blend ethnic musical influences with cutting-edge productions from Brazil and beyond, incorporating African and Middle Eastern sounds, space disco, Italo disco, Balearic beats, house, and its subgenres.

Martha Pinel's debut EP, Real Rio, was born during a moment of rediscovery in her hometown, Rio de Janeiro, after spending a long time abroad. This project is a celebration of that reconnection, capturing the city's most authentic and visceral aspects-a place where beauty and chaos coexist, with dramatic highs and lows.

In the track "Uber Moto," Martha reflects on the urban phenomenon of app-based motorcycles, which have become a symbol of the city.

"Espírito de Estado," on the other hand, is a track that embodies the spirit of the Carioca Carnival, the greatest party in the world.

Finally, "Assim" offers a personal reinterpretation of Marcos Valle's classic Estrelar. In this track, Martha and Gabto leave their mark on this Brazilian music icon, reflecting on the concept of Body Culture-it's often said that it's impossible to walk along Ipanema Beach without noticing the Carioca cult of the body.

















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Tracklist 12":

A1) La La Tune (Extended Version)
A2) Rico Suave (Extended Version)
B1) La La Tune (A-Trak Remix Extended Version)
B2) La La Tune (Melé Remix)

A-Trak, Mele, Aroop Roy, Josh Ludlow, ALOT on Toy Tonics? Yes! The Berlin label comes up with a heavy package of remixes for Sam Ruffillo & Kapote’s „Robot Salsa“ EP.
The Latin House EP by the 2 Italian producers. This stuff is the perfect floor fillers for the summer of 2025. While the Afrohouse wave has reached its peak and is becoming a bit „tacky“ a lot of underground DJs turned into playling different styles of latin music connected to electronic dance. And here we got Salsa and Boogaloo turned into 90’s house and indie dance. All of these will make the dancers get their hands in the air. Smiling faces and lot of endorphins secured.


















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