A1 Noah Slee - Radar (Ruede Hagelstein RMX)
A2 Noah Slee - Radar (Kai Alce RMX)

B Noah Slee - Radar (Soulphiction RMX)

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Germany
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Jazzanova released their 3rd album "The Pool" on Sonar Kollektiv in 2018. It evolved from various loose jam sessions, mixing up synthesised sounds, samples and real instrumentation. Many singers where involved incl. Edward Vanzet from Australia, who was also asked to provide lyrics. Which he did creating the song "I'm Still Here" giving the tune a Yacht-rock west coast feeling.
I always felt the song was one of the strongest of the whole album so I asked some peeps to do remixes for my label Best's Friends.
German A-List remixer Larse gives the whole thing a pop feeling with an Italo-disco touch in his both versions. While Winnie & Somow from Berlin go for a more organic approach looking for that sun-rise House tune on a beach-rave or wherever.
I think this remix package has something for every one in it
- Daniel W. Best


A side

1. I'm Still Here - Larse Remix
2. I'm Still Here - Larse a.P. Dub Remix

B Side

1. I'm Still Here - Winnie & Somow Remix
2. I'm Still Here - Winnie & Somow Dub Remix



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Since being bitten by the techno bug some twenty years ago. Sammy Goossens aka Sierra Sam has been following the steady pulse of the kick-drum.
Soon his solo tracks caught the attention of the legendary R&S Records, who signed him in 1997.
James Pennington aka Suburban Knight started to work with him, co-producing Suburban Knights classic album "My Sol Dark Direction" for Peracefrog as well as various other singles and remixes
More releases on renowned labels like Dirt Crew, Supplement Facts, Serialsm, Upon You or Souevenir followed and resulted in a busy schedule performing analogue live sets at some of the worlds most revered clubs such as Fabric, Rex, Analogue Room Dubai, Wood, Watergate, Berghain, etc.

A1. Essence
A2 Alpha Game - Sierra Sam & Suburban Knight
B1: Essence (Suburban Knight Remix)
B2: Audity



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LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984

In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself

Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00



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Special remarks : Full-colour reverse-card sleeve, postcard

Tracklist
A1 Poet's Recollection
A2 Whispering Sand
A3 The Womb It Wanders
A4 Serra Cantica
B1 Lune River
B2 Nocturnal House
B3 Hallow
B4 Shepherd's Hill

Shortinfo:
Debut collaborative album from Troth, the Nipaluna-based duo of Amelia Besseny and Cooper Bowman, and kindred spirit and legendary Mancunian free-form guitarist Jon Collin. A lavish dreamscape conjuring the dramatic beauty of uncharted mountains and streams, it documents both the crystilisation of ideas first shared during an Australian encounter in early 2023 and years of mutual appreciation.

Troth’s sonic universe, a constellation of drifting atmospherics, bedroom pop impulse and modern classical motifs, is deeply intimate and never rushed. Recent sides Forget The Curse and Idle Easel and live performances supporting the likes of Maxine Funke and Treasury of Puppies have seen Besseny’s soaring, celestial voice take centre stage, delicately adorned with Bowman’s synthesiser flourishes and homespun instrumentation. At their heart lies Bowman’s tireless collaborative instinct: his decade-long involvement in the Australian underground and his countless musical outfits (including contemporary trio Th Blisks, with Besseny and Yuta Matsumura).

Summer 2023 saw the duo host two shows for Collin in their former home of Mulubinba, regional New South Wales. Collin is perhaps best known for his playing, deconstructing and reconfiguring of the guitar and other stringed instruments, realised in solo works on his own Early Music and Winebox Press imprints, and collaborations on a trio of albums with Demdike Stare and live sessions with Sarah Hughes and Bill Nace. His unique style of playing, sometimes delicate, at other times frictional, refutes expectations of traditional instruments and fits perfectly within both Troth’s ethos and their lush sonic mise-en-scène.

The objects of devotion perhaps symbolise the group’s devotion towards each other during their music-making process, and the fruits from which they are borne. “I think, any music I have a hand in, is a dialogue with by the people I'm making it with. It's an ongoing conversation between people and sound”, reflects Bowman. The sacredness and ominousness of remote Tasmania is just as affecting, the interplay of Besseny’s haunting vocal washes, Bowman’s sparse instrumentation and Collin’s ritualistic strum evoking the eeriness that lurks beneath the seemingly limitless Australian landscape. “When I think about it, it sounds like being together at the bottom of the Earth. Watching, listening and playing together with no-one else in sight."



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DE - 22113 Hamburg
Germany
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